#okay I’m shutting up now.

[gothgamergaara]

I’m going to tentatively assume this is a shared phenomenon. When aspec ppl have to continually reminds themselves that other ppl actually do and experience things and don’t just. Not *

[lilislegacy]

Okay, I’m so gonna get hate for this. And it will probably get about 4 notes. This is, by far, the most opinionated thing I have ever posted on here. If you can’t tolerate criticism towards Rick Riordan, the books, or the TV show, please keep scrolling. My goal is NOT to change your mind or start arguments.

I also want to preface this by saying that I love and respect Rick Riordan (even if I disagree with him on things and don’t like some of his choices) and fully acknowledge that he has the right to do whatever the hell he pleases with his own series. I also want to say that I love Annabeth Chase (both the book and tv show version) with my entire being and you will never find me being an Annabeth hater. She’s my girl.

We good? Okay cool. So here’s the thing: I’ve seen a lot of people on here saying things like “If you didn’t like the books, you just don’t know how to have fun,” and “The new book haters are just mad that they aren’t the target audience anymore,” and (my personal favorite) “Nothing in the books has changed, only the readers have.”

And while I see your points, and I respect you, allow me to show you something. Because of the 10 picture limit, I am only going to focus on one specific change: Annabeth’s view of Percy.

WOTTG: Annabeth is surprised to be comforted by Percy

Past Books: Percy is constantly comforting Annabeth

WOTTG: Annabeth is shocked when Percy is smart

Past Books: Annabeth often points out that Percy is intelligent

WOTTG: Annabeth thinks Percy can’t do anything on his own, and Rick communicates that Annabeth is always saving his ass

Past Books: Percy is ALWAYS watching her back, and saving her ass just as much (and Annabeth admits that)

I could put a hundred quotes in here. I could go on and on and on. But I can’t, and I won’t.

My problem with this new book is NOT that it is more goofy than serious. My problem is NOT that little things have changed. My problem is NOT that it’s just for fun. My problem is NOT that it’s much more childish. (And by the way, I’ve read PJO and HOO as an adult, so it’s not like I was a child when I read everything else and am now an adult reading the new ones.) I really did like and enjoy many parts of this book.

My problem is that the characters (especially Annabeth) have flat out changed—in bad ways—and we have no choice but to accept it as canon. My problem is that Rick, while trying to merge his books with his new TV show project, is changing the entire personalities and past behaviors/ tendencies of the characters.

I loved Chalice of the Gods. You know why? It was fun, goofy, and showed the characters that we know and love being happy and adorable. I strongly dislike Wrath of the Triple Godess because the characters—no matter how adorable and happy they might be—are no longer the ones we know and love.

My problem is that Rick Riordan fully admitted that he no longer considers the old book characters when he writes the new books. He is now purposefully incorporating his own personal mixture of the book characters and tv characters and writing those versions instead. Because of his desire to change and transform the series, I doubt he’s even read the original PJO or HOO books in years, which is why everything is so inconsistent. The old book characters—the ones who made the series what it was—are gone. And that is not my opinion. Rick fully admits that he doesn’t imagine them when he writes anymore. Don’t get me wrong, I LOVE the tv show actors. I adore Walker and Leah and Aryan with my whole heart, and I wouldn’t trade them for anything. But the fact is: they will never be exactly like the book characters. It’s impossible for actors to become the words on a page. They’re their own unique version! And likewise, you cannot turn actors into print. It doesn’t work! And why would you try? The books versions were perfect as they were. And the disney kids need to make the characters their own. The two versions can exist side by side, equally as wonderful, and still be gloriously different. We should celebrate the uniqueness of both. But instead, Rick is attempting to merge them into one. And in my opinion, it’s just hurting them both. And I’m gonna get real brave by saying this, but do you want my honest prediction? If he keeps doing what he’s doing now, the TV show is going to get cancelled and the books are going to turn into a joke. I so, so badly hope that this doesn’t happen! I have loved Rick and PJO for many, many years. I badly want both to thrive. But what is going on right now… it is not working, no matter how much we all want it to. And speaking as someone who knows people in the TV/Film industry, I am sadly not the only one who thinks the show is gonna flop. Which is devastating, because Rick Riordan deserves a redemption on the big screen, and the incredible actors deserve to bring this series to life in a new way.

I am not trying to force my opinions onto anybody. You are welcome to disagree with me and move on. I am not saying that I’m right and you’re wrong. If you disagree, that’s okay. If you agree but you don’t have a problem with it, that’s okay. In fact if other people have literally no issues, that makes me somewhat happy. And if you loved the book, I’m honestly so stoked for you. Feel free to just keep on scrolling, my friend.

But me? I’m sad. I’m really, really freaking sad. And I’m a little angry too, even if I don’t have a right to be. I can’t help it because I’m only human. But this is how I—and a lot of other people—feel. And you know what? That’s okay too. Because the fact of the matter is:

Annabeth isn’t the same Annabeth anymore. And Percy isn’t the same Percy anymore. And it’s not because they went through trauma, or because time has passed. It’s because Rick Riordan doesn’t have any interest in writing those versions of them anymore. And I think the comparisons between the old and the new show that fact pretty clearly.

[apostaterevolutionary]

I am so sorry, apparently it’s 2024 and I’m arguing about dragon age again lmao. How did I get here! Why is this happening!! Time is a flat circle!!!

Anyway. People can feel how they want about the past games not mattering in this game. If you’re cool with it, I’m happy for you. But there’s one particular argument in defence of this choice that is really, really bothering me and I have to rant

The thing I keep seeing is “well all this other stuff has nothing to do with the main plot or Rook, so it should be cut” and that’s. Not a good way to tell stories in my opinion. Because here’s the thing: it’s not about the Big Overall Plot. It’s about the characters that live in this world, big and small

I’m going to use the example of Varric and Hawke cause I think it’s the easiest to explain quickly. Varric is a storyteller. That’s the defining trait of his character. He tells stories, and sometimes they’re true and sometimes they’re not and sometimes it’s something in between. In DA2 he tells you about his brother. In inquisition, he talks about hawke and there’s banter about several of the companions. Most of these are just little one liners that don’t “serve the overall plot” but they serve Varric’s character

And that matters

So if we take this character known for telling stories about people that have been in his life, well, he largely can’t do that now. How can he talk about Hawke, someone who can be a very close friend of his, without even their gender being a choice you can select? Or whether Varric should be saying ‘is’ or ‘was’ about them? How can he talk about the companions in DA2 or inquisition when a lot of them don’t have to be recruited or can die? Will he limit himself to only characters that are guaranteed to be a part of it and alive? Or is it that he and Rook will have such a shallow relationship that Varric, of all characters, never talks about his life and past exploits?

Or has Varric as a character changed so much that he doesn’t even want to tell stories anymore? That Hawke living or dying means nothing to him? That the friendships he built with people in 2 games mean nothing to him? That he’s become literally unrecognizable?

This is where the problem is. Sure, Rook maybe doesn’t care about these people they’ve never met. But do they care about Varric? What about if a companion mentions an old friend of theirs, talks about an experience they had that made them who they are - is that only okay if that experience isn’t from a previous game? Or are all the characters so flat that we never learn anything about their connections to others outside of Rook? Is this story SO focused on this player character and this plot that NOTHING else matters, even within the world, and there’s no depth to be found in any of the characters that feature in it?

Writing characters so that they only ever talk about things that “directly serve the plot” is how you get flat, unremarkable, boring, forgettable characters. And that’s not something I would have accused bioware of doing even if some instalments are stronger in this area than others. But it sounds like that’s what they’re doing here, at least with the past characters. Cause sure, maybe Morrigan is so closed off she’ll never mention her son and partner. That’s believable, even if iffy given that they’ve said she’s going to be more involved than we think. But Varric? VARRIC??? Never mentioning ANY of the people he used to spend time with and care about except Solas and maybe some of the inquisition characters that can’t die or not be recruited but also carefully skirting around what happened to them in the game? That’s literally not the same character

And I would expand this to like. A letter mentioning this or a codex mentioning that, or ambient dialogue about so and so - that makes the world feel deep and those random, unimportant NPCs feel richer by connecting them to the larger world. It’s not about “serving the plot”, it’s about making your world and characters deep enough that they feel real, lived in, and like something we can actually care about

[thesealanterns]

I suddenly resized I love this character

This line made me laugh

[changewingwentz]

Day 4 & 5 : filled with disappointment and finally seeing someone’s downfall (it’s happened many will come)

[voiceboss]

Y’all cleared my wish list.

I cannot get over you.

Thank you all.

[sukunasdirtylaugh]

Addicted to the idea of an ex!convict geto who is on the run. You married him young at the fresh age of 19 in Vegas, only for him to ‘abandon’ your marriage never to be seen again. Nearly 4 years have passed and you’re now a moderately prestigious singer at mafia!gojo’s club, the blue dragon.

audiences stack up on weekends until Satoru introduces you to an associate of his called Kento. He’s tall, handsome, and mature in ways you didn’t know you wanted or needed. After a few visits to the club, he asks you out for dinner. A relationship instantly clicked with the businessman that suddenly everyone knew you were his. Until a mysterious letter appears on your doorstep one day. Attached is a familiar pink ribbon and all black lighter.

“My men wouldn’t do that,” your now boyfriend shakes his head. “No one knows about him but me.”

“Ken, you’re the only one to know about him. No one knows about him except you and Satoru. So please, if this is a prank, tell me.”

“I’m quite offended you think I would casually play with the emotions of the woman I have invested all my time in.” He says, “I’ll go talk to Satoru if he knows anything, but it’s for the best if you cancel tonight’s show.” You pull away from the protective hold he has on your waist and hiss. “I won’t cancel a show. Tonight’s the premiere, a lot of Satoru’s clients have invested thousands in tonight’s event.”

“Cancel it,” your blond partner whispers, “I’ll pay the difference, stay the night at my-“ but your agitated nature makes you turn him down.

“I said no! I’ll continue the show, and you can’t say anything about it. It’s my career, kento. And you can’t decide when to sing for me.”

He should have known it had to do with your hyper independence, your need to still depend on your own income after depending on what Nanami considered a reaction of yours after your relationship with a cowardly no good for nothing scum bag who left his wife.

After his disappearance, search warrants for him went on the national level until his presence was declared inconclusive 3 weeks later. Months later, it was rumored he was found dead.

But no body was found.

Now in tonight’s stage, everyone is dressed in the 9’s, with kento leaning against a wall with crossed arms, looking over the audience as you sing prettily. That is until you see a dark figure, long black hair with a familiar silver wedding band on his fourth finger. What sets him apart is the drink on the table.

Suguru.

(wrote this part one and this part two as a result^)

[cometrose]

i’ve got two zhongli origin theories

1. he’s a fallen star or a piece of the sun that fell in teyvat or a sun god/solar chariot

2. hes a servant of celestia but was banished/demoted for disobedience

theory 1 is an old theory but i always feel he’s an astral body of some sorts “planet befall” is his burst name “stars dim light fades” is his namecard description “gold is the tears of the sun” this is what the melusines say after being handed a piece of cor lapis the fact the solar chariot crashed when rex lapis was young and then zhongli is always symbolized by the sun with gold as his signature item. All the other archons (ei, rukkha, nahida, furina etc) are represented by the moon as are many other deities or divinities (azhdaha, guizhong, xiao and ganyu) zhongli is one of the few immortals to fully embody the sun

theory 2 has more to do with his connections to celestia. while super subject to change and not at all reliable i always think about one of zhongli’s beta lines is about celestia and he speaks very fondly of it stating he hasn’t been there is a long time next is the mora he produces with the triquetra symbol associated with celestia

then in chinese it states zhongli was demoted 6000 years ago when he arrived in teyvat as opposed to the eng version of ‘descended’.

In his 5th character story prior to rukkha getting erased it stated that barbatos and morax were the only original members of the seven and now it states that they were the only two in positions of leadership but isn’t that the same thing? not to mention barbatos fell asleep the same time nahida was born so in reality of the original 7 only rex lapis was in a position of leadership and then in the same text later down it still says that “The seven seats changed and again were changed, till five of the seven at the table were all departed” but if he really forgot rukkha shouldn’t it be four not five? this section of text is the same pre and post sumeru so long story short i think he remembers rukkha to some extent so he didn’t come straight from tevyat

and then even though he states he’s eroding he is very confident in his memories likely due to his contracts so i think erosion effects him differently and then their is his connection to the heavenly principles he specifically states erosion was imposed on him by them and then he praises furina for deceiving them and then there is his contract with them that stops him from talking about the cataclysm all in all i believe he’s familiar with the heavenly principles on a deeper level like he’s playing both sides

bonus: i think it’s neat zhongli is always associated with life and creation much like celestia (and the sun), he gave azhdaha eyes and created the archaic petra flower he created whales and eagles and beasts made of stone granted the adepti illumination and a mastery over alchemy

bonus bonus: morax was alive during the age of the 3 moon sisters and there are few stories were it’s implied he mentions them directly anyway this just means he’s far older than 6000 and has lived through numerous tevyat societies so he’s got a very long lifespan not as much as an elemental being but he knows far more about this world

bonus bonus bonus: zhongli’s 6th constellation is “Chrysos, Bounty of Dominator”. Chrysos is latin but is borrowed from ancient greek meaning Gold (Khrysos). Khrysos is a daimon which are lesser divinities in greek mythology and often a personification of abstract concepts. Daimons were great and powerful figures who after their death were granted divinity and some were transformed by Zeus to guide humanity. Khrysos is son of Zeus and the personification of gold and wealth ‘that cannot be devoured by moth or rust’. Son of Zeus? Free of impurities? Tasked with guiding humanity? Very similar to the relationship to the archons and celestia and could mean zhongli has very divine origins.

anyway that’s what i got, as to what he *is* maybe he’s a celestial dragon that got demoted.

or i think about heavenly chinese immortals who, when they commit crimes, or want to grow as a person, may be sent to the human realm to go through trials and suffering that comes with living and guess what zhongli does in his free time.

May he’s a piece of the sun that crashed down in teyvat and got assigned godhood hence his dedication to the future and seeing a new day

[anhonest-puck]

every time i talk to my older mutuals i feel like i’m being held up by the scruff like a cat and examined. this is a good thing btw i just thought of it in the car and thought it was funny :3

(this may or may not be aimed towards @desire-mona …….. i feel like a creature in the silliest way possible If That Makes Sense /pos)

edit: how. how did my dumb sleepy ass forget to tag the othet tqo. @todds-diary and @perksofbeingpoet see i put yalls names in the tags but blanked out?? listen i was very sleepy eepy it was one am 😞😞 i hope yall dont mind being tagged SHHDJSJSJ)

[kingkatsuki]

Specifically thinking about long distance relationships today.

So tell me how you and your f/o would first meet online?

[hplonesomeart]

AUUUU STOP THIS MOMENT WAS ADORABLE AND SWEET AND PRECIOUS AND MY HEART MELTED FOR THEMMMMM 😭💕

(lots of writing under the ‘read more’ btw incase you want my personal thoughts on things!)

Before the episode started I has been bracing myself for the genocide route, but it seem like what we ended up getting was the pacifist route because NEVER would I have anticipated such an empathetic twist??? I was dead convinced that my hopes/dreams of Puzzle redemption were squandered and left to rot (they probably still are to some degree actually lol but oh well I can accept that he’s a lovable psycho). And yet this episode does the impossible….giving us an unfathomably wholesome scene that helps heal his dejected inner child, even just a little. PLEASE this wasn’t something I was prepared for and it’s gotten such a strong grip on my heartstrings right now. I love themmmmm holy shittttt <33

I didn’t think Meggy would step up and try to connect with him like that especially since she was so aggressively defensive when he initially reached out. And I like that even when she gets to speak to Little/Kid Puzzles her behavior is very stern at first lol. Kinda like a disappointed older sister who can’t be bothered to put up with him for too long. But using Leggy as a way to build that bridge again was so clever of her—and hey it helped lure him into false sense of security so he’d get jailed up jskjsksp. Everyone wins I guess!! ALSO can I just say whoever composed the soundtrack (Zach Preciado for the rap segment specifically) deserves just as much praise as the voice actors because DAYM the layering of all those instruments and the seamless transitions into different emotional tones was superb :))

[shima-draws]

Grips my shirt and tears it apart so that all the buttons go flying and SCREAMS I love Law and Cora so much what the FUCK!!!!

[apostaterevolutionary]

Oh man, I actually haven’t been this mad at bioware in years lmao (see my last reblog if you’re seeing this without context somehow). It’s oddly refreshing. Almost comforting even. Like ah, yes, of course they did something stupid, that’s just the world working as it always has. Sky blue, water wet, bioware making an absolutely massive fumble that fills me with burning rage. Normalcy

[codgod]

i’m not going to say qsmp is going to shut down but at this point i do genuinely think that shutting down, restructuring and getting everything else sorted, and then doing a full reset for qsmp 2: workers rights edition is maybe like. necessary. at this point

[theredtours]

the biggest takeaway is that a person can be both unbelievably happy and heartbroken. emotions are not mutually exclusive.

[lunalikestowriteanddraw]

I NEED the Krew to actually TALK about what happened in episode 46. (Spoilers under the cut)

And I don’t mean them mentioning that it happened but “it’s all fine now because they’re alive!” Because I imagine that shit scarred all of them, one way or another. Frost especially.

I don’t care HOW the conversation happens, but it does need to happen. They each need to have that closure, rather than letting those thoughts and feelings swirl in their minds for all eternity. And I don’t just mean in fanfic or whatever. No, it needs to happen sometime in canon, when they have a moment to talk about it in-depth (so probably post-canon, all things considered).

I just…I need Frost to tell them how it felt, watching as all his friends fall around him, and how he couldn’t do anything. I imagine he still gets nightmares about it, especially for the first few nights after the fact, and I imagine he wakes up from those nightmares and probably goes and cuddles up next to Gricko (after making sure he’s breathing. Even if, logically, Frost KNOWS that Gricko is alive and breathing—he’s snoring, shifting around, whatever—he still needs to check. Just in case), as if to confirm to himself that, yes, they’re here. Theyre alive. He’s not alone.

I need Torbek to talk about how he feels like he’s not good enough in battle. How he kicks himself for not being able to control the Witchlight better, for not being able to bring out the Other. Because maybe, just maybe, if he was somehow able to bring out the Other in that fight, maybe they would’ve had a chance (they still wouldn’t, it would still end the same, and Torbek knows it deep down, but he kicks himself all the same)

I need Gricko to lament about how he thinks he’s not a good enough healer. He’s supposed to keep his friends from dying, and he couldn’t even do that right. Maybe if he had gotten to Gideon sooner, maybe if he had realized that Gideon was already long gone before he pumped his last spell slot into him. How he regrets that Hootsie wasn’t spared. Maybe if he had told her to run sooner, faster, maybe, just maybe, she would’ve made it out alive. Maybe. Or, at the very least, he wouldn’t have had to hear her yelps right before he fell unconscious himself. He’s supposed to be her father, he’s supposed to protect her. But he didn’t. Couldn’t. Just like he couldn’t protect his friends.

I need Kremy to tell Gideon how it felt to watch his best friend, his husband, get ripped apart before his very eyes, and being unable to stop it. Unable to help in any way. How he couldn’t imagine ever living in a world without Gid. After all, what’s the point of living when your reason for waking up each day is long gone? Someone else could pay his debt, surely.

I want Gideon to lament about just how useless he feels. With the mixture of being unable to help Twig in episode 41, turning into a stupid useless dancing mushroom (where he was the slowest because he traded the rhythm in his step away, and his friends had to help push him along), losing some of his fire (sure, he gained it back, but for several hours he felt colder. Weaker.), and then being the first one down during the Jabberwock fight? He’s supposed to be the strong one, the fighter, yet time and time again his friends are the ones protecting him. Keeping him alive while he keeps throwing himself into danger. He could’ve killed the Jabberwock, surely. With the help of Torbek, sure, but it would’ve died! It just got the jump on him, is all.

I just…I need them to talk, when they get the chance to. They deserve that much. To reassure themselves and their friends that everything is okay. They’re alive, and they’re not going to just abandon each other. Not again. Even if they feel weak, or useless, or like they could be so much more if they were just better. They all know now what it feels like to lose their family, their best friend, the love of their life, their everything. And I don’t think they’ll ever let themselves or each other experience that again. Not for a very long time, at least.