#oc story: Subversion

[xamdsona]

Jillian trying to be average and being put into the spotlight vs. Calamity trying to stick out but still being pushed to the background

[infizero-draws]

born sexy yesterday

[ofj-art]

Developing fangan designs are so much fun. Having a sort of gimmick with their talent is a great prompt to jump off of. It’s sort of low stakes designing.

When I design for Rift it is still fun, but it’s with the expectation that because Rift is a comic I’m gonna need to break these designs down to their essentials and plan them out in a way that’s easy to understand for replication. There’s also gotta be sooome level of groundedness in their presentations. Distinct styles, but practical to a degree to suit their world. Although I am trying to incorporate more whimsical exaggeration. Loosen up a bit for maximum expression. But I’m still drawing them over and over again, but in many different poses and angles for my comic.

Fangan characters are much less serious of stakes. They have motivations and a level of depth as any character, but there’s a level of campiness that makes it more simple. They have full permission to be a bit goofy because of the tone of the story they exist in. Their presentation is direct and on the nose (unless subverting your expectations which is still fun!)

Idk, it’s just a fun time. I’ll be posting some of my designs sooner or later. As much as I love Rift I need a break from it sometimes so I can come back to it with fresh eyes and renewed vigor. Working on my fangans is an excellent distraction and great practice for a variety of character designs. Styles, body language, and body type. And it doesn’t need to be too serious.

[skinnymeanfaggot]

i really like vanjude because you have this big older man whos the leader of a powerful organization, and then his tiny younger man who works under him, but the abuse Comes from the younger guy. and with as much power over jude van technically has with his age and position, its just subverted. because jude betrays him and has the power over him and holds him prisoner, and also vangarde genuinely is mentally only like 15

[beigetiger]

This will probably be my last post about Murder Drones ever, but I really do love that the message of the finale is basically just…we should do more cringe things.

Liam Vickers is out here making a silly little robot show with no particularly deep or existential message (which half the fandom was expecting) and is instead smashing his characters together like dolls, making them anime fight with nightcore music in the background, and giving them fucked up to the point of ridiculousness character development/trauma, with the message that this is fun and lighthearted and that we should kill cringe culture and instead do more of what he’s doing.

And honestly? Go off king, that is a GREAT message to spread and a delightful subversion to what everyone was expecting for the finale. We SHOULD spend more time doing cringe things and making fanart and pop culture references and edgy OCs. You’re so correct that not everything needs to be deep or meaningful.

I know a lot of people are going to hate the finale for the lack of story, but honestly this show is just here to have fun and I’m rolling with that. Go be cringe and weird and free.

[zvezdacito]

Diasomnia sexuality (and some gender) headcanons I just wanted to yap about for no reason:

Malleus: Demiromantic Bisexual

-> There's that joke that he doesn't gaf about gender as long as it's Yuu, but (for the demiromantic part) I also like the idea that he's ride-or-die, sentimental and clingy for anyone he gets close to. So generally the only difference for how he cares about people is the type of attraction + specific boundaries (can be slightly possessive in a different way for a romantic interest? Idk)

-> Also not really sexuality but I see his gender as that "I'm probably nonbinary but I have a job so idrc about that rn" tweet but for being the next king In general I think being acespec & nonbinary would be extra perplexing for bro since he never stopped to think about personal identity stuff like that for too long (too duty-pilled🥀)

-> Being dense about regular emotional experiences + actual difference in the norms of attraction and gender add to the gap of understanding between him and others

Lilia: Bisexual (not really a sexuality but he's also polyamorous)

-> This isn't sexuality again but I also think transfeminine Lilia is cool, I genuinely believed that Lilia was just a woman with a really deep voice the first time I saw him (I was watching him vs Leona in Book 2 out of context). There's no way to easily explain this in English but by this the specific identity i see him as is basically 'bakla' in the Philippines. It is really its own gender identity in our culture and isn't a "direct equivalent" of any one anglophone label, but for the sake of non-filipinos i guess you can just understand this to mean i see Lilia as "nonbinary transfem in the Filipino way"👍

-> I think it would align with his story in a good way with how she's maligned by the senate and such, how even as a soldier Lilia was coloring her hair for style. It's also like that thing where a guy who was already considered obviously effeminate and "one of the girls" atp (I see Meleanor as kids playing with Lilia in typically "girly" ways and encouraging his cuteness/hair styling) comes out later on as actually a girl/fem nonbinary

-> General Lilia is this is that type of situation where a transfem person can't really go all out with their expression because current life-threatening circumstances require "masculinity" or their focus to be exclusively on external matters (in this case its Lilia being a lowly bat soldier in an active war. Similar to Malleus, an idea of patriotic obligation stops him from really questioning or exploring since the country needs "strength" and "unity" in these times, there was also just really little time to wonder when you're fighting for your life everyday). But after retiring Lilia is able to realize she likes being perceived as cute and begins going all out in her appearance👍

Lilia edit with the article this headcanon reminds me of:

Silver: Aroace

-> Thought it would be a kind of cool subversion of the usual fairytale prince archetype Silver is made to emulate, where romance is the greatest and purest love and marriage is THE happy end. I think it aligns with Silver wanting to spend his life "repaying" the kindness of Malleus and Lilia; if they asked him to think about gertting a family of his own in the future, I think he'd just say the true love he's found in life is already them. A knight who dedicates his lifetime devotion to familial love instead

Sebek: Gaylm

-> One of bro's most notable character gags is glazing another man at every opportunity so yeah /j. Also fsr I just can't see him as a man romantically with a woman no matter what lol

(THIS ISN'T OBJECTIVE THOUGH this is just how I personally sense his vibes. Go crazy fellow fem yumes and OC artists. You are the pillars of this earth)

⚠️ My only disclaimer is that I am cisgender so the gender headcanons are only me relating the characters to scholarly articles on transfem experiences/from personal accounts of transfem and nonbinary people online and irl.

Another reminder that these are all headcanons made by viewing canon in a specific way, not me saying they're definitively any of these identities. You can still have cis or male malleus and lilia if you prefer that😭

That is all. Thank you for reading👊🔥

[the-cat-and-the-birdie]

Hobie Brown & Non-Conventional Relationships

How to Write Hobie in Non-Conventional Relationships - & How I incorporate it into my own writing

{Non-Conventional Relationship Abbreviated as NCR}

This is Part 2 - Check out Part 1 here if you want! Hobie Brown is unconventional is every way - and he likes it that way. From his music to his views, Hobie is always ready to challenge the norm - choosing to look for healthier, kinder, and freer alternatives.

And that extends to his romantic relationships too.

I talked HERE about Non-Conventional Relationships, the lack of them in fics, what they could look like for Hobie, and how they're a reflection of his values - including his feminism.

In that one, I wanted to talk about why Hobie needs Non-Conventional Relationships, and I analyzed why NCRs are so scarce within the Hobie fandom (hint: it's sexism). I also spoke about how I purposely designed my Spidersona - DiscoSpider Diane - with subversion of a sexist trope in mind, and how we as a fandom can write healthier 'Y/N's.

But I also wanted to talk about - and give clear examples of how a NCR might work for Hobie, and how to write it in fanfiction.

This is a Writer's Guide to writing Hobie Brown in NCRs, and writing 'Y/N's that challenge the norm. As well as how I apply these tips directly in my own writing with Hobie.

[I offer tips and writing advice as well as the ways I use these tips in my writing. I touch on alternative forms of affection, intimacy, polyamory, independence, and labels] Heads Up!! This post is LONG and Detailed. At the end, I have a full deep dive and analysis of my Spidersona DiscoSpider Diane, Hobie, and their NCR - feel free to pass on that if you want or check it out if you're curious or want an example :)

I hope someone out there finds this helpful or at the very least, entertaining! With that said,

Let's Begin~~~~~~~~

Hobie Brown & Affection:

Showing and valuing alternative forms of affection can be a great foundation for Non-Conventional Relationships. There's a wide array of ways to express affection in a relationship - ranging from full on playfulness and messing with each other - to being romantic but only in private. And anywhere in between. In order to challenge stereotypical romance, here's where we can start.

First things first: Cut the generic pet names One of the most common things across all Hobie fics, are generic pet-names. It's hard to find a fic without one 'luv', 'darlin', or 'sweetheart'. And it makes sense, it romantic - and a classic way to show affection. But it can be easy to use these terms as a crutch to infuse romance into dialogue. A good way to diverge from this convention is by dropping the generic pet-names all together. By abandoning words like 'luv' and 'darlin' we're forcing ourselves to find more personal terms for him to call his partner. Hobie calls Gwen and Miles personalized pet-names, and this can extend to his partner too. These names can be personal - When writing OCs, you can use things like inside jokes, a shortened version of their name, or some form of rhyming slang. Having something happen within the story that Hobie pulls a nickname from is also a great idea, or having him call them by a defining trait or something tongue in cheek. [Like if your character is known for being a bit gloomy, have him call them sunshine. If they sing, he can call them songbird, etc.] When writing xReaders, you can subvert typically 'negative' terms into loving and playful names. For example, if the !Reader is portrayed as shy, he may loving call her Mouse Whisper. If they're hotheaded, he may just call them 'hot-head'. But by having personalized pet-names, the reader is shown that Hobie and them have history and past connections that Hobie finds meaningful.

Annoyance can be affection too I talked about this HERE We all love attention from our partners - some just seek it out in different ways. Annoying ways. And I can see Hobie being one to do this - Adorable, but annoying ways. Playfulness is a great way to substitute romance in NCR. We all know those relationships where they love messing with each other or pissing each other off. Having inside jokes about each other, or teasing in a way only the other person is allowed to. It's never mean, but in a way, a form of intimacy. And when romances are written like this, it shows that the two know each other well, down to the smallest things that make them tick. They know each other well, and have a clear soft spot for each other when one starts bugging the other and the other doesn't snap (lol). When writing, you can give them small pet peeves that Hobie may do to irk them. When writing OCs, Hobie can give them nicknames that irk them. Or point out things that annoy them. Maybe he likes a food they hate, and eats it in front of them all the time. It's all in good fun, and shows the two aren't shy around each other. You can also have them bring up embarrassing stories of each other, to show they're close and spend a lot of time together. When writing xReaders, you can have him popping up at the worst times, hanging off of the reader, and overall trying to distract them from what they're doing. He could also play light pranks to mess with the reader - and vice versa - always making sure to end it with a hug and a laugh. At the end of the day, it's all about getting their partners attention and playing around with them. And talking about that -

Touch as a Love Language: Don't be afraid of playfighting Some IRL couples playfight. And it can be adorable. If the pestering goes to far, then the reader finally has to give him all their attention - and they can playfight him. Which is what he wants, their attention. This is something that can be done with both OCs and xReaders - and if they're a Spider-person EVEN BETTER. Don't be afraid to have Hobie pick the reader up, having the reader jump on his back, or punch his arm lightly. Having them wrestle for something, and it can turn into cuddling. The character can jump on his back playfighting, and doom - Hobie's running and it's a sudden piggyback ride.

While on the topic of Love Languages: Laughter as a Love Language Laughter can be a HUGE love language. In addition to annoying their partner, some people aim to making their partner laugh whenever they can. Whether this be making jokes, or doing things they think are hilarious. Not only is is super playful - but it shows that they're close and know each other well. They know what they other think is funny, what's sure to get a laugh, and most importantly, when their partner needs it the most. It shows that they care about their partner's happiness, and they want to bait it out them every way they can - even if that means making themselves look silly from time to time again. This is one of my favorite tools when writing NCRs and it works for both OCs and xReader.

If really want to challenge yourself and show a new form of romance: Abandon 'I love you.' Ever heard of Han Solo and Princess Leia? The whole "I love you." - "I know." trope? Saying 'I love you' is of course one of the easiest ways to show love - but when we abandon it, we can find cuter and more personal things to replace it. In doing this we begin to show a NCR relationship that openly challenges romance. By doing away with 'I love you's in favor something personal, we're showing that their feelings go beyond 'love' into something more personal and intimate to them. They can still be madly in love and not say it - it can be completely unspoken cause they both know. And so, they don't take it too seriously. When writing OCs, you can replace the phrase completely, substituting it with a repeated phrase on both sides. "I hate you" also works as a playful subversion. When writing xReaders, you can have the other side not respond the usual way - "I love you." - "Uh-huh." Or you can have them not say it at all. And have it completely but clearly emotionally implied.

Hobie Brown & PDA:

Hobie is a natural touchy guy. He likes standing close to people, leaning over them and putting his hands on their shoulders. So by having him display limited romantic PDA with his partner, and treating them no different than anyone else, you're challenging the norm and forcing yourself to write other ways.

Prioritize Privacy Hobie is often (or rather only) characterized as a very open person with his relationship, openly kissing, making out, and touching his partner. And this is very typical of a romantic relationship. If you'd like to write a NCR you can try to challenge this. Hobie is from a police state, a world where surveillance is prevalent and freedom is limited. Plus he's a rockstar - people get nosey. And don't even get me start on The Society snooping. You can reflect this by having him prioritize privacy - either out of survival instinct, or just personal preference. Hobie keeping his relationship a secret, or simply not mentioning it, allows a freedom not often see in traditional relationships. By doing this, the relationship can develop naturally without typical pressures or outside influence - whether dangerous or Society wise. The two are allowed to take it as slow - or as fast as they want, without worrying about anyone else getting in the way. And with Hobie being a guy who likes to share often, him keeping one small thing to himself can be special. This can be used for both OCs and xReaders.

Keep Kisses in Private Stealing kisses can be extremely cute, and saving them for private can make them 10x more intimate. Plus this is another one that can be used by both OCs and xReaders. By saving kisses for private moments, those rare instances automatically become more intimate. And by having them restrain themselves, when they do finally get to be alone it can feel romantic (not just sexual). By having them save their kisses for only them, they become more special to Hobie and his partner. They may choose to not kiss at all in public and leave it at that or try to steal kisses when they can - or even substitute a different form of intimacy in place of kisses. Ever see that couple that one of them will walk by the other, and one person will put their hand in the other's for a moment as they pass by before letting go? Like that. Cheek kisses can also be a good substitute for public. Plus in the rare times they do kiss in front of someone, you can save it for super emotional or heated moments (or moments like parties, bars, etc - those are always fun. The gang finding out the two of you have been dating a year after you both get drunk at a party and make-out? Love it.)

Or you can take it over the top - and make it openly committed and intimate, but label-less. Having a partner he kisses, hugs and lives with but does not refer to as his girlfriend also challenges norms of possessiveness - bonus points if they're poly (which I'll touch on in a second). By having him clearly involved with someone, and seriously committed but having it between them can be a NCR. The character doesn't have to be his girlfriend or boyfriend. That can simply be 'his person' or 'the one'. Or he's 'seeing somebody' - or 'with them'. He's not outright saying they're dating, but yeah - they're solidly involved. They may have a kid together, sleep in the same bed, or say 'I love you', but by both parties rejecting labels, they're openly denying people an inside look to their relationship. Are they together? What's that got to do with you?

Or have them be 'life partners' aka - marriage without marriage. This one may be easier to develop for OCs, but can be done for xReaders too. Have them openly express interest in being each other's life long partners. Have them speak as if they're married, even if they aren't. By verbalizing this connection, they don't need rings or a wedding certificate to speak to them, because they openly say it as a form of PDA. Having them believe in soulmates, or 'other halfs' takes the 'caring boyfriend' trope and pushes it into something far more intimate and personal. This could include things like matching tattoos, sharing a home together, wearing things of each other's in place of a ring, etc.

Hobie, Labels, and Polymory (Open Relationships)

Every single fic I've seen of Hobie assumes both parties are monogamous. Let's challenge that.

Do away with the idea of Hobie and jealousy It's unrealistic for his character. Hobie is openly supportive, non-possessive, and EXTREMELY confident. Jealousy is an attribute that feeds off of insecurity first, and sexist tropes of possession second - the idea of having no one touch 'your' partner. Any partner Hobie has isn't his - no one belongs to any one. They can be with whoever and do whatever they want when he's not there. So long as he sees his a priority in your life, he'll be there. Let's just hope the OTHER guy is okay with that (and not extremely intimidated by how perfect Hobie is). This applies to both OCs and xReaders.

Open the relationship - and keep it honest The priority when writing this is honesty - because Hobie values it A LOT. And I cannot stress this more. If his partner is honest with him, and genuinely makes an effort to make him a priority, then Hobie is happy. Hobie himself may not choose to have multiple partners, but by having option on the table and having his partner exercise that shows a huge degree of maturity, communication, and freedom. By having a partner who can openly pursue romance outside of Hobie, but still chooses Hobie as their primary partner, their relationship becomes a lot freer, but still just as close - if not stronger. Sure they've got options, and sometimes they may have flings, but at the end of the day, there's no one they connect more with than each other. Better with OCs, but can be done with xReaders.

Let his partner have the last say Hobie can't be a player if he's not the one calling the shots. Have a xReader or OC that is openly outspoken about what they want and the label they're interested in. (even if thats 'unlabeled) Have the reader be the one who doesn't want to make it official, or on the inverse, have them insist that either they make it official or else they'll stop seeing them. And have them stand their ground. Do not have them budge or waiver or second-guess. Have them leave the ball in Hobie's court - and sort it out for himself. By doing this you're giving them a sense of agency and independence outside of him, and inverts the sexist expectation that men be the ones who define the relationship.

In the words of Coi Leray "Cause Girls is Players too." Kick slut-shaming in the teeth. Where are all the city girls? Directly challenge sexist tropes that are prevalent in the Hobie fandom, by writing a female character who is openly and sexually liberated, knows her worth, and knows how to handle her feelings. Have her be the one seeing multiple people, have him be the one to pass the guy on the way out. Its not more shameful when the character does it. If you want to make Hobie a player who can run game - acknowledge that some girls run game too. And many girls can call that shit from a mile away. Having a character who has multiple partners, but slowly finds themself falling for Hobie in specific is an interesting dymanic. It forces you to show a woman's sexuality in a different and positive light, one not connected to her lust for a specific man. And it forces you to challenge the idea of 'fast girls' or 'groupies'. Ever seen 'She's Gotta Have It' by Spike Lee? That. And you can have her other partners acting as a contrast to Hobie. If she starts realling her other partner really ain't shit - Hobie starts looking a lot better. And let me just say - this doesn't have to cause drama. Having Hobie and the character both be polyamorous, only to connect with each other and laugh about their other escapades can be CUTE. And neither are threatened, because they know it's all in good fun, and they know they've got their partner on lock.

Find alternative labels Take 'boyfriend and girlfriend' off the table and get creative. They can be life partners, or Best Friends with Benefits (who are genuinely friends, stay that way and are not just thinly vieled romantic tension), or the xReader/OC can simply 'his girl' or 'his guy'. By doing this, you're able to put a label on it, without taking it serious at all. It signals that there is something there and they know it, and they don't need normal terms to define it. Good for both OCs and xReaders.

Hobie & Gender Roles

Chivalry is dead. Romance your boyfriend to death.

I spoke in the last post of about Hobie's feminism and his understanding of the patriarchy and the way it works. And I think Hobie would work to openly defy gender roles in his relationship. Here's are some tips to do that.

Have the xReader or OC initiate the romance Have them confidently ask him out. Have your OC or xReader be the one to approach him at a party and hit on him. Just by doing so, you're putting your characters in a situation that subverts gender roles - where the many is typically the one to approach his mate. It shows confidence on the part of the xReader/OC and let's them step outside the traditional trope of a passive feminine partner.

Have them initiate touch/affection as well Have them touch him first, or wrap their arms around him. Have them kiss his neck (if they can reach lol). Instead of having a shy and quiet xReader who only accepts compliments from Hobie - have them openly and boldly compliment him. A girl who openly loves her partner/boyfriend and yeah- she's gonna talk about him cause she can. Have them call him pet-names first. And show Hobie enjoying it or feeling comforted by it. In doing so, you're allowing him to show a softer side that is also absent in a lot of fics. Plus you're breaking the trope of once again, the partner just passive accepting Hobie's affection without active reciprocation.

Actively show Hobie being comforted and taken care of - not just when he's in crisis Have the character ask if he's okay - in the way a couple will look at each other and be like "You good?" even when nothings going on. Have the character be the one to ask if he's eaten. Don't only do this when he's about to emotionally crack, or when he's physically beat up. Do it on the daily. Men shouldn't have to break before their emotional needs are addressed. So often in fics Hobie is seen as the perfect protector who never gets tired - and then there's no mention of him ever taking care of himself in any way. That's now how this works. Hobie is community based. That means he looks after the people he care about. If the character cares about him, they have them go out of their way to show it - the same way he does. The xReader/OCs can hold him while he's crying or make him go to sleep when he's up all night. They can hear him out when he's annoyed with Miguel, and help him when he's feeling not 100% too. SO many fics are about the reader NEEDing Hobie for some often asinine reason. Sometimes Hobie needs his partner too.

________________________________________________

HI HI! If you've read this far, thank you so much! I really appreciate it and would love to hear your thoughts! The next part is centered around my spidersona Disco-Spider Diane, her relationship with Hobie, and how I incorporate all this into their dynamic. This part is LONG and detailed (I'm unhinged) so I don't blame you if you wanna peace out now! If you do peace out, thanks again! - here's a photo of Hobie for the road!

_______________________________________________________ Now let's talk about Lil Miss Disco and her Boo Thang

DiscoSpider Diane and Hobie -

How I write a Non-Conventional Relationship For more info you can check out Diane's Character Sheet here and her tag here

I spoke briefly in my last post about Hobie, feminism, and how subverting sexist tropes contributed to her characterization - so this time I just want to give an overview of how that translates to a NCR - and how that can be shown clearly in writing.

Hopefully this will give some ideas or at the very least, I can ramble about Diane lol Diane & Hobie - A Basic Overview

[You can check out Diane's Character Sheet here!][And check out her tag for more art & writing here!]

I don't have a word for what Diane and Hobie are supposed to be, and that's intentional.

They aren't dating. Because they don't go on traditional dates - they just hang a lot. They're not boyfriend and girlfriend because that's rigid in it's confines. Even partners can be a bit of a stretch. I wanted to write them instead as two people who care about each other and make an effort to be in each other's lives. They're the other's largest emotional support and cheerleader - and their emotional reactions take focus over the romantic ones.

Diane and Hobie have a Non-Conventional Romance because they're in an emotional relationship rather than a romantic one. There is romance there - but the same way a romantic relationship isn't a 'sexual relationship' because sex is involved - an emotional relationship does not become entirely romantic once romance is involved.

Their emotional relationship is very committed, but their romantic relationship is extremely casual. Here are some ways I show that.

DiscoPunk & Affection:

Diane and Hobie do not use typical pet-names. Instead, Hobie is more likely to call Diane 'Daiquiri' - a nickname left over from the first time they've met. It's an embarrassing memory for Diane - and a story Hobie loves to tell. But by calling her Daiquiri, he's sending the reminder that he thinks about the night they met often and remembers it well. Including the 4 Daiquiris she made him buy her. He also calls her Clover - as she's one of his 'Lucky Charms'. Diane is the same, preferring to call Hobie by his name - or over the top names like 'pookie', 'honeybun', or 'hot stuff'. Though the most common she'll default to is 'babe', though she will only do this will they're completely alone. Hobie openly annoys Diane and she lets him. Diane is easy to mess with, easy to sneak up on and easy to confuse (sorry girl). It's easy for him to make her jump if he's too quiet, and despite being fairly outgoing, Disco gets embarrassed easily. Sharing constant silly stories, calling her embarrassing nicknames and ruffling her perfectly manicure hair, are go to ways to piss her off. And you can usually tell when she asks "Am I playing with you? Does it look like I'm playing right now??" In turn, Diane does her 'groupie act', which involves running up and hugging him hard as hell, jumping on his back, or talking about how cute he is in a baby voice while pinching his cheeks. They playfight A LOT. Hobie is known to come up behind Diane, lovingly slipping his arms around her waist. He lifts her up - and then tries to bodyslam her. He's holding her like he's about to do a judo flip and Diane is shoving at him telling him to cut it out. In turn, Diane likes to run at him from a far and jump on his back, and she's known to punch his shoulder if he gets too cheeky with the jokes. (Thank god they both have Spider Strength). And while they may not be quick to cuddle or hold each other in public - if Hobie is asking for it they WILL wrestle, and with matched strength, they don't stop until someone (usually Jess) tells them to cut it out. And Laughter is one of their biggest Love Languages. Hobie LOVES making Diane laugh - mainly because it's such a spectacle. Diane will scream and cry in laughter, doubled over so hard she has to sit down or leave the room. And for Hobie, it's easy to do this, so he does it whenever's the most inappropriate. Him dancing is a HUGE way because it brings Diane to tears almost instantly, without fail. She begs him to stop cause she can't breathe - she's laughing so hard. Hobie refuses and keeps dancing, just to mess with her. On the inverse, when Diane does it, most of the time she doesn't mean to. Diane is clever, but she's blunt and a little.. easy to confuse. And when she blurts something out or asks a question that sounds a bit ridiculous, Hobie can't help but laugh. Like when she saw Peter B. unmasked for the first time, and immediately asked him "Wait, why are you white?" Hobie will almost away burst into laughter, which is usually followed by Diane going "Whatttt? What did I say? Why are you laughing at me :(' Everytime she does this she is completely serious, which Hobie finds even funnier. If she's confused, he'll try to explain it to her, and he never teases her for it. It's just that Hobie chooses his words very carefully, and Diane says exactly what comes to mind.

They very rarely say 'I love you' and only do it in private. Usually, they'll only say this when one of them is going through it, the other just did something awesome, or they're alone and in a good mood. It reserved for moments of intimacy or spontaneity. With a relationship that is so playful, the two of them would probably think that saying it outright is a bit too sappy and plain. Instead, they substitute it by asking the other if they love them -

If Hobie does something for Diane, instead of Diane saying "I love you", Hobie will be the one to say "Don't you love me?" If Diane does something for Hobie, instead of him saying "I love you", he can swap it with "You must love me." (Usually the other person may say "I do" or an equally loving "Shut up.")

DiscoPunk & PDA:

They prioritize privacy. They don't label themselves - to anybody, even close friends. They let people make their own assumptions because it doesn't matter anyway. Plus with Diane being very committed to her place in the Spider Society, it's preferable to just keep it between them. Hobie doesn't really care either way. But the less people bothering him and asking questions, the better.

Diane and Hobie never kiss in front of other people. Save for a few exceptions. Despite being very physically and playfully affectionate, Hobie and Diane choose to keep most of their PDA completely private - and they're more likely to link arms than hold hands. When it comes to kissing, the two saves it for behind closed doors, or hidden spots in HQ. With relationships between Spider-people being prohibited at HQ, it's just easier that way - and the both of them prefer it. This even extends to close friends, including Pavi and Gwen. They may dramatically kiss the other's cheek to annoy them, making kissy sounds and grabbing each other's faced - and on occasion Hobie may give Diane a forehead kiss (she's tall enough to do this). They may cuddle in front of others too, but that's about it. But kisses in specific are just for them. Wasn't a conscious choice, but they like it that way. There's two exceptions though: 1) Shortly after meeting Hobie, Gwen ran into Hobie and Diane kissing at a hidden spot on campus. Nothing heated, but kissing. Diane felt her looking and seemed very disturbed and uncomfortable she had seen. Gwen left quickly, and although Hobie assured Diane that Gwen was okay, the two of them didn't meet until a later date, and Diane seemed a bit embarrassed.

2) Parties. After shows and while drinking Hobie and Diane are completely fine making out in public and showing full PDA. Why? Because they have the cover of the 'groupie act' and they can argue that they were drunk and were only messing around or even say they straight up don't remember. Their terms of commitment are unique. Neither Hobie (in my little universe) nor Diane believe in soulmates. But they do consider themselves 'committed', but they're not life-partners either. They don't care if they'll be together forever. The idea is nice, but it's not their focus. If they wanna spend their lives together, they can start but showing up for each up daily, rather than wearing rings daily.

DiscoPunk, Labels, and Polyamory:

Diane and Hobie are in an open relationship. Since they've never officially asked each other out, monogamy hasn't really been on the table ever. And both are fine and comfortable with this. Because they're great at minding their own business. Who's the girl leaving houseboat when Diane comes through? Who cares - but if touched the makeup Diane left on his bathroom counter, she'll be sending her an invoice and an angry letter. This is equal on both sides.

Diane is without a doubt more active, and more prone to one-night stands (she has a kink for guitarists) rather than full on relationships. Maybe it's the fact that having Hobie in the picture is intimidating as fuck to most guys.

Hobie also has his share - though he usually finds himself in flings and short relationships - going more for romance than sex. In fact, Hobie was with Diane for the duration of his relationship with his Felicia Hardy.

Naturally, Felicia and Diane knew about each other - though they hadn't met. Diane was fine with this and at most would ask how Felicia was doing. Felicia however really wanted to meet Diane. Like dying to meet her. So she found out Hobie's secret identity and just - turned up at one of his shows. Diane was...understandably confused. She was nice, but confused. Asked Hobie later like "Why's she here. Nothing wrong with it but like forreal why is she here?" and he's like "IDK I aint invite her m8 she always does this." Eventually the two got to know each other and although Hobie isn't with Felicia anymore (it's messy), her and Diane are still close friends.

Hobie perfers to let Diane have the last say when it comes to labels.

He's fairly unbothered. What's he gonna do - tell her he has to be her boyfriend? Or brush her off and still expect her to be there? Nah, Labels are the last thing he's worried about. And that's because he's fine with all of them. So long as they're clear. If avoided labels, and demanded to be label-less, that was still caring about labels.

This is where there's conflict - and instead of most fanfics in which the conflict is coming from him - in their case it's coming from her. Diane avoids commitment, terrified of the threat it could cause to the multiverse and Hobie's universe in specific. She's drank the society Kool-Aid so to speak, and will dance around the topic. Hobie has on occasion mentioned monogamy between them being a good option, but when directly approached, Diane will try to dance around the topic - mainly afraid of what Jess and especially Miguel will do if she falls out of line.

This, along with canon events, are the only things that can get them to actually argue - and it can sometimes decend into screaming matches (more about the Society rather than their relationship). They try to avoid bringing it up. But Diane is still paranoid and avoids it.

They use alternative labels instead. For sake of implicity, if you ask them directly "What is x to you?" Hobie will either say "Diane's my bird." or "Why do you want to know - You interested in me or her?" He may also say 'The Old Ball n' Chain' (mocking boomer humor) or simply say "That's Daiquiri."

Diane will most likely say "He's my little boo thang." She may also call him her 'hubby', or say 'I'm his biggest fan.'

WE'RE ALMOST DONE I PROMISE

Finally, DiscoPunk & Gender Roles

I wrote in the last post about how feminism and inverting the sexist trope of 'groupie' contributed a lot to Diane and her behavior towards Hobie. This can mostly be seen here:

Diane initiated the romance. Diane has always been Hobie's groupie, and outspoken in her affection for him. She thinks the girls hiding how much they like Hobie is silly - He KNOWS he's hot. Why not come out and say it - hype him up. Diane is also a way bigger flirt than Hobie - and I really wanted to write the two of them this way, because so much of the time Hobie is the one flirting, usually on a passive OC or xReader that simply passively accepts.

It's rare in dialogue that someone outright points out how hot Hobie is. So Diane does it. She was fine with being like "You're so hot it's distracting and that's not a joke. :) "

Diane usually initiates touch. Hobie rarely wraps his arms around her (unless he's doing that stupid judo shit she hates), but Diane does it to him all the time. She's tall enough on her skates that if she holds him by the waist from behind, she can see clearly over his shoulders. And it's not unusual to see Diane's eyes peek over Hobie's shoulder when you're talking to him. She's not listening, she's just there.

In turn, Hobie accepts this touch very much like the way an xReader would. He's usually the one intiating and offering touch, but when Diane does it him, he finds it comforting to be on the receiving side.

And I usually see this/show this as him softening into her touch, complimenting her for it, or baiting her into cuddling (like plopping down on her on the couch)

They supplement this a lot with closeness. Hobie and Diane always seem to be shoulder to shoulder, whispering inside jokes into each other's ears and trying not to crack up. Most often, Hobie with hput his arm around her shoulder, or if she's in her skates - a hand on her waist to steady her. Not that she needs it. Their relationship is mainly and largely emotional. And that's the basis of it. Hobie was the one who recruited Diane, and has been there for all of her canon events since, seeing her in her most venerable states.

Diane is dedicated to canon - and letting Miguel write her life for her - and although she finds herself conflicted and cornered by the Society, Hobie wants to be there for her always. And he'll be along for the ride as long as she'll have him. Diane in turn, tries her best to be positive when they're both from worlds where things can get really negative. No matter how much he tries to hide it, the constant battles and brutality with the police of his home world wears on him - and he's aware that he's different than most other Spider-people. He's killed before. Usually, he lets it out through his music and when it isn't that - it's through anger and protest. But like Hobie, Diane is a huge supporter of radical happiness. If you can think of Hobie's music as a call to arms, Diane's music is a love song to the sweeter brighter things in life. Diane was raised by The Black Panthers, and she knows just as well as he does what the brutality and pain of oppression can feel like. She has her feet firmly on the ground and her head happily in the clouds.

If anything, Diane is a person of comfort and escapism for Hobie. A reminder of the sweet life that he's fighting for. Diane lives completely free, free of labels and limits - even while living under the thumb of the Society. And she tries to remind Hobie what freedom feels like, when he gets tired of fighting every now and again _________________________________________________

In this way their emotional connection is mutual.

More than anything, I wanted Hobie and Diane to be emotional rocks to each other, before romantic partners. I didn't mean to write it that way (in my head), but it kinda ended up that way.

So often in the Hobie fandom we see the extremes of either Completely Detached Hobie - who sleeps around and wants nothing to do with labels - or Completely Committed Hobie - who is madly in love with his partner in a traditional sense. And in their relationship, I hoped to challenge that. By writing a Hobie than didn't care either way, or went with the flow. A Hobie that was just as thoughtful in his relationships as he was in his friendships. Instead, I wanted to shift the focus to Diane and making it about her choice. By having the woman be the one to define the relationship, the story can now focus on an internal struggle. And seeing his partner being the one to struggle with labels - whereas he's made peace with them.

And by having their affection shift more into playful - that was just because I think it's really funny. Hobie's a little shit.

All of this allows Diane and Hobie's relationship to be something based on mutal care and admiration for each other - rather than lust and clear-cut commitment.

They're able to be independent people, with independent lives and beliefs, while still being a large part of the other's life. They're able to excecise freedom in their situation, while still having an underlying conflict or struggle driving their story.

Hobie and Diane deeply care about and love each other, multiverse be damned. And even if they may not always see eye-to-eye, they're willing to put that aside if it means they have a chance at a peaceful future together - no matter what universe they're in.

They're not conventional, but they're in love. Cause I said so.

___________________________________________

So uh....yeah. That's how I incorporated Non-Conventional Relationships into my uhhh..deeply complex mental world that isn't written down yet besides glimpses in comics I make in photoshop.

If anyone read this far I will genuinely be so surprised, cause I literally just wrote an essay about their entire relationship lol

I feel like I could type anything down here and be safe cause it's hidden in a cattacomb full of TEXT like lemme just-

(I laughed at the second one til i crrriieeeddddd bro thats so foul)

But if you did read this all, thank you SO SO SO MUCH! As you can probably tell, I think about this a lot. And these characters mean a lot to me so I love sharing them when I can. I hope this helped someone and someone finds it helpful or at least entertaining! You rock <3

Writing this is normal, well-adjusted behavior. Cringe is dead.

Stream Diane and Hobie's album 'BackAlleyJazzLettuce' aka their Funk-Rock fusion ship playlist

Now take this photo of Hobie Kissy Kissy Face and get off my property.

Bye.

[sometimes-love-is-enough]

Every time you talk about giving yourself writing challenges, I think about how it would be fun to have a 'handicap bingo'- where you get a random writing 'handicap' like not being able to say any character's name, and have to write a full story with it. Idk. I think it would be fun

Min's Writing Challenge

Rules: Roll a d20, accept your fate, write a fic of your choosing and follow your fate to the letter. (Creative workarounds encouraged.)

Roll twice; you have to use both. If you roll another 1, the extra challenges compound accordingly.

Pick a single letter, A-Z. You're not allowed to use it for the entire fic. (Bonus challenge: E.)

Every sentence must be under ten words long. (Bonus challenge: five words.)

Pick a poetry/lyric style (sonnet, terza rima, ballad, etc). The whole fic must be written in that form. (Bonus challenge: keep it still obviously a normal fic, with appropriate tropes and narrative conventions.)

You must write in future tense.

You must write in first-person POV.

You must write in second-person POV.

Take your least favorite fanon concept/trope, and make it into something you want to write. (Bonus challenge: play the trope entirely straight - no subversions! - and make it enjoyable anyway.)

No character names allowed. (Bonus challenge: no dialogue tags either; you can't use descriptive phrases like 'the man in the prince costume' to work around it.)

No dialogue allowed. (Bonus challenge: no internal monologues allowed, either.)

Dialogue only - playscripts encouraged.

Epistolary fic - only letters, emails, notes, etc.

Write an AU, but the alternative universe is a profession!AU that you know nothing about. (Bonus challenge: no research allowed.)

Unreliable narrator. (Bonus challenge: the narrator is good at being unreliable, to the point that they might legitimately fool a reader.)

Whatever fic concept you have, you can only write the very ending of it. (Bonus challenge: you aren't allowed to use any exposition to explain how you got to that point.)

Write any AU of your choosing, but you must choose at least one major canonverse event/plot point and adapt it accordingly to your setting of choice. (Bonus challenge: Make the canonverse event and AU of choice absurdly incompatible.)

Must start in medias res, with a 'yep, that's me. Bet you're wondering how I got into this situation!' moment. (Bonus challenge: Don't plan what the in medias res situation is before you write it. Force yourself to resolve whatever bullshit you come up with on the spot. I've definitely never done this in my life, ever.)

You must write in outsider OC POV - no canon characters allowed. (Bonus challenge: No Sanders Shorts/related characters allowed.)

Pick a fairy tale, fable, or myth. The fic must be a retelling or reinterpretation of it. (Bonus challenge: you aren't allowed to reread or reference any version of it while you're writing - from memory only!)

Dealer's choice - pick from any of the above.

Good luck.

[year2000electronics]

THE SECOND WORLD IN MY OC STORY, ESCAPE FROM CANVANDRO! these are the central characters in sparkling shores, a beach with a movie studio on it! going in order, more info on them under the cut!

glitz glamiller, more commonly just "the director": a man with a naturally charismatic air, he uses a magical megaphone to make people think they literally ARE the roles he writes for them (makes better actors that way). the way to seal and undo this is through contracts he writes for people- it's really not harmful, he says, he always rips up the contracts when they're done! and he doesn't tell anyone that's how this works! he used to be all the rage in the film industry when his films were subversive hits about the villains always winning, but now that canvandro's heroes all seem to have vanished, it's a little BORING, don't you think? now, 10 years after his most famous show went off the air, he's a washed-up has been who kidnaps jacques to try and get his name back in the game one more time

blitz deville (billy goodwin): the director used to have a show with a kid supervillain as its lead and it was VERY popular! it ran for a while but then got cancelled on short notice because 'supervillains just aren't a novel concept anymore, really'. the kid's parents were FURIOUS with the director for not fighting harder for their little baby's role, and they speed off angrily in a car, never to be seen again. the director can't find that kid's special contract, but assumes his parents took it and shredded it themselves. ten years later, glitz realizes how wrong he is as a grown-up version of his cash cow character shows up at his doorstep, demanding revenge for getting his REAL AND TRUE TV SHOW off the air. oh cosmos, his parents didnt SHRED his contract, they FRAMED IT AS A FAMILY HEIRLOOM!! and this kid's thought he's a supervillain for TEN YEARS NOW!! it was a freak accident really.

after the main story of sparkling shores, two more characters also get introduced!

billy goodwin: the guy who 'played' blitz deville now that his contract's been ripped up! he had a fun enough time as a supervillain but now he's just a normal guy with a BIZZARE amount of robotics knowledge and his own evil lair and hes just not too sure how awkward that is for other people. does it feel awkward? he thinks its awkward.

WALLY SPARKS!: after jacques defeats the director, he becomes a recurring nuisance, showing up to engage in fisticuffs all across canvandro, with his new assistant, apparently his old college roommate! wally was a weatherman in gauss city, canvandro's biggest city (stay tuned to find more about them out), until one day, he got struck by lightning in the same storm that hit jacques, and this gave him a SUPERNATURAL POWER: an aura that makes almost everyone find him unlikable and annoying. down on his luck, wally decides to go find where glitz is working and beg him for a job, and lucky for him, glitz gets him one! they get into silly antics and might be a little gay. wally also likes saying his own name like a pokemon

[xamdsona]

My Original Character's Tumblr and AO3 names

1. Bernadette: Bearasite

2. Barry: TurnTechGodHead

3. Calamity: Calamabama

4. Marcella: Bonesawdidnothingwrong

5. Callum: InuKagFan13

6. Susannah: Purpl3D4nc3r!

7. Layla: Vex's GF

8. Jillian: Th1rd4g3nt

9. Apple: ByTheScaryJokes

10. Will: AgreeswithBSDNW

11. Rosemary: NamedafterthebestHSship

12. Anise: StarConfectionaries

13. Remington: GundamEnjoyer

14. Lucas: FriendofCalamity

15. Lexicon: Wordsmith10

16. Delilah: KPopAndCelebrityEnthusiast106

17. Chamomile: TeaandPastriesGirl

18. Akihito: L1ghtAs4F34th3r

19. Connor: Soramain7

20. Saffron:Vrisk8St8n888

21. Felicity: YourbestAmericangirl

22. Caddell: TomCad Disposables

23. Christine: ChristineDaaeIRL

24. Konoha: PinkKeytarist

25. Glory: Superherogal

26. Cheyenne: Pineapplesrinmyhead

27. Sin: Guiltyg43r

28. Annie: AnnieMaystreams

29. Jackson: Cheymademyaccount

30. Talley: JustD4nc3!

31. Sage: PolyMusican

32. Marlowe: Mewlowe:3

33. Osian: Vincible

34. Paloma: Pupandpals

35. Naz: InCrypted404

36. Atlas: S3rial3xpir3m3ntsLain

37. Georgie: BiscuitsandTea

38. Tam: YAprotagonist

39. Sennan: RealLifeEldricthSorcerer

40. Io: Roll20Witch

41. Margo: MakeupArtistApprentice

42. Ethan: TheatArchitect

43. Greg and Kim: DeadAirpodcast

44. Wisteria: LumKinnie

45. Francesca: Likethesauce

46. Ame: RainW4t3r

47. Hope: VirtueMagica/ MagicaRequiem

48. Crescent: SailorTarot

49. Tsubasa: Girl Icarus

50. Josh: Watcherfan14!

51. Lauren: GirlWatcherFan14!

52. Lennox: -(Experiment)

53. Beau: PrincelyYoungMan

54. Mora: Magicandmystery

55. Declan: Shadowanthropologist

56. Kaede: Sc3n3G1rlB0y!!!!

57. Nils: Sceneandrogyny

58. Gretchen: WretchedQueen

59. Aino: StarMoomin Valley

60. Alana: LikeaSw0rd!!!

61. Curran: LikeaKn1fe!

62. Madison: CabinetManReference

63. Beverly: ExtraOrdinaryGuitarist4

64. Ailid: LightersandDollhouses!

65. Tina: L3tTh3m34tC4ke!!!!

66. Zariah: RODFangirl!!

67. Skelly: Makaclone

68. Via: Fearleader3000!

69. Eina: FinalEnby01!

70. Ozymandias: ByPercyShelley

[sarafangirlart]

Netflix's Khaos will be a bad adaptation. We can see it will go towoards a more horor vibe (the legs on the wall, the water screans), but it will be a bad adaptation. I bet there is little to no Greek about it (basicly taken the Greek Gods out of the culture, history they come from) isntead they Americanise it, will be full of "WTF they wouldn't say that" momeonts. From the triller, and other things I can't even tell wich god is which, wich should be one of the basics when you adopt, or base something on Greek mythology, the only ovious one is Zeus. Honestly if they repleced the gods with rich American mafia family little to nothing would change.

I mean… probably, but a horror comedy vibe would work so well for Greek mythology so I would hope that it would at least be entertaining, but yeah the Americanization of Greek culture is definitely an issue and ppl are becoming more and more aware of it so honestly, if this show came out 10 years ago no one would bat an eye but now that the Americanization became more and more apparent to ppl nowadays I don’t think it will get a whole lot of positive reception.

Honestly my biggest gripe is that they have these random ocs no one cares about trying to fulfill a prophecy when it would’ve been much more compelling to have actual Greek mythology characters who have been horribly screwed over by the gods like Callisto, Cassandra, Auge, Io, Leda, Helen, Alcmene and so many others (no Medusa doesn’t count) ig the writers realized this and added Andromache? Idk I don’t have high hopes for the show…

This show tries to be a subversion but it falls into all the tropes Hollywood falls into when it tries to adapt mythology, like having the gods depend on the worship of mortals to keep their powers (which is stupid bc wtf did they do before humans were created?) and also have a save the world plot when what made Greek mythology so compelling is that most stories have relatively “low” and personal stakes with only one city or household on the line, or in the case of Perseus his mother and adoptive family, if Perseus failed the world would just go on, but that doesn’t mean his story isn’t compelling or that there isn’t any tension, we’ve seen what Perseus and Danaë went through and we (the audience) want them to be safe and happy, so there is no need to make him save the world to make an exciting story.

So I kinda wish that this show was just about Zeus and Hera and their family drama, rather than yet another save the world plot.

[swanmaids]

Honestly I do get why people don’t stan female characters or write women or create female ocs because it’s fucking exhausting like the takes. Heroic female characters are “boring” and mocked for being “saintly”. If a female character is a victim it’s “why are you reducing women to victim hood!!!” Female rage and trauma narratives are “overdone”. God forbid you like a villainous woman character because morons will moral panic at you that you obviously condone her actions and will probably gone girl your boyfriend in real life. If a character is a mother get ready for endless debates about whether she’s a good one or not regardless if that has anything to do with the story being told. If you want to headcanon a masculine woman as a lesbian it’s “regressive” bc giving her a Jakey boyfriend would be subversive actually!!! Create a bisexual woman oc and get ready for endless debates about whether she’s had equal enough experiences with men and women. And god forbid you want a female character to not have a romance arc and be happily single, that’s regressive!! If you like a female character who “gets in the way” of an m/m ship and see her as anything other than their “mean lesbian bestie” good fucking luck!!! It goes on and on and it’s so exhausting and stupid

[sjokofelix]

Your ocs inspire me to make characters of my own, do you have any tips on how to make a good oc?

:O hell yeah! oc time!

I'm not super good at giving tips but I think the best way to make a good oc is to be a little self indulgent. But don't worry about making your oc perfect.

I tend to use a trope I like as a starting point, and add some subversions for flavour.

usually it takes a little bit for a guy to really click, so I suggest just doodeling your design a couple of times to see what works. The first few times I draw any oc they always look off and weird.

Also, something that's kinda vague but works for me: never make a main character. Everyone is the whacky side character. Even if they are actually the main character in a story.

Silhouettes are important, if you give your design something that sticks out, they're more memorable. Also giving them one weird/unusual visual trait is a fun way to make them more interesting.

Developing a character's story takes time and I change things a lot. But for story it helps me to repeat the whole thing in my head and see if there's any holes in it.

Talk about it with friends! Or put your guy in a situation and imagine how they'd react. But overall just have fun with it, and don't be afraid to start over or try something else if what you're doing doesn't work.

hope this helps!

[see-arcane]

I mean. Eggers is filmmaker and as filmmaker he probably thought “if Browning, Coppola, and everyone else was allowed to do their fanfics, why can’t I do my own fanfic?” Meaning, as filmmaker he witnessed how countless directors played with source material as they pleased. Considering his age he existed in cultural atmosphere where various adaptations already shipped Mina or her equivalent with Dracula on screen and elsewhere. So while we are here scratching our heads about how on Earth he came to Ellen-Orlok ship, for him it must have been pretty easy thought. Plus he himself directed local stage adaptation of Nosferatu while he was teenager and even played Orlok in it, so yeah Orlok IS his self-insert character from his youth. Very typical male logic trajectory.

Oh, I'm not scratching my head about Eggers specifically. I'm just mind-boggled at the whole trend.

I mean it when I say that if I sanded off all the names from the characters in the innumerable Dracula-adjacent works for the past century and a quarter, I would sincerely enjoy so many of those movies and series and books more. They all boil down to the same Blood-dappled Forbidden Bodice Ripper Fantasy starring Dark Fuckprince Vampireman formula, which can be very fun! I love when monster and human do kissy bitey fun times and all the other human characters are LAME or JERKS and NO ONE UNDERSTANDS THEIR LOVE..!

...If it's original.

The issue is now and always that all of these directors and writers refuse to actually do justice to the characters or story they're hiding behind in a way that leaves anything recognizable. Instead they'd rather make an echo chamber of their Bizarroverse Dracula Fanfic which they've more or less been passing around for 127 years while convincing themselves They Are Doing Right By the Story by basically doing literary identity theft and stapling public domain names on their OCs.

And I just don't get why all these guys insist on "fixing" Dracula/Nosferatu this way instead of just making their own stuff

If you read the book and were so sure it would be better if only you removed, warped, or replaced every single trait of every single character and plot point, then maybe possibly You Did Not Actually Like the Story. Which is fine!

But if I went around saying "Oh boy, I love Star Wars! I'm going to make a bold and subversive but lovingly and faithfully crafted adaptation of the original films!" before turning around and making George Lucas' Star Wars, a film series wherein Darth Vader and Obi-Wan Kenobi are both played by GQ models and take up 90% of the screentime slobbering on each other while the rest of the cast sit in the background and scratch their asses, I think a few folks might be a touch baffled and disgruntled in the same way.

[goldpilot22]

Your tags on the sacrificial virgin post make me want to know everything about your OCs, especially this Ivy Rose! What's Ivy Rose like? What story holds them?

ok so! Ivy Rose Lohaun is from my story Red Eyes Take Warning, which is..... a lot. it's actually an in-universe comic series in my Eldritchverse setting, and it starts out as a parody of those generic isekai mangas, before gettting Weird as the author is unknowingly long-term exposed to eldritch horrors a little bit.

I don't have any proper art of Ivy Rose but here's what I do have... most of the RETW characters were inspired by ai gen images (*BACK WHEN AI WAS A WEIRD EXPERIMENTAL TYPEA THING) so this is his

and also this is an Arknights au version of him (he is not normally snakeboy)

and I am still sort of figuring out his lore but what I've currently got is that he inherited some sorta really rare special powers (according to my notes he is a witch, something different from mages. but I think I'm going to make it specialer than just that) and there is some sort of curse or prophecy on his family, that anyone born with those powers will die in some circumstances, and trying to evade this always results in things going really bad (possibly involving said powers?) but the curse/prophecy/whatever is vague enough that when he transes his gender, it manages to fulfill the prophecy / neutralize the curse / whatever.

anyway most of that is kind of just background lore, his actual role in the story is that. he starts out as a 'girl' in disguise as a guy (he is closeted/eggmode at this point) and under the name Lohaun he joins Gavin's party (Gavin is the classic isekai hero guy. he's also just a massive jerk) to go adventuring and stuff and also to get away from the gilded cage of richgirl life. then he gets 'found out' as a girl (this is a trope that happens sometimes where the 'crossdressing' character gets found out and then goes back to their 'real' gender like they're fine with it. I don't like this trope very much so he's like a deconstruction or subversion or smth of it.) and briefly tries just going back to girlhood, before deciding that, actually, he'd rather be a guy. so he tries out a couple different combinations of gender terms + presentations, before eventually settling on using he/they, presenting femininely, and using his firstnames and his surname interchangeably. Gavin, being the asshole he is, at first is disappointed by Lohaun deciding to identify as a boy (because the rest* of the party is sort of harem-adjacent, as tends to happen in these isekais)but then they're like "well I'm still pretty and here so does my gender really matter that much" (they don't want him to ditch them) and so he's like "alright I guess I'm 'straight with an exception' now"

*that is, the rest of the party except for 1. Emery (too beefy for Gavin's tastes, as well as too aroace and autistic to fawn over some asshole guy) and 2. Enzo/Elodie (it is 10 years old.)

[twosides--samecoin]

Hi!! Happy weekend! I’d love to hear about some of your ocs headcanons 🍬🌻💩 :]

Here's Jack and Olivia, 2/3 of Long Time Running's main cast - with a bonus heacanon unique to my Dogmeat! You can read the fic -> here <-

Jack Ward is my canon M!SoSu. He was a professional boxer and retired when he was conscripted for the Anchorage campaign and sent to FoB Juneau.

When Med-Tek failed, Jack pushed RJ on a vertibird destined for Vault 150 - a remote Canadian Vault that tested Duncan's illness on its residents. Two weeks later, Olivia Dallaire, my OC F!SoSu, stepped out of a vertibird and onto the hill overlooking Sanctuary and Boston. She'd be an Olympic judoka if there was still Olympics.

🍬On the topic of family: One of the themes in my fic is about the intersection and contrast between found family and adoption as well as miscommunication. Jack sees a younger version of himself in Olivia, but in a subversion of the failed-coach-training-his-actually-promising-protege trope, Jack had the title fight successes and Olivia really never will. All the same, he takes a shine to her. After meeting Father at the Institute, Jack let go of the idea of recovering his family. When he met Olivia, he felt like, "My god, this is the child Nora and I were supposed to have". Problem is, she's uh, a grown-ass 23 year-old woman. Who just immigrated to a different country and has her own trauma to unpack. And the sudden reemergence of his want to be a dad is moving faster than his ability to discuss being family with her. He faces serious role strain between his best friendship with RJ and the fatherhood he feels toward Olivia when he sees RJ differently as he begins to feel protective over her.

💩 Something ridiculous: My Dogmeat can break the fourth wall. The characters cannot hear him in the fic, but the reader can read his thoughts. One of my childhood fave movies is All Dogs Go To Heaven. The main dog is a German Shepherd, voiced by Burt Reynolds. This is how I hear him.

I was born in '94, so those 80's-90's "talking animal" genre movies were really formative for me. Anastasia, An American Tail - themes of lost family, adventure, immigration. Even RJ's story has strong Secrets of NIMH parallels. I'd reached a point where my fic felt self-serious, like it was so grounded in harsh reality and dumpster fire mental health that I forgot to have fun. Saluting Don Bluth by imagining Charlie B. Barkin and Anne-Marie the Orphan as Dogmeat and Olivia was me throwing my hands up and saying, "Fine! Fuck it! We can have fun!"

🌼 Happiness, how'd you get to be happiness: Lately, getting to know each other has been a source of happiness for both Jack and Olivia. Jack as the canon SoSu has all the problems we do when we play the game - wrangling several warring factions that all expect his presence; ignoring Father/the Institute; managing a small empire of settlements. Olivia as the SoSu of her own Vault is navigating immigration and being around people again. The heart-meltingest fluff I have published so far is father-daughter moments. Excerpt below the cut!

Long Time Running Chapter 13: Sabré Olvidar:

Jack glanced at Olivia’s marigold cable-knit sweater and jeans, rolled up at the cuffs. He realized most of her clothing from home that wasn’t her Vault suit was oversized and patched several times over. 

A deep flush of sadness erupted within. He coughed and returned to the topic of conversation. “Well, um.. What.. What do you think of the animals you let go?” 

“I just thank them for giving me a pretty view. I mean, just look at them.” She let go of their hug and stepped back. “If you look at it like this, the window makes them look like a painting.” 

She beamed at the radstag pair - four heads and too many legs. 

Jack obliged the request and stepped back. The window framed the radstags, trees and tall grasses well, like a living photograph. He appreciated the scene with the same intensity as a painting in a museum.  

He broke his gaze away and looked around at the cabin. “Well.. What brings us down here today, anyway?” he asked.

“I was thinking,” she turned away from the radstags. “Um, there wasn’t anyone here last time I visited, and there’s no one here now, and.. Y’know, it’s pretty close to town.. Does anyone own this place?” 

“Truth be told, Miss Olivia,” he replied. “I don’t think anyone’s taken interest in this cabin since the bombs fell. Doesn’t seem to me like anyone owns it.” 

She wrung her hands and shifted her weight as she looked around. “Um.. can I..” 

Jack awaited the question with patience and a smile. “Yes?”

“Can I have it? Please?” she pleaded.

His heart melted anew. Oh, Jesus, not that face, not that face. He decided to mess with her and put on an apprehensive tone. “I dunno.. It’s a big responsibility, being a homeowner..”

She hung on his every word with wide-eyed worry. 

“The cost for materials, the labor.. In this economy, too.. Ouch.” He grimaced, both to ham up the theatrics and to force his mouth away from a smile.

“I-I’ll work, I’ll get a job, I promise-” 

He could no longer keep up the act. “Oh, fine, sure. It’s yours!” 

Olivia gasped and threw her arms around Jack’s torso. Coffee spilled out of her mug with a graceful dive and landed on the floor with an audible splash.

“Thank you thank you thank you thank you- Oh, I have so much work to do-” she let go of Jack and listed the repairs. “I need a door and I have to clean the fireplace and I need to find new windows and-” 

Jack beamed as she bounced around the room. Her braid whipped through the air as she tallied up her needs. Getting to know his little bundle of contradictions was fun. 

“-nails and lumber and.. And that spot on the porch that’s sagging.. I have a lot to do if I want this ready for winter.” 

“Alright, then, that settles it,” he said. “Let’s get a move on.” 

“Where to?” she asked.

“Well, like you said, winter’s on the way. Let’s get building.” 

She smiled, somehow wider than her smile already was. “Yeah! Let’s do it!”

She ran out the door and jumped off the stairs instead of walking down. “Where can we go shopping for supplies?” she asked, turning back to him.

Jack followed and took the steps as normal. “We’ll see what we have in Sanctuary before we look elsewhere. I’ll have to get you a workbench down here.” 

Olivia hopped and skipped ahead. “My own workbench, I-” 

She wasn’t watching her step and nearly tripped. 

«Tabarnak!» she swore. Olivia threw her hands up in mock-offense. “Who put this root here, eh?” 

She laughed off the transgression, tucked the stem of the hubflower behind her ear and turned her pirate smile toward Sanctuary.

Jack Ward, ol’ 111 himself, was thoroughly charmed. Miss Olivia Dallaire contained multitudes. 

Sweet, funny, capable, sensitive. A reader, a fighter, an animal-lover and an occasional jokester who stopped to smell the roses.  

He remembered the leadup to Arturo’s last title fight, when he lived at the house with Jack and Nora. 

One night in the later stages of her pregnancy, Nora laid on the couch as Arturo and Jack sat on the floor surrounded by the pieces of a yet-to-be constructed crib.

Arturo lectured their unborn child on the syntax, phonetics and style guide of French Canadian cursing.

«Esti de câlice de tabarnak!» Arturo exclaimed. "That is what we say when the baby crib is hard to build! You better like it!"

Jack wiped a tear from his cheek as he followed Olivia to Sanctuary.

Arturo would have been so proud to be your uncle. So proud.