#oh we were FED

[anneeeboleyn]

give me, my lesbians back 😠

[usertoxicyaoi]

"Is there somewhere you can rest?"

MY PERSONAL WEATHERMAN (2023). Episode 7.

[buckleyskin]

took a gander at 911onabc insta page and the post with lou has almost 900 comments while the others range from about 70-90 comments. that’s literally insane the traction he is getting and how many more people interact with his posts than any of the mains 😭

i know lou is gonna be sticking around, he loves tommy way too much. along with tim & oliver, they love bucktommy so much and i know oliver sees tommy as a forever partner for buck.

[shortnotsweet]

QUIET ON THE OLD FRONTIER (excerpt from THE THRILLING AND NOT AT ALL REPETITIVE ADVENTURES OF CAPTAIN MAN AND KID DANGER: “A CHRONOLOGY OF ENTIRELY TRUE AND HEROIC EVENTS COINCIDING WITH THE END OF HISTORY”) [1] [2] [3] [4]

Well, you know how it goes down in Hollywood: the sun never sinks on the West Coast, and no one can ever die for real.

[ Henry’s expression is frozen, part acceptance, part trepidation. A stallion stands in the forefront of the second panel, backlit by the stretch of desert and a yellow sun. The horse’s front leg is dotted with red; below, Ray is mid-grin with his arms outstretched, hands cut out of frame. The horse, mid-motion, flees toward the horizon. It won’t make it. ]

“I just can’t quit you,” is the kind of thing he would say, big hands outstretched to clasp the back of his neck or to fit over Henry’s windpipe like a noose. It’d be a bit, with a Southern drawl and eyes not quite meeting his, but there would be just enough substance that Henry could pause and think, Well. Maybe you should.

Somewhere underneath that ego is a person capable of letting go, of cutting their losses. Henry’s seen the Old Westerns in their grainy film and open desert, and knows the kind of look good men get in their eye when their horse buckles. It’s the same guarded expression he wore when Drex came barreling back in, looking like Henry might in a few years time—angry, bitter, and stuck in the same place after all those years. Drex came back on his own, but still holding the old reins. Maybe that’s a difference between Ray and the good man; when Henry breaks his leg, he gets benched and pulled from the field. He’ll be back out again the moment his femur mends because he won’t see the break for the escape it could be. A fracture is never just a fracture, and a boy is never just a boy.

A horse with a bum leg gets taken into the field. It can’t return because it never leaves. Oh, well. It was a good beast, a good ride while it lasted.

PANEL NOTES:

The first chapter of the fic “bite your tongue” by ao3 user irregularsatanist (slavishtrust) motivated this significantly, although this is not explicitly lifted. I am obsessed with their mind! Every time I read and reread, my fingers get the itch to storyboard. Much to say, and more to come, surely. (I’m actually being so, so, so serious, the levity of their work is what incepted me into this hyperfixation and every version of the characters I have in my head is inadvertently colored by the blueprint of trauma, codependency, and exploitation in the aftermath of young adulthood that their continuity of portrayal has lain out. I’m not kidding I’m being so real about this rn)

Something about the Wild West motif is just really, really compelling to me: empty space, inherent isolation, man in nature, evocative of incoming change sweeping into the country and devastating those that lived before and in the now and yet still feeling stagnant in the hugeness of the land, and the kind of vulnerability that the wilderness digs out of you. There is no difference between the civilized and the uncivilized here. I don’t think I’m super subtle about it.

There is an anonymous mark on Henry’s neck in the top panel. It could be blood, a bruise, dirt or dust, inflicted or coincidental, etc.

Three instances of hands, or hands in omission: Ray’s hand gripping Henry, the implication of his hands extended outward/upward, and the hand holding the gun in the bottom right panel. In the former and latter, they are highlighted with yellow lines.

Henry does not reach back for Ray, but he doesn’t retreat, either.

Henry and Ray’s respective paneling colors differ.

The horse represents freedom & captivity, cyclical tenancies, dehumanization, and escape into the natural.

Here, Henry may even identify with the gun itself. Ray’s hand over his face + neck mirrors the grip over the firearm, and the line where flesh meets object (or, in this case, Henry) is highlighted by the same line work.

The horse envisioned is a wild one that was groomed into captivity and subsequently domesticated. In most ‘horse’ narratives, the struggle culminates in the question of freedom—or return to nature—as opposed to the human need to keep. By allowing a creature of nature, which was not born into civilization but rather introduced into it, to return to its motherland is a humanist act and therefore a rejection of corporate or urban conformity. The horse exists as an objectified commodity, one to be used or paraded. To relinquish the horse demonstrates more than love, arguably something more important: respect. To respect nature is to relinquish the grip of expansion.

I feel like this is the moment when Henry returns and they both reunite with one another after a period of time. Ray’s expression, while still ambiguous, is much easier to parse than Henry’s. Henry, of course, considers himself the defective horse, and weighs the three possible routes: escape (back) into the wild, to be taken into a field and shot (real Old Yeller style), or to be ridden again. Each carries their own merit and implication of autonomy.

The reality of each unfolding is still dependent on Ray: if he lets him go, if he decides Henry must be discarded, if he utilizes him still—or, if he is defective at all.

Ray’s problem isn’t that he’ll be tempted to shoot the horse, but instead that he wouldn’t. The good man takes the creature out of its misery if he can’t heal, house, and release it. This guy would rather have a bloody horse in his house until the end of time than admit he shouldn’t have had it in the first place. From Ray’s perspective, the reunion is best characterized as the return of the prodigal son. To Henry, this is more of an ego death in slow motion.

Ego Death: “The disappearance of an individual’s sense of self, or the removal of one’s perception of oneself as an entity separate from one’s social or physical environment.” (Britannica)

Prodigal Son: “…a man or boy who has left his family in order to do something that the family disapprove of and has now returned home feeling sorry for what he has done.” (Cambridge Dictionary)

The chapter title, “QUIET ON THE OLD FRONTIER” is a reference to All Quiet on the Western Front, the English title of Erich Maria Remarque’s 1929 novel about the traumatic aftermath of World War I. The term, “all quiet on the Western Front” is a colloquialism referring to a lack of progress, or stagnation. “Front” is interchanged with “frontier”, Americanizing the phrase to refer to the Old West and settlement. California, on the Western Coast of the U.S., is assumed to be in close proximity with the location of the narrative.

Of course, “I just can’t quit you” is the iconic dialogue between cowboys Jack and Ennis in Brokeback Mountain (2005), the epitome of the modern Western movie (based on a novel of the same name). Here, the context is not exactly the same, but still (uncomfortably) adjacent. Sometimes, quitting is good. It can help you grow up big and strong.

[triglycercule]

horror bragging about he's immortal and allat to killer and dust (because he genuinely thinks he is. like he literally came back from the DEAD that is a proud accomplishment!!!! bro probably brags all the time about it like "heh even if you hit me hard i'll just get back up. bitch")

and then killer's like alright bet! let's test that out! and then he starts going on an all out chase for horror's head. and dust just follows along because hey why the fuck not it sounds fun and it would be nice to knock horror down a peg or two :3 frantic running from horror ensues because as much as he'd like to stick by his claim he REALLY cannot be going around risking to see if him being immortal is actually true 💀

[rudnitskaia]

I need a hug again. Much.

Also, have a funny lil cat with a smol pancake.

[cator99]

I always get detained at da border because PROFUNC never ended but basically I'm like if a targeted individual didn't even care

[morphestic]

The only reason soukoku isn't canon is because asagiri is a coward it would be considered bad marketing (i know, i know. shocking.) and it also wouldn't make sense for the type of manga bsd is.

[ratstuckinamarble]

Went on a short trip with my sister and my dad today and we found some SHEEP.

Look at these silly creatures. I'm a huge fan of sheep. I talked about the strange noises sheep make about a year ago but I just keep being amused by that, and I got a great recording this time XD They complain so much!

And they kept trying to take a nibble from my hand djdghs but just to test if it was edible I think, they were very gentle. And their snouts are so soft :0

Also. Fun dragon logo and my shocked coffee.

[gingerwerk]

Today I found out that my parents are in fact part of the ‘60+ year old white people casually watching 911’ demographic

Yes my dad only watches eps as they randomly appear on different cable channels, yes he also refuses to watch it from the start on streaming he just chooses to constantly not know what’s going on

[crushed-oranged-angered]

Teen Wolf Motel California

So many thoughts about Teen Wolf Motel California

[athena-xox]

You know what? Fuck it.

If I think that epic winter should take place soon after dragon games and not have the 20 whatever episodes that go in between them im going to do it.

This is my timeline, and while yes is still canonically I’m going to take a few creative liberties in between the lines. It’s not like the series is canon anyways, because the series narrators are either 1. liars or 2. incompetent (I’ll link the post explaining later) and they tell Brooke “take us to the next scene” meaning they control when scenes happen so the series could canonically be misleading

[anachronistic-falsehood]

OK i still don’t think it’s a DID situation going on here with qcellbit and fcell (at least i hope it’s not) but i am thinking. maybe it’s a sleeper agent kinda thing. winter soldier type beat yk??? and if it IS then IMAGINE THE IMPLICATIONS of the federation doing this to him and having control over when he acts that way i’m going to go feral

[loving-jack-kelly]

sometimes i like it when my favorites are petty and mean and stupid and so what I have to propose is childhood friends javid but where they had a nasty friend breakup in middle/high school and didn't talk for years and then when they meet again as adults they're both still bitter about the way things went down and instead of talking it out like grownups they regress back to the same fight that ended their friendship in the first place and it's because they both miss each other a lot but don't know how to communicate that so they just snipe at each other meanly instead

[essektheylyss]

Debating if I should go harder on the classification snob shaming. I think I will let my rant sit in drafts overnight. Make better decisions in the morning lmao.

[alchemiclee]

been looking in tags for a few days now to see if anyone else found the whole high cloud quintet and related story to be a bit.....poorly written, nonsensical, contradictory, full of plot holes and loose ends, etc. apparently i'm not the only one. (and i'm not even talking about shipping stuff, because any time I saw someone mad about bad writing, someone always replies to be homophobic and laugh about failed ships. weirdos.) it could have been so good but was thrown into the garbage for the most part (IF you noticed all the plot holes and contradiction. if not, then it's a fine enough story tbh. I expect most people to see it on surface level and not read all the little hidden lore bits and try to piece it together like my autistic brain did. which is ok! enjoy it if you liked it and ignore me 😆)