#ok im gonna tip

[just-a-girl-with-a-pistol]

I am eepy

[co27]

when the skulls are mysterious

[cutie-lumi]

guys what do we think !

[koqabear]

okay i wanted to ask, because i see you writing such long fics but i can barely pull myself together to write this bomb-ass 20k word fic, how do approach a fic you know is going to be a long one in a way that you don't feel intimidated by it, or do you still get intimidated by it and just try and push through it?

okay so first off, thank you so much for sending me this ask 😭 you literally forced me to go through my writing process and caused me to make a huge breakthrough with one of my stories alfkgh

anyways, i'll try to be as thorough and clear as i can be with my process, i hope this helps! (but also im so sorry once i started i couldn't stop)

i think my process can be best described with three fics; Only You, Darling (40k), Killer Instinct (37K), and Memories We Made (unfinished but estimated to be over 30k.). With each story, I knew that they were going to be long, but mostly because I went in with the approach that it has to be long in order for the story to be executed right; characters have to be written thoroughly, and there are certain scenes that need to be written for the plot/character to progress-- like, if it's not written in, the story could lose those small details that make the fic feel more... alive, if that makes sense?

The most important part is making an outline! I know that's probably obvious, but outlines can seriously vary; like with OYD and MWM, I have a whole doc dedicated to the fic. I'm gonna show you what a bit of my OYD planning looks like, please don't point out how genuinely unhinged it is 😭😭😭 (so.. spoilers for OYD + fun fact it was gonna be Sunghoon instead of Jaemin in the story originally hehe)

This is an example of what my outlines can look like; but, it only gets like this as i write-- the first pic is my outline filled with things i added as i wrote OYD such as characteristics/important notes/things i wanna edit, and the second pic is what i started out with.

the first thing i do is brainstorm the bare basics of the plot; what kind of story is it, and what do i want to happen in it? you can see that i separated the story into the key plot points/arcs; and within each one, i also put how i wanted them to begin and end. (the numbers are the wc for each arc alskhg)

the hard part comes in when you're filling these arcs/key points in. because now the big question is, how do you get there? for example, during the first act of OYD, i wanted to establish beomjun's relationship with the mc, and end it off by having the two work together. but in order to do that, i decided to include scenes that showed yeonjun's relationship with the mc, and then beomgyu's relationship with her. now that i had the foundation, i allowed the two to interact; that let me establish beomjun's relationship with each other, and let them realize they had a common goal.

last, you add a catalyst (a character, a situation, etc.) that can get you to your end goal; the catalyst being jaemin, which brought the two to work together out of jealousy-- and that's how i was able to fill in that key point.

then i just repeated that process for all arcs! add scenes that elaborate on key points, then add a catalyst that can take you to the end!

another thing i do when plotting for my stories is record myself brainstorming! i let myself ramble and talk about the plot out loud, and that's usually how i run into plot holes/issues. i kinda let myself figure it out in real time, and once i've figured the plot out, i listen back to it and write it down. (i have voice recordings for OYD and MWM. MWM is 48 mins, if that gives you a gist of what i mean by like... brainstorming. and half of it is straight up fucking nonsense. just let out ideas, details about the characters, scenes you'd like to write, anything. it lets you become more familiar and comfortable with your story, if that even makes sense.)

also! whenever i'm writing but get tired and decide to take a break, i add a quick want to add note at the bottom; that's what the weird little spiel up there in the second pic is. it's where i wrote down the ending scene because i had a super specific idea of what i wanted and how i wanted it to happen. if you get any scene ideas like that for your fic, write them down!! there's a chance that you might forget about it/write it differently if you don't; plus, it could even help you add things in that could make the transition into the scene super smooth.

OYD was honestly a bit intimidating for me when i wrote it, because i knew that it had to be extremely detailed and long. that's why i made sure to properly plan things out, that way so i didn't forget anything that could skew the execution. but one of the biggest tips is that you should brainstorm scenes you want to add in each key point, that way you don't feel as intimidated when writing-- because now you have a guide, yk? I'd love to show how my MWM outline looks like, but the fic isn't even out yet 😭 but it's literally a scene-by-scene outline of how i want the story to go! now all i have to do is flesh out the said scenes :)

then there's fics like killer instinct. i went into that with pure vibes, no outline, no planning; more of a mental outline, if anything. so if you find the idea of the whole written outline + scene & key points boring/not for you, i'd still suggest to get the bare basics down; but what i did with killer instinct was that i brainstormed as i went, and added small notes to keep track of important things so i wouldn't screw with continuity-- age and time is pretty important in that story, and i kid you not this is the only thing i had for killer instinct outline wise (bc im not counting my doc of mma notes.)

but for killer instinct, i kinda winged it; i knew what the general plot was, but allowed myself to have fun on how to get there. the only thing i will say though, is that with every scene, you should try to plan out the next one-- like, intro to killer instinct is introducing taegyu, then i'll introduce the mc. then i'll introduce the world and background. and now that i have a foundation, i'll add extra scenes, then a catalyst! this leads into the main conflict, then y'know the rest. but instead of planning it out bit by bit, i kinda let myself go with the flow...? it also let me be a lot less intimidated by the fact that I knew the story would have to be long.

as for the story i had a big breakthrough with, i'm definitely a bit intimidated by it! i know it has to be intricate and emotional and intense, so in order to help with that, i've made playlists to get me in the correct mood, watch shows, read other fics, anything to help me get comfortable with the genre and spark inspiration. I'm currently winging it as well.... but have three key points im sticking to-- it's gonna sound a bit confusing and vague but it's like... add foundation + the male lead is introduced -> background is given to let ppl know motivations and stuff -> final scene. and whenever i run into an issue, i brainstorm and try to get to the root of why im stuck. like, is it plot, the character, or the scene? in this case it was all three so. pray for me.

anyways. i hope this helped and im so sorry if it didn't 😭😭😭 because then that just means u read this painfully messy explanation for nothing. but when writing long fics, pleeeaseee make sure to take your time with it-- if nothing's working, give it time and don't force yourself to write whatever! (mwm has been in my wip for a solid like. year..? but this is a rare case plus im insane)

and if your word count ends up surpassing/being under than what you originally expected, don't panic! (killer instinct was estimated at 20-25k. so.) sometimes certain scenes just aren't necessary, and other times, you find that you may need to elaborate more in order to make things work.

im seriously wishing you luck on your project!! and if you found this somehow did help and have more questions, don't hesitate to ask! oh and if you found something i said confusing (bc i do have the tendency to not make sense) pls lmk and i'll try to clear it up asdglsh 😭

[thatonecrookedsmile]

["So what can you expect in the coming months?"] ["…you never know!"] ["He’s always watching me..."] ["-I saw Mister Drew the other day…was meeting with that Connor fellow, holding some papers."] ["I think they saw me looking though…"] ["Just too many secrets being cooked up in the kitchen!"] ["If I didn’t know better, I’d say there was magic there."] ["A well calculated understanding between creation-"] ["-big things are coming!"] ["-and creator."] ["Massive things!"] ["That smile…"] ["..you just learn to go with it."] ["He’s always watching me..."] ["You just watch…"] ["I’ve got a good feeling something great is going to happen…”]

...

…How very interesting,such… knowledge.

{A message from Wilson Arch}

-----

Yoooo, guess who is having a birthday today. Me,obviously. :D

Oh, and Wilson too, I guess. If you wanna be THAT guy.

Remember when this video came out there were people who heard the voice at the end and thought the voice was either Sammy or the Ink Demon? Man, those were the days. However with all due respect, I'm glad neither case was right in the end lol.

On this day 5 years ago, "Unknown - April 14th" was posted on YouTube, which means it's been 5 damn years since we first heard from Wilson...

man, what a damn BABY MAN, am i right folks

It's interesting to think that even though it's been 5 years, we've only known who Wilson really is for 2 years now (or more appropriately, 1 year and 5 months of those 5 years). Of course, now, after BATDR was released, we know who he is and what his place is in the Bendy universe. But between April 1, 2019 and November 1, 2022, all we knew about him was that he…existed. He was someone - someone bad apparently - who sounded old and who would have some relevance in the plot of Dark Revival. And that's it. We had no name, no appearance, nothing. He was someone, but we didn't know who.

It's no wonder he was only referred to as "Unknown" by fans during these 3 and a half years.

In the end, I would say that this drawing is a mix of 2 things. The first being the result of an idea I've had for a while, which is basically making a drawing in relation to the original video/"unknown" tape, but this time with Wilson, since now we know it was recorded by him. Plus it's been 5 years since the original upload,5 years of Wilson. I think this would be the perfect time to do this.

And second, a strange kind of redux/homage/"final chapter" in this kind of "collection" of drawings I did between 2019 and 2022 all based on the idea of "the unknown weirdo from BATDR saying How Very Interesting Such Knowledge" and so on. All of them having other characters in mind in the role of the Unknown. And now, here I am, redoing this idea again, only with The Man Himself this time. The real Unknown. Now as the Known, so to speak.

Going back to what I said before, you can see this drawing as a kind of farewell to this particular idea that I've kind of repeated over the years, as I've now done it again only with Wilson this time. (Does this mean I'll never draw this concept/line of thought again? I mean, I assume so. But there's no guarantee I can't make something similar again down the line. Who knows what the future holds. We will see what happens in the next 5 years.)

But,yeah. 5 years of Such Knowledge™.

Have a good April Fools' Day.

(Also, there are still a few hours until the day ends where I live, so for me it's still April 1st, so yeah, this still counts)

[groovyace]

Can't believe i went thru all these trials and tribulations to become an academic weapon only for a cross-contaminated noodle to end my career for over a week. Love you gluten 😍😍😍

[reploidbuddy]

The first bit you write of your story doesn't have to be the first paragraph of the story

Aka First edition of "Rep’s lil writing tips"

We all know that writer's block, that white page syndrome where you don't know how to start, where that first paragraph feels so important so you don't know where and how to start it.

My advice? Drop that social construct and fuck that first paragraph. You absolutely want to start with chapter 1? Understandable, so do I! Then what's the first element you want to write in chapter one? That dialogue you're looking forward to, that one description of that house they reach in that chapter? Go with that, the rest can be figured out later. It's much easier to edit in a first paragraph according to your needs (that can be found more easily when the rest is written!) than feel stuck in front of a blank page with all these expectations on the first words. Besides, sometimes you have to delete that first paragraph for various reasons anyway. (I've had to delete an entire first chapter before once a few more had been written)

Maybe you'll need to put a lil something before what you wrote, and maybe that can be what you need to find out what to do with that first paragraph later.

Bonus: Some people have shared with me before that sometimes they don't know where to start their story, what part to make the first chapter about. My answer to them is "start where the story starts" aka start as close to the inciting incident as you can. Lots of exposition can be overwhelming for a reader, and often a lot of that chapter 1 exposition can be easily shared later more naturally when the story needs that specific explanation.

I had even made a test once with A Use for a Doomed Soul when I was starting to wonder just how useful chapter 1 of that story was. And so I made 3 versions of the beginning of the story and sent them to a friend to tell me which intro was their favorite. The winner? The shortest one... which was the beginning of chapter 2. Right where the inciting incident started. Sometimes the simplest is the best.

[dullahandyke]

Coming to the realisation that autistically I Dont like things with many ingredients (frightening) BUT I can make myself not want to die by adding spices (further research is required) however this is the antithesis to Irish cooking so I am fucked. Also I hate all meat except when it's perfectly sliced and has no fat on it (sole exception is chicken)

[teen-spirited-away]

Inserting myself in the asos davos chapters like:

[stuck-in-the-ghost-zone]

*clenching my teeth so hard they are cracking* only getting one artfight attack done is not a failure any progress is good progress i am taking baby steps and caring for my mental health by not pushing myself to do multiple attacks a day to make up for lost time i will not feel guilty about this

[bunnyboy-juice]

< 3

[crimeronan]

WHYYYYY MUST MY PERIOD FEEL LIKE I'VE BEEN SHOT. EVERY DAMN MONTH. OHHH MY GOD.

[todayisafridaynight]

through the power of delusion and yuri i can make katase taller than aoki's secretary

[abyssalpriest]

Actually, have this comment on the godhood document

From Lev, original post:

What you need to know is this: The common denominator in magic, incarnation, and godhood is all about types of body creation in order to influence the part of reality you want to influence, creating a body of that type (or nearest to it as you can) to play with it. Magic - or the Priest's understanding of what is classed under that word - is very relevant and begins to explain what a god does and is, which is basically a constantly sustained and expansive set of spells or what is tapped into when doing spells that reaches out into reality.

(...) to consciously go and interact with something distant to you whether physically distant or conceptually, you need to take up a form that interacts more strongly with your intended target.(C1)

Comment from today:

D: Question. This kinda implies moving outwards right, bodies to bodies to bodies as you implied in the whole magic being about finer and finer bodies until dissipation. What's stopping incarnation of... we'll say sort of stitching yourself from one part of manifested existence/Reality to another - what's the efficiency of creating body chains rather than creating just two bodies?

L: You need to look at why consciousness incarnates in the first place. Take your plane for existence. Physical bodies require constant sustenance to move, right? Yet it's so much more efficient and costs less energy to navigate, change, manipulate, so on this plane than trying to do so from "behind the veil" so-to-speak.

You have to understand that Matter is a state of the world's being, Matter affects Matter more strongly than Consciousness does, and vice versa. Think of it sort of like... loading a game and keeping files loaded rather than trying to load and put back data every single millisecond of a simulated game. Matter is memory, is Consciousness solidified, it sort of references and is the references for all the things Consciousness is the on-the-fly equivalent of, it lowers the processing power of God needed to sustain and change reality. If you wanted to alter a document, would you type it out from scratch every time? Or would you simply save a copy - even many copies - of the document and alter that instead?

Having many copies of the same thing seems like it wastes more processing power than typing it from scratch each time, but really, no. It is far easier to incarnate into a physical body than to, at each and every moment, be pushing things "through the veil" to kick a ball down the street. An immense amount of energy would be used... But take advantage of the saving and memory and data collections in the world? Efficiency, wouldn't you say?

[izzy-b-hands]

Think I'm spending this Valentine's Day the most authentic way to me that I can:

On my back in bed*, working on the edizzy (and izzy/everyone lol) glory hole fic, parsing out the constraints/logistics of certain activities being performed via glory hole

(*aka the days of filming caught up with my back and hips in a big way last night but I'm not letting pain stop me from writing or anything else I wanted to do today that I can do from my room lol)

[foxtriestobiteandmaimandkilland]

Local girl has to. Go to school. And can only be comfy again at 4pm. Millions injured thousands dead