#ok I do think at this point I have to say I have friends in Virginia and also have dated people who lived in Virginia

[sandraharissa]

How did they accidentally intimately understand the experiences of mentally ill ppl in s1??? How??? It’s gotta be cos the writers changed right

Ok bcos like, it’s not like Jinx in s1 was a good portrayal of mental illnesses in the sense that it was realistic. I’d actually argue that part of her appeal and what made her work so well is bcos she was undiagnosable. She showed many symptoms of what could be many different issues and so many ppl could relate to her on a basis of one symptom. But what they did with Jinx that made her work so well is that they seemingly understood the emotions and psychology that are shared by ppl with all types of different issues. They didn’t need to understand all the technicalities in terms of, like I said, a realistic portrayal of a specific issue. What mattered was that she felt like a really mentally ill person cos her arc dealt with the struggles of mentally ill ppl. She was portrayed to feel isolated, struggling to communicate/socialize, feeling like she was fundamentally wrong/different, like she inherently didn’t belong anywhere, frustrated with her own symptoms, having internalized guilt, a desire to be loved/accepted, feeling unlovable, trying to hide her issues/symptoms, futilely trying to fit/change her behavior to fit/pass, feeling like a failure etc.

The main betrayal of s2 when it comes to Jinx and her arc was violating that connection that ppl build with Jinx in s1. S2 Jinx is an extremely unrealistic, unrelatable and sanitized portrayal of mental issues.

99% of her symptoms disappeared after she experienced smth that would drastically exacerbate them. Are you pranking me? Is that what I’m supposed to relate to? Quick fixes were applied, like giving her Isha to fix her loneliness but 1)that’s not how raising a child while mentally ill would look like, it would make her struggles worse 2) they cease to portray crucial experiences of mental illness like feeling like you don’t belong cos your behavior is always off, these things don’t just disappear, even when ppl get better there’ll still be these moments, and that’s in a best case scenario. Like trans ppl after finishing treatment saying they got rid of 99% of their dysphoria, but never a 100%. look at how they expertly managed to portray Silco and Jinx having a close loving bond and simultaneously highlight her loneliness and isolation. So she has a kid now bcos single mothers are not famously lonely and isolated ppl right? It was a common point of criticism of Silco that Jinx not having friends amongst her peers is a really bad sign but now she still has no friends but now 1) it stopped being an issue 2) she’s also a single mother now.

The focus was switched from her being portrayed as likely born neurodivergent + traumatized to depression but specifically suicidality. it’s not like in s1 she wasn’t portrayed as depressed/suicidal and you’d think she’d become more so after s1 but that wasn’t the sole focus, but curiously it becomes so in s2. But despite this switch in focus that you’d think would stem from the writers wanting to write about their own experiences or smth that interests them that they think is important it couldn’t be clearer that the writers had zero empathy for the issues they were writing about cos it’s misery porn, a pitfall that many stories that center suicide fall into, glamorizing and romanticizing it. In s1 her worst symptoms like hallucinations were very dramatic and cool-looking visually but it was connected to this fundamental empathy, the understanding of mentally ill ppl as ppl with emotions and what those are. In s2 they drastically switch the portrayal of her issues to fit what they wanted to do with her in s2, and then proceeded to use it solely for cool and dramatic imagery/scenarios. It is completely disconnected from ppl’s real life experiences. The relatability was sacrificed for the sake of following tropes like 'death as redemption' that are supposed to be more dramatic or smth. Having her ping-pong from having no issues to having all the issues throughout the narrative.

Act1: She’s ‘dead inside’, she seems somewhat motivated at some point only for it to be revealed she was planning suicide – alright season, nice, what’s next. Act2: she’s just completely alright now from the get go, her hallucinations show up only when she first finds out Isha’s in danger. why? who knows. It’s like the writers understood that for them that would be a particularly stressful situation so they use the imagery of her illness to communicate she’s super distressed in this moment. So they used the imagery of mental illness not to convey mental illness and how it interacts with her life but as a dramatic-looking shortcut to convey a strong emotion, one that any other character would feel in this situation. Otherwise she’s doing better than she ever was, even in s1a1, and then Isha dies. Act3: so now she 100% ’wants to die’ again and it’s super depresso but then she has one conversation with Ekko and she’s again doing super good and then she dies by semi-suicide but she’s happy doing it and it’s like. beautiful? ok.

[syscest]

Species-affirming cybersex. That is all

that's NOT all because I'm gonna break down these concepts and how they work.

species first. reffing chapter 2 of plural respect, system members have self-perceptions that can differ from the body and don't have to resemble things that exist in the outside world - and a shared understanding of this can help you connect. Nonhuman types often shorthand this as "species" to indicate something left field of human - but it practically encompasses impossible-human stuff like "human with a curse" or "human that's a wizard" and inorganics like "sentient computer virus" or "reanimated skeleton" for most use cases - anything physically impossible enough. if you're into shapeshifter language, you might prefer "form" - same difference.

with that in mind let's talk cybering. Cybersex in most of its forms is collaborative fantasy. You're taking "thinking about a hot thing" and extending it to include someone else over the internet somehow. Though valid barebones sexting can be purely something like discussing physically occurring masturbation, it usually involves constructing a scene of some kind and (though its rarely admitted) you're basically collaboratively writing smut fanfiction about you and your hookup.

I think breaking the "this is weird" glass is critical to engage with this properly and prevent mystifying it. yes you are writing self insert oc fiction with a friend over the internet, yes you're gonna be horny about it. and yes omg you DO get to choose the tense case and perspective you prefer to write in this is huge and nobody says it.

Furry ERP communities (owing to a common layer of seperation between the selves) often use third person language, refer to sonas by name, and put dialogue in quotes: <confused, she pokes her friend's arm, "Hello?" she whispers, "Anyone home?"> etc etc, providing a clear seperation between OOC and not. You might find this stiff or impersonal or booky - and there's a tonne of variation you can apply to see if it fixes that:

per-sender first+second person pronouns:

qualify actions instead of dialogue: <[she pokes her friend's arm] hello? is anyone home?]> (notably removes the hard OOC separation, which can enable chitchat)

both: <[I poke your arm] hello? is anyone home?>

+ avoiding self-references where possible: <*pokes your arm* hello? is anyone home?>

So sexting gives you a canvas, and because it's collaborative smut writing, it really doesn't require you to adhere to what regular humans do and look and feel like. You can write directly about your metaphysical forms interacting because you're literally out here playing pretend for fun.

It definitely works for some people and doesn't for others, but don't get caught in "what do I write". you can't focus on cybersex being *good*, focus on silly little whims and suggesting whatever comes to your head - start by finishing the sentence "if I had you in a room right now, I'd __". Its a silly little playpen for exploring eachother's sexuality and relationship to themself, just be nice to eachother and run with it.

And, yknow, affirming? well, as long as you communicate well, take the standard safety measures you would for any kink scene, and understand consent applies just as much when you're acting out text - then you can do/pretend/play/perform all kinds of stuff via text cybersex you can't do in-person. It's a great way to connect with these parts of yourself and resulting tendencies, and acquire stupid fantastical kinks about it. All new weird ways to be found (find yourself?) attractive.

Ok. well. unrelated tangent. you CAN do it in person. invoking weird nonhuman or otherwise metaphysical junk in bed is not strictly typing only - for one you can literally bring your phone TO bed and do mixed-media sex where you get to sext *and* get handsy, but that's not even the point. Sexting might make you a sex-fanfic-author but don't forget you can be a sex-wrestler/sex-theatre-performer too - talk to your hookup about the impossible things you'd like to do, and then do things that physically resemble them and you can both enjoy filling in the blanks. Your brain WILL help, if you're thinking about picking someone up with your tentacles and you use your body's arms, you'll naturally want to move them in a different kind of way, and you'll both pick up on it. The more you engage, the more it comes through in how you move, the more your friend gets to pick up on. Hell, you can even check verbally if you're understanding things right - "is that your arm" etc etc. It's a more complicated, subtextual language, but it can be a LOT of fun.

Anyway, species-affirming cybersex :)

[siremasterlawrence]

Hallmark Suites

“Welcome to the Hallmark Plus Hotel the grand old place to make your dreams come true.”

I am greeted with a nice the manager of the hotel came to my side unknowingly he works for me.

“I am your boss! Submit your will to me”

Part 1 - 2

Andrew W Walker walks in to the hotel room quietly closing the door is locking in as the the doors automatically close as he spun about to see a shadowy figure is moving about the room. He walks in to the main room through the hallway as he can see his best friend his pal happily a fellow actorLuke MacFarlane unpacking his bags on the bed and draws fill up pretty quickly as his ass pops. Andrew does not know why as his side of his body lays on the wall glued to the show on full display in all its glory dancing around the gigantic suite as he shakes his booty to the music and Andrew can’t help himself once again. Andrew does not know why he is feeling so hot as he instinctively began to undo his shirt buttons, sleeve buttons, he is transfixed unbeknownst to him a man wraps his arms over him and he is feeling him up.

The man snaps his fingers as Andrew goesin to a mindless state obediently undressing his body in entirety as the young man take a steps in to the scene placing a hand next to Luke’s ear and snaps his fingers as magic happens. The lights turn off as his eyes lift in to the air staring mindlessly at the ceiling his eyes begins to spin out of control as the room shooks his head falling back in to the bed and he rolls over till he falls forward on to the ground. One more snaps of the fingers as he rose to his feet started to do a strip tease much to my enjoy as the two of them go at it in mi mercy, I reach for my iPhone as I turn on the camera recording the events as they unfold. I dig in to my pocket using a micro chip laced device placing it on the wall as everything runs through the smoothly as he and Andrew belong to me for generations-and beyond the two are now standing stark naked before me.

Part 3 - 4

“Robert Buckley! Is that you?”

“Do I know you? Sorry!”

“Yes! We met a few weeks ago”

“Did we?”

“I invited you here “

“This is my hotel”

“Oh yeah!”

“What?”

“How can I forget?”

“Exactly!”

“Bad boy”

“Oh! Don’t say that ! Please!”

“Oh My God!”

“Are you ok?”

“I am so disappointed you said that “

“All I want is to make you happy”

“Since when?”

“I realized it”

“Good boi! Get naked and serve the food”

“Sir Yes Sir”

“Is that Robert Buckley?”

“And? Do you have a problem?”

“Fuck you! He is naked “

“Relax “

“Yes sir”

“I love you “

“Oh God!”

“I am overwhelmed “

“Continue “

“One word and I”

“You are what”

“I know! I belong to you and I am consumed by you.”

“I am your everything “

“You own me”

“You recognized it”

“Down to my core”

“My souls “

“Endless pulls be strung “

“Will you belong to me?”

“In every way passible”

Chad, Peter, Colin and Jesse are completely left in astonishment as everyone else in the hotel is dancing a storm up, making out and using these stars.

“This cannot be”

“So you think?”

“All of you relax “

“Submit on me”

“You have nothing to fear”

“You like the music”

“It’s orgasmic”

“You want to dance “

“Party up”

“Strip and jump up”

“Stand on the table”

“You four are the entertainment “

“Serve it up”

“This is your demise”

“Your happy place “

“You never want to leave “

“Imagine a residency here “

“We want you “

“I am your boss! You have me”

“I am about to cum “

“All of you get hard”

“Point up “

“Loading up “

“Loads of cum”

“Stretch “

“Aim “

“Shoot “

“Cum”

“Immediately “

“That’s it explosive amounts of”

“1”

“2”

“3”

“Ssssshhhhhhiiiiittttt”

“Ooooooohhhhhh oooooohhhh ffffuuuucccckkk”

“Yyyyyyyyyeeeeeessssss”

“Bbbbbooooommmm”

“Shoot it everywhere “

“Uncork the champagne wooohoooo!”

Trevor and Steve never saw it coming as the cum literally lands on their face as sweet as pie and as salty sweat they fall into trance.

“Who’s next?”

The end

[oars]

[waspgrave]

now there was no reason for lucanis to be given purple johnny silverhand as a plot point and then never have the purple johnny silverhand utilized except for maybe 3 or 4 times in the game (if you saved Treviso, otherwise it's twice) and dialogue. Dialogue where he pretty much just says weird and funny things and occasionally gets scolded like a dog which is entertaining sure but there is Literally A Demon In One Of The Companions Why Is This Not A Bigger Deal

[makotonaegiunderstander]

something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.

“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”

[idontmindifuforgetme]

I’m finally biting the bullet and contacting a therapist today after being ambivalent ab it for so long… this hellsite has its many disadvantages but one thing I can say is it has truly helped me be less scared of pursuing therapy. Silver lining etc etc

[starscr0ss]

demigod kids

[unriding]

EVIE !!!!!

I SAW U USE MY ART AS UR THEME SO I WANNA DO A REMAKE !!! mostly cause the other one was full of mistaks hurrrrr orz

keeping the color palette the same so itd still fit + use softer shading so convey how soft u are + moze is now IN UR HAND !!!! >:3

oh nick :’)

[dyketennant]

oh i can already tell i’m about to have some really unpopular opinions about the edge of sleep tv show

[sidesteppostinghours]

pulps law is that whenever i get insane enough about something, i will inevitably attempt to make a persona 5 au, regardless of whether or not i am successful at it.

[faaun]

i feel rly sad and conflicted abt one of my best friends on earth but idk who to ask for advice bc i usually would have consulted her in this situation lmao

[zeb-z]

I dunno, and I haven't read the Ascendency novels to be clear, so I can’t speak of who he was before his exile - but maybe Thrawn accepting Grand Admiral for that shitshow on Batonn sealed his fate. Maybe he wasn't the one to pull the trigger, maybe he was appalled by the needless death - he still took the promotion, even if he didn't want it. The moment he took the rank plate was the moment the blood on his hands became insignificant in the grand scheme of things. The moment where all his intentions begin to be buried by his actions.

Everyone is all about how Thrawn isn't that bad of a guy - and honestly I do agree that his character is misunderstood more often than not - but he still did terrible things with the Empire. Turned a blind eye and condoned much more with silence.

Because the fall of Nightswan and Batonn may not have been his fault - but he accepted the stain when he took his promotion.

For all you try to keep things fair, it doesn't matter if you're working in a system that is instituted to be cruel. And while Thrawn had never claimed to be a good man, and had only joined ultimately for the protection of his own people, there's something to be said of this deterioration of morality. How he doesn't understand politics, but is still shaped by the dangerous and vindictive workings of Imperial political scene, forgoing honesty for station.

Pirates and smugglers turn to insurgents and rebels. Capture turns to execute. He kills to prove a point.

He develops for the worse. For all he shapes the Imperial Navy, it shapes him all the same. I dunno. Complex character and all o that. He’s no scum of the earth true evil, but he’s no shining star either.

[tenojan-in-tevinter]

Honestly I really want to be able to side with Solas in dreadwolf. I think it'd be super interesting to play as an elf in Tevinter and be able to just go "yeah actually I think Fen'Harel is right let's tear down that veil." I mean I assume the main conflict will be Solas trying to convince your character to join him, or your character being told they have to try and stop him, and there are not enough games that let you side with the presented "villain" character. I want to see what the world is like with no veil I'm so interested. Also so interested to see what full-on Fen'Harel Solas is like. Is he still as empathetic? Or is he more conniving and distanced from "mortals" like the old stories would have us believe?

[the-golden-dragoness]

Does anyone know how to maneuver a relationship where they are interested in dating you but you were fine being old school acquaintances who don’t speak to each other

[todayisafridaynight]

i’m pretty surprised that you can be in a fandom without really checking the tags regularly for new content or discussions that’s pretty impressive

ive got twitter for that and twitter has shown me enough as is