#obviously‚ this still isn't a good thing

[milktiicup]

Could you write a fic where we figure out a way to bring Mr Crawling shopping with us? Maybe he could be put in a wheelchair so his height isn't as scary or suspicious to other humans

a day out!

“Junk food,” you explain. “Not good for you.” “Want junk,” he says immediately, reaching for a bag of neon orange cheese puffs. Your resolve crumbles. “Fine. One junk.” You lean down beside his head. He turns to you, a smile of wonder on his face, and you stress, “One.” His giggle rings down the aisle and he places the chips into the basket. 

Leaving Mr. Crawling at home all day left you wondering- does he need fresh air? Does he want fresh air? If you left your old world in the name of romance just to be left inside all day while your partner goes to work and has extra curricular activities at night time- you’d like to think you’d crave being outside, too. 

It gave you the bright idea- why not take Mr. Crawling grocery shopping?

Of course, your roommate-boyfriend-thing couldn’t really walk outside all willy-nilly if he wanted. And yeah, you already knew that he’s not that noticeable to other people- but he’s still noticeable. He needed a makeover, a new wardrobe, and one thing for certain- a wheelchair! 

You felt bad stealing from the hospital, but what could you do? Pay for one? Those things were expensive! You may be a murderer, you may be a monster, but one thing for certain is- you’re not that much of a thief… You paid for his clothes, obviously. A simple oversized black t-shirt and a pair of black sweatpants. You even decided to treat him to a pair of… black socks. 

You were such a good, kind person. 

“Crawlingggg,” you sang, stepping into your apartment. “I have a gift for you!”

He sits there in the hallway, head tilted and a smile that stretches ear to ear. “Gift? You give object?” 

You wave the shopping bags. “I give object! Give you!”

“Give me?” He giggles, and you’re promptly tackled to the floor in a heap of hair and raggy kimono in a hug. 

You don’t know what you were expecting by giving Mr. Crawling a pair of normal human sized pants, but they fit… for the most part. His entire calves were exposed. He was like a fussy baby when you insisted you had to put the socks on his feet, but with a pout, he let you. Mr. Crawling was quick to look at himself in the mirror, and after you changed out of your work clothes, you were ready to go!#

“Ready?” you ask, gripping the handles of the wheelchair with perhaps a little too much enthusiasm. This was, after all, a brilliant idea. Mr. Crawling finally gets to experience the great outdoors. A small trip, sure, but a big leap in the world of integrating your… unique roommate-boyfriend-thing into normal human life.

He glances down at himself, his oversized shirt sagging a little off one shoulder, his sweatpants cinched tight around his too-thin waist. His hair still moves with its own mind, curling around his arms like curious tendrils. Maybe a hair tie would’ve been a good idea. “Look… human?” he asks, poking the fabric of his shirt.

“Close enough,” you say brightly, patting his shoulder. “And trust me, no one will question it. People don’t actually pay attention to other people in public. It’s one of the few perks of modern society.”

He tilts his head, not understanding a word you just said, but he nods anyway. “You push chair. Fast?”

“No,” you say firmly, cutting that idea off before it even starts. You had to be mature, and fight the urges to make him do wheelies down the street. You were an adult. “We’re going normal speed, like normal people, doing normal grocery shopping. Normal.” You give him a pointed look, and he grins wide.

You manoeuvre him out of the apartment and down the hall, the wheelchair gliding smoothly. His fingers twitch as he grips the armrests. “This… fun,” he murmurs, glancing up at you. “You like push?”

“It’s like pushing a very large, very creepy man,” you mutter, though there’s no real malice in your tone. “But yeah, it’s kind of fun.”

The trip down to the street is uneventful. Nobody spares you a second glance, save for one elderly woman who frowns a little at Mr. Crawling’s hair. Damn… Men can’t have long hair these days, apparently. You quickly steer him away before she can get a closer look, and see the fact he quite literally has no eyeballs.

“Outside,” he whispers in awe as you roll him onto the sidewalk. His fingers tap the armrests excitedly, his head swivelling to take in the towering buildings, the cars, the smoggy sky. “Big.”

“Yeah, welcome to the human world,” you say. “It’s not all bad, though. See those pigeons? They’re kind of cute, right?”

He stares at the birds for a long moment, then tilts his head. “Consume?”

“No!” you hiss, your voice a little louder than intended. A couple walking past gives you a strange look, but you wave them off. “We do not eat the pigeons. We buy food from inside the store. That’s the whole point of this trip, remember?”

Mr. Crawling frowns, but his smile returns as fast as it left. “I understand!”

“Good. Great. Let’s go.”

The grocery store is just a few blocks away, and you’re relieved when the automatic doors slide open. The bright fluorescent lights and neatly stacked shelves feel almost comforting in their mundanity. It’s a sense of normalcy that you… kind of, but only kind of have at home. Your roommate-boyfriend-thing is a monster from another realm. 

Mr. Crawling, on the other hand, looks like a kid in a candy store. “Many object…” he murmurs, his head swivelling in every direction. “Human eat this?”

“Yeah,” you say, grabbing a basket. “You’re about to see how humans stock up for the week. Ready?”

He nods, his grin widening. You just hope the poor cashier is ready for whatever this trip is about to become. You let Mr. Crawling hold the shopping basket in his lap, and push him down the first aisle. 

You knew Mr. Crawling wasn’t dumb by any means. He’s smart enough to pick up things from the TV, understands a majority of the stuff you say in your own language, but you’d never imagine that the day would come that you had to explain what broccoli was to him. 

“What this?”

“Little tree. You know tree?”

“Know tree… Little tree… Healthy?”

“Healthy. If you cook it.”

“Cook little tree…” 

You’ve mystified him. 

Your next aisle - the snack aisle - has Mr. Crawling enamoured. “What this?” he asks, picking up colourful chip bag after chip bag. If he had eyes, you knew he would be eyeing up those boxes of cookies like no tomorrow. 

“Junk food,” you explain. “Not good for you.”

“Want junk,” he says immediately, reaching for a bag of neon orange cheese puffs.

Your resolve crumbles. “Fine. One junk.” You lean down beside his head. He turns to you, a smile of wonder on his face, and you stress, “One.” His giggle rings down the aisle and he places the chips into the basket. 

By the time you reach the checkout, the basket is loaded with a mix of essentials and Mr. Crawling’s curious additions- things like canned soup, frozen potato waffles, and a box of pudding cups that he grabbed without even asking. And of course, the box of cookies that you knew he would eye up eventually. 

The cashier barely glances at the two of you, though she does raise an eyebrow at Mr. Crawling’s hair. You pay quickly, and wheel him outside with your bags of groceries in tow.

As you head back home, he turns to you, clutching the bag of cheese puffs in his lap. “Shopping fun,” he declares, beaming. “Human smart.”

“Yeah, well, let’s see if you feel the same after cooking some of this stuff,” you reply, shaking your head with a smile. “Ready for that adventure next?”

He nods, munching a cheese puff as if it’s the greatest thing he’s ever tasted. “Cook tiny tree.”

You laugh. “Okay, Crawling. We can cook the broccoli together.”

[crazy-pages]

Sure, let's talk about it!

First, you will be happy to know the following! (citations below) That any images (real or otherwise) of such are banned on Ao3. That directing the attention of a real person to a story containing written sexual material about them can be considered harassment and is against Ao3 policy. And that doing so is furthermore against US sexual harassment law - the details of which are essentially that Ao3 is not legally liable for its hosting, but is obligated to maintain channels for users to report it to them, and for Ao3 to forward this to the government if actionable.

While Ao3 does permit the hosting of content describing sexual content involving real people, including people who are underage, which is not being used in a harassing capacity, this is in line with common archival policies regarding obscenity, including the US Library of Congress' own archival policies. This is because real people do sometimes have sex while underage, and there are non-prurient reasons why one might document such events or write of fictionalized or hypothetical events involving underage sex, just as there are non-prurient reasons one might write about a child's death, maiming, or other disturbing event occurring to them. This makes drawing a clean censorship line difficult and subject to personal judgement, which is exactly what Ao3 is designed to prevent.

As an example, let's say someone is writing a historical novel about the rise of the USSR (which qualifies for the Ao3 hosting criteria). This includes the murder of the Romanov royal children, a beyond-the-pale crime against children. Should such a work be banned? Obviously not you might say, surely it would be an exception to a policy of not letting people write stories about bad things happening to real children!

Except history shows time and time again that these exceptions are not made, or are made specifically to censor unrelated content. A government could easily selectively enforce such a principle only against content about the Russian Revolution to censor discussion of it. So censoring stories about bad things happening to real children can't be the policy. Nor can you narrow it down to sexual material - that still removes real historical events. Nor can you narrow it down to fictional sexual material - not all historical events are well attested and discussion of hypotheticals can be non-prurient.

And that's assuming the censors even care! Remember, censorship safety isn't just about how well good actors can employ it, but how effectively bad actors can too. Because ultimately the capacity to censor stories is just a checklist and a button! Check the list, press the button. Nothing actually ensures the checked boxes correspond to reality! This is how historical fandom purges of queer content have worked. Get a policy permitting community or moderator purging of pedophilic material and then either collectively report queer stories for pedophilia, or get anti-queer activists into the moderator ranks and have them do it. It is extremely difficult to create a censorship criteria which isn't judgement prone, and even more difficult to create a judgement-based censorship system that isn't prone to exploitation.

So ultimately this becomes a question of harm vs. harm. Which has the potential for more harm? Permitting the hosting of stories involving child sexual content of real people, some of which yes, will be prurient. Or permitting a censorship mechanism for the archive?

Well, if we're discussing the harms of what you would want to censor, fully and obviously fictional stories containing sexual material of real children ... well that's such a specific scenario we can ask: What exactly is the real world harm of those stories, who is being hurt? To use the strawberry metaphor above, whose allergies are being triggered, which laborers are being exploited? And the answer is, well ... none and no one. Unless that material is being brought to the attention of and used to harass someone...

And that is against both Ao3 policy and US law.

How fortunate that Ao3 policy already addresses your concerns.

Unless your concern isn't harm being done to real people, but simply about personal revulsion.

II.K. Illegal and Inappropriate Content You may not upload Content that appears or purports to contain, link to, or provide instructions for obtaining sexually explicit or suggestive photographic or photorealistic images of real children; malware, warez, cracks, hacks, or other executable files and their associated utilities; or trade secrets, restricted technologies, or other classified information. ... If you encounter Content that you believe violates a specific law of the United States, you can report it to us.

Real-Person Fiction (RPF) Creating RPF never constitutes harassment in and of itself. Posting works where someone dies, is subjected to slurs, or is otherwise harmed as part of the plot is usually not a violation of the Harassment Policy. However, deliberately posting such Content in a manner designed to be seen by the subject of the work, such as by gifting them the work, may result in a judgment of harassment.

P.S. This is an incredibly sensitive topic. And this is not a call made lightly. Ao3's content policy was created with the contributions of volunteer lawyers, civil rights advocates, and censorship experts, people whose actual professional jobs involve understanding all the minutiae of these things and thinking long and hard on them.

This is a decision which a lot of thought got poured into. The least any of us can do before jerking our knees in horror over the depiction of something revolting, is to put some thought and consideration into what the mechanics of removing that grossness would look like, and if it would be exploitable by bad actors.

saying ao3 needs to censor certain content is like saying a museum can't have still life art that includes strawberries because you don't like them.

these are not real strawberries. you do not have to, and in fact cannot, eat them. no one with a strawberry allergy will be harmed by looking at them. no migrant workers were exploited in the picking of these strawberries. there were no questionable farming practices or negative environmental impacts from growing or transporting them.

because - and i cannot stress this enough - they are not real strawberries.

if you don't like strawberries, you don't have to look at the paintings. in fact, you can get a map of the museum that lists what works are in what rooms and just. not go in there. if you see one by mistake, you can look away. just keep walking. there's plenty of other stuff to see.

yes, real strawberries can cause real quantifiable harm to real people.

but again. these are not real strawberries.

you may have whatever feelings you like about strawberries, and so can i. you can draw and write about whatever fruit floats your boat, and so can i, even if that happens to be strawberries. and we can hang our art side by side in the same gallery, provided you understand that my strawberries are not about you (and your kumquats are, shocker, not about me) and that - and this is true - neither are real.

and when the fascists break down the doors and grab all the strawberry paintings and heap them in the street and set them on fire, please know that they are coming for your kumquats next.

so if you want a place where you can show off your beautiful kumquat art safely, you're gonna have to tolerate having some strawberries in the next room.

and that's okay. because the strawberries aren't real.

[rabid-invertibrate]

Um actually Vander isn't fully gone (the complete proof) (HEAVY SPOILERS)

spoilers for the entirety of arcane s2 obviously watch it if you haven't or don't if you care about your mental health

Although we see his memories/emotions get acetoned away in s2e7s final scene, and the following battle with his kids has him attacking them pretty rabidly.

But wait...

Tumblr compressed this image to hell, so you'll just have to trust me.

If you look closely as he lunges at Vi and Jinx, a tear appears in his right eye (not previously seen)

We can see it better after Jinx hits him with her rocket.

After Vik gets Jayced we see these tears on full display. The size of the tears is significantly larger, so we can assume they were spilled as Warwick corrupted the girls with void magic, indicating some amount of awareness.

Of course immediately after the screencap above Warwick attacks Vi, Jinx does a side slam and the father daughter duo barely get caught by Vi's gauntlet

Jinx and Vander plummet to their presumed deaths (they are both alive, but for drama’s sake, let's pretend). Vander/Warwick doesn't attack Jinx despite her being entirely in his grasp.

He could shred her right then and there. A mindless beast would, he doesn't.

Vander holds Jinx gently, he doesn't dig into her flesh, he just holds her and lets Jinx cup his face.

We see a flashback of Vander watching the girls sleep. Since he is the only conscious one in this situation this implies is that it is not Vi's or Jinxes memory, only Vanders.

Reader, you might think, well how the hell does he remember anything didn't he get mind wiped an episode ago. To that I respond I don't fucking know, but arcane is VERY intentional with its details and nothing else makes sense.

Jinx escapes, this isn't even subtle. She does so BEFORE the bomb blows. In no universe would Jinx break Warwicks grip, hell, she's toast if any stronger character grabs her (fe. Ambessas bodyguard). Do you know what that implies??

Since Warwick wasn't incapacitated at that point, HE WILLINGLY LET HER GO. He used the last shreds of humanity to give his daughter a second chance at life.....

I AM NOT OK

Below there's the more speculative part I'm not sure of.

Warwick, unlike Jinx, didn't escape into the air ducts. But we've seen him survive significant explosions in the very same episode, moreover he survived Isha blowing him up with the force of 3 magic orbs, and yet he lived.

This can only imply that Warwick/Vander survived. Of course the previously mentioned flashback shows Vander blowing a candle out which can symbolize his life ending, but I'd say it's more likely a subtle way of showing the destruction of their family unit as it was.

Edit: some people are calling this theory copium I'd agree at first but now that I thought about it more Vanders fate is objectivelly worse than death so i dont know if me being potentially right is a good thing.

(COMPLETE COPIUM BELOW)

I am aware this is complete copium yet maybe Jinx took him wherever the fuck she went on that airship to heal him up while sparing Vi from fighting their unkillable werewolf dad over and over again. Vander is still in there are proved by this long ass post, and I think Jinx knows that. I don't think she could give up on Vander like she wanted Ekko and Vi to give up on her.

□

Cool additional fact pointed out by commenter:

[biancadoes1]

The things we know for sure about N and L

-the looks and touching that were way above PR

-the whole meeting her family and the reactions of said family

-the ring which sure can symbolize season 3 , but that also means it symbolizes Luke too.  Especially because she said on a podcast she always liked Luke, but now has a real love for him.  Now one could argue it isn't romantic... but on what planet would another man or woman be ok with someone wearing a claddagh  ring in the taken position, with that meaning behind the ring.  

-N saying she doesn't have a relationship in her life with anyone else, like she does with L. 

-And she mentions several times there is real love there or they really do love each other.  She could have said cared for each other, but said love and never followed with platonic or JUST friends 

-commented about people wanting her to marry Luke... in TIME magazine not People...TIME

-pic on her phone screen.  I know some people think it is JD... but the guy is left handed and L does seem to have more of a widow peak and shorter during the press tour with the way his hair was styled,  so I think it could be from then

-what obviously looks like L hand in the background of N getting ready(with a ring on his left ring finger around the same time N switched her ring to the left hand). 

-possibly L voice in background of video at glamour event 

And yet she is with a 24 year who has only ever show interest in men...  I know. I know.. we shouldn't assume and I'm really not.  I'm going of articles about him, his IG and his friends posts and comments.  And I realize people can be bi, pan or fluid... but again I just don't see it.  

When it’s quiet people tend to start drama in their own heads.

They forget what we do have and instead focus on what we don’t. This sets you up for failure.

Stop doing that and instead focus on this list our wonderful anon has provided to remind you why we’re still on the ship.

Good things will come. We just have to remind ourselves to be patient.

[sturnioz]

i have a question!!!! what’s the vibe like between chris & bun at frat parties? do they go off and do their own thing like he does business / she chills with kitty & nick and they’ll check in with each other a few times then reconvene at the end of the night or does chris watch her like a HAWK all night and make sure she’s always in his line of vision? 🤣

just wanna quickly add before i answer fully; nick actually doesn't go to the frat parties !! he stays faaaaar away from the frat house at all times.

ok anyway !! at the beginning of the frat party, bun mostly stays sorta tucked in chris' side on the couch (read; she sits beside him all quiet and people watching) while he's doing whatever — selling his drugs, taking his drugs, drinking, talking etc.

over the hours, bun will eventually get up and go see kitty or her friend after getting more comfortable with her surroundings and such. she's still a little nervous and on edge with so many people and the rowdiness of the party, so she does stay by kitty or her friend's side the entire time she's with them.

chris does have her in his line of sight, but sometimes he gets a little carried away doing whatever he's doing so usually nate or matt (or sometimes another frat brother who isn't too fucked up) will be watching — just keeping a look out, observing. (not only just for bun but to keep the vibes good, y'know)

obviously kitty will end up gravitating towards matt and bee (bun's friend. name was given by an anon) will go to nate sometime during the party so bun finds her way back to chris OR she'll go up to his bedroom, especially if she's too exhausted and has had enough.

if bun goes back to chris. she's at his side again, nursing a drink (usually soda, sometimes alcohol). she's people watching again, remaining quiet, being nosy, might have a small conversation or two with chris. if he needs to get up and go somewhere, he tells her to stay on the couch and not to move — it's very rare for chris to take her whenever he's leaving cos all he's doing is dealing some place else in the house, or getting another drink.

if bun goes to the bedroom. she kinda just relaxes, allows herself to wind down, either goes on her phone or watches something on chris' tv. she needs her own time to just breathe cos the energy and the drunken people overwhelm her a lot.

at some point in the night (cos the frat parties can go on for hoooours), chris will end up in his room with bun and they'll have sex. it pretty much always ends up with them both having sex.

[captainsophiestark]

Dance Like Nobody's Watching

Dick Grayson x Reader

Masterlist - Join My Taglist!

Written for Fictober 2024!

Fandom: DC

Day Twenty-Seven Prompt: "Let me remind you."

Summary: Dick's SO is having trouble adjusting to the new scrutiny of attending Wayne galas as his date, but thankfully, he has an idea to help with that.

Word Count: 1,449

Category: Fluff

Putting work into an AI program without permission is illegal. You do not have my permission. Do not do it.

I sipped my champagne, trying to get a handle on my nerves. I could handle fighting the Joker and Scarecrow with no problems, but attending a Wayne gala as the partner of Dick Grayson was throwing me for a loop.

I fought the urge to scowl about it. If one thing could make this night more awkward, it would be some person I barely knew finding me making faces in the corner.

What irritated me the most was that this was by no means my first Wayne gala. I'd grown up with Dick and spent countless hours in the manor with him and his family. We'd been each other's primary entertainment at these things as kids. But being here as his date, and as an adult expected to do more than turn the banquet tables into a fort, was turning out to be surprisingly stressful.

When we were kids, nobody seemed to care what we did much beyond just noticing and thinking we were cute. Now, it seemed like everybody in this room wanted something from Dick, and either saw me as a threat to their ability to get it or as a secret backdoor to him, if only they could get me on their side.

I was seriously on the edge of losing it and going back to the buffet tables kid-style.

Dick had done his best to stick with me, but people kept showing up to pull both of us away from each other for a conversation, and we hadn't been able to do much without being incredibly, obviously rude. I'd finally managed to extract myself enough for some breathing room, but I could see Dick still in the middle of things, a group of old men who almost certainly wanted money from Bruce talking his ear off.

Even from here, I could tell Dick was barely paying attention to them. His eyes scanned the crowd, and after a moment, they landed on me. He raised an eyebrow, and I gave him a reassuring smile. Unfortunately for me, he knew me too well and was too good of a detective to believe it.

Dick quickly made his excuses to the men around him, and didn't take no for an answer as he left the conversation and headed in my direction. He crossed the massive room quickly to stand before me, and this time when I smiled at him, it was much more genuine.

"Hey," he said, returning my smile and leaning in to kiss my temple as soon as he reached me. "How are you doing?"

"Good." I tried to strengthen my smile, but Dick saw right through it. He raised an eyebrow at me.

"...Are you sure?"

I sighed. "It's just... this all feels a little weird. I've known you forever, you know it's never been important to me that you're the famed son of billionare Bruce Wayne. But it seems like that's all anybody else here can think about, and they all either hate me because they want to be with you or want to be my new best friend, all so they can get to you and Bruce. It's fine, none of their opinions matter to me, but... I just didn't expect to feel so weird coming to one of these things again."

Dick took a step closer to me, reaching out to take my arm with a concerned look on his face. He spoke quietly enough that, even if someone had been intentionally eavesdropping (which had happened more than once tonight), they wouldn't be able to hear him.

"Do you want to go? I'm happy to leave if you want to. We don't have to stay here."

I shook my head before he'd even finished his sentence.

"Running and no-showing Bruce's galas isn't a long-term solution. And seriously, it's fine, I'll adjust. I just... I don't know. I miss the days where we hid under the punch bowl giggling out of sight of everybody, you know?"

My boyfriend grinned. "I mean, if you really think about it, there's nothing keeping us from doing that again."

"I can think of a few things," I laughed, swatting his shoulder lightly. He hummed, but sobered quickly as he scanned the room, clearly thinking.

"Well... if you're sure you don't want to commandeer the space under the desert table?"

"I'm sure."

"Then why don't we try dancing? That's a little more... socially acceptable than hiding under the tables, but it's one of the things we used to have the most fun doing at these things. Remember how we'd just take over the entire floor to do whatever we wanted when we were kids?"

I laughed. "Yeah, of course. Although it's a little harder to remember the feeling that inspired us to just run out there before."

Dick smiled softly and extended his hand to me.

"Let me remind you."

My heart did a little backflip, especially when I met Dick's sparkling blue eyes. I huffed a little laugh of disbelief, especially at the thought of stepping into the center of the spotlight when I knew just how many people were going to be watching. But then I looked at Dick again, and I decided that, as long as I was with him, they didn't matter.

I took his hand, and he didn't waste a second before pulling me after him to the dance floor. I laughed, unable to hold back a smile even as heads turned towards us. Dick ignored them completely. He pulled me to his chest when we reached the center of the floor and wrapped an arm securely around my waist, the other taking one of my hands. I rested my free hand on his shoulder, and as we started swaying together to the music, his eyes didn't leave mine for a second.

"You know..." he started after a moment, drawing my attention back from a glance over his shoulder to where people were watching us. "This is nice, but a slow dance wasn't exactly what I had in mind."

I gave Dick my full attention and raised an eyebrow.

"I'm almost afraid to ask, but... what did you have in mind?"

He grinned. "Something more like this."

Suddenly, Dick was spinning me out and away from him, twirling across the floor before pulling me back. We'd know each other long enough and spent enough time as vigilante teammates that his steps were easy to follow, even as he started something closer to swing that didn't match the music at all.

I laughed, a warm feeling spreading through my chest as I shared a smile with my partner. In the back of my mind, I knew more people were probably watching and judging than ever. But suddenly they didn't matter like they used to.

Dick swung me around again, then pulled me close and into an exaggerated dip. If I didn't know he was a superhero, I probably would've been a little worried about him dropping me. Instead, it just made me laugh, especially as Dick grinned and led me into something way too close to something you'd do to Cotton Eye Joe.

With every second that passed on the dance floor with Dick, everyone else in the room faded further and further away. It felt like when we were kids, just me and the most important person in the world to me having the time of our lives.

"Feel any better?" asked Dick, whispering in my ear as he pulled me close again, both hands wrapped tight around my waist. I smiled, running my hands up his arms and across his shoulders.

"So much better. Thank you."

"You don't need to thank me. We're partners, you know I'd never leave you hanging."

I pulled back enough to meet Dick's eyes, and found their familiar sparkle and a smile waiting for me. I gave him a soft smile back.

"I love you, Dick Grayson. So fucking much."

Dick beamed back at me. "I love you too. Now come on, the band's finally catching on to what we want. I want to dance with the love of my life to music that's actually fun for dancing."

I just laughed as Dick swung me out and away from him again, the two of us twirling across the floor, this time in sync with the now-faster music. Suddenly, after a few minutes with Dick, the propsect of all these Wayne galas didn't seem nearly so daunting anymore. Sure, I might have to deal with a few unpleasant strangers whose opinions didn't matter to me. But I'd also get to do this, laughing and dancing and having the time of our lives, with my favorite person in the world.

Worth it in the long run, as far as I was concerned.

****************

Everything Taglist: @rosecentury @kmc1989 @space-helen @misshale21

DC Taglist: @gaychaosgremlin @v1ckycheesue @lavender-dinos @g0atmansbridge182

[coffeebooksrain18]

While i do think Rhaenyra cared about Alicent when they were young, she was also a little too quick to turn against her if you ask me. She blamed Alicent for marrying Viserys as if she had any other choice. From the beginning it's painfully obvious that Rhaenyra is extremely spoiled and entitled. Viserys (despite being literally the worst at everything) was actually a good father to Rhaenyra, in my opinion. As a result, Rhaenyra grew up in a bubble thinking that other women had the same freedom as she did. The freedom to fuck whoever, to marry or not marry, not have children whenever with whoever. That is not Alicent's reality though. Alicent had no choice in anything, not even her own body. She didn't choose to marry Viserys or have his children. Alicent is a victim of Viserys but Rhaenyra is too self absorbed to see it. She turned her back on Alicent when she needed her the most, watched her birth child after child and still had the audacity to be mad at her. Tbh i'm suprised Alicent tried to maintain their friendship for as long as she did, i could never. Especially since how from that point on, Rhaenyra takes any opportunity she can to rub her freedom in Alicents face. Imagine doing that to the girl your own father groomed and raped. And TB wants us to think that she's a ''feminist icon''

*btw this is obviously about the show version of the characters

I completely agree, I've talked about how Rhaenyra and her stans completely disregard the fact that Rhaenyra has also hurt Alicent, that it's not just Alicent saying rude things.

Rhaenyra is spoiled, I think she is the definition of only child syndrome and rich kid syndrome, she doesn't understand others povs can't see from someone else's perspective.

I've talked about how Alicent had no power to say no to her father, or Viserys when she visited him and married Viserys. People forget she isn't a powerful woman in that time, at least compared to the power Rhaenyra has.

And yes it was clear it was the show version anon.

[changingplumbob]

CW: Moderate sim spice - Guide to content warnings

Glenn tried to be in the moment but it was hard. His mind was racing. Silver was an excellent kisser. The werewolf had said it had been a while but it was obviously like riding a bike. Glenn was quietly proud of being the first one to get close to Silver for so long but he wasn't going to tell him that. Silver might think it meant Glenn liked that he had been alone when the opposite was true. The man he was wrapped around had a good heart, and Glenn wished he hadn't shut himself off from society, from love. But guilt was a tricky thing. He didn't blame Silver for wanting to run away from it all.

*waves* Let me explain for anyone new. My sims have woohoo drives and like to get it on but I know reading that isn't enjoyable for everyone. The text below contains that so if you are only here for the plot, or it makes you feel uncomfortable, please feel free to skip the rest of this post. You will not miss anything essential to the plot by not reading it.

Silver: *between kisses* Watcher you do taste good

Glenn: *giggling* Thank you *kisses* I have a whole dental hygiene routine

Silver: I love that you take care of yourself

Glenn: I can take care of you to if you let me

Glenn could feel Silver start to smile. He ran his hand through Silver's hair and attempted to pull him closer. A foolish mission as they were already chest to chest, but he needed him.

Silver: You ready for me to take your pants off now

Glenn: More than, but let me see you to

Silver placed Glenn gently on the bed and bent down to take his shoes off before removing his own.

Glenn: You know, we kind of have matching shoes

Silver: What do you mean

Glenn: Mine are brown and yours are grey- or silver! Get it, because you're Silver

Silver: *chuckling* It's not to late for me to cancel this woohoo you know

Glenn: I was just trying to say I like it. It's like we were in different places but we still got matching shoes. It's cute

Silver: You're cute Babycakes

Silver pulled off Glenn's jeans and boxers slowly. Glenn felt nervous lying back as Silver examined him, and again he got the feeling Silver wanted to eat him up.

Glenn: Can I do you first

Silver: You sure

Glenn: Yeah

Glenn watched intently as Silver removed his remaining clothes far quicker than he'd done for Glenn. Silver then pushed Glenn back on the bed and straddled him.

Silver: Just use your hands

Glenn: But I want to taste-

Silver: If you do a good job I'll feed you some

Glenn blushed and focused on the task in front of him. He was nervous but Silver stroking his chest and face helped him keep calm. In the end, well, he did get a taste.

Silver: Come here

Silver pulled Glenn up and around so the pair were sitting on the edge of the bed. Silver pulled Glenn's face to his and peppered it with kisses making Glenn chuckle.

Glenn: Beefcake, what are you doing

Silver: You'll see but you need to understand... Werewolves are naturally stronger

Glenn: Promises promises

Silver: I'm serious Glenn. If I do anything that is too strong... anything that hurts you, you need to tell me

Glenn: But then you'll stop

Silver: I'll stop what I'm doing because I don't want to hurt you but I'll finish what I start okay? Don't deal with pain just because you think I won't bring you to a finish

Glenn: I promise Silver, I'll tell you if it's too much

Silver: Good, because I can get a little over enthusiastic sometimes

Glenn: Please, I am the most over enthusiastic

Chuckling, Silver leaned over Glenn's lap and got to work caressing him. Glenn had imagined what it would be like but it was better.

Glenn: Oh, um-

Silver: Too rough?

Glenn: No your hands are perfect I just... So for a potion of plentiful needs you need some pleasure and that's harvested when someone orgasms. Henri gave me some empty vials for it. Would you mind if when I do finish I channel some of that pleasure to be used?

Silver: Do you need like the physical-

Glenn: No, no no. No body fluids required. I just didn't want to do it without asking

Silver smirked and got off the bed to kneel in front of Glenn.

Silver: I don't mind that. Do you mind this?

Glenn: Mind what? You're not doing-

Silver kissed the inside of his thigh and Glenn twitched.

Glenn: I don't mind that

Silver: Uh huh, and this

And so Silver continued to tease Glenn, a kiss here, a soft bite there, until Glenn couldn't stand anymore and begged Silver to finish him off. As Silver enveloped him and his tongue joined in with his hands Glenn struggled to recall the spell for channeling the pleasure, unable to focus on much more than the sensations he was feeling.

When he finished and curled around Silver's head some brain function came back to him. He kissed Silver's back and looked up to watch one of the vials on his shelf fill up with the telltale pink contents. Rather than dissipate in to nothing the pleasure was being stored.

Silver: I was right, you do taste good

Glenn: And you give amazing head

Silver: What can I say, it's my centuries of experience Babycakes

Previous ... Next

[sili-redwing]

you ever just think abt Them

the mall video, the way moon followed sun, the way he immediately decided the yellow yogurt dispenser was for sun because it had his colors, the way he gave him a coconut popsicle because he wanted sun to be able to try it as well.

the way he knew sun wanted to buy things, and immediately gave him all the coins he found in the mountain so he could buy whatever he wanted. ("Moon! I want to try everything, Moon."

"Okay.")

the laboratory video, with how excited he was to show the things he made off to sun, the way he allowed sun to use them on him in turn for the fact he used them on him.

("Moon, we can't just become a common crimina-- what's this?"

"A chocolate popsicle."

"A...chocolate popsicle?"

"I made it."

"Oh! Like a homemade popiscle? :0"

"Yep."

"Oh my goodness, thank you Moon- I knew you cared about me deep down!"

"Sure.")

-.-

("Don't worry. If you ask, I can make things for you, too.")

the video where they first met monty, where moon told sun that he'd be the one to lie for him, because sun wasn't comfortable doing so himself.

another thing i may note with this episode is that monty never once physically hit sun; he hit moon because he was in the way, but other than verbal threats, he never actually did anything. this carries on to later episodes, too, i believe.

("We can't lie to people, Moon!"

"Yes we can."

"Why?"

"I can. You don't have to; I will.")

he treats FREDDY better than he does SUN. which i find particularly strange because both sun and freddy have the same exact traits.

they're considered the dumb ones, too kind, a bit naive. but in the episode they upgraded freddy, moon was so soft towards him while threatening sun the moment before

("Your joints are connected by screws, I will take off your limbs."

"Freddy, help me! He's threatening to kill me!"

"Uhh..don't kill him, please."

"Freddy, you are a sweet baby boy, move out of the way.")

sometimes i think about how bewildered and offset sun seemed when moon was suddenly being nice to him, the way while happy about it he still chose to keep his distance because something was obviously wrong with moon.

("You're so good at this job."

"...I am?"

"Yeah! You're the best at it."

"..Okay! [nervous laughter] Let's just- now go downstairs!")

moon clearly holds sun in a bit of a higher care than he acts like he does. hell, he panicked when sun was 'missing', and told monty he'd do anything as long as monty gave him back (even if it turned out that monty had nothing to do with it, and that sun was just sleeping.)

("I don't have a ringer! I don't even know what a ringer is! Why are you hitting me?!"

"Because I just had to go get a necronomicon because I thought Monty kidnapped you!")

i will say that the demon and angel episode added a lot of insight on how moon does feel about sun. my only gripes is that it feels like NOTHING WAS DONE ABOUT IT.

("I don't think we should be yelling at him--"

"You're right! i shouldn't be yelling at him! I SHOULD BE BEATING HIM TO A BLOODY PULP!

"I'm sorry! I'm sorry! I just wanted to share my cool science with you.."

-.-

("It's not like you try to get along with me!"

"I don't try to get along with you becase the first thing you ever did was just saying 'Oh, you're so annoying and dumb and stupid!' What do you mean, try?!")

-.-

"I've been trying my best! That's why I've been bringing you along for my adventures!"

-.-

("I made your favorite..."

"I want you to tell me right now what my favorite is."

"Gingersnap.")

it feels like after they got foxy, it went downhill. or maybe it was after roxanne on her own. maybe that isn't fair to them, maybe it is. i don't know. but there was definitely a shift in moon's behavior, to me at least.

because it feels like foxy brought a surge of violence...

("Hey, by the way, Monty? Sun ran onto oncoming traffic."

"I'm not too surprised, the way you treat him.")

...which only seemed to spiral further once they got bonnie.

("You just- he just hit me with the bottom of his gun, Moon!"

"Let the Sheriff do what he needs to do."

-.-

("It doesn't matter anymore, no one likes me."

"If no one likes you, then you'd think you'd try and be a little different."

"Why- why should I at this point?! Screw you, Moon.")

moon considers sun one of his best friends, which we know from freddy of all people because sun's name is literally part of the password to their internet.

("It's the names of his three best friends! Himself, you, and me!"

"I- I don't think you can be friends with yourself."

"Moon's very self-oriented!"

"Yeah, I know that one...selfish guy."

"No, not selfish! Self-oriented.")

can i just say that it's a terrible fact it can even be part of a bar when this is one of the few episodes moon doesn't physically attack sun, and that's only because hes too focused on investigating?

("So you're saying that Sun's the problem because he keeps getting caught!"

"No, you are in fact still the problem, Moon."

"HA!")

that entire conversation with foxy and roxanne both in the video that sun finally, perhaps rightfully if not in the best way, snapped.

("Just drop the gun, Sun- just drop the gun and we'll be okay- this isn't you- this isn't you, dude-"

"This isn't me? YOU MADE ME LIKE THIS! I'm going to enjoy watching you dissipate to nothing.")

-.-

("Why do you want to kill Bonnie so bad?"

"He has done nothing except torture me ever since he has come here!")

i don't know what moon was expecting, when trying to confess to him. moon, bestie, i think the first sign that you fucked up should have been the very moment he assumed that it was a prank. that eclipse was messing with him.

("I'm in love with you-- what?

"So Eclipse is doing something to you, right?"

"What?"

"Eclipse is doing something to you?"

"…n- no?"

"Yeah, okay, I get it. Eclipse, this some kind of big prank trying to get me to say I like Moon in some romantic light because he treats me like garbage all the time? Eclipsee?-- oh.")

that something was wrong with you.

-.-

("...Because I like you?"

"That's not possible. Improbible!"

"I mean, you're a good person, you're nice, you're kind."

"YOU LITERALLY BEAT ME UP EVERY DAY!")

the fact monty was surprised that moon liked sun. which says a lot because it feels like monty's one of the few moon hangs out around, besides foxy and bonnie.

("Yeah, it's because he doesn't believe i'm in love with him."

"Pardon?"

"Byeee.")

the fact that freddy's been trying to talk to moon about it. been giving moon advice. and moon hasn't been taking it whatsoever.

("He's been talking to me about it. He didn't know how to go about it because he thought you would hate him."

"I do hate him!"

"Yeaahh…I know. But I wanted him to learn his own way."

"He literally started beating me for some trivial reason-- for no reason??"

"Yeeeahhh… I know. I wanted him to learn from his own mistakes.")

while roxanne was..close to being a friend to sun, she's also- as much as i hate to say it- more of an...observer? like she doesnt have the- yknow- courage to actually prevent it outside of words. she was on that route of "she has the spirit, but she's too weak-willed to actually do anything about it" i think. because she like,, she did try! but she never actually followed through. all she said was "maybe we shouldn't do that?" and then never actually tried to stop them

and freddy- while he isnt actively doing things...did turn a blind eye to bonnie's antics in the carnival video. he, too, has never once actually said anything about how sun was treated.

the only one who EVER said anything about it was monty, and that was offhand. that and the fact monty said he cheered when sun pulled the trigger on foxy and bonnie. which honestly might as well be the closest person to an almost-friend sun has! because while monty hasn't been particularly helpful, he hasn't outright hurt him either!

for all the times eclipse has tried to send people after sun and moon to kill them (which so has bonnie! so has moon!), at least he hasn't once went under the guise of actually caring for sun. he hasn't lied to him or anything. also!! that time on the roof, with him and bonnie? while eclipse didn't say anything, he didn't dismiss sun either as he ranted about all the things bonnie did to him. he never once interrupted, let him get it out of his system.

which maybe thats the bare minimum! but honestly? despite all his faults, i'd still think sun was better off with him. because at least he knows eclipse doesn't outright care, and so he can't get sucked in that continious cycle of mixed feelings.

this is all just mostly my opinion though so. feel free to disagree, this is just from what i noted, and honestly i might not have worded it the best but its the best i got rip

i dont even know what im trying to say with this tbh. they are just... idk. i miss what they used to be. i wish things were better for them.

[askthefamous8]

Even if I haven't been very active lately, 9 years is still pretty significant- happy birthday to the blog!

So like Percy up there I'm gonna do so dome reflecting. This blog's where I've often done that for some reason, but here's the tl'dr for blog related stuff.

• I would like to keep drawing stuff but feeling generally unsure in myself, and I'm wondering if all the years of fandom harrassment have caught up with me • I have one big project in mind, I've been dipping my toe into what I'd need to do it. No spoilers but it was one of the first things I played around with this series, so do with that what you will • If I can keep myself drawing, I want to use more of the original source material since I'm struggling with original ideas. So stuff like redraws, hOpEfULlY even animatics, just like what originally got me so into trains yknow? Because that's fun and sparks joy. And that always goes down a treat with you guys so bonus • As always I appreciate you guys not coming after me for being so inconsistent

The rest of this is me doing what Percy's doing in the drawing and reflecting, as there is indeed much 2 think about. It's also a little sad and venty so, there's your warning there.

.

Ok so obviously a busy year, we moved into our new house that we actually own, I spent most of the year planning our wedding, and then got married. Big stuff. Also! I came off antidepressants in the summer. I've been on them for...basically as long as this blog, 6 months after I started it I think. Which also means I'd been on antidepressants my entire adult life. Feels like a big deal and I guess I'm still adjusting.

Another big thing, but sad, is that my dog died about two weeks ago. If you follow me on twitter you'll have seen her but she did make an appearance here a few Halloweens ago

I got her when she was 13 and had her 8 years after that. So that's been difficult. Unrelated to that (probably), but I just feel...really mediocre. And before you point out the obvious, this has been present even before I came off antidepressants. But yeah just... mediocrity. In myself as a person, how I look, what I draw, my whole life really (barring my marriage thankfully). What have I achieved? I'm 26, I'm not working, I don't feel well, my art isn't good (I don't think so anyway- like yeah it's technically fine I guess but it's not, and has never been, very stand-out or impressive). And lately art doesn't bring me the same joy it once did, and I'm wondering if all the years of harrassment from this fandom (mostly the twitter side, tumblr's been pretty good to me) has finally caught up with me and put me off the whole thing. Or worse, that I just don't have as much of an interest in it anymore. I don't think I'll ever be like "ok yep I'm officially done with this blog" because I'm so stubborn but idk. I want to make things and be creative, I want to make more train art, but it doesn't feel the same. I don't know what's wrong. What do you listen to? What you want vs what you feel? I still enjoy train stuff, I love going to Awdry Ex every year. It's been like this for awhile. It's not even like I have a strong feeling of what I'd rather be doing as far as careers go. And even if I did, oh yeah I'm sure my two degrees in animation will be very relevant in another field (sarcasm). I feel adrift. My sails are open but there is just no wind. Planning my wedding gave me something to do and work on and just, feel useful but now that that's over I feel lost again. Losing my dog, who had become the center of my life because of how vulnerable she had become, hasn't helped.

On the more creative side of things, I also don't really know what to do with this blog's story either. The show's ended as far as most people are concerned, and I kiiinda wrote myself into a corner because once Thomas turns 18 he's going to leave for university, and that sets off this whole arc with James but basically the problem is it involves characters leaving and for some reason that feels like a no-no here. Don't get me started on the timeline lol. But Thomas works on a railway on Sodor, that's how it has to be...right? I guess I'm sort of at a crossroads of, ok do I want this to be close to the source material, and thus easily digestible to newcombers? Or do I want to make it more and more my thing and distanced from the source material? I doubt there's many new people coming since the series ended. And even then, there's a lot more humanization artists around now than when I started, so it's not like I'm filling a niche anymore. Just to be clear it's fine and also good that there's more humanization artists, variety is good, I just don't feel as "needed" anymore (which is 100% in my head and not an actual role that belongs to me or something). I started this blog when I was 17, so my interests and what I relate to have changed obviously. The character designs certainly have. It's never followed a super rigid story plan, but the core of it has always been the central cast doing things on Sodor. I however have always had a scene/project/animatic/whatEver in mind for when this 'series' would '''officially''' ''''end''''. But then what comes after that? I've always tried to run this blog like they are Real People that You interact with. But in real life there is no ending to the story, there's always more stuff to come. You get married, and it's wonderful, and then life goes on. The credits never roll. So maybe that's what I'm having trouble coping with...the progression of time. Ah, my old nemesis. I've always had trouble with letting go of things. There's nothing to say that I couldn't still draw stuff after the series "ends". I guess any story after Thomas leaves could be like... a sequel series or a spin off or something. Spin-off of a spin-off. Famous 8 All Grown Up. Famous 8 Qurter Life Crisis. Who knows. I certainly don't.

I've also been really into an original project unrelated to this but those don't get as much attention and while I'd like to do something with it one day, I don't feel very confident in being able to make that happen right now. But you know... as far my as art not being super spectacular goes... I think my individual talent has always been is my ideas, like the writing side of things. And then brought to life with my art, which normally isn't anything to write home about but is good enough to convey the idea and be not-awful to look at, lifts both of them beyond what they were individually. Maybe that's what I should focus on. Maybe that's wishful thinking.

So....idk. Idk what I'm doing but I'm trying to be gentle on myself and just let myself continue to drift, to heal from this heavy loss, and then in the New Year I'll try and pick myself up. Then there will be no more big once-in-a-lifetime events coming up, no more just-moved-into-a-house-and-oh-no-there's-a-bunch-of-things-that-need-attention-NOW scenarios, and no more big holidays for awhile. I guess we'll see.

If you read all of this I am so sorry but also thank you for reading my ramblings. And thank you for being around, whether that's been for a few months or for several years, but especially if it's been several years

[alastair-1205]

Time for my weekly insane about Geo thoughts. I cannot imagine how terrified he must still be of Cole leaving him. Like yea he did the whole lying about his powers thing already, but it goes deeper than that insecurity from being thrown into the land of lost things.

He must have spent years hearing about this other, amazing, powerful family that Cole once had and that he missed deeply, and of course Geo knows Cole loves him, but he's sure that if it came down to it that Cole wouldn't actually choose him. But he can take some selfish comfort knowing that this old family isn't in the picture anymore. He feels like an asshole, but he's felt worse so...

But then this family come back and brings those world ending levels of responsibility that Geo had only heard of with them. Cole is dragged away by that and Geo is far from thinking it's a good idea to insist he stays, but now Cole knows he's been lying about his powers, and now they can all leave the land of lost things so Cole doesn't have a moral obligation there either. And of course Cole loves Geo and their kids and the family they've made, but in the face of the end of the world, he can't stay, and in the face of the ninja coming back, he may not ever return.

But that doesn't happen. Sure some shit goes down and Bonzel may be missing (she's not dead. She can't be. Just missing in a place someone can find her one day.) But Geo isn't alone in that. Silver linings.

But then the other thing about Geo that I'm not normal about rn is how weird it must feel for him to interact with the rest of the ninja.

Like Cole obviously has this dynamic and relationship that's older than Spitz and Fritz and had been born from blood and trials and heartbreak and Geo and the Finders are just. There. On the outskirts of that but never being integrated the way people like Sora and Arin are (Geo cannot fucking escape feeling like an outsider within already established groups damn).

And like of course the ninja have been kind to him, but there's a disconnect there. Cole is the only connection between his two families and if he isn't there, that fact becomes pretty obvious pretty quick. They've truama bonded a bit, but in a group as traumatized as the ninja that doesn't mean as much as it maybe should lol.

I was honestly just thinking about that part in DR season 2 where Lloyd was injured and Geo was just there. Like it was almost funny and the fact that it was funny is kinda sad. Like he's trying to help, clearly he cares, and they aren't telling him to leave either, but he's put of place. Wanting to help but not being close enough to do so in a way that matters, but also not detached enough to just walk away. The weirdest sort of limbo. But he loves Cole and Cole loves him and he hasn't left yet so maybe they'll figure something out.

[sunflowerdigs]

As many people have pointed out, S8 seems to be S5: Tim's version. There are also callbacks to S3, but the structure seems to mirror S5 (the season it's also speculated that Buddie would have happened if not for Fox).

With that in mind, I've put together some speculation about Buck and Eddie in the back half of s8, based on S5.

I'm anticipating Eddie going through with the El Paso idea in 8x10 like he went through with leaving the 118 in 5x10. Drama, not realism, is the point of the series, so even though Eddie is obviously coming back, I suspect they'll have him leave in a way that seems permanent (and it also sounds like it will affect the whole 118 this time, so that's nice).

Given the show's current set up, Eddie can't stay in El Paso alone for as long as he stayed at Dispatch. Only Peter and Angela are currently getting multi-episode arcs with multiple guest stars attached. Also, El Paso isn't built into the show like Dispatch was. My suspicion is that we'll get one episode (8x11 or 8x12) where Eddie has the B or C storyline and reconnects with Chris as well as talks to Helena and Ramón. I think we'll see him start to realize that LA and the 118 are home for him, and that his own happiness is paramount to taking good care of Chris, so he'll make the choice to bring Chris home.

In the meantime, Buck is going to be dealing with his abandonment issues and with the fact that Eddie's absence has hit him so hard. Now, 911 could easily chicken out here and try to examine the abandonment without going into Eddie specifically (which wouldn't make much storytelling sense if Buddie is indeed where Buck and Eddie's storylines are headed, but would let them drag Buddie out longer 🙄). Either way, as with s5, I'm expecting Buck to make some dumb relationship decision in 8x11 (5x11 kiss with Lucy) and then make some kind of confession about it in either 8x12 or 8x13 (he confessed to Taylor about the kiss in 5x13, but probably would have done so in 5x12 had the Boston episode not happened). The confession could be to whoever he made the dumb romantic choice about or it could be to Maddie (since he confessed to Maddie about the Lucy kiss before he did Taylor). If we're lucky, the confession will be about both his abandonment issues and how he feels about Eddie (his Oh moment, if you will).

And then, right after Buck makes that confession and things are looking more hopeful for him (8x12 or 8x13), he'll get a frantic call from Eddie, telling him that Helena is trying to take full custody of Christopher and may actually be able to do it and he needs Buck's help. This would parallel Christopher's call about Eddie's breakdown in 5x13, but would also be an evolution of it, with Eddie choosing to reach out to Buck rather than break down in a room alone. Buck would burn rubber down to El Paso, and the next episode would be Eddie's big confrontation with Helena, Buck by his side. Imo, having to justify his life in LA to a mediator with custody of Chris on the line might force a level of honesty out of Eddie that he may not be consciously aware of and could kick-start his own feelings realization.

Eddie would win custody with Buck's support in 8x13 or 8x14 (parallel to Buck helping with the horse therapy in 5x14). And then...idk. With both Buck and Eddie in Texas, the show could justify extending the arc there a few more episodes and could let a vengeful Helena kidnap Chris (imo unlikely since 911 seems to like to forgive bad parents). Or Buck and Eddie could return to LA and the 118 with Chris immediately after Eddie gets custody. Either way, I think the show will let feelings between Buck and Eddie percolate for a bit until either the episode before the finale or the finale itself, which will probably be their first kiss (in time for Pride month! If Pride month still happens in America...😬).

[coffin-ramblings]

In your opinion, what makes Andrew's interest in Ashley romantic rather than just sexual? Love your analyses and wanted your expert opinion, bc personally I'm kinda on the fence about it

I am very flattered that you like my analysts and consider me an expert! It is a great honor to be told that.

The first evidence Andrew is romantically in love with Ashley is this dialogue back in Episode 1. This was actually one of the big reasons why I did not check out Episode 2 for a long while because of how fucking weird Andrew is. I already knew he was weird and actually down bad for Ashley, but that moment really shows how deeply fucked up this guy is. What do you mean you think it's too romantic to commit suicide by jumping off the balcony with your sister? Even Ashley thinks he's weird there.

And then he explains that he thinks it's romantic because that'd mean their bodies would be be entangled together and have to be buried in the same coffin. Despite this, he likes that Ashley wants to join him, which wow, okay dude.

We now fast forward to chapter 2, where we get a lot more of incestuous hints from Andrew.

The first obvious one that you will always see is Andrew checking on Ashley because she's obviously in a bad mood having their burglary thwarted and having to talk with, cook for, and eat with their mother who abandoned them, likely sold them out, and wanted them dead. Ashley doesn't want to talk about it because this confirms her desire to sacrifice them and was hoping she didn't have to say it to Andrew, so she is also frustrated he's not picking that up either and being snappy. Andrew then thinks, "I want to hug her until she smiles", which okay, that's innocuous enough, but is then followed by, "I'm not going to do it, it's another thought that I wish I never had." What kind of thoughts do you have that makes you not want to hug your sister and comfort her Andrew? Isn't it a good thing you want to make her happy especially in this really shit day? And why are you blushing at that thought???

After that, you can have Andrew go talk with their mother and have this gem:

While it's easy to think Andrew thinking, "I don't want to grow fonder of Ashley because she's a bitch" if you see this the first time, notice that he starts blushing there. He very much does not want his romantic desires for Ashley intensified, nor does he ever want to be separated from her as we find out later on at the fireplace if you are on Burial route.

And before that, Andrew eats Ashley's mom-and-dad soup despite his obvious reluctance to and his outright refusal in Decay. He is only doing this to make Ashley happy, when the day before, he was holding back from just hugging her to cheer her up because of the fear that intimacy with Ashley will expose his feelings, which is why Ashley is surprised. That is, quite weirdly, a romantic gesture of Andrew.

And finally, no matter how you get Burial Sane, Andrew is still on better terms with her than before their parents died. Sure he's grumpy and aloof, but he still is happy to be with her and he doesn't start blaming her for their situation. This unnerves Ashley because she now realizes that he doesn't "need" her, but he's still hanging around for who knows how long and she can't guarantee he will stay.

It's easy to think that Andrew's feelings for Ashley is just sexual when the main focus has been Burial Questionable and the confirmation that they can have sex in Decay. Sane often gets neglected for being boring, "pointless", and Ashley being "out of character" for not teasing Andrew about the incest vision, but it is still a major route of the game and is worth analyzing. People often miss the main point of the game is that Andrew's and Ashley's (mostly) platonic relationship is already under a lot of strain due to their mutual distrust that the other will betray and/or leave them, Ashley being too stuck in the past in the most obvious form of being attached to Andy, and Andrew being cold to Ashley because he can't be honest with his affection for her. They have to rebuild their relationship as family and friends first before they can have a relatively healthy romantic relationship. Even after that obstacle, the fear of being rejected for their incestuous feelings is very real and valid when they're also family, and if the other leaves them for that or stops being on good terms with them, they are completely alone and/or heartbroken because they have no one left to love them and for them to love back.

This is why Andrew represses his romantic desire for Ashley, and Ashley can choose to stay platonic with him or tell Andrew that they will not have sex. They are both aware this really is not normal, they are most likely going to be rejected because it's abnormal, and they are afraid of what will happen after rejection. They value each other so much that they will be happy to give up their own desires if it means that they can still have each other around. That is also quite romantic, and needless to say, a very common experience for people who have trouble with confessing or never confessed their feelings to the people they love.

If Andrew merely had sexual feelings for Ashley, he can just keep dating and having sex with other women that look like her and move on. Even though Ashley doesn't like it and resents him for that, at least they still have a relationship, which is better than none at all for Andrew. It is much more difficult for Andrew when he is romantically in love with her, and he actively has to hide it away from her in hopes she won't reject him. He tried to make the best of dating Julia to try to get rid of his romantic and sexual feelings for Ashley, but even that is not enough. As seen in the Voicemails video, he needs to imagine Julia's Ashley to say romantic declarations of love to her, but that makes him sad.

On a more meta level, and one a lot of fans forget, is that TCOAAL is a psychological horror game. It is so much more revolting and well, horrifying that Andrew has romantic feelings for Ashley. My revulsion at Andrew was so strong that I stayed away from the game for months, planning to wait until Episode 3 because I want Julia to show up so I can root for her because neither sibling was sympathetic enough for me. If it was just Andrew being very sexually touchy with Ashley, I and many others would have thought he is sexually abusive or he only sees Ashley as a sex doll, and thus find it easier to root for Ashley and hope she leaves him or retaliates against him. But it is way more fascinating and accurate to a codependency that there is no clear abuser-and-victim or good guy and bad guy dynamic, that the siblings are mutually horrible to each other, but also mutually in love and lust for each other. Nemlei makes their romance an integral part of the game's horror, which is a masterful display of her skill as a creator to blend two seemingly opposite feelings into one work of art.

[loopdile]

loopdile so real. i have a Vision of both siffrin and loop being Deeply Deeply Closeted Repressed Transfem and having gender envy over odile and i feel like that'd do Something to the Dynamic. Something......... Something........................... well i'm not successfully envisioning it but maybe YOU are?

i am positively plagued by loopdile gender visions!!! maybe not the exact same as you're thinking but i think you will enjoy them. walk with me, anon, through the garden of my loop gender headcanons. it's kind of a big garden but we'll get to the odile part eventually i promise.

Before they were Siffrin, Siffrin had their gender on lock: something transfem, but also tied to unique cultural elements in some way, either the specific identity or the way of thinking about it or just the particular set of presentation options. Perhaps they even started fantasy HRT! But then they forget everything, obviously, including their identity and transition plans. They decide pretty quickly that they're not a man, but none of the alternatives feel exactly correct either; if their previous identity was presented as an option, maybe it would click and they'd settle into it pretty fast, but unfortunately that is literally impossible.

So, no clear goals in mind. And because of his forgotten past, continued memory problems, and constant traveling, Siffrin starts to really value the few things he can count on to stay consistent. He'd rather wear his comfortable hat and cloak than leave them behind in favor of anything more gendered. He'd rather stick with his familiar body than risk changing it. Still, maybe there are some changes he'd be happier in the long run to have made... but the process would be stressful, and he's got enough stressful things to worry about already!

But then we get to Loop. Who has already been changed, suddenly and irrevocably and so very, very accidentally. They are not Siffrin anymore, they do not have the hat and cloak, they aren't even human. They don't even really remember who they were pre-loops. There is no familiarity for them to cling to; instead, they're desperate to find things they can control, things they can change, proof that the world moves forward and they're in charge of their place in it. The motivation that Siffrin lacked, Loop now has in spades!

However, their negative feelings are more intense as well. They struggle to face real stakes, to put effort into anything too complicated, to try anything that might disappoint them. They take risks, yes, but not about things they care about; they take risks because they don't care. And they have a lot of other things going on, too, both practically and psychologically, so gender isn't their immediate priority. "Who and what am I?" is a very difficult question for them right now on multiple levels, a difficult question with only difficult answers.

But, starting with the practical: wearing clothes is an easy way to look and feel a little bit more normal, right? So they experiment, and they decide that dresses are just similar enough to the cloak to be comfortable, but distinct enough to not be as emotionally fraught. And they like them in a frivolous way that Siffrin was never willing to lean all the way into. Siffrin didn't put much thought or energy into his appearance, but Loop's inhuman form is a constant issue, so they might as well dress it in a way they like! Something good to balance out the bad, since they can't be neutral any longer.

And of course they think about body craft, though in a different context from most people. Even the nearly-human parts of their body are lacking detail, without all the right functions behind the form, and then other parts aren't human at all. Their body feels wrong, distracting, constricting. They don't understand how it works, and it draws attention they don't want, and it's not them. And yet, isn't it? Even if they'd been put back into a Siffrin body again, they aren't Siffrin anymore, either. Loop is what the loops made them. They want to change their body, to make it something they can be comfortable in, but they can't. Because body craft is a method of changing flesh and blood and bone, and Loop is not made of such human stuff anymore.

So we've got Loop. Trying to find themself, and maybe succeeding in some ways, but stymied or uncertain in others. Desperate to change, but scared to hope. To make a long story short, they join back up with the party, which brings its own set of problems, and yet... it's also a step towards fixing some of their problems, too. Most relevant to our post, here: Odile is a craft expert with a unique set of experiences. She's got a wide foundation of knowledge, since she's familiar with all three main craft types. She used to be part of Ka Bue's underground body-crafting scene, where she not only crafted her own body but also helped and taught other people; and unlike in Vaugarde, where Houses provide resources and education, Odile and her peers had to do their own research and experiments, develop their own techniques. She even has some knowledge of wish craft from Siffrin, and the way she stopped Siffrin from looping proves that she's unusually good at analyzing and adapting to new forms of craft.

So once Loop's dissatisfaction with and ignorance regarding their own physical form comes to Odile's attention, of course she offers to help. To see if she can figure out what their body is made of, and how it works, and hopefully, in what ways it can be changed.

And this dynamic with her... it's totally different from her relationship with Siffrin, both pre-loops and post. And Loop has always admired her, and here she is, talking about the confidence and determination with which she changed her own body, not without fear or frustration but not letting herself be slowed down by them, either. Taking her fate into her own hands and refusing to be anyone other than herself. And Loop used to feel that Odile understood them best, and losing that connection felt like the end of the world, but here she is, still! Observant and caring as ever. Dedicated to figuring them out again. Unflinching as she sees them for the strange thing they currently are, but equally unshakable in her insistence that they do not have to stay exactly as they are.

So Odile helps them figure out their body. Helps them with the craft itself, too, but even more than that — through both encouragement and example, she helps them be brave enough to genuinely try. To ask themself what they really want. To strike a balance between Siffrin's complacent hesitation and Loop's miserable desperation. To experiment, and face both the chance of failure and the chance of success with head held high. To hope.

Odile is not one for platitudes and empty positivity, after all. If she says something's possible, then it is, or she will make it so, one way or another, despite any setback. Isn't she proof? She remade herself, and she can remake Loop, too. Changing them, slowly and carefully and so very, very deliberately. Loop will never be human again, but they can decide who they are and become themself.

[really-good-devil]

x men and marvel characters (wolverine, daredevil, gambit, nightcrawler, etc) with transmasc boyfriend.... please i beg of you

anon i see you i see you i'm thanking you for this. i just ran with this i hope its to your liking

MARVEL IMAGINES WITH TRANSMASC BOYFRIEND

content: religion mention (majority positively), medical/social transition implied, dysphoria, transphobia

Wolverine:

For someone almost 200 years old, he has a bit to learn upon meeting you

Obviously Morph is a help with this + definitely had to give him a PowerPoint presentation

His view of masculinity somewhat is skewed but he is very insistent on treating you like a man because you identify as a man and if that means anything to you then it means something to him

Flannels! He absolutely gives you his baggy coats when you make a comment on needing more masculine clothes (not to mention the smell that his clothes leave on you is a big plus, so sue him, okay?)

Workout regiment is always taken care of and you never skip chest and arm day

He calls you "darlin'" once and then immediately goes "aw shit" because it might be too "lady-like" (his words) but he gets over it very quickly

Mutant hate? He understands all too well. Transphobia? Whole new ballgame, but it makes him just as mad. As in, he has no problem almost kabobbing someone who makes a comment about you going into a bathroom when he takes you out to one of his preferred bars

He soon realizes after that that maybe you need better hangouts and though he doesn't think the beer is as good at the other places, it's worth it to him

To him, assholes like that are no less ignorant than those who attack mutants because its all the same so he gets feisty on the defense

Once when the body dysphoria is real bad, like the kind when mirrors are the worst thing in the world and everything feels gross and tight, he listens and holds you very tightly and though he can't understand half of it, he does understand self-hatred and it hurts him something fierce

So he'll go out of his way at that point to make it known that you are one of strongest guys he knows because you're going through change and sticking to yourself and he loves it about you

He offhandedly once mentions using his claws for top surgery in an attempt to be funny and neither of you know how to react in that moment but it actually is kind of funny much later

Nightcrawler:

Much more up to speed than some others

He's not unused to the ideas of the intricacies and ideas of gender from his time in the circus and seeing the different lifestyles at play there

There's some trepidation on some people's parts about how Kurt will react considering his religion and the history, but it very hardly factors in

Very flirtatious after he gets the okay to move forward even if it's new to him

Does everything he would try to do with his previous lovers; he loves flowers that remind him of you

Constantly trying to involve you in things that he enjoys that he would hope you enjoy

Movie nights are a favorite of his and even if they end up being more modern, he's always willing to give it a chance

Kurt of all people knows what it is like to be judged and ridiculed for how you look or how people perceive someone

Body positivity is a huge part for him; complimenting your frame, your body hair, your hands

After all, his own body is not what many would consider normal, but it is still his and he accepts it, so he'll literally be damned if he can't help with that

His whole thing is finding someone new that's nice to say every day (which isn't very hard for him, tbh)

When he hears you accept any of it he gets so excited that his tail wags and he peppers you with kisses that sometimes have little nips from his fangs but they're all gentle

Loves to take you up to the top of the X-Mansion to have semi-romantic getaways and look out at the night sky and think of things far beyond where you both are right now, though he know he is happiest right at your side

Gambit:

Meets you when you first arrive to the mansion and is instantly drawn to you

Ever the gentleman while he's trying to get to know you, almost like chivalry is his default no matter the gender

After you first confess your feelings his favorite card becomes his King of Hearts

You tell him it's cheesy but he is happy that you approve

He leaves it with you the first time he goes on a mission and though he didn't doubt that you would lose it, he is so happy when he sees you kept it you can literally feel his kinetic energy reserves when he kisses you deep

His favorite is on those rare occasions where you get to dress up, whether it's for a party or infiltrating something

He loves trying to find coordinating or inverse outfits accessories if that's the case (nothing huge, but small ways to show that you two are together)

Pet names constantly

He works with his hands often so he uses them constantly to explore your body and he has magic fingers in many ways

You're so perfect to him in every way imaginable

Matt Murdock:

You meet Matt in Josie's a while after moving to the area in a new area to "start fresh"

It's not that he hustles you but you don't expect to lose at pool to him

He's very charming and easy to learn from and it takes a while but eventually you do get together

Walks around the neighborhood as an excuse to get to know things end up being tiny dates

Foggy and Karen exchanging tiny looks over Matt's boyfriend but very happy for him

You're unaware of his double life but do end up having to fuss over his scrapes

Eventually you have to explain to him and it's awkward but he just seems to take you in without seeing you and he smiles a bit and its okay from then on

You think he's just super understanding and forgiving but no he's actually known for a while

He's been very perceptive of changes in you as you transition further; he knows when you just had a T shot from how you body is working just a bit harder because of it, when your voice gets a bit deeper between the times he sees you

He also had to do a background check because you can't be too careful at this point

But though it's insanely new to him since he hasn't been with a man, he does love you with no shame

He knows what you look like vaguely but always asks anyway because he wants you to explain what you see of yourself

Always very seriously and not seriously ready to remind you that he is part of fine law firm should you need to win a case against someone at the slightest complaint

You always feel safe and seen, in a way, with him, and it never really changes

‐----------------------

I hope you enjoyed this! If you did, feel free to request more like this or a fic! Requests are open and I have masterpost here and a list of characters and ships I'd write for here. Thanks for reading!

(Also lmk if any of these are interesting enough you'd want to see more of, bc the Matt and Kurt ones I would definitely be open to making a fic so stay tuned if it happens.)

[hyog-blog]

Fangs of Fortune (ep. 06 - ep. 07)

Uh, not Li Lun, out of all people, making everyone finally question why Zhu Yan actually killed Yichen's brother and all those people years ago. We know he lost control over his malicious energy, but why didn't anyone ask him why it happened? Come on, people, you seem to be so smart))

Well, Wen Xiao seems to be accepting enough to not care about what our gorgeous Demon Lord has done in the past, which is quite refreshing. Ambiguous, morally grey characters need more unconditional love (especially when they're, uh, 34,000 years old? XD). But he doesn't even seem to be so 'grey' at this point - he's doing too many good things right now.

The whole thing with being a 'vessel for malicious energy' is quite intriguing. Was he born like that? Can he actually stop 'the cycle of rebirth'? Why did he 'lose control' after so many years of cultivation? I'm also trying to figure out the timeline - the killings must have happened after he dropped Wen Xiao off at what seemed to be the gates to the demon-hunting bureau. But she wasn't staying there when that stuff happened? Did his demonic self come back there just to wreak havoc or for some other reason? Was Li Lun involved? Mmmm, the plot is deliciously mysterious, I will have to wait to get those answers.

Also, I can't even be angry with Li Lun at this point, although he's playing the bad guy now - the poor baby was so visibly hurt when Zhu Yan called him a scumbag. And that painful look he had when our Demon Lord thought something along the lines 'screw you, I know how to wake this boy up from his nightmare' and pierced himself with Yichen's sword (which, uh, seems to be quite a recurring motif and the symbolism of it isn't escaping me, nope XD). In the world of jianghu, the next best thing you can do to show you CARE apart from cutting sleeves is to stab (or get stabbed by) the person you care about. Or get stabbed FOR the person you care about.

I also love how effortlessly Yichen is third-wheeling without creating a feeling that he's actually third-wheeling XD Wen Xiao is obviously biased towards Zhu Yan, now even more so that she knows he IS that Great Demon who accompanied her and the Bai Ze Goddess all those years ago. I would totally trust him, too, if I were her. I also love the messed-up dynamic of a former caretaker/child who's grown up because now Zhu Yan definitely doesn't give us those parental vibes, he's oozing sensuality wherever he goes (and him pretending to be all hurt so she stays with him, ahah, that whole sequence was cute and hilarious). And Zhu Yan saying something along the lines that they now get to 'meet all over again' - was it to build a new relationship with her from scratch? M-hmm, yummy, utterly delicious :D

And you can see how Yichen kinda sorta admits defeat in the way Wen Xiao no longer needs his protection against the 'big bad demon' (the man is using his big bad demonic energy to push her swing, for Christ's sake XD), but still can't let the other man go so easily because of REASONS and that 'you'll have to pay for your sins either way' thing still going on between them. Zhu Yan does know what buttons to push when it comes to Yichen, but the feeling seems to be quite mutual (they're cute together and their interactions are so yummy 😍). That scene at the temple is EVERYTHING. And then at Zhu Yan's mansion with the swing. Is he swinging both ways? Ahah XD For a 34,000-year-old being I don't see how that could be an issue)))

Okay, cutting and piercing still seem to be the show's love language and I APPROVE (never had a kink like that, but there's a first thing for everything, I guess XD). The undertones just make it all so yum))

The introduction of the new character, Yinglei, was hilarious))) We also find out that the Wilderness is crumbling down, which makes the whole Bai Ze token thing even more important.

/and I've finally reached the picture limit in one tumblr post, ahah XD/