#obviously those aren’t the only reasons my rant is my next post over | Explore Tumblr posts and blogs

kanmom51 · 4 years ago

Text

JM JK timeline.- my observations how they grew over the years Part 3

Disclaimer: these are my own opinions and conclusions. Feel free to disagree, but hate or aggression will be unacceptable.

This is coming out so much longer than I anticipated, so I decided to post this in a couple of parts.

2016 was a big big year for Jikook. There is sooooo much content out there, I just can’t refer to everything. I had to pick and choose, hope I did so wisely. No Twitter, no song recommendations (they may or may not be relevant, but I decided not to go there).

2016 part 1

End of 2015 was the beginning. Both JM and JK were putting out feelers, trying not only to figure out what this thing between them was, but also how far to take it. I can only imagine they were filled with the excitement that the attraction was mutual, but there were (and sadly still are) so many obstacles to face.

What does it mean for the band? Do the others know? Do they let them know? When do they let them know? How does it affect the others? And I am sure they also faced the fears of what happens if it doesn’t work out.

I know they were young, and when you’re young you take more risks, you think things over less, but I’m sure those questions did cross their minds and did affect their relationship over the years.

So, end of 2015 was putting out the feelers, testing the waters, and 2016 was when they stepped up a gear, jumped into the water, so to say. There is a clear shift in their behaviour. We see all the changes that occurred in late 2015 and so much more. They are closer, touchier, slightly bolder.

There are the stares. JK at JM. JM at JK. Both at each other. These aren’t just one looking at another. These are just something special. You can see the attraction, the adoration in their eyes, on their faces.

2016 is the year where we also start to see the shift beyond ‘skinship’. The ‘skinship’ is still there but there is so much more. There are moments when it seems like they are afraid to touch, so we see all those little touches, light brushes, micro touches, almost touches. On the one hand they can’t keep their hands off each other, but it’s gentle, hesitant, like it’s something to hide. If this is only ‘skinship’ what is there to hide? Why the hesitance?

JK and JM were always close. But now JK lets us see it. Prior to 2015 he shied away from JM’s touches, his closeness, his forwardness, his shamelessness (as JK himself put it). From 2015 that started to change, and we see it even more in 2016. Not only doesn’t he shy away, but he also initiates this closeness. He is not afraid anymore to show just how important JM is to him, how JM is his anchor. JM is there to calm him, to sooth him when he is nervous or anxious, to be happy for him, to nudge him on to push him to do more (like speaking at award shows) and to support him and compliment him when he does.

Through the year we can also see a push and pull in the relationship. They are getting their footing within the relationship. Setting the boundaries. This is a process, and it takes time. JM is JK’s elder. What does that mean for their relationship? Does JK have to come whenever he is summoned? Does JK have to keep calling JM hyang? JK starts being defiant. Sometimes calling JM without the honorifics. There are times that it bothers JM, but sometimes he loves it. They are working into a relationship – are they on equal grounds? This is something they are working through.

2016 is the year JK comes of age. A most significant right of passage in SK culture.

This is a year that gives oh so much Jikook content. The fan meets, the behind the scenes clips, the music awards. This is the year of BV1, several most conspicuous Vlives, including the Osaka Vlive and the famous Hobi Vlive. This is also when we got the notorious ‘Own it’ dance practice. There’s the famous “Manila Fight” – most definitely not something I am going to touch upon. Maybe it happened, maybe it didn’t. Maybe there was friction, maybe there wasn’t. I, for one, don’t feel like I have enough content to base a conclusion on.

2016 was a substantial year for the two. I’m aware that there is so much content out there, so I’ll only be touching the iceberg here:

Sapporo snow festival 7 Feb 2016 – JK joins JM in front of the camera – sending kisses to the camera but then leaning in towards JM. Did he give him a kiss? JM’s surprised reaction though...

7 May 2016 Vlive – JK an JM being all flirty.

12 May 2016 fan sign – JK trying to put a flower crown on JM’s head. The two in their own world, playing a game, JM lifting JK up in the air, stabilizing JK with his hand and making sure he doesn’t fall. Again, they are close, they are in their own world, doing ‘them’, no matter where they are. This is the same fan sign JM tells JK that he is sitting in the wrong place, and his place is next to him.

Moments in BV 1 –May 2016.

JK sleeps in lounge room on sofa with JM, instead of on a bed with Suga. JK fell asleep, and JM sets him up with a pillow and covers him up.

JK’s coming of age day Vlive.

The famous JK JM discussion about men checking out their selfies (we can see how JK is still struggling with his ideas or conception of what is appropriate, ‘right’ behaviour for a ‘man’).

JK’s “he’s driving me nuts” over JM lagging behind (Hobi’s reaction to JK’s rant is priceless), but still stops to wait for him all the time.

The hand wrestling (JM losing every single time, and JM ignoring poor Jin when he offers to hand wrestle with him – was it really hand wrestling or hand holding?).

JM misplacing his phone, and JK backing out of going all ‘hidden camera’ on JM, showing him he has the phone the minute he sees him.

JK’s “I will sleep here with Jimin” in the camper. JM playing footsies with JK’s crotch (JM playing footsies seems to be a reoccurring theme).

JM feeding his Kookie (So, what’s new?).

JK’s coming of age performance. This is a big one for me. It’s JK’s song choice and him asking JM to do it with him. The song JK chose to dance to is Park Ji Yoon’s Adult ceremony:

Hey you, why are you hesitating? I know you want me

Right now in front of you, I know what you want,

What you’re waiting for, just come here

I’m not that little girl,

You used to know anymore,

I’m a woman now

I’m thankful that you’ve waited for me

Now I’ll become a woman at your kiss

I’m not a little girl anymore

Don’t hesitate any longer

As much as you waited, I’ve waited for this day too

Give me twenty stems of roses, so I can feel your love

As I wait for you, I close my eyes

Hey you, I want to give you permission to give me your love

Teach me how love is so sweet and fragrant

It was hard looking at you suffering and waiting

My heart even hurt

But now came the day

where there is no reason

to wait anymore

I’m not a little girl anymore

Don’t hesitate any longer

As much as you waited, I’ve waited for this day too

Give me twenty stems of roses, so I can feel your love

As I wait for you, I close my eyes

https://lyricstranslate.com

The song’s message is clear. Is it a coincidence JK chose JM to dance this with him? I don’t think so. The Bangtan Bomb (21 Sep 2016) with their practice - https://www.youtube.com/watch?v=D4oIpsRemPA .

You can tell JM knows exactly how this looks like being all shy and flustered during the rehearsals. The members reactions during the dress rehearsal also are pretty telling. Who is JK sending this message to? JM? Us?

13 July 2016 JM and Jin reacting to Minwoo & JK’s celebrity bromance. JM taking it a bit far there, expressing his jealousy and how JK doesn’t treat him the same, saying he has no feeling for him. Seriously JM? I kind of wonder here whether JM is trying to down play what’s going on between the two, or if he is genuinely jealous, maybe because he feels that JK is holding himself back with him, especially in front of the cameras or around others. We do hear later in the year JM’s frustration that JK doesn’t say he loves him (Jin eats Vlive).

OK, now for the famous suspicious as Vlives. I will tackle them just a little bit. I am not going to analyse them, there has been plenty of that going around. I do, though, want to talk about them just a bit.

As far as I am concerned, both Vlives don’t prove the relationship between the boys. They most definitely are very suspicious though.

The Osaka Vlive -12 July 2016, when Tae surprises JK in his hotel room - https://www.youtube.com/watch?v=MjjAbQLXrEM . JK is undressed, lights are dimmed, he has loud sultry music playing, makeup is smudged, he’s acting pretty suspicious as a whole. I think that reaching a conclusion that JK has someone in the room with him is not far fetched. Someone he obviously doesn’t want the camera to see. Is it JM? We really can’t know. I have seen analyses that hear him calling out JM’s name when Tae’s at the door, or pointing out JM’s phone or clothes and shoes are in the room. To me that is outright speculation. But I do believe someone was there, someone JK didn’t want to show up on camera.

A question I ask myself, though, if it wasn’t JM in the room, is why JM is obviously pissed at Tae the next day, when during his Vlive, he repeats several times not to let Tae into the room for the live? Is it connected? That’s for them to know, and us to probably never find out.

Then there is Hobi’s Vlive, 13 Aug 2016. Hobi starts his live, saying how hungry . This is an important piece of information to remember for later on. He goes to JM’s room. It takes time for JM to open the door, Hobi finally pushing himself in, saying how he is going to show off JM’s room. Only thing is that they stand at the entrance, then walk slowly into the room, not turning the camera away from their faces, all the while Hobi looking worryingly into the room. It seemed like he was looking at something inside the room.

The camera is turned into the room, avoiding certain areas. They come into the room to discover an enormous amount of food, and JM explains that he is starving and that’s why he ordered so much. When Hobi entered the room he asks JM what he was doing, and he answered that he was boiling water for ramen. So he was going to eat all that food and ramen by himself? They converse, and then V comes. At some point V takes JM’s ramen, after JM stated it was his manager’s (is this the same manager JM checks out during his future live?), and leaves the room. Then Hobi says he’ll go and leave the camera with JM.

The question I ask is, why did Hobi, who was really hungry, leave JM’s room when JM, obviously, had enough food for two? We saw JM eat later, and he most definitely didn’t finish all the food he ordered by himself. Then, before Hobi leaves JM with the Vlive camera, he goes to the bed, where JM is lying, and starts teasing him being all handsy with him and going: “Oh Jimin, oh jimin” – what was that about?

JM is left alone, also managing the camera, not showing the whole room. The whole time he is acting funny, grinning to what looks like someone off camera, seems like he talks to something/someone off camera, the whole vibe is that he isn’t alone in the room. But the definitive proof that there was someone in the room with him was when at some point the camera is facing JM, who is sitting next to the tv. Then, something happens.

Is it a ghost? Is it a plain? No, it’s super JK… But seriously, there was someone in the room, someone who’s reflection we got to see in the tv.

To sum it up, here too JM is not alone in the room. Is it JK? That we don’t know for sure. Suspicions are high, but that’s what they are - suspicions. He does, at some point talk about inviting other members to join him (why didn’t he ask Hobi to stay and eat with him?????), and gives a pretty lame explanation as to why he isn’t calling JK to join (stating that he doesn’t listen to him anymore. Again with this JM?).

A question I ask myself is why is it always those two that seem to have someone hiding in their room during the lives????

14 Aug 2016 upload of ‘Own it’ dance practice: https://www.youtube.com/watch?v=HMprwPSFLyU .

This is private dance practice, just JM and JK, at what looks like late at night, lights dimmed, to a highly explicit song. It’s filmed by them, as we can see them cutting and returning to the camera from time to time. During the dance JM clearly has an erection. He is aware of it, looks down at it, points it out to JK, and at some point changes his shirt to cover it up. They don’t stop dancing. They don’t stop recording. They are clearly having a good time.

This clip is uploaded to BangtanTV in 2016 and is still there. I can reassure you that both JM and JK are aware of what is seen in this clip, and still this clip was uploaded, and is still online. It’s more the atmosphere (alone, dimmed lighting) and the choice of song to dance to that indicates the high level of intimacy and the feeling is that this is just something ‘more’.

To be continued...

#jm #jk #jimin #Jungkook #jikook are real #kookmin #jikook #love and support jungkook #love and support jimin #love and support jikook #love and support kookmin #jikook timeline #jimin and jungkook love each other #vlive

215 notes · View notes

clavis-baby · 3 years ago

Text

The (possible) Downfall of Obey Me

5-16-21 (when writing this the event toys out)

(Tbh this post is just be trying to be naïve towards Solomare and at ever aspectthat I mention you have every single right to be upset and mad)

Okay so it’s no secret that Obey me is making bank and is very very obviously trying to make us money on the game with even trying to make us spend money with original stuff that was free to now secretly changing some mechanics behind our back

Here’s a post by @thalfox https://thalfox.tumblr.com/post/653994972840919040/i-just-noticed-a-little-bit-ago-that-the-barbatos that dose a really good job at explaining everything that has changed

(also this isn’t a hate thing fox has actually done a great work explaining everything to good detail of what has changed)

With all the changes I don’t think that it’s shocking to say that players are leavening the fandom because of many reasons to the games getting stupidly harder to even the game development

This is just a heads up this in no way is a post saying “hey this is why you shouldn’t feel this way” I kinda just wanted to see from a business standpoint and be naïve of what’s happening you have every reason to be mad at Solomare because even me I’ve been playing sense week 2 of game released and I’m only on lesson 42 every counter argument that I’m going to make I have complained about at some point

Arguments

(P.s grammar is really bad it’s sort of turned into more of a rant I wrote this at 5 am without any sleep so sorry)

1. Obey me is marketed as a free to play game

First there are many reasons people are mad this main thing that I hear about is from a lot of people is that is a “free game” which lets be honest is ridiculously hard

But still it is still essentially a “free to play game” I personally feel like the main prolog is lessons 1-20 to introduce all the characters to understand and getting the just on how to play the game

Okay and now here’s where I sort of stand with obey me, the gatcha rates are kinda ridiculously lucky when you play for the first week you luck is so amazing and is in my experience with gatchas the best luck I have ever seen for games so it’s not really hard collecting the cards

Now are they the best absolutely no, this I feel like is where you might have to spend money unless they up the skills on the Nightmare A

But what Obey me is technically trying to do is obviously making you pay by releasing your favorite demon card every 2 week which…aren’t essential they are really just hoping that you love your main demon enough to pay

With the high increase on the gatcha rate there really isn’t a pity unless you count the card pieces (but I’m not going to count that because you are more likely to roll your UR before completing the pieces)

Now after lesson 20 once the huge break I feel like Obey me almost expecting the players to keep logging in any doing jobs and some players did do that and boy did it pay off

But those players have not needed to spend a single dollar and are all caught up

Now for everyone else who didn’t the game was so difficult it’s unimaginable and because for that a whole lot of players left the game and personally I don’t blame them because of how much impact the next lessons were

Now sort of like Mystic Messenger you really just have to grind you ass off log in everyday and do JOBS :D and grind but as hard and long as it is you are still able to be a f2p but where obey me fails is that when grinding Mystic Messenger grinding was a lot more fun for me it took about a whole year to just get 550 hourglasses even when I purchased and same with Genshin Inpact it takes a while but with obey me there isn’t really anything else to do once you get to a certain point which I think obey me really lacks and could be part of a reason why people left. Grinding just is not fun (now I do think that on a phone there is so much you can do with a app game but I feel like there could be a bit more they could do)

Personally I’m just going to come out and say it don’t spend your money for one UR card for your favorite demon it’s really not worth it now im one of those Mammon stans but if I ever wanted a specific card for instance the Mammon bunny card when it first came out I wanted it so badly and didn’t get it but I also knew there would eventually be a revival so I saved and did not spend any DV(demon vouchers) until the revival

The events

Some people complain about getting the cards in the events onestly for me this one kinda makes a bit of sense I noticed the first change when the Vampire even came out and how it wasn’t as easy to get the second card but if you think of it it makes sence why

When the first event came out (Santa event) you only had to collect about 30,000 gingerbread compared to the 100,000 in event today but when the first event came out no one was at high enough levels for the AP required and you would every day when times rest to gain gingerbread as well as there was only one part to the story so when people kept leveling up their AP Obey Me had to higher the bar so it wouldn’t be so easy to get all these cards and have a actual reward system but eventually they also added another story lesson starting at the Ruri Chan event

Second thing about the events is that one there started just getting plain out boring.

When lesson 20 finished and we were all waiting for season 2 I was still loving in everyday and logging in at 12 and 8 for the free 30 AP because I didn’t know what else to and would participate in the event but eventually what I think that all otome games that have constant events like Ikemen Vampire and Ikemen Revolution they just start getting repetitive and getting real boring so I stoped playing until there was something more interesting

The last thing that some people complain about the events is that you can’t keep up with the story and the events now I can’t find it but I believe that @0beyme said something about the events a long time ago about how you have to pick between the event and moving through the main story which I kinda think isn’t really the games fault and more just a discussion on maybe missing a event

Add ons

Okay so they did this from day 1 you spend a certain amount of Devil point that you guaranteed don’t have and get out a card

Now this is just spelling out a disaster

Yeah so for the first Charge Mission is when you log in which everyone had but essentially what they want you to do is spend $100 on a game that you just logged into and never experienced or played I don’t really understand what they were even thinking with that but it must’ve worked for them to keep doing them

The second time they did it was when the break was over and season 2 came out and they celebrated by doing another charge mission which was the Lucifer and Simon card which would cost again $100 again I really don’t understand what they were thinking

And now this is I believe the fourth time they have done this for the 1.5 anniversary where they know that Mammon is obviously a favorite for many Obey Me players and where smart to put it on the really stupid charge mission but the difference is, is that instead of it costing $100 it would cost almost $200(same with Levi’s) for one thing I don’t understand

But one thing that you do have to remember is is that this isn’t apart of the main gameplay it really just is a mini game if you would even call it that of dress up and optimization so still I guess would be just a add on that has no effect on the actual story and game so you could I guess still call it a f2p game with really really stupidly high priced add ons

VIP

Umm so I am the first one to call myself out I have bought the VIP package first when season 2 happened and I knew how much I loved the game so personally it was worth it to me to support the developers and gain something out of it

Now I haven’t really seen much complaints on the VIP because people more use it as a “hey the game is impossible with out VIP” but the people who say this ive noticed never bought it

For $9.99 each month it is 100%

IT IS NOT WORTH IT!!! Out of everything you get which honestly isn’t much you get some extra free space in jobs and really that’s it and if you choose to use all your job slots for the highest paying you get around 30,500 about a 10,000 difference not really worth it in my opinion

With VIP you also get other things like higher chance of gifts from Jobs which you will not notice one bit, and +20 AP (which if you play the events is sort of useful) as well as extra packages exclusive to VIPs so after paying $9.99 per month you also get more things to buy and that’s about it for VIP now if you really want to get more grim just use your AP and spend it of normal lessons you will get more AP that way

The Story and Kids

This could be all me just complaining and a theory by I wanted to include it anyway

Obviously many people are not even caught up or even playing but as more lessons went on the less interesting the story became to me I don’t know if it’s a me thing but season one was absolutely amazing the once season two came out it was good but not anywhere as good and one

One reason why I think that it to me became almost bland is the amount of kids that is on the app and how sensitive people were if anything bad happens

It’s no secret that the Japanese versions a lot more non-kid friendly for hell’s sake the characters don’t even swear as well as all the colors I feel like to a American audience bright colors is usually marketed towards kids but in other countriesI think many understand that that is not always the case for instance a lot of people will thing in America that anime is all for kids but I mean look at Attack on Titan or Tokyo Ghoul you would not let kids watch that of literal people getting brutally murdered you just don’t see things like that in the West where something looking kid friendly could also be very adult like

Also wtf dose this in the App Store say +12 with Ikemen Vampire and a lot of other games if you have a game rated +17 then there will be a actual pop up that says something along the lines of how “thier could be violence acts and sexual act are you sure you want to instal”

Now the story I’ve seen people point this out but there isn’t really much character development for instance Beel he dose not have a actual personality his personality (fight me on this one) all you really know about him is that he likes food and his family now I could be wrong cuz I’m on lesson 42 but still not much and this is kinda with all the characters except the special ones where the devs really favor and love for story

Some one mentioned how the developers hold back a lot which I agree with 100% they said how when there is character development they all the sudden pull back and never will almost talk about it again like ???? So there’s this constant bland story

——————-

Honestly if you liked this I might do more cuz as much as this post made me especially at the end I kinda liked ranting so...yeah there is also many other things that I want to rant about but I’m tired soooo

feel free to comment your opinions btw

Bye ima go sleep now

#obey me #obey me shitpost #shall we date #shall we date lucifer #leviathan #obey me shall we date #lucifer #obey me beelzebub #shall we date mammon #obey me swd #obey me mammon #ikevamp #obey me asmodeus #obey me belphegor #shall we date belphie #belphie

65 notes · View notes

jonsa101 · 4 years ago

Text

Yes, There’s Only 14 Episodes in Season 3 But Sharpwin is On Track and Progressing How They’re Supposed To.

There has been so much talk about this season’s writing and the lack of Sharpwin scenes that I thought I would just address everything in this post.

First, the writing this season is NOT BAD! In my honest opinion I actually think this season has some of the best writing in the series. Compared to season two, the writing is head and shoulders above what we got last year. More than ever before we are diving into these characters stories, seeing friendships form, getting a better look into their home life and seeing secondary characters shine! This is a good thing! These were the things that were so desperately needed in season 2 but we didn’t see this play out. I’ve said this before in my infamous season 2 rant and I’ll say it again, a show can’t solely depend on a ship! It has to have great storytelling and good character development for all of it’s main characters. This is what New Amsterdam failed to do in season two and they’re now making it up for it in season 3. The only area I would say the storyline suffered was the Cassian, Helen and Max “love triangle.” There was definitely more intent with that plot before the pandemic. Cassian was not only supposed to be a catalyst for Jealous Max and Sharpwin but he was also supposed to come in and challenge the way Max did things. Cassian’s whole thing was self care first=great patient care which was the complete opposite of Max and the two of them were supposed to clash. Obviously this completely changed due to the pandemic. You can’t have a storyline about a doctor prioritizing himself first for “better patient care”in the midst of thousands of doctors globally throwing themselves on the frontlines and even loosing their lives to COVID-19. It would have been a terrible look to have that storyline so they clearly scrapped it! What we saw was probably them trying to salvage whatever was left from the original plot while they still had Daniel Dae Kim in the limited amount of episodes for season 3.

Apart from that, I think the writers are doing a fantastic job in terms of character development this season. Arguably I would say that Iggy probably has the best storyline so far and that’s incredible for his character. Tyler Labine is acting his ass off and Iggy’s scenes with Lauren, Vijay and Martin were top tier!!! We are finally getting a Max and Reynolds bromance that was teased in season one but literally know where to be found in season two! It’s great seeing them bond on screen and I hope we get more moments with these two. We’re also seeing Reynold’s “life plan” blow up in his face and we finally have some closure with Bloom. They kept us in limbo for so long! We didn’t know if him and Bloom were truly over but now we finally know. Also, it seems like he and Evie are officially done as well and he might have a new love interest on the horizon. For Lauren, she’s clearly seems to be having a coming out story which is something I didn’t see coming at all. I’m really curious how they’re going to play this out for her and can’t wait to see it unfold. Last but not least, for Max and Helen they are both going through massive character development phases which leads me to my second point.

I love a good Max and Helen scene as much as the next person. To me they’re the ultimate ship and I want to see them thrive and flourish but just because we don’t see Max and Helen interact doesn’t mean that the show isn’t properly developing or investing in their relationship!!!!!!!!The relationship between Max and Helen is so nuanced that their relationship doesn’t hang in the balance because they don’t have more witty, flirtatious, or emotional dialogue. Don’t get me wrong, I adore those moments. Those scenes between them make us the passionate sharwpin shippers we are. At the same time though, we have to truly take a look at why the state of their relationship is where its at now and why from a narrative perspective their current interactions make sense. In order to do this, we have to take a look at where Max and Helen left off last year.

At the end of season 2, Max made a move on Helen and almost kissed her in her office. After this moment occurred he never addressed it and at the time he was still dating Alice. There’s no doubt in my mind that this was the catalyst for why Helen started dating Cassian in the first place. She had practically laid her feelings out there and told Max he was the reason she gave up half of her department. After this revelation and the massive, intimate moment he initiated in her office, he didn’t even have the decency to address it. He swept it under the rug and wanted to keep the same relationship that he had with her like nothing ever happened. Even though Helen was aware about Alice, we now know from season 3 that Helen felt a type away that Max never “officially” told Helen that he was dating her. This is IMPORTANT!!! Max and Helen did not end on a high note in season 2. In fact, the very last scenes we see of season 2 is Helen blowing off Max to go on a date with Cassian and Max breaking off things with Alice. I know this wasn’t intentional due to the season being cut short but it definitely contributes to where they are now.

Fast forward a year later, and not only do we still have a massive almost kissed elephant in the room between Max and Helen but also the trauma of being on the frontlines of a pandemic and going through the biggest social justice movement the world has seen. This is something I’ve said many times over but I’m not sure the fandom recognizes how much these events have permanently altered these characters and changed the dynamics of this show. COVID-19 changed everything. The Black Live Matter Movement for the first time grabbed the attention of the world and changed everything too! Max and Helen are in the process of trying to heal and rebuild their lives the best they can as individuals after such a tumultuous year. At the same time, they are acutely aware of the feelings they have for each other and the UST between them and are carrying the weight of that as well. Naturally guys, the combination of all this is going to change most dynamics in a relationship. Things are awkward and distant because Max and Helen are awkward and distant!! They have a lot of shit that they’re going through as individuals and subconsciously as a “couple.” They are clearly not in a healthy place to be as vulnerable as they once were to each other. And how can they be when their feelings have literally been eating at them for over year?! It’s hard to ignore that and try to force yourself to go back to the way things were. Especially when their feelings have “technically” been out in the open since the end of season 2. They both know what it is! They were steps away from unleashing years of built up sexual tension between them and they went on with their lives like it never even happened. Max walking in on her and Cassian kissing in HER OFFICE and subsequently having that convo with Helen was not for shits and giggles. It triggered the BEAST of his feelings that he had fought so hard to suppress. There is no doubt in my mind that when he saw them in her office kissing, he was having some serious dejavu to their almost kissing affair last year. He‘s in love with her and she’s in love with him but this what happens when you continuously try and run away from those feelings and let it fester instead of trying to deal with it head on. The dynamic were seeing between them now is a result of their unresolved issues and it absolutely plays into Sharpwin’s story. It doesn’t take away from it. It makes sense for where they are NOW!

If we look at season three holistically, you’ll realize that a momentum for something significant happening for Sharpwin has been set through the acting and writing. I got to give it to Ryan Eggold. He has that fire and desire, Mr. Darcy type level acting down to a tee so far. It is so satisfying seeing Max so overcome with his feelings that you can tangibly see it in his body language and hear it in his voice. We have seen Max taken aback by Helen before but we have NEVER seen him like this. I keep on saying it but this is different guys. Something has shifted and it seems like Max is on the verge of exploding. His feeling are burning hot right underneath the surface and it’s a beautiful thing to behold. Last night’s episode was ripe with this type of content and Ryan was in his acting bag! It wasn’t an overtly “Sharpwin” episode but the writing and the acting is so clever and methodical, it will have you thinking otherwise. At the beginning of season 3 Max told Helen that he wants to build something better for Luna and something better for her. Was last night not a beautiful reflection of that? One question asking Max if he has ever loved a black woman put him in the shoes of his patient’s husband and had Max advocating for his wife like he would advocate for Helen if it was her! If that’s not fucking romantic I don’t know what it is and if the alarm bells aren’t going off that there is something deeper at play here with a huge payoff around the corner I don’t know what to tell you! Another moment that sticks out to me like a sore thumb is when Helen was telling Cassian that her brother died. I wrote about this in a previous meta of mind but Helen at her most vulnerable telling Cassian that she feels like she’s running out of time is SO SIGNIFICANT guys!!! It’s not only tell us that she fears that she’s missing out on the windows of opportunities for the wants and needs in her life but it literally sets the pacing of how quickly Sharpwin is going to progress. It is the beautiful freudian slip that tells us exactly where things are headed for these two. To me this is equivalent to Max telling Helen “I love my doctor” and “what if I want you?” in season 1. This episode had no interaction between Max and Helen but it was a MASSIVE Sharpwin indicator through and through! These are just a couple of examples but even their respective journeys in parenting is so Sharpwin driven. So in all I’m not mad in the direction the show has taken to showcase their relationship this season because Sharpwin is deeply interwoven in the storyline this year even if it’s not overtly obvious through emotional dialogue/ interactions.

Also, one thing you have to realize is this, season three is wrapping up a lot of loose ends from season 2 and when it comes to Max and Helen these two points will be/ have to be addressed in the next six episodes.

The Almost Kiss

Whether or Not They Want To Be Together

The showrunners know without a shadow of doubt that the resolution for these two points is owed! If Sharpwin is talking about their almost kiss, there is no way that they aren’t talking about what they mean to each other and what their future looks like together. Both solutions literally go hand in hand and I promise you they are not delaying the resolution for that till season 4. It’s not happening fam. We will see this play out within the next six episodes. So in hindsight, more Sharpwin interaction are on the horizon.

When I was making predictions about this season I wasn’t aware that this season would only be 14 episodes. I’m sad that season 3 is so short but that still doesn’t change my mind for where I think the story is going. Call me crazy but I’m sticking to my guns. There is something about how Ryan is portraying Max that is signaling something huge. Also I just trust the context clues that i believe the show is giving. I trust it! Anyway y’all! If you have any sharpwin question just DM here or message me on Twitter! my username is @oyindaodewale.

Love you guys! ❤️

#sharpwin #new amsterdam #max goodwin #helen sharpe #max x helen #sharpwin meta #new amsterdam meta

79 notes · View notes

chocoholicannanymous · 3 years ago

Text

If the Spit Hits the Fan (Glee) Pt XVII

This is the penultimate part. The last one is written and drafted - I did finish while on vacation. Expect it for next weekend.

Follows pt I, pt II, pt III, pt IV, pt V, pt VI, pt VII, pt VIII, pt IX, pt X, pt XI, pt XII, pt XIII, pt XIV, pt XV and pt XVI.

It's as everything happens in May. Kurt feels as if he should be used to it by now, but this year is worse than any before. It's understandable, he guesses, what with it being his senior year, but understanding doesn't help. Some of the squares on his wall calendar has so many things on them they're barely legible, and there are days when he wants to just quit it all.

He can always work in his dad's garage for the rest of his life. Surely that's not the worst thing ever?

The only reason he's not a complete wreck when Nationals comes is the Warblers meeting held right after Regionals where David had used logic (how dare he) and suggested their approach to Nationals.

Kurt's first, immediate reaction is “we're never going to win with that” which he also says out loud, only to be met by “so what”.

“I don't say this lightly. I've been a Warbler for four years. It's been amazing to be surrounded by all of these talented people, and make music just because we like it, and that's why I've kept it up even with all the hints I've gotten that my 'future career' would be better served by me spending that time on learning another language or studying harder. After all, what use is singing and dancing for a lawyer?”

There's a bitterness in David's voice, and it's echoed in a number of murmurs around the room.

“This is the one thing I do for fun, that I do just for me, and some days the only thing that makes slogging through my mountain of homework bearable is knowing that once I'm done I can go enjoy Warblers. This year's group hold more talent of all my years here, which is why it hurts to say that I don't think we can win, no matter what setlist we go on with. We're simply not the kind of group that wins a contest like this.”

Which, probably true. The Warblers are good, yes, but they're an all boys a capella group performing in uniforms. They don't have the productions that teams who wins Nationals do. Doesn't mean that it hurts just as much to hear as it hurts to say.

“The truth is – and I'm sorry, I know we don't talk about him, but I have to – the truth is that we didn't even compete before Blaine.”

Kurt expects it to sting to hear his name. It does, but not much. He's moving past that.

“Blaine walked in here and wanted to compete so badly. He spent his first semester here trying to talk us into trying, even with all the reasons we had for not going so, and he got his way. That doesn't change the fact that this is only our second year competing, and we've surpassed all expectations by making it to Nationals. To do so again and win, or even place in the top... I don't think we can do that, not even with all the talent in this room.”

No one likes hearing that, but no one's disagreeing either. They aren't going to win. That's just how it is.

“So why not do that we like? Why don't we pick songs we like and that showcases our strengths? Why don't we sing a song that will make you happy, Kurt? And if it knocks us down in the ranking to do so, who cares? I don't.”

To hear someone say that Kurt's happiness should matter more than placement – to hear David say it, after everything the year before – causes tears to well up in his eyes. To hear every single Warbler agree make those tears fall.

They'd walked out of that meeting stronger than they'd gone in, and Kurt lets himself gather strength from that memory for a few seconds before he steps forward and lets his voice soar.

“Something has changed within me, something is not the same / I'm through with playing by the rules, of someone else's game”

They finish eleventh. It's better than they'd dared to hope, with all the absolutely excellent teams competing. It the joy is tinged with a little bitterness? Who can blame them? Maybe, more than one of them wonders, a more conventional setlist could have placed them among the top ten. At the same time they're all aware that maybe it would have have placed them dead last. There's no way of telling, and no use speculating.

They did their best, enjoyed their performance and finished eleventh at Nationals. That's nothing to look down on. In fact...

“We did better than New Directions last year” Kurt says with a smirk.

They've beaten his old team, his so-called friends, in every way possible and he allows himself to see that as a win.

Finn posts video of all their songs on his Facebook and is proud (and smug) enough to also post the “Defying Gravity” performance in the Glee group with a comment about how Kurt obviously could hit that note, tagging both Rachel and Mr Schue. It's petty, and Kurt should be big enough of a person to ask Finn to remove it, but no. If his brother wants to stand up for him Kurt isn't just going to let him, he's going to be grateful.

Feeling loved and protected is not something he's ever going to scoff at.

Nationals is followed by finals, the less said about the better, and then prom. Or well, “the Dalton Academy and Crawford County Day Joint Spring Formal”. Same thing right?

Wrong.

The spring formal is every thing junior prom wasn't. It's not really the fact that Sebastian asks Kurt properly to be his date for the formal, and compliments his outfit. It's not that even without decorations Dalton's auditorium is more grand than McKinley's gym. It's not even the grand dinner with lit candles, waiters and three courses before the dance or that there's a band that plays waltzes and foxtrot for the first two hours before the DJ is allowed to take over.

It's that even before they've entered the transformed dining hall Kurt spots half a dozen same-sex couples, a number that keeps going up during the evening. It's the fact that he gets to dance the whole evening, not in a group or with a girl, but with Sebastian and the occasional Warbler. Mostly it's Sebastian's arms he's in, and it's amazing.

It's so far from his junior prom and Blaine that it almost hurts.

“Is there something wrong?”

“No. Everything is... This year everything is perfect.”

Sebastian doesn't look entirely convinced, but decides to drop it and instead lean closer for a kiss.

The evening really is perfect.

The morning of his birthday Kurt walks into the dining hall alone only to be met with a table full of Warblers that stand up and sing for him as soon as he clears the door. There's one place left at the table, next to Sebastian, set with the kind of breakfast not even Dalton serves (fresh croissant, strawberries, a piece of brie and a one-person pot of tea) with a rainbow rose in a vase. Kurt sits down with a smile and leans over to kiss his boyfriend's cheek.

“So, rainbow roses are going to be our thing, is it? I love it.”

He spends the day with a smile on his lips, because his boyfriend took the time to do something special for him on his birthday and his friends have promised cake in the Warblers' room after dinner, and he feels loved.

“Cake” turns out to be cheesecake and presents, and more singing, and so much more smiling. Afterwards Sebastian walks him back to his room. There's no kissing though, which Kurt finds unacceptable.

“Isn't there some kind of rule that you get kisses on your birthday? I would have thought that was a part of the boyfriend experience, and to be honest I'm feeling very much unkissed.”

That nets him a crooked smile, but still no kisses. It's almost enough to worry him.

“You can have all the kisses you want, and not just on your birthday, you know that babe. However, there's something else I wanted you to have first.”

Sebastian pulls out a small package from him pocket and hands it over with a smile, which begins to fade when Kurt doesn't immediately take it. It's just, well.

“Another present? You shouldn't have.”

“Another? What do you mean?”

The truth is that Kurt fully expected breakfast and a rose to be the whole of Sebastian's congratulations, and he doesn't quite know how to take getting more than that. He doesn't really know how to explain it though, and definitely not in a way that won't start Sebastian on another rant about how Blaine was unworthy of Kurt's affection. Especially since it's not just about him.

Turns out he doesn't need to say anything – and apparently he's getting yet another present in the form of the absence of that rant.

“Breakfast was a treat. This is your actual present, which I hope you'll like at least as much as that.”

Sebastian looks a little worried as Kurt removes the paper and opens the small box inside (and if he's a little shaky to open a jewelry box from his boyfriend no one needs to know). It's a pair of gorgeous cufflinks with just the right balance between classy and unique and he absolutely loves them.

“These are amazing! They're too much, really, but they're so gorgeous that I'm going to pretend they're not. I love them!” I love you. But that's a bit too early to say, and so instead he leans forward and does his absolute best to communicate exactly that through kissing.

#chocoholic fics #kurt fic #kurt hummel #sebastian smythe #kurtbastian #itshtf

30 notes · View notes

dahlia-coccinea · 3 years ago

Note

Are the second generation really meant to mirror the first? I'm helping my sister revise for her end of unit test on it and it's mentioned quiet a bit in her notes but from what I've read (though tbf though- I'm reading certain parts for revision) I'm not really getting the vibe of that tbh. Can you help me understand why people may think this. Thank you.

Disclaimer: I'm certainly not an expert on the book and the criticisms about it - I read about it purely for my own enjoyment and there are many interpretations I’m probably not aware of.

First, I would say they aren’t exact replicas or mirrors but are more like echos or perhaps extensions of the first generation. Certainly all the baggage of the previous generation is placed on them. Catherine Linton and Hareton Earnshaw are much easier to connect to the first generation then Linton is, in my opinion, but some critics have tried to do so - mostly in asserting that there is a love triangle between them similar to Heathcliff/Catherine/Edgar. There are a number of connections that critics make between Hareton/Cathy and Heathcliff/Catherine and some have been told a million times but I’ll try to cover the ones I remember. Let me see if I can keep this organized and not get too off topic.

The similarity of their characters: At first glance you have the repetition of names - “C” and “H” appear repeatedly. Most apparent is that Catherine Linton is named for her mother. Hareton, although obviously an old family name since its been carved above the threshold of the Heights, it does feel intentional in furthering the connection between “C” and “H.” I’ve always found it interesting we have this scene from Cathy II and Linton in Chapter 14, that seems to directly call out the C & H connection:

“We found two in a cupboard, among a heap of old toys, tops, and hoops, and battledores and shuttlecocks. One was marked C., and the other H.; I wished to have the C., because that stood for Catherine, and the H. might be for Heathcliff, his name; but the bran came out of H., and Linton didn’t like it.”

Funnily I don’t think the H is for Heathcliff, I think its more likely meant for Hindley, but of course Heathcliff has been semi-assimilated into the Earnshaw family by being given the name Heathcliff, which was the name of a deceased child. To me at least, none of these feel unintentional, it feels fated since we have these repetitions noted by the characters themselves.

Cathy doesn’t only share a name with her mother, she lives in her shadow. We know from Nelly that, “On the anniversary of her birth we never manifested any signs of rejoicing, because it was also the anniversary of my late mistress’s death.” Edgar seems to cherish her in part because she is a remnant of her mother, even displaying many similar characteristics, although Nelly is quick to note Cathy is softer and more genteel - which makes sense considering she grows up with a loving father in a calm environment that lets her do as she pleases. She doesn't grow up with the harshness of the Earnshaw family, and Joseph's ranting, and it also seems that Nelly may have softened and become more maternal as years have gone by. I’d say she does become more and more like her mother after living at Wuthering Heights though.

Some really great parallels between the two Catherine’s dialog have been made by Ann Dobyns - I’ve posted a few excerpts from her essay here if anyone is interested, it’s a bit more in-depth than this needs to be though.

Hareton has many parallels to Heathcliff as well - this is intentionally done by Heathcliff who, upon Hindley’s death, speaking of his plotting says, “And we’ll see if one tree won’t grow as crooked as another, with the same wind to twist it!” Heathcliff and Hareton have such an odd fated destiny, from the moment Heathcliff saves his life by catching him as his father dropped him over the bannister of second floor. Hareton from the start fears his natural father, “squalling and kicking in his father’s arms,” Nelly even fears Hindley will “frighten the child into fits.” Worlds different the description of a scene of very typical father/son affection described by Nelly during Hindley’s funeral when she says little Hareton, “played with Heathcliff’s whiskers, and stroked his cheek.” Or earlier when she had asked Hareton if he liked Heathcliff and he says:

“Ay!” he answered again. Desiring to have his reasons for liking him, I could only gather the sentences—“I known’t: he pays dad back what he gies to me—he curses daddy for cursing me.

In Hareton’s mind Heathcliff is more a protector than his father, and I suppose in many ways he is better than Hindley’s random obscene violence. As wrong as it is that Heathcliff denies Hareton his inheritance and an education, I think it does say something (not entirely sure what) that he is never physically abusive to Hareton in the way Hindley was with him. Hareton doesn’t ever show any real fear of Heathcliff.

Heathcliff has his own complex feelings towards Hareton, definitely preferring him to his own son - he tells Nelly, “Do you know that, twenty times a day, I covet Hareton, with all his degradation? I’d have loved the lad had he been some one else.” So it seems we have the daughter of Catherine and the wished for son of Heathcliff. Lockwood even mistakes Hareton to be Heathcliff’s son momentarily in Chapter 2.

Some other parallels - Heathcliff notes the similarities between them later on in a discussion with Nelly:

“He’ll not venture a single syllable all the time! Nelly, you recollect me at his age—nay, some years younger. Did I ever look so stupid: so ‘gaumless,’ as Joseph calls it?”

“Worse,” I replied, “because more sullen with it.”

On other occasions Nelly talks about how Heathcliff liked to induce horror from those around him and “he contrived to convey an impression of inward and outward repulsiveness.” Hareton behaves similarly - in one scene after being taunted by Linton and Cathy, he throws Linton from the room to the disgust and fear of Cathy in Chapter 23:

...Earnshaw burst the door open: having gathered venom with reflection. He advanced direct to us, seized Linton by the arm, and swung him off the seat.

“‘Get to thy own room!’ he said, in a voice almost inarticulate with passion; and his face looked swelled and furious. ‘Take her there if she comes to see thee: thou shalln’t keep me out of this. Begone wi’ ye both!’

“He swore at us, and left Linton no time to answer, nearly throwing him into the kitchen; and he clenched his fist as I followed, seemingly longing to knock me down. I was afraid for a moment, and I let one volume fall; he kicked it after me, and shut us out.”

Similarly, when sitting next to him, Lockwood says, “My neighbour struck me as bordering on repulsive.” Even Nelly, who I’d say is typically biased towards Hareton, upon seeing him says he “seemed as awkward and rough as ever.” Lockwood also describes him as being “almost haughty,” similar to Nelly’s repeated references to Heathcliff’s ego and “proud heart.”

Heathcliff further casts light on their parallels when he says he sees Hareton as the “personification of my youth,” adding that, “Hareton's aspect was the ghost of my immortal love, of my wild endeavours to hold my right, my degradation, my pride, my happiness, and my anguish.”

The love triangle: I know some critics have said the dynamic between the Linton/Catherine/Hareton is similar to Edgar/Catherine/Heathcliff - I don't particularly see this. Cathy II is forced into marriage with Linton and at that point doesn't have notable feelings towards Hareton, compared to her mother who knows she loves Heathcliff more and still does have a choice to make even if it isn’t an easy one.

Still, there are similarities in their relationship in that both men (Heathcliff and Hareton) end up feeling the need to better themselves because for their respective Catherine. Nelly says of Hareton, “He had been content with daily labour and rough animal enjoyments, till Catherine crossed his path. Shame at her scorn, and hope of her approval were his first prompters to higher pursuits.” I think this is similar to Heathcliff deciding to run away after years of abuse and to risk everything, including his life, after hearing Catherine says it would “degrade” her to marry him. Hareton does seem to show some jealously over Cathy’s attention and regard of Linton, and again with the presence of Lockwood so I suppose it is sort of love triangle-y?

I also think Hareton shows signs of a growing devotion, similar to what Heathcliff felt towards Catherine. He certainly seems to be enamored by Cathy from the very first time they meet - Nelly says he, “stared at her with considerable curiosity and astonishment” and was, “too awkward to speak; though he looked as if he did not relish my intrusion.”

Something I’ve mentioned before is that Lockwood says about Hareton and Cathy, “Together, they would brave Satan and all his legions,” which feels like a direct parallel to Heathcliff’s assertion to Catherine that, “misery and degradation, and death, and nothing that God or Satan could inflict would have parted us.”

Also Heathcliff seemingly attempts to play the role Hindley played in his youth when he tells Cathy, “Your love will make him an outcast and a beggar.” It seems both Catherine and Heathcliff knew their love would result in the same situation as Catherine relays this to Nelly when she says, “did it never strike you that if Heathcliff and I married, we should be beggars?”

There is also, of course, the similarity of social stature - when Cathy first meets Hareton, he has nothing to his name and lives almost as a servant at Wuthering Heights, similar to Heathcliff’s position while Hindley was master. Cathy, similar to her mother, is better educated and has more opportunities - there is no socially accepted reason that she would choose Hareton, seeing as he can’t give her money, status, or respectability.

The circle of events and “The Butterfly:” It does feel, in my opinion at least, that it is no accident that our happy ending is the union of Hareton and Cathy. It couldn’t happen with just any couple or in any other way. It does feel that they are made into the semi-proteges of Heathcliff and Catherine, and the elements of the Linton’s allows for there to be peace between the two families. There is a kind of resolution and unification of their energies.

This is probably the most common narrative of the connection between Hareton/Cathy and Heathcliff/Catherine, and that is rather than just a parallel, critics have noted that the story of Catherine comes full circle with their marriage. The first Catherine wrote out her possible futures on her window sill in the names: Catherine Earnshaw, Catherine Heathcliff and Catherine Linton. Her daughter ends up reversing these different identities being born a Linton, marrying a Heathcliff, and finally an Earnshaw. That can’t be merely a coincidence.

Critic Dorothy Van Ghent deemed Catherine and Heathcliff the “original two” and she said that with the civilizing of Cathy and Hareton, "the great magic, the wild power, of the original two has been lost.” Others say that while poetically it makes sense within the repetition, Catherine and Hareton’s relationship is “improbable” but I disagree. I really liked Carol Ramsden’s take on this that incorporates Emily’s essay “The Butterfly,” and makes the parallel between the 1st and 2nd generation - I have posted this before but to save myself the time of rephrasing it I’ll just post the quote:

In Wuthering Heights, we encounter a destructive principle at work in the love between Catherine and Heathcliff. The principle is manifested fully in Catherine’s mental collapse and Heathcliff’s vindictiveness. However, the love between Cathy and Hareton is allowed to flower and they are both, in their own ways, products of the first lovers. The principle of destruction, as in “The Butterfly”, is transformed into a creative energy. Ultimately, Catherine and Heathcliff are also not deprived of this creative energy. Instead of representing a pessimistic view of life, their love, too, comes to suggest that all things work together towards good.

I think that’s an interesting take, besides just a happy ending for Hareton and Cathy it almost feels like a happy ending for Catherine and Heathcliff? In some ways they burned up only to transform into something better. Not saying that is how it is meant to be read, but I do like it (probably because I like a happy ending).

I feel like there are other points that I’ve forgotten? But these are what I remember at least.

#sorry you asked what should be a simple question and got a novel back hah #wuthering heights #hareton earnshaw #i really hope this made sense and was what you were asking about #tw abuse #catherine linton #linton heathcliff #thoughts

46 notes · View notes

incorrectzutaraquotes · 4 years ago

Text

let’s talk racial micro aggressions, because i’ve been seeing a lot of them being used online toward people speaking out about racism and even in fandoms unfortunately, so i think it’s time we have a talk. this is gonna be a semi long one, so buckle up.

just for reference, im asian american. because of that i’ve gone my entire life experiencing racism and discrimination simple because im not white. of course, i have definitely had it better than a lot of people, but that doesn’t take away from my experiences at all. i grew up hating the way i looked, trying to fix myself because i genuinely thought something was wrong with me. this led to years and years of insecurity and self hatred. something i had to go through alone, because my family was white and i was too afraid to tell them how i felt. i was afraid they wouldn’t understand. it’s still something i struggle with, though it’s gotten better.

growing up, as stated before, i was around white people. growing up in a very white town, i unfortunately wasn’t formally educated on racism or what micro aggressions were, i just knew that certain comments made me uneasy and uncomfortable, and hurt my feelings. it wasn’t until i was older, when i started using social media that i really came to understand what all of this was.

a lot of you who have white privilege are using it to uplift bipoc voices, and i think that’s great. however it’s also important to acknowledge that many people who are actively anti racist still have implicit biases, which can lead to microaggressions.

first of all, what are microaggressions? you may or may not be familiar with the term. if you’re not, that’s okay! you can use this post to educate yourself and make sure you don’t make these mistakes in the future. microaggressions are defined as brief and commonplace daily verbal, behavioural, or environmental indignities, whether intentional or unintentional, that communicate hostile, derogatory, or negative prejudicial slights and insults toward any group, particularly culturally marginalized groups.

basically, intentional or unintentional derogatory and prejudice behaviors directed towards marginalized groups.

these are very harmful to marginalized groups, mostly because they’re not as blatant as outright racism, misogyny, homophobia, etc. this makes it often hard to detect, and you may have found yourself using micro aggressions at some point in your life. that’s not important though, what’s important is that, if you have used them in the past, you understand what you said or did was wrong, and that you learn from it.

now, what are specific racial micro aggressions? i’ve compiled a list of them under the cut, and explained why these are insulting and harmful to poc.

“where are you really from” – this insinuates that we will always be seen as foreigners, and not citizens to our own country. it brings on a feeling of not being good enough and that we will not be accepted.

“not everything’s about race” – if you’re white stop telling bipoc how to feel about race. we are tired of it. please don’t speak over us when we are expressing our discomfort. if poc people are telling you something is racist, it’s racist. stop trying to argue with us, as you are not the ones being affected by it.

“your food is so weird” – it’s only weird to you because it hasn’t been westernized or americanized. insisting that foreign foods are weird or gross because you aren’t used to it, is hurtful. it’s insulting.

“all asians look the same” – by saying this, you’re taking away our individuality. asia is a huge continent, not all of us follow the same traditions and not all of us look the same. it’s not a funny joke, and it never has been.

“you’re pretty for a *insert any race here*” – this is just such a backhanded compliment. it implies that we are not typically or conventionally pretty. it has the same negative connotations as saying “you’re really good...for a girl”. that’s misogynistic for the same reasons saying this is racist.

“i don’t see color” – again, you’re basically erasing our individuality and culture and telling us we shouldn’t embrace it. many pocs even completely distance themselves from their cultures to seek white validation, which is in every sense of the word, upsetting. people want to fit in so bad that they’re willing to leave behind their entire culture. something that sucks about being adopted at such a young age from a white family, is that i have never had a connection with my culture. i know nothing about it, and that hurts. i rationalized in my head that the reason i didn’t learn about it sooner was because i was happy, but that was a lie i told myself for years. the sad thing is, is that because i wasn’t connected to my culture at all, i fit in better and had an easier time making friends then other pocs in my school.

assuming all asian people are smart or good at math – stop. it’s not funny. never has been. the stereotype that all asians are smart is not a compliment, and puts a lot of pressure on us as individuals. it objectifies us, assuming we are more like machines and not actual people. long story short, it’s dehumanizing.

“im not/cant be racist i have black friends” – contrary to popular belief, yes you can be. you can still have a racial bias while being friends with bipoc people. being associated with poc people doesn’t suddenly mean you’re not racist. you may even make racist jokes and think it’s okay because they don’t tell you to stop. just because they are seemingly unbothered does not mean it’s not still racist. a lot of times we are uncomfortable in situations like that, but are too afraid to speak up in fear of our feelings being invalidated or being told to lighten up because it’s just a joke. saying we’re too sensitive when it comes to making mockeries of our races and cultures, is also a micro aggression.

saying “you people” or “y’all” when talking, usually negatively, about a person of a specific race – you’re generalizing an entire group because of one bad experience which is just contributing to the stereotypes and racism we face daily. one or a few bad interactions with a person of a different race does not speak for an entire population.

clutching your bag tight when a poc person, usually black or latinx, stands next to you or following them in the store – the way i still have to explain this one in 2020. they are not criminals, but by doing this, you’re contributing to the stereotype that they are all criminals and thugs, which simply isn’t true. this stereotype is very damaging and harmful, as it also contributes to the systematic oppression of those people.

assuming someone only got a certain job or position because they’re bipoc – this insinuates that we did not work hard to get where we are, and that we did not deserve what we got. we simply got it because we aren’t white. affirmative action comes up a lot in this conversation. all affirmative action does is help decide between equally qualified people by favoring the ones who suffer from discrimination in society, but it does not reserve spots for them.

assuming someone knows how to speak mandarin because they’re asian – asia is a large continent with A LOT of languages and cultures. not everyone is chinese. not everyone speaks the same language. it’s insulting and adds to the already hurtful stereotype that all asians look the same.

“you speak english really well” or “how did you learn to speak english so well” – it’s called practicing because people have been making fun of those with accents for years, simply because they are not used to it. being surprised when a poc speaks english well implies that you may think because they’re not white, they are less educated. we’ve simply assimilated because our cultures are constantly rejected and mocked by white people and even other pocs. this also contributes to the notion that westerners are more “civilized” or that they are better, because they(generally speaking this obviously doesn’t apply to everyone)make no effort to learn our cultures, but we have to learn theirs in order to be seen as “acceptable”.

“but *insert race* are racist too” or pointing out immoral things other countries do when people of that race speak up about racism - you’re redirecting the conversation to avoid responsibility. you don’t actually care about those issues, you just want to invalidate our struggles by pointing out that a place many of us have not been to in a long time, or ever, is very flawed. we have no say in what that government chooses to do. not all places are a democracy, and many democracies around the world are flawed.

something important to remember is that anyone can be guilty of implicit bias and micro aggressions. this is not selective to one race.

if you have anymore of these, please feel free to add on. also, if you’re a poc and something i wrote made you uncomfortable, please tell me. i want to make sure im being truthful with what i said. i did do research for some of these, and some were based on personal experiences, but if you want to add to something or you want me to change or delete something do not hesitate to call me out.

unfortunately they and other racial stereotypes are very prevalent in american media, which has normalized it in our society. this post is solely meant to educate if you weren’t previously aware of the dangers micro aggressions have on minorities. i started the list because i was tired of seeing so much normalized racism online, but i hope you learned something useful with this. if you stuck around this long, thank you for listening. i appreciate it a lot.

as for my zutara fans, i apologize for making so many rant posts rather than posting incorrect quotes. i just feel like im able to reach a larger audience with the platform i have on this account than any other one.

anyway, that’s all. thank you again for listening :)

#this is not to take away from blm #i understand that i talked a lot of asian experiences #but that’s just because i am asian #and ive personally gone through them #i’ll link some carrds to blm resources and other world issues tomorrow #it’s 4am now but yeah #please remember that your fight for equality cannot be selective #it’s important that we all understand our differences #and the different struggles we face #but it’s also important that we support each other right now #micro aggression #racism #racial bias #racism in america #black lives matter #fuck the system #its broken #and we need to fix that

390 notes · View notes

dgcatanisiri · 4 years ago

Text

I won’t say this is my last word on the subject of Legendary Edition bullshit, because... Well, I know myself enough to be able to say that I NEVER have a last word, I’ll always want to rant again later on. But let’s just make this a sort of master post of the issues overall.

So... Is it fair to hold a game that is a good roughly fifteen years old to the standards of the present? Not inherently. So if the games were being produced in any sort of unedited format, that it was a strict translation, 1:1 ratio, of the original to the remaster... Honestly, I’d still be bitter as all get out, for reasons I’ll expound on in a minute. But it could at least SEEM justified. I could consider it the kind of thing that would be expected - if KOTOR got a remaster today, I would not expect that Carth and Bastila would be made into bi love interests, or Juhani would have her romance patched up so that it has the same level of detail and attention as the het romances. If Jade Empire were remastered, I wouldn’t be surprised to see Sky or Silk Fox’s same sex romances adapted so that the straight romances had to be closed out first. That is the kind of thing that, on a functional, practical level, I could understand. Doing a translation from old hardware, the old engine, I get the PRACTICAL reasoning for not making things better. I still object to this on the moral level, to say nothing of the representational one. But PRACTICALLY, I see why - y’know, there’s only so much financial resources going in, and changing things like romances, even if justified, means doing new writing and getting the voice cast back in, which has complications the longer since a game’s original release - actors retire or even die, the passage of time changes voices (like listen to the difference of the exact same lines by James Earl Jones between both versions of the Lion King). Even without those complications, that means paying them, which, in the production of video games, for everything that goes in, something else must go out. So that is the practical argument.

BUT!

But.

But, the thing is, even apart from everything else that I’ll get in to shortly, is that there have been a lot of claims from BioWare about inclusion. There have also been A LOT. of homophobic bullshit from BioWare and Mass Effect. And yes, I’m calling it like I see it.

Because we had the game that followed Jade Empire, with a M/M romance option, be Mass Effect, with NO M/M romance option (but FemShep and Liara could bang - the writing obviously favored the MaleShep portrayal, given that there was no marketing use of FemShep until ME3, and we had ME2 give priority to having loyalty conflicts between MALE Shepard’s romances, but not Female Shepard’s, and we even had BioWare hem and haw about how “well, the asari are monogender, so they’re not TECHNICALLY women, so it’s not REALLY lesbians...”). Because the official claim is that they just “didn’t think about it” in time to have these options included in Mass Effect 1. Because we’ve had writers now come out that Jacob Taylor was originally written as a gay man, but in the game itself was a straight man. Because there are plenty of women who throw themselves at Male Shepard, and Shepard is animated with having Significant Looks™ with these women, but not a single man who expresses any interest in him, until ME3 finally offers SOMETHING, which came to just Kaidan and Cortez.

Because we had one of BioWare’s heads, one of BioWare’s founders, say in an interview right around the release of Mass Effect 2 say “Shepard is too predefined a character to be gay.”

That is what I mean by homophobic bullshit.

And I haven’t even started on Mass Effect Andromeda.

And I’m gonna start on Mass Effect Andromeda now.

So after ME3, after Kaidan and Cortez were actually romances, we honestly gave them a lot of faith - they got the message, we said. They understood that they couldn’t just cut out M/M romance in the game, we said. They didn’t need to have the constant observation that demanded they provide good representation, we said.

And then they cut Jaal’s bisexuality, leaving him straight on release, without even a chance to flirt and be turned down, the bisexual male character who did remain not only was planet bound, he also is a character who a solid argument can be made that he falls into the trope of the Depraved Bisexual, a trope that over in Dragon Age, Patrick Weekes specifically said that they wanted to avoid and so didn’t make a character bisexual because of that. And the gay man is not only almost totally disconnected from the game (aside from one point in the plot, he can be avoided entirely and is not included in almost any other group setting among the Tempest crew), he is also an accessory in his own plot line, which was also heavily criticized for being intensely homophobic. And of these, the only thing BioWare deigned to change was Jaal’s bisexuality. (Which, personal note, I’m uncomfortable with personally, because as it’s implemented, it just feels kind of afterthought-y. Much like Kaidan’s in ME3, being unchanged from a new FemShep romance, despite the active inability to romance him in ME1.)

So it is not just a matter of “you have the ability, you’re changing other things, you should do this.” I mean, that is absolutely there - the mods exist for the original game, to the point of being able to even get the romance scene to fire right without Shepard’s gender magically changing once the clothes come off. (I have a vague memory of, at some point, probably around the “too predefined” comment, that being another excuse, that there was difficulty with having the models play nice with one another in that scene.)

But this is about addressing a pattern of behavior on the part of BioWare, that they have to be dragged, kicking and screaming, to the bare minimum that their own statements on matters of representation and inclusion claim they aspire to. That if the fans are not actively holding their feet to the fire, they are GOING to take their fans for granted - “you don’t get better quality content elsewhere, we’re your only choice!” But “only” choice is not a “good” choice. It’s not a choice with quality.

So if we don’t make a big damn deal about this now, when they have a chance - when they have a CHOICE - to make things better, to provide better representation, to correct the mistakes of the past... What will we get in the future? How will they backtrack on this in the future? How will they exclude us in the game they just announced a few months back? How will they continue to tell us that they don’t want gay people in this setting?

Look, I don’t use these words lightly. But that is, whether it’s a conscious attitude at all or not, what they are telling us. By not including us, by making us optionally involved, by making us disposable within our own stories, by cutting out our content, they are saying that they do not envision a world, a future, that includes queer men.

And anyone who does not speak up, does not condemn this, does not demand that they DO. BETTER... That is tacit approval and agreement. Because you’re saying that things as they are now - the removal and undermining of our content, of our EXISTENCE in these games - are perfectly fine and acceptable.

And yeah, I’m sure that reading that has probably made some people mad, believe I’m being unfair by saying that, because it’s going to push away allies. Thing is, and this is one of the things that always comes up in anything even tangentially activism related... THIS ISN’T ABOUT THE FEELINGS OF THE ALLIES. This is about listening to the people who are being hurt and saying “you don’t deserve to be hurt this way, things need to change.”

BioWare needs to change its approach. And, as we have seen, it does not come just because of a handful of angry queers, demanding to be represented in their games. It comes because of the community at large calling them out and saying “this isn’t right. What you have done is not right, and we are calling on you to fix it. To do better.”

Don’t just stand there and shrug this off. Because evidence tells us that if they aren’t called out on this now, the next game will not be better. And we will be in this exact same place, having this exact same argument, all over again, in a few years when the next Mass Effect game comes out. When the queer men are given the shortest end of the stick again, and people who are right now saying “what do you expect from a remaster?” will either suddenly turn around and go “I don’t know why BioWare would do something so homophobic” or, worse, “well, it’s something, I don’t see why you’re upset.”

We’re upset because we keep having this argument. And we are going to keep having this argument until people are willing to actually DEMAND that things be better. This is the chance to make things better now.

At this point, a post-release patch that includes a Male Shepard/Kaidan romance in ME1 that is tracked through to the following games is a bare minimum fix, a change done to make it clear that BioWare understands their mistakes in the past and want to make things BETTER.

It may not be easy, but genuinely fixing problems never is. But it’s work that needs to be done.

#dg rants #bioware critical #mass effect #mass effect critical #dg gets pissed #another angry queer rant

38 notes · View notes

pebblysand · 3 years ago

Text

[writing rant - on filler words]

[yes, i should be writing castles but here i am giving you unwarranted writing advice instead. sue me.]

this morning, you might have seen me reblog this post on filler words. it's a classic, very typical piece of writing advice where the author lists a number of filler words/sentences that you should scrape from your writing to appeal to publishers or make your prose seem more professional or whatever. i reblogged it saying: 'i disagree with most of these, don't listen to people who tell you how to write.' which a couple of you liked (cheers!) but upon reflection, i feel like this needs a bit more of a nuanced response, which is what i'm doing now. i'm not reblogging the post again because it's long and this is going to be long, and tumblr isn't necessarily text-friendly but do go read it first if you fancy.

now, as far as i'm concerned, the truth isn't that i think filler words are amazing and that you should keep them all, love them all equally like your precious children. of course, you should watch out for them. just like we do when we speak, we fill our written sentences with a lot of pointless fluff that brings nothing to our message. when used "wrongly," filler words slow down sentence pacing, hurt the rhythm of your prose, your ability to choose the correct lexicon for certain actions, etc. they're not always good, and you should definitely be aware of them in your prose.

however, what i dislike about these types of posts is the way people dispensing this "writing advice" make whatever they're saying sound like some sort of golden rule. like: if you don't do this, your story will be shit and never get published. i don't know much about the publishing world but i have written 300,000+ words of mildly successful fanfiction over the years, so i do know a thing or two about writing as a craft, if not a business. and, here's the raw, honest truth: believing that anything about this crazy art we're making is set in stone? that is the kind of thing that will make you a shit writer.

now, if you're following this blog, i'm guessing you like my writing, are probably quite familiar with it. then, this will not be a surprise to you: while i don't pretend to hold any sort of truth on the matter, god knows, i use a shit ton of filler words. by which i mean: a SHIT TON. take any paragraph of any fic i've ever written and i'm sure i could point you to some random word "botox" in pretty much every sentence. this post itself, if you're paying close attention, is also filled with them. and, another surprise: i know that. it's by design.

and, that, my friends, is what matters most. you should watch out for filler words, be aware of them, but if they end up in your final draft, it has to be for a reason. in fairness, i think that's where most of those writing advice posts get it "wrong" and why they annoy me so much: they tell part of the story, but not all of it. they talk about words in a vacuum like our words only exist to be pretty on a page, rather than to share something with other human beings.

now, as a disclaimer, i should preface this by saying that: it depends what kind of writing you're into. this is all very related to personal taste. as a reader, i tend to prefer stories that are told from a very distinct pov, where the story is told by a character rather than by the author. this preference also informs my writing. to me, a story can be first person or third person, it doesn't really matter, but i like a good old restrictive, terribly biased and unreliable pov in a story. i'm someone who 100% favours character over plot (although plot is terribly important too, don't get me wrong) and i like a person to tell me a story, not a robot.

in that context, "filler words" aren't just sentence "botox," they tell a story, too. they tell you who your narrator is. in a post like this, they inform you that i probably speak quickly, that i'm somewhat bubbly but assertive, that my sentences are long and rhythmic, and when i write "in fairness" rather than "to be fair," or "to be honest," it even hints to the fact that my main dialect is hiberno-English. in a work of fiction, filler words can tell you mountains about where your character is from, what they think, feel, etc... are their sentences short and devoid of any filler words? perhaps, they are extremely poised and self-confident, or perhaps they are so detached from what is happening that they are actually on the verge of an emotional breakdown. are their sentences filled with "just"s and "you know"s and "slightly"s and "really"s? perhaps they are insecure, unsure of what their next move will be.

filler words are also where style and pet peeves happen. you'll notice that i use "and:" and "like:" as sentence openers relatively often. it depends on the work and how i feel about the character, but it is something i enjoy playing with. i use 'rather' and 'perhaps' frequently, too, frankly for no other reason than the fact that i like the sound of them. not everyone does, obviously, but since i'm the queen of my own fictional kingdom, i get to authoritatively decide to abuse them. that og post said to not use "that" as a conjunction (prefer: "he said he wouldn't," to: "he said that he wouldn't). man, aside from dialogue, i hate "he said he wouldn't" with a passion. i always use "that" as a conjunction and detest the way my sentences sound without it. i find the absence of "that" clunky and unclear. i don't know whether it is right or wrong, but that's how i roll. the people of the internet seem to like it but if they don't, they're more than welcome to read the work of another author who doesn't use "that" as a conjunction. i'm not holding a gun to their head.

however, as you've probably guessed from the above, this doesn't mean that you shouldn't be aware of your filler words. both yours and your characters'. know what you like, what you don't like, how your narrator narrates and how your characters speak. know how you speak and write, what your strengths and weaknesses as a writer are. edit your work critically. this being said, scraping all the words that make the work special is ludicrous. you would be scraping your work of so much personality that could actually be what makes it unique. writing is an art, not a game of exactitude. if the goal was to write everything perfectly, you could ask siri or alexa to write your short story for you. where you need to be careful with filler words is for them to serve your story, rather than hurt it. the filler words? they need to be carefully considered, questioned, and you need to make sure that they are intentional, not accidental.

and, of course, that's the hard part. that's the part of the writing advice these posts never get into because making blanket statements in the world is always easier than saying: it depends. creating a work of art out of thin air isn't as easy as cmd+f-ing all the "just"s and hitting "delete all." it's noticing which of those filler words you overuse, and keeping them in the back of your mind while you edit, taking a lot of them out. it's listening to your beta/editor when they tell you to take more out. it's also sitting for hours in front of your word document, contemplating every sentence and asking: should i use "just" here? does it show anything? does it have a purpose? does it sound right? let me read this out loud. and, what about the "eventually" there? does that sound natural? is that more of dialogue thing?

that's the line of critical thinking that will make you write better. and, don't get me wrong, posts like the above are useful as a guide in the way that they tend to list the most frequently used filler words, which you can then use as an inspiration to spot these idiosyncrasies in your writing, decide whether to scratch them or use them creatively. but: i'm sorry to say, there's no golden rule to it all. just hard work and practice. trust yourself.

i hope this helps.

#writing tips #writing advice #filler words #writing rants

11 notes · View notes

macgyverseries · 4 years ago

Text

rebutting and debunking frequently used arguments against macriley

I made this 10-page google doc rant a while ago, but I never ended up posting it. Today, however, I woke up and chose violence. So here it is: my thoughts on frequently used arguments against macriley.

I took some quotes and arguments that people put online (reddit, tumblr..), and I debunked them all :p I feel like I always see the same arguments all the time, and I’m honestly getting a little tired of hearing them. I’m here to settle this once and for all.

and yes, i did manage to cut down the google doc by 3 pages :D (but it's still long af so rip my brain)

1.”Mac and Riley are siblings because Jack is their father”

I can (mostly) get behind the argument that Mac and Riley shouldn’t be in a romantic relationship because of their super strong friendship. Some people really value that sole platonicness, and I get that.

But the argument that I can’t get behind is that: Mac and Riley are siblings because Jack is their father figure”

If you google the definition of “father,” the first result that comes up is: “a man in relation to his children.”

Now, Jack was definitely the father figure to Riley, and I would consider her his child. He raised her. He helped shape her ideals and upbringing.

Mac only met Jack when he left MIT. So it was pretty much after Mac was raised (by Bozer’s parents haha), that Jack really came into his life. Mac already became his own person. (also, I always saw Mac and Jack as more of a bromance)

So because Riley and Mac met Jack at different periods of their lives, and they were raised differently, I wouldn’t say that they were siblings who were raised by the same father.

2. “The show writers left the impression that there was a huge age gap between them”

I understand this a little. I do think Riley was introduced as pretty young and idk naive? Because she was literally in highschool, and then she went to prison, and then she got released into the wild. Personally, when I started watching the show, I googled the whole cast. So I started the show knowing that they were the same age.

And also, the more I got to know Riley, the more that I thought that Riley was more mature and had an old soul herself. I think it was because she was just a dynamic and round character, who is well-developed.

But, I get first impressions. I feel like once you get stuck on an impression, it’s hard to go away from that.

Also, Jack would’ve totally shipped macriley, and you can’t change my mind.

3. "Riley isn't ready for a relationship"

I honestly think that this argument should be more geared towards Mac. He needs to figure himself out and go to therapy ffs. However, this person targeted Riley (the literal queen), so I shall defend her:

I understand wanting Riley to take some time off, and figure herself out before going straight into another relationship with someone. But here’s the thing. Throughout the first few seasons Riley’s character was very well established, and she didn’t have any partners during that time. She has proven that she is a strong, well-rounded, independent woman (with or without a partner). So i think it is valid to say that she isn’t just some girl who only has boy toys. She is much more than that.

My next point is that Riley has made it clear that she wants a lasting relationship with someone who will support her. When talking with Mac in 4.04, we see her express her interest in a stable, healthy relationship. It’s not wrong to go out and look for that potential partner. This applies to everyone (not just fictional characters): It’s going to take a few relationships and self-discovery, to find a good relationship, and people shouldn’t be shamed for searching for that.

Riley has only ever had two major boyfriends that I remember. First was Billy; she took that relationship very seriously. She really did seem happy with him. It was a shame that he cheated on her. Second was Aubrey. She also took that relationship very seriously. She had been living with him for six months (and they even had the cutest date nights!) So I wouldn't say that Riley only has boy toys. She has meaningful relationships.

Lastly, I think this was written when season four started airing, but it’s been over a year (and a pandemic) since Riley has dated. I think enough time has passed.

*4. I had to split this one up because, oh boy, there is a lot to unpack here.

4a. “If that was the direction they’d chosen to take with that relationship from square one… My issue with it is that Mac and Riley were presented to us as friends/ found siblings for three years. There were NO romantic vibes to speak of between them..”

I actually felt the same way about macriley. The thought of them being together in season one, made me want to throw up. I don’t think the writers intended on having macriley, and I was perfectly fine with that.

I know that people look for different things when they ship. Some really like having instant gratification with the spicy, hot, sexy parts of a relationship, like macdesi (which is why I was fine with the idea of shipping macdesi in the past).

I always wanted to see macriley do more: have hot, flirtatious banters/interactions. it can be hard to ship people who seem to be missing that part of the love equation. So i agree. It's definitely strange. And I understand if you genuinely have a hard time seeing the romantic potential of macriley, when the writers have only dragged out and shown us the platonic potential of them.

Also, the reason why it is difficult to see macriley as romantic, was because they ALWAYS PRIORITIZED AND WERE DRIVEN on their friendship. A partner should be friends first, and then makeout buddies second.

But just because people start off as friends, doesn’t mean that they still don’t have that potential to be lovers. Because guess what?! Feelings change. It’s now canon that Riley has feelings for Mac, and Mac always had feelings for Riley (but never acted on it).

I'm sorry, but you like a boomer when you say “bAcK iN mY dAy, tHeY dIdN’t HaVe fEeLiNgS fOr EaCh oThEr.” like okaAAAyyYYyYY????? We are not “back in your day” anymore. We are in the present. We are in today. And today, macriley is real :)

4b. “There’s the incredibly tired trope where long-term coworkers suddenly catch feelings for each other out of nowhere”

Personally, I will never get tired of the friends to lovers trope. I think the fact that Mac and Riley had such a strong friendship and foundation is what makes them perfect. Again, I know that some people just like instant gratification, but I love when a couple can take their time to have depth, emotion, and realness in their relationship.

Obviously I am biased because I have so much love for this trope, it's my favorite trope, but I don't see why you would use the “it’s overused” as reasoning to hate a ship. Just because a trope is used a lot, doesn’t mean it is bad (that’s probably why it is so good lmao). I can understand getting tired of it, and growing a dislike towards a trope. For example, I have grown an extreme dislike towards the love triangle.

A bit of a tangent: But the difference between overusing love triangles and overusing friends to lovers, is that love triangles aren’t just commonly used tropes. They are cliches. They cause unwanted drama and unnecessary hurt to one character. Whereas friends to lovers doesn’t involve as much drama and pain for a character. It is more of just angst between two people. And we know that they will get together eventually with a happy ending. So it was never really problematic.

And even then, the great thing about overusing or utilizing tropes, is that they can act as a guide. It allows the show writers and cast to make it personal, make it their own, adding their own special flair to it

I just don’t see the “this trope is used a lot” as a valid reasoning for disliking a ship .It just seems like this commenter doesn’t like the friends to lovers trope for the sake of not liking it.

I could be very wrong in my assumption of this person’s thoughts on friends to lovers, maybe there is a deeper reasoning as to why they don’t like it, but the tone that i interpreted when i read this section, was that they don’t have a real reason to dislike it, it’s more of just because.

4c.“then there's the fact that Riley had a mostly single Mac in her life for 3-4 years and she never even considered him romantically until he was with someone else”

First: Riley didn’t CHOOSE to fall in love. You may recall that “emotions aren’t a science. You can’t control them.”

Second: Mac was broken up with Desi when she caught feelings for him. Plus, the moment Riley saw that Mac and Desi were getting happy together, she moved out and gave them space. She sacrificed her own feelings for his happiness, despite the fact that her heart was breaking.

4d. “and finally, Mac not only still doesn't seem to even have Riley on his radar in that way but he literally told another woman that he loves her just last week. Neither of them look particularly good here if they get together now.”

I'm assuming that this was written when 4.12 first aired. I'm also assuming that this comment was more directed towards the idea of Mac and Riley getting together immediately at the end of the season, rather than later down the road. I always saw of macriley as more of endgame material. That i would see them get together sometime in the future. So I agree. Macriley getting together during that time period, would be too rushed and unsatisfying.

------------------------------------------------------------------------------

So those were most of the supposed arguments that I saw for people who were against macriley, but I also wanted to provide some really good examples of people who were very respectable, and actually had valid reasoning for disliking them.

1. they just don’t like shipping in general

Ships can be annoying af. Seeing people ONLY focus on the ships is sometimes tiring. I, myself, even feel a little guilty making this post, because I need to chill and mind my own business lmaooo. I really should let people do whatever they want to do with their lives, and not get caught up in the ships, but here I am :p

Anyways, I know that there is a lot of unnecessary drama that comes with shipping, and it's tiring to see people constantly go on and on about romance, when there are other perfect things about the show.

2. No matter how hard they try, they just feel it.

This is literally so dumb (and a little hypocritical/self-contradictory), but if you have a gut feeling, and you just can’t get yourself to ship it, I get it. If you truly and genuinely believe that they are best platonic friends, I can't change your opinion. And I have respect for you (if you say it in a kind manner).

Here is a nice example of a person who expressed their opinion in a nice way, with no BS.

So the moral of the story: I can't control your deepest thoughts. I can't control your gut feelings. And that’s okay. But the moment that you start backing up your thoughts and insights with BS reasoning, is the moment that I lose respect for you.

#macriley #macgyver #sorry that was so freaking long

30 notes · View notes

mouse-fantoms · 4 years ago

Text

Easier Than Speaking

I just want to say that this only popped into my head because I saw @16fandomlover’s post about this. I’m the type of person to where if an idea is had then my brain will just start writing on it’s own and then I can never get it out of my head until it is written down. So without further ado, here it is!

Julie sat on her bed, criss-cross, using her binder as a hard surface to write on as she did her homework. Her dad was very clear about the whole “school-first” rule when it came to being in her own band, which was understandable. She was only in high school and she did miss the first three hours of school the night of the dance when the boys... well... ghosted her.

Once finishing her homework she could down to the garage and either hang with the guys or rehearse with them depending on if they had a gig to practice for or not. If Alex and Reggie weren’t in the studio and they didn’t have to rehearse for a gig that would be prime time for her and Luke to write together.

As she wrote the answer to the latest math problem on her paper, her phone light up besides her. A message from Flynn. She took a small moment away from her work to text back her best friend. Flynn had asked about what she saw Nick and her talk about earlier. Julie texted back and informed her of what happened about how he had asked her out but she politely declined. She saw the ‘Delivered’ message turn to ‘Read’ immediately upon sending. The light gray 3 dots appeared for a second then disappeared. She set her phone back down next to her expecting to get a reply later. When she sent it down she saw one of the guys poof to the foot of her bed from her peripheral vision.

“Oh you’re home.”

She looked up seeing it was Luke. “What are you doing here?”

“Wanted to see if you were home yet so we could write.”

“Well I am but school first.” She guestured to her homework. “Unless you want to help me with givens and proves then you can stay but until then you can wait.” She didn’t expect to get an answer.

“Givens and proves? Ugh, that’s-” the words seemed to trigger a memory for him. “Those are so annoying. If you want math help go to Alex.”

“Really?” The guy’s lives before meeting her never really came up.

Sure, she was curious but there was probably a reason for it not coming up that often. Unless it came up in conversation she knew not to press for information. She knew to keep her boundaries (unlike some people).

“Yeah and if you need science help go to Reggie, even though he says he’s not that good, he was always better at it than Alex and I ever were.”

“What about you?”

“I was always decent at English.”

She nodded in agreement. “That makes sense.”

He raised an eyebrow. “What’s that supposed to mean?”

“Well with how you write your songs and how they turn out I can see how that could translate into an English class.”

“Yeah,” he agreed, “sometimes writing is easier than speaking.”

“Speaking of writing, you can try to write something with one of the guys.” She suggested instead of him just having to wait for her.

He shook his head. “Reggie mainly wants to write country songs.”

“...Is that a bad thing?”

“What is with you two and country songs?!”

“Just give Home Is Where My Horse Is a chance.”

“He showed you it didn’t he?! I thought you would be strong.”

“Come on! Riding through trees by the river, Feel the summer breeze smile gettin’ bigger. Those are some killer lyrics.”

“It’s not even-“ he decided to let it go. “Oh! Speaking of lyrics,” he pulled something from his pocket, “I was meaning to ask you-”

She saw him unfold the paper that was folded into fourths. Her eyes went wide as she realized the writing. The handwriting on the back side of the paper was readable (so not Luke’s) and was scribbled and rushed. As if it was written in a hurry to get it out of a mind.

“Where’d you find that?” She asked hurried.

“It was on the piano.” He responded. “Was it a quick little song inspiration before school?”

“Uhh... yeah. Song... inspriation.” She agreed.

“These lyrics are-”

The anticipation for his next word worried her. Did he figure it out? He probably did. The song was very obviously about him.

“-killer.”

Oh ok, that was fine. That didn’t entirely mean that he figured it out.

Just then Julie turned her attention to her left where she heard someone poof in.

“See I told you he would be here!” Reggie told Alex next to him.

“I knew he would be but she told us to stay out of her room.” He answered.

“At least one of you understands boundaries.” She said to herself.

“What are you two doing here?” Luke looked up to see the pair.

“Seeing if you were here and not to bug Julie because she has school first to do.” Alex replied.

“Yeah I do! That’s right! I should probably finish and if I could also have that song back too,” she grabbed it from his hands, “I accidentally left it out at the piano it’s not even that... good.” She folded it back into fourths and put it on her nightstand for the time being.

“Not that good? Seriously!? What are you talking about?”

She hoped he would stop mentioning it. It made her anxious that at any point he would figure it out.

“Whoever that’s about is so lucky! If it is about anyone.”

“If?” Alex still couldn’t believe he hadn’t realized. “Really you still-” Julie gave him a glare that could rival the one of when they intruded on the family dinner the first night they’d met. “Yeah,” he immediately switched topics, “who ever that song is about is really lucky.” He ended up agreeing with Luke.

“We’re heaven on earth, melody and words” he began to sing, “Those are rad! That’s exactly why you’re a star!” She could see the look in his eyes whenever he talked about music. The fire and the passion. Also the way he lit up when he talked about her. It was one of the qualities she’d learned about him.

“...like a bright and burning one.” Reggie said under his breath which in response Julie gave the same glare she gave to Alex. Meanwhile, Luke asked what he said because he didn’t catch it.

“Uhh...” Julie giving him the death glare did not help as he thought of a response to tell him, “like always! Julie’s always a star like you always say! Yeah, always.” He looked to Julie to see if he did good and she let out a small sigh of relief.

“Always.” He gave his Luke smile to her. He finally moved away from her bed to the boys who had poofed by her closet.

As he walked over to them the front door being opened was heard and then running up the stairs which turned Julie’s attention toward her open bedroom door. Within seconds she saw Flynn rush into her room, passing right through Luke, about to start one of her rants to her.

“Woah... that is weird.” He looked to Reggie in response to being walked through. It wasn’t like last time when Julie and him were in the kitchen and she walked through him with her sandwich ingredients. It was sudden and quick.

“Right!”

“She’s determinated.” He could feel.

Flynn took a seat on Julie’s bed with her. She began going on about school as well as about band stuff to her friend, meanwhile the boys were still in her room overhearing the conversation. Considering she was talking about some stuff referring to the band maybe she would mention some other things too and it was easier staying instead of having Julie bring it up to them later.

“Speaking of that,” Flynn continued on about what she was talking about as her friend just sat and listened, “onto the other, well MAIN reason I came. Please tell me you did not decline a date with an actual person, and the actual person being Nick of all people, because of the whole Luke thing.”

Julie’s eyes went wide. “Flynn...” she said worried hoping she would hear and get the memo to stop talking.

“Luke thing?” The one who’s name was mentioned raised an eyebrow at.

“You’ve waited for it to happened for how long? Only to decline him for what? Some air-”

“Air?” The statement offended him. He turned to his friends next to him. “Am I just air?”

“Well on the techinal side-” Alex bumped Reggie in the arm alerting him to look at Julie to show him that this was not the time for their antics. She had a flustered expression as she just wanted her friend to stop talking but was not getting the memo just going on and on.

“-oh no sorry “cute air” to quote you-”

“...Flynn.” She pleaded starting to put her head in her knees.

“-like I said Luke is next level to crush on. I mean you have liked Nick for how long? And then he gets up staged by this random ghost guy. I mean don’t get me wrong they brought music back into your life and that’s amazing but to decline Nick over some dead guy. Although I get that you two clicked but you could have also had that with Nick, but I mean it has been awhile. If he asked you before class the other day, when the whole time instead of dancing with Nick you were imaging Luke, would you have said yes then? He really just has bad timing all the time now doesn’t he?”

Julie sat with her head in her knees wanting to curl into a ball from... well... a lot of things.

“Jules?” She asked. “What’s- ...the guys are here aren’t they?”

Still with her head in her knees she nodded.

“...all of them?”

She nodded once again.

She hoped it wasn’t as bad as what she thought. “...Including-”

“What else does all of them mean?” She picked her head up to look at her, trying to disregard the ghosts she saw from the corner of her eye. “There’s only 3!”

“...you know...” she sat up from the bed backing up towards the door, “I think I hear your dad calling...” when she backed up against the wall close to the door she turned around, went out the room and rounded the corner going down the staircase.

As much as she didn’t want to, there was nothing else to do but look to the boys. Alex and Reggie gave the same look of uneasiness. Meanwhile Luke was, well, stunned to say the least.

“...it’s not so bad.” Alex tried to help.

The response in the form of a look told him otherwise.

“Reg, something tells me we overstayed our welcome.”

“...yeah... hey maybe you could hang with Ray and-” Alex poofed away before Reggie could finish. “Guess it’ll just be me and Ray then.” He concluded before poofing away himself leaving the... interesting pair alone.

“...cute air?” Luke finally found the words to say.

Julie groaned as her head went to the ceiling and her body fell into the pillows behind her.

“You know that song makes a lot more sense now.”

“Yeah...” she sighed, “it does. Sometimes writing is easier than talking.”

She felt the end of her bed go down. She picked herself up to see that he had taken a seat at the edge.

“...it’s still a pretty rad song.” He kept his space from her guessing her emoions. “Reggie and Alex seemed to put it together pretty quickly.”

“I don’t get how you didn’t.”

“My guess was it was about that Nick guy.”

“I wish.” She then realized how bad that sounded. “That’s not what I-”

“It’s fine I know what you meant. Falling for some ghost probably isn’t on your bucket list.”

“Well it wasn’t but then you guys showed up.”

“Well do be fair you did call us cute.”

“You also thought I was a witch.” She brought up.

“There were chairs on the ceiling. What else is the logical explanation?”

“Maybe tying them there for storage.”

“Reggie had a very convincing arugment.”

“Argum-” she paused, “it’s Reggie! What arugment?”

“Alex said that witches don’t exist then Reggie said how they say ghosts don’t exist but here we are now.” He gestured to himself.

They shared a laughed together. This was nice. Not having any tension in the air. No akwardness. Just Julie and Luke being... Julie and Luke.

92 notes · View notes

enbies-and-felonies · 4 years ago

Text

Heather

@illavarasi @lemontarto @clearlykeefitz @book-limerence @sprintingkoala @anna-without-an-e @everyonehasthoughts @ultralazycreatorfan @vibing-in-the-void @impostertamsong @littlemisscupcake @keeper-of-the-lost-queers @dragonwinnie @an-absolute-travesty @callas-starkflower-stew

~writing strike is over~

Summary: Fitz watches as he slowly loses Keefe, based off of this post.

warnings: internalized homophobia, swearing, general angst (and a rant that ties in heavily to current events) and caps (yelling)

~I still remember, before I brought her to the cities~

He was beautiful. Fitz had told a joke and now Keefe was laughing, and he was beautiful. Fitz wondered why his father had glared at the two men they had seen kissing at the Atlantis tea shop they had been visiting that evening. Kissing Keefe would have felt so. Right.

But he was only thirteen, so what did Fitz know?

~you and I together / you said we’d be forever, and I had hoped it was true~

“Another pair of crush cuffs,” Keefe said mockingly, but his smirk betrayed his words.

Fitz rolled his eyes. “I’m not gonna wear them anyway, I don’t like her.” He didn’t like any of the girls.

“Well why not?! I’m sure-” Keefe paused to read the cuff’s, “-Azula is a darling girl.”

“I couldn't care less. Girls are too... complicated. I’d much rather just hang out with someone I already know I like.”

Keefe flopped onto the bed beside him, “Like your best friend? Who got you all the ladies to begin with?” He turned over to his side and waggled his eyebrows at Fitz, who rolled his eyes in response.

“Girls break people’s hearts. They leave.” Fitz said. Not my heart, he thought.

“Well, I’ll never leave you, Roy. We’ll be forever besties.”

“Yeah?”

“Yeah.”

~ only if you knew, how much I liked you / but I watch your eyes as she / walks by ~

“So Foster was obviously not sleeping, like she always does, and I-”

Keefe was rambling about Sophie, and Fitz’s heart was breaking. It was breaking and it didn’t matter because he was gay and he could never have been with Keefe anyway, but why did Keefe have to love her? Why couldn’t he just stay with Fitz forever?

“-but I guess it didn’t matter because after that she looked at me with those doe eyes, and Princey? I think- I think I might be falling for her.”

~replacing me in your mind, smile brighter than the sun in the sky / she’s got you mesmerized, while I’m crying~

“Hey Keefe, do you want to hang out tonight? I got this super cool elixir from Dex, and I want to see how it turns out. It would be perfect for pranking your dad.” Fitz smiled hopefully. Sure, Keefe liked Sophie, but they were still friends, they could still-

“Sorry Roo, another time? Sophie and I, and Linh and Marella, are gonna go to Atlantis to check out this hair stylist. Sophie wants to see me in braids, and I don’t trust Biana with my lovely locks. I didn’t get this head of hair by trusting lesbians with it after all.” His eyes twinkled like they always did, and Fitz swallowed hard to ignore the twinge in his chest.

“No problem, Keefe. Another time.” His eyes prickled as the imparter went dark.

He wondered if Keefe remembered letting Fitz place a misshapen flower crown on his head after Fitz had painstakingly done small braids in his blonde hair. He wondered if he even cared.

~Why would you ever kiss me? / I’m not even half as pretty~

Fitz breathed in the sweet smell of Panakes flowers as he held Keefe’s hand, their fingers loosely linked.

“Hey, let’s dance.” Keefe tugged him to his feet, and Fitz dragged his gaze away from the stars.

“Why?” He asked, laughing, “We don’t even know how to.”

Keefe only grinned in response, so Fitz rolled his eyes and stood, placing his right hand on Keefe’s left shoulder and blushing when his breath hitched as Keefe placed his hand fully on Fitz’s waist. His ice-blue eyes twinkled and he smirked.

“I’ve got you, Roo.” He whispered, and Fitz let his heart race as Keefe pulled them close together, chests brushing, the side of his cheek brushing against Fitz’s ear.

And they danced, swaying gently back and forth, the only music the in-sync beating of their hearts.

Eventually Keefe drew back slightly, just enough to look Fitz in his teal eyes.

“May I...?” He whispered, breath feather-soft against Fitz’s lips. Keefe’s grip tightened on his hip as Fitz nodded, and he leaned in.

The brush of his lips was like a memory, and Fitz found himself closing his eyes as his heart burst into a thousand different colours of love and wistfulness and he felt complete and shattered at the same time-

He blinked as he woke up. A tear slid down the side of his face. He shut his eyes tight, trying recapture even the slightest moment from the dream, but it was gone.

~you gave her your artwork, its just pen and paper / but you like her better / (I wish I were Foster)~

“You’ve been pretty quiet lately, Wonderboy. What’s up?” Keefe lay on the floor, legs swinging as he sketched something. Fitz looked up from his book ‘Wuthering Heights’ (a human book that so far had been nothing but depressing) and sighed.

“I haven’t been sleeping well, and I don’t know why.” Half-truth, since he really hadn’t been sleeping well, but he knew exactly why. Just like he knew Keefe probably wouldn’t push it.

Or maybe he didn’t, because the next words out of Keefe’s mouth were, “Really? There seems to be more on your mind than just that, Roy.” He looked up from the paper and blew a strand of hair from his eyes.

Fitz closed his book. Convincing Keefe was going to be harder than he had assumed.

“I guess... I don’t know. I’m just...” FUCK FUCK FUCK, WHAT SHOULD HE SAY?!

“I’m worried about the future. I mean, how is being thrown into one of the biggest historical upheavals going to affect us? We’re just kids!! But we’re being expected to fight these people, and the adults around us don’t even help us the way we need them to?? Years from now, will it even be over? Why do WE have to be the ones to change the world?

“They don’t give us authority, but they burden us with responsibility. Do they honestly think it won’t affect us? The world is going to hell and we’re still expected to do good in school and keep our heads down like it isn’t OUR future that’s being shitted on. Like the people who have the power to do something aren’t sitting on their ASSES doing absolutely fucking NOTHING?!

“People can make as many fucking jokes about us being lazy, when in reality we’re fucking world weary at an age where we’re not even old enough to fucking DRINK.”

Damn, maybe he was better at covering the real reason for his sleep than he thought... At least this part wasn’t a lie.

“Fuck, Fitz. That’s heavy...” Keefe rolled over and sat up, “That’s what’s going on? Fuck, if I knew that I wouldn’t have teased you about it.”

He opened his mouth like he was going to say something else, but the words changed before they came out, “I kinda feel the same way. I just don’t know what to do about it, so I make jokes. It doesn’t always help, but at least I don’t have to face the fear that.... well, y’know.”

They sat that way for a long, silent stretch before Fitz cleared his throat.

“Whatcha, um- What are ya drawing?”

Keefe looked at Fitz’s eyes another long second before picking up the piece of paper and studying it. “It’s a drawing for Foster. It’s when we rode on Silveny to heal her abilities. I figured it’d be a good gift since I plan on... I mean, I’m gonna try to ask her out.”

Oh.

Fitz forced a smile, “It looks good, Keefe. She’ll love it.”

“You sure?” It was one of the only times Fitz had seen Keefe nervous, and for a moment Fitz was tempted to shout ‘NO, of COURSE not’ and jump across the room before tearing it to shreds, but then he was overcome by guilt and he nodded.

“I’m absolutely sure, Keefe,” He stated, voice thick, “Cognates, remember?”

Keefe took a deep breath, “Yeah, thanks Wonderboy.” He smiled and tucked the picture into his pocket.

Fitz turned back to his book, the tears in his eyes blurring the words into a mess.

~ Oohhh, Oooohhh, wish I were Foster~

She said yes. Of course she said yes. Keefe was perfect for her, and everyone could see it.

And Fitz was happy for them -they were his two best friends!- he just. Wished that it was Fitz that Keefe had been happy with. Wished that it was him that he had loved.

116 notes · View notes

helenarlett-rex · 3 years ago

Text

Time for an annoyed author to make a little rant...

So I have a certain client who keeps commissioning me to write stories for them. A lot of the stories are not what I would normally write. This client has a highly specific fetish and I’m not very good at it. Not saying it’s a bad fetish or anything, just that it’s outside my realm of experience so I don’t know what I’m actually doing. (I was literally born without the ability to experience the particular thing theses stories center around. Picture asking a blind man to describe color... That’s not what’s going on here because I’m obviously not blind, but it’s a fair analogy of what I’m being asked to do.) But I value anyone who is willing to hire me and pays me well, and the client is a very nice and understanding person, so I don’t want to say anything bad about them. But there is one thing that kind of bugs me. And it’s the fact that this client wants the stories I write for them to remain private. That’s fine and all. They are paying for the work so they are entitled to have it kept private if that is what they want. But they are literally the only person I’ve written for who ask for this. Everyone else I’ve written commissions for love having their stories posted on my eka’s gallery. And that’s really great for my advertising too. Because then other people can read it and be like, wow, I can get a story like this commissioned? And it brings in more business for me. Just like when you see artwork from someone and you like how it looks so then you want to commission that person to make artwork for you as well. But with written story commissions I feel like having the ability to publicly post those stories is even more important than it is with artwork. Because, yeah, they can read any of my non-commission stories and see what my work is like, but with the commissions it also allows others to see my ability to write from instructions instead of just writing whatever I want to write. It shows my ability to work with characters that aren’t my own and stories and situations that aren’t my usual style. (I don’t know... Maybe that is the same with art, but either way I feel like it’s still important for people to see that.)

Still... the client comes first so if they don’t want that work shown to anyone, then I won’t do it. But it’s still annoying, especially when 90% of my commissions tend to come from that one client. Every time I make a post saying, hey, commissions are open, I generally only end up with like, one commission (if I’m lucky) that I can actually post publicly and the rest of the slots all end up going to that one person who wants them private. I’m really worried about the kind of image that is giving other perspective buyers. There are all these people on this website I use who follow me, so they all see it every time I make a post about commissions being open, and then they will maybe see one commission following that at most. Sometimes they don’t see any commissions follow such posts. And I’m really worried about how that must look... Do people see that and start to think that the reason I don’t post any commissions after opening up commissions is because no one will commission me? Do they start to think that maybe no one will commission me because I’m not good at working with commissions? Everyone seems to love my work, but maybe they see my lack of posted commissions and think that I’m no good at finishing stories that I’m not personally interested in writing. Or maybe I’m a pain in the ass to work with and so no one who had commissioned me in the past will ever commission me again... Meanwhile I’m sitting over here like, I really am taking in a lot of commissions, I promise... It’s just that every time I open up for them this one person buys up all the slots right away and won’t let me show anything I write for them...

This is really annoying. Especially when I work really hard to produce quality work for this person even when I’m having to write about something I can’t physically experience myself. Like, seriously... The rest of y’all have five senses. I was only born with four. But I’ve still been able to take the one I don’t have and turn it into something (that I’m told at least is) sexy. That feels like quite an accomplishment to me and wouldn’t it be great if I could share that so other potential buyers could see what I can do? Instead I have a whole folder full of stories that I’ve spent days and weeks crafting that no one will ever see outside of that one person.

And you know what I’ve noticed... I’ve noticed that every time I open up commissions I get less and less inquiries about it. I never have to worry about not being able to make money because that one person is always there to buy up any untaken slots, but less people in general ask about commissioning me. I’ve reached the point where I never have to turn anyone down because all the slots are full. And that seems like a bad thing... That tells me the lack of proven work from commissions really is starting to have a negative affect other people’s opinion when it comes to hiring me. I mean, I’m grateful for this client always being there to pay me for personal stories every time I’m in need of some quick cash... But what if one day that happens and for whatever reason that client isn’t there anymore? What if I’m in a bind and I open up commissions to help pay for some immediate expense and no one is willing to hire me because, “Every time she opens up commissions she never gets any. Her work is really good so if people won’t hire her there must be some kind of serious problem with working with her.”

I just delivered a commission to this client yesterday and it was one I was extra proud of. The client asked for a female character to interact with his OC in the story and gave me no details about what he wanted for the character other than the species. So I was left to create a character all on my own. And I really liked this character I created. I also really liked a certain scenario that I wrote with the character. I’m sitting there thinking, Oh god... I may be Ace but this is fucking hot... I liked it so much that I was like, I’ve got to find a way to post this.

So I asked my client if I could post it if I swapped his character out for a different character and changed the ending and a lot of other things (Because the ending I originally wrote that had me so turned on ended up being something my client didn’t want and I had to write something else.) So basically I wanted to write a totally different story, the story I actually wanted to write, about this character I created, which would have been very different from the one I delivered to the client. I asked him if he would be okay with that, since I would end up copying and pasting the text from that one scene to make it... And he says he guesses he’s okay with that, but I would also have to change the species of the girl in the story because, and I quote, “Peeps will know it's me. I've com'd that exact scenario recently like 12x”

First of all, I’m like, what...? You’ve commissioned 12 different people for twelve different versions of the same story...? Wow, umm... okay... Whatever floats your boat... But then it dawns on me that I’m wanting to write a story about a character I created and own, and just used in your commission because you didn’t give me any details for the female part, and you’re telling me I have to change her species if I want to write it... First of all... this is my character... You just borrowed her... and secondly... nothing about the scenario I wrote and want to share even works if she is a different species...

So honestly, I’m understandably upset... First I’m losing business in the long run because this client won’t allow me to share their commissions... something literally everyone else does... And now I’m being told that I can’t even used my own character in a particular scenario because I’ve already used it once for them. As far as I know, no one can own a scenario... a situation... That would be like Bozo the Clown telling the Three Stooges they can’t hit anyone in the face with a pie because he owns that. Or me telling everyone they have to get around in wheelchairs now because I wrote about a character walking so I own walking now and I’m not willing to share it. It doesn’t work like that... And to tell me that I can’t use my own character in said scenario... This client has requested other characters of mine in stories as well... Next am I going to be told I can’t use Molly the Mouse in any more of my Miss Smalls stories because they have requested her in two of their commissions before?

I’m wondering if I should just change my commission policies and refuse to offer private stories anymore. But at the same time, I do kind of rely on the money I make from this client a bit more than I would like to, and I’m worried that if I stop offering that, and he stops commissioning me, that I won’t be able to get by on commissions anymore. Like the damage is already done... I just don’t know what to do...

6 notes · View notes

heloflor · 4 years ago

Text

About MML season 2

So after rambling about one season 2 episode, I now want to rant a bit. So here’s a list of reasons why I find season 2 weaker than season 1. Obviously, this post is mostly me complaining about some stuff so, if you don’t want to hear about it, don’t read.

Note that this is a personal opinion and you have every right to disagree with it. Also, the points given aren’t sorted in any particular order of importance.

For those who don’t want to read the post (because you don’t have time/aren’t really interested/ can’t stay focused for too long etc) or if you only want to see certain points, here’s a list of what I will discuss here :

- Murphy’s Law seems weakened

- Dakota and Cavendish are like looney toons characters and more time is spent on them getting hurt rather than on their interactions with each other, which makes their plot boring

- Compared to most Dwampyverse couples, Zack and Melissa have no development

- Doofenshmirtz is annoying but does have his few moments

- A few jokes take too much time; in particular, “Cavendish Unleashed” makes me straight-up angry because of that

- They wanted to make a plot for Zack but it goes nowhere

- other smaller things like the lack of time spent on the school characters

Now, onto the longer version (very long post ahead) :

1. Less Murphy’s law

So in season 1, Murphy’s law was a main focus for the story, in the sense that it was pretty strong. Most episodes had stuff blowing up or getting destroyed. And often, you end up thinking that people got hurt by such mess. Take episodes like “Worked Day”, “Family Vacation”, “Murphy’s Lard”, “The Little Engine that Couldn’t” or “Milo's Halloween Scream-a-Torium”, to cite some of the most extreme cases. And yes, not every episode is like that, and some are even pretty chill when it comes to Murphy’s law like “The Race” or “The Substitute”. Also, Murphy’s law was conveniently turned off except when convenient for the story in major episodes like “Missing Milo” and “Fungus Among Us”. But overall, you really had that impression that Milo’s life was chaotic and explosive and hard to live by.

In season 2, there definitely were episodes in which Murphy’s law was strong, like for example “Freefall”, the ending of “Teacher’s Feature” and any episode with the aliens, in particular the last three episodes of the season. But for the most part, Murphy’s law mostly felt like an inconvenience rather than an actual problem. For example, you have “Walker, Runner, Screamer” in which like one problem happens or “Disco Do-Over” in which Milo very easily solves his parents’ problem. It also doesn’t help that both episodes have at least one character make a big deal out of Murphy’s law.

But aside from that, there are also episodes in which Murphy’s law doesn’t even seem to really happen. Like in “Lady Krillers”, “Spy Little Sister” (I’d argue that the lightbulb accident would have happened regardless of Milo’s presence) or even “Cake ‘splosion” in which Murphy’s law is there but overall it feels more like Milo overcoming the show’s obstacles.

So yeah, Murphy’s law is still present but at the same time it doesn’t feel as strong as the first season. And while it does give more time for Milo and co to have some character development I guess, overall it just feels kind of off. And now that I think about it, this lack of a mess in the A plot in a show that’s meant to be chaotic might be the root for my next complain.

2. Dakota and Cavendish are too cartoony

So in season 1, the B plot was my absolute favorite thing in the show. I couldn’t and still can’t get enough of these two idiots and how they play off of each other. But in season 2…let’s just say that I barely watch their plot during the first half of the season, and the reason is simple : Cavendish and Dakota are a joke in this first half. Their plot is all about them trying to get something and stupidly get hurt by it, and it just feels boring.

Now don’t get me wrong, I’m not against these two getting hurt. After all, they failed basically all their missions in season 1 and looked dumb while doing so. But the thing is : 1. In season 1, it was mostly because of Murphy’s law so it wasn’t always their fault and 2. The main thing about them in season 1 was their interactions. The most interesting thing about them has always been how they act with each other, at least in my opinion. Heck, my favorite B plot (not episode but B plot) is from “Abducting Murphy’s Law”, an episode in which all Dakota and Cavendish do is talk to each other in different places. It’s just two guys talking, and yet I absolutely love this plot.

So yeah, you don’t need to make Dakota and Cavendish be incompetent idiots for them to be great, you just need to make them interact with each other. That’s also why, out of all their “collecting trash” plots, my favorite is in “Lady Krillers”, because I love the first half with Cavendish complaining while Dakota is being baby while listening to music + their dumb argument over moving the bag and then Cavendish getting scared and Dakota immediately getting protective. This is fun ! This is cute ! This is very dumb and I like every second of it !

On the same note, I can’t stand the B plot of “Disco Do-Over”. The idea isn’t bad and the old lady is a great one-of character, but overall the plot is just urgh for me. The only thing I like is when Cavendish says that Drusselstein sounds made up (I guess Professor Time never wrote an autobiography) and Dakota starts listing made-up words, only to end up smiling at Cav while saying his name slowly in a borderline flirty way, as if he enjoyed every syllable of it. But thing is, I consider that, when shipping is the only thing I care about in an episode/plot, it means that it’s bad. And “Walker, Runner, Screamer” is in the same vein. I can’t stand the plot.

There are actually two things about these plots that I thing really pisses me off (the fact that these plots don’t have much of the duo playing off of each other doesn’t really pisses me of, it just makes the plot boring) :

First of, it makes Dakota seems completely incompetent. Yes I know he wasn’t a first-class agent and even in season 1 he wasn’t that athletic or anything but there was still the feeling that he knew what he was doing. He always managed to steal from Brick and Savannah or know where the duo was, he was able to save Cavendish hundreds of times and finally who knows what the Mississippi purchase was. So while he wasn’t the best, there was some competence. But in season 2, it’s more or less gone.

And for my second pet peeve : Cavendish’s mortality. In season 1, it was established that Cav had a hard time staying alive and could die from tons of different ways, including falling from great heights or getting sent through a wall by a horse. And while we do see him survive a giant rolling rock in “Murphy’s Lard”, Dakota still makes a comment asking if Cav is alive.

But is season 2, it seems like they completely forgot about this part of his character. The worse has to be in “Loot at This Ship” in which he somehow survives when messing with the ship. But earlier in the season, there’s also “Lady Krillers” in which he survives a bull attack three times ! Though, what really pisses me off with that isn’t just the fact that he survives for the sake of comedy; it’s Dakota. In this episode, Dakota has no problem just running away and letting Cavendish get attacked by the bull ! And it’s the same thing in “Disco Do-Over”. When Cav tries to sneak into the garden and gets attacked, Dakota just panics and runs away ! I swear the first time I saw this I was like “Excuse me ?!”. Because you’re telling me that Vinnie “sacrificing himself over and over again with no regrets for Cavendish” Dakota is now ditching Cav in situations he finds dangerous in order to save himself ???

I’m sorry but it pisses me off. It might just be me overreacting but seeing two characters whose main strength in the story was their banter now interacting less and getting hurt more, with one of them going against everything he did in the first season; this just angers me. And so when I watch season 2, I tend to skip most parts of the B plot (which makes me watch like 1 min of episode for “Lady Krillers” because the A plot is very meh. “Disco Do-Over” has an adorable A plot tho).

And last note about these plots, I didn’t mention “Field of Screams” and “Managing Murphy’s law” because I tend to forget about the first one that I find pretty meh (the entire episode, not just the B plot) and the second one has a B plot based on cringy humor and I’m not really into it, though I do really like hearing Jeremy getting more and more tired of Dakota and the hug at the end is such a cute and underrated Dakavendish moment. Also Dakota makes a dad joke near the beginning and I absolutely adore that.

I also didn’t mention “Freefall” because it’s fine. Dakota is being Dakota (and I adore this dork), we start to see Cav get genuinely angry about his job which sets the root for the second half of the season, there’s one scene in which the two are clearly very bored and for some reason it makes me laugh, and the action scene is fine (also damn Cavendish knows how to fly a plane !). But I find “Freefall” to be a good episode in general so yeah.

3. Zack and Melissa

First thing first : I have nothing against the ship itself. I’m not a big shipper when it comes to child/teens characters but I completely understand why people ship them, and I agree that they have personalities that mix well together. And honestly, this point is probably my most minor complain.

That being said, I do believe that their relationship has basically no development. Or at least, if you compare them to other couples in the Dwampyverse. Because thing is, Dwampy tend to have pretty high standards when it comes to couples. I mean, if we look at every canon couple + a few fanon (aka “here’s my need to infodump about random stuff nobody cares about”. This part will be in italics so, if you want to skip it, you can see where it ends) :

- Phineas and Isabella : since the first episode, we see that Isabella is attracted to Phineas. And throughout the entire show, these two are always willing to help the other, with Isabella always wishing to help in any way she can with the project of the day and Phineas always wanting to make the best projects when it comes to Isabella (just look at how he gets upset in her birthday episode when the finale doesn’t go according to plan). So yeah, they’re two kids in love with a very sweet friendship that you know will evolve into a relationship once they get older and understand relationships better.

- Ferb and Vanessa : Ignoring “Act your Age”, this is the usual trope of a young kid falling in love with an older person. And just like with Phina/bella, it’s made clear that Ferb likes Vanessa and is willing to do anything for her.

- Candace and Jeremy : Same kind of relationships. Candace is clearly head-over-heels for him, Jeremy often gives her presents since the beginning of the show and overall is always patient and understanding to her. It’s very sweet and it’s satisfying to see them get together and know that they will stay that way.

- Linda and Lawrence : While we don’t see much of them, it’s made clear when they’re together that they genuinely love each other. Same for their respective parents.

- Vanessa and Monty : A very organic relationship. It’s two teens who find each other attractive and, after randomly finding each other in the same place, decide to talk and learn more about each other, eventually deciding to start dating. It’s pretty sweet.

- Sara and Neal : These two are just fucking adorable ! They’re two awkward nerds in love and the episode when they get together really plays onto this and it’s the most adorable thing. And while we don’t see much of them, at the beginning of “Love Toboggan”, it’s made clear that the two have seen each other enough for their respective families to know that they like each other.

- Amanda and Milo : Another duo of cuties. The idea of a relationship between them is hinted very early, in “Smooth Opera-tor” in which we see that Milo likes her. And throughout the show, we see them getting closer as Amanda learns to accept Murphy’s law and becomes a genuine friend to Milo. We also see that Milo really likes her and is always willing to help her in any way he can.

- Brigette and Martin : Probably the most underrated characters of the show. I simply adore these two ! They’re just really wholesome people, especially Brigette. She knew full well what she was getting into when she decided to marry into the Murphy family and it’s clear that she doesn’t have a single regret. Like the Flynn-Fletcher parents, they aren’t around that much but when they do you can tell they love each other.

And for some fanon ships :

- Buford and Baljeet : Basically an enemy to friends to lover trope. They start off as bully and nerd but, the more time they spend with Phineas and co, the more Buford shows off his sensitive side and learns more to respect Baljeet’s boundaries while Baljeet learns to stand up for himself. And by the end of the show, the two are genuinely close. Heck, even in “Act Your Age”, despite the canon ships, there’s one scene in which the guys tell Phineas that “guys don’t talk about their feelings”. After they say that, there’s an awkward silence and at the end of it you can see Buford and Baljeet look at each other before looking away with a sad expression, as if they did have feelings for each other but never talked about it because of the “boys don’t talk feelings” thing (which, in real life, is complete bullshit. Let men be emotive, dammit !). But yeah, these two have a friendship that grows over the show and is sometimes teased as if something else was going on there.

- Heinz and Perry : Fun fact : when I became an adult and started getting back into the show, I couldn’t help but laugh as I started to ship it because this is such a crackship on paper ! Also, everything related to Peter the Panda, especially “Time Out” and “Lost in Danville” is fucking hilarious because of how ridiculous it is. I love the Dwampyverse ! (and I just realized that I didn’t talk about the humans/objects canon couples but given that only one person can evolve in these relationships…yeah)

But looking at the show and the books, yeah, these two are like two people thrown into an arranged marriage and having to figure everything out. Even if they start off as enemies, they eventually get accustomed to each other, to the point of being each other’s most important person. We really feel it in season 4. In a lot of ways, these two are a lot like Buford and Baljeet (which a lot of people had already pointed out).

- Candace and Vanessa : This one is mostly based on how much Candace admires Vanessa in “Night of the Living Pharmacist” and honestly, it’s pretty alright. I can definitely see why people ship it as there’s definitely some material there and there with Candace trying to impress Vanessa and look cool in front of her.

- Cavendish and Dakota : Act like an old married couple 24/7 ; often have physical contact and never react to it, showing that it’s normal to them and that they’re very comfortable with each other, almost to the point of having no notion of personal space when it comes to each other ; call each other “partners” most of the time ; have known each other for at least 10 years given Cavendish’s change in appearance from “First Impressions” to ‘now’ ; have to share a room most of the time due to their work ; are compared to Perry and Heinz, aka Dan’s favorite fan ship (or at least it seems to be) ; would die for each other and are willing to do anything to keep their relationship going, including stopping a “break up” (Dakota’s words). What else is there to say ?

So looking at all these relationships, including the fanon ones, it’s pretty clear that Dan and Swampy like to give out tons of shipping material. But Zack and Melissa ? They act like friends for most of the show. In season 1, the only episode that’s really shippy is “The Math Book” with how they play off of each other.

The saddest part with this relationship for the shippers is that in the PnF crossover, we start to get hints that they might be a couple, only for them to keep the exact same dynamic as season one up until the very last episode of season 2 in which suddenly they act like a couple most of the time. And before you point out “Escape”, it’s probably just me but the way Melissa tells Milo to hurry because “It starts to seem like a date”, followed by Zack saying “You wish” in such a neutral tone gives off the impression that they don’t want it to be a date. So yeah, by the end of the day, it feels like they only got together because 1. Disney likes straight people and 2. They’re the hero’s best friends.

Seriously, on youtube, there’s a video that’s a Zalis//sa compilation, and not only is the video only 6 minutes long, but most of these moments could come off as two friends acting like two friends. And for the video length : reminder that there’s a Milan//da video from the same person that’s 17 minutes long, Amanda being a character that appears like ten times less than Zack and Melissa; and there are also two Daka//vendish videos, both 10 minutes long each, and they barely cover like 1/3 of the episodes the duo show up in. Seriously, a fanon ship has a hundred more shipping material than a canon ship ! Honestly, Zalis//sa shippers were robbed.

I think the only other ship that has that little development (and by that I mean way less development) among major characters is the one between Baljeet and Ginger. Honestly for this ship : Ginger shows that she’s interested and it’s taken as a joke in season 1; in the bees episode, Ginger listens to Baljeet and, while Baljeet is happy that she’s listening, he’s mostly happy that someone is listening, regardless of who it is. Then we see them dance a few times in the background, including in a Halloween episode in which Buford and Baljeet were sharing a costume and, as Baljeet and Ginger start to dance, we have a shot of Buford not looking happy about this. And yet somehow they became a canon couple.

With this forced ship, I tend to accuse Disney being homophobic and refusing Buford and Baljeet to be both single at the end of the show (seriously Disney seems to be so homophobic that they allowed couples between humans and objects but refused any gay couple. At least they seem to have started to be more accepting with recent shows from what I’ve seen).

4. Heinz Doofenshmirtz

So I know it’s been talked about but it’s still a major point in this season so I have to talk about it. So : in Phineas and Ferb, Heinz is a motivated inventor who was able to make inators that worked, though his poor planning and some of his ideas often got the best of him. But overall, he was just a nice guy with a certain genius and who was trying to cope with his childhood trauma in the only ways he knew. He’s also one of the best fathers in all of animation, especially given how much baggage he has, but that’s not the topic here.

Then, when Dwampy made “The O.W.C.A. Files”, they decided to change Heinz’s personality. Suddenly, he was a complete klutz who’s can’t do anything right and just pisses people off. And when they made MML, they kept this personality trait. It also doesn’t help that quite a lot of focus is put on him, which renders him even more annoying. I won’t develop much on his flaws because, again, others already did before. Instead, since so many people already talked about what was wrong with Doof in this show, I actually want to talk about the good moments that Heinz has in MML.

So, to cite a few : First off, the PnF crossover. Yes he does mess up his time machine with orange juice but that’s like his only mistake. Overall, he’s seen to be a great inventor who quickly understands the Pistachions’ weakness after spilling juice on a plant and immediately creates a plan around it. And speaking of which, I also really like how, when he meets the group at the beginning and is told to be a hero, he asks “What do you base your assumption on ?” (not a direct quote), which really shows that yes, he’s a scientist who thinks like one.

The moments where he butts head with Cavendish are also pretty good, especially with how what he says is only the truth : he’s not Professor Time, he’s just some random inventor, and Cavendish feeling so much deception is his own fault for idolizing someone. Thinking about it, it might actually be the only moments in the show in which he’s seen as more mature than another major character.

And overall, he’s just his PnF self in this episode. Like, there’s also how he talks to Diogee and, later, when Milo puts some pressure on him by reminding him of the stakes, he goes “I’m going to go back to talk to the dog”.

As for some other good appearances : “Spy Little Sister” has Heinz show up for a very little and it really works with making him a lot like how he was in PnF (honestly the lightbulb accident seems like something he’ll do in PnF. Heck, in the first part of the episode, he reminds me of how he is in “Doof 101”, episode in which the problems are caused by the annoying bugs and not him).

“Disco Do-Over” does a clever use of the “I am a superstar” video, though Heinz is a bit obnoxious in this episode.

The season 2 finale has Heinz once again act like a scientist when he asks the Octalian about shape-shifting.

Finally, I really like the friendship between him and Dakota. The two are definitely bad for each other and that’s what makes their interactions interesting. Though, I would have loved to see some time spent on pointing out the fact that Dakota grew up seeing Heinz as a hero. And on that same note, I would have loved to see a bit more of Cavendish interacting with Heinz, especially after Heinz and Dakota became “friends” (the last episodes give off the feeling that now that they made up with their respective partner, they aren’t going to hang out with each other).

So yeah, Heinz does have his moments in which he works pretty well. But most of these moments are in episodes in which he’s a minor character. When the show starts to focus more on him, he’s just annoying and immature, which is really sad given how great he was in PnF.

5. The humor

Now it’s time to get the claws out. Seriously, this part was meant to be short but I can tell from what my brain has in mind that I’m going to give a long rant. To be honest this wasn’t even really supposed to be a big thing to point out, like I could’ve put this at the end with the other “minor complains”. But one thing pisses me off so it’s now its own part.

So to make things clear first : when I talk about the humor, I’m talking about one kind of joke that the show has done since season 1 but that feels off in season 2. I’m talking about the jokes that go on for a while, sometimes too long; especially too long in season 2.

I think a good example of a long joke made right is in “Party of Peril”, when we have to watch Elliot get attacked by a duck for like 50 seconds. It’s a joke that probably goes on for too long but let’s be honest it’s hilarious, along with creating the recurring joke of ducks hating Elliot.

In season 2, they kept trying to make these kinds of jokes there and there; but for some reason it doesn’t really work. I have two examples : the first one is in “Teacher’s Feature” in which we spend 20 seconds on Scott dancing in a cringy way while the kids comment on it. And I swear as I’m writing that I’m considering checking the length because it feels like 40 seconds, not 20, and that’s the problem. Watching the scene, they could have easily cut out 5 seconds of him dancing with music to go directly to the part where there’s no music but he keeps going. Seriously. They definitely could have made this joke shorter.

But the worst to me, the absolute worst, is in “Cavendish Unleashed”. OOOH BOY the fucking waste they did there.

So in this episode, there’s a joke that plays out 3 times, two times the same way and a third time with a slight difference. The joke is about people wanting to sign a paper to destroy then protect the forest, only to get crushed by the alien and being unable to use their hand. To put it simply, this joke is boring. It doesn’t even feel like a joke ! It’s just 15 then another 15 and then a whole 20 seconds (more or less) wasted on this shit. And I swear I also want to go check the length because I remember that when I first saw the episode, the third joke felt like it went on for two minutes. It’s not fun, it’s just boring.

But what’s the problem with that ? Simple : the ending of the episode. At the end of the episode, Cavendish talks with the main trio, learns that Milo was the abductee and then tells the teens to leave. And they just leave, asking no questions whatsoever. Like hello ???? Cavendish has been missing for days, maybe weeks ??? Dakota is desperate to find him ??? Haven’t Dakota told the kids that Cavendish was missing ??? Hadn’t they noticed during “Cast Party” and even before or after that Dakota wasn’t with Cavendish anymore ??? WHY IS NOBODY ASKING QUESTIONS ???? Why didn’t the kids go like “Oh yeah, we saw Cavendish today” to Dakota ??? Why waiting DAYS before telling him ??? Hell, in “Escape”, he talks about finding Cavendish like the kids knew ! So what the hell was that all about ?!

Seriously. Would it have been too hard to remove that dumb recurring joke and instead have an angsty scene in which Milo points out that Cavendish is considered missing, only for Cav to feel bad about it, making us feel for him, and then tell the kids that he’s doing what he believes is for the best and then ask them to keep it a secret from Dakota ? How come the only time we see Cav feel bad about leaving is in a fan animation ?

This seriously pisses me off. The whole arc about Cavendish going rogue could have been one of my favorites. We could’ve seen him struggle to live, think about what he’s doing and why, feel homesick or missing Dakota and the others. Hell, he’s been stuck alone and conscious in an ice cube for who knows how long, so why did he never take the time to reflect during that time ? And yes he was conscious. When he gets trapped, his eyes move and when he’s saved, he’s able to protect his face the very moment the ice break, showing that he was well-aware of Dakota breaking the cube.

But no. Instead, this arc spends like 30% of its screen time on Cavendish doing a Candace-like joke about trying to show the ship and 70% of the screen-time on Dakota sulking. And in the last episode, there’s a scene in which Cav complains about Octalia, only to be remembered that he can save the planet; and then he goes on a rant about how he’s going to be the hero of Octalia, showing that he didn’t learn a fucking thing from his arc.

This pisses me off. This really pisses me off. No wonder I wrote like 5 oneshots around that arc. I need to get that “Cavendish is struggling” angst juice one way or another.

And speaking of bad arcs…

6. Zack’s plot

So in the first episode of the season (not counting the crossover), the characters talk about how Zack is a coward who tries to get over his fears. Ok so first question : since when is Zack considered a coward ? I mean, he’s very cautious when it comes to Murphy’s law, yes, but being cautious is not the same as being a coward. Besides, Murphy’s law is dangerous. And for most of the episodes, his reactions are the same as Melissa and Milo, when Milo gets scared. As for his fear of fish, anyone can have these kinds of irrational fears. Also there’s the Halloween episode in which it’s made clear that he doesn’t have much fears aside from the fear of dying from the unpredictable, hence his usual resentment with Murphy’s law.

It’s also worth mentioning that MML follows the trope of having a group with two guys and one girl; with one guy being the main character, the girl being the smart one and the second guy being the coward or the forgettable one in certain shows. I think this might be one of the reasons why there’s this idea that Zack is a coward.

But aside from the fact that, in my personal opinion, this plot comes out of nowhere, there’s also the problem that we barely see it at all. I mean, in “Snow Way out”, it’s put into the story. Then they completely forget about it and Zack goes back to act chill and cautious until “Freefall” whose entire plot revolves around Zack being fearful (again, rightfully fearful given the situation). Then it’s dropped again until “The Mid-Afternoon Snack Club” with the idea that Zack feels overshadowed by Milo (which, honestly, sounds like a more interesting arc than the whole fear thing). And finally, it’s dropped yet again until the very last episode in which they keep insisting that he has no fear anymore.

Seriously, am I the only one seeing this ? Or am I just bad at noticing the character growth ?

7. Smaller pet peeves

So that last point is a list of small things that bother me in this season but that I don’t see myself write 10 paragraphs about :

- Most of the supporting cast needed more screentime. Seriously, characters like Neal and Veronica basically don’t exist this season, Sara also has a much more minor role, Bradley desperately needs some kind of character arc, most of the school characters and staff are also pretty absent (we miss you Drako !), Brick and Savannah only appear twice, once being a cameo in front of a pistachio cart, and I’m sure there’s more that I forgot.

- A very personal opinion so it’s not really a pet peeve but time travel was much more interesting than aliens, though the plots were pretty similar with the people involved trying to get to Milo, only for Murphy’s law to occur and ruin their plan. Also, while I really like the captain/leader, the two guys sent to capture Milo are your usual comedic duo, like the two small devils in Disney’s Hercules (I don’t know their name in English, I only know that they’re named “Peur” and “Panique” in French).

And fun fact, “Spy Little Sister” is probably my favorite episode of the season, and while watching it, I really had a feeling of “god I missed that” when time-travel occurred. Though, I’ll admit, the aliens plot does a much better job using Murphy’s law, not only with the aliens failing constantly because of it but also especially in the finale with each character having their own backpack to “fight against it”.

- Bob Block. There was some potential with that character (*cough* villain *cough*). Though, I won’t develop here because I already did at the beginning of another post.

- The episode “Game Night” is weird to me. Like, it’s not a bad episode, on the contrary it’s a great one, but at the same time I find myself not liking it. I think the main problem is that it should’ve been a season 1 episode due to the whole thing with the deadly vortex and how Cavendish and Dakota somehow knew what it was. Also I feel like there’s a waste of characters. I mean, we get the Murphy parents, Neal and Cav and Dakota and yet it feels like the episode is mostly focused on the main trio + Sara. Also Veronica was robbed. They could have easily removed the whole vortex thing, hence removing Cavendish and Dakota from the story, and have Veronica with the group instead. Look I love the two time-travelling idiots but other characters deserve some spotlight too.

Besides, thinking about it, it’s a bit sad that Cavendish and Dakota don’t really interact with the others when they’re on screen. There’s like 5 people in the room and yet we either see them talk to each other or to the group in general (though to be honest this disconnect between characters even when they’re in the same room is also in the crossover and the season 2 finale).

So yeah, this episode is weird. It has tons of elements that should make me love it (the Murphy parents; Neal; Melissa being Melissa; Dakota being Dakota; some Daka//vendish, including a 3 seconds argument that has some of the biggest “old married couple” energy we’ve seen in this show; Milo and Sara being overly dramatic babies; the Veronica cameo). And yet, I somehow can’t find myself really liking it. It’s weird.

So, overall, it was still a pretty good and solid season. Most episodes were pretty fun and enjoyable. But they were still a lot of small issues that, in my opinion, makes season 1 much better; and when I decide to watch random moments of the show or watch full episodes, I tend to mostly pick in that first season.

24 notes · View notes

lukneetoonz · 4 years ago

Text

Oblivious

——————————————————————————-

Summary: You’re in love with a boy who thinks you’d never love him… what happens when he overhears you talking about him?

Pairing: Shinsou x Female!reader

Warnings: Angst, cussing, but it’s coot I promise

Word Count: 2,244

A/N: Been in a funk lately and don’t know what to write! Ask box is open for suggestions!

NO ARTWORK POSTED IS MY OWN AND IS FOUND ON PINTEREST

——————————————————————————

Lilacs, the smell of coffee and lavender, and the sounds of video games were all things that reminded you of the boy that you admired. Your friends called it love, but you called it a silly crush, because how can you love someone who doesn’t love you? Shinsou Hitoshi was always on your mind, even if he didn’t do anything to be on it, you just couldn’t get him out. It didn’t help that you guys were best friends, for that is what Shinsou continuously calls your relationship. Seemingly reminding you that you’re nothing but his friend, someone for him to go to when he doesn’t have anyone else. You were a placement holder, and that hurt.

Snapping fingers in front of your face brought you out of your thoughts, your eyes meeting a group of concerned ones. “Y/N… we hate seeing you look so sad. Why don’t you take Mina up on that offer and go on a blind date?” Uraraka spoke softly to you, almost like her words could send you crashing down at any moment. Shaking your head you groaned and rubbed your face, “But I can’t! I can’t go on a date when I can’t get him out of my head… it’s not fair to the other person. I’m not just going to use someone to get over another…” your words only made the girls frown deeper.

Mina stood up abruptly and put her hands on her hips as she raised her eyebrows at you, “I just don’t see it. Honestly Y/N! You could have any guy in our class- scratch that, our grade, yet you’re sitting here because this crazy haired asshole can’t see how amazing you are!” Her words made you blush as you huff and hug yourself, looking away, none of you aware that there was now an extra set of ears on your private conversation. “You guys don’t get it! He’s so- gah! I can’t even put it into words. No one comments on how Uraraka is crushing on Midoriya!”

Momo smiled sadly as Uraraka fell on the floor covering her red face, “Because they’re both too awkward and shy to admit their feelings when it’s both obvious they like each other. It’s like they’re dating, but aren't. It’s also because Midoriya isn’t emotionally constipated” Momo stated simply but elegantly as the others nodded along as you blushed, and felt aggravation bubble inside you. But just beyond the common room and in the hallway stood shinsou, back against the wall as he tried to quiet his breathing, wanting to find out more about the crush of the girl he's hopelessly in love with.

“He isn’t emotionally constipated! He’s- god- he shows he cares and stuff but in his own way… he has such a kind heart and beautiful soul it just makes me want to dive deeper into what makes him, well him! And when he talks about something he’s passionate about, his eyes they just- lighten up slightly as they also crinkle because he’s smiling and the sight alone rips my breath away. I can’t even describe him by using three words because he deserves the whole damn dictionary! Why can’t you guys see how wonderful he is? He isn’t just some asshole, hes special. That’s why I’ve fallen so hard for him and I don’t regret a second of it.” You’re panting by the time you stop your rant, all eyes on you as you look to the ground embarrassed.

“Y/N, we didn’t know-” Mina tried to start but you quickly dismissed her, “Of course you didn’t know, because no one else in the room spends as much time admiring him like I do.” A sad smile etched on your face, making tsuyu and Uraraka hug you, which you automatically found comfort in. Meanwhile a lilac eyed boy had left his spot and went to his dorm, upset with himself for falling for someone who obviously loved someone that wasn’t him. How could he have been so stupid to even think for a second it could have been him?

*•*

Your head rested on your desk as you listened to the girls talk about the number two hero and gush about how good looking he is. Moving to focus on the empty seat next to you, the pang in your chest didn’t go unnoticed as you frowned. Normally shinsou would be in class already, but for the past few days he's been showing up later, not to mention he’s been leaving class in a rush and pushing you away. It hurt- god did it hurt. Pushing the feelings away, you turned to look at your friends and smiled softly at whatever they were saying.

“Y/N you’re not even paying attention, what’s on your mind?” Momo spoke up, making you sigh. “I know we aren’t- a thing, but he’s barely even looked my way in days and that hurts so much.” You mumbled softly, trying not to stare at his empty seat. “I don’t even know what I did wrong… it’s like I want to ask him but- that terrifies me. Confrontation terrifies me” tears welled up in your eyes as you buried your head in your arms. Your friends knew of your anxiety and honestly if it wasn’t for them, you’d sit in the back of the class and keep to yourself.

It was always the girls talking to you first or making plans, making sure it was something small and intimate because you didn’t like to go out to places that drew a bunch of attention to you. Honestly that was your worst nightmare, just like how the sports festival was horrible for you. When you did go to an agency, you were picked for an underground work agency, not that you didn’t mind. So the fact that you might have to go up and ask your best friend what you did wrong, and then listen to what you did wrong, was killing you on the inside.

Like clockwork, a indigo haired boy walked through the door right before the bell rang, barely giving you a glance, his cold demeanor making you flinch. Taking a deep breath you thought of a great idea that allowed you to talk to Shinsou, but also didn’t make it as scary. You got your notebook out and tore a piece of paper out quietly, before thinking of what to write.

You: ‘Hi =) are you okay? It’s just- I feel like we haven’t been able to talk lately’

Yeah… that’s good. It’s subtle and the smiley face is cute… well hopefully. Tapping on Shinsou’s shoulder you bit your lip, waiting for him to turn around, but he never did. Maybe he just didn’t feel it, you could tap rather light sometimes, so once again you tapped his shoulder, only to get a shoulder shrug in response. You felt your throat go dry as tears threatened to spill, gripping the note in your hand. You stood up abruptly and ran out of class, ignoring Aizawa asking you where you were going.

Shinsou saw you leave, he heard your quiet whimper, he felt your taps. But he couldn’t respond to any of it, why could he when he was hopelessly in love with you and you were in love with someone else? So much so in fact that you ignored your friends pleas to move on. Burying his own head in his arms, he groaned quietly as he tried to get you out of his thoughts. Mina stared at the boy with eyes that could kill, he was the one that was hurting her friend so much, and yet he was still here looking unfazed while you ran out crying.

*•*

Once class ended, Shinsou went to rush out like he’d been doing but was cornered by every single girl in that class, Pinky leading the group. “Who do you think you are to act like this, you emotionally constipated flower. Y/N cares for you and yet here you are avoiding her like she has the plague for no good reason. God I don’t even know what she sees in you anyway” as soon as those words left her mouth, several different pairs of hands flew to cover Mina’s mouth. Shinsou looked at her with a star struck look, before he groaned and facepalmed.

“I’m such an asshole! I thought- I overheard her talking the other night and I thought she liked someone that obviously wasn’t me…” rubbing his face, he had desperate eyes. “I thought if I distanced myself, it would hurt less when she started dating someone that wasn’t me” Some of the girls awed, but Mina merely flicked him. “Just shut up and go after her! You should be explaining this to her, not us dipshit!” Tsuyu eyed Mina and giggled, “You’ve been hanging around Bakugou too much… he's starting to rub off on you”

Shinsou didn’t even stay to hear the girls bicker before he ran off towards the dorms, with only you on his mind. Panting, he finally made it to the place he needed to be and wasted no time on pounding on your door, not once stopping in between knocks. “Guys please- I don’t wanna talk about it..” The croak of your voice broke the lilac eyed boy, making him sigh in defeat. “Y/N, kitten, please let me in… I need to apologize for being such an asshole to my best friend” His soft voice broke through the door, making you tense.

That word. Best friend. That’s all you’ll ever be. Squeezing your eyes shut, you tightly clutched onto your pillow, trying to hide your sniffling. “I’m fine Shinsou, j-just go back to class.” Resting his head against the door, Shinsou frowned deeply and closed his own eyes, trying to picture your form. “No you’re not Y/N…. you’re not fine and it’s my fault. I was being an asshole to you because I assumed things because of my own insecurities. Now can you please open the door so I can tell you this to your face?” He thought the desperate plea had failed until he heard the click of your lock and the turning of your doorknob, door opening to reveal your watery (E/C) eyes.

“Fuck- Y/N. I’m so sorry. I never wanted to be the cause of your tears, I promise to never cause your tears again.” Quickly he cupped your face and pursed his lips as he took in your upset appearance. A blush spread across your face from his intimate touch, looking anywhere but his face, “w-why are you acting like this Shinsou? It hurts…” Your whimpers caught his heart and he brought you into a hug, clutching onto you like you’d push him away. “I love you… okay? I-I heard you talking in the common room the other day and I never thought you could be talking about me, so I pushed you away because I thought it would hurt less then when you started seeing someone that wasn’t me.”

The boy's confession shocked you as you froze, slowly you hugged him back, a smile crawling it’s way onto your flustered face. “Who told you? T-that I was talking about you?” Shinsou chuckled lightly, pulling away and brushed your hair off your face that stuck to the wetness from your tears, “Mina let it slip slightly and I just put two and two together…” Suddenly his face grew serious as he tensed, “I never want to cause you tears again… I’m so sorry Y/N. I’m so so sorry” giggling, you reached up and squished his cheeks together, eyes looking down at the lips you’ve fantasised about for so long.

“I love you too, Toshi…” You were so focused on his lips you didn’t see his own eyes that were focused on your plump lips. “Can I kiss you?” Blushing, you looked to meet his eyes to see if he was serious, slowly nodding you let him inch forward until his lips ghosted against yours, eyes closing when your lips finally clashed in a soft, but slow kiss. It was full of emotion and innocence, his lips moved against yours eagerly because this was something he's wanted to do for ages. The both of you only pulling away for air, foreheads resting against each other as the sound of your soft pants filled the air.

“Be ready at 7 tonight, okay kitten?” Tilting your head, you looked at Shinsou confused and he chuckled, merely pecking your lips. “I have to take my girlfriend on a first date don’t I?” Girlfriend? First date? Shit you just squealed in front of your BOYFRIEND?! Quickly you nodded and ran inside your room, slamming the door, a smile on your face as you finally got your lilac boy.

#mha fanfiction #mha imagines #ely here #shinsouhitoshiimaginedarlingely #shinsou imagine #hitoshi shinso imagine #shinsou x reader #shinsou x y/n #shinsou hitoshi #mha hitoshi #mha shinsou #shinsou headcanons

134 notes · View notes