#offensive facts

[artigas]

let me tell you something, as a bitch who went viral for her cunty post about the met gala back in 2018: i will always, always, always tolerate ugliness so long as it’s undeniable that a choice was made. when it comes to celebrities paying through the nose to wear costumes and stunt, i want audacity. i want gull and i want gumption. lil nas x looks like the silver surfer got his hands on some nerds rope. pedrito has got his bare thighs out at the gig. doja is serving animorphs realness and you know what? i respect it. in fact, i adore it. because do you want to know what’s exponentially worse than being a lil ugly? being that rich and being that spoiled for wardrobe options and nevertheless committing the unforgivable sin of being boring !!

[ohfuckiamsohardrn]

we as a society need to be talking about how husk booped angel

[zivazivc]

a collection of old doodles and forgotten wips

[lemonduckisnowawake]

You know, it's a tragedy that there are no (or very little) Vampire x Christian stories out there, not for angst or theology or forbidden seductiveness or whatnot but for the sheer comedy of it all. I mean, the Christian would technically be immune to all of the vampire's shenanigans, like for example...

Vampire: Fool, I am the most powerful vampire in the West. Nothing but the force of an entire holy temple could even deign to scratch me Christian: Idiot, I AM a holy temple. 1 Corinthians 6:19, fear me and the Spirit inside that can burn you to ashes

[asocial-skye]

man, all you zutara guys are way better at this shipping thing than me. i read through like ninety different metas about the symbolism of the colors associated between the two, the fact that the two of them are the emotional story arc of ATLA, and how their romance falls more into the canon themes of the franchise.....

and then i'm here like, he took lightning for her and she was aang's mom in an episode. i'm sold.

[linkspooky]

I haven't literally felt this sickened about a character ending since Azula's entire character ended with her chained to a grate and crying and screaming without her brother even lifting her finger to uh, give her a fucking hug or something.

[humbuns]

do u still draw for obm ..? can I ask a tiny barbatos pls,,

wonder what's the more pressing thing to ask, the blood or there being a photograph before it was invented lmao

[aroaceleovaldez]

I HAVE BEEN REMINDED OF SOMETHING i think i've made a post about it before but maybe it's just sitting in my drafts. idk, whatever, I will ramble again. Said thing that reminded me was a tiktok by madison_murrah about how the PJO TV show doesn't get the balance between mundanity and magical correct for pjo and I want to expand on that cause while a.) it totally is a problem in the show and i take issue with it, b.) it is also a problem in later books and i ALSO take issue with that too and i would like to elaborate on it

this got long so ramble of the day below the cut:

so the thing is that PJO is actually pretty unique in it's approach to hidden world modern fantasy. like, hidden world modern fantasy is a decently established genre with a ton of examples, but there's a reason why PJO stands out so much, and that's because technically it's NOT "hidden world." There is very intentionally no distinction between the mundane world and the mythological, at least in first series. They 100% overlap. And you do not necessarily need to be "special" to see the "mythological world-" some mortals are totally naturally clear-sighted, a lot of kids are clear-sighted, and it's like 50/50 for if mortals can become clear-sighted. In fact, most demigods aren't immune to the effects of the Mist, all that really matters is if you're actually thinking about being able to see through it. And there's a reason for that!

In general, this format of the "hidden world" modern fantasy serves two purposes: One, as the series is meant to introduce people to Greek mythology and explain why it is relevant and how it can be relatable in modern contexts, it intentionally juxtaposes myths against modern concepts: Medusa runs an apparently average garden statue store. Procrustes runs a mattress store. The entrance to the Underworld is in LA at a record store. Circe lives on an island paradise that's secretly dangerous. Hydras are like chain donut stores that seem to pop up on every corner. Perseus and his mother struggle in Perseus' childhood but get a happy ending. Calypso has an island paradise where the challenge for the hero of our story is being tempted to leave behind his goals. The plot of Sea of Monsters is blatantly the Odyssey, and it's about Percy trying to get to his best friend (who he shares a literal psychic link to) who is in danger of getting married to someone awful (a literal monster) to help you understand Odysseus trying to get back to Penelope and how important to each other and in sync they are. Battle of the Labyrinth is Theseus and the Labyrinth and it's Percy/Theseus trying to protect his home and his people and fellow kids (like Nico) from the dangers in the maze. These are all supposed to help us understand what is actually going on in those stories.

We also still see how Greek mythology influence shapes and influences western culture in general in their world (which is supposed to be our own and so uses real-world examples) - in government, in architecture, in pop culture - Mythomagic is clearly supposed to be your standard TCG like Magic The Gathering. And in general there is no distinction between where the mythological ends and mundane begins - Camp Half-Blood is both a magical training space for demigods and your run of the mill underfunded summer camp, complete with cheesy camp songs and t-shirts and crafts. Olympus is located on top of the Empire State Building which is operating completely as normal except for when a demigod asks to go to a non-existent floor. Your best friend with a muscular disease in his legs is secretly a satyr. Your brother with down syndrome is a cyclops. Your teacher in a wheelchair is secretly an immortal centaur. Your crappy algebra substitute is a literal fury. But also they're still your teachers. The satyr is still your best friend, the cyclops is still your brother. And that brings me to the second aspect of all of this (which i have talked about before [here] and [here]) - the other purpose it serves is that it is an extension of the overarching disability themes that form the core of the series.

The entire reason that meshing of mundanity and magical is so intertwined is entirely because it's part of the disability metaphor, specifically inspired by early 2000s parenting/teaching concepts for children with disabilities, particularly learning disabilities, as trying to reframe disabilities as "superpowers" to empower kids (and still exists in some more modern forms - like referring to disabilities as "being differently-abled") (I talk about it in my previous post on the subject but this generally fell out of favor due to many kids/students finding it belittling of their struggles) - this is why we get the description of ADHD and Dyslexia being framed as "demigod superpowers." In the series this structure is intentionally made to encourage kids to reframe how they view disabilities in general as not something negative but something interesting and fantastical that they may be more open to engage with - and PJO does this in a really nice way where a lot of the disability struggles are still acknowledged and treated sympathetically. Kids still get bullied, Percy and Annabeth struggle in school or with reading/spelling, they grapple with both internal and external ableism. The entire reason for the titan war in the first series, at least from the demigod perspective, is criticizing flawed systems meant to support disabled people that don't do their job effectively or let too many people fall through the cracks. The Mist "hiding" the "mythological world" from mortals (and even some demigods) is about how most abled people (and some undiagnosed people) don't recognize disability struggles until it affects them personally. None of these things are glossed over! It's handled with nuance and care! The series says "you can be disabled and you can be like these fantastical heroes - not in spite of your disability, but alongside it. Neither negates the other." The series was explicitly made so Rick's disabled son could see himself in a hero and learn about mythology for school. Those are the two pillars of the entire franchise: Disability and learning about mythology.

So, when you mess with that "hidden world" structure, the entire thing falls apart and it immediately doesn't feel right, because it's no longer serving either of those two purposes when it needs to be fulfilling both. Late-series Riordanverse has a tendency to compartmentalize the mythological and keep it entirely sectioned off from the mundane. Think about first series and even TKC versus later series - how many mortal characters are there? what do they do? are they just in the background or do they interact with the main cast frequently? are they more than just family or an extension to the main cast? First series we see Percy's classmates frequently, Percy talks about his mundane experiences at school, multiple mortal parent characters (and other mortal characters like Rachel) are active participants in and vital to the plot. We even see a lot of background mortal characters. In TKC, not only are all the magicians technically mortal, but also Sadie's completely mundane best friends help her out. Now think about HoO, or ToA, or even MCGA. Think about the mortal characters in those series. How important are they? Out of the important ones, how much are they in mundane situations versus being almost entirely involved in something mythological? How many aren't related to any of the main cast? How many aren't actively working for a god? The answer is basically zero! Why is that? Because Rick stopped letting the mundane exist. The entire draw of the main series is that Percy does continue to live this mundane life and that adds to his mythological life and makes the balance and meshing between them interesting, but basically all mundanity ceases to exist by HoO. Camp Jupiter is an isolated entirely magic town. Percy and Jason's schools are full of mythological beings as basically the only people they interact with. The Tri's headquarters is an entire giant building in New York City that they completely control that just so happens to ALSO be directly across the street from the local Oracle's house, because even where Rachel lives isn't allowed to be mundane anymore. Why is Olympus just at the top of the Empire State Building versus the Tri having an ENTIRE building? That feels weird and unbalanced, particularly given the difference in importance between those two! Because one is playing into that balance of the meshing of mundane and magical and the other isn't! The show continues this trend. It doesn't allow any of the mythological to exist within mundanity like it functions in the books, which creates a completely different atmosphere and doesn't allow those spaces or scenes or characters to serve their actual narrative purposes, either making it easier to understand mythology contextually or what disability metaphor or representation is occurring there.

It's part of the problem with show!Percy being too mythologically-savvy - Percy is supposed to be the mundane lens unfamiliar with mythology that the audience is learning by proxy through. That's the entire point of the series! If you have Percy already know everything because he's already too ingrained into this mythological environment from the start, and he just exists in this entirely magical world where he understands everything immediately then the literal target audience of the entire franchise (students being introduced to mythology) is left behind! That's part of why the pacing of the show feels so bad! It's rushing through every scene that's more or less the same as the books, particularly anything mythological, because the show is assuming you've already read the books and already know enough mythology to know what it is and what happens and that you don't want to see it again, so it rushes through. The show doesn't explain things that it presumes you already know - worldbuilding, character decisions, basically any mythology, etc, so it doesn't even bother with it.

Later books in the franchise do this too - as long as it's tangentially Greco-Roman mythology, or if it's anything to do with the main series like a reference in TKC or MCGA or etc, it's not going to elaborate much if at all. HoO speeds through Jason's introduction to CHB, and the only reason we get much introduction to Camp Jupiter is because it's actually new. We're no longer trying to contextualize or learn about mythology, it just all becomes set-dressing and references thrown at you rapid-fire as filler. By late HoO and into TOA and TSATS and such, we're not longer even within the realm of pretending like we're adhering to mythology at all. Why is Iris a vegan? Why is Rhea a hippie? Dunno, don't care! Literally doesn't matter! Why are the pandai panda/elephant-monsters and the troglodytes frog-monsters when that's not part of their actual history at all? Well a.) literally just word associations and b.) possibly a little bit of racism (they're supposed to be humans from India and northern Africa, and you made them monsters. cool. okay. and their plotlines totally aren't horrible within those contexts. awesome. please try thinking literally at all next time, thanks). We're not even bothering to look at mythological instances anymore for a basis, a lot of it's written like we're just going based on the first results on google (hi Menoetes and the cacodaemons - the latter of which is not even spelt correctly once in the entire book - which is weird because they do say "daemon" so they know the word. Not that the cacodaemons are mythologically accurate at all because then they would be humanoid. Instead they seem to just be inspired by the things from Doom). None of it serves the purpose of the narrative at all; we're literally just making random choices, some of them quite distasteful! In large part due to refusing to acknowledge the actual contexts of the myths and how that might translate into something similar or equivalent a modern setting to help conceptualize it - something the first series did inherently by design. And we need this! A.) So that you're less likely to make bad decisions because you are inherently thinking about the historical and cultural contexts of these things and how to compare/explain it, and b.) because the audience for later books/the other series and the show is going to be the same as the first series! Those nonsensical references may be at best cameos to people who are already familiar with them, but if your intended audience is new to mythology then making references like that is just going to leave people out of the loop! You don't shift your target audience in the middle of a franchise!

Later books in the series and the show are failing to understand what the first series was actually doing narratively and how it was approaching these subjects and its audience. When you fail to do that, it completely messes up the general worldbuilding and the core themes and intentions of the franchise as a whole. Once you lose touch with that you might as well just be writing a completely different franchise. You need to approach it from the same lens or else it will feel completely off, because otherwise you've lost all base touchstones that make the series what it is.

[steamedlotusroot]

as a native chinese, i feel like some of yall are taking the gods in lego monkie kid a bit too seriously. i understand why it feels iffy to ship / make silly content of deities that people worship irl (eg. nezha, sun wukong) but it’s a phenomenon on chinese social media too. c-netizens ship the fictionalized versions of these gods, which the gods of lego monkie kid are. they aren’t the actual gods people worship; they’re slightly tweaked versions of the book characters, just like any other chinese adaptation or retelling of jttw (and such stories like fsyy) also, no, nezha isn’t a child, in lmk or jttw or sometimes irl. just because he’s often depicted in child form doesn’t make him an immortal child. eros / cupid is often depicted as a winged baby, and he has a wife and kids. it’s basically the same thing here. nothing in lmk suggests that nezha is a child (his voice, his appearance, his personality etc. all imply he is an adult), and while he’s described as youthful in jttw, he’s already 1700+ years old by then and gods can shapeshift. people only think he’s an immortal baby because that’s a popular depiction of him, since one of his prominent myths is set during his childhood. but as long as you’re talking about the god nezha (fictionalized or the religious figure) and not the human child nezha, then that’s an adult [edit: the last sentence couldve been worded better. i would summarize it as “immortal youth nezha is a valid depiction and is popularized by mythology, but adult god nezha exists too and they are NOT mutually exclusive”]

[sonicranger1]

When will the Blinky abuse end 😟

Oh and here's the crappy finger doodle I did for anyone who wants it

[coochiekrab]

What do u mean Nevahe (Evans gf) ends up living with Kuri and Aubrey??? Like, idk its so weird for me to let your sons gf live in you house???

I've met people who do that, while being minors they go to live at their partner's parents' house? Why? Aubrey and Kuri have enough money to give Evan his own apartment. What need does his girlfriend have to live with them?

btw, I was thinking, why did Evan and his girlfriend decide to have their child? They are so young, and Evan is clearly too stressed by the whole situation of being a teen dad.

Anon this is kinda a crazy ask

[eileennatural]

i am once again thinking about killua and nanika

like I can't stop thinking about how much they are the same. Like nanika really kind of mirrors killua's emotional/personal arc throughout the series. thinking about the traits they share like...

pre-canon, both killua and nanika are tools. people (their family) are cruel to them, and they are made to enact cruelty onto others. the only difference is that killua can be controlled while nanika can't be. killua 'earns' his 'freedom' by virtue of him being much easier to manage/manipulate. nanika, on the other hand, cannot be managed so she and alluka are shut away permanently.

killua and nanika are largely beholden to the will of others -- for killua, its through illumi's needle as well as years of isolation, conditioning, and abuse by his family, and for nanika its in her nature.

but when they find someone who treats them like kids, or friends rather than monsters or a means to an end, when they're not being made to hurt others, killua and nanika both give freely and ask for very little in return.

killua, over and over, makes gon's 'wishes' come true, even if its at cost to himself. gon, kurapika, and leorio all pass the hunter exam because killua breaks a rule, ensuring the victory of everyone else there. he takes gon to heavens arena so he can train to beat hisoka, he agrees to help kurapika fight the phantom troupe because gon wants to help kurapika, he helps gon win greed island, and he gives everything to help gon beat the chimera ants. and all killua asks in return is that he be allowed to stay by gon's side. gon very rarely verbally asks or demands anything of killua (which some people portray as a sign of his selfishness, or that he takes for granted that killua will do whatever he wants, but i digress) but killua gives regardless because what gon has given to killua means so much to him --freedom, his friendship, his company, his trust, and his open and verbal affection.

nanika, in turn, fulfills all of killua's wishes and asks only for his love in return -- that he hug her, pat her head, and tell her she's good. She never makes cruel demands after killua's wishes because he never makes self-interested wishes, he never makes her hurt anyone for him. even as a child, he treated nanika like just another little sister, asking her to play with him and to fulfill the kinds of wishes she likes to do, such as healing people/animals.

killua (for most of the series) and nanika don't really have concrete goals or objectives of their own beyond securing love and affection by being useful to their favorite person (codependency twins !)

of course, killua and nanika are both eventually betrayed and incredibly hurt by their person, because that's just how codependent relationships play out, especially among people as young and emotionally immature and traumatized as gon, killua, and nanika are.

all of this culminates in maybe my favorite scene of the series, where killua realizes that he's hurt nanika in a similar way that gon have very recently hurt him, and also that by shutting nanika away, he's really just repeating their parents' abuse of her. so he doesn't just apologize, but he demonstrates that he knows why what he did is wrong, and why he did it, and promises never to do it again.

i only wish we cold have seen gon's apology :/

[sasukeless]

sasuke abusive claims get more ridiculous because they always ignore when naruto is the ones to initiate the violence. like naruto punching sasuke in fod, him throwing the first punch at vote1, etc and like i don’t claim naruto is abusive because i have the reading comprehension skills naruto’s narrative needs (and let me tell you it’s very average so it’s crazy when people can’t even grasp them)

[madame-helen]

[racewinnerlandonorris]

just a boy and his sparkling water

[kanonavi]

(Spoilers for 4.5 Potion event (just in case lol I know I'm late on this))

At this point, I'm really wondering if we're gonna end up getting some payoff in the future for much Paimon absolutely hates Venti for no discernible reason. Because he isn't the only person she's been kinda standoffish with over the years, but he's by far the most consistent. Like, when you consider the fact that Paimon even warmed up to Al-Haitham by the end of Sumeru, it kinda says a lot about her apparent grudge against Venti by comparison. (And I love Al-Haitham to death, but I'm not about to say he's a ray of sunshine compared to Venti.) (Event interaction-related stuff under the cut)

The contrast to how Paimon treated Diona versus how she treated Venti when they came to the potion shop together was like night and day. I've been going around to all of my friends today and describing Paimon's reaction to them as something like "Diona omg hi it's so good to see you it's been forever how have you been!!! .........And Tone-Deaf Bard." which is obviously a comedic exaggeration, but also not entirely off the mark. And all Venti did was... exist? Try to help Diona out with what she was trying to do? Yes, he's going to get free drinks out of it but he also went truly above and beyond to help Diona find a new ingredient all the way from the middle of nowhere in Dragonspine. If he didn't care about Diona's feelings and what she was trying to do, he wouldn't have done that. (But of course, Venti does care because he's a good Archon and a good person and I love him for that.)

There are genuinely very few things that make me believe in the theory that Paimon is some kind of agent from the Heavenly Principles than the fact that she hates Venti so steadfastly. There's so much evidence that connects Mondstadt and specifically Venti/the Thousand Winds to the old civilizations of Teyvat that the Heavenly Principles once destroyed. For Venti to still exist in the world and let his people make their own choices in the way that he does, of course they and by extension Paimon would hate him. Plus, even if her annoyance with him started with his tendency towards being cryptic, why would Paimon care so much about what he knows? Why does one of his voicelines imply that he doesn't want to tell the traveler things with Paimon around?? It's just so incredibly suspicious.

The scene is kinda funny though when you look at how good Venti is with kids (how helpful and kind he is to Diona despite her wanting to get rid of alcohol, which he loves) and yet one of the most childish characters in the entire game absolutely despises him. Every day I wake up and wonder what in the world Paimon's damage is and if we're going to get a justification for it, or if this is sincerely just what the writers think is funny.