#num: 2

[onepiece-lov]

Rob Lucci OP05-093 by otton from Booster Pack -AWAKENING OF THE NEW ERA- [OP-05]

[pup-pee]

kyle keychain design

[chewbacca]

HOME ALONE 2: LOST IN NEW YORK (1992)

[solplease]

SPOILERS FOR DAY 2 OF TKATB

in celebration of the release of day 2 of the kid at the back, i redrew one of the cgs!

cant tell if this is a spoiler or not though so ill just put a small warning in case!

[d-criss-news]

darrencriss: And COMING SOON…

let’s hope the sequel is better than the photoshop

✌️🤪 ‼️

[zvaigzdelasas]

The ship owned by the Israeli shipping company ZIM had been in the Indian Ocean when attacked.

25 Nov 23

[cable-salamdr]

Is there a ceo of Mystaké yet I want to be able to represent my babygirl

[joyus-whimsy]

On my second play I’m finding Arthur’s role in the gang (at least in the early game) to be all the more poignant. He has always been used by Dutch, always put on a pedestal in an almost dehumanising way.

Dutch tells Arthur that he is the only one with strength that can be relied upon even in the harsh weather of the grizzlies. By comparing him to the other gang members in this way, Arthur internalises further that he must be that pillar of strength for the gang. He’s truely a pack-horse in this regard. I believe it’s done nothing to help his self esteem as both a self-aware but complacent man.

[digi-lov]

Veemon ST8-04 by Tonamikanji from ST-8: Starter Deck UlforceVeedramon

This Veemon card from ST8 features it along with a DigiBeetle in the background. This might be a reference to the Veemon and DigiBeetle from the Digimon World 2 opening.

[onepiece-lov]

Sabo OP05-007 Alt Art by Sunohara from Booster Pack -AWAKENING OF THE NEW ERA- [OP-05]

[starsnores]

gamzee question

[solplease]

here’s rowan

[d-criss-news]

andreawatrouse: A post-Christmas visit to Santa’s Village ❄️🎄

[zvaigzdelasas]

My stances on AI & art TL; DR

People using AI to make art are making art

What AI produces can be said to be meaningfully copied from its training data

These two aren't contradictory and one being true doesn't mean the other is false

[tomago]

to the bone (r. sakuma)

in agony, in sorrowness, in pain, and in love— (312).

clad in serenity, the moon's beauty touches his heart like the edge of a sharp knife—

yes, so love begins, the relief of giving in to destruction; the moon kisses him like hot wax on his forehead— the vivid evocation of the apocalypse of the world.

love comes forth within the stillness; the love that he longs to bite from fruit, to melt from the stars— the source of all joy and suffering. dreams or nightmares, madness or sanity, how could he care for kisses like theirs again?

desire erodes his body in agony, in love, in worry— i have seen the moon, it is made of desire; how can love be reinvented? his heart bends and breaks, speaking languages that have no words.

ah, how deep love is lodged in his body. he'd dip his hands in holy water if it meant touching the moon— his sorrow pours without end, and he no longer gathers what falls, what pours out from his aching bones.

how horrific, how love eats you away until you are a creature of desire— searching for the moon clad in veil that is the blueness of its soul at every glance in the sky. a love that plagues you with the blackness of wonder.

each night plagues him with agony— the heart weeps, shamed by its desires, stained with the greenness of yearning. he loved, and loved, so much so that he was afraid of the intensity of his love.

have you known love? love devours. he swallowed love until it had devoured every piece of him. in every corner of the world, there are those who have been consumed by love. in every corner of the world, there are those who embrace each other as if the world is ending—

your laughter seems like light. i think you are the moon.

they love, because it is.

[attemptatachildhood]

Num Nom Dippers Series 2