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unproduciblesmackdown · 1 year ago

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more info, via a couple of reviews:

"Is this the best, most exhilarating, most close-to-perpetual dancing ever to grace the Goodspeed Opera House stage?

It certainly could be.

The new stage adaptation of “Summer Stock” at the East Haddam theater has plenty to recommend it in terms of the canny script and the hummable songs. But it’s the dancing that leaves the biggest impression.

The show is jam-packed with choreography from Donna Feore, who also directs, that is thrillingly executed by the cast.

We’re talking: Gravity-defying kicks. Head-spinning turns. Male dancers lifting and tossing and catching the female ones. It runs the gamut from Cossack-dance athleticism to soft shoe grace, tap precision to Lindy hop energy.

How the cast manages to sing after executing these (literally) breathtaking numbers, I have no idea.

And how do they make it through two performances on some days? Amazing.

Also amazing: the fact that they do all this on Goodspeed’s small stage without making the space feel cramped.

So, yes, the dancing is phenomenal. But there’s more to the show than that.

This stage version of “Summer Stock” — which is enjoying its world premiere at Goodspeed — is inspired by the 1950 MGM movie starring Judy Garland and Gene Kelly. Writer Cheri Steinkellner, though, has reimagined the piece in many ways, making it better, stronger and propelled by a more modern sensibility. (Steinkellner’s writing credits range from “Cheers” to the Broadway adaptation of “Sister Act.”)

The foundational story, though, remains the same: A no-nonsense young woman named Jane is trying to save her family farm. Her actress sister (named Gloria in the version at Goodspeed) brings her compatriots to the farm to rehearse a show. Jane first spars with and then starts falling for Gloria’s beau Joe, the production’s director.

Steinkellner has also changed up the score, to great effect. While some tunes from the movie remain, she has pulled others that are in the public domain (such as “Accentuate the Positive,” “Paper Moon” and “It Had to Be You”), and she has woven them perfectly into various plot points and important emotional moments.

As director, Feore makes sure the whole enterprise has a dynamic spirit. It’s a story and a production that brims with optimism and cheerfulness.

Leading the cast is Corbin Bleu, who became famous with his work in “High School Musical” and has gone on to star in several Broadway shows, as Joe. Bleu is a true, and truly talented, triple-threat. He has a warm, welcoming presence as an actor; he also brings an authority to Joe so you believe he’s someone the actors respect and will follow. Bleu’s singing is strong and lustrous, and his dancing — particularly his tremendous tap ability — is … wow.

Arguably the biggest scene-stealer here is Veanne Cox, as the wealthy, snooty owner of huge property surrounding Jane’s. The way she trills dialogue can turn anything into a punchline. She can wave her arms about as her character repeats “l’amour” and generate audience laughs. When her character falls for the egoistic actor Montgomery Leach (played by J. Anthony Crane with Barrymore flair), Cox burbles with girlish romantic giddiness.

Danielle Wade does her own take on the Judy Garland role. She gives Jane a swagger and a tough façade that reveals a more human self during the course of the story. Wade’s most important feature is her voice, which is potent whether she’s finessing a ballad or powering through a big number. While she can’t compete with Garland’s renowned version of “Get Happy” (who could?), Wade does a good job in the number — choreographed and costumed in an homage to the original — that serves as the culmination of the production.

Arianna Rosario gets to play an interesting arc at Gloria. At first, Gloria seems to be a blithe, self-centered actress, but she later shows that she is quite the problem-solving producer. Rosario makes the transformation believable, as if Gloria is finally letting her real self come through.

The scenic design by Wilson Chin suggests the various elements of a Connecticut River Valley farm in the 1950s while still allowing room for the cast to burst into all of those big dance numbers. And the costume design by Tina McCartney provides a fun and functional take on country clothing of the era.

I will say that the second act could be tightened up (we don’t need to see so many beats of the rehearsal process), but, in total, this “Summer Stock” is sensational." [source]

(hooray for most directly explaining gloria's overall arc)

and the next review:

"A throwback to the golden age of Broadway and movie musicals, "Summer Stock" is a timeless, inspiring song-and-dance tale of good deeds, fairy tale showbiz, classic romance and backstage intrigue played out to such dazzling effect, you want to freeze frame it, take it home with you and watch it over and over again for pure fun and a let's-put-a-smile-on-your-face endorsement. This is Goodspeed Musicals at its best - old-fashioned musical entertainment designed to deliver by the bucket's load, stir the senses, rhythmically intoxicate you and dance up a continual storm of good cheer that's guaranteed to leave you breathless.

Animated. Airborne. Magical. Sweet-natured. Fresh-faced. Dance happy. It's all here, wrapped up in shiny gold ribbons and signature colors that complement and complete the picture with a technicolor flourish, a big bang and an internal logic that flows with appropriate style, stamina, full command and intent.

Adapted to the stage by Cheri Steinkellner, "Summer Stock" replays that popular let's- put-on-a-show conceit where everything rests of the big opening night, the box-office intake, the big kiss between the leading man and the leading lady and how a complete unknown saves the day right before the final fadeout. Here, struggling Connecticut farmer Jane Falbury decides to let her actress sister Abigail and her actor friends from New York use the family barn as a rehearsal space for their brand-new Broadway bound musical in exchange for doing the daily farm chores to raise enough money to keep the business from going completely under. One slight problem. During rehearsals, Jane finds herself falling for the show's handsome director, Joe Ross, who, happens to be engaged to the show's leading lady - her sister Abigail.

Staging "Summer Stock," director Donna Feore ("Chicago," "Billy Elliot," "A Chorus Line"), who doubles as choreographer, creates a loveable, intoxicating show that reels you in, grabs hold of you until the final curtain and lets you fall in love with every little detail, surprise, plot twist, joke, visual gag, one-liner and tilt of her jolly agenda while she articulates every element of this musical story with thrust, warmth, spin and splendid articulation. Directorially, she pulls it off spectacularly. No wrong moves here as "Summer Stock" catches fire with a spark, a gusto, a shine and a 1950s mentality infused with plenty of imagination, originality, style and flair. More importantly, the production never loses sight of its origins, its functional plotting and its love of musicals of yesteryear despite well-intentioned doses of kitsch, takeaway humor, giddy backchat and story arcs right out of the MGM library of backlot moviemaking. Feore, free spirit that she is, fuels the musical with a sharpened wit and sentiment that works especially well as does her decision to let "Summer Stock" remain rooted in the period from whence it came in terms of staging, development, expression and interaction.

Moving from screen to stage," "Summer Stock" retains only four songs from the 1950 MGM musical. The addition of several new songs to the original version of the score turns the two-act musical into more of a showstopping event and adds clarity, luster and vintage spin to its already proven material, its let's launch into another song and dance routine blueprint and its firm grasp on characterization, story evolution and its happily ever after conclusion. At Goodspeed, there are 28 important, recognizable, smartly placed musical numbers. They are: "Get Happy," "Happy Days Are Here Again/I Want to Be Happy," "Accentuate the Positive," "I'm Always Chasing Rainbows," "Always," "Always (reprise)," "It's Only a Paper Moon," "The Best Things in Life Are Free," "Dig for Your Dinner," "Me and My Shadow," "Howdy Neighbor, Happy Harvest," "Red Hot Mama," " 'Til We Meet Again," "You Wonderful You," "June Night," "Some of These Days," "Joe's Dance," "I'm Always Chasing Rainbows (reprise)," "It All Depends on You," "Always (reprise)," "Everybody Step," "Lucky Day," "How Ya Gonna Keep 'Em Down on the Farm," "Hinky-Dinky Parlez Vouz," "It Had to Be You," "Get Happy (reprise)" and "You Wonderful You (Finale)."

Musical director Adam Souza ("42nd Street," "Cabaret," "Next to Normal," "A Grand Night for Singing," "Because of Winn Dixie," "Rags") grabs hold of the "Summer Stock" score and allows it to breathe, gesticulate, excite, envelop and rhapsodize with the golden age sentimentality of MGM movie musicals and the timeless, larger-than-life spirit of old Broadway. Here, every song matters. Every song is important. Every song travels down memory lane. Every song is tuned to the max with sweet, centered, warm-heartedness. Every song fulfills its intended purpose. All of this is complemented by the strong, flavorful sound of Souza's orchestral team, all of whom share his tremendous sense of theatricality, musical interlude, impassioned communication and delight of the actual musical itself. They are: David Uhl (bass), Sal Ranniello (percussion), Liz Baker Smith (reed 1), Andrew Studenski (reed II), Travis Higgins III (trumpet) and Matthew Russo (trombone). As with other Goodspeed musicals, Souza doubles as conductor and keyboardist. As "Summer Stock" zings and pops, pretty music every song unfolds with a contagious orchestral musical glow, matched by the splendid musicality of the entire cast who address the catchy, homespun music and lyrics with perfect harmony, rhythm, phrasing and nostalgic commitment. These elements heighten the on-stage mode of the production, its progression from Act I to Act II, its send offs, its pastiche and its electrifying, barn-raising influence and thwack.

As with any big stage musical, choreography is key to a production's success, its fluidity of form, its artistic expression and its accompanying dance routines. Here, Feore, as choreographer, gives "Summer Stock" a highly personal touch of invigoration and speedy excitement that is tipped and generated with wonderfully elongated inspiration, stamina and determination. This is star quality choreography that peaks, shines and tilts with clever build ups, catchy dance steps and bold, concentrated rhythms, moves and beats that joyfully celebrate 1950's musicals in all their technicolor glory. As storyteller and dance interpreter, she brings great dimension and scope to the piece using techniques, styles, descriptions and an enriched canvas of thoughts and ideas that make their mark most engagingly. Everything that happens on the Goodspeed Musicals stage has been beautifully blocked, rehearsed and staged with such thrust and individuality, no two dance numbers are alike. In fact, once "Summer Stock" catches fire, there's no stopping it. Creating a freshly minted fusion of moods, tableaus, lifts, twirls and swirls, Feore pays homage to the actual vintage look and mindset of the musical, its dance-friendly art form and its free-flowing feel of excitement and exhilaration. Hands pop. Arms move heavenward. Dancers smile and glisten as they passionately ignite into joyful visions of sweetness, passion, frenzy and syncopation. Everyone is lost in the moment illustrating the traditions, the conscience and the power of musical theatre, giving and getting the most out of Feore's phenomenal, ovation-worthy choreography. Trained, drilled and confident, they each get a chance to shine - and shine they do - all making strong impressions that will live long in memory.

Making his Goodspeed Musicals debut, Corbin Bleu, as Joe Ross, a character originated by Gene Kelly in the 1950 film version, creates a "Wow!" song-and-dance-man factor chock full of charm, personality, self-confidence and full-beam, champagne delightness that astounds, cajoles and sparkles with leading man gait and luxury like no other. No matter what he does, he's a proverbial triple-threat (i.e., a player who excels at acting, singing and dancing) who makes everything that happens on stage feel fresh, spontaneous, real, raw and very much in the moment. It's in his eyes. It's in his moves. It's in his expressions. Exhibiting a sweet, contagious rapport that extends far beyond the footlights, it's the performance of the year and one that Bleu exudes with a Gene Kelly/Fred Astaire aura of showbiz savvy, knockabout whimsy, graceful athleticism and sterling encapsulation. "Joe's Dance," a solo dance number in Act II performed by Bleu only furthers that notion.

In the role of Jane Falbury, a role made famous by Judy Garland in the original "Summer Stock" MGM musical, Danielle Wade lights up the Goodspeed Musicals stage with a breezy, intuitive musical comedy performance of real warmth and spirit that is a constant joy to watch. Veanne Cox, cast in the role of the wickedly devious Connecticut farming magnate Margaret Wingate, is jaw-dropping brilliant, using humor, music, dance and melodrama in divinely daft and glorious ways that prompt applause and laughter whenever she's in the limelight. It's a scene-stealing performance so seamlessly entrenched in glee and fiery abandon, Cox, would be the ideal choice to play narcissistic Broadway diva Dee Dee Allen in the 2024 summer presentation of "The Prom" at Playhouse in Park in West Hartford. I'll personally deliver the contract. Other memorable performances are delivered by Arianna Rosario (Gloria Falbury), Stephen Lee Anderson (Henry "Pop" Falbury), Gilbert L. Bailey II (Phil Filmore), Will Roland (Orville Wingate) and J. Anthony Crane (Montgomery Leach). A musical escape brimming with delightful songs, engaging performances and full-beam dance numbers, "Summer Stock" is not only a bubbly tonic for theatergoers of all ages, but one that kicks nostalgia into high gear with uncomplicated bliss, fizz and vintage sparkle. It sings. It dances. It pops. It dazzles. Like "42nd Street" which played Goodspeed Musicals last season, it overflows with Kelly/Astaire lightness, punch and precision, sunny vibes and well-played exactitude. The energy displayed here is fast and furious with first-night exhilaration and thrill paired especially well with Corbin Bleu's charming star turn, Danielle Wade's joyous "Get Happy" abandon and Veanne Cox's well-prepped, icy cool villain. This is musical theatre of the highest order - infectious, irresistible, glorious. Its leave-your-troubles-at-the-door/Let's-put-on-a-show mentality accelerates with sparkle and cherry pie goodness. And boy, do we need it now!" [source]

(the reference to jane's sister abigail uses the film's names: abigail becomes gloria in this production, which is the name of abigail's actor in the film, which also mirrors how the role of herb is now phil, also the name of herb's actor in the film)

(also shoutout to providing A Full, Chronological List Of Songs. noting that according to another interview, intermission would be between "you wonderful you" and "june night")

#summer stock #dearth of peak relevant info for our purposes otherwise lol but hey #pressing f for danielle wade's performance Tending to be juxtaposed w/either corbin bleu's or judy garland's #which in fact doesn't always mean their going ''eh comes up short Relative to that comparison but good enough'' but yknow #also that role just isn't gonna be designed to be the most thrilling lol...let's get those character(tm) parts babeyyy #further photos of that preview performance do suggest there's more like midshow conflict b/w jane & gloria vs Only getting along great....#and intrigued here if it's like yeah gloria can be written to have Flaws kiiinda like the film dunking on her though not as much as it #(though not as much as it might've; parallel to orville; relevant to their compatibility lol though in this show it indeed just might not #go for ''conveniently gloria's also always already liked him & orville's just glad someone's being nice to him'' lmao. & in fact yes the #material already in the film was like hm sure could be the queer readings in these ''so you're doing cishettery wrong'' roles here #and going aw man wrt the comedy boys herb/phil & orville/orville not getting to interact more #herb getting to make One reference to kinda being the outsider/misfit even amongst the troupe like hey more abt that? what's your job also #meanwhile yeah you can do something like ''oh gloria has this idea re: being The Star but isn't actually as interested in that Process''#but that then instead of that Just being her at odds w/jane & her coming up short she can have her own arc still #finding out what behind the scenes work she Does want to do; jane & gloria of course ending up being mutually supportive one imagines #rather than jane Just being freer from Dealing With her lesser sister or what have you; whom can graciously enough accept this #and ofc we don't Need the partner swaps for everyone's guaranteed happiness communicated through ''they're not single''#whilest the lack of [oh this backup relationship was here the whole time kind of] does make your potential love triangle trickier then lol #hence perhaps some more significant conflict if you're like kissing your sister's date or what have you & she can't Just(tm) have yours #but then being The Lead can't be the ultimate of All [doing theatre]; having kissing status w/a guy isn't the ultimate of all Arcs/Life #(though noting tim wasn't Relieved if another ostensibly straight romance; a cliche in the modern musical; wasn't shoehorned in there...)#(also the awkward notes about Male Dancers and The Female Ones like alright? supposed relevance Where?)#long post ///

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sanchoyo · 2 years ago

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very seriously considering launching an art patreon. Lmk if this is smth u guys would be into 🫣

#it’d be cheap asf too like $1 tier and maybe a $5 tier altho idk what ppl would be interested in #I was thinking maybe early access to the comic (it won’t be paywalled it’d just be early looks before I’d post it wherever I end up posting #and maybe videos/tutorials/livestreams if I could figure out how tf to do that #and coloring pages??? monthly art giveaways for patrons?? stuff like that #🤔#sanchoyorambles #I could also just do it on kofi so u can buy whichever Thing ur interested in as a one time purchase ofc?#anyone who’d be interested lmk I will actually look into it if multiple ppl are seriously interested 😭👍#I’m honestly so Tired in general of It All this might be the year I snap and look into going to college for art #or something idk I’m kinda at my limit 😂 if I’m being fr 😂#I’m unfit to work public jobs 😂🫶 but if I quit with no backup plan No insurance in debt I’m gonna have a lot of ppl (my family) pissed!!#yeehaw 🤠#I wish I still had my van so I could just live in it and drive away!!!! instead I’m driving to my job in 5 mins 🏃🏻 okie tag rant over goodby #there’s nothing wrong w the job btw it’s entirely a me problem they’re flexible abt part time hours and it has insurance 🙃 and everyone was #very nice it’s entirely Me #erm the pay is kinda ass tho I will say that #maybe my own fault for asking for part time but just the hourly rate is ass

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strwbrymlkshake · 2 years ago

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I don't think I've ever been in a relationship this healthy before I don't know what to do 💀

#mine #🎸#DUDE my feelings are so weird like i cant even describe them cause theyre all over the place. im hoping someone sees this and sends me an #ask or something with advice if this is even gonna make sense. because i am so confused lmfao #First of all im always expecting something to go wrong so i feel like it might be the absence of Problems thats throwing me off #But he reassures me all the time and genuinely cares about me? in regards to my last post we talked about it and he comforted me #i feel like im kind of in an emotional limbo where im still processing everything. my yan moments make appearances more than my dere #i feel so cringe saying that as a native english speaker. well im here to express my feelings not to be judged <3 #but i definitely FEEL the jealousy more. like i exhibit both equally but im more emotional in a bad way than a good way #but its not cause of anything hes doing at all! hes perfect?! i dont know how to handle it!! i only know how to be jealous #at least if im mean im not as likely to get hurt and thats why im afraid to feel lovey things as much??? im making myself sound like #a bastard but ive just been feeling more anxiety and getting worried about Relationship Stuff and that kills the vibes #but he doesnt even mind he doesnt treat my problems like a burden. he isnt sick of them he doesnt abandon me. he loves me and i am still so #bewildered? like. hes the nicest guy ive ever dated. ill gush about new people i meet but they do have flaws. i just dont acknowledge them #because im so blinded by idolization. but for this one ive thought everything out i have PONDERED for so long and he really is just such a #good person. how? WHY?? he has not done anything wrong and its just my mental illness that causes ALL the problems. but he wants to #BE there and comfort me. what the fuck my brain is like short circuiting. people this nice exist? he doesnt want to use me??#and ofc this is all in the romantic sense. i still have friends that i value very much but this post is focused on romance #watch me say all this then he does something horrible. <-SEE IM SO NEGATIVE i expect things to go wrong #my main problem is im confused about my feelings they feel very tangled and muddled. im happy of course but i feel like the part of me that #feels romantic happiness/genuine satisfaction is all fucked up and broken. but he doesnt mind that im this way 🥲 WHY #HE ASSURES ME EVERYTHINGS OKAY he is there for me he cares about me but i cant wrap my head around it! im. this is so weird #one of my goals is to be less focused on being insane and actually get things done. w all my relationships i have a time blur thing #where i feel like time passes differently even more than it does for me. im just thinking so much bruh #right i think i was gonna go about getting adderall because of the everything all the time. im feeling numb but also #literally every emotion all at once. and it consumes me and my waking thoughts. i guess it was easier to ignore before?

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bbrattywise · 27 days ago

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SEEKING VALIDATION FROM THE 3D IS SOOOOO LAST SEASON

HEAR YE! HEAR YE! ladies & gents, boys, gals & non-binary pals, i present to you another post brought by urs truly, @bbrattywise : this post was ib: this reddit story

anywho, intros done, let's cut straight to the chase, i think the reason why most ppl struggle with validating themselves from the imagination is we're scared its "lying to ourselves" & its "being delusional" *red buzzer to both answers because those are FAR from right!!*

1) the imagination is REAL, realer than this reality in a sense that whatever u persist in the imagination will quite litreally materialise into ur 3D (because thats litreally how the law of assumption works. You assume in ur imagination/4D and it materialises into the 3D, ya get me??) So no matter what, ur dominant thoughts/assumptions (a.k.a ur dominant thoughts u persisted in ur imagination whether thats being tiktok famous or having ur dream yacht) have no choice but the manifest into the 3D.

2) u not feeling happiness/any sort of positive emotions when visualising/imagining living in end w/ ur desire ≠ it being fake. Because obviously, u having something = u being quite used to it so ofc u are not gonna feel all giddy everytime u think about it. Thats totally normal!! that is the same principle for experiencing "negative emotions". You experiencing any sort of emotion doesn't change the fact that you ALREADY HAVE ur desires in ur imagination, so chillax buttercup! you are not doing anything 'wrong'.

3)"but how do i imagine having my desires?" pls dont overcomplicate yall, i swear its as easy to do as it is to say. Basically pick what u want & acknowledge it being in ur imagination. For example, whenever i be stressing about the 3D i be like "oh yea, i already have it in the imagination which is my true reality" and go about my day. Its as easy as thinking, think as u already have it (because that is quite litreally the case). As Neville Goddard says "creation is finished" which i love falling back to whenever i am in doubt because once you've imagined ur desire, thats it. Thats all you gotta do.

4) find ways to make ur imagination ur fun place. When i started utilising the imagination, i was like "huh, wdym i can litreally imagine WHATEVER?!!" lemme tell u, the imagination is limitless!! It's like playing sims 4 without the restrictions put in place by the developers. You make DA MF RULESSSSSS!! Wanna visualise owning a pet dragon?? the sky's the limit!! its so fun picking things & living out ur imagination knowing that it materialises into the 3D regardless <3

the law of assumption (though a mundane, universal law) is such a beautiful thing to be aware of so utilise this information. Don't dwell in old circumstance because you're scared of change. Trust me, take this leap of faith and really have fun with the law of assumption. After all, its practically a life cheatcode, might aswell use it, right?

divider creds:

#loa tumblr #shifting antis dni #shifting community #shifting blog #desired reality #loassblog #loa success #loa blog #law of assumption #bbrattywise #loa posts #dividers by nicodefresas

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selfishdoll · 1 year ago

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NOW PLAYING…. TOUCH

Just back into it, and let it touch

JJK MEN & THEIR REACTIONS TO YOU USING THEIR CROTCH TO SHOW OFF YOUR NAILS

ft. kashimo hajime, gojo satoru, geto suguru, nanami kento, & takuma ino.

cw: modern au (?), suggestive content (ofc) ooc characters(?), reader being a little shit, etc.

i’ve always found this tiktok trend adorable, and thought it would be nice to write hcs on with them. these are unedited so excuse typos and other mistakes. i might do more later.

KASHIMO HAJIME.

the nail designs you chose were cute, but a little cheesy. a simple cyan base with purple lighting bolts on each ring finger.

you came back from the shop to spot kashimo resting on your couch, clearly tired from either fighting a curse or general working out. you tapped him, showcasing your nails the moment you got his attention. hajime would only give you a small smirk, leaning his head back again to rest.

the idea would then pop into your head, softly declaring you needed to take a picture to show your friend. he didn’t care enough to respond.

but, that quickly changed when you sat beside him, resting your hand right on his crotch.

what are you doing?

you shushed him a bit, declaring his white pants were a perfect background. a plausible excuse, one that he believed less and less when he realized you were massaging him through his pants.

he allowed it to go on for a moment before he snatched your wrist, pulling you closer to him.

don’t start something you can’t finish, [y/n].

and well, you spent the rest of that evening facing the consequences of your actions. you never did send that picture.

GOJO SATORU.

probably asked you to get his tip color. you refused, much to his dismay.

you settled on a pretty blue and white design, curtesy of his eyes and hair. you sent a picture of it to him while in the shop; your lover hearting the image instantly.

on the way home, you were scrolling through your tiktok feed and came across the trend. a cheshire like grin covered your features soon after.

making it home, gojo wasn’t busy with anything, simply sitting on the couch and watching some random show. he greeted you and attempted to get touchy, only for you to declare you had to take a picture of your nails first.

just use the one you sent me?

no, baby, i wanna use a different one.

although confused, the man shrugged a bit, focus turning back to the tv. you sat on the couch beside him, humming as your phone hovered above your hand that rested on your thigh. taking a quick glance to assure he wasn’t looking, you reached over, placing your hand right on his crotch.

gojo noticed you instantly, eyes falling from the tv screen and over to your hand, eyebrows pinched close. he said nothing however, simply watching you closely. the moment you began to rub him, however, he was adjusting his hips eyes lifting to yours, adoring an are you serious? expression.

what’s wrong? you tried to play dumb, all while your hand still moved, not so secretly anymore. gojo would only grin at you, pretty dimples exposed, turning back to the tv.

nothing.

in that moment his hand reached over to your bare thigh, gently tapping it; fingers stroking the inside of them.

this had now became a game of who would crack first.

and much to your dismay, you always did.

GETO SUGURU.

your choice of design was a black base with his initials on each ring finger. when sending a picture to the man he complimented them, and was clearly happy his name was on your fingers.

you had been planning to do the trend on him the moment you saw it, booking an appointment the next day. you just wanted to see his reaction, to see if your normally calm and collected boyfriend would react differently.

you were basically rushing into the house the moment you locked your car, entering to spot him on the couch reading a book. you two greeted each other with a soft kiss the moment you walked over.

you really like my nails, suguru?

mhm.

lemme show gojo. you hummed, pulling your phone from your pocket. you bit the inside of your cheek, reaching over and planting your hand right on his crotch. you felt his eyes on you for a moment before they drifted back to his book. which, frustrated you.

and so, you adjusted your hand, a false mumble of needing a better angle exiting you. except the adjusting didn’t stop, seeing as you began to gradually rub your palm up and down his crotch.

you jumped a bit as he shut his book closed, grabbing your wrist and pushing it against his hardening length even more.

now, you deal with it? understand?

NANAMI KENTO.

much to nanami’s embarrassment, you used his tip color. he tried to talk you out of it, but it happened. how they color matched it was above him. and why you did such a thing was above him as well. but, he did have to admit the nails were still pretty.

when you got home the man was busy with some paperwork at his desk, grumbling to himself every once in a while. you walked over with a gentle smile, watching his tense shoulders fall the moment you made your presence known.

you then showed off your nails, nanami simply shaking his head with a smile.

you got a bit needy the moment his eyes turned back to his desk however, biting the inside of your cheek before a brilliant idea popped into your mind. you find a chair beside his desk, scooting a bit close to his own. which wasn’t suspicious, you did that often.

what was suspicious was you reaching over, placing your hand onto his crotch.

[y/n]…

just trynna get a good picture. your pants are the perfect color. the excuse left you quickly, hearing the man sigh softly to himself but allowing your hand to remain there.

that was until, you began to carefully slide your hand up and down his crotch— back and forth. nanami didn’t left it go on for long before he was grabbing you by the forearm, pulling you up from your chair and over to his lap.

oh, ken, your paperwork..

that can wait. can’t ignore you when you’re being so damn needy..

TAKUMA INO.

to ino’s surprise, you somehow got your nail lady to carefully draw his masked face on your ring finger. the moment you sent the picture he was amazed and very happy. something you found adorable.

so of course you decided to toy with him.

coming home you spotted the man not really doing anything, simply resting on the couch. he smiled up at you, eyes following you as you walked over to sit beside him. his arm came to wrap around you, the two of you sitting in silence for a moment; simply watching tv.

until you swore softly, pulling your phone from your pocket. gotta take a picture for a friend.. you would mumble, something ino barely acknowledged.

the moment your hand was on his crotch, however, his eyes fell from the tv quickly, staring down at your hand.

uh, y/n…

sorry baby, just gotta use your pants. you claimed, the man muttering nervous ok, going completely still— clearly not wanting to mess up your photo. you smiled at this, nearly feeling bad for what you were about to do to him.

slowly you carried your palm up and down his crotch, feeling the hand on your hip twitch. continuing the facade, you tilted your phone every so often, attempting to find the correct position; all while poor ino attempted to calm his rising hard on. he tried so hard too.

just as you felt his hard length through his sweats, you snapped a photo, rising from the couch— placing a chaste kiss to his cheek on the way.

thanks baby, imma take a quick shower.

needless to say, ino was a bit confused and disappointed, only able to give you a small nod— watching you walk away. ignorant to the fact you were holding in your laughter.

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realcube · 5 months ago

Text

— SAIKI RELATIONSHIP HCS

☆ very hesitant to hug you/hold hands bc he is afraid he might shatter all your bones. prefers kisses, less can go wrong

☆ except that one time he kissed you and was so flustered that a whole galaxy exploded

☆ but it was one of those really distant, useless ones so he moved on

☆ or that time you held his hand and he literally started levitating ??

☆ finishes exams in two seconds then spends the rest of the time annoying you

'i don't mean to disturb you but i noticed you put the wrong answer for question four' 'get out of my head!'

☆ i already wrote a drabble about this but he morphs into different objects to 'prank' you

☆ you always want him to shrink bc what's the point of having a psychic bf if you can't carry him around on your person like a polly pocket

☆ he's very apprehensive about it, however one day he finally agrees to it because you have a shift at work and you really wanted him to join you but it would be weird if he just showed up to your place of work unannounced so he shrunk and you carried him around in your back pocket

☆ that is until you almost sat on him!! and when he dived out to avoid being crushed, he fell onto the sticky work floor covered in dust

☆ still hasn't fully recovered 😿

☆ omg if you are insecure about a physical feature of yours , instead of using his powers to change you, he will use his mind control on the entire world so that your insecurity is now the beauty standard (similar to what he did with his hair)

☆ he doesn't use mind control on you though bc it's rude

☆ in fact he tries to avoid using his powers on you all together bc it would only cause trouble (with the exception of telepathy bc he likes to speak to you.. unlike he does with most people)

☆ and he's very strict with that ethic of his

☆ which is nice and all, and really easy until he does something super embarrassing in front of you

☆ like you see him scream at a cockroach or smth

☆ and he is SO tempted to use memory alteration on you so you could just forget that ever happened

☆ but he just can't bring himself to do it

☆ OR when your birthday was before his so he got you a present but didn't do that much else, but when it was time for his birthday and you went all out, he so wanted to either go back in time and do better or just alter your memory so you think he went all out too

☆ oh and passive aggression doesn't work on him ofc

☆ if you are ever mad or upset at him for whatever reason, you can't be like 'hmph i'm not gonna tell you what you did wrong, you just have to know :<' bc he can.. y'know.. read your mind

☆ and he also knows exactly what to do to make you feel better and forgive him, every single time

☆ plus you can never stay mad at him for long anyway bc he's just too cute!!

☆ too shy to admit that he wants to spend more time with you so he will use his powers as some sort of excuse

as you're about to leave saiki's room, he lies, 'wait. don't go. i have had a precognition that something terrible is going to happen to you if you do.' 'really?' you raise an eyebrow. 'and what might that be?' he wasn't really ready for any follow up questions so he stutters and thinks of the scariest scenario he can 'toritsuka.' ... 'toritsuka is going to do what? jump me?' 'no. just toritsuka.'

☆ for your birthday or anniversary he does something you call the 'saiki special' where he duplicates himself to give you a full body massage

☆ it's what dreams are made of !!!

☆ but yeah it's a lot of effort so he saves it for special occasions

☆ he would so love to watch trashy reality tv shows with you

☆ but he so uses it against you

☆ like if you are ever studying and are like 'why am i working so hard when you are psychic and can literally set us up for the easy life 😫'

☆ he'll be like.. you know who else never worked hard a day in they're life.. the kardashians!! do you really want to end up like that??

☆ and when you say yes this is the face he makes 😐

☆ dw though bc as i said before he will be in your head during exams so he can help you a little

☆ his love language is actually spoonfeeding you food and desserts

☆ and yes he actually uses his hands opposed to his mind to control the spoon, just to show you that being a psychic doesn't mean he gets to cut corners!

#saiki k x reader #saiki k headcanons #saiki no psi nan #saiki k #saiki x reader #the disastrous life of saiki k #saiki kusou no psi nan #kusou saiki x reader #saiki kusuo #saiki #kusuo x reader #the disaster of psi kusuo saiki #kusuo saiki #kusuo saiki x reader

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