#obsessed with the implications of all this

[watermelonlovershigh]

can we have some smut that sort of focuses on the bulge 😵‍💫😵‍💫😵‍💫 like y/n sort of admiring it clothed and just being so into that

5 Times You've Obsessed Over Harry's Bulge (SMUT)

AN: I had too many ideas for this concept so i decided to turn this into one of my numbered fics. where i give several different scenarios. hope that's alright. don't forget to leave me your feedback and enjoy. xoxo

This contains: implications of sex, dirty talk, fluff, mild angst, jealousy, dry humping

{ husband!harry - softrry - au!harry (aka not famous in this) }

word count- 1,989

Five different scenarios where you admire and love on Harry's bulge.

There is an undeniable attraction to Harry's bulge that captivates your attention. Regardless of whether he's dressed in jeans, sweatpants, shorts, or underwear, his bulge is striking and turns you on. It's not solely the moments when his hard dick is evident beneath his clothing that draw you in; even in a relaxed state, he's so big that a subtle outline is noticeable between his legs if one chooses to observe. But note that your admiration for Harry's bulge is entirely positive and respectful. Being married, you appreciate how much he enjoys your liking to that part of him, and it brings him joy to know that you cherish something in which he exclusively shares with you.

Here's some of the instances when you gawk and drool over Harry's bulge (hard or not hard):

1.) Harry has just stepped out of the shower, and you're in bed, patiently waiting for him to join you for the night. You can hear him moving around in the bathroom, likely drying off and brushing his teeth. Moments later, he swings the bathroom door open in only his briefs, letting out a rush of humid air, and makes his way into the bedroom after turning the bathroom lights off.

Before he can walk to his side of the bed, you mutter, "Nu-hu."

Harry stops to look at you suspiciously. "What?"

You gesture for him to approach you with your index finger, and Harry complies. He walks up to your side of the bed, per your request. At this point, his lower body aligns with the height of the bed, bringing his bulge almost directly in front of you. You can tell he isn't hard just from recognizing what his relaxed appendage looks like. However, the considerable size of him creates a pronounced outline in his boxer briefs.

You look down between his legs and shift closer to the edge of the bed, leaning in to place a gentle kiss directly on his bulge. Harry lets out a soft moan. "Baby, mhm. What'r you doin'?"

Smiling up at your husband, you reply, "Giving little Harry a kiss goodnight."

Harry tilts his head back and laughs heartily. "Oh, little Harry is gonna offer you much more than just a goodnight kiss in return." He climbs onto the bed, positioning himself over your body, and it's evident that the soft bulge that was previously concealed in his underwear has become firm and is now nestled between your legs.

2.) As you're lounging on the couch, Harry burst through the door, breathless and slick with sweat from his morning run around the neighborhood. You can't help but to drool over his appearance. His hair is secured in a small claw clip on the top of his head, and his skin is shimmering with a sun-kissed hue. He has a way of looking exceptionally good after a workout. Especially when his bare, yet tattooed chest is visible. As well as the defined bulge between his legs that's quite eye-catching.

Standing up from the sofa, you make your way over to where Harry's kicking his running shoes off and wrap your arms around him in a hug. Giggling, Harry speaks, "Baby, m' all sweaty and probably stink."

Still latched on to him in a hug, you reply, "Don't care. You're so hot after a run."

Harry now becomes cocky, loving the way you're speaking about him. "Yeah? Does it turn you on?"

You give a slight nod and let one of your hands glide down, carefully cupping his bulge through his tight running shorts. Harry almost falls, his knees nearly collapsing. Fortunately, you're there to steady him in your hold.

As you feel his bulge begin to grow in your hand, you kneel and carefully pull down his shorts, offering him a blowjob right in the foyer of your house. The slight taste of sweat introduces an additional flavor, but you proceed with the same eagerness as always.

Harry feels honored to have a wife who finds him so appealing that you'll engage in such activities after his exercise, a sentiment not many people would consider doing.

3.) You're on a short road trip. Harry has arranged a delightful surprise: a weekend escape to a charming Airbnb cabin located in the woods. As he drives, you sit comfortably in the passenger seat, with the soothing sounds of Fleetwood Mac playing gently in the background.

With the windy roads and calm scenery, Harry can't help but let his mind wander to you and how much he loves you. How special you are to him. How he can't wait to make love to you in front of the cozy fireplace at the cabin that awaits you both.

Deep in his thoughts, it takes Harry a few minutes to realize his cock was hardening up in his jeans. He didn't mean to get hard while driving, it just sort of happened. But that's what tends to happen anytime he starts daydreaming about you. He chalks it up to being a love boner.

For a while, Harry sits in his seat uncomfortably, occasionally shifting to adjust himself. After the tenth time of moving in his seat, you begin to notice and question, "You alright, babe? Gotta pee or something?"

Trying to play it off, Harry lies, "Nope, m' fine. All good." That's when you take a closer look and notice the bulge between his legs.

"Harry, you're hard. What's got you so worked up while you're driving?"

Embarrassed, he admits, "Fine, was thinkin' about you and how much I love you and all the things I wanna do to you at the cabin. Didn't mean to get hard."

With a softer tone, you reply, "Yeah, that's so sweet of you, baby." Harry thinks the moment is over, but he's caught off guard when he feels your hand move across the center console to grasp him over his jeans. He tilts his head back, moaning softly, as you continue to rub your palm over his bulge, aiming to make him jizz in his pants. Ultimately, he finds it necessary to pull over, as his foot on the gas pedal begins to tremble, and he wishes to avoid any danger of crashing.

4.) It was the middle of July when you and Harry decide to enjoy a day at the beach. You're wearing your black bikini, and Harry's sporting his tight yellow swim trunks. You spend most of your time lying on your beach towel, attempting to tan, while Harry lays next to you for a short period before opting to take a swim.

He instructs you to sit up and watch him, reminiscent of a young child, and you find it quite endearing. Harry ventures a few feet into the water as the waves collide with his tattooed chest, and you notice him waving at you with his sun-kissed arms.

Moments later, Harry emerges from the salty sea, and you observe closely as he approaches your designated area on the beach. You notice several beachgoers directing their attention towards him, and you even hear a man whistle as your husband walks by. This fires up a hint of jealousy within you, yet you find solace in the fact that he'll be in your bed tonight, not theirs.

As Harry stands before you, water cascading down his body, the reason for the attention he's receiving becomes evident. While it's a known fact that he's generally considered an attractive man, it's the unmistakable outline of his cock that's visible through his wet swim shorts that's captured the gaze of onlookers. You're aware that Harry usually exhibited some form of a bulge, but the thin fabric of his swimwear, now soaked, leaves little to the imagination.

While you admire the view, you're less than pleased that everyone else on the beach is enjoying the same sight. You tug at Harry's hand, urging him to take a seat beside you on his towel. "Ouch! What was that for?"

Turning your head to face him, you whisper, "Your swim trunks, Harry."

Confused, Harry asks, "What about them?"

With a sigh of frustration, you express, "You can see everything in those shorts. They fit snugly around your hips and they're thin and wet. The outline of your dick is clearly visible. Your bulge is very defined right now."

"Thought you liked my bulge?" Harry speaks with a cheeky smile.

"Harry, you know I do but I don't want the whole beach to see it too."

With a more serious tone, Harry conveys, "M'love, I could be fully unclothed, wanderin' this beach, and let me assure you: you are the only one who has the right to touch my body. You're the only one who truly sees me, both outwardly and inwardly. Not anyone else."

Smiling back, you retort, "So, does that mean I could walk around naked too and....."

Before you even get a chance to finish, Harry cuts you off. "Nope, absolutely not. Not a chance I'll let anyone see you naked. That's for my eyes only."

5.) What started out as a cozy cuddle on the couch while watching a movie, quickly develops into a heated make-out session. The idea that making out is only for teenagers and not for married couples is fundamentally incorrect. You and Harry love making out with one another.

You're situated over Harry, who's lying along the length of the sofa. He's wearing only his underwear, as the plan was to head to bed right after the movie. You, in contrast, are dressed in just a pair of panties and an oversized t-shirt.

As the kisses get more and more heated, the more you can feel Harry growing between your legs. Your cunt is aligned directly over his erect cock, resulting in fabulous pressure against your clothed clit. So what do you choose to do? You begin to grind down over the prominent bulge in his briefs.

"Oh, fuck, baby!" Harry groans between kisses.

Lowering your mouth along the scruffy surface of his face, you notice your breathing becoming more intense. "Feels so good, Harry. Your bulge is so big and hard between my legs." You continue to move your hips, appreciating the way his clothed cock presses against your clit as you continue to dry hump his bulge. Your wet patch now seeping through your panties and onto the front of his own underwear.

At first, Harry considers stopping you, thinking to suggest that you just pull him out of his briefs and actually fuck yourself on his dick. However, he becomes captivated with the way you're lost in your own pleasure, moving against him so freely. Therefore, he opts to relax and let you take the lead, letting you do as you please.

After about three minutes of dry humping his enlarged bulge, you pant out in his warm neck, "I'm gonna come, H."

"Shh, it's okay, baby. Come f'me. Come over m'cock. Know it feels so good on your little clit doesn't it?" He strokes your back in a soothing manner and starts to elevate his hips in rhythm with your movements, which have slightly faltered. The extra pressure from his upward grinding pushes you to your peak. You tremble and shake over top of him.

Harry makes a sincere effort to hold back his own orgasm, intending to wait until you've finished and then allow you to get him off in a different way. He's always found the experience of coming in his underwear to be quite an unpleasant feeling, particularly due to the messy cleanup that follows. However, he ultimately can't hold back. As soon as he feels your pussy fluttering over his bulge, he succumbs to his orgasm, resulting in his cum coating the inside fabric of his briefs and pubic hair.

When you both finally calm down, you allow your body to relax over his and say, "God, do I love your bulge. Felt so good."

(PLEASE REBLOG BECAUSE WRITING IS NOT EASY AND IT'S FREE SO JUST DO IT)

(if you want to be apart of my new tag list, let me know right here !! )

taglist: @swiftmendeshoran // @walkingintheheartbreaksatellite // @hsonlyangelxo // @lunabai // @ppleasingg // @harryscherrysugar // @devilsqueen722

My Masterlist Masterpost

[toscapringle]

i'm just obsessed how there's great plausible takes of both viktor being gay and viktor being aroace

it's crazy how the great evolution machine can be seen both as a life-giving mechanism with the way it gives him unrestrained freedom of movement, as well as being an outside-the-story metaphor for cold and unfeeling. it has in-story implications on his character, that his idea of prosperity is life-giving (as seen with huck and the shimmer users), but also coldly cruel by taking away choice.

it just so happens to coincidentally align with both fan interpretations of his sexuality

the gay take notes he has a swagger and confidence when he walks via the machine in s2e8 in the fight scene in the council room. and when he is defeated, his body loses all confidence and crumples. he values having a fully functioning body because it "permits" him to be worthy of being a lover (little did he know he had it all along)

I'm sorry I know most people will wish they kissed or interpret their relationship as romantic (as is fandom nature) but I'm feeling sososo emotional about queerplatonic Jayvik. They're partners, with a shared vision of the world, who's destinies are literally intertwined on a cosmic level. It just makes so much sense.

And aroace Victor also makes so much sense. In season one, we had the classic scene play out where your best friend stops noticing you cause they got involved in a romantic relationship. Not to mention the allusions to being cold and machine like in season two. How can you be human if you don't love like that? But what breaks him out is not a kiss, but rather a declaration that Jayce still wants him, still wants his partner by his side, imperfections and all.

I don't care how people interpret their love, as long no one implies it's somehow less than, cause they didn't kiss :')

[sulphuricgrin]

Thalmor and Fascism, a 'short' analysis

Hello! Welcome to my breakdown of the Thalmor party that gained power steadily after the Oblivion Crisis and soon created the Third Aldmeri Dominion. I follow Umberto Eco's Ur-Fascism (or Eternal Fascism: Fourteen Ways of Looking at a Blackshirt) and use his points as I delve further into how the Dominion might work in the 4th Era. I also use historical parallels and create world-building ideas for scenarios one could use. (ex: in fanfic, RP, etc.)

The parallels with real-world fascism make the Thalmor’s ideology both chillingly familiar and deeply immersive. >:3

By integrating these traits into world-building, I want the Dominion to become more than just an imperial power—it becomes a pervasive and insidious force shaping every aspect of life within its borders and beyond. These features not only make the Thalmor a more compelling enemy but I think also creates rich opportunities for storytelling.

I'm also planning a one-shot TES parody of sorts of Ur-Fascism, written by the father of one of my OCs. That's the reason why I started this to begin with. That, and my love for history, philosophy, and all things Elder Scrolls.

Fair warning, this is a long post! +3.6k words! So strap in, and please, I encourage talk/criticism, but keep it civil. Obviously this is only my interpretation and I tried my best at this. I would love to hear what others think.

I offer my short paper to Hermaeus Mora to store in Apocrypha ;)

1. The Cult of Tradition

The Thalmor’s reverence for ancient Elven supremacy mirrors real-world historical movements that glorified an idealized past to justify oppressive ideologies.

TES: The Thalmor frame the time before the rise of Men as a lost golden age of Elven dominance. They’ve always venerated the old, almost mythological Aldmeri civilization, despite very little history has survived. They could hold the Ayleid Empire (a high point of Elven civilization) as a model, ignoring its brutal practices like slavery and human sacrifice. They vilify human achievements, such as the Empire of Man under the Septim Dynasty, as an aberration in Tamrielic history.

Historical Parallel: The cult of tradition can be seen in Fascist Italy under Mussolini, where the regime idealized Ancient Rome. Fascists claimed to restore the grandeur of the Roman Empire to evoke pride and justify militaristic expansion. Similarly, the Nazis glorified an Aryan past, constructing myths of ancient Germanic peoples as paragons of civilization to reinforce their racial ideology.

Implication for World-Building: The Thalmor’s obsession with restoring ancient Elven dominance could involve deliberate distortion of history, erasing inconvenient truths about the Ayleids and glorifying their achievements to unite the Dominion under a shared identity.

2. Rejection of Modernism

The Thalmor’s disdain for change and multiculturalism reflects their rejection of modernity in favor of an exclusionary, stagnant worldview.

TES: The Altmer have a history of xenophobia. The Thalmor oppose the integration of races and cultures within the Empire, viewing it as a dilution of "pure" Elven tradition. They also resist technological and cultural advancements driven by non-Elves, such as innovations from the Empire’s blending of cultures. Their policies enforce strict adherence to Elven superiority, preventing any progressive mingling of traditions. 

Historical Parallel: This echoes the Nazi and Fascist rejection of modernist art, multiculturalism, and democracy. The Nazis, for example, condemned modern art movements like Expressionism and Cubism as “degenerate art” while promoting a “pure” Aryan aesthetic. Similarly, fascists saw liberal democracy as corrupt and promoted authoritarian control as a return to a purer societal order.

Implication for World-Building: The Thalmor could actively suppress creative or intellectual progress, possibly banning works by humans or elves that deviate from their idealized Elven cultural norms. Their strict cultural laws could possibly lead to an underground resistance of artists, scholars, and mages seeking to preserve diverse traditions.

3. The Cult of Action for Action’s Sake

The Thalmor’s focus on aggressive policies and grandiose actions often prioritizes symbolism over practicality.

TES: The Thalmor's enforcement of the White-Gold Concordat—especially the persecution of Talos worship—is a clear example. The ban on Talos worship is more symbolic than practical, aimed at asserting dominance over human cultures rather than resolving tangible problems. Similarly, their brutal measures to crush dissent, such as burning shrines and executing priests, serve to showcase their power rather than address any real threat posed by Talos worshippers. Their actions seem more about demonstrating power and control than about achieving specific, practical goals.

Historical Parallel: This parallels Fascist Italy’s grandiose projects, such as Mussolini's attempts to “modernize” Italy with large-scale public works that were often inefficient or impractical but served as propaganda. Similarly, Nazi Germany emphasized militarization and dramatic displays of power (like the Nuremberg rallies) even when these actions were economically or militarily unsustainable.

Implication for World-Building: The Thalmor could undertake elaborate but ultimately impractical projects, such as reconstructing ancient Elven temples or waging unnecessary wars to expand their influence, draining resources while reinforcing their narrative of Elven superiority.

4. Disagreement is Treason

The Thalmor’s intolerance for dissent ensures their ideological purity but creates a climate of fear and oppression. They suppress dissent with brutal efficiency, labeling any resistance to their rule as heretical or treasonous. 

TES: The Thalmor persecute anyone who challenges their rule or ideology. This is seen most clearly in Skyrim, where even whispering a prayer to Talos can lead to imprisonment or death. Their Justiciars patrol Tamriel, rooting out dissidents and executing them as traitors, regardless of the validity of the accusations. This mirrors a broader policy of suppressing free thought to maintain their narrative of unquestionable Elven superiority. There’s also the Night of Green Fire, were they attacked Altmer dissident refugees who had fled persecution in Alinor.

Historical Parallel: This is reminiscent of the totalitarian regimes of the 20th century, such as Nazi Germany and Stalinist Russia. In Nazi Germany, opposition parties and individuals were quickly silenced, with dissenters labeled as traitors or “enemies of the state” and sent to concentration camps. Stalin’s Soviet Union similarly purged perceived enemies, creating a culture where questioning authority could result in imprisonment or execution.

Implication for World-Building: Within the Dominion, paranoia would dominate daily life, with Thalmor spies embedded in communities and neighbors reporting on one another. This pervasive fear could lead to widespread distrust among Elven citizens, undermining the very unity the Thalmor claim to promote.

Criminalization of Debate: Debating Altmeri policies could be considered treason. Citizens speaking against the Thalmor might be arrested or "re-educated." 

Idea: Characters might rescue political prisoners or distribute forbidden pamphlets challenging Thalmor doctrine, or they could be forced into “re-education”.

5. Fear of Difference

Fascist regimes thrive on creating "others" to vilify and unite the populace through a shared enemy, using xenophobia and racial supremacy as key tools.

TES: As mentioned in #2, the Altmer have a history of closed borders and xenophobia. The Thalmor's ideology is rooted in the superiority of Elves over Men and other races. They actively foster division by portraying humans—especially Nords and Imperials—as inferior beings who disrupted Tamriel's natural order. This fear of difference extends to cultural and religious practices, as seen in their persecution of Talos worshippers and their disdain for mixed societies like the Empire. (The problem with Talos worship also stems from just the idea of a human achieving divinity, which is what every Altmer strives towards through their practice of the Path.)

Historical Parallel: Nazi Germany used antisemitism and anti-Slavic sentiment as core components of its ideology, portraying Jews and other minorities as existential threats to the purity of the Aryan race. Similarly, Imperial Japan framed non-Japanese Asians as inferior and justified brutal colonial domination under the guise of superiority.

Implication for World-Building: The Thalmor could implement policies that segregate or exclude non-Elves from certain professions or cities within the Dominion. Their propaganda might frame intermingling of races or cultural traditions as a dire threat to Elven purity, driving a wedge between the Dominion's Bosmer, Khajiit, and Altmer populations. (We don’t see any Bosmer or Khajiit Thalmor/Dominion soldiers within Skyrim by 4E 201, but that’s very likely just to villainize one race.)

Segregated Settlements: Towns in Dominion-controlled regions could be segregated by race, with Altmer areas enjoying more lavish infrastructure while Khajiit or Bosmer neighborhoods languish. 

Idea: Characters might assist oppressed communities in improving their living conditions or organizing resistance.

6. Appeal to a Frustrated Middle Class

Fascist movements often gain traction among those who feel displaced or diminished in status, using resentment and promises of restored glory to rally support.

TES: The rise of the Third Aldmeri Dominion likely appealed to Altmer who resented their perceived loss of status under the Empire, particularly after the Oblivion Crisis and the Empire's weakening influence. By promising to restore Elven dominance and undo the damage caused by human rule, the Thalmor capitalized on the frustrations of disenfranchised Altmer elites and middle classes.

Historical Parallel: Fascist Italy and Nazi Germany drew significant support from the middle classes, who felt economically and socially marginalized after World War I and the Great Depression. The Nazis promised to restore Germany’s national pride and economic stability, appealing to those disillusioned by the failures of liberal democracy and internationalism.

Implication for World-Building: In the Dominion, the Thalmor’s rise might be tied to social unrest among Altmer artisans, merchants, and scholars (the most important roles within Altmer society) who felt overshadowed by Imperial influence. Those Altmer could display open disdain for humans or non-Altmer races, citing the Thalmor’s rhetoric as justification. Those promises of prosperity could mask policies that disproportionately benefit the Altmer elite while exploiting the Bosmer and Khajiit.

Economic and Social Tensions: The middle classes in Summerset Isles might be portrayed as benefiting from the Dominion’s policies, creating resentment among Bosmer and Khajiit laborers who are exploited for the Dominion’s expansion.

Idea: Characters might witness these attitudes in “quests” dealing with class or racial tensions.

7. Obsession with a Plot

Fascist regimes fuel paranoia by inventing or exaggerating conspiracies, framing all opposition as part of a grand, malevolent scheme.

TES: The Thalmor's rhetoric portrays Men as orchestrating the downfall of Elven civilization. Their ban on Talos worship is part of a broader narrative that blames human cultural and religious practices for undermining Elven power. They likely propagate myths of human conspiracies to keep the Dominion united against a common enemy.

Historical Parallel: The Nazis famously promoted the stab-in-the-back myth, claiming that Jews and communists betrayed Germany during World War I. Stalinist Russia similarly fueled paranoia with fabricated conspiracies, such as accusing political rivals of plotting against the state during the Great Purge.

Implication for World-Building: The Thalmor could use propaganda to spread exaggerated stories about Imperial plots, such as secret Talos cults planning to overthrow the Dominion. This paranoia would justify oppressive policies and galvanize Elven citizens to report suspected traitors, deepening societal divisions.

Conspiracy Theories: Thalmor propaganda could exaggerate Imperial plots, creating paranoia. 

Idea: NPCs might warn characters about spies everywhere, leading to “quests” involving false accusations, actual Imperial agents working to undermine the Dominion, or the real spies being from the Thamor.

8. The Enemy is Both Strong and Weak

Fascism often paints enemies as simultaneously omnipotent (to justify fear) and weak or degenerate (to inspire contempt), creating a contradictory but effective narrative.

TES: The Thalmor frame Men as both a dire existential threat and as an inferior, corrupt race destined for subjugation. For example, the Empire is portrayed as a decaying shadow of its former self, yet it is also seen as a powerful adversary whose influence must be eliminated to restore Elven supremacy. This contradiction serves to keep the populace vigilant while reaffirming their racial superiority.

Historical Parallel: Nazi propaganda depicted Jews as both a weak, parasitic race and as cunning masterminds behind global conspiracies. Similarly, Cold War propaganda in the U.S. framed communism as both an inefficient system and an existential threat capable of destroying the free world.

Implication for World-Building: The Thalmor could disseminate propaganda that mocks the declining state of the Empire while simultaneously warning of its "hidden strength" through Imperial-backed Talos cults or covert military alliances. This narrative would keep the Dominion in a state of perpetual war-readiness, fostering paranoia and militarization.

Contradictory Narratives: The Thalmor could mock the Empire as weak and corrupt while simultaneously portraying it as a looming existential threat. 

Idea: Characters might investigate inconsistencies in Thalmor messaging and uncover deliberate manipulation.

9. Pacifism is Trafficking with the Enemy

Fascist regimes view peace or compromise as betrayal, advocating for perpetual conflict to maintain unity and reinforce their strength.

TES: The Thalmor’s stance toward the Empire and Talos worshippers exemplifies this mindset. Despite the signing of the White-Gold Concordat, the Thalmor show no interest in genuine peace. They exploit the treaty to destabilize the Empire and justify continued hostilities. Their relentless pursuit of Talos worshippers, even in regions nominally under Imperial control, signals their refusal to tolerate coexistence.

Historical Parallel: This trait is reminiscent of Nazi Germany and Fascist Italy, which glorified war as a tool for national renewal and strength. Hitler dismissed diplomacy as weakness, emphasizing militarization and expansion as ends in themselves. Mussolini similarly viewed war as a mechanism to revitalize the Italian people and demonstrate national greatness.

Implication for World-Building: The Thalmor could have internal propaganda glorifying war as a sacred duty of all Altmer. They might train their youth in military academies that indoctrinate them with a belief in perpetual conflict as necessary to reclaim and preserve Elven supremacy.

Perpetual War Machine: In Dominion regions, resources could be heavily taxed to fuel war efforts. 

Idea: Characters might aid farmers, merchants, or workers struggling under the burden, while the Thalmor justify this as a necessary sacrifice for Elven supremacy.

10. Contempt for the Weak

Fascist ideologies promote the idea that strength is inherently virtuous and weakness is despicable, justifying oppression of those deemed inferior.

TES: The Thalmor’s belief in Elven superiority leads them to view other races, especially humans, as weak and undeserving of respect or autonomy. Their treatment of the Bosmer and Khajiit within the Dominion could possibly reveal a hierarchy even among their allies, where Altmer dominate, and others are relegated to subservient roles. The Thalmor’s disdain for the “weakness” of the Empire is evident in their rhetoric and actions, portraying its willingness to negotiate as proof of its inferiority.

Historical Parallel: This mirrors the Nazi ideology of Lebensraum (living space), which framed Eastern Europeans as subhuman and justified their subjugation and extermination to make way for German expansion. Fascist Italy similarly dehumanized colonized peoples in Africa, justifying brutal exploitation under the guise of spreading civilization.

Implication for World-Building: Within the Dominion, the Thalmor might implement policies that systematically disenfranchise Bosmer and Khajiit while celebrating the physical, magical, and intellectual prowess of the Altmer. The Thalmor’s propaganda could depict other races as servile or parasitic, encouraging Altmer citizens to feel pride in dominating these “weaker” peoples.

Propaganda Celebrating Strength: Altmer architecture, literature, and art could be designed to evoke themes of Elven might and dominance, depicting other races as subservient or parasitic (point 10). For instance, public statues might show Elves towering over Men or crushing symbols of Imperial power.

Oppression of the “Weak”: Non-Altmer races could be forced into hard labor or conscription.

Idea: Characters/NPCs could share stories of family members sent to fight in far-off conflicts, providing characters with morally complex choices about intervening.

11. Everybody is Educated to Become a Hero

Fascist regimes emphasize the importance of sacrifice for the nation, glorifying those who devote their lives to the cause and framing ordinary citizens as warriors for the state.

TES: The Thalmor cultivate a culture where every Altmer is expected to serve the Dominion’s cause, whether through military service, loyalty to the state, or ideological compliance. The Justiciars are portrayed as paragons of Elven virtue, exemplifying the ultimate commitment to the Dominion’s ideals. Citizens are likely educated to believe that their sacrifices, no matter how small, contribute to the restoration of Elven greatness.

Historical Parallel: Nazi Germany placed significant emphasis on the concept of the "Volksgemeinschaft" (people's community), where every German was expected to contribute to the nation’s goals. Similarly, Fascist Italy glorified the ideal of the selfless soldier and the hardworking citizen as heroes of the state. In both cases, youth programs like the Hitler Youth and Balilla were used to indoctrinate the next generation into these values.

Implication for World-Building: The Dominion could have institutions that indoctrinate young Altmer into Thalmor ideology, teaching them to see themselves as part of a sacred mission to reclaim Tamriel for Elvenkind. Public ceremonies might honor fallen Thalmor agents as martyrs, reinforcing the idea that dying for the Dominion is the ultimate act of heroism.

Hero Cults: The Dominion might establish festivals or holidays commemorating key Thalmor victories and honoring fallen agents. Schools could teach children patriotic songs or hymns about their duty to restore Elven supremacy, with heroic figures like early Thalmor leaders mythologized. (Maybe? This seems too far.)

Idea: Characters could infiltrate these events to gather information or sway public opinion by exposing the truth about these “heroes.”

More World-Building Ideas

Points 9-11 underscore the Thalmor’s militarism, supremacist worldview, and ability to co-opt individual lives into their grand vision for Elven dominance. These elements not only enhance the narrative tension between the Thalmor and their opponents, but could also create opportunities for characters to encounter internal resistance movements, oppressed groups, and Altmer citizens questioning the cost of their rulers’ ambitions. I believe after the Great War, tensions would be even higher. 

12. Machismo

Fascist regimes glorify a hyper-masculine, militaristic culture that celebrates dominance, aggression, and disdain for non-conformity or “soft” values.

TES: The Thalmor embody this through their emphasis on martial prowess and superiority. While not tied to gender in the traditional sense, their ideology promotes a cultural machismo centered on Elven dominance, physical and intellectual superiority, and disdain for perceived "weakness." They scorn the cultural diversity of the Empire and other races as decadent or effeminate. Their authoritarianism also seeks to suppress dissent, intellectual inquiry, or emotional expression that doesn’t align with their rigid ideals.

Historical Parallel: Fascist Italy and Nazi Germany glorified masculine ideals of physical strength and aggression while marginalizing traits like compassion or introspection. Mussolini often emphasized virility and militaristic values, while the Nazis celebrated the archetype of the strong, disciplined Aryan soldier. Non-conforming individuals, particularly LGBTQ+ people, were persecuted as threats to this hyper-masculine ideal.

Implication for World-Building: The Thalmor might promote a rigid cultural code that prizes dominance, obedience, and aggression, possibly extending to martial tournaments or ceremonies that celebrate Altmer “purity.” Artistic expressions or philosophies emphasizing introspection or diversity could be banned or dismissed as “decadent.” They would continue with the tradition of marrying proper matches to keep their family blood “pure.” 

Propaganda Festivals: The Thalmor could organize grand public events where martial displays (military parades?) glorify Elven strength. These events would reinforce the idea that the Dominion thrives through dominance and order.

Suppression of Non-Conformity: Non-militaristic or “soft” cultural traditions—like Bosmer storytelling or Khajiiti spirituality—might be ridiculed or suppressed, leading to underground movements that preserve these traditions.

13. Selective Populism

Fascist regimes use rhetoric that claims to speak for “the people,” but this “people” is defined narrowly, excluding minorities and dissenters.

TES: The Thalmor’s concept of “the people” explicitly excludes humans and often sidelines their Bosmer and Khajiit allies. They frame themselves as the sole representatives of Elvenkind, claiming to act in the best interests of a unified racial identity. However, their vision of unity ignores or suppresses internal dissent among Altmer who reject their ideology, as well as non-Altmer who are relegated to subordinate roles. Their claim to represent all Elves is thus selective and exclusionary.

Historical Parallel: Nazi Germany used the idea of a Volksgemeinschaft (people’s community) to create a narrow vision of unity, excluding Jews, Romani people, and political dissidents. Similarly, fascist regimes often co-opted populist rhetoric to claim they acted in the name of “the true people” while disenfranchising anyone who didn’t fit their criteria.

Implication for World-Building: Within the Dominion, the Thalmor’s rhetoric might emphasize solidarity among Elves, but their policies reveal stark inequalities between Altmer, Bosmer, and Khajiit. Resistance movements could emerge within these oppressed groups, challenging the Thalmor’s selective definition of unity and exposing their hypocrisy.

Elven Hierarchy: Bosmeri and Khajiiti groups could face higher taxes, forced military conscription, or exclusion from political power.

Resistance Movements: Selective populism could foster alliances between oppressed groups—such as humans, Bosmer, and Khajiit—who band together to challenge Thalmor dominance.

14. Newspeak

Fascist regimes manipulate language to limit free thought and ensure ideological conformity. They simplify language and control its meanings to make dissent or complex ideas impossible to articulate.

TES: The Thalmor could enforce linguistic purity within the Dominion, outlawing words, phrases, or writings that contradict their ideology. For example, they might ban texts that celebrate Talos, Imperial culture, or non-Elven achievements. The Thalmor’s propaganda would use simplified, emotionally charged language to emphasize Elven superiority and demonize humans. Over time, this manipulation of language could erode the population’s ability to think critically or question authority. 

Historical Parallel: George Orwell’s concept of Newspeak in 1984 was inspired by real-world totalitarian regimes, such as Nazi Germany and Stalinist Russia, where propaganda and censorship shaped public discourse. The Nazis used simplistic, repetitive slogans like “Ein Volk, ein Reich, ein Führer” to embed ideology in everyday life. Stalinist Russia altered history books and redefined terms to serve the Party’s goals.

Implication for World-Building: The Thalmor might use the Divine Prosecution, making them responsible for censoring Imperial and Talos-related literature while promoting carefully curated texts that reinforce Thalmor ideology. Dissidents could smuggle forbidden books or create underground presses to preserve cultural diversity and historical accuracy.

Censorship Laws: The Thalmor could outlaw specific languages, such as Cyrodiilic, in Dominion territories. Altmer children might be taught revised histories that erase human contributions to Tamriel’s culture and development.

Idea: “Forbidden Literature” - Characters might encounter hidden libraries or secret meetings of scholars seeking to preserve banned texts. These locations could serve as hubs for resistance or offer “quests” to recover lost knowledge.

More World-Building Ideas:

Cultural Propaganda: The Thalmor could sponsor plays, books, and artworks that glorify ancient Elven achievements while mocking or demonizing human cultures. This would reinforce both their fear of difference (point 5) and their obsession with a plot (point 7).

Perpetual Fear Campaigns: Justiciar crackdowns on "Imperial spies" or "hidden Talos worshippers" could escalate over time, creating a culture of fear where anyone might be accused of treason. This aligns with points 7 and 8, as the threat is exaggerated to justify authoritarian control.

Resistance Movements: Bosmer and Khajiit characters might form secret organizations to challenge Altmer dominance. Characters could align with these groups or face pressure to spy on them, adding moral and faction-based dilemmas.

Thalmor-Run Education: Schools in Dominion territories might indoctrinate children into Thalmor ideology, with NPCs lamenting the loss of older traditions. Characters could disrupt this system by recovering banned texts or creating underground schools.

Religious Persecution: Talos worshippers might practice in secret, creating opportunities for characters to assist them or decide whether to betray their location to the Thalmor.

Civil Unrest: Cities in Dominion territories might feature visible tensions, with oppressed groups protesting or clashing with Justiciars. Characters could influence these outcomes by siding with either the protesters or the authorities.

[rin-solo]

I love. LOVE. Get In the Water

It's one of the objectively best songs in the musical; I will die on this hill.

Poseidon was always, despite being pretty much the main antagonist of EPIC, a really underdeveloped character in my opinion. He just needed a little more nuance and the fact that one (+ kind of one more) song managed to add so much to his characterization pretty much exclusively through subtext and implications is incredibly impressive writing. Because it did!

At the start he's yet again playing games with Odysseus, the way he did in Ruthlessness. In both songs he could kill him easily at any point, yet he chooses not to for the sake of playing games. In Ruthlessness, this becomes his own hubris as it leads to Odysseus escaping.

If you listen closely, at the start of GITW he already sounds slightly different. He's still trying to keep up this "God of Ruthlessness" front that he's so proud of, but he's no longer more or less carefree the way he was in Ruthlessness. He's been obsessing over this feud for ten years, and even if he would never admit it, it's actually clear just from his voice that he really is tired of it too. Not in the sense of it emotionally draining him the way it probably does Odysseus, but in the sense that it's a bother, a loose end in his life, a book that he finally wants to slam shut.

But he still has a reputation to uphold, and he still cannot close this book until Odysseus is dead, so he keeps up the game. Instead of just killing him, he's taunting him to kill himself. He might associate the idea of just striking him down with a sort of loss, like then he'd have to his hands dirty. Then he's rambling about killing his people, his family. He's provoking Odysseus on purpose, likely trying to get him to snap back, to hate him and fear him the way that Poseidon would think any mortal who has consumed this much of his time should. In his eyes, Odysseus deserves nothing less than to curse him with his last breath as his "darkest moment", the god who became the bane of his life.

And Odysseus replies, of all things, with ... sympathy.

Honestly, I don't blame Poseidon for being speechless for three full seconds. He literally just threatened to gauge Telemachus' eyes out the way Odysseus did with Polyphemus, and this absolute madlad of a man replies with an acknowledgement that he (might have) caused Poseidon pain too.

Now, I don't really think Poseidon was particularly hurt over Polyphemus' loss or hurting in any way in that moment. But just the fact that Odysseus acknowledges that he might be hurting too is probably something Poseidon hasn't heard in ... who knows how long? His family is the Olympians. I don't think I have to say more.

It's actually more of a genuine apology than Odysseus' explanation in Ruthlessness ... Now he doesn't say "sorry" because he's still not sorry for hurting Polyphemus, since he still needed to do that in order to escape. But he expresses regret over the pain he caused in a more genuine way than ever.

I am convinced that Poseidon is utterly unfamiliar with sympathy or mercy. He's lived by his "Ruthlessness is mercy" motto for centuries, and he doesn't know anything else. No one would try to teach him something different. The other gods all live by this logic, even if he's the most vocal about it considering he seems to have made it his whole personality. Mortals wouldn't dare to question Poseidon in the first place. And barely anyone would be willing to treat someone with kindness who is in turn treating everyone around them with ruthlessness.

It's very likely that Poseidon hasn't encountered anyone like this until Odysseus. Ruthlessness is simply how he treats people, and also how he expects to be treated back. The fact that Odysseus doesn't, the fact that instead of hating or fearing or cursing him he acknowledges that they have both hurt each other and that it doesn't lead anywhere to still pursue vengeance must have triggered Poseidon in an unprecedented way.

To him, this was probably the most outrageous thing Odysseus could have said in that moment. And it throws him off so much that he is genuinely speechless, and then simply replies, "I can't." ... his most genuine-sounding line in the whole musical.

I cannot stress enough how much it threw me off to hear this line; in the best way imaginable, it doesn't sound like Poseidon. It sounds almost vulnerable. Almost human. Because he is genuinely at a loss so much that he forgets to put up his "wrathful god" facade for just one second. Standing ovation to Steven Rodriguez for his whole performance, but especially this part.

And then Odysseus goes all out, to say something even more outrageous: "Maybe you could learn to forgive?"

... Which is when Poseidon snaps.

Kind of understandable, honestly. There's this mortal whom he has likely fantasized about seeing pleading, hate-filled, and terrified, cowering before him, for ten years now ... telling him that he ought to learn something. Even hijacking his own motif and his instrument in order to turn it on its head, "defile" it if you will.

This f*cking mortal pr*ck took his own "Ruthlessness is mercy upon ourselves" catchphrase and turned it into forgiveness ... Of course, Poseidon is no longer hesitating, of course he is no longer concerned with getting his hands dirty or not. He yells "DIE!" and unleashes his ultimate move (which is really overkill for simply killing a mortal if you think about it) ... But he does it anyway because this time he genuinely means it.

This simple exchange (my favorite moment in the whole musical, actually) tells us so much about both of these characters that it makes me want to skitter and squeal in excitement.

Here is Odysseus—the very same one whom Poseidon specifically tried to teach ruthlessness—becoming the first person in a long time to offer him sympathy despite how Poseidon himself showed him nothing but ruthlessness. And then one song later, here is Odysseus showing him the consequences of not accepting said sympathy.

Six Hundred Strike and what Odysseus does to Poseidon would've not hit the same, in my opinion, if he hadn't made this offer, if he hadn't given Poseidon this way out, even if no one watching genuinely expected it to work (probably not even Odysseus himself.)

Six Hundred Strike is not Odysseus exacting vengeance. If GITW proved anything about Odysseus it's that he does not want vengeance. He wants all of the hatred and pain to be over, to the point where he is willing to let go of, and I am inclined to say forgive, Poseidon for what he's done to him. Six Hundred Strike is simply Odysseus teaching him this lesson that Poseidon couldn't have learned in any other way, because he has proven in GITW that he genuinely does not speak any language besides that of ruthlessness.

It's just the perfect representation of how Odysseus has now finally learned the balance between mercy and ruthlessness, which seems to be the core theme of the musical: Both have their time and place, one simply has to be willing to act in both ways and know when to use either. No one extreme is the solution. I am genuinely exhilarated that Odysseus finally seemed to have figured out that it's been both all along.

[s-e-v-e-n-24]

Hello hi friend (@knight-says-nanana) recently made this post referencing our conversation on Jervis Tetch having Wonderland nicknames for everyone but with actual Meaning to it, and I am here to share my List of them

Edward Nygma/Riddler - Dormouse

Not only could he physically resemble a dormouse (Shorter, they tend to have reddish brown/Orange coats I think?), but again, it's more about the sleepiness. The Dormouse is depicted as asleep/Always falling asleep, and only really waking up to correct Alice. Jervis's likely first or longest first meeting with Ed would be in Arkham. Arkham, where his cell has been shown to have "Keep sedated" on it

Jonathan Crane/Scarecrow - March Hare

A hare matches Jon's aesthetic. Long gangly creepy looking bunny. Typically depicted with straw on his head. It's cute if Jervis refers to him as "My dear Hare". March Hare and Hatter are friends!

And also the Hare is routinely depicted as nerve wrecked or delirious, and in adaptations, often dies or suffers

Harley Quinn - Queen of Hearts

The red and black look, the cards aesthetic already there. Plus, Queen of Hearts is childish, bad tempered, quick to overreact, very feared character (Also has a mallet). And also rarely Actually executed people. This one does play on the negatives more, due to the fact she's an antagonist (More obstacle for Alice to clear) But the queen Does have some better traits

Selina Kyle/Catwoman - Cheshire Cat

Obvious, only major cat themed rogue, but Does have deeper implications. Cat dissapears often and without a trace, seemingly or literally invisible, can go places most do not dare to. And also friendly with both the protagonist and antagonist characters. Inherently chaotic neutral force. It does what it wants for it's own entertainment. It may like Alice and act sorta as a guide sometimes, but that in no way means it sticks on her side

Hugo Strange - Gryphon

Somewhat overbearing, dismissive of the obsession and Sorrow of other characters, says they have no fact. Orders around Mock Turtle. This may not fit the greatest, but I like it

The Batman - The Jabberwock

Some unknown and all around feared cryptid? Yeah makes sense

Oswald Cobblepot/Penguin - Dodo

Flightless bird depicted with a cane. Odd, but good natured. Mostly. Does try to burn down a house as a solution to Alice being stuck in it. Organizes the Caucus races. The Dodo character/Races are meant as a critic on systems that lack clarity and decisiveness, who's actions are ultimately unhelpful or pointless

Now there are a couple I'm not entirely sure about yet. It's actually suprisingly hard to make everything fit well

Victor Fries/Mr. Freeze - White Rabbit

Because. He. Y'know. Is running out of time? I do like this one, mostly cause it's a lil funny to me. And also Freeze is mostly only an antagonist to work for his goal, the Rabbit is only "antagonist" Because he has to work for the Queen

Basil Karlo/Clayface - Mock Turtle

Melancholic, sad that it's no longer a real turtle/Just a turtle

Pamela Isely/Poison Ivy - King of Hearts/The Flowers

She is So hard to pin down. I could say Kimg of Hearts to match Harley (Moderate, calm, the one that pardons the subjects, calms the queen, later revealed just as juvenile and willing to execute), or, I could go with the flowers to match her vibe. I really do not know

Waylon Jones/Killer Croc - Jabberwocky/Duchess

Kinda hate both of these for him. Jabberwock because. The obvious. Duchess kinda due to starting off nice to the queen, then transitioning to friendly and respectful with Alice. Major temper (Nervously agressive) but not inherently bad even though she starts/Is Queen aligned?

Harvey Dent/Two Face - Tweedle Dee & Dum/The Walrus & The Carpenter

Tweedle Dee and Dum seem like the obvious answer but I kinda hate it so much. It doesn't feel like it fits and kinda feels insulting. Nothing Truly fits Two Face. Walrus and Carpenter is the closest I got. Walrus (Two Face?) The leader, conniving moocher, con man, yet hopeful of the future. Carpenter (Harvey?), believes getting an honest job will be better, still goes along with the plan, acts before he thinks, quick to anger

Joker - King of Hearts/Knave of Hearts

King to match Harley but also I dislike most adaptations so mm. Knave because he's a coward/j

[syscultureis]

OCD system culture is:

Having intense intrusive thoughts about splitting a new introject from anything you happen to enjoy. Seeing anything that you mildly show interest in and your brain is just like "Hey man. i see you like [insert character] from this media here. What if I just start making you think about all the implications of what it would look like if this was a guy in your brain. what then???" And you feel denial even though it's literally uncontrollable. Now you can't even enjoy the media/lose interest in it because of it. DID has become an obsession in of itself

.

[theroxian]

Absolutely OBSESSED with the implication that the 16 realms were quite interconnected in dragons rising (such as imperiums previous ruler whose name i forgot saying he always had time for guests from other realms, and the forbidden five explicitly wanting to take over all the realms) whereas like, we didn't even know other realms EXISTED until s5 of ninjago and we didnt really see them after all that much.

Is the implication there that ninjagos a hermit realm? Do they not like visitors or something? Are all the vistors undercover? Why??? Does no one want to fucking go there? Mysterium has magic, the wyldness has its landscapes. Ninjago js has people that'll scream at you abt ninjas for an hour straight. There's few portals in ninjago to other places, did the fsm just hide ninjago? Was he possessive over it? WHAT IS THE DEAL

[superprofesh]

Headcannon: Colt would be so totally down to take his wife's last name

anon no one has ever been more correct about anything than you are about this

[despazito]

Yes we founded this hobby in late victorian europe where we divide animals of the same species from around the globe into races and measure them with calipers and put extreme emphasis on blood purity and conformity but WE SWEAR this has zero links to the eugenics movement that was coincidentally happening at the exact same time and place

[wisteriasymphony]

every time a tumblr post mlb rewrite mentions the fact that they're taking out marinette's 'obsessive stalker' characteristics an angel gets run over by a steamroller and fucking dies

[cynthiav06]

I cannot believe how this hasn't been addressed in the PJO Fandom yet but does no one notice that the books, Rick himself glosses over or downplays the fact that PERCY FUCKING JACKSON GAVE UP IMMORTALITY!!!

And in reason as to why Percy gave up immortality?

The Percabeth stans are only too happy to make "Oh Percy gave up immortality for Annabeth." The hell he did. Have we read the same books? Are you really demeaning the importance of what Percy did. Cause here's what happened, and here's why it's so important:

PERCY GAVE UP IMMORTALITY SO THAT GODS COULD CLAIM DEMIGOD CHILDREN EARLY SO THAT THEY DO NOT REMAIN DEFENSELESS.

Furthermore, he did it so CHILDREN OF MINOR GODS COULD HAVE A PLACE TO BELONG TO, TO HAVE IDENTITY OF THEIR OWN, SO MINOR GODS THEMSELVES CAN BE PROPERLY ACKNOWLEDGED.

Similarly, he further added that CHILDREN OF HADES SHOULD NOT BE OSTRACIZED, THEY AS WELL AS HADES DESERVE TO BE WELCOME INTO OLYMPUS AND INTO CAMP , DESERVE PROPER RESPECT.

What ticks me off the most is how such an important sacrifice such an important change is never addressed again to the extent it deserves.

Cause this is not a surface level thing. This is going to change and better the lives of all demigods that come after or even demigods who were wrongly forced to remain in Hermes Cabin. A safe, more respectful, more meaningful environment for all demigods no matter who their godly parent is.

Are you telling that children of minor gods don't literally worship Percy for doing all this? Don't wholly completely feel grateful at least that he voiced out for them over his own difficulties? That he made a safe place for them happen?

Are you telling me that Minor Gods themselves don't feel at least a little grateful and respect Percy who did this of his own volition without having even met many Minor Gods. That he voiced out for their own children when they couldn't?

Are you telling me that Travis and Connor or any other demigods and cabin counselors don't automatically rave on about the greatness of Percy Jackson to any new arrivals in Camp Half-Blood?

Cause we were robbed of this of a proper homage to the sacrifice other demigods, Luke himself and Percy himself made to make it happen.

Piper, Leo , and Jason all seem so ignorant to it. Even newer demigods in Chalice of Gods or other books seem ignorant to this, and that's so against the usual canon representation of Camp Half-Blood as a community.

We should have seen it in Lost Hero, should have seen it in Chalice of Gods, should have seen it acknowledge repeatedly. You know why?

Yes, Percy didn't want immortality, but don't you know that deep down Percy knew exactly what immortality meant? Eternal protection from his father in his realm. No Gods bothering him, no more sacrifices or death quests. Freedom to do what he wants. To be able to spend time with his family as long as he wants without the worry of risking their safety. And he gave it all up

NOT EVEN IMMORTALITY. GODS WOULD HAVE GRANTED ANY WISH. HE COULD HAVE WISHED ANYTHING. FOR HIM TO BE PROTECTED? NO MORE QUESTS? FOR GODS TO LEAVE HIM ALONE? HE GAVE IT ALL UP, ALL OF IT.

Perseus bloody Jackson made happen what no one in the History of Camp Half-Blood has ever done. He managed to make Gods change their ignorant ways. He dismantled a culture of neglect and abuse.

And the fact Rick himself let this happen, let all this gloss over, and the fact that Percabeth stans have the AUDACITY to insinuate that he did for Annabeth and demean Luke's sacrifice, Percy's sacrifice is beyond me.

[blueskittlesart]

at a certain point i think we need to acknowledge that art is very rarely created accidentally. if you can see a theme in a work than that theme was, more likely than not, at least somewhat intentional on behalf of the creator. you don't put a piece of yourself out into the world without thinking about what it means at least a little bit.

[buwheal]

In all seriousness though, did you pull something? It'd definitely be easy enough, especially with all the hardware you have to move between locations. Eugh

[clownprince]

hi don't mind me just thinking about how harley interpreted batman showing up at joker's execution in his dream as joker's desire for batman to save him (maybe from the execution maybe in general?) and the implication that she finally left him because his dream implied that if anyone were to save him it would be batman not harley...

[dimension-20-every-introduction]

Everyone Introduced in Dimension 20's Fantasy High: Junior Year episode 20 (finale)

[dandelionfool]

doodling al'skander when i should be sleeping because i have not recovered from the effects of the persian boy