#ok thats it so yeah

[uc1wa]

I’m alive. Socially, I’ve never been happier, though my social battery is drained by my irls and it’s so hard to communicate w my online besties (they know this 4 the most part LOL). This semester is actually going pretty good! I just got promoted at my job about a week ago. The guy I’ve spoken ab on here… went on a date w him but got bored w him and he was not matching my energy so booted him. Uuummmmm that’s about it for xi’s life updates hahahaha. I do want to write but I feel like I have no energy for that right now (am jotting down lil ideas that I get here and there for when I do feel comfy writing again). How are you guys doing!! Mwah, wishing everyone well :3

[xxplastic-cubexx]

obligatory beach divorce doodling

bonus rough cover redraw of x-men #41 (1995) But Beach Divorce below cut

[fanaticalthings]

I want an AU where after Jason gets brought back to life, he channels his inner rage and turmoil into the academics instead of murder

Talia has like infinite money and a crap ton of influence, so she can absolutely get Jason the best tutors and can easily get him into the most prestigious schools if Jason wanted to (she doesn't need to do that though because Jason's just smart enough to get into them on his own)

The major he chooses? Med.

Why? Because Bruce dropped out of med school.

Jason practically flies through all the secondary education that he needs to catch up on and is already en route to earning his bachelor's AND his master's.

And it'd be so incredibly funny if the way Bruce and Jason reunite in this AU was purely by coincidence.

Bruce (as Brucie Wayne) offers to show up as a guest lecturer at Hudson University (the school Dick attended but dropped out of so double points for Jason), maybe to talk about future career paths and job positions at WE idk

So as Bruce is just wandering around the campus, he randomly bumps into a student and immediately puts on the Brucie act and is all "Oh my, I'm SO sorry, I'm just a klutz haha" only to stop dead silent when he makes eye contact with a very alive, very grown Jason Todd, who also stops dead in his tracks, mouth agape, staring at Bruce like the world's about to end

And before Bruce can get his thoughts straight, Jason just bolts out of there like his life depends on it, and Bruce is just in shambles for the rest of the day.

It doesn't help that the person giving Bruce the tour is all like "Oh yeah, that's Jason, he's one of the heads on our student council haha, anyways, this way, Mr. Wayne." and Bruce is just stood there bluescreening.

----

Alternatively, it'd be kinda funny if this all happened AFTER the events of UTRH where after the final encounter with Bruce and Joker and the whole explosion, Jason's just like "yk what, maybe I'm just gonna turn over a new leaf and pursue a higher education"

So while Gotham's still reeling from the aftermath of Jason's near takeover as the top crime lord and Bruce is still painstakingly trying to figure out where his son went, the whole time Jason's just been chilling on a school campus and Bruce just so happens to bump into his son (who, last time they met, tried to kill Bruce and blew up the building they were all in) and Jason's just all normal-looking with his textbooks and nerdy glasses and Bruce doesn't know whether to scream or cry.

[casualavocados]

Learn from who? Learn from you?

Chen Bowen as CHEN YI & Chiang Tien as AI DI KISEKI: DEAR TO ME (2023)

[deoidesign]

Doing master studies the only way I know how: Stealing them and making them my guys.

(Barberini Faun)

(The Fallen Angel - Alexandre Cabanel)

(Covent Garden - William Bruce Ellis Rankin)

[fischiee]

the best part of rvb is when they refer to tex by he/him pronouns for like 2 episodes and church just rolls with it

[lightnersdream]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*

[anemonet]

L is for Late!...to post...ahem uh i mean im in a zine!!!! the @hermitzine zine even, where everyone did an amazing job and you should check it out :D

[serbianvriska]

heathcliff is it okay/normal if our evil mirror selves are doing um. something

[lemongogo]

they should get to kill each other at least twice .i think

[xxplastic-cubexx]

you open my Super Important Documents and its just pictures of charles xavier

[squea]

Bendegúz, the half-gnome inventor dude that tries to trick u into buying "magic rocks" (he found them in a puddle outside his little workshop). usually found with a rolling cart of gadgets and doodads. thank u @buttertrait for creating the simblr adventuring guild he may not be good at fighting but he is usually smart so i hope the guild has room for him :)

[tls12lessthan3]

thinking about orvs metatextual engagement with its genre and specifically how that interacts with its women again. kim dokja is a self insert for the reader - what he thinks is largely meant to represent what we think, especially in the beginning before sing shong really fleshes out his character. kim dokja sees the world through tropes, directly acknowledging the genre around him and the cliches we expect e.g. the overpowered mc, the scheming villain, the beautiful heroine.

but a major part of his arc is deconstructing this reductionist view of the world in a way that parallels the author's deconstruction of the genre, and that plays really well with the way orv writes women. yoo sangah is perhaps the best exanple - shes introduced as the heroine, a one-dimensional pretty girl who in any other novel would become kim dokja's love interest. but the authors allow her to be her own character, directly challenging the stereotype of the heroine and calling attention to the genre's typical lack of depth for such a character. i think this undercurrent plays in the background often but really comes to the forefront when yoo sangah reminds kim dokja of her putting pepper in their bosses' coffee, a memory kim dokja had supressed because it didn't fit with the pretty girl persona he made for her.

i interpret that moment as yoo sangah pushing her way out of the mold of heroine often found in these stories, demanding a depth be added to her character, asking kim dokja - and thus the reader - to see her in her entirety, to see the heroine archetype for what she could be. orv is at all times in conversation with its genre, and its simultaneous writing of female characters with agency and depth and acknowledgement of the tropes these women are expected to fulfill is undeniably a part of that. and its a part i enjoy. most of the time.

[bandtrees]

they would get divorced in one universe just to find eachother in another one

alternatively titled: sometimes you're the level-headed token flesh-head impulse-control-and-polycule-member of a stubborn, eccentric, and hearty telephone-headed drug addict, and there's cruelty in the world you deem fit to suicidally fight, and that either goes about as well as you'd expect it to, or you learn about love and the value of your life and junk along the way

[moeblob]

A lil guy !

[deoidesign]

panels from my webcomic. the characters are also from my webcomic. believe it or not it's about gay time traveling vampires