#of course I’m not talking about like

[waywardstation]

POKEMON MASTERS WHEN I GET YOU

[troybarnesbucky]

“but before israel existed, jews in the middle east lived in peace with muslims, they were arab jews!!!!!” what if i shove my entire foot up your ass

[stinkythehutt]

also. something about palpatine being so adept at seeing into the future that all of his successes feel completely joyless by the time he achieves them because he’s just going through the motions… how fucked up and nihilistic and brutal that would make you…

[unriding]

a … a gift from the talented @kruinka 🥹 thank you so much!! ദ്ദി ༎ຶ‿༎ຶ)

[ksksksrahrah]

[ivanttakethis]

For context, this a follow up to @crustyfloor’s great addition to my post about wanting Ivan to live for Ivan and not just for the sake of IvanTill.

My response just got so long, I thought it’d be better to make it a separate post so here we are!

“‘I wish Ivan lived for Till’ His relationships aren't all there is to him.”

THIS. RIGHT. HERE.

There is so much more to Ivan and it pains me that people don't see it or don't care.

And I get it, like @rockwgooglyeyes said there is a fair amount of focus on shipping in fandoms, and relationships are an integral part of the larger narrative of Alien Stage, but there's more to these characters than that.

Ironically enough, even Ivan views himself as nothing more than someone in service of Till. Ivan doesn't think he's much of anything without him.

Having Ivan live and be rescued by the rebels is the perfect opportunity to change all of that.

He would be completely cut off from his previous life (the aliens, Alien Stage, Till, etc.) and forced to reckon with who he is as a person when nothing is demanded of him anymore.

Let him finally drop the mask and get more comfortable showing his true personality.

Let him get his hands dirty with the rebellion, build his self-esteem from the ground up, and grow to live for himself.

Let him reconnect with Mizi! Have him realize that there are people who care about him and would miss him if he was gone. That there can be more to his life than always chasing, endlessly giving, and never receiving.

I would LOVE to see him have an arc of character development like Mizi. I’d pay for it, even.

This is probably controversial for me to say, but one of my main criticisms of Ivan canon-wise is that he doesn't grow much as a character, if at all.

From the beginning to where we are now, Ivan has always been laser focused on Till. Everything we learn about Ivan is tied to Till in some way. Even in the comics or art we get involving him, they almost always include Till.

I was joking before with my tags about Ivan not thinking about anything other than Till. But what do we know about Ivan that doesn't have anything to do with Till?

We learned that he's the only character that wasn't bred and lived his early years on the streets as a stray, but nothing beyond that???

Like that's such an interesting story idea to include and we know next to nothing about it!

And then Ivan sacrifices himself for Till. Something he would've done at any point in the story.

Nothing changed. His arc is flat. His character is static.

(And to be honest I kind of feel like this was done just as a means to further Till's character development—*runs away*)

There's still a chance to show people who Ivan is.

Not Ivan Unsha. Not "Till's lover boy".

Ivan.

I hope we get to see him.

Shoutout to everyone in the notes of the original post, your takes are all incredibly based! @unshallow-feelings @nottoonedin @paradisedisconcert @atrophiedemotion @m1zisua @hoisinblackcat

[angrymac]

gotta geek out over the sheer craft of sunny’s writing for a moment because the way they just effortlessly introduce gut-wrenching and pivotal pieces of character lore and backstory, whether it be 4 or 12 or 16 seasons in, in a way that just feels so natural, like “oh, of course this thing happened in the past,” like a puzzle piece clicking into place, is just next-level.

[goldensunset]

in my experience i didn’t get interested in kingdom hearts by watching or playing anything first. i got interested by watching people post about cute anime children murdering each other and i was like ‘fascinating. i wonder how this got past the disney censors. let’s find out’

[ssruis]

Wrt the people talking about the new set as fan service: my initial reaction was also “oh cute” & moving on, but after carefully reading the full arguments of the people who found it distasteful, I agree with their points. I’d normally link or post screenshots of the points made, but since the Prsk fanbase apparently is jumping people over this on twt I don’t feel comfortable doing that. To summarize and add some of my own explanation:

> everything in gacha games is fan service, which doesn’t have to necessarily mean it’s sexual - ode for the pure of heart featuring rui/touya (popular with female audience) looking very princely was fan service. The white day knight/fantasy theming is fan service (popular & well loved aesthetic). Fantasia squad was fan service for the players who like the male characters, etc etc.

> I don’t feel like arguing about all of the cards, so I’ll just point out what bothers me about the most egregious example (Rin’s card)

When considering art, you have to consider the deliberate choices the artist made, and what messages they are trying to get across with the atmosphere they have created.

Why choose the maid aesthetic? Why make these cards a player pov? Why choose framing that (using the grid composition, contrast and lighting from the window, the way lines direct the eye) makes the points of interest and emphasis Rin’s face *and* butt? Why choose that pose, with Rin looking over her shoulder, with a surprised expression and prominent blush? Why is the posing reminiscent of art of vintage pin up girls (or any other similar art movement)?

It’s male gaze. The answer is male gaze.

The male gaze is often just associated with overt sexualization, but that’s an overly simplified definition. The male gaze can also be portraying women in positions of servitude (most often within the home), emphasizing body curves (even through clothes), voyeuristic povs, emphasizing cuteness/demure-ness/shyness, etc. It’s about the (assumed male) viewer having power over the female subject.

Rin is cleaning, the light from the window heavily highlights her butt, the framing of window itself specifically draws the eye from her head to her back to her butt using contrasting colors/light/point of interest, the parallel lines in the piece direct your eyes down her body (Japanese audience, reading image from right to left). If the emphasis was on the action she is doing, rather than her body, the light source and brightest colors would be on the other side of the image, the duster would be brighter, as would the objects/set pieces she’s interacting with.*

Sexualization/male gaze isn’t restricted to the very obvious “woman sexy posing in a bikini” image, and having that viewpoint will only serve to limit the ways you understand art and artist intention. It’s similar to taking “all art is political” to mean “all art is either republican or democrat” and responding “well that’s stupid and you’re stupid.” You’re missing the point.

I’m a little disappointed the knee jerk reaction here seems to be “you’re wrong and you’re actually a freak who sexualizes minors for pointing this out” here, especially because the point of calling this out is to say that it’s distasteful to do a card like this for a character who is, despite not having a canon age, pretty much portrayed as younger than the main cast (making her 15 or younger).

Nobody is saying “this set sucks you can’t like it if you like it you’re problematic and project sekai should be cancelled forever”, it’s just something to keep in mind. You don’t have to agree with the argument, but acting like anyone pointing this out is insane isn’t fair or justified.

> also just as a side note: maid cafés have a pretty long history of sexualization, with the emphasis/appeal of having power over the workers and them being your servant while dressed cute. I don’t entirely think this set was going for a maid café look, but I do think it’s something to be mindful of.

> *it’s a little hard to articulate/explain this, and my knowledge on how much the average person knows about stuff like this is skewed due to my own education in art/art history/design/etc. If you find this confusing, I’m willing to explain more in detail and specifically point out what I’m talking about.

> I have a different post on the taisho/daisho romance elements, which is an entirely different discussion, so I’m not bringing that up here.

[weregonnabecoolbeans]

I finished watching the newsreader and I am unfortunately here to report that I am now as dead inside as Dale

[lale-txt]

friends tell me lore about a tattoo of yours

[epicwin64]

The worst part about Aerith dying in Rebirth? We will NEVER get to see her Synergy attacks with Cid and Vincent.

[the-amazing-spider-bi]

reading a game of thrones and fuck. robb doesn’t get to be a narrator (he’s lyanna stark he’s the dead girl in the pool he’s the narrative’s most special ghost) but he barely has to. we’re watching him from every point of view but his own. he’s the lannisters’ second thought, a teenager pretending to be the man his father was. he’s jon’s best friend, his older brother, the guy he compares all the others to, snowflakes melting in his hair forever. he’s catelyn first son, it was just the two of them for so long, her boy who looks like her but takes after his father so much it aches, and yet is never like him quite enough, a boy soldier leading men to war when he can barely grow a beard. in private, he listens to his mother’s lessons about command as if she was a school teacher, blushes when he gets the answers wrong, then he earns the lords’ respect in public, like he is older than his years. her son slipping between her fingers when he’s right here.

but most of all in the first book we see him through bran. he’s lord robb, who commands his men and fights wildlings and only has to say one word for his wolf to rip an attacker’s fingers off. he’s robb the brother, who comes into bran’s bedroom in the evening to cry because he’s scared, actually, he’s so scared that he’s going to die, that he has no right to order all these people to die for him, that his father isn’t here and he went south and starks never come back from the south, and now he’s the fifteen year old boy on the throne of a war hero with no idea what he is really doing. he’s scared and he does it anyway. ned tells us very early in the book, after the execution, that it’s the only way to be brave and we don’t know yet that he’s talking about his son. robb haunts the narrative and he’s not even dead yet

[shorthaltsjester]

if i ever have to see another thought piece on the description of the white picket fence outside of fjord and jester’s place in mighty nein reunited indicating jester’s unhappiness in the relationship i will burn the world to the ground.

a) heteronormativity doesn’t exist in exandria !

b) fjord isn’t your Typical Male Love Interest Guy. if i ever have to read someone say that shit again i’m gonna (correctly) assume they haven’t paid attention at all to campaign 2 and any of fjord’s character arc.

c) perhaps, jester lavorre, woman who was raised on the ideology of romance novels and sexuality as exchange, might just find it uh… not a terrible thing that the white picket fence is falling apart outside since… fjord explicitly does Not feel like those romance novels to her, instead he feels comfortable. the way that a brightly painted but rarely used house might, especially when the couple in question spends most of their time adventuring together… which is an essential part of jester’s motivations throughout the campaign.

d) the reason fjord and jester seem unhappy in the reunion might be because, well, uh, whereas everyone else was getting a “vacation”, jester and fjord’s life together (specifically the fact that Fjord Loves Jester Enough To Risk The World (Momentarily) To Save Her) was the inciting action for an apocalyptic demigod being released - they Were unhappy. who wouldn’t be given those circumstances. jester nearly died, and fjord felt like the god that once saved him had now abandoned him, i am so truly sorry that their romance was not satisfactory for your vision of atypical romance (which, by the way, is literally reinforcing the restrictive romantic tropes you think you’re criticizing, so good job i guess). i would be much, much more concerned if jester and fjord Weren’t clearly dismayed.

e) both fjord and jester are individuals whose entire lives and character are defined by the expectation (both external and internal) that they behave and emote a certain way. that they’re in a relationship with someone who they feel that they can show that they are frustrated with or disagree on the layout of their house with or have different ideas on how to deal with the looming threat of a demigod is incredible. jester and fjord are emblematic of a relationship in which the characters Aren’t meant to be, but they Want to be together and they want to understand and support the other person so they work at it. we wouldn’t have conversations like “you seem disheartened..” “i am very disheartened! you almost died!” if they didn’t take the time and care to communicate with one another.

f) if you want a honeymoon era joyful queer romance, yasha and beau are right there! they are explicitly horny and in love and bright about it! if queerness is your measure of “trope breaking” i am very sorry to tell you that queer people partake in white picket fences, and i’d actually argue that in terms of Lifestyle Metaphor, beauyasha are more adherent to the whitepicket fence, nuclear familyism. this isn’t a detriment to them, just, very literally, beau works a 9-5 where she comes back to her housewife who gardens and cooks dinner and their future includes explicit reference to children. comparatively, fjord wants to address some issues in his past, jester is an artist, and both of them are interested in adventure for the foreseeable future.

g) if you truly think that a single part of laura’s description of the part-time abode of fjord and jester overrides every interaction and choice that both laura and travis make towards fjord and jester caring for each other in a deep and meaningful way that goes beyond the weird fandom constructed Man/Woman characters being portrayed by a married couple i truly, Truly have no idea why you even watch the many hours of content that cr is when you could… play/write your own shit.

[bizlybebo]

not a mockingjay shipper but i support their beliefs cause everyone is so weird about them

[hellsite-hall-of-fame]

Do you sleep with socks on

this is such a random ask that I feel like i’m morally required to answer it lol

and the answer is- this ✨mysterious✨ museum curator obviously never sleeps soooo that answers your question :)