#number 24 layouts

[lolo-l0ved]

↳ Natsusa Yuzuki soft blue layouts

Reblog / Like if you save or use 🏈

[lulu2992]

Exploration of the now-offline Far Cry 5 official websites

Introduction

I used the Internet Archive, also known as the Wayback Machine, to see what the official Far Cry 5 websites used to look like between May 2017 and February 2020. On or before September 25th, 2020, the site changed and a lot of information about the game and its character disappeared. This is what I was interested in recovering.

In the posts, for convenience, you will see me use the terms “American website” and “European website”. While there were theoretically 19 versions, there were only two different layouts and appearances.

All the available languages and locations, according to the U.S. version.

The “American” layout was used for:

Canada (English & French) - /en-ca/ & /fr-ca/

Mexico - /es-mx/

The U.S. - /en-us/

Brazil - /pt-br/

And the “European” one was for:

Denmark, Norway, Sweden, Finland (“Nordic English”) - /en-nordic/

France - /fr-fr/

Germany - /de-de/

Italy - /it-it/

The Netherlands - /nl-nl/

Poland - /pl-pl/

Russia - /ru-ru/

Spain - /es-es/

The U.K. - /en-gb/

Australia - /en-au/

The Chinese (/zh-tw/), Arabic (/ar-ar/), Japanese (/ja-jp/), and Korean (/ko-kr/) Far Cry 5 sites were apparently not properly archived, but the ones that most often were and that I recovered all the content from were the U.S. and U.K. versions, which is also why I ended up choosing the generic terms American and European (even though they are not always geographically accurate).

The current Far Cry 5 website, as I’m writing this, is www.ubisoft.com/en-us/game/far-cry/far-cry-5

The old sites I was interested in were far-cry.ubisoft.com/game and far-cry.ubisoft.com/farcry5, and more specifically far-cry.ubisoft.com/game/en-us/, far-cry.ubisoft.com/farcry5/en-us/, far-cry.ubisoft.com/game/en-gb/, far-cry.ubisoft.com/farcry5/en-gb/. To change the language/region, you just have to replace /en-us/ or /en-gb/ with another tag; I included them all in the lists above.

In each post, there will be two parts: Recovered content and Commentary. In the first one, I will post what I found in the archives, and in the second, compare all that information with the final version of Far Cry 5 to see what has changed and what still seems relevant.

I hope you enjoy this series :)

[sematarygirls]

GONE  GIRL.                             masterlist

if you know the whereabouts of this person, please call 911 or contact the kildare county sheriff's department at 252-290-6688

       NAV ! Part One. Part Two.

CASE NUMBER: 2023-KILDARE-002

CASE NAME: L/N, Y/N - Missing Person

DATE SUBMITTED: July 24, 2023 (Investigation Ongoing)

AGENCY: Kildare County Police Department

EVIDENCE TECHNICIAN: Officer J. Gingham

ITEMS ENCLOSED:

1. Incident Report

2. USB Containing Witness Statements

3. USB Containing Suspect Interviews

4. Anonymous Tips & Alleged Sightings

5. Manilla Folder of Crime Scene Photos

6. Subpoenas for Phone Records

  6.1. Victim's Call Logs

7. Subpoenas for Text Messages

  7.1. Victim's Text Messages

8. Search Warrant for 313 Lakeshore Drive

  8.1. Bottle of Unidentified Pills (Pending Analysis)

  8.2. Encrypted Flashdrive (Pending Analysis)

  8.3. Victim's Diary

  8.4. Threatening Letter (Pending Handwriting Analysis)

  8.5. Calender with Day of Disappearance Circled

  8.6. Shattered Picture Frame of Victim and R. Cameron

  8.7. Cellphone Charger

  8.8. Hairbrush (Collected for DNA)

9. Search Warrant for R. Cameron's Room at 115 Kingsford Street

  9.1. Pair of Victim's Underwear

  9.2. Collection of Naked Photos of Victim

  9.3. "R" Pendant Necklace (Victim was Last Seen Wearing)

  9.4. Bloody T-Shirt (Pending Analysis)

10. Victim's Purse (Recovered at Old Church on Whickam Road)

  10.1. Wallet with ID

  10.2. Torn QuickFuel Reciept

  10.3. Baggie with Unidentified White Powder (Pending Analysis)

  10.4. ChapStick Classic Cherry Lip Balm

  10.5. Keyring: House Key for 313 Lakeshore Drive, House Key for 231 Bradford Road, Unidentified Key, Heart Locket Keychain with R. Cameron's Picture Inside

  10.6. White, Silver, and Red Sobriety Chips

  10.7. Sunglasses

  10.8. Lo Loestrin Fe Birth Control

  10.9. Crumpled Photo of Victim and Unidentified Man

  10.10. Pink Hello Kitty Lighter

  10.11. Switchblade

  10.12. Trident Pineapple Twist Gum

11. Copy of Missing Person's Flier

12. Incident Reports from 313 Lakeshore Drive

13. Subpoena of Victim's Bank Statements and Financial Records

  13.1. Victim's Bank Statements and Financial Records

14. Subpoena of Victim's Medical Records

  14.1. Victim's Medical Records

CHAIN OF CUSTODY LOG INCLUDED

notes .ᐟ the layout isn't very pretty, but you get the idea. it's a detailed account of everything in the evidence box thus far

taglist .ᐟ @starkeysprincess / @cometmultiverse / @iheartjjmaybnk / @all4l0vee / @kissesfrmriri / @bradshawed / @fallbhind / @rafeslittleangel / @bakugouswaif / @fakedhearts / @avada-kedavra-bitch-187 / @riaras-everthroner / @memoirofasparklemuff1n / @rafeysangelbaby

                                ୭ৎ

[mpchev]

Update on fanbinding dissertation: binding the dissertation itself!

After many days and nights of writing and wrangling footnotes and proofreading (where I couldn't convince my laptop that yes, I meant textualisation, not sexualisation), 'twas time to bind the beasts! In three copies, no less! Which I approached with way too much confidence from my one fanbind experience, and came with many fun little surprises due to the format guidelines I had to follow 🤡

This is going to be a long one, so here's my happy unfocused mug to confirm that it all ends well:

First pickle: The typesetting. I absolutely loved typesetting fanfic, but the dissertation had to be A4 (way less fun, boo-hoo), one-sided, with every page numbered. Did you know that LibreOffice won't let you add blank pages and only number the non-blank ones, without skipping numbers? In order to print signatures I could fold into one-sided pages, only numbered on the right-hand pages, I ended up switching to landscape orientation and including the equivalent of a blank page in the left margin.

Second pickle: The imposing, which I couldn't figure out using the amazing bookbinder with my weird landscape 2-page layout. I finally gave in and rearranged all the pages manually, which looked like p. 1 on the recto / p. 10 on the verso, then p2/p9, p3/p8, p4/p7, p5/p8, p6/p7. And because there was no way I was paying print-in-colour prices for all of this, I further split the manually imposed pages into two files, one for the greyscale printer (cheaper) and one for the colour printer (highway robbery). Still came up to ~£70, just for printing.

Very glad I went in chunks of 10 for the signatures, it made both the math and the folding using sheets from two different piles much easier, highly recommend (if for some absurd reason you also want to bind one-sided numbered pages in folded signatures).

Third pickle: Linear time. Had planned on having so much time to print and bind this thing, but kept writing and rewriting and proofing and oops! It was due in less than 24 hours and it was still not out of the laptop. So.

22/09/24, 6pm: Got to the library, started printing.

6.45pm: Found another printer where all the paper was the same shade of white, started printing again 🤦‍♂️ (kept the the misprints to use as scrap paper when glueing)

7.30pm: Started folding the 150 sheets of paper (3 x 100-page dissertation, 2 pages per sheet). Went from the last episode of The Magnus Protocol, to an episode of Welcome to Night Vale, to deciding restart The Magnus Archive, which felt almost poetic.

9pm: Headed back home, trimmed the edges (with a borrowed guillotine), folded the endpapers, stabbed everything. Lack of pictures to be blamed on my inability to mess with linear time, and the eventual sleep deprivation.

10.30pm, I think? Started sewing the signatures together, again with Supernatural (which I started rewatching when I submitted my first dissertation assignment in mid-May, and finished 2 days after submitting the dissertation itself, again, such poetry).

2am, probably? Tipped the endpapers and glued cheesecloth over the spines. Somehow figured out where to set the three textblocks to dry (I don't have a press). Sadly gave up on sewing on (or glueing) headbands, because time.

3am-ish: Cut the missing cover pieces out of millboard (had already cut 4 of 6 covers, since I knew it had to be A4), measured the spines of the three textblocks and cut those as well.

???am: Did some math, because sure, that's the right time for that. Cut the bookcloth to size, glued the cover pieces on the bookcloth. Remarkably only messed up the measurements on one of them! That means one of the copies has a millimetre of millboard showing in the inside corners of the back cover, but not enough time/bookcloth/millboard to redo it, onward we go!

Way past dawn: Took a break for food while the covers somewhat dried. Cased the three textblocks in the three covers, with the endpapers bubbling, which took me by surprise since it was the same paper and same glue I had used for the fanbind without any problem. I'm now thinking that bigger book = more time needed to apply the glue = endpapers getting warped, but I was so exhausted by this point that who knows. Again, no time to redo it!

9.30am: Stacked the dissertations under the heavy reference books I used to write the dissertation. Toute est dans toute hein. Went to bed while they (mostly) dried.

2.30pm: Woken up by my neighbour's dj set. Eventually put all that hard work in a tote and walked to school to hand it in at 4.30pm.

Fourth and last pickle: The titling. Couldn't find paper long enough to do a half-dust jacket like I did last time. Had big cutout plans, ran out of time and couldn't finish testing those. Also had some thicker textured paper I thought of cutting and glueing to the cover as a title card, but it turned out too thin and was warping. Finally resigned myself to submitting it with a blank cover, but one of my teachers asked if I would mind adding the title on with metallic markers to make it easier to identify (one copy will eventually be on the shelf at the Institute), and I'm SO HAPPY with how it turned out. Metallic markers. Why didn't I think of that. (I did, however, think about dressing appropriately for the occasion.)

So, is it possible to print and bind 3 books in less than 24 hours? Yes! Am I glad I did it? Also yes, very satisfying, love being extra! Would I do it again? God no, I've been sleeping for two weeks and I still haven't recovered. Can't wait to start binding something else though, so I guess it wasn't that bad.

That's it! That's over! Aaaaaah! Now waiting for the grade and comments, and hopefully soon I'll be able to share the content as well.

I'll also try to post some more about the research/writing process itself, somewhere between the late nights reading international treaties on income tax and the early mornings spent figuring out how to apply for a phd next.

Thank you so much to everyone who followed along, this was way more fun than I ever could have hoped!

[rontra]

Persona failteacher yuri, comic #24: about her breaking point (part 3: pot, kettle) [AU masterpost]

i hate when it's one page off from an easily arrange-able number. egh

in case you're unfamiliar: in languages that use more graphemes than can feasibly fit on a keyboard layout, an IME (input method editor) software component is used. in our example--typing japanese on a generic laptop keyboard--the user would type in romaji or kana and the IME provides a dropdown menu to choose which kanji you want to insert. usually you press spacebar to go down the list and Enter to insert the selected kanji. so make sure to spell everything correctly and pick the right kanji at the end... 😤

there are also "thumb-shift" keyboards that are faster when writing in japanese, which are popular with people who write a lot for a living. i think they're very cool

^idk just in case you were curious what kind of frenzied keyboard whoopsies she's having in her Mad Bull haze . im just talking about keyboards and pretending kawakami isnt severely spiraling (and psyching herself up to force toriumi's hand) as we speak. it's fine

[sprintingowl]

Turnip28

Turnip28 is an indie wargame built around kitbashing models so that they look like the haggard survivors of a thousand years of vegetable-motivated Napoleonic war.

The core rules are free, and (as of 4/2/24) the game is receiving regular support.

Rules-wise, the closest comparison is definitely Warhammer. Models have statistics for Wounds, (in)Accuracy, (non)Toughness, and number of attacks they can make. Solo models (called Snobs) and units (called Followers) are both fielded, and an emphasis is placed on armies being unpredictable, difficult-to-control things that panic and get disorganized and sometimes just don't listen to your orders.

The biggest mechanical divergence is that players take turns activating units, and the process for this involves using a Snob to tell a gang of Followers what to do. Only if there's no Followers nearby to boss around does the Snob act directly.

The tone of the game's writing and setting is definitely black comedy. War is gross, no one involved is particularly competent, the motive for the fight has been completely lost over the years, and one of the narrative's main characters is a pile of fingers that, due to the decent tactical advice it gives, has been scooped into a box to be carried around. There's a genuine toad-in-the-hole recipe included in one of the factions' unit list.

The overall structure and layout of the book will make you say "this is definitely a wargame," but the rules are well-organized and easy to follow and reference. It's at least as professional as anything out of the big presses, and the art is gorgeous, evocative, and creative.

The game's factions, called Cults, are varied and distinct and come with advice on how to play them. Most of them pull from the same pool of generic units, with a few variations and passive effects, but they all do a solid job of transforming the way the game is played.

Despite this, the real star of the game---which I think gets somewhat overshadowed by how much game there is---is still the kitbashing. You can use proxies or models from another game, but Turnip28 really wants to get you into painting and modeling your unique army. You can still have a good time if you just like the mechanics, but you'll have a great time if you click with the modeling.

All told, Turnip28 feels like a gem. It uses a familiar mechanical foundation in order to get a little weird with its setting, and to encourage players to do creative modeling. The end result is a rulebook packed with gorgeous art, which reads cleanly, and which lets you and a buddy crash strange little squads of gremlins into each other for an hour.

[thegoldensanctuary]

Part VI: The 1702 Summer Set(N⁰ 1379) :

Tradition required the bedchamber decor to be changed twice a year, alternating between a winter set and a summer one. Although set 1881 is not explicitly referred to as the winter set in the Garde-Meuble until 1740 [125], André Félibien informs us that the practice of using red velvet for winter in the King’s bedchamber predated 1701 [126]. If set 1881 was already used for winter by 1701, then which set was used as a summer replacement in 1702? The answer can be found in the 1708 inventory [127], where a set of silver-background brocade is listed under number 1379. Set 1379 was initially delivered in May 1689 as an augmentation of set 867, delivered nine years earlier for the bath apartments [128].

6.1 The Tapestry Itself

Described in 1680 as alternating narrow pieces of two different brocades—one “silver background with figures of a shepherd and shepherdess” and the other “gold and silver with rinceau, outlined at the edge with ponceau” [129]—the 1689 Garde-Meuble entry, while consistent in describing the shepherd silver brocade, specifies that the other had a green background but omits the rinceau ornaments. The most complete description appears in the 1708 inventory: “Rich furniture of two brocades, one with silver background with figures of shepherd and shepherdess in gold and silver, and the other with green background chiseled with gold and with flowers of silver and gold” [130].

The 1689 delivery was intended to fill an alcove with eight pieces of silver shepherd brocade and seven pieces of the green brocade [131]; this layout remained the same in the 1701 bedchamber [132].

6.2 The Bed

The main element of set 1379 was its state bed, impressive in its dimensions. Its components were as follows:

No Headboard: None of the descriptions indicate the presence of a headboard.

The Headcloth: Described in 1689 as being like the curtains, “of ponceau brocade” [133]. As seen in Part 6.1, no ponceau brocade is mentioned in the set; instead, the color ponceau only appears as a border for the green-background brocade. This discrepancy is later clarified in 1708 when the curtains and headcloth are accurately described as “green background brocade with flowers of gold and silver outlined at the edge with ponceau” [134].

The Valences: Unlike previous descriptions, a more precise one does not come from the 1708 inventory, where they are mentioned along with the cantonières, bonne grace, and bases as simply being of “shepherd brocade” [135], but from the May 1689 Garde-Meuble entry, which states: “Three outer valences, with additional buttonholes, shells, tassels, and other embroidery taken from the campane left from the frieze of the tapestry; four inner valences. The seven valences [three outer + four inner] are entirely of the shepherd brocade, garnished at the bottom by large campane embroidery and at the top and sides by smaller campanes, with ponceau gros de tours lining” [136].

The Curtains: The fabric for the curtains matched the set: some were of shepherd brocade, while others were of the green brocade.The 1689 description specifies that the two bonne graces, two cantonières, and three bases were of the shepherd brocade, while the four outer-layer curtains were of the “ponceau brocade” [137]. As with the headcloth, the term "ponceau brocade" actually refers to the “green background brocade with flowers of gold and silver outlined at the edge with ponceau,” as inferred from the 1708 inventory [138].

The Quilt: Described in both 1689 and 1708 as being of “ponceau brocade” [139], the same caution regarding interpretation should be applied as above.

The Case Curtain: Made of 24 pieces of green taffeta sewn together, with large and medium gold and silver fringes at the bottom and sides [140].

The Columns: The two front columns were covered in sheaths: one in a brocade featuring Solomonic columns embroidered in gold and silver on a crimson satin background, and the other in a brocade with silver stripes and satin stripes adorned with gold and silver floral embroidery [141].

The Vases/Finials: Four in total (one at each corner), filled with feathers. No further information about the materials used is provided.

6.3 The Armchairs and Stools

The original 1680 description briefly mentions the presence of two armchairs [142].

In 1689, the armchairs and stools received new frames, which were “gilded and silver-plated.” The 12 stools from 1680 were replaced with eight folding stools at that time [143].

The armchairs were entirely covered with shepherd brocade on the backrest, seat, and armrests, with silver and gold braid and campane ornaments. The folding stools, on the other hand, had cushions made from a square of shepherd brocade surrounded by “ponceau brocade.” This term appears in both the 1689 Garde-Meuble entry [144] and the 1708 inventory [145]. We learn from the 1689 entry that there was not enough campane to decorate all eight folding stools; there was barely enough for six, and the remaining two had to rely on gold fringes instead [146]. This issue seems never to have been addressed, as the 1708 description notes this disparity as well [147].

These stools and armchairs were later encountered long after being removed from the bedchamber and returned to the Garde-Meuble, specifically in the 1775 general inventory of the Garde-Meuble, where they appear under number 106 among the brocade furnishings [148]. In this final description, we learn that, just as in 1708, the disparity in campane ornaments remained unaddressed and that the “ponceau brocade” mentioned in the 1689 and 1708 descriptions surrounding the shepherd brocade was, as expected, actually “of chiseled green background brocade, with silver and gold flowers” [149].

An additional armchair belonging to set 1870 is also listed in the 1708 inventory.

6.4 The Fire Screen

The fire screen was a new addition for the 1701 central bedchamber, as it was not part of the original delivery of set 1379 from May 1689. The 1708 inventory offers a lengthy description worth quoting in full:

“Fire screen with slide [écran à coulisse], covered on each side with a square of silver background brocade with vine, from which a grape hangs, with a shepherdess at the center enclosed by strips of green background brocade chiseled with gold, with gold and silver floral ornaments outlined at the edge with ponceau, garnished by a thin gold braid hiding the seam, with sculpted and gilded wood” [150].

6.6 The Table and Tablecloth

In 1689, at the initial delivery of the set, there were three different carpets (tapis), one of which was referred to as a table carpet (tapis de table) [151]. Although no table was provided with the initial delivery, the 1708 inventory mentions a fir wood table [152] with no inventory number listed directly after two of the aforementioned rugs, indicating that these other rugs were also likely table rugs, as was the first.

The first proper tablecloth was “made of the two brocades, garnished with fringes and gold and silver braids, lined with green taffeta” [153].

The second rug was made of green leather, with green taffeta lining and gold fringes.

The third rug, made of green taffeta with gold and silver fringes, is referred to in 1708 as the slipcover for the first.

6.7 The Portieres

The description of the four portieres is consistent between the 1689 Garde-Meuble entry and the 1708 description, comprising a total of five pieces of brocade sewn together: three of shepherd brocade and two of the green brocade, with campane ornaments at the bottom of two and fringes for the other two.

[125] AN O1/3453

[126] “The King’s bed is covered in red velvet in winter,” can be read in Félibien des Avaux, Description sommaire de Versailles ancienne et nouvelle, 1703 edition, p. 60. Despite the date of the edition, the rooms are described in their pre-1701 layout.

[127] AN O1/3445 f⁰ 2-4

[128] Guiffrey, Inventaire général du mobilier de la couronne sous Louis XIV, 1886 edition, vol. 2, p. 318

[129] Ibid

[130] AN O1/3445

[131] AN O1/3306 f⁰ 123 r⁰

[132] AN O1/3445

[133] AN O1/3306 f⁰ 122 r⁰

[134] AN O1/3445 f⁰ 2 • [135] Ibid

[136] AN O1/3306 f⁰ 122 r⁰

[137] Ibid

[138] AN O1/3445 f⁰ 3

[139] See previous footnotes

[140] AN O1/3445 f⁰ 2

[141] AN O1/3306 f⁰ 123 v⁰

[142] Guiffrey, 1886, vol 2, p.318

[143] AN O1/3306 f⁰ 122 r⁰

[144] Ibid v⁰

[145] AN O1/3445 f⁰ 3

[146] AN O1/3306 f⁰ 122 v⁰

[147] AN O1/3445 f⁰ 4

[148] AN O1/3345, f⁰ 272 v⁰

[149] AN O1/3445 f⁰ 3

[150] Ibid

[151] AN O1/3306 f⁰ 123 r⁰

[152] AN O1/3445 f⁰

[153] Ibid, AN O1/3306 f⁰ 123 r⁰

[nonagesiiiimus]

eden's tlt reread: GTN, chapter one (pgs. 15-24)

before i really get into it, there's a few things i'm going to try and track throughout this reread (with some color coding, ooh): for right now, i'd like to start with words i had to look up, references to threes or other significant numbers, physical structure of the settings, and foreshadowing. i'll probably add some more things to track as i go.

interlude: on the Ninth House's layout

briefly, i want to talk about the description and structure of the Ninth house. we get some descriptions on pgs 15- 17, and 23 in the first chapter, with more peppered throughout the book. Gideon says that "this late in the equinox no light would make it [to the Ninth] for months", which puts the Ninth on the far reaches of the solar system (pg. 15). based on the rest of the description: no atmosphere of its own, rocky, freezing cold, it's easy to say this is Pluto. there's a quote later in the book when they are on the First and Gideon is confused by the nighttime that confirms this: “Griddle,” she said, “this planet spins much faster than ours.” At Gideon’s continued blank expression: “It’s night, you tool” (pg 86). one day on Pluto is equal to a week on Earth, so it makes sense for her to be confused about this new circadian rhythm.

now, for the structure of the ninth: it's pretty straightforwardly a tunnel down the center of the planet, with offshoots and balconies facing inward of the tunnel: "the Ninth was an enormous hole cracked vertically into the planet's core, and the prison a bubble installation set halfway up into the atmosphere where the living conditions were probably a hell of a lot more clement" (p. 23). clement = mild, merciful. there seems to be a first floor/ main bottom layer, where the "cold white doors of Castle Drearburh" are set (p. 16). we can assume as well that the tomb is also in the Castle Drearburh, along with the church. there seems to be different tiers cut into the tunnel that are living quarters and other rooms, and a splitoff point that leads out towards the landing pad: "Leaving her cell and swinging her pack over one shoulder, she took the time to walk down five flights to her mother's nameless catacomb niche [...] then came the long hike up twenty-two flights the back way [...] heading to the splitoff shaft and the pit where her ride would arrive" (p. 15). they must be pretty significant structures built into the surrounding walls of the drillshaft. this is emphasized by a later quote that says "They hadn't managed to cozen [Giden] inside Drearburh for a good two years", meaning Gideon must have had no reason to go into Drearburh for all that time- her living quarters and spaces are all separate of the castle (p.36). the landing field for the shuttle seems to be up the splitoff shaft really high up, on a terrace above all the living quarters (but not above the snow leek fields, which must be on the highest terrace?)

back to regularly scheduled c1 thoughts

~ chapter one ~

a wee bit of foreshadowing here: "Gideon never ran unless she had to", first appearing on the very first page of GTN, only to reappear later when Dulcinea/Cytherea faints at Canaan House!

the use of would instead of could in this quote: "her mother hadn't been in there since Gideon was little and would never go back in it now" (p.15): idk if this is anything, but to me it emphasizes Wake's willfull spirit.

first mention of frontline titties of the fifth on pg. 18 in talking with Crux!

the interaction with Crux is so sick and twisted and gross but also some of the first we get to see of Gideon's banter and personality. i also personally love the descriptors tamsyn uses for Crux's speech: bubbles, croaks, gurgles. it's gross and perfect

Crux says, "one day we will use your parts for paper" (p.19). this brings up one of my biggest and most longstanding questions: what is flimsy, and what is the deal with organic material in the Dominicus system? tamsyn muir has confirmed that flimsy itself is an oil-based paper akin to a plastic film, but this topic is deserving of its own post later on because i have a lot of thoughts. however, harrow later has a journal that has a cover of "tanned human leather" (pg. 146). yuck. maybe both are used? maybe the oil that flimsy is made of is derivative of humans fat? ew.

"You talk so loudly for chattel, Nav" (p. 18). chattel= n enslaved person held as the legal property of another, a bondsman

"Gideon was home free. Gideon was gone" (p. 20). this made me laugh because of a joke from HTN: when Augustine tells Harrow that if he wants Ortus the First to go, “he’ll be giddy-gone", which i unfortunately don't have the page number for but is funny to me here when reflecting. gideon, giddy-gone!

"[Aiglamene] simply backhanded Gideon the way you might hit a barking animal" (p. 21). this line breaks my heart every single time. gideon is striving so desperately for agency in this moment, and is so discounted even by the one person who she feels might be slightly looking out for her. aiglamene asking "will you disgrace me?" right after this also stings Gideon and stings me- it's an ask for obedience that i just despise on contact.

"sin of perfidy": perfidy = disloyalty, deceitfulness, a deliberate betrayal of trust. the highest sin in Aiglamene's eyes.

another quote that rips my heart out: : "Nobody had ever loved [Gideon] in the house of the Ninth" (p. 22). brb, crying my eyes out.

FIRST COMMANDER WAKE MENTION! pg. 23 tells the story of Wake tumbling down the drillshaft and landing brain dead in a hazmat suit, with one-day old Gideon in a bio-container plugged into the suit. there's a fabulous quote here that says "she was too far gone by the time the exhausted nuns had tethered her by force, as though death had been the catalyst for the woman to hit the ground running, and they only got one word out of her: she had screamed Gideon! Gideon! Gideon! three times, and fled" (p. 23). not only do we see the foreshadowed antics of Commander Wake's spirit here, but we also see one of our first references to the number 3. threes become pretty important and reoccuring in this book, for reasons that i think require their own post.

one other number thing: this is gideon's 87th attempt at escape. 87 could also be a significant number, which may requires its own post on my part. harrow is the 87th reverend mother, there's gideon's 87 attempts. maybe this is a thin thread, but someone posted in this reddit thread that it could be a reference to Judges 8:7:

Then Gideon replied, “Just for that, when the Lord has given Zebah and Zalmunna into my hand, I will tear your flesh with desert thorns and briers.

it makes sense with Gideon's name referencing the demise of someone else, as Tamsyn helpfully addended, but it might be too thin of a theory.

this concludes my thoughts on chapter one! super excited to keep rolling on this deep dive.

[chojrak-making-things]

Some screenshots from Scandicordia which I looked upon in July, in similar time as Teldrassil. I tried to convince CjPlays to look upon this world long ago, but he didn't make overview since then, so I had to see it myself (yes, I'm that lazy).

This world was created by Mutti, with help of her team from Discord. There's post which explains all details and contains download link, and vlogmas playlist, where video number 24 is world overview. It's recorded in German + Mutti focused more on showing families, that's why I asked another youtuber for overview, and then I did it myself. But anyway, here are some screenshots and thoughts that I had:

First of all, the map layout is really nice, and it really reminds me of Praven. There's not much worlds near rivers across the whole world, so it's good to have that layout.

The amount of trees is also perfect. As a performance maniac, this is important too.

Houses are rather larger than smaller, and really spread across, especially the farm ones. It's visible it was mainly done for Pets expansions pack, especially for horses.

...

But beside that, there is also district with smaller houses and spaces. Some of them are more rustic inside, giving feel of wooden shack.

Even such a small suburb has it's own park in the middle, which is nice.

There are also more extravagant houses, like this manor with dramatic wrap-around porch and beautiful landscaping:

or this sweet stick bellow:

Every part of building is functional! and well... it is kind of spoiler, cause I haven't seen it't been showed much on pics, and it's hidden in very interesting woodsy area, with a lot of camping and hiding spots nearby.

But speaking about recreation places, this town has really polished public lots, with a lot of activities.

Despite it's stylized as more of Nordic type of world, the lighting and all those camping/recreation areas gives me vibe of summer colony, which I absolutely love. It's not only world perfect for playing Pets, but it also squeezes every drop from Generations and Seasons expansion packs. Before I had it in game, I thought it might be like Aurora Skies enriched with EPs, but now I see it has it's own unique vibe.

I really don't have anything to prick about. I thought earlier that maybe buildings in town centre could be more distinguish - tenements houses or something could bring more diverse in architecture styles, but on the other hand it could also destroy this feel of summer destination and rusticness, so I'm glad the way it is.

It has even campus if you'd like to play University EP from home world.

It's been a little over a year since this world was released, and despite it gained a lot of notes, I haven't saw it since then, and thought it's criminally underrated, so I hope this overview will boost attencion even a bit.

[changes]

Tuesday, February 28th, 2023

🌟 New

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🚧 Ongoing

Folks following the Radar blog experienced a very strange glitch in their Following feed yesterday in which their usual feed of posts from followed blogs suddenly stopped and was replaced by a feed of recommended posts. We’re still chasing down exactly why this happened and how to make sure it doesn’t happen again, apologies for the disruption!

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[judjira]

the college

tags: fluff pairing: reader x mina after hours wc: 1861 back to masterlist

“Aaaand done.”

That’s your last lab report done for the night. Thank God, your university has a 24/7 study hall. You wouldn’t have been able to get any of this done at your apartment.

The study hall is chilly, but then it always is because the administration has no idea what temperature regulation is. The fluorescent lights are actually of a rather warm color, allowing you to read and process at a rather consistent pace.

Your lab reports, rather neat if you do say so yourself, are handwritten, thanks to the demands of your rather uptight professor. You even get detractions for not having your letters being written straight. Which has caused you to spend an outrageous amount of time making sure your margins are correct, your layout is neat, and your formulae are even.

It’s a bit of a mindless exercise in futility, but you have to admit, it is kind of satisfying to look at your finished lab reports and their neatness. Certainly a gratifying reminder of how many hours you’ve spent redoing lines and numbers as compared to actually studying the formulae required for this lesson.

At this hour, the study hall isn’t quite what it is in the morning, when the full hustle and bustle of the university has students scrambling from class to class, cramming reports, and studying for exams.

Still, it’s a nice change of pace from that, with barely a soul inside, besides you and some other woeful student, busy typing something down on their laptop.

It’s a nice shelter from the real world, outside the walls of the university, where you get to witness the essence of human experience in its worst forms.

But also its best forms, too.

You bid your farewell to the night shift guard, who scans your ID and nods at you in acknowledgment.

If the study hall was quiet, with only the whirring of the air conditioner and the occasional flip of a page, outside is silence incarnate. The university, with its open-air walkways and open courtyards and gardens, is almost soullessly silent, the only sounds echoing being your footsteps.

There are barely any lights, the building all mostly closed, with only street lamps that illuminate the open walkways and fluorescent pin lights to guide through the closed hallways.

Idly, you wonder what there is beyond this. Beyond open books and laptops, lecturing teachers and noisy students, oral quizzes and final exams. It’s hard to imagine what life is like beyond what you know.

But you’ll get there eventually. And soon, all this will be gone. No more cramming late night papers, no more last minute studying for exams, no more frustrating group works where you do all the work.

As much as the work is frustrating and irritating and sometimes makes you want to jump off a building, you know there is only so much of it left before it becomes real.

And so, you make the odd, but sincere decision to savor it.

You cross another hallway, towards the campus gates, and hear the rattling of cans nearby, as well as some aggravated shouting.

“Stupid—fucking—ugh!”

The last word is punctuated by a slam, and you wince in response.

It’s not uncommon to see fellow students in the area, especially at this time, during finals season when everyone is struggling to meet their academic demands.

Turning the corner, you see the source of the noise.

A girl, with long blonde hair, wearing a bomber jacket and waist high jeans, is slamming on a vending machine, as the drink she’s evidently ordered is stuck.

It’s quite the break from the silence of the night. She is a break.

Because even her form, pristine and elegant blonde hair, almost glowing bomber jacket with decals, and the studs on her boots shining from the vending machine light, break the quiet monotony of your vision.

And then she punches the vending machine glass. You can swear you hear it crack, and you let out a squeak.

Then her head swivels in your direction, eyes screaming bloody murder. Her teeth are gritting, nostrils flared, and she’s clenching her fists so hard, you’d think they were bleeding.

Then she notices who it is.

And her whole body relaxes.

“Oh. It’s just you.”

You chance a hesitant wave.

“Fancy seeing you here, Mina.”

Her eyes untense and take in your form lazily, her lips quirk up into that lazy smirk you know her for, and her fists unclench and breathe.

Simultaneously, you unclench and breathe, as the anger she’s so known for is not directed towards you.

“I kinda expected to see you around here.”

Mina is…not someone you thought you would’ve become friends with.

She was your classmate a total of once, and in that one time you became paired for a project. The rest is somewhat history. If you can call last semester history.

The thing is, however, you and Mina are not…what people think of when they say the word friends.

“And what’s that supposed to mean, hm?”

You prod, walking forward towards her, her form illuminated by the glow of the vending machine. Mina shrugs.

“Just figured you’d be here studying somewhere is all.”

Of course, that would be fine, but then she has to continue.

“You’re a nerd, so…”

You sigh. The way Mina has so effortlessly dubbed you as a nerd reminds you of 90s highschool romcom movies and their tropes with nerds and jocks and punks. It is a bit of a cheesy way to refer to you, it is the 21st century after all, but you’ve never minded.

That’s the thing between you and Mina. To all eyes, except yours and hers, she is the stock trope and character of a bully, mirroring your somewhat admittable inclinations towards being a nerd.

But you know the real Mina.

“What’re you tryna get?”

“Hm? Just some Red Bull…cramming a paper.”

You raise an eyebrow. Mina’s never been one to put effort into her grades. It’s kind of what she’s known for, and you learned that firsthand when you were paired with her.

“Really, now?”

You see her eyebrows twinge in annoyance as she turns her attention back to the vending machine.

“What’s it to you?”

Her voice rings of…embarrassment. As it usually does.

“Well, I could have sworn you said you submitted all your papers already.”

And then, the subtle flush of her cheeks, caught in the act. But you play it out a little more.

“Ah, well, if you’re going to work on a paper, might as well leave you to it. I’m done for the day. So, I guess I’ll see you—”

Then her hand latches onto your wrist.

Her face steams of red, her eyes unwilling to look into yours, and her lips twisting into an unwilling frown.

She mumbles.

“I didn’t quite catch that.”

Then, she huffs, clears her throat, and crosses her arms.

“…I was waiting for you, okay? Are you happy?”

You laugh. Yes, you are happy.

No, not a lot of people will believe it if you say that Myoui Mina, batch delinquent and all-around truant, has a crush on you. Which is funny, since Mina does her best to hide that fact.

Not that she’s any good at hiding it.

“…I was…trying to get you some coffee.”

Mina admits, with a hand scratching behind her head sheepishly and her eyes pointedly looking anywhere but you, and your heart soars.

“And why would you do that?”

You tease, because you love to tease. The way Mina’s cheeks bloom red and her stutter comes up and her arms cross and fingers fidget.

It’s all so noisy.

And the way it disrupts the evening still, the studious calm, the college silence, is a blessing that you give your thanks for, everyday Mina is with you.

“…urgh, you’re impossible.”

Mina turns to leave, her cheeks about to burn if they turn any redder.

You laugh, and grasp her wrist, mirroring her earlier actions.

“Alright, alright, I’ll stop teasing you. You just make it so easy.”

Mina grumbles, as she is wont to do, and she scratches the back of her head again.

“Did you finish your work?”

You did, and nod to affirm that fact.

This was probably one of the hardest semesters you’ve ever had, and to have finally finished the last requirement fills you with a certain bliss you can’t even begin to describe.

“…I’m proud of you.”

And there it is. As she speaks, you see it bloom.

That cacophonous, reverberating, turbulent smile.

The smile that rings through your ears, disrupting any semblance of silence that maintains you throughout your days in school. It rings and echoes, yells and hollers, sings and screams, until you cannot hear anything else.

And you love it.

“…thanks, Minari.”

Then, her cheeks color pink like the rosiest sunset of the year, and you are smitten.

“I mean, it’s you, of all people. ‘Course you were gonna finish the sem.”

Even though she turns her face away, as she does when she speaks of anything positive, you take in her affirmations like water to a thirsty soul.

Mina, of all people, knows how much you’ve struggled. How you’ve toiled and troubled over every single paper, quiz, and grade. How often you stumbled in seeing your self-worth. How you clawed your way to excellence.

She was there for it all, after all.

At your side when you studied to body double. Offering you snacks and drinks to keep you hydrated and full. Reminding you to take breaks.

Every time you felt the silence would overtake you, Mina was there, in all her thunderous presence, there to shake you back into reality.

And you couldn’t be more thankful.

“If you say any more about me, Miss Myoui, I might think you have a crush on me.”

She scowls, and even her scowls are resplendent and vibrant.

“…is that a bad thing?”

But then, you hear it.

The hesitation. The embarrassment. The shame.

A moment of silence threatening to overcome her noise.

And quickly, you reassure her.

Your hand slips into hers.

“No.”

No, her noise is welcome.

In a universe where the great void of space is nothing but silence immaculate, with nothing to disturb it, Mina’s noise, above all things, is what you cherish.

“I think it’s nice.”

The hesitation goes. And the embarrassment. And the shame.

And suddenly, your Mina is back again, turning her face to the ground, eyes locked on your hand in hers, lips trying to stifle the smile that comes to her lips.

“…okay.”

Yes, this is okay.

“You wanna grab a bite to eat?”

Mina looks up. She looks at you.

Her eyes soften. Her lips curl. Her cheeks bloom.

And your world explodes into sound.

“Yeah.”

Nights are quiet. They usually are, in the university. It’s something you’ve learned to live with.

“Y’know, you can enter the library. You don’t have to be a weirdo and creep around the entrance, waiting for me.”

“…that’d ruin my reputation.”

“Alright, weirdo.”

“I’m so done with you.”

But when Mina is there, you find that you prefer the noise a little more.

[ferronickel]

Hail, flatter! This one, who is a layperson of the arts and comixcraft, has a query for you:

So like, what is flatting?

I've seen your flats in Wifwulf, and I've read about the flats in Looking Glasses, and generally get that it results in an image with similarly coloured areas sharing the same false-colour.

But like, how is it then used? The final images seem to contain more colours and shading, so why not just go straight to this? Why do false colours get used instead of the real ones? How do you pick the colours and how many get used?

How come this is a thing that a whole other person can do separately? I guess that's because it's time consuming - so it saves time somehow?

Thank you! I come in the spirit of humility wishing to relieve my ignorance of your noble craft!

OHOHOHO!!! You've activated my trap card and now I get to ramble about comics craft! And in my area of professional expertise, too! Be prepared for a long post

I'm going to start with the last part of your question:

How come this is a thing that a whole other person can do separately? I guess that's because it's time consuming - so it saves time somehow?

So the thing about comics is that it is one of the most intensely time consuming mediums to create. One person can make comics on their own fairly easily, but it takes forever to produce. Consider that I've been working on Looking Glasses for 18-19 months and have drawn about 87 pages. Now, the western comics industry expects issues to be produced monthly, generally 24 pages in length. It's very difficult for a single person to work at this rate, so the labor of producing comics has been divided. Generally these jobs become:

Writer (writes the script)

Editor (edits the script)

Artist (draws the lineart)

Colorist (colors and renders the art)

Letterer (adds balloons, dialog, and sfx)

Flatter (sometimes 'color assistant' they take the art and prepare it for coloring)

This isn't comprehensive though, there are a bunch of other jobs, like designers and layout artists. Occasionally the artist job gets broken into Pencilers (who sketch the art) and Inkers (who ink the sketch). Basically, by splitting the work amongst a number of people you can produce comics much faster. Not all of these jobs are required, and creator-owed books might have artists do their own coloring and lettering, while big work-for-hire books might have twice as many people working so they can pump out a spider-man book every other week.

Okay, so why Flatters?

Flatting at it's most basic level is just coloring inside the lines. You take a black and white page of art, and you have to fill in every part of the page that will eventually be colored. It's a pretty time consuming task depending on how involved your lineart is.

Flatting a page of Looking Glasses doesn't take me all that long, usually less than a half hour, which is pretty quick. Looking Glasses pages tend to be... optimized for flatting though. There are only ever a few characters and there aren't a ton of background details.

You mentioned Wifwulf (created by my longtime friend and collaborator Dailen Ogden), here's one of it's pages:

Basically everything that's a different base color, (every tree, plant, bit of moss, character, etc.) needed to be picked out separately. Each page of Wifwulf took me a few hours to flat. If Dailen had been doing that themself, those hours would have really added up, but instead they could spend that time drawing and coloring. Now, that said, these pages have a lot of texture, so it's hard to see exactly what I did.

Here's an example from a comic I worked on early in my career. (Lineart by Patrick Custodio)

The writer for this comic loved to put in these incredibly complex crowd scenes, which is something the artist excelled at drawing. I was coloring and flatting at this point on the book, and before I could even start coloring properly, I would need to flat for like eight hours. (I have a much more efficient method these days) It was frustrating because I just wanted to work on the actually creative part, but the majority of my time was spent on something monotonous. As soon as I got the writer to hire a flatter for me, coloring a page would take me only one or two hours, not nine or ten.

So that's why flatters exist, mainly to ease the workload on colorists.

But like, how is it then used? The final images seem to contain more colours and shading, so why not just go straight to this?

Flatting serves a couple of purposes. It's main function, like I said above, is just coloring in the lines. After finishing your lineart it has to get colored in, so in a layer below the lines, you add colors.

The secondary function is preservation. I like to work in a way that is non-destructive, basically, at any point in the process I can restore an earlier version of the drawing if I make a mistake or don't like something. Flats are integral to this.

In digital art, there's this thing called anti-aliasing, where the edges of a line or shape have a drop off of pixel color or opacity. It makes the edges look smoother or blurrier. The three dots on the left are Anti-Aliased, while the one on the right is Aliased, there's no drop off, just hard pixels.

Anti-aliasing is fine until you need to change the color using the paint bucket, or select using the magic wand...

See how the anti-aliased art doesn't play well with these tools, but the aliased art does? So with something like Wifwulf, the final art is going to be full of texture that makes it impossible to select anything again once it's painted. By having a dedicated aliased flats layer under the rest of the artwork, you can always re-select any part of the image you want.

I always leave my flats layer alone, and do any detail work in layers above. For example when I was painting this, it really helped to be able to select just the titan so I could work on those paints without worrying about brushstrokes overlapping the rest of the characters.

One of the other things you can do with flats is quickly selecting certain elements. On most pages, I flat my panels, figures, and background elements separately. Later, with a single button press, I can select just the characters in the scene, or entire panels at a time, which makes things like shading a whole lot easier.

Why do false colours get used instead of the real ones?

If you're flatting for other people you often don't know what the final colors are going to be, so you just pick random ones. Garish colors can be helpful because it makes it obvious that they're not the final colors. Why don't I use the correct colors on my own pages when I'm flatting? Habit, mostly. It's also faster to grab random colors than to track down the correct ones. Sometimes two different things will have the same final color but I like to flat them with different colors so I can select them individually if I need to.

You can see the process a bit here. In my flats, Lancer's spade (eye? eyes? thing) is a different color from his tongue, even if they end up being the same white in the final image. This would help if I ever needed to select just his eyes for some reason. You can also see how I select his body fur color and then add details on top, like his colored fingers and the grey on his arm. Those elements have blurry anti-aliased edges, and it would be impossible to re-select them without flats.

How do you pick the colours and how many get used?

I use the default "additional color set" palette in clip studio and just work my way through it. I pick row and work my way down (for a change of pace I vary which row I start with). How many is mostly dependent on the artwork. You just keep going until you run out of individual objects to color. I have worked on pages where I've run out of colors on this palette and had to start making up more. Typically a page of Looking Glasses only needs around 20-30, though.

So! That's flatting! It's a little known job, and it's how I got started with my comics career, so I have a lot of thoughts on it. I was trying to be concise (lol), so I hope this all makes sense, but I'd be happy to clarify or answer any other questions about this process. I know I didn't really go into how I flat my work, so I can make that post if anyone is interested.

[parkminijiminie]

What is going on with Jimin, Jungkook and Jikook?

Warning: long post

I've been a BTS fan since early 2017. Back in the day, I ran this blog here, analyzing a lot of Jikook moments, but life sort of took over, and I stopped having the time for it. However, I never stopped being a fan and observing BTS and Jikook through the years. There's a lot said and written already about the supposed video of JK, but here are my two cents.

To me, the most logical explanation for that video is that this really is Jungkook. The layout of the apartment matches (yes, even the position of the security system, if you have ever watched JKs lives, you'd know that it actually is at his shoulder height, just like in the video), the dog looks like Bam, the couch is the same and this definitely looks like JK. There's also another video of the man in this apartment, alone, shirtless, and having a whole tattoo sleeve on his right arm just like JK. Obviously, we don't know for sure, but it looks like it's him. People say it was filmed in late Feb, early March, and I agree. JK had the same hair then, the outfits look warm, like winter clothes and not to forget, that when JK was stalked in his gym (late of February) there were a lot of fuss about a girl being there with him, so it all checks out in my book.

Now, what the video shows isn't that scandalous. A boy hugging a girl from behind and them playfighting/tickling each other or whatever. It isn't overly explicit. It could mean a lot of things, but it's clear the people are at the very least physically comfortable with each other. It's a short video. We don't know if they're even alone, but it looks like it. There are a number of possibilities for whom this person is to JK: a long-time girlfriend, a casual hook-up, a one night stand, or just a friend.

We'll probably never know for sure. What we do know is that this is an unacceptable invasion of privacy, and the person who took those videos should be sued for all they are worth. I hope we all agree on that, yes?

Now, if this girl is someone JK is dating/has dated/has slept with, where does that leave his and JM's relationship?

In my eyes, as someone who's observed them for literal years now, there's no way JM and JK have always had a strictly platonic relationship. Too much just doesn't add up. Sure, technically, they could be bestest friends with great chemistry, but as someone who is now 30 years old, I don't think I've seen this type of chemistry between people ever be just platonic. At times, it looked too much like sexual tension for it to easily be dubbed as "friendly".

My theory is this (keep in mind these are still just assumptions):

In 2017-2020, pre-Covid era, JM and JK spent A LOT of time together, basically all of it. BTS were super active, they didn't have any breaks. They were always working. Always on tour and doing smth else. JM and JK were pretty young back then (20-24) and this is typically the time when someone discovers their sexuality and starts experimenting, and I believe that at some point they did this together. They were best friends but also had this weird tension and air around them and I think they could've started a physical relationship back then. The members teasing them hear and there about being a couple, also kind of supports this, though of course, it doesn't prove anything.

Contrary to other people, I don't belive they only just fucked. It's very hard to have sex with someone who you are very close to otherwise, who you love and admire as a person, and not catch romantic feelings for them, so I think they did more than fucking. Whether they had a serious relationship or decided not to label it much, due to MS coming up, the group being in jeopardy or other reasons, I tend to think that other than sex, they also had feelings.

Side note: In any case, they were figuring thinks out about themselves as individuals, as well as a pair. I think maybe this is the time JM realized he is definitely bisexual (which he proudly expressed in his photobook of last year in my opinion). Idk what Jk figured out for himself, if anything.

Anyhow, by 2020‐2021 it seemed they had some sort of agreement about what/who they were to each other. At times they could have been on and off. There might have been other people/partners in-between, but I think they were mainly together by this point. It even looked like they lived together for some time. The fact they always took the same car and they were together on JKs birthday night when they first had number 1 on hot 100 sort of proves it. JM's birthday live in 2021 was also sus af (the way he was blushing while mentioning JK and their whole convos, very sus).

I think before Covid they had smth somewhat stable but then Covid hit. Their schedules changed, it was a tough period overall. Suddenly, they were not working and traveling so much, they were staying in SK. I think this was the time things started getting much more real and different. MS was also in the near horizon. Maybe one of them wanted a more committed relationship, and the other wasn't ready. Maybe they were both afraid. Maybe they tried and it didn't really work out. Maybe one finally realized his sexuality and the other had doubs. Whatever it was, the feelings of affection were still there. Chemistry as well. Proof: JM bday live in 2021 was just crazy, the way he blushed when JK was mentioned and the way the spoke to each other... man. Also, the way the were at PTD L.A. The way JK answered questions about JM etc.

So , all that connected them as people was still there, but I think their relationship come late 2021-early 2022 was definitely more unstable. Who knows what happened then. Personally, I don't believe in the theory that they opened their relationship, rather I believe by the second half of 2022, due to whatever reasons, things were simple mostly off between them. I believe they stayed this way all through the second half of the year and at least the first 4 months of 2023. They were friends, their families still loved and supported each other (JK's mom made seaweed soup for JM's bday, which one does for family) but that's about it. They weren't living together anymore, as well.

The beginning of 2023 we saw a very busy JM and a very not busy JK. Sure, they still commented on their welives but it seemed they didn't meet each other that often. Jm was working, JK was at home and occasionally with Tae. Yeah, JK watched a lot of JM content and often invited him over, but he also didn't know when his promotions will be over and it seemed they haven't seen each other for some time and JK was missing JM. I think if they truly were a serious couple back then, they would still have found the time to meet each other no matter how busy one or the other was, especially considering they live in the same city, and it wasnt the case. I don't think JK would have to resort to watching hours of JM's content just to satisfy his need-for-JM thirst, if they were a couple back then.

So, yeah, I think they were not more than friends by this point, for sure, which also ties up pretty well with the timing of the recent leaked video (February-March). To me it seems that JK and JM probably saw other people in that period, at least JK, JM was pretty damn busy then. Maybe they had some serious partners even, maybe just hook-ups here and there. Maybe this was JK's time to explore more of his heterosexual side, who knows. I don't think he stopped caring for JM in some capacity. In fact it kind of looked like he longed for his company but for one reason or another, they were simply not that much in each other's lives in the first quarter of 2023.

But then something weird happened around June-July. First JM is all scratched up from something (presumably Bam) indicating he saw JK and spent time with him. Then Seven came out and JM flew to NY. There they spend a long, fun weekend amid promotions. It wasn't a secret but they seemed to want to keep private and didn't really want to talk about it , judging by the way JK answered the question about JM being in NY as well. JM was practically silent. Then they returned and that welive happened. The one where they openly flirted, JM said he could handle JK naked, JK blushed like a school girl and tried everything in his power to get to JM but JM said "I'm not that easy". That welive. Idk about you, but that welive didn't seem platonic to me at all and if I had been JK's partner at the time, I would definitely be very angry with his behaviour. I don't think JK is disrespectful and a cheater, and neither is JM for that matter, so I believe there's no way any of them had a partner when that welive happened. I simply refuse to belive they are that type of people.

So, my conclusion is they were both single then and something definitely happend in July and NY. They returned somewhat different and they still kind of are. Jk posted pics of NY to Twitter for the first time. Jm shared a pic from then for JKs bday (shirtless, as we all know) and then recently another pic from a boat that could have been from back then, as well. The whole way they're acting offline and online strangely reminds me a lot of the time after their trip to Tokyo, actually. The way JM has been posting about JK very much give me nostalgia about the way he used to post Jikook often in 2017-2018 before he withdrew from social media. But maybe that's just me 🤷‍♀️

Anyway, to finish this long post I will say this. I don't know what Jikook were and are to each other and unless, it is explicitly denied the person in the video is JK, I will believe that it's him. But also, unless it is confirmed he currently has a girlfriend, I will have my doubts. The video is old and in any case, it doesn't prove much other than the fact JK is maybe into women (solely or also into them). This video though doesn't automatically negate everything I've seen between Jikook through the years. In some ways, it confirms what I've been thinking for a long time now. Unless JM and JK personally shut down any rumors about them and deny any romantic connection or confirm a relationship with someone else , I still believe that at some point in their lived their relationship crossed the platonic line.

Whether that was in the past or is currently true, I only can guess, but to me there's no way these two were always, all these years, just only friends.

For now, I will observe how JK, JM and Hybe are acting after the leaked videos and go from there. It will also be indicative.

Peace.

[blue-rose-soul]

Where could you see Alastor setting up his eatery if not Cannibal Town? He may keep his meals free of mystery meat, but there is the safety factor of being in a friend's territory.

For some reason I think he'd keep it small. Restaurant feels too big a title. So... Eatery. :}

Vox is banned from all Royal Properties, Alastor's side project included, and Alastor doesn't officially allow the BeeEats service so he can't even order on the sly. He'd be lying if he said he didn't care.

Yeah, I think he'd make it something small and quaint too. Not like a Michelin 5-star restaurant but the kind of place that attracts a solid number of regulars and hosts live music. It definitely has that rustic vibe Alastor is so fond of and several nods to the bar where Nicaise taught him to play the piano. There's a wall of banned customers and Vox's portrait was up there before opening day on a 18" x 24" gold-framed canvas with a plaque reading, 'Idiot Box.' And then there are a few dozen smaller photo prints of the various VoxTech employees who have been sent to get takeout on Vox's behalf only to be stopped at the door. Vox 'settles' for having his personal chef try to recreate Alastor's pompano en papillote, but it's not the same...

As for its exact location, it's a little hard for me to pick out a specific area to place it. One of the mods (don't remember which) of @nunalastor did a pretty good analysis of various scenes of the layout of Pentagram City and how they contradict one another, which lead to a pretty cool collective headcanon that the city actually rearranges itself. (If I'm able to find the post I'll come back later and link it). As far as I know this is because Vivienne cared more about setting up good-looking scenes than mathematically calculating the smallest detail of her fictional world. I'd say Alastor would pick out an older neighborhood far from the Vees' entertainment district or Carmilla's industrial zone and probably not terribly far from Cannibal Town itself. As for safety, he'd keep a number of those doll-like phantoms hidden on the premise to keep an eye out for trouble when he's not present to defend the eatery himself. Any corpses made in such incidents get delivered straight to Cannibal Town.

[itstheoneshot]

Kinktober Day 8

Dubcon: San

!dom San

- warnings; domestic abuse, physical and verbal

You aren’t sure how to get out of this. You really fucked up. You know that you shouldn’t have texted him, your crazy ex. You had too many drinks and got all up in your feelings, and instead of just putting yourself to bed, you unblocked his number and reached out. Flagging your location, he was over within the hour, and without thinking - again - you let him in.

He has you backed into a corner, anxious and shaking, reality hitting you, thoughts of the Intervention Order in the back of your mind, words lost as he stares down at you. So much for protection, when you are the reason that he is here, who is supposed to help?

“You hurt me,” San growls, “My love, why would you push me away?”

You whimper as he gets closer, accepting your fate, somewhat grateful to be so far from sober, even though that is what got you here in the first place, at least it won’t hurt so bad until tomorrow. You close your eyes when you feel his breath on your lips, before you feel his lips for real when he kisses you deeply. 

It is all too familiar, you were together for years before you had managed to escape him almost 10 months ago. Under protection, you lived in a new house, in a new town, so far from where you had lived together. You were safe, bruises healed, therapy working you through the emotional side, but every time you got drunk you would think of him, only tonight you acted on that.

You know that it is safer to give in, and in some sick, twisted way, it feels good. Of course you wanted this, at some subconscious level, primal, you had always said you were soulmates, it was so easy to kiss him back, despite the flight reflex and alarm bells screaming in your head to run away, don’t forget he almost killed you, but he could do it again if you tried to resist.

“I’m sorry,” You lie, letting him lift you off the ground, wrapping your legs around his waist, “It was a mistake, I shouldn’t have.” San kisses along your jawline and down your neck, marking the skin just like he used to. You are too drunk to know whether it feels good or not, but you gasp for air, obediently rocking back into him as he grinds into you against the wall. You don’t instigate anything, pretty much becoming a ragdoll in his arms, giving him the freedom to do whatever he wants, whether you really like it or not. 

He carries you down the hallway, kicking doors open as he passes them, having not been to this apartment before, he does not know the layout, and you are too afraid to tell him where to go, knowing that he will say something along the lines of I’m perfectly capable of getting there myself, are you calling me stupid, bitch?

Finding the bedroom, you are roughly thrown down onto the bed, and San makes quick work to undress you, though you weren’t wearing much anyway, only in loose comfortable clothes while you got intoxicated alone. He, on the other hand is in a suit, having come straight from his office when he got your call, while he was working overtime, unsurprisingly, you used to fight over that all the time, though of course as CEO he had to work almost 24 hours a day. It takes him minutes to get out of his clothes, and your mouth salivates at the sight. He really is perfect, at least in appearance, his proportions are crazy, flawless in every way, it’s no wonder you fell for him in the first place, and why it was so easy for him to make you feel so inadequate that you took his abuse as if you truly deserved it.

He is fully hard before he gets his underwear off, and he enters you without warning or preparation. It stings, he is so large, and your last time was with him, over a year ago now. You cry out as he thrusts in all the way, only distracted by the way he moans just as loud, eyes rolled back in his head as you clench to him, desperately willing your body to adjust. It is so hard, mixed feelings have your head spinning, you asked for this, you asked for this, you asked for this, repeating the sentiment like a mantra in time with his thrusts, metering your breaths, centering yourself to maintain composure until for you too it starts to feel really, really good.

“Fuck, Sannie,” You whine, words cut off as he kisses you harder, his tongue practically halfway down your throat, “I missed this so much, missed your cock, missed you.” His hand settles around your throat, almost throwing you straight into a flashback, but he is just gentle enough to keep you grounded, “I missed you too, but we’re together now.” Pleasure washes over you, mixed with fear and the unknown, your orgasm is life-altering, body shaking violently as San does not grant you any reprieve, only fucking you harder, faster, again reminding you of your stance in comparison to him, of the danger that you are in. It is hot, and you feel fucking crazy for thinking so, but you allow it. He cums not long after you, releasing inside you with a warning that he would love to knock you up so that you can never escape him no matter how hard you try.

You fall asleep shortly after he pulls out, curled up in his arms, comforted by his warmth, with mixed feelings that will continue to bring you through endless nightmares overnight, but that is tomorrow’s problem. Right now, he is being kind, at least in his own way, and you hope that it stays that way until you find another way to leave.

-

kinktober masterlist

[roosterteethwatchdog]

Last year around the end of July to the beginning of August I went through the RWBY volume 8 credits because of stuff I was told at the time to see how many people in the crwby were still with the company. I did that and it was very time consuming, and I said that I would never do that again. Fast forward to last week when V10 didn't get greenlit while RvB and Camp Camp got renewed and I got curious. I decided to do what I did last year again and went over the V9 credits. This is what I found. I will get into specifics after presenting the numbers. The names I counted are the beginning section from supervising director to post production producer, then the entire crwby section that comes after the voice cast section.

Total number of employees- 190

Confirmed gone but could not find specific date- 2

Left in 2020- 4

Left in 2021- 26

Left in 2022- 77

Left in 2023- 24

Total confirmed gone- 133

Those I could not confirm if they still work there/Rt work done under general freelance- 10

Those still at RT- 47

Depending on whether or not you want to count the 10 I can't confirm still work there, then anywhere from 24-30% or 1/4-1/3 of the people who worked on v9 still work there. Before we get into specifics, I want to mention that I was just as shocked about the 2022 number as you probably are to the point that I thought I messed up and after going over everyone I did it again and specifically marked the employees that left in 2022 and got the same number.

Here are some specifics from job titles from the V9 EP10 credits-Of four episode directors only one is left. Of two head of studios, one is gone. The environment, vehicle and prop designers are gone save for two I can't confirm still work there due to their rt work being in their general freelance. The 2d concept artists along with additional help are gone. The storyboard artists are gone save for one I can't confirm works there due to rt work being in their general freelance. From lead modeler to environmental modelers, all except one character modeler are gone. From pre-visualization artists to camera and layout artists they are all gone. of seven visual post artists, one is left. From the FX Technical director to the visual post intern, they are all gone. From lead rigging artist to jr. rigging artist, they are all gone. From animation director to lead animators, they are all gone. Of nine senior animators only one remains. from technical animators to animation intern, they are all gone. From mo-cap co-director to mo-cap artists all but one are gone.

This is telling me that animation has been gutted. I'm assuming those left are working on Deathbattle, Camp Camp, and RvB. I'm also going to assume that as time goes on the number of those still there is going to decrease as several of those who are still around have open to work on their profiles which means either supplemental income or they know their contracts aren't getting renewed and are preparing.