#oh my poor thing.....!

[softshuji]

Well I just got punched in the face

-Ran

What?!! What for ?!

And by who?! Is this a you-can-hit-them-back situation or no? Because if so I'd say hit them back but I'm just checking on whether that would be bad or not!

[cas-dyke]

remember when castiel made a death deal that hinged on him experiencing true happiness and he was like “they don’t know i know this hack: that will never happen”

[deadbaguette]

Dear children of Priam, were you doomed all along?

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[i-mode]

don't play so coy now best friend

bonus :-) :-) :-) making that man suffer in the nicest ways possible

[ravencromwell]

Rereading Dickens Christmas Carol for the first time in a long time. And the more I reread, the more it strikes me how seamlessly a queer reading could slip within these pages. Not an especially twee reading, wherein all Scrooge's troubles start and end with grief over Jacob Marley's death. For we know that Scrooge was a "Tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner!" And we know that he and Marley were "two kindred spirits"

And perhaps that very fact makes the similarities to queer life, unintended as they most likely were by Mr. Dickens, achingly poignant to me. Scrooge is, we're told, "secret and self-contained and solitary as an oyster." How much that resonates, for so many of us who shield our innermost selves but from a select group of friends. And we know that Scrooge and Marley were, at the very least, certainly that for one another. Scrooge is Marley's sole mourner; his sole executor and beneficiary; and even Dickens notes, "friend." How reminiscent is that of queer couples across history, estranged from their families?

Scrooge lives in a set of chambers that once belonged to Marley—clearly Dickens wanted us to believe Scrooge gave up his own dwellings after Marley's death to economize. But with only a flicker of change, those chambers become _their chambers, rented by Marley as the senior member of the couple. The place is so desolate Dickens notes "one could scarcely help fancying it must have run there when it was a young house, playing at hide-and-seek with other houses, and have forgotten the way out again." The perfect abode for two queer misers who wanted no one prying into their business.

Marley's name is still above the door of Scrooge's counting-house: a mark by which, no doubt, Dickens meant to convey Scrooge such a penny-pincher he couldn't bother to have it changed. But a thing can be both! mark of frugality to ludicrous excess and! mark of mourning. "sometimes," Dickens opines, "People new to the

business called Scrooge Scrooge, and sometimes Marley, but he answered to both names. It was all the same to him."

This is why "death of the author" matters so much, in expanding our interpretations of texts. It is vastly far from the lens Dickens would have intended. But, the idea of a ghost of queerness, so taboo in the society it could barely be glanced at sidewise in this tale that is all about the inexplicable and yet that lingers over everything becomes an astonishing lens through which to read this book. Thinking of Scrooge as a queer man, his "melancholy dinner at his usual melancholy tavern" becomes a eerie prefiguring of the hollowness of days spent by Isherwood's A Single Man. In this universe, little wonder Scrooge doubly hates mention of time with family, marriage, etc. when the precise nature of his grief is both unacknowledged and unacknowledgable.

And readings like this are vital, because the uncomfortable truth is, discrimination doesn't "discriminate between sinners and saints", to borrow a Miranda phrase. It is easy, in my liberal circles, to fight for queer people who hold "the good sorts of politics". But what about men like Michael Hess, culpable for supporting Reagan even as his contemptuous homophobia let the aids epidemic run rampant? How much harder is it to remember Michael had a partner? That he deserves empathy and compassion for being practically tarred and feathered out of the party upon his own aids diagnosis?

Expanding our imaginative universes to include queerness, not as redemptive panacea, but merely as one aspect of identity, personality, often in vicious conflict with others. Even! as we consider those stories equally worthy of being told feels vital if we're ever to truly express the complexity of what queer humanity looks like.

[whump-softie]

Sure, Whumpee is beaten daily. He is hit and kicked to the floor by everyone he sees, but at least it is better than it was.

Sure, he is branded and beaten until unconscious. He is punished for wrongdoings that aren’t his own, but at least it is better than it was.

Before, he was loved and cherished. He was brought up to a level he never thought he could reach, and he never deserved it.

At least now, the outside matches the inside. At least now, others see what he sees in himself; a detestable creature with no hope of salvation.

He is beaten and he deserves it.

Yes, this is much better.

[xx-sketchy-xx]

Poor poppy, a three tiered cake is simply not big enough!

[ruubesz-draws]

Cassie going through walls wearing that Vanny Mask sounds creepy and hilarious

Well done Cassie! Now both Gregory and Freddy are traumatised... again

(I imagine her walking through walls like those pin arts)

[hawleywilby]

[zwoftt]

weekly dorym moments and other stuff in no particular order !!!

dorian casting foresight. liam fanboying.

liam sneezing and then robbie’s little “bless youuu” was so cute for no reason

robbie’s facial expressions this fight… he was so scared

orym being the only one dodging the big predathos fist, the excited cheer of robbie and the rest of the table.

“shadow-walk underneath me baby”. WAS A CRAZY LINE FROM IMOGEN HELPPPP IM SCREAMING

TRAVIS SAYING “if orym dies it’s robbie’s fault” IS SO FUNNY TO ME LIKE GOODBYEEEEE THE WAY THE WHOLE CAST IS DORYM LOVERS

awwwh robbie and liam making faces at each other the entire fight like cmon bro. when orym gets hit by predathos’s maw the first time, robbie shakes his head and laughs when liam looks over to him after saying “don’t worry guys! my potion- nope i take all of that damage.”

WHEN ORYM GETS EATEN BY PREDATHOS THE CONCERNED FACE ROBBIE DOES OMG

laudna getting that crit is INSANE BTW (with the beau dice))

crown of stars on dorian storm… what a beautiful sight tbh omg omg omg… the whole table fangirling and fanboying over it. “only son of the silken squall” MADE ME CRY SO HARD

“i have a wood chisel!” - chetney

oh my god orym pulling dorian in with seedling, healing him with a potion desperately, “we need you… i- i need you! can you get up? we need you!”. is cutting into my heart

THE FIRST THING DORIAN SEES IS ORYM GETTING KNOCKED UNCONSCIOUS. TRAUMATIC ASF.

the mass cure wounds coming out once again in clutch holy shit- the image of everyone coming back to life with dorian flying into the air, casting healing on everyone but himself…

“i can hold my breath, *forever*.” says dorian. orym with a brow raise, “tell me more…” STOPPP OMG THEY DESERVE TO BE HORNY BUT THIS IS INSANE

witches be bitches. witches be bitches.

the relentless rage was so badass from ashton damnnnnnnnn meowww

okay next episode they boutta talk to the gods and i better see a bitter dorian throwing up a middle finger at lolth.

[mamawasatesttube]

frankly no one leans into bart being from alabama enough. do you even know how devastating it could be for impulse to look at you just sitting there minding your own business and go "aw man, bless your heart </3"

[hellonerf]

i'm so easily pleased by cute things. these designs and descriptions are so cute. like wow explodable... wow imagining encounters with cute creature girls... found in various locations doing cute things...

[jadecantcreate]

been watching s1ep6 of uprooted! some bad doodles of a few of my favorite moments thus far

[megamagimugi]

He's-a Gone

Luigi time! To suffer, that is.

(CW: character death)

This is obviously a sort of comlementary piece to I Was-a Too Late. But it's more than just that as it also illustrates a certain fun, dark what-if idea I had. Please keep reading if you're intrigued!

Lore:

Luigi's Mansion, the first game. Everything goes the same as in canon until the final boss fight, when Luigi defeats King Boo in his Bowser costume. After King Boo comes out and Luigi intends to suck him in, the villain laughs and reveals the truth: Mario's painting was an illusion, so was everything Madame Clairvoya saw. All just to mess with Luigi. Meanwhile the real Mario wasn't just captured by the Boos, he was immediately killed by them on their King's orders. The only physical thing that's left of him in this realm is the five items Luigi found - hidden by the Boos for Luigi to find, another part of King Boo's sick game.

Luigi is able to finish the fight despite his shock and grief, fueled by the anger King Boo never expected from him. After getting out of the painting the plumber discovers that it is indeed empty, no Mario or anyone else in the portrait.

Heartbroken and guit-ridden, Luigi goes back to Professor E. Gadd's lab and gives him back the Poltergust 3000. He doesn't even want to stay long enough to see what is going to happen to the ghosts. Of course the Professor tries to offer some semblance of comfort, but we all know it's not his forte.

So Luigi leaves, only taking Mario's five items with him. He notices that the mansion has disapeared without a trace. The reality of it all finally hits him, and he practically collapses onto a nearby tree's large root protruding from the ground, putting down the precious items around himself, only leaving the matching red hat and the letter in his hands. He should have known something was off. After all, the Mario he saw in the painting was wearing his hat and both gloves.

Looking at all these items, to his growing horror he can't help but imagine what exactly might have happened to his brother and what his last moments might have been like. He hugs the hat to his chest and rereads Mario's note several times, knowing that the brief warning was his brother's last words to him.

Luigi can do nothing but cry for the beloved brother he couldn't save, desperately wishing it was his warm, living and breathing body pressed to his chest rather than just a couple of his belongings.

But Mario is truly gone, apparently having met such a horrific fate that not even a single part of his body is left in the physical world.

[Good night]

…I'll leave the rest up to your imagination ;) Sorry if I got carried away with my description. Occasionally even I enjoy being a little dramatic, though I'm no writer whatsoever.

Yeah, I'm not apologizing for making this one - I was nicer to Luigi than to his bro, at least here the Mushroom Kingdom and everyone in it (except for Mario lol) is still okay!

But alas,

You can no longer play as Mario (warning: this is a video with sound)

Rest in spaghetti, funny wahoo man.

@federthenotsogreat I'm tagging you because you said you wanted more Mario art like I Was-a Too Late, thought you might like this one too!

@drones-of-innocence Also tagging you because you were interested in my idea.

Edit: Tagging a few more mutuals who might want to see this based on their reaction to my previous angsty work just in case, feel free to ignore. Or ask me to remove the tag if you want, no problem.

@silenzahra (remember, no rush) @c-lavanda @jell-o101 @stripetkattelalala54-gf

@luigixfanxayjay @itsavee4117

And you @giddlygoat just because you have a Luigi's Mansion AU and I thought you might appreciate this... Also because I'm a fan 👉👈

[mossy-paws]

Mangograft! (PHIGHTING!)

Would one care for a mango? (It’s a bomb /j)

ANYWAYS I forgot to post this so here it is! Live laugh Mangograft this was a suggestion from a friend since I was bored :3

Also here’s this gem too no im not giving context