#old men lover

[mayisgoingnuts]

MAY MAY MAYYYYYY

Can I throw a new Oc concept at you? I feel like a fucking genius rn >:3>

OFC YESYES

OPENIBG MY ARMS/SILLY /POS

[anachronisticluvrr]

intro <3

totally didnt get forcibly removed from the site lolll but uhm. used to be @/colonthreeee

other acc is @ ho***********oy, and i have a secret third one. if u think its me, it probably is

-he / it

-will be posting abt fucking anything, nsfw may be included so if u fuck w it u fuck w it, if u dont, u dont

-im trans masc??? a trans man?? bi, n autistic

-fucking obsessed w frank iero

-no commentary minecraft videos here if u wanna watch!

[mayisgoingnuts]

Deity of wolf.......

here's a random word generator--whatever word it gives you is now the thing you are the deity of

[soimse]

“He’s sped up my mind when it’s sluggish, and calmed it down when im anxious.”

I’m so normal about them

[murrpa]

what happened in honda odyssey stays in honda odyssey💋

(bruh i struggled so much with this for no reason😭)

[ibahibut]

Just keep looking at me

[mayisgoingnuts]

LSSJKX🥺🥺🥺🥺🥺

Sound on

[newwavesylviaplath]

NO WAY SUTTON CAN HANDLE ALLAT

[400luxxxxxxx]

toxic doomed old man yaoi

shakespeare if he was woke

Iago: God forsake that doltish, doltish man! That he believeth each word to drop from mine own lips as though ‘twere holy writ, blindeth himself in his conceit... God save us all if that moor hadst remain’d powerful as he once was. Was! ‘Tis ever so sweet to speak of him in the past. My hatred for the man doth outlast his brief, fool’s life. Ay, good riddance I say, good riddance. It gives me somewhat to dwell upon, rather than mine own blood seepeth o’er my clothes – and yet, whilst I am so bruised and beaten, the thought dost creep o’er my mind, that I am glad Othello saw me not in such estate... good riddance, I say! And good riddance to his whore of a wife, loyal or nay! I stand triumphant, as I ever was, whilst they both do rot in the ground, many a pace betwixt them. Never have I known a fate more satisfying. If he were to cast me aside, then let him have naught by his side. Yet the question I can but ask myself still, is why doth mine heart ache so? The moor is dead by none but his own doing. Blind was he to mine own worth, casting me off like so. Say not mine hand was unforced. So why doth I ache so?

Were he alive, would he rue it? The fool, to end his own life... could he not be a man? Othello, thou art a fool if thou hear’st me now! By what reason or wit didst thou wed that woman? Did she know thee better than I? Did she know thee more deeply? Doth her devotion put mine years of loyalty to shame? I-

Ay, see me now! Pacing and railing against the walls of this accurs’d cell like a craz’d wretch. Nay, Othello, thou art not here. Good riddance to thee. Thou art dead, I am alive; thus I am the victor.

Yet it doth feel less noble than I had dreamt. There is no crowd to applaud me within these walls. In mine heart there smoulders a fire, yet beneath it lies an emptiness naught can fill. My hunger should have been sated the moment that blade pierc’d his belly, yet instead tis growing more keen as each day doth pass. And without him. Yet pass they do.

Nay, good riddance, The days pass as e’er they did, yet the man who wronged me doth not see their passage – that alone is reason for celebration. Were I free this moment, mayhap I’d travel to the nearest tavern and there proclaim my triumph to all ‘til my voice grew hoarse.

Yet, even as I say it, I dread that the instant I entered, the name “Othello” would lie presuppos’d on my tongue. Oh, heavens, whom do I seek to deceive? There is none but myself here. His name, which stirr’d naught but anger in my heart, used to do the opposite. Speak on, I shall not, for if there aught left to grip save mine hand upon mine wind, it is my dignity. These walls, they crack and whisper – I should know, for I have stood long upon the other side of them. For Othello’s sake, no less.

The fate he met, ‘twas by his own hand wrought. Cassio, his choice? That lecherous, fawning knave? Were I in Othello’s stead, I’d have cast off this mortal coil the moment such a decision was made. And yet, as he hearken’d to mine own supposed crimes, ere he did end his life in such selfish haste, I find myself longing that his reddened face and rueful eye had been set alight for another cause. Mayhaps a more selfish one. That red, perchance warm’d by mine lips upon his.

God, save me! Let some gaoler enter this cell and thrash me senseless for thinking thus, and let mine head be dash’d upon the cold stone floor for that I would not repent.

--

translated version for stupid harlots

Iago:

God forsake that stupid, stupid man! Believing every word to come out my mouth like it is the scripture itself, blinding himself with his own ego... god save us all if he was to remain as powerful as he was. Was – it’s ever so satisfying to speak of him in past tense now. My hate  for the man lives longer than he ever did. Good riddance, I say, good riddance. It gives me something to occupy myself with, rather than the way my own blood drips onto my clothes – while I’m beaten, the thought can’t help but enter my mind that I’m glad Othello never saw me like this... good riddance! And good riddance to his whore of a wife, faithful or not! I remain triumphant as always while they both rot in the ground, metres apart forever. I’ve never heard of a more satisfying fate. If he was to choose to not have me by his side, then he will have no one. The question, however, that I can’t help but ask myself, is why do I still ache? That idiot is dead because of no one’s fault but his own. He failed to recognise my worthiness, pushed me to the side like some sort of wingman, you cannot say my hand was not forced. So why do I ache like so?

If he was alive still, would he regret it? The fool, ending his own life like that... be a man! Othello, you moron, if you by any chance of the heavens can hear me now, you are a fool! Why in any sense of sanity you still held onto would you marry that woman? Did she know you better than I? Did she understand you more deeply than I? Did she stay by your side for god knows how long that put my years of loyalty to shame? I-

Look at me now. Pacing and yelling to the walls of this damned grey cell like some sort of deluded psychotic. No, Othello, you are not here. Good riddance. You are dead and I am alive, and  therefore I am the victor.

It feels less admirable than I had imagined it to feel.

There is no applause in this cell for me. There is a fire burning in my heart but just below it, my stomach is empty as it’ll ever be. My appetite should’ve been quenched the second that knife entered his belly but for some reason it’s getting worse as the days pass. Without him, they pass.

No, good riddance. The days pass as they always did and this time a man who has wronged me is not here to see it – that, in my books, is a cause for celebration. Why, if I was freed right now maybe I’d even go for a trip to the nearest tavern, and brag about my winnings to everyone I can see until my throat is raw.

However, and I truly may hate myself for this, I fear the second I storm in there and open my mouth to speak, the name “Othello” would already be presumed to be on my tongue. Oh, who am I to fool. There is no one here but me. Where his name, when spoken to me, now provokes ire and anger, it did so used to do the opposite. Speak on, I will not, for if there is one thing that I wish to hold on to other than my hand to my bleeding wound it is my dignity. These cracking cell walls, they speak. I should know; I’ve been on the other side of them for the majority of my time here. For Othello’s sake, nonetheless.

The fate he had he brought it on himself. Cassio was his choice? That good for nothing womanizer? If I were Othello I’d have killed myself the second that god-awful decision was made.

And yet, as he was told of my crimes, before he did end his own life so selfishly, I can’t help but wish the red in his face and the regret in his eyes could’ve been for a different reason. The flush of his face, maybe accompanied with my lips on his.

God, spare me! Let someone back into my cell to beat my wounds raw for thinking such a thing, and let my skull be cracked open on the cold, concrete floor for not wanting to take it back.

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[mayisgoingnuts]

DAWWWWW OMGGGGGGG!!!/VPOS

CHRISTMAS<3333

@paperbagirlratlover @mayisgoingnuts Christmas!!!

[mayisgoingnuts]

HI MAY HI MAY HI MAY HIIIIIIIIIIIII

YOKAYTOKAYTOKAY HIIIIIAIAIAI!!!!!

AND HELLO TINY GREGOR!!!!!

[parsleepotato]

Two Mercs Dancing: Encore (2023) The piece above was a redraw of the piece below, which was my first CSP art piece (2 year gap between the two), back when I hardly knew how to use CSP, and my art style was much rougher. I've come a long way, and I'm so proud of myself! It's currently my best and favorite Sniper x Spy work I've made so far! 💙❤️

Two Mercs Dancing (2021) The reference I used is from my favorite Queer photographer, Robert Mapplethorpe! I studied his work a lot in college, and honestly, if any of you haven't seen his work, I recommend y'all check it out! (But be weary! Some of his work is VERY 18+)

Two Men Dancing (1984), by Robert Mapplethorpe

I love cross-faction TF2 ships, especially RED Sniper x BLU Spy. Two mercs hired to kill each other, but catch feelings for their enemy, then subsequently having to keep their love a secret. I love them either overcoming or succumbing to the challenges of loving their enemy, leading to either one or both of them being put in danger, or them fighting and/or running away to stay together, etc... These two have such an engaging and varied dynamic in my opinion. So much fanfic and fanart brings unique perspectives and ideas to the ship! Enemies to lovers is my absolute fav, and this is definitely one of my favorite ships!

Reblogs and feedback is greatly appreciated! Please don't steal my work, or repost it without my permission. I hope you all have a wonderful day!

[chio-chan2artbox]

(They are nemeses)

[wishchip106]

i’m still just thinking about how in apocalypse the thing that stops magneto from destroying the world is an edit of charles just seeing the good in him.

🤨

not even his DEAD wife and daughter?

or maybe mutants from the brotherhood?

nope. charles

[legendarymusicmilkshake]

My favourite trope is whatever the fuck George Clooney and Brad Pitt have going on in every movie they're in together <3