#okay i think that's all the obligatory tags?

[mintmatcha]

Inevitable Things : chapter eleven

aizawa x reader fic

cw: aizawa x reader, cisfem reader, office AU, no quirks. CONSULT AO3 FOR FULL TAGGED CONTENT WARNINGS

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Your mom used to tell you that love was a choice that she made every day. She woke up and chose to love your father, chose to put in the effort that a relationship needed, chose to stay by his side through the good and the bad. It was a point of pride to endure at all, a smile slapped on her face. She told you that until he left one night, bags in hand and another woman’s name on his lips. 

After that, love was no longer a choice. It was nights of tears and screaming matches, begging and pleading, obligatory phone calls and visitations out of state. Love was no longer a choice, but a shackle, something that you say at the end of a conversation because you must. Love is a pain you bear because you are human, and someone must hold these feelings you have.

Your mother still wants your father to call her. 

You wait for Touya to come home.

It haunts you all morning, as you twiddle away time before the convention floor opens again. You end up calling your boss with an update, only to chat with him over coffee. His niece is over again - she screams hi into the receiver- and his sister says hello as well. You try to end the call there, but he stays on, asking questions about who you’ve seen and how they've been. The conversation drags, but neither of you seem to mind.

“You aren’t watching Shouta.” It’s an observation, posed as a question. He’s speaking better today- you aren’t sure why. Death ebbs and flows.

“He asked me not to.” The truth feels right at this moment. It doesn’t betray anything changing between you two; Toshinori is probably aware of the tense air between you too. Now, it’s just tense in a different way, a way that makes your toes curl to think about.

“Don’t take it personally,” he says, “Shouta is a very private man.”

More so than you know, Yagi, you think. Aizawa is very different behind closed doors, behind that wall he’s so carefully crafted. You fear you’ve only cracked one layer of him only to uncover a different veneer.

At the end of the call with Toshinori, you let slip a little “Love you.” and he laughs, surprisingly boisterous for his frail lungs. 

“I didn’t mean it,” you try to say.

“It’s okay,” he says once he catches his breath. “I understand.”

 You don’t.

The rest of the morning is spent in your room, pouring over your emails. Technically, the company is on crunch time; your newer model hits the market within two months and panic has set across the office. Everything is ready, technically, but also nothing is; every day is a new little fire, begging to be put out. Being away on a friday was actually a gift, you realize now that you’re scrolling through what you’ve missed. Your inbox is filled with random issues and scheduled meetings for the upcoming weeks. Your DMs are alight with notifications too-- these, less urgent. 

Izuku Midoriya -> are you alive? or did Mr. Aizawa murder you?

Oh, if only he knew how quickly things change.

we're both alive and well somehow <-

Another message comes through, this one in a different tab.

Hizashi Yamada -> I see you online!

Trying to sneak some work in before I get out of bed. <-

Hizashi Yamada -> Send me your room number.

He arrives in less than five minutes. As usual, Hizashi is put together in a respectfully ostentatious way. His all black outfit might be velvet because of how it eats the light, equally matte and shiny all at once. It’s the type of clothing you wish you could pull off-- or afford --but he wears it so easily, with a confidence you could never have. No, you could never so gracefully enter a room and throw off a jacket like some supermodel.

“How was the presentation?” he asks as he flops into bed beside you. It's a different feeling than being next to Aizawa; he’s perched like a girl gossiping during a slumber party, hair tosselled on your silk pillow. You close your laptop and carefully place it aside. There’s no way you’ll be working with Hizashi around.  That was probably his plan all along.

“I didn’t go-- you didn’t go either?” You playfully shove him.  “You're a bad friend!”

“I woke up late.” He shrugs, feigning sympathy with a content smirk. “And had other things to do this morning, if you catch my drift.”

He throws in an unnecessary wink. Your cringe is a reflex- you don’t really mind hearing about Hizashi’s conquests, but it does make you think about last night again. All you did was kiss, but your skin prickles as if you did more, as if you want more. 

And maybe you do. You’ve been tossing the idea around all morning, trying to figure out exactly what you want, not only from the man, but from yourself, but every time you think about it too hard, the image of Touya flashes in your mind, and your thoughts are tumbling once again.

You think of your mother. It used to be your worst fear to become her, but each day that passes, you see more of her in your eyes, in the thinness in  your skin.

“You okay, babygirl?”

He points directly at the space between your eyes, where you’ll one day have the same worried creases your mother has.. “You’ve got a face on your face.”

You try to wipe away whatever he’s seeing, but it clearly doesn’t work. Hizashi looks at you harder, expression especially soft. 

“Oh, yeah, I’m just-” you shrug. Is there a word for what you're feeling? Ennui? Horror? Somewhere in between? “Shaking off a weird feeling.”

“Weird feeling-” Hizashi throws you a wink. “I think we call it a hangover.”

“I’m not hungover--”

Before you can protest, your friend gasps, so violently that you nearly jump out of your skin. He backs up, hand over his heart and jaw dropped to the floor. “Oh my god. Oh my goooooooodddd.”

“What? What? Am I dying?”

“Your neck!” Now he points to you with a fully straight arm, like he’s accusing you of being a witch. You slap a hand over the spot instinctively. “Hello, that’s a hickey!”

Oh. Oh no. You had been too distracted this morning to notice, but apparently Aizawa’s lips have left a mark on you. Heat flushes across your face; a hickey? Who do you think you are? Kaminari? You’ve had a secret for less than 24 hours and it’s already threatening to come out.

“You got laid last night? With who? Where? When? Tell me everything!” Hizashi pushes down in the mattress to bounce himself, jimmying you up and down in the process.

“Well, uh--” You can’t even begin to make something up. The irrational fears start to take over- what if he figures out exactly who’s mouth left that mark? Hizashi’s a whore-- he might know some sort of mouth forensics or something! Or, you don’t know, maybe you still smell like Aizawa, even 

“You dirty dog, is that why you didn’t see Aizawa’s thing?” Your stomach somehow sinks lower. “Because you and Tensei fucked?”

Tensei?

“Tensei?”

“Oh my god, you totally did. You’re all flustered!”

You had completely forgotten the man even existed. Beautiful Tensei Iida, the ‘sexy’ doctor Hizashi wanted you to have… it’s funny how things never work out the way you think they will.

“It wasn’t Tensei!” You scooch away. “And it’s not a hickey!” 

Hizashi sees through that lie. He crawls on his hands and knees after you. “You gotta tell me, please-”

Crap. He’s not going to let this go. Sex and all that comes with it is Hizashi’s catnip; once he’s gotten a taste of it, he’s deranged. 

Telling the truth certainly isn’t an option. You and Aizawa? The absolute nuclear fallout that would hit the office if that came out would be catastrophic. Hizashi can’t keep his mouth shut, so even hinting at what happened last night could be the end of whatever weird thing you and Shouta have, killing it before you can even name what it is. 

And being so close to launch? It could potentially hinder Aizawa’s image--

And your and Touya’s relationship.

“It was someone I met at the restaurant after you left-” Not completely a lie. “We just-- kissed, I guess. I didn’t want to, you know, do more.”

Hizashi kicks his feet in excitement. His shoes are on your bed- gross.

“Good for you, setting boundaries!” he says. “That’s growth!”

He goofs around for just a moment longer before settling.

“Why do you look so sad about it?” He’s quick to say.  “Did they do something?”

“No! No, it was nice, but-” you start. The truth feels heavy, yet silly at the same time. You know the reaction you’re about it get, and yet you say it anyway-  “I don't know, I started to think about Touya this morning and-”

Hizashi’s face falls so hard that you swear you can hear it. His hatred of Touya has never been a secret, but before Touya made his disappearing act, he at least kept his comments to a minimum. With no Touya, there’s no limit to Hizashi’s public loathing.

“I love you. So much.” He takes your hand in his. He’s still on his knees, hunched over you awkwardly, those damn shoes still on the bed. “But thought you were over this shitbag.”

You want to protest. He’s not a shitbag, he’s just having a hard time. He’s not a bad guy, the drugs just make him that way. He’s a good boy underneath all of the troubles, you know it’s true.

But you’ve run out of excuses years ago. All you can say is the truth: “I think I still love him.” 

Compassion contorts your friend’s face. “Oh, girl. Girl. You don’t.”

“Hizashi-” You try to slide away, but he doesn’t let you. 

“He treated you like garbage for years. Years!” The blonde squeezes your hand. “And he wasn’t loyal, he wasn’t safe, he wasn’t kind or sober or-” 

“It's not like he abused me or something.” You say it so quickly that it feels tinny on your lips. Both of you go quiet for a second and Hizashi throws his hands up in surrender. He ducks his head low, not in defeat, but in a humble act, like a dog that’s pushed it’s boundaries a bit too far.  With a sigh, he sits back on his knees, allowing there to be space between you.

“I didn't say that,” he says carefully.  “It doesn't have to be abuse, that doesn't mean it's healthy.”  

There’s a hesitation, then he reaches out his hand again. You don’t take it, but he keeps it there, in the air, waiting for you.

“I just care about you. I know ‘muri and I get a bit too pushy and wild sometimes, but it’s because we want you to have fun for once. We-- we want you to be with someone that makes you feel good-- who thinks you’re the best thing in the world,” Hizashi says. “We want you to get what you deserve and Touya isn’t that.”

A different type of warm runs over you- a watery one, one that stings at your eyes. You aren’t sure where the well of emotion has come from, but it’s there, bubbling just under the surface. You try to sniffle without giving yourself away. 

“Would it be so bad to let yourself move on and try something new?” Hizashi smiles.  “Let yourself have a little fun for once?”

Reluctantly, you take his hand. He squeezes and coos, pulling your hand into an awkward faux-hug, right about his heart.

 “Let yourself have fun, let yourself live.”

“I’m gonna try to try.”

--

The convention itself goes smoothly. More people ask about Yagi, but the word seems to be spreading: he’s not here. He’ll never be here. The air is bittersweet, but Hizashi always recovers it for you. He keeps the conversation flowing back to work and the bed, with much more ease than you’ll ever have.

The only time you see Aizawa  is when he’s in your periphery. He’s in the corner, caught in some conversation with people whose names you’ve already forgotten. Tensei’s by his side, basking in the probable praise, while Aizawa just nods along. The presentation must have gone well, you gather from the attention they’re both getting. That’s both good and bad; the work deserves credit, but Aizawa…

What a heavy secret to carry. What a prominent shame. He didn’t want you to see, but he was okay with all of these strangers ogling him like a science experiment. 

Does that make you more important than those strangers? Or less?

You try to look for an opening to leave, but one never seems to come.

Only once do you catch him staring back at you, his expression too far away to be read. The thump of your heart steps out of rhythm for a moment before you get yourself together.

“I see you eyeing up Tensei,” Hizashi teases. “Are you sure he isn’t your mystery man?”

You deny it, but Hizashi is unconvinced.

----

The three of you finally reunite over dinner. This time, Hizashi swears he will stay the whole time.

This time, you don’t want him to.

You’ve settled into a different booth than you were in last night. Again, the chip basket is empty before Aizawa can arrive. He’s always running late for these things, either through lack of effort or lack or lack of time management. If he didn’t have a presentation tomorrow, you’d be annoyed, but you decide to give the man a break.

Though, you do wonder if you’ll be allowed to see this one. You’ll have to go, right? It’s about your company.

“I still can’t believe you managed to pick up Tensei with Aizawa right there.”  Hizashi leans back into the booth.

“It wasn’t Tensei,” you insist. “And he was distracted.”

“By what?”

You aren’t a quick liar. 

“Some girl.” Or a good one. “They went off together.”

You know you’ve fucked up by the look on Hizashi’s face. He sits up, staring at you from over his glasses with a slack jawed amazement.

“You're lying.” He sits up even more. “You're lying straight to my face right now.”

Fear thrums you so hard that your stomach almost revolts on impact. 

“I’ve never seen Shouta pick up a stranger, ever.” Hizashi throws his hands up in the air for effect. “Never, ever. Not even in college! ”

Looking back, you should have said he was struck by lightning. That would have been more believable. From what you remember, Aizawa doesn’t date very often - or at all. You can’t remember if he’s ever brought someone to a work event or even mentioned a partner.  (Which makes you feel equally bad and… special. Are you an exception to his rule? Are you different? 

…Or, more likely, he’s just a private guy. But you can pretend.)

“Well, uh, I dunno what to say.” You still haven’t come up with a better lie. “Ask him yourself.”

“I will!”

Good. That gives you time to text Shouta and warn him about that shit storm he’s about to enter. The two of you can come up with a lie that makes sense and won’t send Hizashi screaming. Suddenly, you’re grateful that Aizawa can’t show up on time for-

“Again with the chips?”

Fuck!!

As if summoned, Aizawa is behind you, shrugging off his jacket. He’s in the same suit as he was earlier, but a lot more disheveled after making it through the day. The social interaction really took it out of him; no wonder he’s so quiet at the office. You pat the seat next to you and he practically slumps into it.

“Please tell me you aren’t escaping again tonight,” he says to Hizashi.

“Oh, no, I’m not going anywhere, trust me.” That smile sets the whole table on guard. “I have too many questions.”

“If you had questions, you should have shown up to the talk,” Aizawa says. “Which went well, by the way. Thank you for asking.”

“You didn’t give me a chance to ask, asshole.”

“Should have been the first words out of your mouth.”

“Well, sorry, Mr. Sensitive. I didn’t think I needed to stroke your ego today! Should I start singing your praises now, or after we verbally jack you off for a bit?”

“We are in public, Mic, stop talking about jacking off.”

“How was your presentation, oh smart one?”

“It was--”  Aizawa stops himself mid sentence, brow furrowed as he turns directly towards you. “You’re being quiet.”

“Me?” you point to yourself as if you don’t know the answer. The accusation makes your heart race- or maybe it’s those sharp eyes, boring down into you. 

“Why are you being quiet?” he says with an accusatory glare. “What did you do?”

Hizashi erupts into a giggle and the attention is finally turned away from you. 

“I heard that you went home with someone-”

Aizawa’s gaze snaps to you.  It takes effort to press your lips down and keep a neutral expression; anxiety is trilling inside you, high and frail and wild, like a little flute in a marching band finale. The man tilts his head just a bit, eyes sharp and questioning, clearly trying to interrogate you while completely silent.

“Where did you hear that, Yamada?” Aizawa’s tone isn’t flat now. No, it’s pressed, stressed; he thinks you’ve told him everything. You try to gesture with just your eyes -- three normal blinks and wide eyes, like a makeshift morse code. This obviously fails.

“Little miss girl here-” Hizashi waggles his eyebrows and Aizawa’s pupils dilate with fear-  “told you you went home with a stranger from the restaurant.” 

Realization hits Aizawa’s expression, then, relaxation. His whole body turns to you with a belabored sigh. “You little snitch.”  

The smile you’ve been trying to fight erupts across your face.  You burst into a nervous giggle, one that you have to silence with your own hand. This is a dangerous line you’re walking; Hizashi isn’t a stupid guy- he’s going to figure out something’s wrong if either of you slip up.

“It’s true?” Hizashi gasps. “What? You? You?”

“Is it really so weird that I had sex with someone?” Aizawa says.  “You do it all the time.”

“You aren’t a hook up guy!” Hizashi peers from over his glasses.  “You’re a ‘third date and a bottle of wine’ guy!”

“When have I ever had a bottle of wine?”

“Okay, ‘third date and an air of desperation.’ How's that?”

Aizawa  wrinkles his nose and bares his teeth, barking out a canned laugh. “Ha. Ha. Ha. Fuck off.” 

The shorter man sits back in his seat and uses his drink to gesture to you. “Why don’t you harass Miss Hickey over there instead?”

The attention shifts to you for only a moment before Hizashi waves you away with the back of his hand. He shifts forward on to his elbows, directly towards his friend..“She just made out with a guy, I don’t care about that-”

“-Hey!” you object. As if Aizawa isn’t the reason you’re bruised in the first place! The dark haired man is purposefully looking down his nose at you, expression taut. 

“Sorry, but I need every nitty gritty detail of Shouta’s night ASAP. “ Hizashi grinds you back on track.

The two of them have been friends since college, you remember. You’d never really been able to see the connection before; they’re both so different that they almost seem like they’d never mesh, but today they are huddled together like boys, mirroring each other’s movements. You wonder if there were lots of nights like these, gossiping over girls and wild nights.

Did Hizashi know him before the car accident?

“I’ll tell you later, Mic,” Aizawa says.  “After she’s gone.”

It’d be best to stay quiet, but you can’t bring yourself to be purposefully excluded.

“You don’t want to get dirty in front of me, huh?” you tease. Besides, you’d like to see what he comes up with. “I can handle it.”

He doesn’t take the bait. “I’m not a sharer.”

You turn away with a little shrug. “Hm.”

Aizawa almost doesn’t respond. The gears turn behind his eyes, slowly grinding away at his patience until he grits out a little: “What?” 

His knee bumps into yours under the table. It’s fleeting, but there. 

“I was just thinking-” you start. “Maybe you’re a bit of a coward.”

“Coward?” he replies.

“Afraid to gossip-” 

It’s Aizawa’s turn to huff. “Gentlemen don’t gossip.”

“Since when are you a gentleman?” Hizashi barks out a laugh.

With another exhale, Aizawa closes his eyes. A moment, then another passes, before he opens them again, one brow raised. It’s the same expression a teacher would give to the class after too much clownery. No wonder the interns are terrified of the man, you’d be scared too if you weren’t so excited to see where this is going. 

“You really want me to tell you what I did last night?” He’s deadpan. “Really?”

Both of you nod. 

“Fine.” He throws his hands up in defeat.  “I met this woman at the bar. Bought her a cocktail-”

“What kind of cocktail?” you interject.

“What?” Aizawa stares at you, lip curled in frustration. You’re making lying harder and you know that, but excitement is driving you forward. The risk doesn’t outweigh the reward quite yet. “I don’t know- something sweet.”

“Hm.”

“Margarita. The spicy kind. She tasted like it all night.”

Aizawa is alarmingly good at lying. He does it with a straight face, minus the telltale curl of his lip, but Hizashi doesn’t seem to notice. He’s too busy sitting on the edge of his seat. You’re still trying to reconcile all of the versions of him inside your head: the work version, the ‘lover’ you met, and this lackadaisical liar. 

“Keep going.” Hizashi urges.

“Then we went back to her room. Didn’t even make it to the bed.”

The way he lays down each word is slow, meticulous, purposeful; the narrative he builds is crafted especially for you, but you aren’t quite sure of his goal. 

“ Is that enough detail?”

“Boo-” Hizashi’s fanning the flame now too. “Not the fade to black storytelling!”

Aizawa ducks in close, resting on his forearms as he talks. His gaze flicks between you and Hizashi, but lingers much longer on you, flickering down to your lips every now and again. His timbre drops lower, gritty, rolling as he whispers. 

“We went back to her room-”

You’re watching his mouth a bit too intensely. 

“- I got on my hands and knees-”

He enunciates it slowly, so neither of you miss a moment. A shiver goes up your spine. There’s a weight to his breath, a genuine enjoyment. Would he get on his knees for you?

“And I  begged to eat her out.” 

He’s proud of it. Oh, he would get down for you. He’d plead for the privilege. His leg brushes against yours again, this time with pressure and purpose, and your skin crawls with excitement. It’s just a story. You know it’s not true. 

But the glint in his eye says that he wishes it wasn’t.

“And?” your voice shakes a bit. That’s his goal, isn’t it? To get you riled up? To make you regret forcing him into this situation?

Aizawa rubs the spot where his jaw connects with a slow, purposeful circle, like he’s trying to rub out a kinked muscle. It’s borderline boastful. “And that’s how I spent the night.”

Hizashi tips his head back and laughs so loudly that the table next to you stares. “Good for you!”

“Good for her,” Aizawa replies.

Hizashi rolls his eyes. “I almost forgot you’re a munch. It’s been so long since you’ve gotten any, so-”

“Watch it, Hizashi.”

You regret the question before you ask it. “Uh, what’s a munch?”

Both of them look at you.

“Well, it’s clearly not Touya,” Hizashi mumbles, and you shoot him a glare. 

“It’s a slang term for someone who really enjoys…” Aizawa trails off, cocking his head expectantly. 

“Eating pussy,” Hizashi finishes for him. 

Another thrill of excitement goes up your spine. Enjoys it? Is that even possible? The idea has you woozy. 

“Yeah, that’s totally not Touya,” you manage to say.

Hizashi makes another comment, but you can’t force yourself to focus on that. No, not when your heart is beating like this. It’s just words, a fake story, but there’s a silent promise to it as well. You wonder what would have happened last night if you said yes. Would he have spent the night between your legs, eating simply for your pleasure?

Want trembles in your hands as you pretend to check your phone. Is it pathetic? To be worked up over a silly little story, made up to cover your tracks? The waiter comes, you all order. Aizawa’s knee pumps against yours- once accidentally, once on purpose. You hope he doesn’t notice how you’re squirming in your seat, trying to ignore the way your body is craving pressure and attention. You think, maybe, if you move right, you could get the seam of your pants to hit just right-

What are you doing? This is pathetic. 

“I’m going to go to the bathroom.” You don’t wait for a response. Pushing up from the table, you turn down the back of the restaurant. The signs lead you into a little back hallway, tucked by the kitchen, where the lighting is respectfully dim. You have to wait a moment because the door is locked, but you don’t mind. It gives you time to mull over everything.

Maybe Hizashi is right; maybe it’s okay to try something new. It’s been years since you’ve felt this alive with someone, this excited to get something more. With Touya, sex became more of an obligation. Maybe it could be different with someone else. Maybe it could be something fun, something-

A hand catches you by the back of your shirt, not hard enough to yank you backwards, but firm enough to stop you in your tracks.  A gasp squeaks out of you as you stagger back into the chest of the man behind you. You crank around to see- only to relax when you realize it’s just Aizawa.

“You scared me,” you mumble out a lament. 

“You little sneak.” With a thumb, he tilts your chin up, so far that you’re looking back at him. His other fingers press ever so nicely into the length of your neck, drawing you back into his chest. There’s nothing constricting your breath, but suddenly your lungs are empty, breathless, and your parted lips pull nothing in. Aizawa’s dark eyes are narrowed, boring straight down into yours.

Oh, he’s pissed. 

And, for the first time, that excites you.

“You like making me sweat, don’t you?” His free hand is looped around your waist, holding you much tighter than the other. “Almost getting us caught-- You make me so mad sometimes.” 

The kitchen is full of mumbled orders and the clang of dishware. It echoes through the dark hall you’ve trapped yourselves in, you aren’t alone, no matter how badly you wish it to be true.  

“Thought you liked me,” you whisper.

You swear there’s a subtle dilation to his eyes, involuntary. Real. “I do.”

He leans over and dots a simple kiss on to your forehead, right where your hair meets skin. It’s simple, soft, but, god, it sets everything inside you into this wet, wobbly, needy heat, something soft and harsh all at once.

“Even when you piss me off.” The hand around your neck twitches playfully, with no real constriction. 

It’s cliche, you think, how you just sort of watch each other, breathless, patient. Neither of you tries to make a move, locked together. He smells good. Not like anything you can name, just… good.  It’s the same good you feel in your chest and an equal good to how your hands feel when you reach backwards and grab his hips. 

“I’m starting to think you like making me mad.”

“Shouta-” you say his name because he likes it, because it makes him lean in closer to you-

The bathroom door flies open and you both pull away like you’ve touched a hot stove. The woman who exists definitely knows something’s up; she rolls her eyes and sends a text on her phone as she passes. The two of you share a look; you, relieved, Aizawa amused. It’s as if you're sixteen again, with this fluttering feeling in your stomach you can’t quite swallow down. It’s too bright to be anxiety.

Aizawa steps back a bit with a nod. Oh, right, the bathroom. You don’t actually have to go, but it would be silly to not go in now. Maybe you can just try to go-

You look back at your Aizawa.

Or maybe.

Or maybe you can have some fun.

With uncharacteristic confidence, you hook a finger under a button of his shirt and tug. Aizawa’s face goes bright with realization. He falls into following as you guide him forward into the bathroom, step by awkward step, backwards until the door opens against your weight. Aizawa glances around before the door closes after him, making sure to remain unspotted, then turns to you with a wicked, narrowed, glowering look. 

The bathroom is simple, but nice. The lighting is sharp and bright, the floor is white and clean. A decorative table is wedged into the corner, topped with extra towels and real flowers in water. Your brain can’t process more than that- not with a dark haired man wrapped around your finger. He has the forethought to lock the door behind him.

“What are you doing-?” he grumbles wickedly, ducking down to catch you in a kiss, but you don’t let him make contact. You dip away, drawing him further and further in, until you’re backed against the little decorative table. With his weight, he shifts you back until your ass is seated properly on that wiggly table, one hand back to brace yourself. Finally, he traps you, stubble rough against your cheek, lips soft against yours.

“I thought we were going slow,” he says into your lips. You don’t respond-- you can’t. Your breath is stolen from your lungs, the need to breathe replaced with the need for him, the need for touch-

You hook a leg over his waist and his hand flies to it, folding it higher, pulling it tighter. 

“Oh, you can’t help it, can you?” he mumbles. “One little story about eating pussy has you desperate for it, huh?”

“Y-you-” You hate that you can’t dirty talk smoothly like he can.

“Yeah?” He’s almost condescending. “Yeah? What does my girl want?”

Embarrassment floods your cheeks with heat. Aizawa waits for it, hovering above you. Oh, he won’t give it to you until you really ask, will he? You have to physically brace yourself to say it.

“Will you kiss it?” you ask, much meeker than intended. 

“Kiss ‘it’?” You expect him to keep picking at you, but instead his hands are busy unbuttoning your pants, guiding them down. “Do you mean-”

His lips find your hickey and the spot aches under the connection. “Here?”

Creeping lower, he hunches over your chest. This time, he pecks at the hem of your shirt. “Here?”

Down he goes, on to his knees. This kiss lands in your stomach, right where the tightness of want sits-

“Here?”

“Shouta-” You’re mad and annoyed and you’d frankly settle for him kissing you anywhere at this point-

Hands slip your pants down past your knees. When the air hits your skin, you suddenly realize just how wet you are, how it’s bled through your panties and smeared across your thigh. Before you can process anything, his mouth is over your clothed cunt, wide mouthed and kissing. The drag of his tongue is a lot, even though the fabric; the contact has your spine flexing all on its own.

“Here?”

“There, there,” You’re clinging on to handfuls of his hair already. “Right there.”

But Aizawa doesn’t kiss you again. 

“In a public bathroom?” He’s watching you from the floor. Your leg is looped over his back. He’s surprisingly wide and thick under you; your legs have to spread so far to fit him. God, your body is plaint enough that it just gives to his pushing hands and demands.

 “You like it nasty.”

You can’t bring yourself to respond. Your brain is fried with a deadly combination of horny and embarrassed. Is this really what you want? 

“No, you don’t like it dirty, do you?” It feels like he’s reading your mind, hands kneading your thighs with a growing hunger. He plants a kiss where your legs meets your underwear and your cunt pulses in response. “My girl just needs it so bad, doesn’t she?”

Teeth sink into your inner thigh and you kick in response: another fucking hickey. The thing that got you into this mess-

“That’s right, my girl.” He’s talking to himself now, mumbling just under his breath. A finger loops under your panties, the same way your finger looped under his button, and there’s no time to feel shame before he exposes your pussy.  “You went home with me.” 

You expect him to go straight for your clit, to devour you with the fucking need that’s been building between you all goddamn night-

But, instead, he touches his lips to the crest of your mons and breathes. It’s hot, molten, pours down you like molten lava. It’s the faintest, tickling touch, but it’s enough, it’s more than enough. A moan rips out of you, so unexpected that you jump at your own voice. 

Usually, when you have sex, you’re worried about the small things. Whether or not you’ve shaved, whether you look thin enough or pretty enough, but now, the only thing you can think about is being touched, needing touch, desiring touch.

And the time.

“We-” He hasn’t even started and you’re quivering for it. “We gotta hurry before Mic-”

“I promised you-” Aizawa says, firmly. “That we’d go slow.”

Finally, gloriously, you feel the hot press of his tongue, dragging up through your excitement. Every inch he takes is painstakingly slow until he hits the nub of your clit. That contact is fast, fleeting, but it still sends you keening and gasping. Every important muscle inside you is bunched and coiled, filled with enough potential energy to set the whole fucking restaurant on fire. You’re going to cum. You’re going to cum from practically nothing.

The vase of flowers on the table is overturned. You don’t even remember knocking it over. Water pools under your ass and everything is wet, from you, to the mess, to his drool across your inner thigh. His mouth closed over you the same way someone would eat a peach, sucking with this absurdly lewd sound as if he’s afraid to let any of your excitement escape. His jaw moves slow - just like he fucking promised- and doesn’t miss an inch of skin as he closes his mouth, lips coming closed around your clit. The pressure feels heavenly against the already puffy parts of your pussy and your hands clasp his dark locks tighter. You aren’t sure if you’re trying to pull him away or pull him closer; your body is just reacting, like neurons are firing all on their own.

Fingers clamp around your thighs. Aizawa is groaning, voice so low it vibrates against you, as if he’s the one receiving it, not you. Enjoys eating pussy… the memory rings through your skull. Fuck, what an understatement; he eats pussy like he needs it to live. His eyes are lidded heavy with pleasure. Every lick and suck and touch along the tapestry of your cunt is wet and wild, but aggravatingly skilled. The heat of his mouth against your clit - firm, but not hard- is enough to steal your breath away.

Then, he pulls away, and your pleasure begins to unravel-- unfairly fast. You hadn’t realized how close to the precipice you had been until you started falling away. The feeling is disastrous. 

He speaks with a heady exhale, warm and not nearly enough. “You taste-”

“Shut up,” Now you’re definitely pulling his face back towards you this time. “Shut up, shut up, shut up-”

He silences himself with your cunt. 

This time, there’s no savoring. His lips and tongue are on your clit, sucking in mouthfuls of your folds, bouncing against the involuntary roll of your hips. Everything inside you is hot and sticky, thick like honey. You’re saying something, maybe, but it’s all high pitched and garbled. The rub from Aizawa's stubble sends a chill up your spine and the hot and cold inside you melts into something smooth-

You can feel your orgasm coming long before it hits, everything inside you pulling high and tight, like the ocean rolling before a wave. The crest hasn't hit, but it's going to come, you're going to cum-

And then you look down, and Aizawa's staring back at you, with those dark, hooded eyes, and you unravel. It’s not my other orgasms you've had: a full body feeling, like the flush to warmth you get when alcohol hits your stomach. It rolls, through you, away from you, against you- in every fucking direction until every ounce of tension is smoothed from your muscles. Boneless had always sounded silly, but now you understand exactly what it means; you slump back and try to catch your breath.

Aizawa’s movements slow, but never stop. He runs the flat face of his tongue against you until you gather the energy you shove him back. For a split second, a string of your cum ties between you and his mouth.

“Shit,” you breathe. Your surroundings feel more tangible suddenly. The sink drips, the walls echo the restaurant’s soft muzak, Aizawa’s cheeks glimmer with your wetness: it’s all suddenly real.

“I cannot believe-” He wipes his face on his sleeve.

“Shit,” you repeat. That was insane. You were insane! Your friend is waiting at the table, probably wondering what happened to you two-

“-that you let me do that. You came so--”

“Shit.” This is exactly what you needed. “I’ve never-”

Aizawa sits back on his knees with a stiff grunt. “Don’t tell me you’ve never orgasmed before.”

“No! I’ve totally-” You awkwardly shimmy up your pants and instantly regret it. It’s wet. It’s cold. “No one’s ever gone down on me before.”

Aizawa gives you the slowest, longest blink you’ve ever seen. Then, he shakes his head and stands up, brushing his pants off. You debate asking if his leg hurts, but decide against it. “How do you continuously say things that make me want to go insane?” 

He huffs about it, but you’re starting to unravel the strings of affection he weaves into his sentences. You shrug, biting back your smile.

“I’m just special, I guess.”

Eyes closed, he gives you a nod, tempering himself.

“Go back to the table before we’re caught.”

Fuck-- that’s right. You two have been gone for long enough that it's starting to get suspicious. Besides, there’s going to be a line outside the door if you don’t get moving soon- if there isn’t a line already. You quickly check your outfit and adjust your hair in the mirror; your skin looks brighter than usual. The power of an orgasm, you guess.

“Don’t  you want me to…?” You give a little jerk off motion and Aizawa rolls his eyes at the behavior-- as if he didn’t just eat your pussy in a fucking bathroom.

“I don’t want you to do anything to me,” he insists. He helps you off of the table with a hand, then ushers you towards the locked door. “I want to lay you down and eat you out until your brain factory resets like a cheap Macbook.”

He’s already done that, but okay, you could be down for more-

“But we are in a bathroom.” He gestures around him.  “In a restaurant.”

You add: “With Hizashi waiting.”

“With Mic waiting. He’s smart- he’ll figure us out if we aren’t careful,” he agrees. “Now, get out there and cover me.”

Suddenly, Aizawa leans over and kisses you. It’s not deep, but you can taste your musk on his lips and that makes your spine thrill with excitement.  It’s illicit in a way that makes you feel young and happy and, and, and-

And all those weird, indescribable highs you get when your brain is drowned in dopamine and oxytocin. For a fleeting moment, you reach out and grab his hands, holding on for only a squeeze.

“Your room tonight?” you ask when he pulls away. Your head is still racing, head still swimming-

He grimaces. “Yours has better pillows.”

“I brought them from home.” He was in your bed last night, in your pussy moments ago, but the fact he knows your pillow feels so strangely intimate. “I like silk pillowcases.”

The expression in his face softens, just at the crowed corner of his eyes. “Of course you do.” He jerks his chin towards the door.  “Get going.”

“Sho-”

“Get.”

And you walk out with wobbly knees.

[herrscherofmagic]

does anyone else get that weird feeling when you can look at a bajillion different art styles and go "yeah that's neat! love it! so cool!" and then as soon as you do absolutely any of your own drawing, there's just a constant alarm going off in your head saying "THIS IS INCORRECT AND IF YOU DON'T FIX IT, IT WILL LOOK TERRIBLE AND ANATOMICALLY INACCURATE" despite it being nothing different from all those other art styles you see and love??? like "uncanny valley" but w/ all your own artwork and almost all the time

like I was just thinking about this, because there's lots of awesome artists I follow on Instagram & Tumblr that have interesting styles that don't necessarily follow real-life human proportions. It's often different variants of anime art but that's not always the case, and across pretty much all these different styles you have different things like how the contours of the face are (i.e. chin, cheeks), or the size/spacing of eyes, or the way the mouth is drawn

but it's just occurred to me that whenever I draw, there's pretty much always a constant nagging feeling, that I have to fix every anatomical or rendering mistake and if I don't then it just won't look "right", and that's one of the biggest things that stops me from completing 99% of my art

like earlier today I posted a 10-minute sketch, and it was obviously not "good anatomy"- it was pure vibes, just drawing what felt right in the moment and immediately posting it without trying to correct anything at all. and as soon as I did it, it hit me- that was probably the first time I've ever just created a piece of art for fun with virtually zero concern about "accuracy". Everything else I ever work on is always constantly drawn-out and changed and modified endlessly because it never feels "correct" and I don't feel like I can proceed with it.

today I've spent more than 3 hours just practicing how to draw heads, and it was the same thing. I was doing okay, but it took ages to get through even the simple parts like drawing straight from an anatomy ref. and it drives me insane not just because of perfectionism or whatever... but the fact that there's not a single "correct" human figure.

There's a ton of natural variation in how people appear, that's why we're all unique ffs! Different people have differently-shaped faces, their noses look different, their cheeks are different, their foreheads can be different, the wrinkles or freckles or eyebrows or eye shape or X Y Z are all varied and unique among different people.

Of course there are certain basic proportions and principles, you don't put someone's eyes on the back of their head, but I know all the basic proportions at this point and I've made a ridiculous amount of figure drawings both live and from photo, quite literally hundreds of drawings ranging from 1-3 minute gestures all the way to 1-, 2-, 3-hour-long works.

So why is it that no matter who or what I draw there's always that piercing & uncanny feeling? that i'm never able to capture a likeness of someone whether real or fictional, whether I'm trying to draw realistically or stylized?? it feels like I'm still getting something fundamentally wrong all the time even when I've studied all the basics and so much more, and even when my own professors look at what I do and say it's correct.

it's probably the autism, since there's a ton of other things in life where I appreciate predictability and uniformity and certainty. math problems have correct answers, essays can have certain types of analysis, machines can be described in terms of mechanical principles. But art isn't like that, and I've had similar issues w/ my art classes before, I just never quite thought of it from this specific perspective. I knew I struggled with open-endedness in projects, but this feels like something even deeper and more infuriating than that >.>

going back to that sketch, I can look at it and see obvious simple mistakes that I didn't bother to fix because I kept it strictly to 10 minutes. the chin is an obvious one, for instance, and the eyes could be better too. but I don't want to go back to that artwork, partially because it's just a 10-min sketch and it's not really anything that profound, but also partially because even though I know I can make it better I'm scared that as soon as I start messing with it I'll never be able to look at it comfortably ever again because it'll always feel incorrect. Not incorrect because I didn't care but incorrect despite me caring so much. which feels so much worse than just making a silly mistake when you're drawing normally.

[spideypawz]

Roxypool. satisfying my need for crossovers one day at a time.

[clearancecreedwatersurvival]

Never seen a homoerotic rivalry I wouldn’t ship.

[sparky-is-spiders]

Imagine Archivist Jonsasha Compelling as one. The Archivist channeling all its curiosity and terror and desire for knowledge through its two minds. Two bodies. Two mouths.

The force of their Question. The echoing overlap of their voices, rebounding again and again until it sounds as if every archivist who has ever lived is speaking through them. The way it would shatter their victims defenses, tear the whole of their mind open to be Seen and Known and Judged. Just. Just imagine it.

[heyyesimtrash-whatofit]

I call this: Let Marty McFly Break the Fourth Wall.

Based on a random thought I had at work today, I remembered how many times Marty looked dead at the crowd when I saw the musical and decided he should be able to do that once in the film. After much thought, I decided the best time for said moment would be right after the DeLorean test because c’mon- Doc drove a car at them at damn near 90 MPH without even knowing if it would work. Thats- that’s just a little crazy, don’t you think?

Marty’s internal monologue retyped below just in case you can’t/don’t want to read my atrocious handwriting :)

1. My God.

2. What did he take?!

3. (Same as 2, plus) This is Heavy

4. (Same as 3, plus) What did I agree to?

5. (Same as 4, plus) Have I gone insane?

6. Are You All seeing this shit? (He drove a car at us! WITHOUT knowing if it would WORK!!)

(Meanwhile in the background I wrote out Doc’s little “What did I tell you? 88 Miles Per Hour!” Cause I didn’t know if I could get the audio)

[butchdykekondraki]

not to get sappy about a fnaf fangame that nobody really pays attention to anymore but im gonna be so totally honest dsaf is genuinely a game that fucking destroys me everytime i play it . ive been into it since it came out and its just been a comfort game that entire time. it's really well-made and there was a lot of thought and effort put into it and you can tell that super easily once you actually take a look at the game. it's genuinely helped me thru some pretty dark times in my life and overall that game has helped me get 10x more comfortable rambling about my interests on here than any post about how you shouldn't feel shame for being cringe has ever done. all in all dsafs really good and you should play it ok?? ok :-)

[coridallasmultipass]

Felt cute, might deteriorate later. [He/Him]

[obeymeow]

being neurodivergent is all fun and games until you remember those hourly quote bots on twitter and think well maybe I can't make a bot anymore but I could schedule a few quotes a day, that shouldn't be hard. it sounds fun to have a bunch of quotes of my favorite character Thirteen from hit mobile game Obey Me! and its sequel Obey Me! Nightbringer. and then you think about how arduous collecting the quotes is going to be but she's only been in the games for maybe a year and a half with little screentime and you love collecting things so you start but then you remember that you love collecting things so naturally you have ALL of her screentime in the game and suddenly you have 45k characters of quotes and are several lessons into season 4 (which is truly a trial in and of itself) but not nearly close enough to the end but you refuse to just stop collecting the quotes and make the account with the EXCESS of what you have already because you literally only have season 4 to get through and if you don't do it just seeing the bot (because now you've been informed you can make tumblr bots instead) will haunt you with that knowledge even if nobody else would ever know. this is a general anecdote of a situation that could easily happen to anyone though and not in any way related to my life

[byakuyasdarling]

I find it so funny (sad) overhearing my dad talk about me on the phone to a friend. He’s like “she’s 18 and 3/4 now” (I assume that’s in relation to my lack of motivation), “what she feels is different to what I think.”, “I snap sometimes but it’s only because x, y, z” (didn’t hear it), “can’t get her up in the morning” (not true, I just prefer to get-up late as opposed to my old 6am start, “she relied on school to validate herself” (genius /s), “she really hates herself” (not really. I guess in comparison to who I was, yes. But I still think I’m that same person mostly).

[heir-of-the-chair]

Jewish Viktor is canon now. I have never thought of this before but I will now die on this hill I am holding this headcanon to my chest and cherishing it.

Even MORE winter art! No Christmas spirit at ALL this year, might as well fake it till I make it. 🫡

[starryeyedjanai]

bad boys do it better

rated: teen | @steddieholidaydrabbles prompt: modern au tags: dating apps, innuendo, bad flirting read on ao3

✿

Eddie finally opens Tinder after downloading it in a fit of desperation.

He's tried everything but these stupid apps—bars and clubs and pottery classes and rock climbing—trying to find someone he can connect with.

But he's mostly found guys that string him along with whispered sweet nothings and half-promises they don't intend to follow through on.

So he makes his profile and then promptly fumbles and drops his phone because— no fucking way.

There's no way this is real life.

There's no fucking way the first guy to pop up is Steve fucking Harrington, his unfortunate and longest lasting crush in high school.

He picks up his phone and sees Steve's face staring back at him, unassuming, a bright, cheery smile on his face.

Steve, 28 2 miles away "Hope you like bad boys because I have it on dvd and vhs" Interests: baseball, basketball, live music, movies

He taps to get to the next photo and lets out a shaky breath—the shorts of what can only be his Halloween costume are so short, exposing hairy thighs that Eddie wants to sink his teeth into.

The next photo is a snapchat picture of him grinning wide, cradling what might be the world's ugliest dog, the text across the screen reading my nephew is so handsome 🤩🤩🤩.

The last is an obligatory shirtless mirror pic, not showing off washboard abs, but the soft, toned skin of his stomach.

He closes the app, sets his phone down, and breathes through his nose.

This can't be real, right? In what world would Steve be the first person in a sea of profiles in San Francisco of all places?

Eddie expected him to chase after Nancy Wheeler when she went to Boston, but he didn't stick around long enough in Hawkins to find out if they ever rekindled their will-they-won't-they relationship.

Maybe he's just visiting. Maybe he found his match and just forgot to delete Tinder. Because there's just no way Eddie has this kind of luck.

He opens up Instagram and searches for Steve and finds him right away because they're probably still Facebook friends.

He scrolls through his profile and deflates a little, because all of the pictures on Tinder are from his Instagram. Which means it's probably much more likely that someone is catfishing using Steve's pictures.

Because the Steve from high school wasn't into men. And he's hot enough for someone to use his pictures to scam people or whatever.

He opens up Tinder again and his thumb is swiping right before he thinks about what he's doing.

It's a match!

Okay, now he knows it's a catfish. Or maybe it's a bot.

There's no world in which Steve Harrington would swipe right on him in the twenty minutes it's been since he created his account.

He types a message to "Steve" saying so are you a bot or just a catfish?

He doesn't get a response right away, so he clicks out of the messages, looking at profiles of what are hopefully actual people he can connect with.

His phone buzzes when the message from Steve comes in.

Hi3 Eddiems, cl!ck th3 linkin my proffile to . achat I am waitin9

He rolls his eyes and goes back to perusing profiles. It's not like he thought it was really Ste-

His phone pings with another message and he clicks back into the chat immediately.

That was a joke. There's not even a link in my profile

Eddie's heart beats a little faster, his fingers typing out a response.

So a catfish then?

Why do you think I'm a catfish?????

Because I know the guy in those pictures and there's no way hes into men. That guy was a jock extraordinaire in high school and very straight

You're awfully judgey for someone who was so anti-conformity in high school. Whos to say I haven't changed?

Or like, learned new things about myself?

Eddie's breath stutters in his throat.

Also you didn't really know me since we never talked.

Okay, I mean. It's pretty easy to guess that I was counterculture in high school by looking at me. So I'm still on the fence about the catfish thing

How about we meet up then? So you can see me in all my nearing-30 glory

And watch bad boys on dvd and vhs with you?

Dude, I am not inviting you to my house on the first date

That's a third date kind of thing

Oh yeah? Is it a back-to-back feature? We start with the vhs then move to dvd?

He can't believe he's entertaining this. A catfish wouldn't offer to meet up unless they thought Eddie wouldn't call their bluff. He kind of wants to see where this is going.

No see, we start with the dvd playing in the living room and then when we inevitably start being bad boys🥵 in the middle of the movie, we can pick it back up on vhs in my room later

To be clear, we stop the movie, right? I'm not sure bad boys has a soundtrack meant for the kind of activities we'd be doing

Oh for sure. I'd even put on my "let's get it on" playlist. As a treat.

Eddie can't help but grin. Even if this guy is a catfish, this is maybe the most fun he's had talking to someone in a long time.

Are you serious about meeting up?

Uh yeah, I can't have you thinking I'm a catfish forever

What's your favorite brewery?

Cellarmaker

Wanna do tomorrow afternoon at like 2 when it's not busy?

That sounds perfect

He isn't sure if it's really Steve or if he's going to be met with someone else or stood up, but at least he'll get to drown his sorrows if it doesn't work out.

Well—he's unsure until he gets the 'stharrington started following you' notification on Instagram a few minutes later.

He screams into his pillow so loud his neighbor thumps on the wall.

[lucabyte]

obligatory ramble about postcanon loop ask

also your art is amazing

Hiiiiiiiii :D thank you :)!!

and thank you for the excuse to post the. just absolute wall of text that i truncated down to form the tags of that post. (i did,,, hit the tag limit. i forgot tumblr had one of those...) so let me just paste that and tidy it up a bit...

I am putting this under a readmore because it's a bit long. but:

This is like. The General Context for all* of my postcanon doodles? (Except AUs obviously) Like this is the base idea I've been drawing them all in. So, feel free to backread with this in mind. I've basically had this 'postcanon' timeline set in my brain since finishing the game...

My general thoughts are that I like the idea of Loop (even if through dubiously ethical means) being able to slowly reintegrate with the party as a whole new person, because they are, in fact, their own person.

It's a muddle of thematic threads im pulling on and "wouldn't it be fucked up if", but. (at its core, it's powered by the fact that like, while narratively isat's theme of 'the only person who can truly take the first step to help you is yourself'. (wrt: loop helping the party help siffrin in act 5) which i LOVE AND IS GREAT NARRATIVELY…. would be super fucked up irl to learn that your friend 'learned as a lesson' while you stood by kinda uselessly. I know i'd be upset about it. but thats mostly background here. doesn't really come up. at least not until loop has to explain who they are and the party realises they had to fall back on literally themselves again for help, but i digress,)

The real core concept is: Occam's razor. It is like, inherently, a buckwild thing to accuse a person of being somehow a clone or copy of your friend. Even if they start vaguely alluding to a backstory it's far more likely they were some other person before all that. (I still think Odile has that theory in the back pocket but she's rational enough to know it's a really long shot without a solid explanation. and i think Loop deep down knows this, and would, if cornered into confessing, turn the situation around to go J'ACCUSE and make HER explain it instead. Ever longer dodging being direct with their emotions...)

And the party are nice! And if someone has changed and wants to keep stuff secret it's kind of not their business? (Though it's hard not to speculate… see: the main joke of the doodles) And they seem important to Siffrin so they just try to accept them abrasive quirks and all. And eventually the question of their prior identity just fades away since, well, they're Loop. Their friend Loop.

but yeah. personal headcanon is that a few months/weeks after picking up and getting aquainted with Nille** (since that was presumably the IMMEDIATE TASK postgame), Loop reappears (either after a literal period of nonexistance, or just spending a few months wandering the french countryside alone being attacked by wild dogs). Since Siffrin has had a while to be therapised by the party they're doing mostly okay, but Loop showing up and still being agitated/aggressive pulls them both into a bit of a backslide behaviourally and puts the party on the back foot again.

Hooowever, I do think that due to no longer being literally stewing in the worst pressure cooker of all time together, the two do mostly actually sort themselves out with productive conversation. (Via a cycle of: genuinely distressing argument -> weeeird lovebombing -> ok we're good -> repeat, that gets less intense over time)

Thus, allowing the party to just. Integrate loop as a new person. They and Siffrin shuffle into different ecological niches (Loop taking over stuff Siffrin is now too squeamish for, etc (see: hunting, mostly)), and while it's not exactly what Loop wanted they generally get that beggars can't be choosers and it's a pretty good deal. And the rest of the party does straight up just like them as a friend, especially when Loop quits trying to actively antagonise them after a few weeks of being around them, since they just can't keep up being mean to people they like forever.

As for how I think the truth eventually drags itself out. This is where I invoke The Isabeau Torment Nexus™. So its gonna get shippy here for a bit hold on.

Which is, I think giving them time before Loop reappears long enough that Siffrin and Iseabeau actually manage to become established, Isabeau has to be the one to nudge the pair of them and go. "Hey. You know we're in Vaugarde right. I'm okay with polyamory if we all communicate." Before Loop and Siffrin actually even acknowledge that whatever the fuck they have going on kinda looks a lot like a relationship of some kind. (or have already been agonising about that via fighting and arguing, depending) (Obviously this comes after Isa "Emotionally intelligent enough to keep a lid on the jealousy" Beau has managed to use that big brain of his to Not just go Scream somewhere on the daily because oh godddd they keep talking like theyre suicide-baiting each other jesus chriiist. is it overstepping his boundaries to bring that up?? god)

This, taking a bunch of the tension out of Loop and Isabeau's relationship (Since I imagine Loop is a. being weird for the obvious reasons and b. feeling kinda guilty about 'getting in the way of' Siffrin and Iseabeau), allows them to actually get close in a normal friend way. (I think an interesting turning point could be Isabeau actually taking Loop's side in an argument vs Siffrin, which would absolutely break Loop's brain. Especially if it's an argument that matters. Like what do you mean he isn't just going to play favourites. What?)

Then Isabeau, just actually open minded and charmed by Loop (and maybe even somewhat at Siffrin's suggestion?) tries to close the final open side on the polyamory triangle here and that's the final straw for Loop on "This lie by omission is too unethical to keep up, this is just actually sick and wrong. I can't do this while he doesn't know who I am." Though. Obviously it probably goes. Very poorly with emotions high like that. And the added element of several months of deceit. Getting dark here for a second but that dagger is going MISSING and so are THEY for a hot minute.

Then yaaay everything works out in the end 👍 yippieee!! all it took was maybe a lot of harrowed recontextualisation of all the weird shit your new friend said and did when it turns out they're your old friend. It's fine.

But yeah. this is basically the context all of my postcanon doodles have existed within? And those exist to give other people something to chew on. So this does too.

I suppose TL;DR: Imagine if sloopis almost fucking happens before isabeau knows who loop is. can you fucking imagine. can you imagine having to navigate that. nightmare.

*Yes this includes the implied cannibalism comic. Uhh. Comes part and parcel with headcanoning that Loop went way off the deep end similar to A5 Sif But Maybe Worse before giving in. Add weepy half-asleep confessions to murder wherever you see fit in your mind palace. 👍👍👍

**Re: Nille footnote. I don't have anywhere to put this besides here! I have some thoughts on Loop and Nille having an odd dynamic. I don't imagine Nille to be super gung-ho on trusting a bunch of adults (even if they are majority around her age) given their implied backstory. It's probably a big shock to the system, especially since Bambouche is a good couple hundred Kilometers up north from Dormont and these guys don't seem to have trains. She would've been unfrozen and without Bonnie for some time....

Which is to say: I think she's suspicious of them. I think she may be looking for excuses to distance herself, keep Bonnie safe. SO.... A new guy showing up? And antagonising the party? What do they know that I don't...? I should find out.

And since... Loop didn't ever know Nille, they have no ammunition or real reason to be cruel. Plus, if they're trying to stay on Bonnie's good side (SINCE... if Bonnie thought Loop was cringe they may as well kill themselves. In their mind.) they SUPER have no reason to antagonise Nille.

Mostly, they might be able to open up to each other easier than they can the rest of the party?

I feel like this resolves with Loop feeling compelled to apologise for what they and Siffrin let happen to Bonnie, though... Hmm... Depends on how you interpret Nille that they'd be glad nobody else had been told about that yet, or furious it had been secret this long. I lean toward the former.

[this-machine-runs-on-coffee]

I think 20 probably

Don't know why but I think 20

me: *reads over symptoms of autism once again* “see but i don’t get upset over changes in routine, we change the routine all the time and i’m totally okay with it!”

also me since i was a kid: *gets irritated, stressed, angry, aggravated, and depressed for the rest of the day after something is switched to another day* *gets angry, stressed, and depressed, and has a breakdown when i find out we have to cancel plans, even if i didn’t really wanna go to wherever we were planning to go* *gets aggravated and is easily upset and is depressed the whole day after i get to cancel something that i had been planning for but also are relieved that i don’t have to go since i really didn’t want to* *is depressed, angry, irritated, and stressed after we cancel plans that i had zero feelings for up until that point* etc.

[qqueenofhades]

Good Omens Season 2: Some Thoughts (and also Screaming)

First, /screams

Second, obligatory disclaimer that this meta contains MAJOR SPOILERS for all six episodes. If you somehow have managed to remain virginally unspoiled, look away now, scroll past, or add "good omens s2" and "good omens spoilers" to your block list, as those are the tags I have been using for all posts and reblogs.

Third, /screams more

Okay okay okay. Deep breaths.

Anyway, so, uh, how about all that, huh? First, the good thing about the tone of the season overall was that it felt considerably darker and more adult, in a good way. We didn't have the precocious kiddies, the kitsch and literally-comphet Anathema and Newt, the so-clever narration, etc. All that was gone, which makes sense when you consider that a) the end of last season saw them reboot into an entirely new universe, and b) the fact that God has gone silent is, in fact, a major plot point for the season. We don't have Her slyly telling us the story, or indeed anything, and everyone is left to make their own judgments and take their own actions. Which, obviously, gets them into a lot of trouble, especially when Metatron (the Voice of God, aka someone acting in the belief that they're speaking for God and therefore doing terrible harm) swoops in with the ultimate buzzkill at the end of episode 6. But we'll get to that.

The downside was that the main, present-day plot (hiding Gabriel in the bookshop and trying to get Nina and Maggie to fall in love) was fairly thin, felt stretched out and at times weirdly paced, and otherwise existed mostly to get us to That Ending and the setup for season 3. But the ending was so damn good (if obviously, very painful) that I can't be TOO mad, not least because we spent six episodes with them just making absolutely no pretense about the whole thing being as incredibly homosexual as possible. I'll be honest: I did not think they were going to actually, explicitly go there. Neil Gaiman has been so consistent about "your interpretations are valid and you're welcome to read it however you want, but the only canon is what's on screen," which I think is frankly a good thing (not least since the Neil GAYman Cinematic Universe is consistently very, very good to us queers), that I just... didn't quite think they'd pull the trigger. Sir Terry is dead and can't have active input, this is based on a book published 30 years ago, maybe they didn't want to make it LIKE THAT... etc. I certainly hoped, but I didn't really think they would.

Uh. Well.

As I said in my various semi-coherent liveblog posts, I honestly don't think there was a single straight person in the entire season, among both major and background characters. Aziraphale/Crowley and Maggie/Nina are the obvious paralleling couples, but Beelzebub (using "they" pronouns and addressed as "Lord" despite presenting as femme/femme-adjacent) is clearly nonbinary and therefore also queer, and the countless gay/queer side characters were just /chefs kiss. From Job's son making a sassy pass at Aziraphale, to the random Scottish goon with Grindr on his phone (which he then gives to Aziraphale, because what is subtlety), to the interracial couple with the trans spouse at the Pride and Prejudice ball, there was just a lot of casual, unremarked, non-story-critical queer representation visible at every turn. It's like the NGCU saw the bigots wailing about Sandman season 1 being extremely gay and went CHALLENGE ACCEPTED, LET'S MAKE GOOD OMENS 2 EVEN MORE GAY.

God bless.

Obviously, Jon Hamm as Amnesia!Gabriel stole the show (he was SO fucking funny) and it was also incredibly fun to watch Miranda Richardson repurposed as a scheming demon. Nina Sosanya also reappeared as Nina the coffee shop owner, which leads us into the Maggie-and-Nina subplot. They're obviously, wildly, incredibly clearly an analogue for Aziraphale and Crowley themselves, but they're also each, crucially, a mix of both. On the surface, Maggie is Aziraphale: the plump, blonde, earnest, sweet-natured one owning a slightly dated book music shop and somewhat clueless about emotional nuances, while Nina is (also on the surface) Crowley, the hard-edged dark loner who doesn't want to open herself up to people or be spotted caring. But emotionally, Maggie is Crowley: the one openly pining, clearly besotted, only wanting to hang around their crush and do whatever they can to make themselves useful, while Nina is Aziraphale. Interested but reticent, attracted but conflicted, trapped in an abusive relationship with a demanding offscreen "lover" (Lindsay/Heaven) who tries to constantly control and shame them without ever offering much, if anything in return. By the end, they bring themselves around to what Maggie/Crowley are offering, but by then, well. We've got a lot more problems on our hands.

As I also said in my earlier posts, this entire thing has always been a metaphor for religion, queerness, and what religion -- especially abusive, fundamentalist, organized religion -- does to queer people, but they really cranked the FUCK out of that metaphor this season. Aziraphale is guilt-tripped, controlled, and shamed for his attraction to Crowley at every turn. He is torn between his imagined duty to Heaven, in all its ignorant, uncaring, bureaucratic, gratuitously cruel system that he still insists on seeing the best in because he can't bear the alternative, and the chaotic and sometimes grey but genuinely more good morality that Crowley offers him. (Can I just say, we were explicitly shown that the two of them together doing "just a little miracle" are more powerful than Heaven AND Hell combined.) And at the end, he's told that the only way he can be with Crowley -- what Metatron explicitly blackmails him with -- is if they both go back to heaven, submit themselves to the cruel system again and give up everything that has made them who they are: their home in London, their human friends, their reliance on each other, their independence, their own ways of doing things. You can be queer in this (religious) framework, but only the limited, watered-down, controlled, controllable, constantly-under-supervision kind of queer, which relies on both you and your lover "converting" back to the true faith. And if you don't cooperate, they will literally kidnap you, lie to you, manipulate you, take you from your soulmate, and force you right back into doing the one thing (destroying the world) that you never, ever wanted to do in the first place, because in their minds, that is still better than this. It's for your own good.

Ouch.

And the thing is: that's why the ending a) hits so hard and b) is so fucking painful, because of course Aziraphale agrees. He has no conception of being able to defy Heaven on his own; he has always, always needed Crowley for that. In the flashbacks, when Aziraphale is faced with an order from Heaven that he desperately does not want to carry out (such as letting all Job's children get killed), he still relies completely on Crowley to "outsmart the rules" and find a better way. Crowley is A Crafty Demon; that's what he does, and so Aziraphale rationalizes it to himself that therefore that must be fine. Even in season 1, when he really didn't want the Apocalypse to happen but initially thought it was his duty as a good Heaven footsoldier, he relied on Crowley to talk him out of it and allow him to do what he really wants instead. That's their whole dynamic in a nutshell, as exemplified in that scene in episode 2, where Crowley tempts Aziraphale with the "pleasures of the flesh" while sprawled on his back in Ravish Me mode like the giant walking gay disaster that he is. (Sorry, buddy. That beard. Can't do it.) Everything that Aziraphale's existence is, that makes him who he is, that he loves and cherishes the most (in this case, food and wine) comes from Crowley. Everything else is just background noise.

Throughout the season, what we see is Aziraphale increasingly coming around to the fantasy of being with Crowley. He's coy and flirty; he talks about "our car" and expects Crowley will let him (which he does); he wants to have a Jane Austen ball and for them to dance together (oh my heart); he even thinks, at the crucial moment, that the best way for them to be together is to go back to heaven just like they were in the beginning, once more perfect angels, as if those entire six thousand years of struggle and grief and pining and separation and falling didn't happen. And Crowley -- poor, poor, brave, devoted, heartbroken Crowley -- has just heard for the first time in said six thousand years that actually telling the person you love how you feel is an option. Maggie and Nina tell them point-blank that their whole stupid plan failed because people aren't chess pieces who can be moved and automatically achieve the desired result. And of course this gobsmacks the dearest and dumbest Ineffable Husbands, because they can't conceive of anything else. People are chess pieces in the Great War of Heaven and Hell; Aziraphale and Crowley themselves are chess pieces who have been desperately trying to get out of being moved by external forces, but that doesn't change the fact that that's what they are. They don't have volition or agency aside from that which they can sneak for themselves in brief and stolen moments. That's it.

Until, well. It's not it. They discover that this whole would-be war is actually an elaborate ruse to cover up another angel-demon romance, that of Gabriel and Beelzebub. (I'll be honest, I'm 99% sure they did this storyline because they saw the fans crackshipping them, but I appreciate a fictional narrative that values and incorporates its fans' input, rather than trying to constantly "trick" or "outsmart" them or "do what they don't expect.") And Gabriel and Beelzebub get to be together, but only by leaving their world forever. They have to desert their homes, their structures, even their own identities, and never return. And Crowley and Aziraphale are so rooted in their "precious, perfect, fragile" life in their little corner of Soho, with their bookshop and their Bentley and their dining at the Ritz (which they didn't get to do in the end because METATRON /shakes fist), that that just doesn't work. Neither of them can conceive of doing that. So Aziraphale thinks "go back to heaven and try to make the terrible system do some good and take what we can in terms of being together" and Crowley just... pours out his heart. He's ready to fucking propose. He barely stops himself from saying something to the effect of "I want to spend eternity with you." He begs, he pleads with Aziraphale to go away not in the literal sense, but the emotional/metaphysical: to finally break this toxic dependence on Heaven and tell them once and for all where to stick it. And because he is desperate to make Aziraphale understand, he finally throws all caution to the winds and recklessly, desperately, adoringly kisses him, the one thing he's wanted to do for ages and...

Gets. Shot. Down.

Ugghhhhh. I'm suffering all over again. Aziraphale wants him, hungers for it, for them, and yet he's been so abused and so conditioned by Heaven (he's still blithely repeating to Crowley's face that "Hell are the bad guys!") that he just cannot accept that kind of desperate, blind, limitless, lawless affection. He even forgives Crowley for this "transgression," just to really twist the knife, and Crowley just can't take it, can't face up to how terribly this has all gone up in flames, after he went to heaven trying to find the answer for Gabriel's situation. Gabriel, who he fucking hates. Gabriel, who tried to kill the angelic being he loves (and for which Crowley has transparently never forgiven him). And yet at one pouty puppy-eyed look from Aziraphale and a warning that whoever is harboring Gabriel might be in danger, Crowley leaps headlong into the Bentley again and rushes to the rescue while "Good Old Fashioned Lover Boy" is blaring. He stoutly protects Gabriel; he does a miracle to disguise him; he lets him have hot chocolate and stay in the bookshop; he guards him from the literal demonic horde outside. All because of Aziraphale. That's it. And then, it still doesn't work. Not only that, Gabriel's absence and decision to forego Armageddon gives Heaven the one tool they finally need to take Aziraphale away from him.

I repeat: Ugghhhhhhhh.

(In a good way. Ngl, I love this angst. This is the kind of angst my brain Thrives on, the Thematic Parallel Romantic Character Arc kind. Nom nom nom. But also: AGONY.)

I also need to talk about Aziraphale driving the Bentley, aside from the obvious metaphor of him being in Crowley's home while Crowley is in his. Last season, we had the "you go too fast for me, Crowley" scene with them sitting in said Bentley, which was Aziraphale saying he's not ready for a relationship. In this season, as noted above, we see Aziraphale increasingly embracing the potential fantasy of being with Crowley. But here's the catch: when he's in the Bentley this time, driving it, setting the pace, acclimating to the idea, he's driving his own idea of what the Bentley/his relationship with Crowley is. It's not the real thing. He plays classical music; he supplies himself sweets; he turns it yellow; he drives too slow. Crowley calls him in another old-married-couple snitfit to complain that Aziraphale's messed it up, but what Aziraphale has actually messed up (or will, by the end of the season) is far more consequential than just a car. He's changed the entire shape of their relationship to the one he thinks can make it work, and it just doesn't. It has to be them -- "we could have been... Us" -- or it's not even close to the truth. It's not worth their time.

I repeat: Ouch.

Speaking of the writers validating fan theories, I know we all picked up and screamed about on Crowley's idea of Peak Romance Guaranteed To Fall In Love being sheltering from rain and gazing into each other's eyes, which confirms that that poor bastard was indeed ass-over-teakettle gone as soon as he met Aziraphale (again) in Eden. I also need to talk about the 1941 redux, because wow. This time, the danger comes from Hell, which we see being its usual self: gleefully, pointlessly cruel, pettily backbiting, dirty, sniping, tedious, endless, determined to mindlessly destroy because They're The Bad Guys and they like it. So they blackmail, spy on, miracle-block, illicitly photograph, and try to prove that Aziraphale and Crowley are secretly a couple, right after Aziraphale himself has just had the Light From Heaven realization that he's in love (which we all also picked up on in s1). They're forcibly outing them (to speak of more Religious Queer Trauma) in order to break them up/get them into trouble with their authorities/families. Aziraphale and Crowley manage to escape it mostly by dumb luck, but Crowley having an altogether freakout, hands shaking, barely able to actually point the gun at Aziraphale even in the knowledge that it's supposed to be fake, is just... wow. He can't even fathom the idea of ever trying to destroy him in earnest, especially when he knows on some level that Aziraphale also finally just realized his own feelings. So I just need to --

/screams

Anyway, Aziraphale's entire arc this season is doing what he thinks is the right thing and then inadvertently causing harm and damage as a result. In the Edinburgh flashbacks (live slug reaction of me: SEAN BIGGERSTAFF???!!) he tries to stop Elspeth from stealing bodies and gets Morag killed and Crowley drinking the laudanum to save him (though that part with David Tennant just riffing left and right, using his natural Scottish accent, and being Tiny Crowley/Huge Crowley was hilarious). He invites his neighbors to a Pride and Prejudice ball and makes them all the target for demonic attack. And of course the Job episode: Aziraphale, horrified at Heaven's callous cruelty, desperate not to get Job's children killed, willing to go along with Crowley's tricks to save them somehow, tempted by Crowley to do the fucknasty with their angel bits eat some food and decide that he likes it. As mentioned, the whole thing about God being silent this season is a major thematic choice. The only time we see/hear God is Her communing with Job from afar. Aziraphale enviously imagines the answers he must be getting (he's not, he's baffled and perplexed), while Crowley longs beyond words to even have the opportunity to ask the question: why? Why do this? Why is this your plan?

And of course, this absence culminates in the Metatron, the Voice of God, the person arrogantly claiming that they're speaking for God and know exactly what Heaven wants, being able to seize Aziraphale by the short hairs and absolutely fuck him over. Gabriel is gone/decommissioned/eloping with Beelzebub, so Heaven needs a Supreme Leader (God apparently is no longer a factor in the equation). And what this Supreme Leader needs to do is finally unleash the Apocalypse that Gabriel decided to pass on (the Second Coming). Aziraphale needs to be punished, taken away from Crowley's influence/love, and put back under Heaven's explicit control, so Metatron spots a great opportunity to do all three at once. It's not an accident that the exact tool he uses to get Aziraphale to agree is "now you can actually be with Crowley!" Aziraphale and Crowley have been trying so hard to hide out from their respective Head Offices, but now all at once, there's this seemingly miraculous opportunity for them not to have to do that anymore! They can be together! They can be sanctioned by Heaven! They can give up all this hiding and sneaking around and lying! Isn't that better?

... As long as, of course, they give up absolutely everything that makes them who they are. No big deal. Minor catch. Probably nothing.

Metatron doesn't let Aziraphale have time to escape, or think it over, or reflect, or anything. He pressures Aziraphale to come with him immediately, or be once more subject to Heaven's implicit wrath/destruction/judgment. Believe me, Aziraphale already KNOWS he's made a huge mistake, as soon as he hears what Metatron really wants: bringing him back to unleash the Apocalypse that Aziraphale and Crowley have given up literally everything to prevent. He doesn't need time to reflect. By the time my man is in that elevator, he's well aware of what a catastrophic misjudgment he's made, and yet --

Aziraphale needs this. He has, as noted, literally always relied on Crowley outsmarting Heaven's cruel orders in order to prevent himself from having to do them. He's relied on Crowley rescuing him ("rescuing me makes him so happy," WELL BUB, IT'S BECAUSE YOU ALWAYS NEED IT). He admits to Crowley's face that "I need you!" He hates Heaven's sadistic meanness, but he has absolutely no framework, in and of himself, to defy it. When the rubber hits the road, he will crumple and try to go along with it, and now he's been put in a position where he's going to have to stand up, defy Heaven, and make the break once and for all BY HIMSELF. He doesn't have Crowley around to do it for him, he has no support, he is going to arrive in Heaven and be shuttled straight off to the Apocalypse 2.0 War Room. The only way he gets out of this is if he actively stands up, if he chooses himself and Crowley and their life, and he has to.

The thing is:

Aziraphale has lived his entire eternal existence Looking Up. Up is the direction of Goodness and Heaven. Up is where Angels go. Up is where Aziraphale comes from and where Demons and Hell are not. But now he's going Up, in a position to take over the whole shebang, and it's the last thing he wants.

So he's going to have to come back Down.

He's going to have to Fall. He's going to have to get back Below at all costs. He's going to have to finally, once and for all, understand what led Crowley to make the choice to leave Heaven and never come back. It's only then that they can possibly be together on any kind of conscious, equal, deliberate footing, claim their own agency, reject Heaven AND Hell, and try to really earn that South Downs cottage and that happy-ever-after, and it's gonna hurt so good.

Now if you will excuse me, /screams

[butchdykekondraki]

hi. thining about davesport again. look at my ramble boy