#obviously all of them are like that to a certain extent but man
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I more or less get how Saeko works but pinning down Miwa is like a Dark Souls of characterisation for me.
#A lot of characters make statements about her and I can't get where they come from#like yeah she's somewhat weakhearted romantic and silly but it doesn't click#obviously all of them are like that to a certain extent but man#tsukiatte agete mo ii kana#dumayu#вышедшее из под моего пера
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Y’all liked my “actually Emmrich is a good bf choice” analysis so here’s one for mi vida Luca
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Yk how people say cats liking you is the perfect test of understanding consent? That’s what Lucanis is.
Man was literally in the trenches, had the threat of his blood taken hostage over his head AND a Spirit implanted into him. Of COURSE he would take a hot minute to trust anyone.
I believe The Rooks who truly romance him must have a special archetype of being outrageously patient but also very communicative.
As one of the best Crows, Lucanis is used to making clever assumptions. It’s how he knows the team disturbingly well. Because of this, he knows people don’t trust him, shouldn’t trust him.
And to a certain extent, he would be right. Most people would be offended that he seems to flirt but keep turning away (see the almost-kiss scene).
But we all know Rook isn’t most people. Rook can be irrationally unhinged but Lucanis’s Rook can also see through and accept Lucanis’ need for space.
The whole first half of the “romance”, Lucanis tries to flirt while also second-guessing his actions and Rook’s reactions. He overanalyses and smacks his own head when he reviews his self-rejections and realises Rook IS responding positively.
And every time, he comes closer to believing Rook does reciprocate his flirting. It comes out in his expressions, it comes out in his speech.
Making Rook’s favourite dessert was the first time he genuinely tested his theory that maybe Rook does like him. But at the same time, he makes enough dessert for the whole team so if Rook does reject him, he can settle for having AT LEAST made something nice for the whole team.
When Rook spells out that they see Lucanis making their favourite dessert, Lucanis still tries to wave it off as they also made it for the team. But then Rook specifically mentions that obviously they know Lucanis would make enough for the team, but he made Rook’s favourite dessert.
Remember how he is still struggling to accept Spite himself? Rook and Emmrich are the few people who accept Spite as a part of Lucanis, that Spite exposes the rawest emotions of Lucanis. Although Emmrich does see Spite as its own being like Taash, Emmrich treats Spite like its own independent person.
Meanwhile, Taash treats Spite like a petulant child that needs taming, Harding and Neve are confusedly anxious, and Davrin is only half-joking about killing Lucanis if Spite takes over. (Expanding on the Neve-Lucanis romance later)
The coffee date where we “confirm” the romance? Rook sees Lucanis serving Spite his own cup and is pretty much like “yk what? hell yea”. Rook has always treated Spite as a part of Lucanis, and has partially made Lucanis Lucanis. I like to think the Lucanis who accepts Spite is the best one.
This is also what sets Rookanis separately from Neve/Lucanis. In the love scene, Spite brings out the wings. It’s a part of the love scene. Rook reassures Lucanis later that if Spite does come out when Lucanis is sleeping, Rook is more than comfortable entertaining/socialising with Spite.
In contrast, Lucanis sends Spite away if he and Neve spend spicy time together.
Yes, Rook sees Lucanis as a talented rich kid who deserves his Demon of Vyrantium reputation. But Lucanis’ Rook also sees him as the orphaned grandson of the most powerful Talon who feels like he had to perfectly embody the Dellamorte name at all times. Lucanis’ Rook has seen how Spite takes over, Spite’s powers especially nearly killing Illario, and still goes “that’s my man 🙂↕️”
One Emmrich-Lucanis banter moment has him confessing he has NO IDEA what Rook sees in him. Him - First Talon, Dellamorte’s favourite grandson, rich enough to have an in-house opera house, with all the charm and fitness of being the Demon of Vyrantium - confused that Rook allows him to feel like he is losing hours of his life because he wants to spend even more time with them? 😭
Unlike most romances (most similarly FenrisHawke and EmmrichRook), Rookanis has to work through the male LI’s traumas/flaws because that sets the foundation for the romance to bloom. The male LI’s main flaw (Emmrich’s age, Fenris’s lyrium-related slave past, Lucanis’ kidnapping + Dellamorte name + Spite) has made them believe it would be near-impossible to find someone who loves them at that point. But Hawke/Rook does anyway.
#lucanis dellamorte#dragon age veilguard#datv#dragon age 4#lucanis#lucanis x rook#rookanis#lucanis dellamorte x rook
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also on ao3 here!
special delivery
Pearl was fairly certain this was not in her job description.
She supposed she had agreed to do special deliveries and while she would not necessarily count this as one because there was a permit for these kinds of jobs – though she figured that since there was no transaction involved she wasn’t breaking the law and then technically this was not necessarily a job for the man with the mob permit – this was still something she would have called Scar for. If he was available that was. Which brings her to the next problem.
Scar was currently very small, very grey, and a little feathery. And also in her mailbag.
Pearl did know a little about the vex thing. Not a whole lot, it didn’t really come up all that often, but at least she knew enough to realize that the little creature she had spotted inside one of the chests of the explosive firework shop was Scar. She had noticed the chest wasn’t properly closed when she had been restocking her flower truck and she would hate it if rainwater ruined the fireworks that from what she’d heard could cost Cub more to make than he was selling them for, so she had decided to help the man out and close the chest. Only to find a very small Scar in it.
She had no idea what to do with a vex though. Especially with a vex that seemed very much to be sleeping and showing zero signs of planning on waking up any time soon. So she had carefully picked Scar up where he had been curled up in the middle of the fireworks and gently placed him in her bag, glad that she had already delivered all the mail that had been there earlier.
She was also, for once, glad that her donkey was as slow as it was. It made the journey to the one person she figured could probably help her with this issue a little more steady. Steady was what she needed right now – she didn’t trust herself to fly or even run with a literal person in her bag.
The journey took a while, and every now and then she looked into her bag to make sure everything was alright. Each time Scar seemed just as asleep as the last time and she briefly wondered if he was maybe unconscious and not just sleeping – but he seemed to be tossing and turning a little so she wasn’t too worried. Surely Cub would know what was up.
Pearl couldn’t say she was surprised she saw sculk when Cub’s area came into view. The extent of it was mildly terrifying though, especially as he resided quite close to her, but she paid it no mind. She had more important things to worry about, like finding Cub (and maybe hoping that he was not covered in sculk).
“Cub?” she called as she got off the donkey. She didn’t have a lead and there weren’t any fence posts nearby anyway – she would just have to hope the donkey wouldn’t wander off the pathway into the sculk. “You around here?”
She heard the sound of a firework going off and quickly a rather normal-looking (aside from all the dye stains) Cub landed before her.
“Hey hey,” Cub greeted her. “What’s up? Good to see you, Pearl.”
“I have a special delivery for you,” Pearl explained, putting on her slightly more professional mail lady voice.
“Hmm?” Cub hummed, obviously curious. “Intriguing. I don’t remember buying anything or signing up for anything.”
“Yeah, about that…” Pearl opened her bag and held it out enough for Cub to be able to look inside. He took a few steps forward to peek into the bag and then let out a little amused sound.
“I see, I see,” Cub nodded, reaching into the bag. Pearl winced a little as Cub picked up the sleeping vex by the scruff of his neck like one might hold a small kitten – she was certain Cub knew how to handle a vex miles better than she did but after spending the better part of the last hour being as careful as she could it did catch her off guard a little. Scar didn't seem to mind, still deep asleep. “Where did you find him?”
“He was sleeping amongst the fireworks in a chest at your shop,” Pearl said as she watched Cub cradle the vex in his arms – or rather his arm, he didn’t really need both of his arms to hold something so small. “I figured that might not have been the best place for him.”
“Makes sense, makes sense,” Cub nodded and Pearl had no idea what exactly about this was making sense to Cub, but she was glad something was. “Thank you for bringing him here, I’ll take care of him.”
Cub looked like he was about to turn around and leave to do whatever one did to care for a vex and Pearl couldn’t stop her curiosity.
“Cub? Can I ask a question before you go?”
The man paused. “Sure, of course,” he replied. He didn’t seem to be in a hurry which did ease Pearl’s nerves a little. “Shoot.”
"Why?” she asked and it came out a little less polite than she was hoping for. “I mean, is he like, alright? I’ve never seen that happen before. Had me a little worried there.”
Cub seemed to either not notice her tone or simply not care. “Just means he’s really tired. Like really really tired. Nothing too serious, I’ll talk to him about it.” Scar turned a little in Cub’s hold almost like he knew he was being talked about. “It happens sometimes, every now and then.”
“He’ll just be back to normal once he’s rested?” All of this was raising more questions than answering them, but she didn’t want to pry.
“Yep,” Cub confirmed. “He seems to like sleeping in chests, not the first time he’s been found in one. I’ve never tried to put him in a shulker box, do you think I could mail him?”
Pearl just stared at him. “Please do not try to mail Scar.”
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I was wondering if you could make a part 2 to "the instrument"? I got invested reading it was so sad that it ended :(
I don't rlly know what I'm looking for but I loved the plot of that fic and I wanted to see it progress further (´;д;)
Like, it js ended with him giving her flowers, I wanted to see their love bloom more yknowww ಥ_ಥ
(Also is it weird that I see y/n as her own person?)
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Synopsis: You were right from the start — Michael Kaiser has always been a dog, albeit perhaps not in the way you first meant it. (part one here!)
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BLLK Masterlist
Pairing: Kaiser x Reader
Chapter Word Count: 4.5k
Content Warnings: fake dating trope, mentioned/implied/referenced abuse (both child and animal), call me tabito karasu the way i assassinate kaiser’s character in this, relationship dynamics many would consider…interesting…
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A/N: EEK i feel like kaiser is so hard for me to do romance with but i tried my best!! and LMAOO this y/n is definitely a very interesting one so i can see why you got that sense 😭 but i’m glad you liked the instrument and ty for requesting 🥹 i hope this is somewhat satisfactory??
Additional: check my pinned post to make sure i have requests open; after reading the rules, please feel free to make your own!
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You are quite certain that your mother was involved in this exercise, considering she’s the only one you can think of with a spare key to your house. So, when your phone call to Michael is sent immediately to voicemail, you don’t hesitate in dialing her number, knowing she’ll pick up immediately, as she always does.
The phone rings only once, and then she’s answering. There are voices in the background that are faint and muffled, which means either she’s watching a new drama or your father is watching some sports game. Then you detect the faint sound of cheers, and you conclude it must be the latter.
“Hello, Y/N,” your mother says. “Did you need something?”
She is very obviously trying to maintain an air of mysteriousness, as if she has no idea why you might be calling her, but the fact that she is putting on such an act makes it all the more obvious that it is just a facade. You’ve known for many years that your talent onstage is not a genetic one, though it does not stop your parents from pretending that it’s something you inherited from them.
“The flowers,” you say. “You put them there, didn’t you?”
She coughs. You don’t know if she’s disguising a laugh or if she’s just taken aback to that extent. Either way, you give her a moment to compose herself, for it’ll be a mess if you don’t. Your mother is like that, after all. If you inundate her with questions, she’ll respond to exactly none of them, so patience is the only method you have if you wish to obtain any measure of success.
“It wasn’t my own doing,” she says finally. You sigh.
“Of course, someone told you to, and I’m sure we both know who,” you say. “What did he say?”
“He meant well,” she says. “Are you angry with him? He seemed to think you might be. Anyways, he just told me to give them to you. It’s his way of saying sorry, I think. Or perhaps of saying something else. I’m afraid I can’t understand him the way you do. It’s magical, really, how you all but read his mind…”
“No one can read his mind,” you scoff. “He’s a convoluted man, and his thoughts are his own.”
“And you despise him because of that?” she prods, in a way that indicates she already knows the answer and is only asking for her personal satisfaction.
“I love him all the more for it,” you say shortly. Somehow, it’s worse saying it to your mother than it was with him. More real, maybe. Unable to be taken back. You don’t want to take it back, of course, but nevertheless, even if you did, you no longer can. It’s out in the world, now, and the world has a strange humor; it takes things one says even carelessly, without thought, and it turns them into undeniable, inescapable truth.
“Well,” she says. “That is a predicament.”
“There’s no predicament,” you say.
“He believes there is,” she says. “Right before he left, he—”
“Left?” you repeat. The flowers on your counter are arcing towards the sun, their petals unfurling towards the light pouring from your window. It’s a behavior more typical of flowers other than roses, but these roses are blue and they are Michael’s, so it stands to reason that they behave peculiarly. “Where did he go?”
“I couldn’t tell you,” she says. “He didn’t mention where he was going, just that he had to leave for a bit. But he looked sad. I mean, it’s difficult to tell with him, given how stoic he is, so I don’t know. Don’t take me at my word and start a fight about it.”
This is all you’re going to get out of her. You’re sure of it; there’s a wavering to her voice that signals she’s out of her depth. It’ll be unproductive and all but cruel if you continue to drill her, so you grit your teeth, squeezing your eyes shut and counting to three in your mind. Frustration is a wasted emotion, especially when the target of your frustration is somewhere far away, gone with nothing but a pot of flowers as a farewell.
That’s what it really is. Not an apology or a confession, but a goodbye. The fact that he thought to do it does mean something, but that meaning doesn’t outweigh the intention. So you make meaningless small talk with your mother and then your father, who she passes the phone to, and as soon as you can, you hang up and call another person, one who might be your only chance at finding the wandering stray that is Michael Kaiser.
Michael doesn’t really have friends, claims he doesn’t need them, but if there is one man who he might deign to bestow that title upon, it is his Bastard München teammate, Alexis Ness. They have been playing together since they were young, and so, if anything, there is an empathy between the two, although Michael will never admit it.
You’ve only met Alexis Ness a few times, at the various events which Michael used to drag you to when your relationship was still in the public eye. He’s never been anything but polite, albeit reserved, and on your third meeting, he gave you his phone number, telling you to call him if you ever ran into trouble. He had left the with Michael unsaid, but the implication had been there. You had thanked him and never called him since.
He’s quick to respond, like he was expecting the call — for all you know, he really was, though you would never ask either way. However, he does not speak first, so there is an awkward pause as you both wait for the other to say something.
“Good morning, Mr. Ness,” you say once a minute has gone by and he still has said nothing. “This is Y/N L/N. You gave me your number once.”
“Ah, Kaiser’s girlfriend,” he says. They have this habit, those soccer players, of referring to each other solely by last name. Your theory is that it’s to create distance, to avoid becoming close to a person who can be stolen by another team at any moment. You can’t fathom any other explanation. It’s a little sad to you, but you try not to judge, because there’s as many or more judgements that can be passed about your own lifestyle and habits.
“Yes,” you say.
“Are you calling to ask me where he went?” he says.
“I am,” you say. There’s no point in games. You don’t know Alexis Ness well enough to play them, and he seems to appreciate candidness, so the both of you are blunt in your conversations.
“I’m not supposed to tell you,” he says. “He swore me to secrecy.”
“I see,” you say. It’s disappointing, but it doesn’t come as a surprise. Michael is more than a little paranoid, so of course he took these ridiculous measures to cover his tracks.
“Nothing against you,” he says. “In fact, you should take it as a compliment. It sounded like there’s some messes he needed to clean up before he could bear to face you.”
“He’s horrible at cleaning,” you say.
“I don’t mean literal cleaning,” he says. It’s patient but also mocking. You roll your eyes, a silent form of retribution that he’ll never know of.
“Neither do I,” you say. Alexis Ness exhales heavily. Perhaps you’ve given him a migraine. It’s a particular skill of yours, or so you’ve been told.
“Berlin,” he says.
“Berlin?” you say.
“That’s where he is. If he asks, I’m not the one who told you,” he says, and then he’s ending the call before you can even thank him.
Berlin’s a big city, so Ness’s advice isn’t as helpful as he might’ve thought it would be, but at least it’s a start. Besides, for all his idiosyncrasies, Michael has a few patterns he follows with religiosity, so you tell your agent you’re going on a trip and silence your phone before he can call you and sputter protests about the impromptu nature of the semi-vacation.
The volunteers at the dog shelter tell you that Michael’s been there for the majority of the day. They’ve left him alone because they don’t know what to say; it’s not everyday that a celebrity wanders into such an establishment without so much as a word, and he’s remained relatively harmless, so they’ve continued about their daily business, ignoring him as best as they could when it became obvious he had no interest in speaking to them.
When you enter the kennel room, you find him sitting in front of one with a large hound in it. It has a pointed muzzle, and its tail does not wag at your approach, but it does lift its head and blink at you a couple of times before going back to sleep.
The cement floor is cold, but still you sit beside Michael, hugging your knees to your chest in a mirror of his position, careful not to touch him, thinking that he is wild enough to flee if you do. The hound lets out a soft breath. You notice that there are pink lines cutting through the black of its fur, marring its wide torso, shiny as the skin does its best to heal.
“She was seized from her owner,” Michael says. “The neighbors called the police one night when things got too loud.”
He’s not looking at you, but it’s obvious you’re the one he meant that statement for, so you shift closer to him, placing one hand on his arm. He flinches the tiniest bit, but when you try to pull away, he reaches up and stops you, holding your hand there, though he still refuses to turn away from the dog.
“Apparently, the guy got drunk and beat her,” he says. “She belonged to his wife, but once his wife died, he became an alcoholic, and that poor dog was the only one there to see it. I’m sure she tried to keep loving him at first, though. Even when she was frightened. Dogs do their best to love you, because they can’t understand that no matter how hard they try, it doesn’t matter. If someone wants to hate them, then all of the love in the world won’t be enough to stop that.”
He’s talking about the dog, but that’s not what he really means. That’s just how he is: he speaks in circuitous riddles to avoid ever saying anything plainly. Flowers and dogs — both are just methods of avoiding what he really wants to tell you.
“We can take her home,” you say. “Give her a different name and a place where she can be happy. Even if something has been hurt before, that doesn’t mean it has to hurt forever.”
His eyes lower, and then he stands, yanking you to your feet. Steadying you when you stumble, he lets go of you abruptly, frowning and turning away from the dog, who is awoken by the suddenness of the movement, flattening her ears against her head and shrinking back.
“She’s frightened of men now,” he says. “Has been ever since she was rescued. Bites every male that comes near her. I can’t blame her. If I were her, I’d do the same. Apparently, that means she’s not really adoptable. Not by us and not by anyone.”
The dog whines plaintively. You offer her the back of your hand through the bars of the kennel. She sniffs it before licking it carefully, and then she thumps her tail against her bed in approval — only one time, though, and then she’s standing, pacing in unhappy circles around the small kennel, which can hardly fit an animal of her size.
“I want her,” you say. “I don’t care if she isn’t adoptable. I want her.”
“Of course you do,” he says. He would sound aggravated, but there is a curious delight dancing in his eyes, a childish sort of joy that so rarely sparkles in those blue irises, so he completely doesn’t. “Of course you want her. You can’t stay away from hurt things, can you? Who told you I was here?”
“No one,” you say. “I figured it out by myself.”
He purses his lips, following after you as you make your way to the front desk. Disapproval rolls off of him in waves, but also something else. Something shriveled and cowering which is fighting desperately to crawl to the surface.
The volunteers are surprised to hear which dog you insist on taking, and they try to convince you to look at any of the more appealing ones — the puppies, or the well-trained retrievers that already have waitlists of potential adopters. You’re an actress, however, so they’ll put you at the top and give you whichever one you want. You tell them you know which one you want already, and eventually they give up on arguing, only frowning as you sign the litany of documents they produce, clicking their tongues and telling you that she’ll be difficult.
You respond that it’s fine. You’re used to difficult things; in fact, you think that you prefer them. They shake their heads and then you are told that your dog — yours, miraculously she is yours — will be ready for you to get her whenever you want.
Michael’s business in Berlin is not yet completed, you can sense it, so you tell them that you will return later and then you chase after his disappearing back, catching him by the sleeve of his coat in a narrow alleyway which leads to a theater.
“You shouldn’t be here,” he says. He’s gazing at a poster with a woman on it; she’s beautiful, with elfin features and flowing hair the color of gold. She’s also someone you recognize. “Fuck Ness. I know he told you. I’m going to kill him when I get back.”
“Leave him alone,” you say. “He didn’t tell me anything.”
“Sure,” he says. “Whatever.”
“Do you know her?” you say, pointing at the woman.
“Do you?” he shoots back. He’s crabby now, snapping easily and readily, though you’ve not really done anything to provoke him.
“Yes,” you say. It’s not the answer he had predicted, which you can tell because he whirls to glare at you instead of the movie poster. “Why are you surprised? We’re in the same industry. I was almost in a movie with her a while back, though it fell through because of an issue with the writers. She’s nice enough, I guess. I went to her wedding a couple of years ago, but other than that, I wouldn’t say we’re particularly close.”
“You…went to her wedding?” he says, and then, inexplicably, his fingers are weaving in between yours. It feels like he is holding onto you for something more than affection, so you stand as still as you possibly can, only humming in agreement.
“Yes, I did. Actually, she married her childhood sweetheart, which took everyone by surprise. It was commonly thought that she’d marry one or another of her costars, you see. She’s always been good at creating chemistry…people always say that she can make even a rock seem desirable, that’s how she is,” you say wistfully, leaning your head on his shoulder. He doesn’t shove you away, enraptured by the story. “It’s amazing to watch. But isn’t it kind of sweet? That despite how excellent she is at feigning affection, how she could’ve had any man in the world, she chose the boy from her youth? I remember talking to him. He has nothing, no money or connections or investments. She really just married him because he loves her for who she is.”
“Is love really all she wanted?” he says.
“I suppose it’s all that a lot of people want,” you say. “Rumor has it that she's pregnant.”
He stiffens against you. “What?”
“Well, I think she’s a little old for it, but it’s common for women in my line of work to wait until the signs of age are beyond concealment before they have children, so it’s not a shock,” you say.
“Why?’ he says.
“It’s the industry’s standards—” you begin before he cuts you off.
“No,” he says. “No, why is she — why does she want — why is she pregnant?”
“Isn’t it common for people to start a family eventually?” you say. “By the way, you never answered my question. Do you know her?”
“She’s my mother,” he says. The words are angry, but his tone is forlorn, his hand in yours cold and small. “But I’m — I’m not her son.”
He looks so wretched that you cannot help embracing him, and when he reciprocates in earnest and without pretense, you know that you have done the right thing. His breaths are fast and shaky, though he is not crying, and as much as you wish you had not said it, you believe deep down that it is important that you did.
Platitudes are meaningless. If you say it’s okay or something along those lines, you will be a liar, because the truth is that it’s not okay. You are not the one who can decide if it’s okay or not. You can only remain as you have been, motionless and gentle, stroking his back in the way one settles a restless infant, allowing his fingers to dig into your sides and his looming weight to collapse into you — for his sharpness is not borne of malice but helplessness, however loath to admit it he might be.
“Why?” he whispers. There’s a million questions he could be asking, and none of them are ones you can ever answer for him, but that will not stop him. “Why couldn’t it be me? Why couldn’t she be happy with me? I would have loved her. I would have been her family.”
“A lot of people don’t deserve children,” you muse. “Or love, or many other such happinesses. And still more people cannot understand the importance of these things when they are within their grasp. Your mother must’ve been very young when she had you. It’s easy to be blinded by stardom and glamor and fairytales at that age. It’s easier still to abandon everything for just a taste of the spotlight. There’s a school of thought that fame is impossible to attain without that necessary sacrifice.”
“What about you?” he says.
“I’m not an exception,” you say ruefully. “Any normal person would have hung up on you when you first called, Michael. I’m only lucky in that it was you and not anyone else on the other end of the line. It’s only because I know you that I realized there are more important things in this world than celebrity and popularity. Once I would’ve spurned the thought of obscurity, but now, if I can have you, then I wouldn’t even mind it so much. It’s the same conclusion your mother must have reached.”
“It’s too late,” he says. “She reached it too late.”
“Yes,” you say. “Yes, she did reach it too late, but it’s easier to give this kind of life up once you’ve known it than to never have it at all. That’s the only reason why. She was greedy, and you bore the consequences.”
“It’s not fair,” he says. You’ve never heard him like this. Normally, he’d laugh at the mere thought of such vulnerability, but the gray of the city has clearly twisted him into a wounded and fragile version of himself, prone to shattering, made of a glass that is already jagged at the edges and can hardly keep together because of it. “It’s not fair, it’s not — I hate her, and I hate him, and I hate her stupid new family, and I —I—”
He silences himself, obviously unsure of what to say, and then he holds your face in his hands, giving you a pleading stare. Help me, he seems to beg. Tell me what to do. He is lost, and somehow you have become a map of sorts, or a compass, one which points in a direction he has no choice but to follow.
“Why did you come here?” you say. “When you knew it would hurt you, why did you come?”
“I wanted to remind myself,” he says. “For a second, you even convinced me that I was worthy of being — you know. So I had to come back. I had to see with my own eyes the kind of person I really am. If my mother and my father and my entire damn city hate me, then why should you be any different?”
He’s scared that he will hurt you, and that you will hurt him, and that he will be alone again, as he has been for much of his life. For all his brashness, his bravado, his smugness and his smooth way of speaking in public, he’s never really been anything more than a little boy who’s frightened, who presses against the back wall of his enclosure like that beaten hound did.
“You know that I am different,” you say. “I am not your mother, nor your father. I will leave everything behind but you. In fact, I’ll leave it for you. Tell me to and I will.”
“What if I tell you to quit acting?” he says.
“Then I will retire at once,” you say. “I already have more money than I know what to do with.”
“And if I tell you to move across the world?” he tries, resting his forehead against yours. “Would you do that, despite your entire life being here?”
“Yes,” you say. “I am quick at making friends and learning new things, so I will adapt to it.”
“What about if I tell you to marry me?” he says. His lips are so close to yours that he is speaking against your mouth, but he doesn’t try to kiss you yet.
“You wouldn’t ask?” you say.
“I don’t ask for things,” he says.
“Naturally, I’d marry you,” you say. “There isn’t anyone else I’d ever want, anyways. We’d have the most beautiful wedding in the world, and we’d only invite the people we like.”
“That’s a short list,” he says. His heartbeat is calming down; it’s a temporary solution, but if it manages to distract him, then you’ll indulge the flight of fancy.
“My parents,” you say.
“Ness,” he says.
“I always knew you liked him,” you say.
“Only because I have to,” he says.
“Anyone else?” you say.
“No,” he says. “That’s it. We can even forget about all of those people, actually. I just want it to be the two of us. Nobody else matters but — but you.”
He’s stuttering as he comes to his senses. These declarations aren’t typical of him, as foreign as French on his tongue, but he’s making them anyways. He’s been fighting the compulsion for a while, you can tell, but it’s hard for him to keep fighting on all fronts of his life. Eventually, one side will give. You are glad that it is your side, that you are the one he has given to, no matter how reluctantly he has done it.
“Is there anything else you’d like?” you say. “All of these are easy for me to do. Ask for something difficult, so that I may prove to you that I am telling the truth, that I mean what I say.”
“It’s not a request, but a condition,” he says.
“You only need to name it,” you say.
“If I hurt you, then you have to run,” he says. “Run so far away that I can never reach you. Even though it’ll hurt me, I want you to run. Even though I’ll beg for you to stay, please leave.”
That’s it, then. The most difficult thing he can imagine a person doing: leaving someone they love. Certainly he is unable to do it. It doesn’t matter if he’s suffering. He’ll suffer longer just to stay by your side, just as he suffered for all of those many years as a child.
It’s how you know he loves you more than he’ll ever let on. He holds you in such esteem that he’ll let you leave him if you have to, though it’ll indubitably destroy him, destroy him more than staying could ever destroy you. Yet still he is giving you that permission, commanding it, even, because he’d rather destroy himself than let even the slightest harm befall your being.
You can only draw that conclusion because you know that he will never, can never, hurt you. He isn’t saying this as a warning, because it isn’t an inclination that he has. No, it’s a dark and ugly voice in the back of his mind — does it sound like his father’s? You feel that it must — insisting that he will do it, he will. He’ll hurt you. He’s the reason that his mother left and his father became something sick, and he’ll be the reason that you are broken and ruined and torn apart. He’ll do it. He’ll be the one to do it, it’s inevitable, he’ll scratch you with his thorns and gnaw at your remains with his fangs and maybe he’ll even cry during the act but he’ll still do it.
“Alright,” you say, though you want to protest that he is incapable, because it’s clear that he is testing you. Every argument which might fall from your lips, he has heard before, and if you dare utter them one more time, it’ll be the proof that you are lying. The way his thoughts work, the paths that they follow, they are winding and narrow, but perhaps your mother is right — perhaps you are coming to understand them.
“Do you think that I can?” he says.
“No,” you say. “The fact that you worry about it tells me that you won’t. You are better than that, Michael.”
“You really believe that?” he says. “With everything you are, you believe it?”
“I do,” you say.
You almost can’t believe it, but he laughs. Well, calling it a laugh is generous, it’s really more of an exhale, yet one which is unquestionably seeping with amusement, and you’re about to ask him what he finds so funny when he was so close to breaking down mere moments earlier, but he stops you before you can.
“I do,” he says. It’s an odd thing to repeat, but a second later your mind registers why he’s done it, and then the corners of your lips are curving up.
In the streets of Berlin, the two of you are alone; his mother’s poster is your only witness, but if she takes some offense, she remains smiling and silent, her gaze far away as her son — who isn’t her son, he isn’t hers at all, he’s yours and only yours — finally closes the minuscule gap between you both and kisses you fully.
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#kaiser x reader#kaiser x y/n#kaiser x you#michael kaiser#bllk x reader#bllk#blue lock#reader insert#fake dating#m1ckeyb3rry requests#m1ckeyb3rry writes
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WRONG.
Try again.
Actually let's get into this. As someone who loves a great many fantasy RPGs including BG3, Skyrim, and Dragon Age, let me explain what BG3 gets that Skyrim misses, in my opinion.
And this is the big one: the characters in BG3 feel like real fucking people. They have backstories, demonstrable feelings about the events and the other characters, they react to the things you do and they develop as people as you further your relationships. Even minor NPCs often feel fleshed out with distinct personalities and opinions. Hell, going out of my way to cast Speak to Animals is usually rewarded with at least one charming remark. I have never given even a little bit of a shit about 99% of Bethesda NPCs. I usually choose to travel without a companion rather than with unless I need a pack mule to carry my stuff, because their primary function seems to be to get in my way, set off traps, or attract aggro. I can't remember most characters' names unless I'm actively playing. I'm more likely to casually murder people in Skyrim than I am in BG3 or DA because Bethesda hasn't really made any of their NPCs feel like real people, and consequentially I feel no guilt. By comparison I tried to do an evil run of DA:O and gave up the instant I had to kill Wynne (the grandmotherly spirit healer) when she refused to let me go through with my plans, because I hated doing it. Lydia will watch me gut an innocent man and do NOTHING because she has no life, existence, or personality outside of me, the player. This extends to romances, obviously. While optional in all the games, most people will pursue a romance path in BG3 or DA for the additional character arcs it brings to the characters, the emotional nuances they unlock. In Skyrim romance is a box you tick of tasks to complete. In fact, once you marry them, most marriage candidates personalities change *completely* because all spouses have the same few stock dialog lines. That is, if they had a personality to begin with (again, see Lydia). You know how everyone wants to romance unromanceable characters in Bethesda games? Like Brynjolf in Skyrim, or Nick Valentine in FO4? It's because Bethesda actually bothered to give them stories and opinions.
Honestly, this extends to the player character themselves. To a certain extent every player character is a blank slate, but in BG3 and DA it at least feels possible to develop a feeling about who that character is and what they would or would not say or do. I've tried to do that with the Dragonborn and rarely feel strong feelings about them or have strong opinions about what kind of person they are. The only one I've made who I have much of an idea about is my wood elf Parafina, who is Chaotic Evil. Which again is an option I only pick because no one in Skyrim feels real.
The stakes also feel more real in BG3, more personal. Obviously there's the central quest involving the tadpoles, but more than that, it is about a credible threat to your world and the people and communities in it and the people you love. There are tons of reasons to invest yourself emotionally in the narrative. I have never, ever completed the main storyline in Skyrim nor picked a side in Skyrim's civil war. Why would it? Basically nothing happens if I choose not to. Furthermore, if you're not playing as a Nord (which I usually don't), why would you care about Skyrim as a place? You are a faceless, voiceless (pun intended) outsider who gets microaggressed at every turn being asked to choose between two different flavors of fascist. Also dragons are back but like... listen, I don't care? They get pretty easy to pick off at a certain point, it's like swatting flies, they're just a nuisance on the way to my daily errands. And isn't that such a common story? Don't you know so many people who don't really bother with the main storylines of Skyrim? Yeah it's one of the bestselling games of all time but I feel like the fact that most people don't really care about its narrative should be a sign of failure. We all know it's mostly maintained its popularity due to the modding community.
Ultimately both games have rich worlds which reward exploration with little secrets and environmental storytelling. But BG3 feels more "meaningful" because they give me reasons to care about what happens. The writers worked hard to give the game emotional resonance. So I come to the two games for different experiences. I go to BG3 to engage with an interesting story. I go to Skyrim for the quick serotonin hit of completing tasks and hoarding items.
#bg3#baldur's gate 3#skyrim#skyrim critical#with all the love in my heart mind you#i was considering not tagging this tbh
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biggest peeves with genshin x reader fics
I'm going to preface this by saying you can write whoever you want however you want and no one is gonna stop you; heck, it likely won't even affect your likes and stuff. These are my personal peeves stemming from character portrayal <3 Characters A-D
Albedo ;; He isn't very heavily emotive; He is shown to approach almost everything from a logical/analytic standpoint!! My guy expressed concern with the most nonchalant voice, so he clearly does care, just not in an expressive/passionate way
Alhaitham ;; Similar to Albedo, but slightly more expressive! He clearly has things/people that he values, and his own ways of showing care differ from societal norms, which is why he comes across as cold and indifferent!! Even the vulnerability that comes slowly with trust isn't immediately obvious, but this is definitely something that's interesting to explore in works⎯ Would he change the way he feels comfortable expressing himself into something else for you? Would you want him to?
Aloy ;; fuck what genshin did to my girl im skipping aloy
Amber ;; One of her main personality traits is the lack of deliberation!! Even with people she really cares about and loves!! Overthinking? We don't know them
Itto ;; Let bro be silly. Let bro make mistakes. Let bro have no idea what he's doing, but know he's giving it his all no matter what⎯ This is the Arataki Way.
Arlecchino ;; Gonna be honest I know jack shit about her but everything I read sounds hot <3 I do think she isn't the type to get frazzled/embarrassed but boy oh boy you can try
Baizhu ;; bffr he would NOT let you neglect your health like... Look at the man 🤨 I don't think he's the yelling type either?? Like he'll stand up for you obviously, but wouldn't start a fight imo; He got them dangerous snake eyes and scary words fr
Barbara ;; idk i don't read minor x reader things + i don't think i've ever seen a barbara x reader ever 💀 I do think she'd be patient and caring to the point where doing anything bad would make you feel guilty asf :/ not even in a romantic way, just like⎯anything. The kind persona isn't actually an act, she's in a role where she cannot be seen as anything else but it isn't hard to be kind as she would act that way, idol or not. More of a character thought, not a fic peeve </3
Beidou ;; She would start fights for you and she'd win, we all know this. I do think that many fics don't explore her emotions to a deeper extent, like motives and such? I think there's a lot of flexibility in that, and many avenues to explore! Not a peeve either, just a thought.
Bennett ;; Minor again(?), I don't read Bennett fics aha 😭 Grasping at straws here, with such a brave face shown to everyone, taking it off to share the sadder stuff sounds hard
Candace ;; Dunno much either 💀 Nor do I see any fics about her...
Charlotte ;; Would she love and cherish you? Yes. Would she leave her job for you? No. Would she feel bad about always being busy chasing headlines? Yes! Would she only really do well with a partner who supports her career and aspirations? Yes!
Chevreuse ;; Sorry guys I don't even know her 😭
Chiori ;; Would also start fights for you, would also win; Clearly takes no shit, I imagine certain compromises would take a while to reach? Canonically fairly headstrong, I doubt she'd be a pushover with an s/o
Chongyun ;; Minor 🧍
Clorinde ;; Her showing vulnerability with you definitely means a LOT. Beyond her career and the things she does for it, I just know there's so much going on in her head :( Let my girl share, give her a safe space, be patient to eventually emotionally connect
Collei ;; Minor 🤨
Cyno ;; He does not seem like the dominant/aggressive/pushy type :( I bet there's complicated feelings between the way he acts as a General and the way he acts with a lover⎯undeniably would never want you to be scared of him. Teasing type, likely nothing worse.
Dehya ;; I haven't seen her done dirty, so I'm pretty content
Diluc ;; High-functioning man, having dealt with varying stressors over so many years I doubt anything could interrupt his work flow⎯having said that, yes that means issues with a relationship making him struggle to work would mean more; Yes, i still believe that's highly unlikely
Diona ;; No.
Dori ;; No. Also, I hate her.
#albedo#albedo x reader#alhaitham#alhaitham x reader#itto#baizhu#beidou#cyno x reader#cyno#genshin x reader#diluc x reader#diluc#persimmonspeaks
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Brother's best friend
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Summary: You go to spend the summer at your grandparents, along with your family and the Wayne's. Will something rise between you and Damian?
Warnings: Reader is half kryptonian, meaning they can hear heartbeats.
Gender Neutral
Series Masterlist
~☆~
It was quiet. There was no sound of cars in a busy street, voices of pedestrians that became too much as they all overlapped, no musty smell of used up air. It was quiet, only the sound of the TV, animals outside, and the heartbeats of your loved ones could he heard.
Your grandparent's farm was your escape. It was where you could go when you wanted to get away from the city that you and your family lived in. Apparently, everyone agreed, because now you're spending the summer on the farm, along with your mother, father, and brothers.
Your mother was helping your grandmother clean up after breakfast. Your father was helping your grandfather with the animals, you and Jon were watching a cartoon, and Kon was still sleeping.
Despite your grandparents being two lonely farmers, more people were still going to be joining you. Everyone had decided that it would be nice to invite Bruce Wayne and his children to join in on your short vacation. You had barely gotten Jon to sleep the night he found out that they said yes, he was far too excited about what was to come. Eventually, your mother had to come in and scold him for still being up.
If you listened close enough, you could hear their plane, and if you listened even closer, you could hear their hearts and words. Which Jon had been doing the entire time he had been awake, anxiously waiting for his best friend and his family to arrive, your father and Kon doing the same. Was it a little weird that Clark, Kon, and Jon were all best friends with members of the Wayne family? Yeah, a little bit. But did you care? No.
Jon had been going on for years now about his best friend, Damian Wayne. Apparently, the two of them met due to being Robin and Superboy. Jon had told you about the many adventures the two of them had, the times they would hang out at Wayne Manor, and how much he adored Damian. You've heard similar stories about Bruce, and Tim aswell, your father and Kon sharing the same excitement as Jon over their best-friends.
Almost all of the Wayne family has heard about you, too, but not as much as Damian has. Jon is always talking about his older sibling, born just two years before himself, and a year after Damian. Jon is always talking about the things the two of you have done, what you like, any new changes you've made to your appearance. To some extent, Damian feels as if he already knows you. You also feel the same.
"I can't wait for you to meet him." Jon excitedly tells you, taking his eyes away from the small TV and looking at you. You turn to meet his gaze and offer a small smile, hoping it will get him to stop gushing about this family you've never met. Maybe you're excited about meeting a certain older brother, one that your family said came back from the dead. It's not that you don't want to meet them, it's just that you don't want to spend your summer with some strangers.
~☆~
It was about lunchtime when you could hear the plane getting closer to the farm, your family raced outside to greet their friends.
A grown man was the first to jump out of the plane, his hair wavy and black, eyes blue and skin tan. He had one of those Hollywood smiles that instantly got you plastered on a magazine. He ran up to your father and welcomed him into an embrace. He was far too young to be Bruce Wayne, but also too old to be Damian.
Another boy hopped out and jogged over to Kon. Obviously, that's Tim. His pale skin and shaggy black hair gave it away.
Who you assume was Bruce emerged next, the wrinkle between his eyebrows and his strong physique being a sign. You could hear your father whisper his name as he went up to hug the man.
An even younger boy walked out, instantly earning a yell from Jon. He looked almost identical to Bruce. Only his skin was tan, and his nose was stronger. His eyes were green, a strong contrast from the three blue-eyed men that he had traveled with. His hair was black and clean cut, styled upwards. He was gorgeous. His description could only mean that he was the one and only Damian.
Another man walked into the light. He was tall and muscular. His wavy hair was black with a stripe of white and out of his face. He was wearing sunglasses, blocking his eyes from your view. Even from the distance, you could see the scars that adorned the side of his face. Jason Todd.
You watched as your family exchanged their hellos, obviously excited about the entire situation. Just as you were about to turn and go back inside, you heard your father introducing your grandparents. That could only mean that you were next.
His arms gestured around your family before finally landing on you, "And that's, Y/N." He spoke.
The first man(whom you overheard the name of) started walking towards you, his flashy smile on display.
"Hi, I'm Dick!" He introduced himself, offering you a handshake. After you reciprocated the gesture, he put his arm over your shoulders, holding you to his side. His hand rose up to point at the other people he arrived with. "That's Bruce," he stated, pointing at the man next to your father. "That's Jason," His finger was now pointed at the man with the white streak in his hair, "Tim" was all he said as he gestured to the boy conversing with Kon. "And that's Damian." He said, pointing at the boy that was being bombarded with questions by Jon. To your surprise, he was staring right at you. His gaze was sharp and felt like he was seeing right through you.
Your eye contact was interrupted as your grandmother came rushing past you with a pitcher of tea and some cups.
~☆~
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New series alert!!!
Update's will be slow.
#damian wayne x reader#damian wayne#damian al ghul#superboy#kon el superboy#superman#x reader#jon kent x reader#jonathan kent#lois lane#superman and lois#kon el#konner kent#kon kent#conner kent#conner luthor#bruce wayne#dick grayson#jason todd#jason todd x reader#tim drake#dick grayson x reader#bruce wayne x reader#tim drake x reader#batsiblings#batboys#batbros#batman#batfam x reader#batfamily x reader
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The new Mrs. Winchester (18)
Word count: 3.1K
Pairing: Sam X Reader AU
Chapter warnings: Implications of sexual abuse, mentions of torture, PTSD, angst, flesh trade, language, mention of violence; reader discretion is strongly advised.
Series Summary: After spending over two years in captivity, and enduring assault, torture, and degradation of every kind, Y/N is finally sold off to the highest bidder. But when the deal is masked as a hushed marriage to a wealthy and powerful man, Y/N knows it means a few more nights of brutal torment ending in certain death. After all, why else would a man like him, want someone like her, except to fulfill desires so depraved that they would require owning a person. However, the Winchester mansion has mysteries of its own, woven in lies, betrayal, and death. Smack in the middle of it, she finds both hope and a home, in the person she least expected to find it with. But when it comes down to it, will she be able to save the thing that matters the most?
A/N: Really slowly, but we are getting there ;)
Beta: My darling @deanssweetheart23
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With your back to the damp wall, you stared at the mouldy ceiling. Sick green patches had bloomed all over it, giving the appearance of an ugly, mossy carpet. A guard had thrown two blankets over your body. Amazing the difference that warmth could make to the mind’s functioning.
Thirteen men so far.
The pins had been removed from your heels, and now littered on the cell’s floor. Using the sharp point of one you made thirteen lines on the wall, then a fourteenth one. The guard from the first night should also count. But so should Nick, then.
Rage, the sort that could scorch the earth whole erupted inside you. A few days was all it took for the shock to turn into horror, then grief and finally rage. That monster was the reason Danny and Jamie were being held hostage. But they were safe. You had gathered your marbles and spent every minute since your recapture vigorously trying to understand the extent of your situation to the last detail. First: You were a commodity, with investment already put in place. If you behaved as instructed, you could avoid the worst of bodily harm, at least, from the captors’ side. The boss– a shudder ran through your body, in cold fear– wouldn’t let his men touch you… only the clients and him. The first assault from a guard was a one-time thing and would never be repeated, now that you knew all the rules. So, as an investment, you would be taken care of. Physical injuries would obviously reduce the value of the goods.
Second: The kids were safe for now. The business didn’t deal with murdering children for fun, they were only a security and not a purposeful target. No one would ever go out of their way to hurt them. As long as you followed instructions, they would be untouched and well-educated.
Third: You could manage and escape, but you wouldn’t even try now and everyone knew that. They managed high-end clientele and you were specifically chosen for being well-educated, where you could entertain body and mind.
A possibility emerged from all the analysis. If you managed to stay alive for a few decades here, they wouldn’t want anything to do with a wrinkled woman. Then, instead of killing you, they might turn you onto the streets.
A rattling cough sounded from the adjoining cell. In the afternoon, when they’d taken you upstairs for the man in the hideous purple suit, the cell had been empty. Noises could only mean one thing– you weren’t the newest piece for sale anymore.
Gripping the bars, you hoisted yourself up, still in pain, and banged on the wall. No one was on duty in the passageways at that time. The girl must have mirrored you, for you could see the tips of her fingers if you craned your neck.
“Don’t resist,” you whispered. “They’ll get you one way or another. It’s no use.”
She spat. “You can give up. But I won’t. I’ll find a way of getting out of here.”
You didn’t mind her derision. Rather, a sadness gripped your heart at her confidence, at the fight she harboured. You were just the same once.
Sliding back, you bit back a shriek of pain. Everything hurt and you didn’t know if you would be ready to deal with more by tomorrow.
“Where… where are we?” She asked, voice shaky. “Which way is the exit?”
“We’re in Texas, near the border to New Mexico. This is the second basement and the exit is on the third right by the parallel passageway. Two guards are always stationed there. If you get past it, you’ll exit on a mile-long driveway and about two miles to the east of its end, you’ll find a bus stop.”
A sharp intake of breath.
“I managed to escape once,” you told her. “Almost made it into the bus, too.”
“So, there is a way out?”
You didn’t want to repeat words of hopelessness to her. In her own time, she would know how impossible it was.
Michael came rattling the bars and you pressed up against the wall, scared of the smirk on his face. But he stopped before your cell, in front of hers.
“C’mon, Darling, it’s showtime,” he sneered. She must have spat in his face because the next minute you heard the clanging of the door being opened and then a slap, followed by a crash.
“You better watch it, bitch!”
“My boyfriend will rip you to pieces!” She screamed.
“Oh, really?” Another slap.
A sob broke free of your lips. That poor girl had also trusted a man and ended up here. You knew the drill, the water hoses, followed by nights of torment where she would worry sick about the guy before they would drop the truth on her of who really sold her.
“T-Take me!” The words left your lips, and then you couldn’t take them back. “Leave her. I’ll go again tonight.”
“My… my… how touching,,.” Michael came around to your cell. “Such a princess move! You know I’m not picky. If you want to get some more tonight, be my guest.” He opened your door and yanked you out. Slowly, you moved past her and registered nothing but her big brown eyes, before Michael poked you in the back. “After you, your royal highness.”
*****
“Would you like honey in your coffee, Miss?”
You craned your neck up to squint at her. “Honey? In coffee?”
“Yes,” said Abby. “Mr. Winchester has been taking it in his and it seems to have made all the difference.”
“Abby, the only thing that could make any difference to his coffee is throwing that whole jar away.”
She giggled quietly and added a single sugar cube to yours. You registered her mild tone. There seemed to have been a colossal shift in her attitude towards Sam. You wouldn’t be the one to complain, but regretted having missed the phenomenon.
“Mrs Winchester!” Sarah, the other maid on Wednesday’s wait staff barged into the room. “Ma’am, you need to come down, people have come asking for Mr Winchester.”
Sharing a confused look with Abby, you followed Sarah downstairs and then steeled yourself to find most of the board in the dining room, seated at the table.
“Mr Singer, it's wonderful to see you here,” you greeted Bobby and then the other members, most of whom were Sam’s cousins. “Sam isn’t home at the moment. What can I help you with?”
Sam hadn’t been home for a while now, away on business as he was.
“You can’t help here,” said Christian, but he didn’t appear surprised in the least to not find Sam at home. “It’s a board matter.”
None of the Campbells had ever spoken to you directly. Not Christian or even Gwen, but she was glaring at you now.
“Why, I think I deserve to know.”
“If you insist then,” he said, tilting his head. “The board has decided by a majority to remove Sam Winchester as the CEO. Considering the share of all present parties, the majority percentage agrees to instant dismissal.”
Your heart started pumping faster in your chest, but you managed to murmur, “How does that work?”
Christian seemed to be the spokesperson here. “Removing Sam’s forty per cent leaves sixty per cent. Bobby here refuses to agree–” a sneer in his direction– “ That leaves a majority of the shares with us! Is it simple enough for you, Y/N?”
You jerked at being called by your name by anyone other than Sam. However, you held your ground. “Doesn’t leave sixty per cent.”
“Excuse me?” Gwen stepped up.
“I said, removing Sam’s share, doesn’t leave sixty per cent. It leaves eighty. A week ago he transferred half of his shares to mine.”
A rumble ran through the assembled men. Apparently, the share transfer hadn’t been put up on a bulletin board.
“That’s still what? Twenty to–”
“Twenty-five,” grumbled Bobby. “Don’t go forgetting this old man, Campbell.”
Christian was losing it now. “Fine, big deal. It’s still twenty-five to thirty-five. About time that Sam and his new bride packed up and left.”
At your startled look, Gwen grinned. “Didn’t you know, Darlin’? The mansion’s run by a trust, no majority, no house.”
You looked about yourself, missing Sam in your bones. Insanely, while sitting at the dining table, of all people you thought of Han. The snapping, the hostile looks in everyone’s eyes reminded you of his words: “Lady, if you run into the wolves, I’ll be afraid for them.” You wanted to be that brave girl now, the one unafraid of wolves. And just like that you were homesick for him. He’d promised to come when you needed help, needed him– lamp or no lamp.
And here you were about to be thrown out when Sam wasn’t even home.
The doors of the dining hall were thrown open and you jerked up in your seat. As if in a fever dream you saw Han saunter into the living room, boots, leather jacket, muddy jeans and all, as if he didn’t have a care in the world.
As he passed by your chair, he lightly ruffled the top of your hair briefly, then pulled the chair beside yours and fell on it. “Hey, Chewie!” He grinned, completely disregarding that every chair apart from his and yours had scraped and now everyone else was on their feet, emotions ranging from shock to being thunderstruck. He put his muddy boots up on the table over crossed ankles. The soles directly faced Christian.
You made a move to get up as well, but he placed a hand on yours to hold you there. You couldn’t help but gauge everyone’s reaction. Out by the brook, on your pier, holding Han’s hand would be the most natural thing in the world, but not only did he seem completely out of place here amidst these men in suits, but he also didn’t seem to care… at all. And you didn’t know if you did, as Mark Campbell’s eyes moved from Han’s face to his hand on yours. Be that as it may, you were still magnanimously glad that he was here for you.
“So, Christian, I heard you were harassing this young lady?” Said Han, eyes sharp. “Old habits die hard, huh?”
A slight panic started to rise in your throat. You didn’t want any of these people to be disrespectful to your friend, be horrible to him, because they were perfectly capable of it.
“Ha–” you started, but he tightened the grip on your hand, and you understood his signal to be quiet.
No one had found their voices yet and were still gawking at Han as if he were some extra-terrestrial being.
In the end, Bobby cleared his throat and put a hand on your friend’s shoulder. “It’s good to see you, son.”
Han turned his face to meet Bobby’s gaze and you couldn’t see the expression on it anymore, but Bobby’s eyes became tender and he let go. When Han faced Christian again, the steel was back in his voice. “ Explain the math to me again, will you?”
“Y-you can’t just come back again and… and…”
“And what? Explain it like a five-year-old to you?” Han smirked. “Did you leave all of my twenty per cent out? Guess it doesn’t take the MBA that you don’t have to figure out forty-five is a bigger number than thirty-five, huh?”
“You, son of a bitch,” hissed Christian, putting his palms on the table. “You think you can disappear to God knows where and then turn up now to–”
For the second time, the door to the dining room opened and Sam stumbled in. At first, his gaze fell on the assembly as a whole, then he did a double take at Han, eyes going wide and wider by the second, until they dropped to your entwined hands and back up again, at your face first and back to the man next to you. You saw him rock a little on his feet and then go very still.
You yanked your hand back, but you needn’t have because Han let go, too, and got to his feet. You fully appreciated how tall he was, also. It seemed like an eternity passed between them as they stood staring at one another and slowly, very slowly the situation truly sank in your comprehension.
Castiel followed after Sam and froze, too, then exclaimed, “Dean!”
With shaky feet, you stood up, realising how wrongly you had interpreted the entire situation. The board members weren’t shocked at the appearance of an alien person in their midst. Rather they were incensed at the entry of the strongest contender in the game save for Sam himself.
This man was Dean. Your Han was Dean Winchester.
“Cas,” Bobby warned, and Castiel schooled his expression. “Move along then, people,” Bobby raised his voice. “I believe the matter is settled. Let the family have some privacy.” But the men didn’t seem to want to move, as if they were also caught in the power of the unbroken gaze, expecting a shouting match… eager for it. And maybe they weren’t far off, because you knew Sam’s clenched jaw and Dean’s steely eyes.
“Move now!” Bobby snapped and slowly the board filed out of the room. Cas, the last to leave, closed the door behind him with a look of apprehension.
Your breath caught.
Time unfroze then.
Suddenly, Sam crossed the room and closed the distance in between to engulf his brother in a tight hug. Dean hugged him back fiercely, eyes an ocean of emotions– pain, longing, love. And Sam? You had seen him stressed, worried, even vulnerable… but never like this, never seen him close his eyes so tight and simply let go. The weight he seemed to carry on his shoulders all the time, seemed to evaporate in a second and you could see in him the man who was only twenty-nine, without the responsibility of the world to pull him down.
They broke apart, eyes still roving each other's faces for a minute, before Sam turned to you, grinning. “Dean,” he said, voice lighter than a breeze, “This is Y/N. And Y/N, this… this is my brother, Dean.”
He took a step in your direction, but you moved back, flattening yourself against the wall. “Don’t… don’t come close to me.”
“Y/N?”
Sam’s brow furrowed.
You inched further away, pointing a finger at him. “You got me good, Sam. You got me real good. You and your brother. Did you plan every second of it? And for how long? For two years, is it? For two years you’ve made a fool of the whole world… no bigger fool than me, though. Brilliantly executed good cop- bad cop routine.”
You felt disgusted at yourself for falling for the manipulation. Had anything been real at all?
“You wouldn’t even look at me in the beginning. In… In the chapel, you wouldn’t even turn your head in my direction, as if I was something disgusting stuck to your shoe, and you treated me like an invisible ghost in your house. And then you graced me with your attention, your care, your… your…” You broke down crying. “All to get me talking. I know that now. I’m not stupid.”
Knees bucking, you fell to the ground, unable to stop the pitiful crying.
Both brothers moved, but Dean was quicker to get on his knees.
“Chewie–”
“Don’t you fucking call me that,” you screamed. “I trusted you. I thought you were my friend.”
Over you, Sam started, worried eyes shifting between you and his brother in confusion.
“You’re an asshole,” you pointed at the man before you and then above. “You, too, Sam. You violated my trust. What you did is no better than any of those hundred men.”
Sam flinched. You might have slapped him.
Shakily, you got to your feet. “I’ll never forgive you.”
The run up the stairs and straight into your room ended when you threw yourself onto the bed. The silk hangings mocked you. You had been blinded by the false promises and reassurances, but you were still nothing more than a piece for sale, to be used… had never been anything more.
Slowly the past few months started to feel like a dream… one that had always felt too good to be true because it was.
The girl in the next cell jumped up from the floor as you were nearly dragged back to the basement that night, having completely lost the will and ability to walk. You heard the clatter of steel bowl as she rushed, but couldn’t find the energy to meet her gaze. Then it was too late as the door to your cell opened and you were unceremoniously flung inside. The birds outside were just starting to twitter, signaling the early hours of morning, little rodents scurrying to get back into their holes now that the night had ended. How you wanted to crawl in a hole, too, and just… die.
“Why did you do that?” She asked, voice strangled.
You didn’t have an answer for her. Getting slapped six times was nearly the same as getting slapped five times, right? Tonight, you were beaten anyway and she wasn’t. You understood the difference.
“Thank you.” Her voice held all the gratitude.
With the last vestiges of strength, you dragged yourself up onto the cot and pulled the two blankets over your body. “It’s alright.” Maybe she heard the whisper. Maybe she didn’t.
“Don’t worry,” she said. “I’m gonna get us out of here. Get you out, if it’s the last thing I do.”
She was brave that one. You wanted to tell her to hold on to that spirit because men knew nothing but to hammer against it. Men knew nothing but to take advantage of women, but you were too tired to open your mouth.
Maybe having her in the next cell, you might not feel so lonely anymore, you thought as your eyes closed.
The banging woke you up. Sam was hammering on the connecting door of your room. Pulling your hands up, you shut your ears tightly until the banging stopped. Sam didn’t rest, as the desperate banging gave way to structured knocks.
L-E-T M-E A-T-L-E-A-S-T E-X-P-L-A-I-N
P-L-E-A-S-E
Y-N
One last loud bang against the door, as if he had banged his fists against it in frustration.
You must have fallen asleep or were nearly under when softer knocks sounded right over your headboard on the wall:
I-M S-O-R-R-Y
But you didn’t have it in you now. All along you had been right: Men knew nothing but to take advantage of women.
*****************************
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𝓉𝒽𝒶𝓉 𝑜𝓁𝑒 𝒹𝑒𝓋𝒾𝓁 𝒸𝒶𝓁𝓁𝑒𝒹 𝓁𝑜𝓋𝑒 ˚₊·͟͟͟͟͟͟͞͞͞͞͞͞➳❥ wally darling
⚠ tags: sfw, mob au, yandere!wally, gn!singer!reader, power imbalance, discussions of violence
♡ synopsis: you’d be surprised how many fans you accrue as a small-time lounge singer. while this is usually a good thing, one of yours happens to rule half the city, so he isn’t exactly receptive to the word “no”.
♡ word count: 5,310
⛧ミ‧*・゚ the following content may be triggering to some. please proceed with caution! ・゚*‧ミ⛧
a/n: hello!! ₍ᐢ.ˬ.⑅ᐢ₎ goshh, my very first post on this acc!! i haven’t posted fanfic in a hot minute but i’m suuuper excited to get back into it!! 💞 i have sooo many wips for this fandom, it was difficult to choose which one to finish first! credit to @/clownsuu for creating the au and for the lovely art!! i tweaked the concept a wee bit so that it takes place in a roger rabbit-esque world where puppets and humans live together unharmoniously (with a jessica rabbit inspired reader ofc >v>). it was a lot of fun trying to marry wally's canon personality with a Scary Mob Boss (*´ 艸`) i can't wait to post more!! what are y'all's favourite aus? let me know!! ・*・:≡( ε:)
There’s a rose on your vanity.
The sight of it snuffs out your high spirits, irritation igniting in its place– and it was such a good day, too! You and the girls were perfectly in sync for your entire performance, bolstered by the unusually affable audience; you even rewarded them with a sneak peek of new material, which made them go wild!
Dreams of stomping it beneath your heel stew in your head as you drop it in the faience vase at the rim of the mirror, where a crinkled, beige-tipped rose droops against the rim. Why not break the vase too? An idea that’s crossed your mind too many times, and while it gets harder to resist with each flower, you endure it. They’re presents, after all, and you doubt your admirer would take kindly to the news that you’ve trashed them. You’re certain one of his minions would obtain the evidence, if not witness you do it; you can’t pinpoint the extent to which they survey you, but the crawling sensation of eyes on your back crops up often, and obviously they have no problem barging into your dressing room to play delivery service.
Sighing, you comb through your rolling rack to pick a suitable outfit to change into. Most of the articles hanging are also gifts, but you’ve made sure to keep some of your own hard-earned clothes here out of sheer spite. A burgundy cashmere number has just slipped into your grasp when the door bursts open.
“How’s that for a show?! And what a great crowd, a whole buncha dolls! Or– well, puppets– and humans! Hahaha!”
Lottie skips in with her usual energy, the bell on her collar jingling alongside the clack of her Mary Janes. You hate that their manager mandates the bells as a part of their costumes, as if puppets being treated like second-class citizens wasn’t enough. “You wanna make money or not? It’s part of the appeal! You know, Mary Had A Little Lamb and all that!” is what he told you after one of your countless tirades regarding his treatment of them, but the sleazy smirk wrapped around his cheap cigarette allowed you to read between the lines. As much as you despise that man, it’s not your business to judge the trio for staying contracted with him. Mottie’s recalled to you how difficult it was to hire a manager at all, and you suppose you have to (begrudgingly) thank him for bringing them into your life, since he’s the one who bagged them the backup singer gig.
A swell of color in your peripheral lets you know that she’s come near, but you don’t bother diverting attention from your search. This is such a common occurrence between you two that pleasantries are no longer required.
“And they were mighty generous with the tips! So me and the gals was thinking we should go somewhere to… celebrate…”
Hearing her trail off, you turn to find her staring at the new rose, her once-perky ears fallen limp. You click your tongue, remorse prickling your heart, though you’ve done nothing wrong.
“I’ll be alright, Lottie. Here,” You grab a wad of bills from your personal tip jar and fold them into her hand. “You take your sisters somewhere nice, my treat. As an apology for having to skip out tonight.”
When she doesn’t move from her spot, merely pouting at you with big, glistening eyes full of concern, you swaddle her in a hug. Fleecy strands of shell pink hair tickle your nose as she nestles her snout into your shoulder, squeezing you like a lifebuoy. Having her in your arms is a vital reminder as to why you continue to put up with everything. Lottie, Dottie and Mottie are your beloved friends– your family when you had none– and you are willing to do whatever is necessary to build a life with them.
“Are ya sure?”
“Positive. And if that bug gives you even a whiff of trouble, you come get me right away, got it?”
She laughs, the sound a balm to the ache of your worries. “He never gives us any trouble– n’fact, I haven’t heard ‘im say a single word!”
“Good. At least one of them has manners. Now go have fun!”
After a few more hugs and a promise to relay your apology to her sisters, she trots towards the entrance. Halfway through it, she pauses.
“Promise ya’ll play nice?”
An involuntary grimace twists your face, which you smooth immediately.
“I was planning on it,” you concede, earning an exhale of relief from Lottie.
“Thanks. Honestly, I’m kinda worried...” She leans against the doorframe, gaze trained on the checkered floor. “I see more and more of that Napoleon-wannabe’s goons lately. Do ya think he’s gettin’ antsy? It’s been real quiet since that incident with Dorelaine.”
Ah, the incident. It happened a handful of months ago; he refused to go into specifics, but what you’ve gathered from his gnomic recount and various news stories is that their rival organization– led by Ronald Dorelaine, a human man– planted explosives somewhere important, racking up thousands in damages and dismembering several puppets, left to be mended with those horrific stitches. You didn’t receive another rose until several weeks afterwards.
“I can’t be sure,” you admit. “He doesn’t tell me much about the goings-on of the ‘family’, not that I care to know. But I noticed he’s been more wound up lately… maybe they’re going to retaliate?”
A visible shudder travels through Lottie, and she tosses her head as if to ward off the gravity of your predicament. It was easier to ignore the implications when there wasn’t an active turf battle.
“You’re right, we should stay as far as we can from that nasty business. Wear the red, then. To butter ‘im up a little.” She offers you a conflicted half-smile, most likely holding herself back from proposing a makeover, before sidling out the door.
Glowering, you follow the advice, shucking your tight, shimmering stage outfit for the cozy cashmere you were eyeing before. Like I need to be reminded of his favorite color. I’ve practically lived in red since I met him. It inexplicably fits like a glove, as do all of the clothes you've been bestowed; for the sake of your sanity, you prevent yourself from delving too far into that subject.
As you fix the little bits of your appearance that got mussed up during your performance, you can’t help but contemplate hiding in your room until morning, even though you know it wouldn’t work– and you’d have to pay for a broken front door. Once every speck of lint has been removed and your ensemble is flawless, you steel your resolve with a hard look in the mirror. If things go south, at least you’ll make a gorgeous open casket.
You step into your shoes and out of the dressing room, swiping your bag and a matching hat from the plethora that dangle on knobs affixed to the wall along the way. The haze that eternally permeates the lounge envelops you as you walk, no longer springing tears to your eyes like it did so long ago, when you were a starry-eyed fledgling. Upon entering the foyer, you call out to the owner, Gene, who’s counting the register behind the bar.
“Hey, I’m heading out!”
“Geez, you’re in a hurry! Got a hot date or what?”
“Something like that,” you breathe, your nerves relighting tenfold now that you’re so close to the outside.
“Ahh, I getcha.” His amusement is clear, construing an innuendo within your words that is absolutely not there, but you’d rather die than clarify. “You did a great job today, you deserve it!”
Somehow, your admirer has managed to limbo directly under Gene’s nose; thus far he’s made no indication that he’s aware he has a very important patron. For a moment, you observe him, and see how he absentmindedly rubs the pocket of his button-up– where a polaroid of his two children is safely tucked away– and you decide that it’s probably for the best.
“Thanks, Gene. Have a good one.”
“You too!”
His reply barely reaches you as you cross the threshold from the comfort of your work into the cold, pensive night. A luckier soul may have suffered a fright when greeted with the colossal figure standing below the street light, carved with shadow, but it’s a familiar sight to you now. An inconspicuous black car is parked behind him.
“Hi Howdy.”
“Evening, Mx.” He bows slightly, whisking open the sleek passenger door which you reluctantly slide inside.
“I wish you’d stop calling me that. I do have a name.” It’s true. Being addressed formally by such an important figure imbues you a with a sick feeling, like he’s won, and you’ve already been initiated into this fucked up institution.
Though he waits for you to finish speaking before shutting you in, he doesn’t grace you with a response; not that you were expecting one. In all the times he’s escorted you to these duress-dates, as you’ve taken to calling them, he’s remained stoic to a mechanical degree, acknowledging your presence and nothing more. Thrashing, crying, screaming– you’ve tried everything to escape, and have never elicited a reaction more severe than that of a tired parent handling a tantrum. If you resist, he simply manhandles you. It’s hardly a fair match, with him having 4 arms and several feet of height on you, so you opt to reserve your energy for dealing with his headache of a boss.
When he hauls his many limbs onto the driver’s seat, the car lurches, too small to accommodate a puppet of his stature; he has to hunch forward to see the windshield, antennae pushed flat. You lean back and vacantly turn towards the window, wondering if cars big enough for someone like him to drive comfortably even exist while the engine rumbles to life.
The umbrous cityscape passes you by, inklings of humans and puppets flashing in and out of the darkness like ghosts. Thick boughs of red and green tinsel are strung across a few lamp posts, but by the end of the season they’ll all be covered. Dottie’s already triple checked that you and her sisters have one day of the annual Christmas market off, even though you strike the same deal with Gene every year; the four of you get Saturday, then he gets Sunday to take his family. It’s one of your favorite times of the year, if only because you get to experience the aura of wonder that enlivens Lottie when the first snow falls, Mottie’s timid wheedling to attend The Nutcracker, and Dottie’s alphabetically-organized checklist of fun winter activities.
Those cheerful thoughts are wiped away as Howdy turns into a private garage attached to a sleek, angular skyscraper. He parks in the spot nearest to the entrance, the first in a row of spaces labeled with metal “Reserved for Staff” signs, and circles the car to let you out. The sensation of him gingerly lifting you comes with no alarm; he always assists you up the concrete stairs leading to the elevator, as if you’re so physically inept you can’t handle 3 tiny steps. You assume his needless precaution is for the same reason he hasn’t beaten you yet despite defying him so often: boss’s orders.
With a reedy knell, the elevator glides open, and Howdy signals for you to go ahead. Once you’re both inside, he inserts a key and presses the button for the uppermost level. Expecting a noiseless ride, you tune into the low muzak emitting from the speakers, which makes you miss the first time he calls you.
“Mx.”
Startled, you swivel towards him. His steadfast profile is unreadable.
“Boss doesn’t know you’ve opposed him so vehemently in the past. Please keep that in mind tonight.”
The entrance broaches before you can interrogate him as to what the hell he means, granting you entry to a luxury penthouse laved in gold, ivory, and– of course– red. A glimmering chandelier suspends from the ornamental ceiling, bathing the antique furniture in an amber glow. If you hadn’t just ridden up the elevator, you would have assumed such a lavish drawing room belonged to an old mansion.
It’s something straight out of a romance novel, except instead of a chiseled, broody Italian, it’s a short puppet sitting at the marble-topped dining table. He lounges at the head in a slate blue silk suit with its jacket buttoned to the top; an honor seemingly reserved solely for you, because it’s the only way you’ve seen him wear it, despite street tales describing the way it billows from his shoulders as he stalks the town. Revealed by its plunged neckline is the collar of a white dress shirt embossed with rainbow pinstripes, and a red ascot neatly tied and pulled askant around his throat.
Wally Darling, in the felt: kingpin of The Neighborhood, and resident thorn in your side.
When you arrive, he rises to meet you, dismissing Howdy with a pointed glance; you’ve learned that the relationship between a crime lord and his loyal bandog transcends language. You watch him as he leaves through a pair of swinging doors to the left, his cryptic advice-slash-warning heavy on your mind.
And so, you find yourself alone with the most dangerous man in the city– puppet or otherwise.
“Good evening, dearest. I hope my gift found you well.”
The concept of personal space might as well be Greek to Wally, since he hasn’t once respected it from the day you had the misfortune of making his acquaintance. He crowds so close that you have to crane your neck to see his face, the heat emanating from him eliciting shivers in your chill-soaked body.
“Yes, thank you. It was quite a lively night,” you chirp, wielding a civil smile.
Although the contours of his wispy, coiffed curls only reach your ribs, he extends his arm to you, which you take with such a featherlight hold that you barely brush his sleeve. Rather than leading you to the dining table like you expected, you’re guided towards a small lounge area to the side, the crackling croon of Billie Holiday wafting over from a refurbished stereo console in the corner. Oh, great. He’s feeling sentimental.
“Would you indulge me with a dance before dinner?”
Don't have much of a choice, do I?
“I’d love to.”
Dancing with Wally is funny, in an ironic sort of way; it certainly caught you off guard the first time he asked. When you envision dancing with a powerful, deadly mobster, you think of being swept away, wrapped snugly by strong arms and a dastardly smirk, or perhaps something more courtly, like a waltz steered by a polite hand on your waist. Turns out both versions are incorrect.
Muscle memory ushers your arms open, and Wally falls into the space in between them– literally. Slack against you, his full weight is heftier than his height would imply, but not physically uncomfortable– emotionally and morally, however, are another story. An air of pure peace washes over him as his cheek nuzzles the underside of your chest, arms limp at his sides; you swear you even hear a little trill. Your face burns, but you say nothing as you begin to sway faintly to the beat, tracing a loop with your feet as you traipse along. Wally follows easily, tethered by the reluctant cage of your embrace.
“Do you remember the night we met?”
The query is felt more than heard, his gentle monotone muffled by the downy fabric of your garb. You huff softly to yourself, rustling a few gel-slick strands atop his pompadour.
“How could I forget?”
The day the infamous Mr. Darling appeared in your club, his two largest henchmen in tow, is burned into your brain like a regrettable tattoo; Gene was off, so you were covering entertainment for the night while the sisters managed the bar and floor. As you were singing the very song playing now, you detected a curious hush that had overtaken the throng of guests, and strained to cut through the stage glare and cigarette fog to locate the cause. Tracking the audience, who were all regarding the bar with varying amounts of subtlety, you nearly dropped the microphone when you saw the broad blue back of Barnaby B. Beagle, someone you’d only heard of in gossip. He gesticulated as he spoke boisterously to poor Mottie, who was as white as a sheet behind the counter. Situated a slight ways away was Howdy Pillar, who stood as motionless as a statue with both sets of forelimbs fastened behind him.
And then you noticed him. A puppet no more than 4 feet tall, but whose oppressive presence commanded full attention. He paid no mind to the (one-sided) conversation between his colleague and your friend– no, he was staring right at you. Boring into you so acutely that you felt pinned, compelled somehow to continue singing until the final note trickled away.
As if a spell had been broken, you leapt from the platform and scurried to Mottie, who stayed petrified even when you tried to covertly nudge her to the side. How avidly you wished a fissure would open beneath their shoes and swallow them whole; but, armed with years of appeasing difficult and sordid customers, you spoke.
“Evening, fellas. I hope you enjoyed the show.”
Barnaby, who had stopped talking when you rounded the bar, bellowed a laugh.
“Fellas?! Is that any way to greet the boss and I?"
He tilted forward with menacing glee, propped up by furry elbows as his claws scraped the laminate countertop. Each of his fangs were as big as your nose.
"Dontcha know who we are, toots? Or do ya just need a refresher on respect?"
The acrid smoke from his cigar blew directly into your face, making spikes of anger bubble in your belly as you choked back a cough. Just when you felt composed enough to reply, a surprisingly mellow voice chimed in.
"It's alright, Barnaby."
The shock slacking his jaw mirrored yours, although you hid it under a mask of cool indifference. You dared a glance at Mr. Darling, but the pressure of his peer chased your gaze back to Barnaby, who grumbled as he straightened back up. It was difficult to stay trained on his good eye, but you soldiered on. Fear was not something you could afford to show, and you knew you'd crumble if you peeked at the fabled gaping socket that he stapled open himself.
"I don't suppose you're Gene Clifton, aged 54, father of two, owner of this joint?" He joked, recovered from the flub.
"No, sir, but my banker would sure be happy if I was. Can I take down a message?"
"A message! I love this bird!" Snickering cruelly, he waved a flippant paw. "Y'should try that material on stage sometime, might bring ya more customers than the singing bit."
You sucked a sharp inhale up your nose. Serenity now.
"See, here's the problem. This is family territory, and in return for our protection, we charge a teensy fee. Now, we ain't unreasonable– we've sent ole Gene a few letters. And what’s our thanks for such humble hospitality? Zilch."
Oh dear. Gene doesn't bother investigating any mail the lounge receives before tossing it because it’s typically adverts. He definitely would've noted The Neighborhood's seal if he did. Regardless, the frank abuse of power only fanned your annoyance, obscuring your better judgment.
"What protection? I don't recall seeing any of your members patrolling outside. Besides, we didn’t ask for protection."
Mottie snapped towards you, looking as though she might faint. The corner of Barnaby's mouth twitched skyward, like he was hoping you'd argue, but his boss beat him to the punch.
"We can reach an agreement, I’m sure. I'd hate to see a family establishment go under, especially when they have such lovely entertainment."
Apparently Wally was so smitten that he'd accept your company in lieu of money, and so the agreement (if you can even call it that, since you were coerced) was this– whenever a rose was delivered to you, you'd attend a rendezvous with him. When you returned to your dressing room later that evening, you discovered the first gift of several: your vase.
“I knew because of your eyes.”
The floral wallpaper in front of you shifts back into focus, Wally’s voice shaking you from your recollection.
“Pardon?”
“That night, you drew me in; I couldn’t concentrate on anything else, least of all a petty protection tax. And I knew I had to have you when I met your eyes.” He sounds dreamy, reminiscing as you were before, though his framing of events is worlds apart from your own; he recalls a destined encounter with his future partner, whereas you mark it the day your wings were clipped for good.
“They shone like stars, even through the smog.”
It’s only after he’s finished that you realize you’ve stopped moving, wrapped in an intimate hug like true lovers. A strange mix of pride and disgust floods you at the compliment, stomach flip-flopping rapidly.
He untangles from you, receding so that only your hands remain connected. The newfound distance eases some of your tension, but to your horror, you find yourself mourning the loss of the husky scent of his cologne. Loath as you are to admit it, the bastard smells amazing: a dark, leathery swirl of apples and saffron that you’d buy out if someone turned it into a candle.
“Let’s not delay any longer. You must be starving.”
True to his gentlemanly veneer, he seats you at the table before settling himself. You don’t see him call, but a server emerges immediately from the doors through which Howdy left with a tray of appetizers.
There are two graces you award Wally Darling: his excellent taste in cologne, and his staff’s Michelen-quality fare. Though they adopt the four courses typical of fine dining, the dishes are more grounded, toeing the border between grandma and Gordon Ramsay perfectly. Truthfully, you’re not even sure what to categorize it as; virtually everything is transfigured into a jello, pie, or salad, harkening back to the post-war cookbooks you used to gawk at as a child in your late mother’s library. The yellowed pictures in those books appeared extremely unappetizing, but somehow The Neighborhood makes it work.
It could be because of an illusive member named Poppy, one of the 7 who make up Wally’s illustrious inner circle. She’s scarcely seen due to her fretful and skittish nature, but Wally lauds her cooking and baking skills, regaling you in the past with plenty of kitchen mishaps that occurred when she tried to decompress by experimenting with recipes and was interrupted by their more excitable comrades. If you remember correctly, he once told you that most of the menus in rotation were created by her.
The nature of these duress-dates is wholly dependent on Wally’s mood– if he’s happy, then he’ll gladly chat your ear off about frivolous happenings in his and his friends’ private lives, though he takes care to be shrewd with any details that dive too deep into the murky underbelly lying just below. If he’s unhappy, then they can be utterly unbearable; his mere existence puts you on edge, so it’s exponentially worse when he’s out of sorts, tone curt and glare fierce.
Thankfully, he’s amiable tonight. The first 3 courses march on without incident, and painless conversation flows between the two of you, even if he does most of the talking– you’re not exactly eager to share more than you have to. It’s when the server presents dessert that things go awry.
“Say, how are those triplets you work with doing?” Wally says, spooning at the Bananas Foster. “I haven’t had the pleasure of catching a performance since our mishap a while back. So much paperwork, so little time, you know how it is.”
The mention of both your friends and the aforementioned Dorelaine incident have you bristling reflexively, but you do your best to tamp it down.
“They’re well, overall. Sometimes it’s difficult for them– their manager’s a real piece of work, and we get all types at the lounge.”
“I see…”
He lets out a long “hmmmm”, like he’s reflecting on this information.
“My family has also come upon hard times. It can be… trying, sometimes, to guide my children. Especially now, when we are under unjust attack.” He confesses, wistfully resting his chin on a thread-scarred palm. “Every family requires a head, but what is a head without a neck?”
Unjust my ass. Still, the weird metaphor confuses you.
“A neck?”
At that, his catlike grin only grows. What is he talking about?
“Yes, a neck; that is, someone who supports the head. I care for my family, so it’s only right I am cared for in return, wouldn’t you say?”
Though the phrasing is puzzling, you’re fairly confident you can infer what he’s purposefully dangling in front of you, and oh, it makes your stomach plummet. Sweat breaks out underneath your suddenly-sweltering outfit; it's as if you've been tied to a railroad and have managed to divert the train through pure will for a year, but now it's steamrolling square for you. The anxiety of impending doom renders you mute, unable to piece together a coherent thought.
Taking your silence in stride, Wally leans forward, intense as he grasps your hand in both of his own. The yellow fuzz does nothing to help how clammy you feel.
“What I mean to say is, I think that it’s time to settle down."
No.
“Wh– what? Settle down how?”
“To get married, silly.”
You’re unable to help the gasp that escapes you. No, no, no!
“Get married? You mean– to me?!”
“Of course. I’ve been courting you all this time, haven’t I?”
You sputter, and he rubs your hand as if to soothe you. His many gold rings gleam under the chandelier, teasing a glimpse of your fate.
“I know in the beginning you weren’t receptive to the idea of this life, but I've shown you that I can provide for you better than anyone else.”
Your expression must betray your surprise, because he chuckles– a slow, stilted sound that sends gooseflesh blooming across your skin.
“You thought I didn’t know? Howdy may not have reported it– which I’ll rectify in due time– but I have eyes everywhere, dear. You’re quite the talented actor, though.”
That trademark simper melts into something beguiling; he cradles you as if you’re the most precious thing he’s ever held.
“I love you, and I will take care of you, as I ask you to do for me. Doesn’t that sound wonderful?”
An inviting facade of genuine affection, so ardent that you almost want to believe it. Wouldn’t that be the easiest path to take? To surrender to the hand that feeds, because where it strangles others, it caresses you sweetly? It’s more tempting than you’d ever divulge, because underneath the armor of aplomb you've so carefully forged, you're exhausted. This burden has been yours alone to bear– and what a bear it is, because if you mess up, the people you love could be injured, or worse. So much worse.
Perhaps sensing an opening, Wally continues.
“Be reasonable. The family welcomes you with open arms! Haven’t you missed having a family?"
The words stab you right through the heart, and your waning resolve springs back tenfold by the fury that ruddies your vision. When you rip your hand away, he makes no move to stop you.
"My friends are my family. I don’t want anyone else, especially not murderers!” You snarl. “You kill people– and torture and maim them! How can you expect me to accept this?!"
"All in a day's work when cleaning up the city, unfortunately," Wally hums. "I wish we didn't have to resort to such things, but you must understand. As it is, puppets are treated as less than, and hardship runs rampant for both humans and puppets alike. You’ve experienced these firsthand.” With the elegance of a master conman, he touches his chest in mock respire. “All we wish to do is provide a safe haven for those in need– somewhere to rest your bones, enjoy a hot meal, and where everyone accepts you as their own. A home.”
You abruptly stand up, feeling like you’re wound so taut that you could erupt at any moment. The mahogany chair behind you tips over from the force, striking the floor with a leaden thud, though the sound is deafened by the blood rushing in your ears.
“Bullshit! You don’t have to start a gang to combat discrimination or help suffering people! Maybe that spiel works on the poor saps you trick into doing your dirty work, but it won’t work on me. The answer is no.”
All is still for a moment as you struggle to calm your heaving breaths, trembling and locked in a quiet stalemate with Wally, who’s as relaxed as ever. Your attention flits from his right eye to where the left would be, if not for the lesion carved from a notch above his eyelid to an inch below, giving the illusion that what lies beneath is impaled.
Oh shit.
The magnitude of what just transpired comes crashing down as your adrenaline flushes out. After playing it safe for months– stomaching unwanted exorbitant gifts, being tailed by his employees, and rousted to innumerous “dates”– you just rejected Wally Darling in the most aggressive way possible. So you do the only thing that might garner you a chance to make it out of this alive: run.
You’re halfway across the room when 4 thick arms suddenly wrangle and force you to halt, a scream ripping itself from your throat out of fear. Can this motherfucker teleport now?! How the hell did he get here so fast?? Thrashing, you throw your head back to search Howdy’s face, desperate for an ounce of the sympathy he’d offered in the elevator, but it is in vain; his stony visage is impenetrable, as though it had never wavered.
“How about you sleep on it, hm? Think about all of your options. We wouldn’t want anything to happen to those little lambs when their adorable shepherd isn’t around to protect them.”
Delicate fingers cup your jaw, making you freeze as Wally stretches up to plant a faux-kiss on your cheek, complete with a small “mwah!”. You scowl daggers at him as he collects your hat from where it flew to the floor, dusts it off, and lovingly places it back on your head before giving you a few pats.
“Aw, don’t be that way, darling. I truly meant what I said; you have beautiful eyes. I can hardly wait to try one on.”
With a snap, you’re hauled over Howdy’s back and spirited out of the room, presumably to be transported to wherever you’ll be staying. Hopefully not Wally’s quarters.
It’s all too much; you feel like you’re trapped in a nightmare. How else did you expect this to end? You’re not sure. With all of the awful things he’s done, forcing you into marriage is not beyond him. You just thought you’d have more time: to plan, to save up enough money to take the girls and race to the hills.
Tears gather on your waterlines, and the minute your mouth wobbles, they spill ceaselessly. Full-bodied sobs wrack you, the pain of Howdy’s shoulder jutting into your midsection compounding the profound ache of sorrow. All this time, you’ve been trying to fight, but there was no fight to be had; it ended the moment his eyes found yours across the lounge that day.
#🐇 penned#🌈🖼️ wh#feat. some random ocs i made up for the sake of the fic#welcome home#welcome home x reader#wally darling x reader#x reader#reader-insert#yandere x reader#i love randomly throwing in ronald dorelaine#cause we have no idea who he is or what he's like#so he can be whatever i need him to be#yandere wally darling#yandere wally darling x reader#welcome home mob au#clownsuu
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hey I always wandered why do you chose certain characters in roles for your DC au like sonic as Harley Quinn or knuckles as bat man?
also I love your content btw!
usually i just choose what character roles i think would be interesting to explore for that character, or just what would be most fun
like when you think of Sonic in the dc universe you would instantly think ‘ok he would be the flash’, and its true that he would probably make a pretty good flash and a good story could come out of that, or maybe making Amy ‘harley quinn’ and again lots of character stuff you could do with that
But those options kinda just. write themselves tbh, its a bit too easy for me to just choose those options and call it a day cuz just looking at them you’d get their entire deal.
So when im choosing character roles im basically asking myself, not just ‘what sonic character would fit in this dc role the best’ but ‘what would this specific sonic character have to do/go through to become some version of this character’ or ‘what how would this dc role have to be moulded to fit this sonic character’
lets take Shadow for example!
he was the first person i made Shadow would obviously be batman, just looking at him and his backstory he would make an amazing batman, he fits that pretty well no question
but at the time i made Shadow poison ivy, i was reading the the comic series ‘Poison Ivy: The Virtuous Cycle’, it went into detail into Ivy’s hatred for humanity and how they’re destroying the planet, and how she plans to kill all of them off (including herself) in order to save it. It was so interesting to think about her hatred for humanity this way, so interesting that my brain was like ‘wow if when shadow woke up from his cryostasis and learnt all this he’d probably wanna kill humanity even more lol’
then i thought about it more, Poison Ivy cares deeply for the environment and basically wants to kill all humans cuz they’re destroying the planet and giving Shadow that role kinda adds another layer to that because human’s are destroying the world that Maria so desperately wanted to see and he can literally feel the planet dying cuz of that plant connection + the fact that he was created artificially in a lab by humans (plus alien deadbeat) away from the planet and having that intrinsic connection to that planet below the Ark his whole life, a direct connection to the planet that Maria loved so much, a connection that he would’ve never fully known the extent of if GUN hadn’t raided.
So what if wanting to destroy the planet, he wanted to save it and to save it he had eradicated a certain ‘infestation’, humanity.
that was super interesting to me to explore as a concept so Poison Ivy!Shadow, the first character in my dc au was born!!!
it’s important to me that though im making Shadow and Ivy have the same role im not just copypasting Ivy’s backstory onto Shadow, they’re different characters and those backstories aren’t necessarily interchangeable, different things happened to make them who they are and one might not work for the other.
And if i do make the backstory similar, i wanna make changes so i can justify why they made these choices, like with what i did Sonic
Sonic’s dc au backstory follows similar beats as Harley Quinn’s backstory, but i added some details make it more believable for me to understand how Sonic could ever became what Harleen Quinzel became. So i started him out Nicky from the sonic manga, an insecure, weak, nerdy kid that’s easy for people to beat up and pick on, so he’d be someone with vulnerabilities and insecurities. Then i had Tails and Amy be his number 1 protectors cuz he can’t protect himself, his insecurities deepening cuz of this (not only can he not protect himself, he doesn’t even have the strength to protect them), he lived in the worst place in gotham, etc. Basically a lot of stuff that Eggman could use to exploit and manipulate him.
this made it really interesting and fun for me to delve into his mindset and see how he would tick!
then from Sonic’s kidnapping came Tails and Amy’s motivations to become vigilantes, to save their friend, people like their friend and to stop people like the joker from hurting them
other times times i just make the choices based on vibes and what would fit the plot <3
this character exploration and thinking process is why i personally don’t allow ppl to make character suggestions for any of my aus, cuz its really a personal process of picking out roles and dissecting them in my brain
but yh that’s pretty much why i picked who i picked lol
ty for the question!
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Attack On Titan: Babydaddy Headcanons
A/N: This is just me thinking about how many they'd have, the gender and how they would raise them, etc.
Levi
-This man is a girl dad in the sense he only had one child and its a daughter. -It was a conscious decision. Whilst he loves you and would never deny you the joy of a child if you wanted to be a mom, he's also a man that lives a life of danger. Even if he's humanity's soldier, he has enough emotional awareness to know there are times where you or your daughter will worry and he wants to keep the number of people worried about him as low as possible. -He's not overprotective because she's an Ackerman but if someone even thinks of laying a hand on his daughter he'd chop their fingers off before they even reach her scalp. -As soon as she's old enough to fight, Levi will train her just like Kenny taught him because he knows the world is that cruel. However, any titan she interacts with until she's actually old enough to be a soldier will be none except for Hange's test subjects so she can see the danger she might choose with her own eyes to make an informed decision. -A secret reason he also shows her Hange's test subjects is that he wants to provide her with an example how not to interact with titans in Hange.
Eren
-Was a girl dad until his final kid popped out as a boy. -Armin pointed out the funny coincidence of his family unit being inverse to his own childhood; considering Grisha used to be a boy dad until adopting Mikasa. -Low-key looked good whenever his daughters would do his hair. Sometimes you wonder if looking like Carla is why Eren looks good with the sloppy feminine hairstyles. -He doesn't loves his son any less though. If anything, the way his daughters act towards him reminds him of how Mikasa used to treat him so whenever his son feels smothered, he understands his son and has his back. -In this scenario, his titan form obviously doesn't come with the 13 year curse limitations so he's somewhat worse as Levi when it comes to harming his kids. Because Eren would just squash them like bugs in his titan form.
Zeke
-Only becomes a father because he got drunk with you, who he already felt conflicted about loving. So like Levi, he makes the conscious decision to keep it at that one kid. -I do think Zeke would have a boy though. -He would play baseball with his son every day and try to be the father Ksaver was to him. -Zeke's plans to euthanize the Subjects of Ymir morphs into a plan to mutate all Subjects of Ymir into the same condition as the Ackerman clan and destroy the titan ability itself which would leave him as the final inheritor of the Beast Titan (speaking of which I might someday make a post with all the alternatives to the Rumbling that Isayama couldn't think of when he wrote himself into a corner) -Because of his negative experience with education and indoctrination, Zeke actually is an advocate for unschooling to a certain extent. He will teach his kid to read, write and basics but he's not fond of certain subjects like history because its in their world just filled with propoganda that Zeke is tired of.
Reiner
-Was very insecure about becoming a dad considering his own was happily a deadbeat but once he started having kids he couldn't stop at one so he had 4 kids. -Has two boys and two girls. -Because he was raised by a single mom, he works extra hard to be a good husband and father not just for the sake of the kids or his love for them. No, its also out of his devotion to you and not wanting you to know the hardships his mother faced in the slightest. -The sort of father who proudly displays the artwork of his children around his Vice Chief office at the Marleyan governmental building. -Teaches his sons to be better men and not make the mistakes he did as he teaches his daughters not to allow men to use them for their bodies in the way his mother was used and discarded. The way he goes about their gender roles and preparing them for life can be quite feminist for the time period AOT is set in but due to his upbringing and knowing so many powerful women, it shaped him quite a bit.
Armin
-A boy and a girl -Armin really wanted a mini you so when your first was a boy, he tried again and got what he wanted. -Not that he doesn't loves his son though, and thinks he's way cuter then he ever was as a child, which he reasons is your genetic makeup's doing. -Touch his children and he will find a way to poison you. He's way more clever and sneaky when it comes to taking revenge compared to Levi and Eren. -Similar to Reiner, he eats up anything his kids make and finds the most horrible drawings of a cat to be the best amazing artwork ever.
Erwin
-Just like Levi, being part of the scouts made him restrict himself to one child. -However, unlike Levi, he has a harder time as your child tempts him into wanting more of them as he loves seeing the union of yours and his features. -It's a boy -Hange often teases you and Erwin that he and Historia's daughter might become an item as they grew up together as babes of the Scouts regiment. -Has a habit of dropping asleep right next to his son after he's come home after a long day of titan slaying and reports about it.
#attack on titan#aot#aot x reader#levi ackerman#zeke yeager#zeke jaeger#eren yeager#eren jaeger#erwin smith#armin arlert#reiner braun#hange zoe
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I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule
Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?
for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.
one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i���d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.
obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.
all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.
![Tumblr media](https://64.media.tumblr.com/036ab5a9f8bd0b68d088651743d4b644/50e9b4ebdbcbc1a9-8a/s540x810/245331e79dd6d3c8e2fd42bd0c0ce5e79dd66cfe.jpg)
source : q&a with tracy .
which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.
however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.
though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.
once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.
#my asks.#lackadaisy analysis.#lackadaisy#rocky rickaby#sedgewick sable#tracy j butler#i also think rocky’s sudden taste for marigold blood is him making marigold his other scapegoat#he isn’t dealing with anything in a healthy manner and is so traumatized it’s starting to spill out of him … which is. uh. not good!!#but it sure is what’s currently happening regardless#cannot stress enough that rock is a very ill and traumatized individual who hasn’t had a single break in his life#he is constantly in stressful situations that are dangerous … and like.#when you’re constantly put in those situations you become numb. and angry. and it becomes hard to heal#or to truly connect to others … etc#i could talk in depth about rocky’s traumas and why they’ve caused this anger issue and this inner disharmony inside#because frankly there’s a lot there! and i hate to say it but people who are hurt normally show their hurt in ugly ways#especially if mentally ill … which rocky is imo#it’s just the reality of things! this isn’t me demonizing mental illness or the effects of trauma. i’m just being realistic here#someone as deeply troubled as rocky ( someone with NO outlet and whom hides his feelings from others and himself )#is bound to be. well. troubled!! his smiling facade is merely another mask he wears to cope and to be good for the people he loves#it is not … really rocky rickaby … rocky rickaby is that and the wrath and the self destruction and more#AHEM but i digress. how rocky treats wick and all that has really done wonders for understanding his character#and i truly love the wick / rocky / mitzi trio so bad. their relationships with each other is what drew me into this world#like. i am shaking them so much. the overlap!! the complexities inherit in their bonds and what that says about the individual characters!#it’s amazing truly lol like … i have had such fun thinking about them twenty four seven for the past three-ish months#anyway. anyway! i love analyzing these bitches. they can fit so much into them#and i’m rooting for wickmitzi endgame and for wick to desperately try to bond with rocky … while his bloodshot eye is twitching as we speak#lots of fun!!! lots of pain and agony too … rocky is nothing but a painful character alas. that is his nature. but that is also his appeal#and ooops i’ll shut up in the tags now i just. have a lot to say. and a lotta love to give to these two!! but uh. yeah <3 loved writing thi
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Honestly, one thing about DotO which always bothered me is how Billie seems to be so lonely in her journey. And not in a way of "she is a lone-wolf" but in a literal sense of loneliness and not-belonging. It almost feels like it is her first day in Karnaca, a city where she doesn't know a single thing or person. Which isn't true. I know that a lot of people have already talked about this, and so I won't jump into the depth of criticism. Treat this post as a bunch of thoughts which occurred to me in my first playthrough.
Firstly, there is no recognition from different people. Stilton, for example. In DH2 she was ready to battle her way to his house and help him, she payed with her blood, her eye and her arm. And yet in DotO we don't see any valuable mentions of this man. Yes, we have a photo in her cabin but that's it! Nothing more nothing less, just a photo which exists in the cabin only to show us, the player, the Void rifts. Almost like it was never meant to actually represent their relationship, just a funny mechanic of the game.
Maybe I don't understand her character to that extent but when I firstly played and heard Billie's monologue about the state of the Dreadful Whale, I had a thought. Was there no one who could help her with that? And my first thought was Stilton, especially after I saw their photo together. But alas she didn't mention anything like that which was completely fine… till the The Stolen Archive mission. With a plot progression things became absurdly stupid. Billie learns that the cult uses Shindaerey as their hideout. And what is Shindaerey? It's a literal mining quarry.
And so you want to tell me that Billie who I know, cunning Billie, who was, by Daud's words, extremely good at unsolving mysteries, won't at least ask Stilton about this quarry? She won't ask a mining baron of Karnaca? Really? Give her skills some credit! I'm not asking for a 5 minute long cutscene but at least a small panel in the pre-mission briefing where Billie talks to him about that, and where we can see how worried he is for her. She is not alone and, no matter what, there is still at least one person who remembers her, sees her and wants the best for her. But again, for whatever reason Billie has no valuable connections in this game, it seems. So it didn't happen.
Two other people about which I keep thinking about are Thomas and that person who borrowed Billie's skiff and returned it during the Follow the Ink mission.
If that note from a certain T. was actually from Thomas I can't think of good enough reasons not to include some of the letter which might happen in between them during the events of the game. Thomas knew that both Billie and Daud were in Karnaca but he didn't know that Daud had died. And honestly an unfinished letter from Billie to him where she tries her best to write about their master's death but just can't - would be absolutely gut-wrenching and insightful. Also it could be interesting to see the difference in how Billie is talking about this event and how she is living through it in reality. Because - obviously - people's internal and external dialogues would be different and seeing that difference in Billie would help us, the player, to understand some shapes of her character.
Or maybe Thomas would learn about Daud's death himself somehow, maybe he could recognize Billie's work as she goes though the city to uncover its secrets. And, finally, it would be simply fun to find a small lootstach from Thomas on one of the missions, accompanied with a letter from him. How is he now? What are his thoughts about Billie? How do her actions are seen by the common folk? Or by the gangs? After all, a good character is not only divided by how the story sees that character but also how this character sees themselves and what other people in the story are thinking about this character. And, as I already said, this small letter exchange between Billie and Thomas could cover up those aspects.
And so we are left with only one character whose presence and absence in Billie's story bothers me. That person who borrowed the skiff. Because the skiff was Billie's main link between the shore and the Dreadful Whale. We learnt from DH2 that in any port there would be a “fee” for leaving the ship there, later, in DotO she complains that hiding her ship wasn't an easy task. So whoever borrowed it must be a good friend of Billie, as absence of the skiff puts her in a bad and potentially dangerous situation. Besides there is a note by a certain M., which talks about meeting with Billie later. I was kinda excited to see who this person might be. Someone whom I already know? Character from the first game? Maybe from the second one? Would it be a howler or black market dealer? Would they give me some special mission akin to one that Emily can get in the Royal Conservatory mission? Well, should I say that I was left wondering as there was not a single special NPC which met the criteria.
What? I forgot about someone? Deirdre? Oh, right. Deirdre. The best person in Billie's life and the worst death in Billie's memory. Right. It's almost too easy to forget that she exists, as Billie talks about her approximately two times in the game? More or less so. Should she talk more about her? Maybe, I don't know. But I remember thinking about using the rat charm in the Void or in the quarry. I thought that in the Void I could hear the real Deirdre speaking, this idea gave me chills back then. To adjust to the voice of your loved one's from rats, only to hear her cursing you for all you have done or to call you from beyond. I thought that she would appear somewhere in the Void, just in the corner of my vision. But again it didn't happen. And I don't know for better or for worse. As in the current state if you want to completely strip her out from the game - you won't lose a single thing. After all, a rat charm is just a rat charm, and so is a voice in it, as it never changes and never really speaks to Billie, it was never a personal matter.
Overall, I don't want to be another person who throws rocks at DotO as, honestly, I like Billie and I'm just… sad, I guess. I'm sad that the game about such a character fails to make me think more of her. I'm sad that the plot of this game was kinda ruined with a terrible script. And, at the end of the day, I'm just sad that Billies didn't get her chance to shine in her own game.
But nonetheless I still like Billie and, at least, her sarcastic comments on the surrounding was always a delight to hear, so I'm gonna replay this game one more time in vain hopes to find what I see in it.
#dishonored#death of the outsider#billie lurk#aramis stilton#thomas the whaler#i mean they are in this post so yeah why not#yes this post lacks bri but im gonna be honest with u guys#i completely forgot about her when i fistly played and this post is about my firts exp with this game so yeah#no bri slender i love her i just have bad memory#and i doubt i can bring anything new to her chara at this point of fandom meta talking#so yeah sorry :[#dt (stands for doni talks)
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draft: blood in the water
"I know what it means, Dark."
Anti could feel dark, dark eyes on him then, just the barest hints of red peering past the edge of his pupils. He was hungry. Dark was hungry. He needed to feed.
But, still, all Dark seemed able to do was look, stare at him. His skin was pallid, almost as pale as the natural tone of Anti's at this point; gray, even. Obviously, it wasn't right. It just made it less right that Dark's skin was tan, was supposed to be tan.
"Anti," came Dark's voice, low, a different kind of rough. "Are you certain you want to do this?"
Anti took a deep breath in through his nose, breathed out, and he looked at him. Dark was still stood at the opposite end of the room. If Anti didn't know better, or was anyone else, Dark seemed his ever-present calm; composed. But Anti did know better, and he wasn't anyone else. He could see the tension in his shoulders, the rigidity of his spine, like he was forcing himself straighter than he actually felt like holding himself. Honestly, he looked terrible, so, "Yes, I'm fuckin' sure. You need to feed."
Standing, Dark leant against the heater behind him, his feet crossed at the front as he raised his head to look at Anti. "How about this," he began, his head slightly tilted. "I agree to feed from you, and in exchange, you shift for me. Tonight."
Anti held back a growl at that, and he set his jaw. "Fine."
But Dark didn't move.
"Promise me."
Anti shut his eyes, took in another deep breath through his nose, opened them. "I promise."
He blinked, and Dark was directly in front of him, teeth glinting in the low light of the room. Anti held his wrist towards him then, his own impressive set of canine grit as Dark took the offered limb in hand. He made eye contact, opened his mouth. And Anti took that moment to appreciate the intensity of those teeth then, the precise point of them, their crisp edge; about to break skin. His skin.
He steeled himself, and Dark bit.
His teeth sank deep, deep into the pale flesh of his wrist, these small pools of blood beading at the surface as he fed from him. A sharp, metallic scent filled the air, and Anti resisted a wince when its poignant smell reached his nose, the stuff feeling like it was clogging his throat at the taste of it on his tongue. But Anti forced himself to remain still, steady as Dark took his fill.
Whilst Dark stayed busy doing his thing, Anti let his head fall to the other man's shoulder, his nose close to the thin skin of his throat as he inhaled. Anti narrowed his eyes, and he watched close as the color returned to Dark's face, flooding his skin with that familiar, tan hue. It was at that point Anti was content to shut his eyes, his form relaxing into Dark. As with everything Dark did, he was careful, and he pulled back slow; controlled, to an annoying extent. Anti huffed against him.
He felt hands cupping either side of his face then, and Anti looked up. Dark leant forwards some, his dark hair messy but falling in a way that was also pretty against his forehead, and something primal and hot stirred in Anti's gut at that. Dark's mouth was meeting his then, and Anti didn't hesitate to return that contact, his eyes squeezing shut as he put his hands to the other man's torso. His fingers gripped greedily at his waist, and his lips parted fast at the insistent press of Dark's tongue at his bottom lip. And he could taste himself. The flavor of something like metal, and coppery; of blood, coating the insides of his mouth.
Anti exhaled harshly through his nose, and he pulled his mouth from Dark's. Dark was already doing the same, a tinge of red still staining his teeth. "Teeth," Anti murmured, his eyes somewhere distant, mind feeling like a thick fog.
"Ah," answered Dark, his hands moving to pull a handkerchief from his breast pocket. "Of course."
It's not that Anti had a problem with blood, really, but something about the taste of it in his mouth bothered him, and it wasn't its flavor. It took him back to the night of his first change, how hard he had fought against it, because he hadn't wanted to change. It reminded him how his teeth had elongated, formed into a set of thick, sharp canines, how those canines had dug into his bottom lip and caused a thin red fluid to glaze his tongue as he pushed back against the breaking and rearranging of bone. How he had clawed at his own throat, had ended up scarring it, to stay human.
#jacksepticeye#jacksepticeye egos#antisepticeye#markiplier#markiplier egos#darkiplier#fanfiction#vampire#werewolf#sneak peek#draft#egotober2024#septictober2024
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Anyway, as I'm going back and reading a period during which the Teen Titans and other heroes were highly visible and active with the public, including Batman to a certain extent, and with camera!Tim and the idea of reconciling incompatible timelines on my mind -
I feel like the camera!Tim fanon where Tim follows Batman and Robin around in person for years could be (among other things, such as wanting him to interact with/admire Jason and encounter/join the Batfam early, etc.) partially a result of the retcon that B&R are shadowy, unconfirmed urban legends, and not public figures. Even for people who haven't read this retcon in the comics themselves, the "B&R as urban legends" world-state is still very popular, well-known, and often used in fic and fandom.
So during the 1994 Zero Hour event, there were a bunch of time anomalies and various adjustments to the canon, including (re-)establishing Batman (and Robin) as a hushed, menacing ~rumor~, more phantom and myth than man, as a matter of Bat policy. No public appearances. No clear photos, no hard facts.
Batman: Legends of the Dark Knight #0
Batman: Shadow of the Bat #0
We even have Dick relaying a slightly tweaked version of his origin, implying that Batman did not swoop down and publicly comfort Dick Grayson in the circus ring after his parents' murder (as was shown to have happened in Batman: Year Three and A Lonely Place of Dying back in 1989 - and which served as the initial reason Tim started admiring Batman!), and in fact Dick "...didn't believe the stories about the Batman" until months after he moved into the Manor, when Bruce told him the truth and showed him the Cave:
Robin (1993) #0
And of course the many subsequent instances afterwards of the existence of Batman, Robin, Nightwing, etc. all being kept on the down-low:
Young Justice (1998) #52-53 - Tim creating his Mr. Sarcastic guise to avoid being on-camera as Robin.
Detective Comics (Vol. 1) #727 - Bullock and Montoya being true Gothamite bros to the Bats.
And many more, etc.
All of this is obviously incompatible with the prior era and many events where Batman and Robin were very well documented as heroes, including Tim's origin in Batman: Year Three and ALPoD, as mentioned above.
As Tim related, he followed them mainly in various news media, and it was in fact on TV that he fatefully saw Robin's quadruple flip, years later:
Batman (Vol. 1) #441
By contrast, the 2016 recap of Tim's origin in A Lonely Place of Living, which restored his pre-Flashpoint backstory, does have Batman appearing at the circus again, and even taking Dick with him, but it doesn't include anything about Tim following Batman and Robin in the news, clipping articles, etc. It doesn't even mention when or how Tim saw Robin performing Dick Grayson's quadruple somersault in order to piece things together:
Detective Comics (2016) #965
But okay, if Batman and Robin were subsequently retconned into shadowy urban legends that didn't regularly appear in newspapers or on TV, how do we reconcile that with Tim's backstory as a fan who stalked followed them super closely?? His creepy cute scrapbook of newspaper clippings and Moment of Revelation from watching them on TV can't exist in the same form anymore, it's incompatible.
We can fudge an in-universe explanation covering most of the retcon, like it was a policy change that Batman instituted early in Tim's Robin tenure, and say Oracle went back and scrubbed photos, videos, records etc. from existence. We'd probably have to lean into the sliding timescale of comics and pretend all of this happened in a more digital era, though, because otherwise there are all of those pesky physical records...
We can cover the gaps by handwaving that the 'shadowy urban legends' cloak of secrecy was never foolproof, and hard evidence of B&R's existence did exist here and there, but was limited and hard to find. This jives fairly well with the actual 'urban legend' era post-Zero Hour; they couldn't avoid being witnessed or interacting with people all the time. Kid Tim would just have to do more involved digging than snipping articles out of the daily paper. Maybe the hidden security camera footage of Robin's flip that was shown on the evening news was much more shadowy and ambiguous than in canon, and it's because of Tim's special interest that he was even able to recognize B&R, and what was going on? I like this one, personally.
But alternatively. We do know that he followed Batman in person and took pictures at least in Batman #440. We're pretty sure that he had to have followed Dick/the Titans around in New York before, given that he'd memorized the Titans' schedules and knew the locations of both Kory's and Dick's apartments (also Batman #440; Tim, pls...).
It seems like extending these instances into a more regular pattern of Tim following the Bats around, and gathering photo evidence for his scrapbook by taking pictures himself, and witnessing Robin!Dick's flip in person, is one possible way to reconcile the inconsistency. And one even more likely to be used by people with only more general fandom knowledge, who are used to the 'urban legend' world-state but want to have Tim stalking the Bats at length anyway. (Which, along with New 52 Tim, is part of how we get baby super-hacker and electronic stalker extraordinaire Tim fanon, as well, I'm sure.)
#to be clear Tim was definitely a baby hacker but not to the fanon 10-year-old-hacks-the-BatCave-and-Pentagon extent that turns up in fic#Tim Drake#Tim Drake meta#DC meta#dcu#DC comics panels#A Lonely Place of Dying#fanon vs. canon#Dick and Tim#Dick Grayson#Bruce Wayne#Batman#Robin#post tag#comics reading tag
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Hey, so you said in your tags about how katsuki is a freak in his own way, could you please expand on this idea a little and when it comes to Izuku?
Sure!
I actually made a post about this very concept semi recently but that post also didn’t really have organization lmao
The main reason I’ve always thought Katsuki as “a freak” as I dub him is for the very foundations of his personality. I think the main reason why no one in the western fandom looks at him and sees him for his (kinda) socially inept aspects is because of a combination between cultural differences and the nuances that hero society throws into Japan specifically.
It’s well known that Horikoshi’s story/world is heavily influenced by American super hero comics. Superman, Spider-Man, Harley, Poison Ivy, Bat-man, Captain America, ant man, etc. are all very obvious influences throughout the story, with characters like Allmight often feeling like a combination of Superman and Captain America.
The reason I bring this up is because the very aspects of these super hero comics is kind of in direct contradiction with Japanese society, especially as those heroics within the world affect the society around them.
Heroes are this curve ball thrown into a society that teaches its citizens to be polite, complicit, and quiet. That’s not to say that this is necessarily a “wrong” way to have a society, but I think it’s with this context that Katsuki’s character (and therefore the intentions behind it) become clearer.
Heroes are bright, loud, and powerful. But long before Katsuki was a hero he already was these things; how does that affect his social life? How do the people around him treat him in the context that he is both not a hero nor having of a quirk? If heroes are the “exceptions” to the society around them, and Katsuki is not yet an exception, then he is an outcast, right?
It’s this context that I feel most people forget. Katsuki understands the people around him, he’s very observant and nosy, but he also just doesn’t care. He is unabashedly himself at all times. Those jokes Aizawa made about keeping him out of the spotlight showcase this perfectly, Japanese society expects a certain standard for the social context around him—which he actively ignores.
It’s a very ironic aspect to his character given that most people admire and/or envy him. It puts a whole new light on izuku saying that he was the one “actually in his life”, that Izuku may have admired him before his quirk for simply being himself. Not to mention how it makes sense that he would believe izuku was looking down on him for admiring him before his quirk, because Katsuki was bullied! I think that’s an often overlooked detail given that he only became “acceptable” to most kids around him when he gained his quirk. The memory this is showcased in is entirely Izuku’s pov, which is heavily biased in the sense that he admired Katsuki. Getting jumped by kids two years older than you though is so weird, and I can’t help but wonder if the perspective might’ve changed were it in Katsuki’s pov.
![Tumblr media](https://64.media.tumblr.com/2c770f5e60e2a294090992efa54be249/8c27db4efbafb696-74/s540x810/cabe9e0633b1b989882d7d83feb6ec7388d7ab9d.jpg)
To me, the idea that Izuku’s memories of Katsuki being this social god come from blind childlike envy and admiration, especially as the contextual things happening (Katsuki is a REALLY big hero fan, he’s rude, he doesn’t remember people’s names, actively terrible at making friends at UA for a good couple weeks, getting bullied to even a minimal extent) in comparison to the words being told. You are told by Izuku that Katsuki is amazing, brilliant, talented, energetic, crass, and in reality (especially when they enter UA), to most people Katsuki is annoying, loud, mean, a little intimidating, and not nearly as cool as he thinks he is. His friends spend the entirety of the beginning of their first year actively making fun of him for thinking he’s tough shit when he so obviously isn’t.
And I think the biggest most important part to this “Katsuki is a bit of a social outcast” discussion, is that the villains thought he was like them! They thought he would hurt people because he screamed “die” and didn’t like winning when he felt he didn’t earn it.
The only reason Katsuki is not as much of an outcast as, say, Izuku, is simply because he won the lottery. He earned that extra point. He caught that curve ball to Japanese society and honed it into something greater.
And, see, Izuku can’t really know/comprehend that Katsuki would be, I don’t know, unpopular to any extent (shown in the beginning of the series when he’s freaking out on the bus that HES being complimented and Katsuki is being insulted), because to him Katsuki always acted like a hero. And in a way, he does! But it’s in the way that hero society throws that curve ball, contradictory to social norms, and of course it makes sense why they still happened at all; the past was dangerous! It was life changing! Disparity and violence and death, desperation fueled this huge monumental change. And what is izuku “I don’t know how to make people like me” Midoriya going to do when this kid, Bakugou Katsuki, acts like one of the heroes on TV? He’s not gonna call the Geneva convention and ask why the hell this child isn’t acting like a normal citizen—he’ll admire him to such a visceral degree because it’s almost like he was born a hero.
I like the concept that, because heroes and villain are cut from the same cloth, relatively similar in concept and strength and past hurts in their history, that this also affects how they are socially. You are outcasted by society: you want to oppose societal norms to live freely as yourself and others as theirselves, you want to make sure everyone can smile at the end of the day because sometimes you or your parents couldn’t, you want to be the best because someone told you that you couldn’t, you want to be just like the hero on your TV, who inspired the hero in your life.
Also you need to be at least a little bit of a freak to be listening in on people’s business all the time because it involves your childhood friend/rival to literally any degree. Like bro what is wrong with you come HERE BBG LET ME PICK YOUR BRAIN APART PIECE BY PIECE
More side note: idfk where I got the Geneva convention thing. I was just thinking about how mha has genuinely had violations against the Geneva convention
#bkdk#I think this is a fair ask but I will say#out of the four of them Katsuki is certainly the most normal. you’d think that would be ochako but she has a thing for men getting their-#shit beat and still standing up anyway. what is wrong with you girl I love you#midoriya izuku#bakudeku#bakugou katsuki#mha analysis
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