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starsurface · 10 months ago

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Hi sorry for requesting again but I was wondering you had CG Headcannons for Mk 11 Johnny Cage ? He's a comfort character at the moment and I'm happy to see you do content for MK 10,11 and 1 :) sorry again for being awkward in my first ask I've been off tumblr for a while and recently came back ...

MK11 Johnny Cage!!! <3

And your fine, don't worry one bit!!

<3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3

CG Johnny Cage MK11 Hcs

💫 Depending on where we are on the timeline depends on how ‘good’ on a CG he is (all CGs are good, they're trying their best <3)

💫 Younger Johnny is more of a babysitter or older brother figure, but still a pretty good CG

💫 Older Johnny takes on a more stable CG role (we're gonna focus on him)

💫 You have so much Johnny Cage merch!!!!

💫 Any kind of doll or stuffie made of him, you've already got it!!

💫 You've even got some shirts with his old movie designs

💫 Mostly you have these because he gets a copy of almost anything ever made of him (and he likes to spoil you <3)

💫 Older Johnny has kinda left his old Hollywood life behind, joining the military and doing some movies here or there

💫 He's settled down, more to Earth than his other selves

💫 That will not stop him from buying anything you want, no matter the price

💫 You want a yummy treat? What kind? He's already got his wallet put

💫 He knows you have a thousand and one plushies . . . But a few more can't reeeeeeally hurt anyone

💫 You are his baby and nothing is allowed to harm a hair on your head

💫 You think your clingy? Psh, you haven't seen Cage Clingy

💫 Constantly wants to hold or coddle you, your just so cute!!

💫 But like, he guesses he can let you go run off, but he has to be nearby and you have to be in eye distant!!!

💫 Matching Johnny Cage inspired jammies (he happened to have them already)

💫 He has a habit of babying you even if you regress older

💫 If you like being treated like a princess/prince/royalty? Brilliant!! He's got you covered!!

💫 If you want more independence, he's decent with it, and will treat you more your age

💫 Finds middlespace regresses entertaining (mostly if your an emo regressor)

💫 Loves making bracelets and drama when your bigger

💫 Drama can be almost anything, including this dramatic thing that happened in your favorite TV show

💫 Babble encourager!!!

💫 Full blown conversations with babblers, he thinks they're adorable

💫 If you want to have him dress up and have a tea party, he's so for it

💫 Make him wear a tiara and tutu, he'll do it with pride

💫 Will also let you paint his nails any color you want

💫 While he loves and babies you, he also puts his foot down >:(

💫 If your a rule breaker, prepare for a bunch of timeout time, because there's almost not changing his mind (unless you regress really small)

💫 Won't punish you if it was an accident though, he's not terribly mean

💫 If you ever offer to spar or wrestle him while your tiny, he'll generally laugh

💫 Not at you!! Well, kinda

💫 It's just, your so cute!! Thinking you could beat him up, that's so adorable 🥺

💫 He'll let you fight him though (and probably let you win, but you don't reeeeally gotta know that)

💫 He'll treat you with ice cream when you ‘win’

💫 He's getting old, but he's got the energy he had when he was in his 20s (y'all he's like almost 60 in MK11 can you believe that??)

💫 If you regress as base, your either right by his side holding his hand, or your always in reach just in case

💫 There is a not touching rule on everything if your small on base, there's a lot of dangerous stuff and Johnny's not having you get hurt

💫 He'll do his little “Here's Johnny!!” while playing peek-a-boo

💫 Sometimes he'll egg you on to do naughty things he finds funny (like prank Sonya by putting a bit of salt in her coffee)

💫 Will also take the blow when Sonya starts getting pissy because someone (👀) ruined her coffee

💫 Your naptime? Nuh-uh. Our naptime 😎

💫 Man's old, he'd love to just laze around and cuddle

💫 But he's also got the spirit of a child, and would love to run around with you

💫 If your small while he's working out, he'll laugh as you try to pick up his weight

💫 He'll probably give you one of those workout balls or some super light weights so you can be just like Daddy :D

💫 . . . Dad jokes 😒

💫 And sometimes they're not even good!! Most times they're just to poke or annoy you!! >:(

💫 Most times they're actually really funny though

💫 Favorite CG nicknames are Daddy, Dada, Papa, Bubba, and literally anything you wanna call him

💫 Your go-to babysitters are Sonya and Cassie

💫 (Maybe also Jax and Kenshi)

💫 Cassie and Sonya both love you, you've got the whole Cage family behind your back

💫 Favorite little nicknames to call you are Princess, Baby Girl/Boy, Little One, Sweetiepie, Honey, Little Star

<3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3 <3

I hope they're more MK11 Johnny and not MK1 Johnny, and I can always do more or something like that. <3

#age regression #agere #sfw age regression #age regression headcanons #mortal kombat agere #sfw agere #mk agere #mk11 headcanons #mk11 #mortal kombat 11 headcanons #mortal kombat 11 #mortal kombat x #mkx #Johnny cage x reader #mk11 johnny cage #mk11 Johnny cage x reader #mkx johnny cage x reader #cg johnny cage #caregiver Johnny cage

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morkitten · 10 months ago

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KAMEN RIDER MEGAPOST

I've been deep in the Kamen Rider hole after taking a blind chance on it about a year ago and it's been one of the most rewarding discoveries I've had, so I'm doing a megapost where I try to convey what's so interesting and unique about this series that you can literally just start anywhere. There's a Kamen Rider series for everyone, and I hope to convince you of it and point to where you can give it a try for yourself. Click on the read more to see more!

WHAT IS KAMEN RIDER?

Kamen Rider is a superhero that rides a motorcycle who's often bug-themed, but not always. The Kamen Rider franchise started in 1971 and, with the exception of a few periods of dry spells, keeps making new yearly series to this day. It's part of Japan's many, many decades old craft of special effects-focused TV shows and movies, called "Tokusatsu" (literally, "special filming"). It was conceived and spearheaded by Shotaro Ishinomori, an incredibly famous mangaka in Japan, responsible for not only Kamen Rider, but also Super Sentai, Cyborg 009, Zubat, Kikaider, and many other TV series and mangas. The amount of works he has produced in manga and TV is incredibly huge, and his works have been incredibly influential to Japanese culture as a whole. Kamen Rider can be argued that is his biggest, most important contribution.

A consistent theme in early Kamen Rider series is that he's a lonesome, grieving hero, in which his sadness fuels his righteous anger at the evils that he's fighting against. He's been transformed into a monster against his will, and now must fight against the very forces that created him. In every Kamen Rider series, the power that the protagonist wields is the same power that fuels the evil forces he fights against. In a way, you can see it as a metaphor for Kamen Rider's production itself: It must use the evil power of mass media to carry its anti-authoritarian messages that go against the very forces that even allow it to exist. It's the tale of every artist trying to create something earnest and culturally and artistically enriching in the cynical mass media space.

WHY WATCH KAMEN RIDER?

I was never really sold on Kamen Rider at first. I remember watching a bit of Kamen Rider Black when I was very young, so I was always nostalgically curious about it. But whenever I saw the newer Kamen Rider stuff pop up on Twitter or whatever, I had always dismissed it as "eh, whatever bug bit you I guess made you interested in that". Something about the super toyetic costume designs and super fake CG just never really inspired my attention, and it was easy to dismiss it as something for kids, something in that same place in my mind as "what shonenheads are into". I guess what I mean is that I saw newer Kamen Rider as "low art". It's easy to categorize it as such, people in silly suits selling toys, doing really silly comedy, with silly CG. I've seen Power Rangers before, it's just that. It has to be cynical!

I had never done such a big 180 before. Yes, Kamen Rider is "for the kids" (with some exceptions), yes it has a ton of silliness to it, but there's also a lot of good cinematography, fantastic stunts, and really great, serious drama. Kamen Rider is seen as a cultural institution in Japan for all those reasons. It's a way to keep a lot of theater traditions alive in a modern space, a way to have many young, extremely talented actors have a big break, a way to keep tokusatsu traditions and craft (analog special effects, stuntmen, martial arts actors) alive, employed, and continuously evolving, to create something that bridges the gap across all generations in Japan.

It's difficult to explain, but Kamen Rider has the important positive qualities of extremely good older television like Star Trek and Columbo. A TV show that doesn't want to aspire to be a hollywood movie like Netflix series cheaply try to do, but that sees the value of theater and theater skills in television.

Another thing to note is that because Kamen Rider is such a huge cultural institution, if you enjoy anime and japanese video games, there's so so much about what you love on your favorite anime and games that are directly inspired by Kamen Rider. Every japanese action game you've enjoyed? Ninja Gaiden, Shinobi, Devil May Cry, Viewtiful Joe, Hagane, Bayonetta, they -all- have an incredibly huge amount of Kamen Rider in them. Nearly everything Gainax, Hideaki Anno and Studio Trigger made. Pokémon, Digimon, Dragon Ball, One Piece, Yu-Gi-Oh (especially on the superb monster designs), Taiyo Matsumoto, every japanese character that has ever stricken a dab. It's not just references, there are fundamental things about pretty much all of these games, mangas and animes I've listed that are directly attributed to Kamen Rider. So if you enjoy anything I've listed, you ought to give it a try.

OKAY, WHERE TO START?

One of the greatest things about Kamen Rider is that since every series is its own closed continuity (there are crossover movies but they largely don't matter), you can pretty much start anywhere you'd like. Of course, with this many ice cream flavors, one can't help but become paralyzed by the abundance of choice, even though, and I can't emphasize this enough, every Kamen Rider series I've watched so far have all been pretty good to fantastic. I'm sure there's a couple of stinkers I've avoided, but a hitrate like this feels miraculous, I don't understand how does Kamen Rider from so many different eras can keep such a consistent quality even when they can feel so different from one another and be spearheaded by such different creators. You can maybe look them all up and decide what theme you're most attracted by, or, I can maybe help you and tell you about the ones I've watched!

So, here's a list of the Kamen Riders I've watched, with short descriptions of each of them and what makes them appealing, and a mini-list of recommended episodes to sample, in case you're still not sure whether to jump in:

SHOWA ERA (1971 - 1994)

KAMEN RIDER (1971)

The original, and also the least I've watched so far, haven't even gotten to 10 episodes yet. It famously started with an incredibly small budget and it's magical to see what tricks the production employed in order to make it work and be exciting and fun while spending as little money as possible. The stunts are very dangerous but very cool to see. A long, very episode-by-episode affair, but if you get excited on cheap sets and cheap cinema tricks and special effects used very cleverly, this is going to light you up like a christmas tree. It also employs some thriller-inspired cinematography that is very exciting. The writing doesn't offer much substance, but it has this quality where it really believes in itself and in the ideals that Kamen Rider is supposed to represent that is very easy to feel wrapped up in. Might bore you if you're not already sold on the appeal of old tokusatsu.

RECOMMENDED EPISODES TO SAMPLE: Episode 6: The Grim Reaper Chameleon! Episode 7: The Grim Reaper Chameleon Showdown: Old World's Fair

KAMEN RIDER AMAZON (1974)

It's basically just the 1971 Kamen Rider but the main character is Tarzan. It runs only half as long as other Kamen Rider series so if you wanna do a whole Showa-era KR series quickly, it's a very solid recommendation. It's very violent for a children's show, with Amazon often slicing and mauling his monster opponents in bloody messes, and it looks really sick. The suits and special effects are better than how the original Kamen Rider starts off, but it still has that appeal of being old and budgeted for a TV show, which in this case is a huge positive, imo. Also again, the writing isn't much to write about, so don't expect big narrative payoffs or anything like that, you really have to enjoy it on an episode-by-episode basis, which is fine, because the monsters and special effects are extremely cool, the characters are charismatic, and the little episodic plots are fun.

RECOMMENDED EPISODES TO SAMPLE: Episode 4: Run! The Raging Jungler! Episode 11: The Golden Snail is the Grim Reaper's Envoy!? Episode 16: Garanda's Tokyo Sea of Flames Operation Episode 17: Mt.Fuji Big Explosion?! The Tokyo Fry Pan Operation

KAMEN RIDER BLACK (1987)

This was supposed to be a revival of Kamen Rider into public interest after being dormant for a while, so it also feels like a retelling of the first Kamen Rider in a sense, has a lot of common elements, but with slick 80s production and sensibilities all over. If you love how 80s action, sci-fi and thriller movies look like, you'll love the cinematography and production of Kamen Rider Black. It's edgier, sleeker, and even scarier, borrowing a lot of horror/thriller elements that were in vogue at the time, while still being a hopeful, heroic and uplifting presence for children. Has an overarching plot that develops over time but it's, again, really about enjoying it on an episode-by-episode basis, as the overarching plot develops veeeery slowly and in very small portions. I supremely love how this series looks, I love the special effects, I love the suits, and it has my favorite transformation sequence.

RECOMMENDED EPISODES TO SAMPLE: Episode 1: Black!! Transformation Episode 2: Monster Party Episode 18: Sword Saint Bilgenia Episode 20: Rider's Grave Episode 23: Marumo's Magic Power Episode 24: College Girl's Nightmare

SHIN KAMEN RIDER PROLOGUE (1992) (MOVIE)

This doesn't have anything to do with the Anno movie, the Shin here is written differently. A movie that celebrates the series' 20th anniversary that tells its own story with its own Kamen Rider, so it feels like a "reboot" or "re-interpretation" of Kamen Rider. It's darker and scarier, with a Kamen Rider that looks much more like a monster than an armored hero, and leans more into the horror side of Kamen Rider, being more adult-focused. Very violent and very cool.

KAMEN RIDER ZO (1993) (MOVIE)

This was supposed to be a full-fledged Kamen Rider series but the 80s bubble popped and they decided to shift production into a short movie instead. Might be a good introduction point, since it's a short 1-hour watch, and has a ton of really great special effects. Everything that is great about Black's cinematography, propwork and special effects apply here, except since it's just one movie, they're really throwing everything they've got into it

HEISEI AND REIWA ERAS (2000-Present)

Kamen Rider went dormant in the 90s until it was revived back into its TV format by Kamen Rider Kuuga, which was a major success. Since then, there's been yearly new Kamen Rider series on Japanese television, non-stop.

The difference between the Kamen Rider of old (Showa era) and the Kamen Rider series past this revival (Heisei, Reiwa) is that newer Kamen Rider series, despite also being monster-of-the-week romps, tend to have a more complex overarching plot which they tend to lean more into, and less of dangerous stunts and practical effects. Episodes also tend to be two-parters, so maybe calling them monster-of-the-week is innacurate, it's more like monster-of-every-two-weeks. This shift is fine because their reliance on denser plots with a much larger supporting cast of characters, more than makes up for it. It feels less that they're stretching episodes into two-parters and more like they're filling these episodes with so much other stuff that making them 2-parters makes sense.

Also, to note, as modern Kamen Rider goes on, there's more reliance on CGI, but all the monsters (and Kamen Riders) are practical suits and there's still plenty of practical effects, so don't let the super artificial candy-colored videogamey CGI effects trick you into thinking that that's all there is to modern KR.

KAMEN RIDER KIVA (2008)

Kiva is the only "Heisei phase 1" series I've watched so far (early to late 2000s), and I absolutely love it, one of my favorite Kamen Riders. It's considered to be a bit of a black sheep of Heisei phase 1 Kamen Riders but I think fans severely overlook and misjudge Kiva. Kamen Rider Kiva is vampire-themed and is about this shut-in, extremely shy boy who, mysteriously, is also the heroic Kiva, that springs into action whenever Fangires (vampire monsters) are about to kill humans. However, it also takes place 20 years before, in the 1980s, where Fangires are also attacking, but there's no Kiva around to stop them. Instead, humans have created a secret vampire-hunting association and are developing their own technology to stop them. What's the connection between the characters from each time era? Mysteries...!! It has a large cast of characters and incredible soap opera drama and romance that'll keep you heavily invested in all of its twists and turns. It's a very narrative affair which makes it difficult to recommend episodes out of order since it can be confusing to catch things out of context. The fact that it takes place both in the 2000s and in the 80s means every episode has both an A-plot and a B-plot, which avoids the pitfall of some modern Kamen Riders of two-parters that don't have enough going on, because Kiva is absolutely overstuffed with great characters and narratives. The drama is great, the romance is great, the comedy is superb, and the fights are awesome too. I really can't recommend it enough.

RECOMMENDED EPISODES TO SAMPLE: Episode 1: Fate: Wake Up! and Episode 2: Suite: Father and Son Violin (2-parter) Episode 17: Lesson: My Way and Episode 18: Quartet: Listen to Your Heart's Voice (2-parter) (I have trouble recommending more episodes out of order because this series is very narratively-involved!)

KAMEN RIDER W (2009)

W is a very well-received and loved series, and it's easy to see why. It's one of those things that if you watch it you immediately go "oh, if I watched this as a kid I would be so so into it". It has fun, charismatic characters that you want to see every week, simple to understand and easy to like. It's detective-themed and the Kamen Rider is actually comprised of a fusion of two people - Shotaro, who wants to be a tough, hard-boiled detective but is unintentionally kind of stupid and goofy and isn't seen very seriously by people around him, but has a heart of gold, and Phillip, who is an androgynous autistic introvert that basically has the entirety of Google inside his mind, and uses this to help find information to solve cases. Together they transform into Kamen Rider W (W as in "double", get it?), with each controlling a literal half of the suit (right and left), that they can switch properties of and create different combinations. They're great characters but who really steals the show is the comedy relief sidekick, Akiko. She's an immensely funny actress and character.

RECOMMENDED EPISODES TO SAMPLE: Episodes 1 and 2: W Search Episodes 9 and 10: S Terror Episodes 23 and 24: L on the Lips Episodes 25 and 26: P's Game

KAMEN RIDER OOO (2010)

OOO is another extremely beloved Kamen Rider series, and the one I actually started with. Its themes are "desire" and "currency", and the evils and necessities of living in a world that depends on them. The main character is a lovable homeless hippie (Eiji) who's egged on by his extremely androgynous edgy greedy demon boyfriend (Ankh) to collect "medals", because said demons are greedy for them and require them for power. These medals also allow Eiji to transform into Kamen Rider OOO (pronounced "Os" or "Osu"), and different medals can be slot into his transformation belt to create different combinations. Other demons, that are not Eiji's demon babygirl, want to use humans' desires as piggy banks to generate more medals for their own greed, at the cost of these humans' lives. Eiji needs to stop them and collect all the medals before they do. Again, easy to enjoy, easy to see why it's beloved. Filled with a light-hearted fun energy that you can feel as soon as you watch the ska-inspired opening. There's a small stretch of it that feels a bit by-the-numbers, but the drama ramps up and pays off immensely well as it goes on. An extremely fujoshi Kamen Rider series.

RECOMMENDED EPISODES TO SAMPLE: Episode 1: Medals, Underwear and a Mysterious Arm Episode 2: Desire, Popsicles and Presents (2-parter with Episode 1) Episode 13: A Siamese Cat, Stress and the Genius Surgeon Episode 14: Pride, Surgery, and a Secret (2-parter with Episode 13)

KAMEN RIDER FOURZE (2011)

Fourze is written by Kazuki Nakashima, the Studio Trigger writer responsible for stuff like Gurren Lagann, Kill la Kill and Brand New Animal, so that may be something that's either going to extremely excite you, or make you very wary of it. I personally feel he's not a very good writer, but that's okay, because the rest of the production is fantastic, and I still enjoyed Fourze a good amount! The main character is an extremely likeable and charismatic school delinquent that wants to befriend the entire school and creates his own Kamen Rider school club after being bestowed with the Kamen Rider Fourze technology thanks to, uh, a portal that sends him to a space base on the moon? So it's a half-and-half school theme and space theme Kamen Rider. The school club has a large cast of characters but the show doesn't really know what to do with them unless the episodes focus on a specific club member. Fourze really, really drags in the middle (this is when the problem of two-parters feeling stretched out when the writing isn't very strong hits hardest), but as it crescendos to its finale it gets -very- good again. This might be the weakest Kamen Rider out of the ones I've watched, imo, but still, I think there's quite a lot to enjoy here.

RECOMMENDED EPISODES TO SAMPLE: Episodes 1 and 2 (Youthful Transformation and Space Superiority) (2-parter) Episodes 5 and 6 (Friendship, Inside and Outside and Electric Shock, Steadily) (2-parter) Episodes 13 and 14 (School Refusal and Stinger Onslaught) (2-parter)

KAMEN RIDER AMAZONS (2016) (WEB SERIES)

Wait, didn't I review this one before?! No, no, this is AMAZONS, plural! It doesn't actually have that much in common with the original Amazon, being very much its own thing, and what it borrows from Amazon is mostly just to help frame this series as a more adult, violent affair, since Amazon, despite it being very much for kids, was back then known as "the violent Kamen Rider". It's also an Amazon Prime-exclusive series, so they did it for Branding, too. A very dramatic, violent, adult Kamen Rider show that's spearheaded by my favorite Kamen Rider director, Hidenori Ishida. He's a supremely good director that brings his A-game to this series. It follows an extermination team that hunts terrifying man-eating monsters called Amazons. There's two Kamen Riders, Alpha and Omega, that are also Amazons but they largely fight against other Amazons. Alpha is set on killing every Amazon, while Omega has just awakened into an Amazon and a Kamen Rider himself, and has to decide what he wants to do and who and what to fight for. At least this is the premise of Season 1, Season 2 I will not spoil but it is the production going "oh, Amazon season 1 did well enough for us to do whatever we want, and we'll do exactly that". It's the most well-equipped artists in tokusatsu breaking off their shackles and doing a dramatic magnum opus. It's dark, edgy, but also earnest and sentimental. It's my absolute favorite Kamen Rider show. Also, the fact that the monsters are called "Amazons" is used for extremely pointed stabs at Amazon (company), which is hilarious.

This series is completely narratively-driven, so I can't recommend episodes out of order! Watch the whole thing!

KAMEN RIDER ZERO-ONE (2019)

Robot-themed! Zero-One takes place in a future where robots and humans live together, like Megaman or Astro Boy. It's about the struggle of humans and robots to live in harmony with one another, and it develops those themes and its world extremely well. The main character (Aruto) is very goofy and wants to be a manzai comedian but his lame puns always bomb. He is, however, also the heir of a massive company that builds all the robot people! Aruto is suddenly, unexpectedly, thrown into the company as its President after his grandfather dies. This responsibility is too much for him, but he decides to take on the mantle as he wants to bring a smile to people's faces, and that he legitimately cares about robots, as he was raised and saved by one as a kid. With this in mind, he takes on his grandfather's KAMEN RIDER ZERO-ONE technology and uses it to attempt to stop a terrorist robot faction (METSUBOUJINRAI.NET) that's bent on killing all humans, and corrupting other robots for that goal. All while also trying to advocate for a harmonious relationship between humans and robots. This is honestly fantastic, and may seem super goofy at first but gets very complex as it goes on. Very great balance of lighthearted comedy and serious drama, and another one of my absolute favorite Kamen Rider series, right up there with Kiva and Amazons.

RECOMMENDED EPISODES TO SAMPLE: Episode 1: I'm the President and a Kamen Rider Episode 2: Is AI an Enemy? Ally? Episode 5: His Passionate Manga Path Episode 6: I Want to Hear Your Voice (2-parter with episode 5)

KAMEN RIDER GEATS (2022)

Battle-royale themed Kamen Rider, with a lot of inspiration on korean dramas and reality shows. It definitely feels inspired by, say, Squid Game. Gods select people to compete in a Kamen Rider battle royale, and the winner of the final round gets to remake the world in whatever way they see fit. The production is a bit cheap after the last two KRs before Geats underperformed, and they had to scale the production down. The fact that the series tries to convey the excitement of extremely high stakes so often only for those stakes to completely deflate thanks to how the premise works, creates a situation where you don't know what to care because anything can get undone and completely changed so often anyway. Near the end the series gets particularly bad with this. Still, it has some good characters, some nice drama and some fun comedy, so it's not bad, but definitely on my lower tier of KRs alonside Fourze. Again: No KR I've watched was bad! So, even the ones that might sound that I'm down on them I still very much enjoyed.

(Too narratively-driven to recommend episodes out of order! Try the first couple of episodes!)

SHIN KAMEN RIDER (2023) (MOVIE)

Hideaki Anno's film! Hideaki Anno is a huge Kamen Rider fan and it really shows throughout the movie, with a lot of pulls from the Kamen Rider manga specifically, while also being nostalgic for a lot of the original Kamen Rider TV show from 71. Still, it ends up feeling less like "a Kamen Rider movie" and more like "an Anno movie" with a Kamen Rider-theming to it. It doesn't put its focus on the stunts and the fight choreography that you'd see in other Kamen Rider productions, but more on Anno's style of cinematography, his sense of timing, special effects and animation. It also retreads several of the themes and elements that he's drawn from before, a lot of Evangelion is in this. It's good, I like it!

KAMEN RIDER GOTCHARD (2023)

Currently ongoing! Very Y2K nostalgic, with a Kamen Rider suit that has that Y2K aqua color to it, and is themed around... Pokemon cards? There are these creatures called Chemys, that are contained inside alchemical cards that have been let loose and need to be captured again, or at least kept away from the villains. The main character is this super earnest, almost helplessly naively optimistic schoolboy called Ichinose that has been unexpectedly thrown into the secret world of alchemy and given the power to become Kamen Rider Gotchard, as a powerful benevolent alchemist dies in his arms. As a promise to him, he vows to find the Chemys. Ichinose also believes that they're extremely good-natured beings that are only corrupted by human malice, and really believes in the friendship of Chemys and humans, while other alchemists feel Ichinose's ideas of Chemys are too naive and soft-hearted. It's, uh, I don't know what to think of it, honestly! The first couple of episodes really did not sold me on it, but it gets better and better as it goes on, though, it's also, like, a lot of Big Important things keep happening in rapid-fire in a way that I can't tell whether the show has a higher plan for all of it or if it's just throwing things for easy hype. Nearly every episode there's a new Kamen Rider transformation, it's kind of insane. Still, this is preferrable than the stretches of not much happening that plague some other KR seasons. I've been enjoying it a good amount, honestly!

RECOMMENDED EPISODES TO SAMPLE: Episode 5: Burn! Fight! Wrestler G! Episode 7: Goodbye, Saboneedle

And those are all the Kamen Riders I've watched! Something else that can help you decide on which series to try out, is that the NHK made a public popularity poll of Kamen Rider series, with the results being found here! From here, you can tell which KRs are most beloved and well-remembered in Japan, and use that as a guidance for yourself, if you'd like. But again, I must emphasize, you can really start most anywhere, so feel free to do exactly that!

#kamen rider #kr #tokusatsu #gotchard #shin kamen rider

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yyh4ever · 1 year ago

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Live-Action Series "Yu Yu Hakusho" Premieres Worldwide on December 14, 2023

Netflix has finally confirmed the premiere date and released two teasers on their twitter and official site. The soundtrack and the spirit gun seems cool. We're still waiting for a trailer and the rest of the cast announcement. I was surprised to know it took 5 years to produce this first season.

Furthermore, it has been decided that a special event called "The Eve of the Decisive Battle - Worldwide Fastest Screening Meeting” will be held in Tokyo on the eve of the distribution, December 13! Detailed information including guests and how to apply will be announced at a later date on the official site of the event: yuhakuevent.com. The applications start in about 30 days, so I'm wondering if that's when the trailer and full cast will be unveiled as well.

They might show an advance screening of the first episode. I'm assuming the guests are going to be the actors and director, but it would be a dream if Togashi-sensei showed up.

More info from Netflix:

More than three decades after "Yu Yu Hakusho" first captured the imagination of readers, the beloved manga gets a live-action adaptation that will debut exclusively on Netflix on December 14.

The original manga by the legendary Yoshihiro Togashi made waves when it was serialized in Weekly Shonen Jump for four years from 1990. The series breathes new life into the story, and fans old and new can expect to encounter their favorite characters in ways that have never been seen before.

Utilizing a unique global one-team production strategy that spanned both Japan and the United States—the same approach to adapt the acclaimed “ONE PIECE” manga—Netflix took the same level of commitment to quality and authenticity in the live-action ONE PIECE to the production of Yu Yu Hakusho.

An international dream team was also assembled to bring the epic tale to the screen, tapping into the most advanced CG and VFX technologies from around the world. Known as “the most innovative VFX studio in the world” and lauded for their work on major Hollywood productions, Scanline VFX was instrumental in giving life to all the characters, both human and yokai (spirits), while delivering realistic battle action sequences.

Taking five years to complete the production of Yu Yu Hakusho, the team painstakingly ensured that the subtleties of every character’s emotions were accurately depicted in the adaptation. The fusion of state-of-the-art technology and a passion for staying true to the source material promises to make this adaptation a standout in the world of live-action anime.

Project Details:

Based on the manga: Yoshihiro Togashi “Yu Yu Hakusho” (Shueisha Jump Comics)

Director: Sho Tsukikawa

Cast: Takumi Kitamura, Jun Shison, Kanata Hongo, Shuhei Uesugi

Screenplay: Tatsuro Mishima

VFX Supervisor: Ryo Sakaguchi (Scanline VFX)

Executive Producer: Kaata Sakamoto (Netflix)

Producer: Akira Morii

In Association with：THE SEVEN

Production: ROBOT

Produced by: Netflix

Source: Netflix

#Yu Yu Hakusho Netflix Live Action #December 14 2023 #Takumi Kitamura #jun shison #kanata hongo #Shuhei Uesugi #yoshihiro togashi #yusuke urameshi #spirit gun

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astoundingbeyondbelief · 9 months ago

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Kaiju Week in Review (March 10-16, 2024)

"It looks as though its Japanese producers, assisted by a stray American—fellow named Terry Morse, who is an alumnus of Hollywood's Poverty Row—made a close study of the old film, "King Kong," then tried to do substantially the same thing with a miniature of a dinosaur made of gum-shoes and about $20 worth of toy buildings and electric trains." —Bosley Crowther, reviewing Godzilla, King of the Monsters! for The New York Times

"The special effects are hardly special, but hey, what do you expect in a Japanese monster movie?" —Tony Kiss, reviewing Godzilla 1985 for the Asheville Citizen-Times

"Sure it's bad filmmaking. Sure it's a guy—actor Tsutomu Kitagawa—clad in a nearly vintage latex Godzilla getup and stomping through Tokyo, knocking down cardboard mini-buildings and upending toy-sized cars with his gnarly feet. But that's the point." —Bob Longino, reviewing Godzilla 2000 for The Palm Beach Post

Godzilla Minus One won the Oscar for Best Visual Effects at the 96th Academy Awards, sending a stunned Takashi Yamazaki (VFX supervisor), Kiyoko Shibuya (VFX director), Masaki Takahashi (3D CG director), and Tatsuji Nojima (VFX artist/compositor) to the Dolby Theatre stage. Said Yamazaki, reading from prepared comments in English, "To someone so far from Hollywood, the possibility of standing on this stage seemed out of reach." I could scarcely believe what I was watching myself, despite having given a presentation for a Wikizilla stream mere hours before on Minus One's very real chances of beating more expensive American contenders. Everything I said about its nomination goes triple for its victory; we'll be talking about this one forever. To those of us who remember when Godzilla was basically a joke in the American consciousness (including my Wikizilla colleague Darthlord1997, who had a speech of his own prepared), it's the ultimate vindication.

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Never one to rest on his laurels, Takashi Yamazaki directed an ad for Ajinomoto about food waste which released this week. It features the unsubtly-named Foodlosslla attacking Tokyo and facing an Ultraman-esque defense team. As with Minus One, the ad's visuals are a clever combination of high-end (a detailed CG monster) and low-end (dropping plastic fruit on top of fleeing extras).

youtube

Last year, the 4Kids Flashback podcast interviewed Mike Pecoriello, producer and writer for the company's renditions of Yu-Gi-Oh! and Ultraman Tiga, and he delivered some major news about the latter. Although only 23 episodes of Tiga aired in the U.S., 4Kids dubbed the whole thing. At the time of the podcast's recording, he thought he made copies of all the episodes, but while that doesn't seem to be the case, he did provide 4Kids Flashback with the series finale. It's a good deal more serious than the episodes which aired, with the quips kept to a minimum. Let the hunt for the rest commence!

SciFi Japan has details on Kaiju Yarrow, a Japanese comedy doubling as a tourism ad for the city of Seki. The premise is very self-aware:

KAIJU YARROW! is set in Seki City, Gifu Prefecture. One day, 30 year old Ichiro Yamada, who works in the tourism department of a government office, is ordered by the mayor to produce a "local film.'' However, Yamada, didn't want to produce the typical "mediocre local movies'' that are everywhere nowadays, so he comes up with the idea of making a "monster movie'', which has been his life-long dream. However, his dreams develops into a major incident involving the city government...! Will Yamada be able to complete his life goal of making a monster movie??

Junichiro Yagi will direct; YouTuber Gunpee will star. Unknown quantities both when it comes to kaiju, so how this will turn out is anyone's guess.

Tickets for Godzilla x Kong: The New Empire have gone on sale in the U.S.—and as a reminder, the brief GKIDS theatrical release of The End of Evangelion wraps tomorrow.

#godzilla minus one #oscars #ultraman tiga #kaiju yarrow #takashi yamazaki #godzilla x kong the new empire #kaiju week in review #godzilla #kaiju

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agerefandomrambles · 3 months ago

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Title: Locked doors

Word count: 1388

Little! Maverick

Cg! Ice + Slider

Warnings: grief, unhealthy coping mechanisms, death, spoilers for topgun (it's 35 years old though people)

Plot: Maverick knows he needs to regress to process what happened. He doesn't want to. Ice comes to the rescue

"Maverick!"

A yell from whatever admiral was in front of him now snaps Maverick out of his mind.

"Yes sir?" He replies, vacant eyes meeting the admirals.

"You're in Jet 2 as Iceman's wingman" The admiral sneers, clearly not expecting much of him. "Hollywood is going to be your RIO"

Maverick just gets up from his seat, saluting the admiral before walking to his plane.

He goes through the motions of checking his plane, putting on his gear and getting ready for take off on autopilot, not even thinking about his actions.

Finally, he takes off and for a split second, everything's alright again. For just a moment, he's flying in the bright blue skies making witty comments with Goose as his back seater.

Of course, his peace is broken when another plane zips past. He moves the joystick on autopilot, staying behind and above the plane.

"You got a bogie at 2 o'clock low maverick. Piece of cake pal" Sundown pipes up, directing Mav to where he needs to go

Mavericks hand starts shaking slightly but he presses the plane down low and falls in behind Jester.

"You can engage any time" Sundown says impatiently.

A bead of sweat trickles down his face and he squeezes his eyes shut, his hands shaking more and more the closer he gets to Jesters plane.

He can feel his heart beating 10 times faster then it normally would and all he can think about is the jet wash coming off of the plane in front of him.

He doesn't even make a decision, his hands move the joystick up and away without his permission.

"Where the hell are you goin'?" Sundown huffs, annoyed

"Um... it's not good. It doesn't look good" Maverick replies shakily, pulling his mask off in an attempt to pull more oxygen into his lungs. His face is completely covered by sweat by this point and all he wants is to get back on land.

"What do you mean it doesn't look good? It doesn't get to look better than this!" Sundown says, watching as the plane turns around and heads back to the tarmac.

Maverick just ignores him and pulls the plane in, landing it on the tarmac. He continues to ignore everyone trying to talk to him, choosing instead to get out of the plane and walk away. It's only once he's out of the plane that his heartbeat and breathing start to slow down.

"Man, we could have had him" Sundown complains.

Just like that, a fire's been lit in Maverick's chest. The empty void that had settled right behind his heart the moment Viper came into the bathroom and delivered the worst news he'd ever received lifts for a moment, replaced by burning hot anger. So he clings to it if only to feel something besides the emptiness.

In one fluid movement, he spins on his heels, throws his helmet to the floor and grabs Sundown's uniform, dragging his face close to his. "I will fire when I am good and ready" Maverick snarls, anger evident in his face.

As quickly as the heat settled in, it's gone. Maverick's face falls and he releases Sundown. Wordlessly, he grabs his helmet and stalks off. He's so busy making sure no one can see the tears rolling down his cheeks that he misses the concerned look Ice sends him.

He only gets as far as the bathroom before he collapses into tears. He steadies himself against the sink as big, gulping sobs wrack his body. It's like his whole body is consumed with grief and all he can do is let the fat tears roll down his face.

"I'm coming in!" Ice says before kicking the lock off the door. He continues forward in his momentum, convinced Maverick was injured but he stutters to a stop at the sight of Maverick breaking down in front of him.

"Oh, Mav..." He whispers, his heart breaking at the sight in front of him

. Ice turns around and locks the door before cautiously walking forward. Maverick doesn't give any sign that he knows that Ice is there. He just stands in front of the mirror, leaning on the sink while his body shakes with the force of the sobs he's letting out.

Ice places a hand on Mav's shoulder gently, grabbing his attention. Mav doesn't say anything but he turns around and latches onto Ice. He sobs into Ice's chest, muttering garbled nonsense.

Ice just sighs as he realises that not only is Mav coming down from a panic attack but he's also VERY regressed.

Eventually, Mav's legs give out on him and Ice sinks to the floor with him. They stay like that for a long time, with Ice just holding Mav on the floor while Maverick cries his heart out. Maverick's head rests against Ice's chest, wetting Ice's shirt (not that Ice minds). Ice has one hand on the back of Mav's head and the other on his back, holding him up. Ice is sitting with his back against the wall and his legs stretched out while Mav's legs are folded at the angle they gave out at.

It takes a long time but eventually, Mav's breathing evens out. He's not asleep, yet, but he has calmed down enough to rest peacefully against Ice.

Ice chuckles, the low sound reverberating in his chest, joining the unique lullaby of his heartbeat and slow breathing that was threatening to send Mav to sleep.

Ice taps his index finger against his temple with the hand supporting the back of Mav's head. "Don't go falling asleep just yet kiddo. Why don't we go find somewhere a bit more comfy than this bathroom tile, huh kiddo?"

Maverick just whines but stretches his legs out. The meltdown and sudden crashing of his headspace, courtesy of his saviour, took it out of him too much to speak, so he opts instead for whines and mumbles.

Ice just chuckles again but gathers Mav up and picks him up easily. He walks through the compound, thanking his lucky stars that the rest of their class decided to go to the bar for a drink. He loads Mav into his car, buckling him up. They drive to Ice and Slider's shared barrack. Ice talks to Maverick easily, filling the silence with chatter.

It doesn't take long for them to get to Ice's place. He unbuckles Mav and carries him inside. Slider sees the 2 of them but doesn't even blink, a testament to how many times this has happened in their training.

"Hey, Sli. He had a really rough day and crashed hard. I didn't want him to go home alone while small and I don't think he's been eating and I want to help him and-" Ice rambles, settling Mav down on the couch before switching on his favourite show, scooby doo.

"Honestly Ice. We've taken care of him so much, what makes you think this is going to be the time that I turn around and say no?" Slider chuckles, going to the kitchen to cut up some fruit and pour some juice into Mav's sippy cup (scooby doo themed of course) they keep at the top of their cupboard.

"I know. I just worry. He's got no one looking out for him and they keep sending him out on the plane when he's obviously not ready" Ice frets, chewing on his bottom lip while he gets Mav's paci and blanket from storage.

"You're chewing again" Slider gently points out, walking over to ice and placing two hands on his cheeks to grab his attention. "He's got us looking out for him, remember? Goose only died 2 weeks ago. Give him time. He'll come back to us" Slider reassures, releasing Ice.

Slider grabs the fruit and the 3 of them sit on the floor. Slider slowly feeds Mav the fruit while Ice starts on building the 3 of them a pillow fort. He might not be able to protect Maverick from the scary world but he can sure give him a place to retreat to.

By the end of the night, the three of them are tangled in a mess of limbs and sheets, all peacefully asleep. It might not be enough to totally bring Mav back to himself, but it's a start.

#whoops #this is a bit anstier then I intended #its fine tho #it ends fluffy #i just want my boys to be happy ok??#slice #implied #they dated before ice and mav got together #cg! iceman #cg! slider #little! maverick #topgun #topgun agere #story #fic #mine

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barelyconventional · 8 months ago

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Unconventional's Kink RP Ad

I decided to bite the bullet and put out feelers for more kinky RP partners.

Looking for fellow adults with decent writing skills who are interested in short or long-term threads and okay with long gaps in between replies. I prefer using Discord or Pillowfort, but I have a roleplaying sideblog here on Tumblr if needed.

While I prefer playing with OCs, I have a few fandoms I like to play in and am open to playing with other people’s fandom muses as long as I don’t need to be familiar with their canon. My favorite genres to play in are modern day, urban fantasy, paranormal fantasy, high fantasy, and sci-fi. Pairings-wise, I’m particularly fond of queer-for-queer M/F, and I very much enjoy M/M, F/F, NB/any, and polyamory. I’m always down to whip up a custom OC to fit a partner’s muse or a concept we like.

Under The Cut

Kinks List

Main Fandoms

Main OC Muses

Kinks List

💙Yes!

stuffing

stomachaches

belly rubs

liquid bloats

feeding/feedism

human

furry

nonhuman/monsterlover/xenophilia

Omegaverse (within my boundaries)

👌 Okay

mild weight gain

burping

fat admiration

non-graphic emeto

diegetically consensual forcefeeding

⚠️ Maybe

BDSM (mainly bondage, D/s, CG/l, and pet play)

diegetically nonconsensual forcefeeding

horror themes

sex

safe vore

❌ No

extreme weight gain/blob

graphic emeto

scat/eprocto

preg/ovipos

full-body inflation

bursting

breeding kink

death feedism

Main Fandoms

The Magicians (TV)

Falling Skies

Grimm (TV)

Warehouse 13

Doctor Who (Ninth through Thirteenth; still on S12)

Five Nights At Freddy’s (Games)

Main OC Muses

🧑Human

Angel: (she/her; bi; late 30s) A big beautiful feeder and professional Domme with an old Hollywood style, a passion for roleplay, and a love of sweet, needy, hungry pets.

Adam: (he/him; bi ace; mid-20s) A sweet, energetic feedee who's an absolute tummy slut with eyes eternally bigger than his stomach and an unquenchable thirst for cuddles, praise, and belly rubs.

Dustin: (he/him; gay ace; late 30s) A charming but easily flustered ex-Southern sugar daddy feeder with a weakness for pretty boys and a talent for cooking.

Jaxon: (he/him; questioning; early-20s) A cocky rich kid feedee who’s much less experienced and much more insecure than he wants to let on.

Jeb: (he/him; gray-ace; mid-30s) A warm-hearted farm boy turned bodyguard for hire who loves people and a good meal.

Axel: (he/him; bi; late-30s) A big, tall, rowdy but friendly biker bear who loves to eat and never backs down from a challenge, though he’s always a good sport.

🐺Furry

Caleb: (he/him; ace; wolf; early 20s) A sweetheart of a himbo with an utter weakness for tummy rubs who’s almost always hungry. QPPs with Callie.

Callie: (she/her; ace; cocker spaniel; early 20s) A shy and anxious tummy kinkster who’s nonetheless fiercely devoted to taking care of others. QPPs with Caleb.

Rex: (he/him; ace; golden retriever; late 30s) A traumatized veteran turned disability aid who’s reluctant to admit just how much an overfull stomach calms him down.

Giselle: (she/her; masc-leaning bi; gazelle; late 30s) A graceful and elegant feeder who used to be a night club singer before she developed ME/CFS.

Malchior: (he/him; ace; dragon; 100+) A powerful and ill-tempered wizard who prefers to be left alone to his hoard and his magical experiments, though he’s not impossible to win over.

🧛‍♂️Nonhuman

Salazar: (he/him; ace; vampire; 300+) The gracious second-in-command of an unusually tight-knight paranormal community who’s building up a tolerance to the human food he so loves to cook for others.

Lucinda: (she/her; unlabled; witch/fae; ???) A dangerously beautiful temptress who likes inflicting magical tummy-related punishments on assholes she encounters, though she’s surprisingly willing to make sure they don’t suffer too much.

#belly kink #tummy kink #feedism kink #kinky roleplay #feedism roleplay #belly kink roleplay #tummy kink roleplay #my post

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vintage-agere · 2 months ago

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Cooling a tantrum

cg!Marlon Brando x little!reader

He has quite the temper himself

he wishes he could handle better

but he’ll probably just leave the room

you’re screaming, crying, and throwing things? “That’s nice doll” and he proceeds to leave the room entirely

will not come back until it sounds like you’ve simmered down

he’s listening from the other room, he just doesn’t want to make it worse

but as soon as the noise stops he’ll peak in to see what’s going on

you’re probably passed out on the floor

sure the whole room is a mess, but at least you’re taking a nap, right?

if he hears you just start flat out crying instead he’ll wander in and try to help, but he’s very hesitant about it because he’s fairly certain he can only make it worse

more than anything he’ll just let you cling to him

if that helps you he won’t move a muscle until he hears you relax

#agere #sfw agere #sfw interaction only #daddy!marlon #Old Hollywood cgs

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moviewarfare · 5 months ago

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A Review of “Kingdom of the Planet of the Apes (2024)”

The Andy Serkis Planet of the Apes prequel/reboot was one of the most surprisingly enjoyable modern trilogies. The second movie in particular, Dawn of the Planet of the Apes, is phenomenal! It was a great conclusion and didn't need more but when has that stopped Hollywood? The 4th entry no longer has Andy Serkis or director Matt Reeves. It is a whole new beginning of a new trilogy. Does it live up to what was done before?

Firstly, the film is visually remarkable! In an era where it feels common to see bad CGI, it is just lovely to see a movie where the CG is amazing. It also has great cinematography with a lot of gorgeous-looking shots. The movie being set 300 years after War of the Planet of the Apes, results in some great-looking world design. Seeing these old human landscapes covered in green in the background really showcases the time skip. It is also fun to see as well, such as a Baseball Stadium or shopping mall as places the characters go through. I also appreciate that they don't acknowledge it because why would they know what a shopping mall is? These locations are for us the audience to appreciate.

It was also difficult to make a great new protagonist after the amazing Caesar but I find Noa a good new protagonist. He is incredibly likeable and relatable, which is why it was easy to root for him on his quest. Proximus was also a solid villain despite only coming into play in the second half of the movie. He is basically a cult leader who is very charismatic yet menacing. There is also a great supporting character in Raja, an Orangutan that Noa meets. He is a fun character for Noa to bounce off. The actors all do a phenomenal job with special praise to Kevin Durand as Proximus. The first half with the adventure between Noa and Raja is the most fun and engaging part of the film.

Unfortunately, the second half is just not as good. Once the story has the character stuck in one location is when it starts to become kind of dull. There are many scenes where the characters are just sitting around and talking while the plot barely moves. The movie ends up feeling too long when it could easily shave off 10 minutes to improve the pacing. The music score is also very underwhelming. Michael Giacchino sadly doesn't return to compose and is instead replaced by John Paesano. However, he didn't do a great job as I didn't feel like there was a memorable soundtrack that elevated any of the scenes.

One of the strong elements of the Caesar trilogy is the strong human character to balance out with the Apes. Rise with Franco, Dawn with Jason and Gary Oldman, and War with Woody Harrelson. Kingdom has Mae played by Freya Allan but her character is just not that strong. Her story is very vague as it feels like they are leaving that for the sequel. It leads to her not being that likeable or interesting. It gets annoying in the second half when it starts to feel like she is taking the main character role away from Noa.

Overall, Kingdom is not as good as the Caesar trilogy. However, it isn't as bad as I thought it would be. There is a lot of charm in this movie and it is an engaging coming-of-age story. The ending is also intriguing enough that I would love to see where the sequel would take the story.

For more reviews like this visit:

https://moviewarfarereviews.blogspot.com/

#movies #films #movie reviews #film review #planet of the apes #kingdom of the planet of the apes #andy serkis #lord of the rings #batman #the legend of zelda

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accidentallyburneddownthelastone · 1 year ago

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Old Hollywood cg's

toys with Elvis

They are all over the place, seriously even as the "responsible one" Elvis just sort of shrugs and goes "why put 'em away if we're jus gon take 'em right back out?"

#old hollywood #old hollywood cg's #Toys #Elvis #Daddy!Elvis #Messy

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tigertaurus22 · 1 year ago

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Okay, so, I just finished watching the new live-action One Piece last night.

I gotta say… I LOVED IT!

The choreography, the sets, the acting, the actors themselves and the makeup and costuming departments did phenomenally well!

Apparently, it was filmed in South Africa? Correct me if I’m wrong.

I think Sanji is my favorite

For someone that hasn’t actually watched the anime or read the manga (I mean I’ve seen it around but I was always too invested in something else to really start), this series was a wonderful introduction and has made me consider watching the anime just to see what the live action left out.

You know, for context. Though the live action did a great job at giving us that too.

From what I’ve gathered, each episode is an arc in the anime/manga, culminating in them finally making for the Grand Line. This means each episode is almost an hour long, but it’s definitely worth it.

Zef kinda makes me think of a cross between Gordon Ramsay and Gobber from Httyd. I feel like the former was intentional.

I like Luffy’s new accent and fluffy hair

Usopp and Kaya are adorable!

I can’t really tell what Sanji’s accent is. Is it French, British or Swedish?

I actually watched it with my mom, and she said it kinda reminded her of the old Hercules and Xena show. I can honestly see the resemblance.

We also argued about whether Coby’s hair was purple or blonde. I thought it was purple (well, more of a lilac).

Zoro was awesome, Nami was cool (and NOT a girl-boss!) and Buffy was actually a good villain. He’s like their version of the Joker almost.

This show was a breath of fresh, salty air from all the woke bullcrap we’ve been getting from Hollywood and other big-name media. I just hope that any other adaptations (anime, manga and video games) in the future can be made with just as much quality and care.

They’re likely going to have to CG Choppy if and when they get to him.

These are just my opinions and observations about the show

#one piece #live action one piece #my opinion #I loved it!#I want a season two #Hercules and Xena #I just really wanted to get this out of my brain #predictions #I think woke is overdone and stupid #me rambling #my observations

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yesterdanereviews · 2 years ago

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Superman (1987)

Film review #556

Director: B. Gupta

SYNOPSIS: As the planet Krypton is about to be destroyed, the parents of a baby boy send him to Earth to escape the destruction. He lands in India and is raised by a couple who soon realise he has superhuman powers, but keep his powers a secret, naming him Shekhar. As an adult, he travels to the city in search of his childhood, Gita, while his old rival for Gita’s love, Verma, is a tycoon and super-villain who aims to become rich by causing a series of natural disasters across India and buying up the land cheap...

THOUGHTS/ANALYSIS: Superman is a 1987 Indian film and an unlicensed adaptation of the comic book superhero. This is not the first adaptation into Indian cinema either, with similar (unlicensed adaptations) in 1960 and 1980. The film’s story follows the typical Superman lore fairly accurately, as in the intro, we see the planet Krypton about to be destroyed, and a young baby boy being sent to earth as the only survivor. However, rather than landing in the rural U.S. as is canon, he instead lands in India, where a young couple find him and give him the name Shekhar. They soon learn he has superhuman powers, but tell him to keep them secret. When Shekhar is grown up, he heads to the city to find his childhood Gita, now working as a reporter (the “Lois Lane” of this version), while his old rival for Gita’s affections, Verma, is now a crime-lord who attempts to get rich by creating a series of natural disasters across India in order to buy the land up cheap (being the “Lex Luthor” of this film). The story, apart from being set in India, fits the established story quite well...a little too well, as it is essentially copying the 1978 Superman film point-for-point. The capsule which takes Superman to earth as a child is the exact shape as the one from the original film, but obviously made from silver foil rather than expensive (for the time) CG. Also, it straight up steals footage from the 1978 film’s ending, where Superman flies around the Earth so fast he turns back time, alongside using the John Williams theme is definitely has no permission for. As such, we can’t give the film too much credit for it’s story if it’s just taking it from an other successful film, but it follows the beats of the film fairly well. It also adds in some usual musical and dancing numbers, but these feel quite underwhelming compared to other films I’ve seen; almost like they were focused on making a Superman clone and had to add in musical numbers because that’s what Indian cinema does. Alongside this, they also use Michael Jackson’s “Beat it” in one dance scene, which again I’m pretty sure they did not have the rights to do so.

As mentioned, the characters from the Superman franchise are all recreated here quite faithfully, although being based in India rather than the U.S. Superman/Shekhar has Clark Kent’s naivety and Superman’s bravery, Gita has Lois Lane’s dogged determination, and Verma has Lex Luthor’s evil streak. We see the planet Krypton at the start of the film, adorned with a cheap set full of random coloured blocks, and there is also the fortress of solitude, where Superman goes to learn about his home planet, all loving recreated with nowhere near the budget of it’s Hollywood counterpart. Superman seems to have all of his powers such as super strength and flight, but also has telekinesis for some reason too, shown in a scene where he unwraps food and sets a table with his mind. The film has a decent mix of humour, action and drama, so it’s not uninteresting, although being released nearly ten years after the very successful film it is copying, I’m not sure if the audience would have already seen the original film subtitled or dubbed by that time. Nevertheless, I suppose it’s a pretty good adaptation of Superman, only because it is ripping off a good Superman film beat for beat. Otherwise, the obligatory dance and musical numbers are poor and uninspiring, and a bloated runtime of over two hours to incorporate more typical drama elements weighs the film down. The choreography, in both the musical numbers and the fight scenes is pretty dire, as you can obviously tell that none of the punches are connecting to anyone. Despite all this, it is still one of those films you really need to see to believe, so if your curiosity is piqued, then maybe you’d better put two hours aside to savour this cinematic wild ride.

#movie #movie review #superman #sci-fi #superhero #film #film review #1987 film

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joshhhhhhhhhhhhhhh · 2 years ago

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The post I just reblogged made me want to talk more about this so.

I had an incredibly low general opinion of the Sonic movie prior to movie 2 coming out. You can find some of my old posts about it if you want more specifics, but the short version is that so little of that first movie actually feels like it’s about or related to the Sonic series in any way. The green hill scene at the start is great! Sonic’s motions are full of personality and the environment feels alive. And oh shit echidnas are here? That’s a different take on Sonic canon but it’s cool and has implications for this continuity specifically like that’s something to be excited for! And then it all just stops completely. Generic live action setting with a milquetoast police officer human for parents in the audience to relate to while their kids think about Sonic, a Sonic that’s basically himself in name only to begin with. Only thing he really shares with his game self is a tendency towards cracking jokes but even then said jokes have just been turned into pop culture references. Same deal for Eggman who, yeah, is just Jim Carrey being Jim Carrey, we all know this. First movie couldn’t even do the decency of trying to make him look like Eggman either so there’s that. The whole thing was just so lifeless, so afraid of actually being a movie about Sonic the Hedgehog, you know?

Needless to say I was extremely worried for movie 2 as well. Worried that it’d have the same exact problems but now with a Tails and Knuckles that don’t feel like themselves either. But you know what, credit where it’s due, they really did try a lot harder to make it feel like the games. Still don’t love its depiction of Sonic or his character arc here about learning to be a son? And yeah the human inclusions are still barely worth a shit at all. But they gave Eggman a redesign to make him somewhat feel more like his real self even if he’s still just Jim Carrey, Tails is here and they manage to do a decent job with him (plus he’s played by his actual game voice actress!) and they gave Knuckles an actually really great arc capitalising on traits he genuinely does have in the games that these movies are adapting! They expand on their own version of the echidna lore and shit too, bring in the Master Emerald even if it works mechanically different from the games. It’s not perfect but you can tell they’re actually trying to put their own spin on the story now instead of just doing by-the-books safe lame Hollywood shit. And then Super Sonic vs a Death Egg Robot too? Plus the Shadow tease? Like they’re a lot more confident that the Sonic aspects of the Sonic movie can pull people in now, and it’s great to see.

The problem, obviously, is that they’re still just not confident enough. The runtime is still dragged down with movie original human characters, and it’s arguably even worse for that than movie 1 given the wedding scene that, yeah, people can’t stand for a reason! Nobody cares to see this irrelevant side character that’s original to these movie have a “badass” moment where she just does kid-friendly action movie stuff because she’s mad at her fiance or whatever! Why am I watching this in a movie called Sonic the Hedgehog? Or the Uptown Funk dance sequence which like, do I even need to say anything? And the humour’s still just a bunch of lame pop culture references. None of it’s informed by the fact that it’s adapting Sonic the Hedgehog.

And the thing is like, yeah, they’ve kind of already dug their grave. We’re 2 movies in with a Knuckles spinoff show and a third movie on the way. At this point, they can’t ditch the setting. They can’t really ditch the human characters. They’re gonna remain these live action and CG hybrids where the setting is just regular normal United States of America. Maybe the jokes’ll get better! Maybe Sonic’ll start acting more like Sonic! Maybe they’ll make actual soundtracks that fit the series! Maybe we’ll have more game characters come in and be accurate to themselves and we’ll actually start having movies that feel like they’re trying to be Sonic the Hedgehog! But as it stands, the movies kinda just exist in a context so far removed from what I love about the series that it is hard to care.

And yeah I’ll fully admit. Lots of this is in fact informed by my reaction to the Mario movie stuff! Crazy! Thing is the Mario movie’s not even out yet and maybe it will suck and at the very least the voice cast is pretty cringe, primarily fucking Pratt, but you know what, those things aside? That movie’s so unafraid to just be Mario, you know? Everyone looks like they always have, the music sounds like it’s always sounded, the environments are pretty 1:1 with what the Super Mario series looks like to people. Like for all intents and purposes we’re getting exactly what Mario’s always been but just in theatres now. And if anything it’s probably a harder job to do that with Mario since as a series it’s really never been close to as story focused as Sonic games usually are! But they tried their damndest and we’re gonna get a movie where every single second is going to feel like Super Mario on a fundamental level. And I’m upset that Sonic wasn’t able to get that. Animated or not.

#sonic #20.2.23 #mario

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