#now to go play a murder mystery game

[jazzzzzzhands]

I almost forgot to post these sketchies! born from me and my friend fawning over the "baby clothes" that im getting for my plush baby coming in december

[unproduciblesmackdown]

always enjoyed the Chess Set In The Foreground perspective framing used here

now also noting like, huh, a chess set in a general store just visited by marigold competitors who killed one of their guys and are now on the way back from their rendezvous point w/suppliers

[izzys-bluebell-woods]

I feel like people have been quick to dismiss Mimzy's importance in Ep. 5

I've been seeing a lot of Mimzy hate, mainly on Reddit, where people are genuinely REALLY hating on Mimzy because she was annoying, interrupted Hell's Greatest Dad, and served no purpose in the episode.

Whilst the previous two points are down to personal taste, I feel like considering Mimzy's role in this episode nonexistent, or that she just exists for fanservice here, is greatly overlooking what this episode is about. There are two focuses to the episode, one of course being Lucifer and his relationship with Charlie, but it's also the deepest look into Alastor's actual character that we've gotten so far, I'd say significantly more than the finale. We see two sides to Alastor that both Mimzy and Luficier bring out, and I wanted to kind of highlight my thoughts and what the episode was trying to show us about Alastor that we wouldn't have gotten if Mimzy wasn't there.

Alastor's instant hostility towards Lucifer makes it incredibly clear that Alastor can't keep his cool all the time - his two biggest flaws is that he is power-hungry and incredibly petty. From what we know - and what is likely to be true considering Lucifer is shown to have no idea who he is - Alastor has never met Lucifer before this. If the theories that he belongs to Eve/Lilith in some way are true, there is reasonable ground to say that this immediate hatred towards him could be justified, maybe it was in some way Lucifer's fault that he's caught in this deal and this is his way of taking it out on him or trying to uphold his end of that deal.

But look how much his mask slips, look how annoyed and angry he is. If this was a font that he was doing to somehow make Lucifer intentionally mad at him for some sort of personal gain, he wouldn't have looked so murderous. Him just leaning down and hissing 'fuck you' right in his face was so shocking for the audience purely because no one has done that to him before, no one has pushed him so much.

This indicates that Alastor isn't just playing some sort of game, Lucifer genuinely got under his skin, because he is so obviously more powerful than Alastor and he HATES that. He hates being reminded that he's not the biggest meanest in Hell - this was explored more in his showdown in Adam, but at the time of this episode's release, this is the most flawed and 'human' Alastor has ever felt. He's dropped from this force of mysterious evil, to randomly picking a fight with the Devil himself because he was so catty about being shown up.

As further reinforced with him snapping at Husk when he also reminded him he wasn't as all-powerful as he sees himself to be, Alastor will lash out at those who make him feel like he isn't the one in control and pulling the strings of everything - we finally see a hint of motivation for him sticking around at the hotel at all.

But then there's Mimzy.

We immediately go from seeing Alastor at his worst, at his most aggravated and petty, to seeing him literally melt into a hug. The demon who, according to Viv herself, hates physical contact so much that he would distort and melt himself to get away from it. We so quickly go from being shocked that Alastor is behaving so spitefully to now having to take in Alastor being ecstatic to see someone who he considers to be a friend.

Having this be so directly after his massive tiff with Lucifer is so important. If this wasn't included in this episode, our only insight into the person Alastor actually is would be that he's an asshole. Picking fights with people just because he wants to stay on top, that its the thing he cares about the most. But Mimzy does come along, and we see that it isn't true at all - and its confusing, and that is so perfect.

You think you're getting somewhere with the person Alastor is, but you see that, hold on, there is actually a semblance of heart in there, here he is actually caring about someone. But what is so important about this being a relationship he shares with Mimzy, and something that couldn't at all be explored with, say, Rosie, is the kind of person Mimzy is.

Mimzy double crossed Alastor. And, according to Husk, this is a somewhat regular occurace. We can see that Alastor is annoyed at her, and I think most of us were prepared for him to do something to her like he was doing to those loan sharks a few seconds before this confrontation.

But...he doesn't. Not at all, he doesn't even snap at her. Perhaps scold her a bit, but other than that, he is so nice to her and just politely tells her to leave and that is that. He does more shit to Lucifer, who literally hasn't done nothing but exist in his presence, than someone who just trampled all over his ego by using him, both as a shield and, well, somewhat emotionally.

In this episode, Alastor is shown to lash out. Easily. All you have to do is be more powerful than Alastor, and he won't like you - that's the impression you'd get from his scenes with Lucifer alone. But we have his scenes with Mimzy as well, and you're being told, hold on, no, that isn't quite correct, because he's not acting the same here. What has Alastor got to gain from letting Mimzy get off of this with no repercussions? Mimzy, someone who has probably sold her soul to someone else and has absolutely no power at all.

Nothing. He does it because Alastor cares about her.

I don't think I would have considered his friendship with Rosie to be genuine at all if it wasn't for his friendship with Mimzy. Rosie is so powerful, and Alastor has so much to gain from being in close cahoots with her, but it's so clear that he doesn't care about that, but he sees her as an equal. If all we saw from Alastor in that episode was him lusting for power, it would render the way we see all his relationships with people to be of some gain to him somehow. ESPECIALLY Rosie and other Overlords like Zestial.

This makes Alastor and Mimzy's relationship arguably one of the most interesting in the show. Someone who is so powerful and unpredictable, who hardly cares for anyone other than himself, caring about this absolute gremlin of a woman. He likes Mimzy purely because she's fun to be around, a sentiment you might expect from Alastor, with his stated reasoning for joining the hotel being to laugh at people, but he's in no way laughing at Mimzy. You can tell that he doesn't intimidate her at all, because she has the absolute balls to pull off the loan shark thing with him.

Mimzy and Lucifer's interactions with Alastor has made him to be one, if not THE most interesting character in the show. Because you're exploring two contradictory sides of the same coin at once. One where he gets so worked up and angry over not having the power he sees himself as having, and one where he's visibly hurt that his long time friend used him. In one instance you have him pulling out all the stops to be as hostile as he could be to Lucifer without actually hurting him (even though he clearly wants to), and another where he has full range to hurt Mimzy as much as he wants to, but he doesn't.

Alastor cares about people. But also disregards people like playing cards. He is such a mixed bag, so far from being one note, and you wouldn't have gotten that insight without Mimzy.

[autisticshadowthehedgehog]

OK Guys. I get the skepticism esp after the Knuckles disaster, but we also need to keep in mind "this is a trailer that won't spoil literally everything about the movie." ESPECIALLY in regards to GUN. They're not gonna put in the trailer "the military shot a little girl and that's why Shadow is mad so Sonic is going to never work with them ever." That's a great way to get parents to bring their kids to the theater, especially in America. (/s)

It's WAY more effective as a plot twist halfway through, where Sonic thinks that he's finally being accepted onto Earth via working with the government only to find out that they're exploiting him and Shadow the same. I can't guarantee this is gonna happen obviously but it's like a 90% chance just knowing how, like. writing works.

Esp considering the government has not had a good track record in the last two movies, I dunno if they'd do a heel-face turn into "actually they were always right" in the movie where a little girl needs to get shot by the government.

And I'm not gonna say "trust and form a parasocial relationship with a film director" but we should keep in mind that Jeff Fowler got his start working on Shadow's title game and has stated in interviews that he understands how important Shadow's backstory is to his character. Not to mention how the internet has been exploding the last two years with enthusiasm over this story actually getting shown onscreen, enough that a studio would fucking notice at the very least that this is what the people want. I can't guarantee they'll actually listen, but saying that they're absolutely not because "Sonic was in a GUN helicopter in the trailer" is insane. Especially with the fact that GUN is not with Sonic when he goes to Eggman. We just see Team Sonic alone meeting with Stone, and I will bet you it's because there's no way in hell GUN would let them near him, what with the Robotnik connections to the ARK.

Also the Gerald thing is rather worrying, esp with the lack of shit they gave Pachacamac in the miniseries, but honestly I think that was just a marketing push of "Jim Carrey will be playing TWO characters!!!" Considering he's only seen in one trailer scene AT the ARK (where all of Gerald's technology was and, more importantly, where the Eclipse cannon he needs someone to set off is) AND we know from movie 2's credits scene that there was a fifty-year timeskip, I severely doubt that's the real Gerald who's just completely unaffected by his granddaughter being murdered.

And ofc there's things to be concerned about in the trailer. The lack of Rouge for instance�� I obviously keep posting my theory that Krysten Ritter's character will be her undercover but the fact we don't know how much time she'd actually have with Shadow, if at ALL, is worrying. The fact that Rouge might not be here period. The weird pacing of the Knuckles show and the fear that could bleed over into the movie. But there's also stuff to get excited about– the epic fight scene choreography, the brief glimpse we got of Maria and Shadow's bond. Reeves's voice actually fits Shadow and at least from what the trailer showed us it looks like the Green Hills storyline is taking a backseat to the action and mystery of Project Shadow.

tl;dr guys calm down for like five minutes. if the movie sucks in december we can riot then. right now let's just band together against mufasa

[aninventoryofthepossible]

Time to check in at the No-Tell Motel

My new single-player TTRPG, No-Tell Motel, is now available! Come on over and grab a PDF, or throw in $5 more to pre-order your physical copy.

In No-Tell Motel, you play the overnight clerk at a sleazy motel. One of your guests murders another one, and no one much seems to care who did it or why. No one but you, that is.

Playing the game only requires a standard deck of playing cards and a six-sided die. You use the face cards to identify your motel's regular guests (yes, the book comes ready with 16), and the numbers cards to randomly generate things that happen between them.

And unlike most build-as-you-go mystery games, you can make your best guess and still get it very, very wrong.

The nightly spread of the game looks a bit like a hand of Solitaire, and that's on purpose. I wanted playing the game to feel a little bit like something you'd do to pass the time in the small hours of the morning.

Here's how it works.

The rules generate different murder victims and methods, a highly randomized yet still coherent matrix of guest gossip, actions and conflict, and most importantly: a way to find out if your accusation was correct, and what the consequences are for pointing the finger.

If you like pulp crime, The Conversation, or Errol Morris's Tabloid, you should check out No-Tell Motel.

[phantomspiderr]

roleplay w/ ghostface!rio vidal x reader x agatha harkness

kinktober '24 ~ no 5

a/n: little bit of warning, it's rio so there's knife play involved. I would also mark this as dubcon/noncon so if that's not for you please don't read. I wrote this with the thought of this being a prior conversation and rules and safe words being in place etc in mind

You jump out of your skin as your phone rings out loudly in the kitchen, your heart thumps in your chest and your body tingles all over. It rings once, then twice before you pick it up to answer. “Hello?” You receive no response but there’s a quiet electric hum coming through the speaker so you repeat yourself. Just as you consider hanging up a voice sounds, a hello followed by your name. The voice is unrecognisable, it’s croaky and robotic and it only adds to the drumming in your chest. “Um, hello. Who is this?”

“Wouldn’t you like to know?” You roll your eyes, sitting yourself in one of the dining chairs.

“Well, you know my name so I think it’s only fair I know yours.” You counter, tilting your head to the side as if the mystery caller could see you.

“What’s not fair is a pretty girl like you being home all alone.” Your heart drops at those words, eyes instantly darting around to the back door to your yard and then to the kitchen window above the sink. A maniacal chuckle comes through the speaker and you can feel your body tremble. “Did you think I would just knock?” You don’t even get a chance to respond because suddenly, there’s a blaring sound coming from the living room. You drop the phone on the table, hands coming up to cover your ears and you run toward the deafening noise. The tv plays some old news clip about a group of teenagers who were mysteriously found murdered. You fumble around throwing pillows and blankets off of the couch until you find the remote, shutting off the television immediately. You let out a deep breath, feeling disoriented by the loud noise and fast-moving.

“Very funny Rio. The plan wasn’t to burst my eardrums.” You call out into the room then you hear your phone ring loudly again and your whole body jumps and the remote goes clattering to the floor. With quick steps you move back to the kitchen, grab the device and answer.

“Do you like scary movies?”

“No. Now, who is this?” You continue to play along with Rio’s little game. A silly idea she’d proposed to you after a spooky movie night. A night that you spent curled into her side jumping at every little scare.

“Oh, why not? Are you scared?”

“No.”

A door slams and a short scream escapes you. It’s just the wind you tell yourself as your heart continues to race. The voice on the phone laughs again and you think for a second that you hear the laugh coming from upstairs.

“I thought you weren’t scared.”

“Why are you doing this?” You’re met with silence and then the line goes dead. You look at your phone confirming that the call is no more and then there it is, the sound of slow deliberate footsteps coming from directly above you. Everything in you tells you to run but your feet seem to have a mind of their own as your body moves toward the stairs. You stand at the bottom peering up into the darkness and that’s when you hear a slow call of your name but you can’t tell where it’s coming from. It seems to bounce around the house, not revealing the place of origin. A sound almost like nails on a chalkboard pierces your ears sending ripples down your spine. Then suddenly, there’s a pounding coming from your front door and a muffled raised voice slips through the cracks. Perplexed, you rush to the door and swing it open to reveal your neighbour, Agatha. Her face splattered with what looked like blood and a tinge of fear washes over you. She shoves you aside and slams the door shut, bolting it and leaning her head against the wood while she huffs and pants.

“Agatha?! What happened to you? Is that blood? Are you okay?” Your chest feels like it’s going to explode from the thumping of your heart.

“She’s gone crazy. She tried to kill me so I had to…” Agatha turns to you, a crazed look in her eyes, “You’ve got to believe me. It was self-defence!”

“A-Agatha, what happened?” Agatha’s movements are frantic, her hands smearing blood across her face. Fear washes over you and before Agatha can utter another word you both hear a door creak, it’s the familiar creak of your back door and your head immediately snaps around to the source of the sound. But you can’t see the door and suddenly there's a hand over your mouth, muffling a surprised yelp.

“Uh oh, looks like I didn’t finish the job.” Agatha whispers in your ear, sending a shiver down your spine, “Better run and hide bunny.” Her hand drops from your mouth and slowly you turn to face her, a sinister smile etched on her face. You’re moving before you can even register, had Rio brought Agatha in on her little game to really sell it? Haphazardly you climb the stairs, tripping on a couple of steps in the process. You can’t hear any movement behind you but you don’t stop moving. Your mind races trying to think of a good hiding place but your feet carry you to the one place you feel the safest, your bedroom. Your eyes search for a place to hide and you pick the only reasonable option even if it is the obvious one. You rip open the closet doors and practically throw yourself into the corner, you’re hugging your knees and trying your best to calm your racing heart and mind. There’s a tiny crack where the doors meet and you can just make out the bedroom door. The only sound you can hear is the blood pumping in your ears, no footsteps or doors opening. The wait is agonizing, it feels like you’ve been there too long for nothing to have happened by now so you pluck up the courage to get up. Maybe Rio wanted more of a chase? You try to be quiet, opening the closet just slightly and peeking into the bedroom. Nothing, it’s empty. So, you emerge from the closet and slowly you take steps toward the bedroom door. Your hand just rests on the doorknob but you’re jolted away from it when two hands are suddenly grabbing you. You scream as you're dragged backwards before a hand is slapped over your mouth to muffle the noise. The unknown strength uncaringly throws you onto the bed like a rag doll and your eyes go wide when you see the dark cloaked figure with that ghost white mask. Then they’re on you before you can get away but you struggle against their iron grip, wriggling as the masked figure pins your hands above your head. You cry out, not stopping until you feel cold metal press against your neck and you finally stare into the black eyes of the mask. Their head tilts as if they’re scanning your face, watching your expression as the knife presses harder and causes a searing hot pain to develop on your skin. Your eyes shut tightly and sting with tears, and then the blade is suddenly gone and your eyes shoot open to see the knife raised in the air and without warning it begins coming toward you. There’s a genuine fear coursing through your veins as you expect a sharp pain but instead, the knife is buried in the pillow right by your head. You flinch, your head turning to see a familiar green dimpled handle.

“That wasn’t funny Rio.” Your eyes are watery and you move your body in an effort to push her off but she doesn’t budge. “How did you get in here without me seeing you?” Your head tilts a fraction but still you get no audible reply. “Did you cheat? We said no magic.” Your chest still rises and falls quickly and the lack of response is startling you. The black voids of the mask stare back at you, your eyes move to watch as their free hand reveals a small bundle of rope. You don’t resist it when the cloaked figure loops the rope around your wrists, pulling tightly on purpose to ensure there will be marks tomorrow. You wince as they pull and tug at your limbs until they’re wound together and secured to the headboard.

“Oh no, please don’t kill me.” You whine, hoping that playing along with Rio’s fantasy will elicit a response. It’s not the response you hoped for but you watch as she wraps her gloved fingers around the blade once again. Your eyes flutter closed when she places the tip on your cheek and you feel it graze down your skin, nipping at the collar of your shirt and trailing down further. Once it reaches your waist she pauses and your eyes open to see why. In an instant, the knife expertly slips under your pants and you take in a sharp breath as the blade slices through the material like butter. Your eyes flicker between the cut in the fabric and the mask. It’s almost like you can feel the grin that burns through the mask. The knife is suddenly thrust back into the pillow by your head and you flinch again, letting out a shaky breath. Her hands are back on you; first starting by cupping your face, their head tilting to study you. Then her hands move down, trailing along your neck and slowing to brush over your breasts which you instinctively push up into. She momentarily halts her movements when you do that, then her hands press harder making sure her fingers fan across your covered nipples. Your mouth falls open with a sharp inhale and your hips buck upward. Her hands fall away from your breasts and move down your stomach, this time her fingers dig into your flesh until she reaches the tear in your pants. She makes sure to ghost a finger down the newly exposed skin where the fabric falls away. Then she’s tearing at the material, wanting to expose more of you. It doesn’t take long for there to be nothing but tatters left on your legs. Your skin is left red and sore from the yanking and rubbing of the fabric. You squirm as you try to reposition yourself into a more comfortable position and use it as a way to hide your now bare pussy but it’s impossible as your cloaked figure kneels between your legs forcing them open. You keep pushing against their grip but when one of their hands disappears under their cloak you grow curious. She pulls her cloak up to expose a thick purple strap secured tightly around her waist and you swear you begin to drool at the sight. Maybe this wasn’t such a bad idea if it meant Rio bought you such a nice new toy to play with. You seem to back down and become relaxed as her grip on your thigh grows, her nails digging in to add a sharp sting. Your breathing picks up when slowly she towers over you again, your eyes locking back onto the mask. She hovers above you, one hand now at the side of your head to hold her up and the other moves the tip of her strap through your folds. Your body shudders at the touch and you fight to keep your eyes open. Then with no further warning, she pushes into you and a scream escapes you as the stretch stings and your hands tug against your confides repeatedly. Your eyes prickle with tears but it only seems to spur her on. She straightens up so she can thrust rapidly until your screams turn into gasps and moans that seem to build more when her covered thumb presses down on your clit. The jilting of your bodies causes enough friction that she doesn’t even need to move the digit. Your eyes seem to roll back as she continues on her rough pursuit, her palm pushing down on the bulge she creates while driving her cock into your abused hole over and over until you're on the edge of cumming. 

“Well one of us is going to have to change.” Your eyes shoot open at the sound of your girlfriend's voice, it sounds further away than you think it should be and you’re confused by the sentence. But the pounding continues and you’re still panting when you see Rio standing by the bedroom door dressed in a black cloak and holding an identical white ghost mask. You’re completely disoriented at this point, if Rio is standing there then who is towering above you still thrusting their cock into you as your girlfriend watches.

“You couldn’t have let the sweet girl cum before you interrupted?” A muffled voice grunts from under the mask, then their hand raises to pull off the mask. “Hi sugar,” that sweet neighbourly voice rings in your ears as she grins down at you.

“A-Agatha?” Your question draws out as a string of moans tumbles out of your mouth. Your eyes flutter shut again as wave after wave of pleasure washes over you. Both of Agatha’s hands had shifted to your hips, aggressively tugging them to meet her thrusts as she watched your orgasm overtake your body. Your back is arched and your toes curled as she forced her strap into you again and again until you were over-sensitive and crying out. Her thrusts eventually come to a stop, her cock still buried deep inside you as you clench and squirm. You flinch when a gentle hand touches your face, your eyes open to see Rio standing by the bed now. She smiles down at you, a hint of pride in her expression.

“Angel,” the sweet pet name rolls off her tongue like honey but then she’s squeezing your face between her fingers and a dark look washes over her face, “you can’t be making all that noise.” You blink up at her, still keenly aware of Agatha’s presence between your thighs. “What if the neighbours complain?” A wicked grin breaks out on Rio’s face as she looks up at Agatha who mirrors her expression. “We’ll just have to find a way to keep you quiet huh?”

“I can think of one.” Agatha remarks quickly and Rio’s fingers release their grip on your face. Rio hums as if in thought, trying to play off like they haven’t already orchestrated this whole thing to go a certain way.

“I like your thinking, Aggie. Why don’t I sit on that pretty little face while you have your way with her again and again until she just can’t take it.” You seem at a loss for words as you just watch your beautiful girlfriend climb onto the bed. She kneels beside you for a moment to share in an exchange with Agatha, the pair holding one another’s face for just a brief moment before Rio moves again. She straddles your chest and you wriggle slightly, momentarily forgetting that Agatha’s strap is still stretching your sensitive hole. A whine falls from your lips and Rio tuts. “You’re such a pretty girl, it’s a shame you just can’t keep quiet.” Her condescending tone floats through the air as she hikes up the black fabric that drapes her body to reveal her bare pussy just inches from your face. She slips a hand into your hair as she pulls herself forward. She tugs your head up and sinks her wet folds down onto your face, your mouth instinctively opens and your tongue gathers her familiar taste. Immediately she begins rocking her hips back and forth and your eyes fall closed as she uses you for her own pleasure. A sharp moan vibrates against her core as Agatha begins to move inside of you again and Rio’s grip on your hair tightens. “Do that again.” You’re not sure if she’s growling at you or Agatha at that point but you both seem to respond as Agatha fluidly starts thrusting into you again and a flurry of moans vibrates against Rio’s clit. “Fuck!” She cries out, now arguably she is becoming louder than you were but no one is sitting on her face. Your tongue continues to lick and prod at her, trying your hardest to make her cum. Your eyes open to see her head thrown back as her hips move in time with Agatha’s and you’re not sure whether it’s the lack of oxygen or the second orgasm washing over you that prickles your vision. You look up at Rio’s blissed-out face, seeing black spots as your hips thrash around while Agatha relentlessly continues to hammer into you. Wave after wave of pleasure hits you again and again until your mind is completely gone.

“Oh now you’ve gone and killed the poor sweet thing.” Agatha’s echoey voice whirls around your head.

“Don’t worry, she’ll come around.” You can feel a soft hand holding your face and an arm secured around your shoulders. “Look there she is,” Rio’s voice seems to pull you back as your eyes slowly blink open, “hi sweetheart.” A weak smile stretches out on your face as you curl your tired body inward, snuggling closer into Rio’s arms.

Your hands had somehow been freed and now you were curled up in the bed with Rio next to you and another presence close by.

“What-what happened?” Your weak, croaky voice comes out and your throat feels dry.

“Don’t worry angel. Why don’t we just get you cleaned up and in bed huh?” Your mind is fuzzy and your entire body aches but you feel a buzz running through your veins.

“Did I do a good job?” Your question comes out small and you hear a duet of giggles before Agatha closes in to press a kiss to your temple and she softly speaks.

“A good job? Baby, you’re gonna be in the sequel.”

[elikajinnie]

I Let The World Burn For You - N.R

P: Serial Killer!Ni-ki X Fem!Reader

Warnings: Graphic Descriptions, Murder, Manipulation, Attempted Murder, Injury/Blood, Teasing, Angst, Obsessive Behaviour, Bullying, Mind Games, Ni-ki is a nerd.

Synopsis: You’ve always loved crime shows, captivated by the mystery and mind games, but you never expected to live in one. When a killer develops an unsettling obsession with you, you’re thrust into a deadly game where you’re not just a target—you’re the centerpiece.

note! i have just finished 1/2 exams and i got a shining A+ (thanks to the allnighters) so i finally got more time to write :) requested by @totallynotj3zz

READ THE TEASER BELOW

Read part 1 and 2 at the end

--

You stumble down the creaking, narrow staircase, your breath coming in ragged gasps as panic claws at your chest. Tears blur your vision, streaking your face as the blood on your trembling hands smears across the banister. You don’t dare look back. You can’t.

Above you, his voice echoes through the decaying walls, low and mocking, sending chills down your spine.

“Run all you want,” he calls, his tone light, almost playful. “You know I’ll catch you.”

Your foot catches on a loose board, nearly sending you sprawling, but you grip the railing and push yourself forward. His words follow you, slithering into your ears like poison.

“You can’t hide from me. You know that, don’t you? I’ll always find you. Always.”

The air is heavy with the smell of dust and mildew, but it does nothing to muffle his voice.

“You and that little curiosity of yours,” he sneers, his footsteps steady and unhurried. “That’s what got you into this mess. You wanted to see what was behind the curtain, didn’t you?”

Your heart pounds in your chest, your legs screaming in protest as you take the steps two at a time.

“No one else deserves you,” he continues, his voice dipping into something darker, more possessive. “Only me. And if I can’t have you…”

You swallow back a sob as his words twist, their meaning sharp as a blade.

“…then no one can.”

Your foot hits the landing, and you dart into the next corridor, the peeling wallpaper and flickering lights a blur around you. Still, his voice lingers, wrapping around you like a noose.

“You’ll be mine in the end. You know it. Why keep running, darling? Why deny the inevitable?”

You bite down on your lip to stifle the cry threatening to escape. The hallway stretches endlessly before you, and the sound of his steps—slow, deliberate—echoes closer, as if he’s right behind you.

Your chest burns as you push forward, forcing your legs to move despite the overwhelming ache. The hallway feels endless, the dim, flickering lights above casting warped shadows that seem to close in on you. Each creak of the floorboards behind you makes your heart skip a beat, his taunting voice dripping into your ears like acid.

“You can’t run forever,” he hums, his tone like a lullaby meant to unsettle. “Every step you take just brings you closer to me. Don’t you see? This is fate. You were made for me.”

A sob escapes you before you can stifle it, your body betraying the terror that threatens to consume you whole. You glance frantically over your shoulder, but the staircase behind you is empty. He isn’t there, and yet his voice sounds as if it’s just over your shoulder, like he’s breathing down your neck.

You shove open a door at the end of the hall, the old wood groaning on its hinges as you stumble into what looks like a storage room. Rusted tools hang on the walls, their edges sharp and unforgiving, glinting faintly in the pale light from a single bare bulb swaying overhead. Your breath catches as you scan the room, desperately searching for a way out.

“There you go,” he purrs, his voice impossibly close now, like he’s whispering directly into your ear. “Hide, if it makes you feel safer. I like when you play hard to get. It makes it so much sweeter when I finally catch you.”

You slam the door shut and lock it, your shaking hands fumbling with the rusted bolt. The sound of his footsteps grows louder, heavier now, deliberate in their approach. You back away from the door, your eyes darting around the room. The windows are boarded up, thick planks of wood nailed across the frames, no hope of escape.

Your breathing is shallow, uneven. Your hands curl into fists, fingernails biting into your palms as you try to will yourself to think. Focus. Focus.

Then, silence.

The footsteps stop. His voice is gone.

Your heart pounds in the stillness, the quiet almost worse than his taunts. You strain your ears, listening for anything—any sign of movement, any sound that could tell you where he is. But there’s nothing.

A soft knock on the door shatters the quiet, making you jump back with a gasp.

“Are you scared?” he asks, his voice calm now, almost tender. “You don’t need to be. I’ll take care of you. I’ll make this quick.”

The doorknob jiggles. Once. Twice. Then, a violent bang as he slams against the door, rattling the frame.

You scramble backward, your hands blindly reaching for anything, and they land on something cold and solid—a wrench, heavy and covered in dust.

Another bang. The bolt starts to bend under the pressure.

“I’m coming in, sweetheart,” he murmurs, his voice filled with a sickening glee. “Let’s end this little game, shall we?”

The door bursts open, and there he is, silhouetted against the dim light of the hallway, his figure towering, his shadow stretching across the floor like it’s ready to swallow you whole.

But you’re ready this time. Your grip tightens on the wrench, and as he steps into the room, you swing.

--

Read the request here

Read part 1 here and part 2 here

[littlebatgames]

The voices of Vampire Therapist

Hi Tumblr! I'm Cyrus Nemati, creative director at Little Bat Games, where we're making Vampire Therapist. You might know me as a voice actor. I voiced Theseus, Dionysus, and Ares in Hades, so as you might imagine, voices are my thing.

When I started designing Vampire Therapist, I wanted to create characters not only had deep narrative depth, but that would be challenging and rewarding to voice. I voice protagonist Sam Walls and his mentor, Andromachos. Writing a game about therapy is really tricky, so being able to jump in revoice lines was a huge benefit for the game!

I also voice two of the therapy clients in the game, Dr. Drayne and Edmund Kean. Dr. Drayne is the kind of challenge any actor delights in, having three very distinct characterizations that have to seem natural, whereas Edmund Kean is the Shakespearean actor of his time.

As much as I'd like to save money, I couldn't voice all characters in the game, but I'm very picky about voices and needed a cast of the absolute best I could find. So I got them.

If you've played Hades 2, you've heard Sarah Grayson or Selene. Or maybe you know her from Gone Home or Tacoma? But I needed her ability to alternate between the very light and the very dark for murderous vampire content creator Meddy.

To play Isabella d'Este, a real historical figure and esteemed patron of the arts during the Renaissance, I needed someone with a sense of the theatrical and some excellent comic timing. For that, I turned to a very old friend, Kylie Clark, who comes much more from the theatre tradition that video games... which she doesn't play at all. Until Vampire Therapist!

For our fabulous goth bartender, Crimson, I needed the epitome of cool, sexy, and tantalizingly mysterious. You might know Francesca Meaux as Eurydice from Hades, but she went to some unexpected places to play Crimson!

I did say I wanted the best of the best, right? Vampire Therapist is a super low-budget indie, but if I'm going to fill a club with quirky, sexy goths, I need range, and for that, I got Matthew Mercer. Yeah, that Matthew Mercer. The Critical Role one. The one from Baldur's Gate 3. The one from all your favorite video games. How could I do less? He's playing Reinhard the sexy goth and Ciaran the goth priest in Vampire Therapist.

You can see the work we've put into every aspect of Vampire Therapist. I think you're going to find that it's unlike any game you've ever played.

It'll be out on July 18th, and you can wishlist it on Steam now!

And on GOG!

[ave-cave]

In Defense of Mahiru's Last Words

An aspect of 2-2 that I think a lot of fans get wrong is Mahiru’s last words to Fuyuhiko. I’d go so far as to call them the most misunderstood last words in the series. Her role in the second case is often overlooked in favor of Peko and Fuyuhiko's, and this line encapsulates said role, so I figured I'd try to dispel the misconceptions that surround it. Cool? Cool.

---

First thing’s first, my thesis statement (lol): in response to the well-worn criticism that Mahiru’s last words to Fuyuhiko were hypocritical, I’ll grant fans this much: her words were shortsighted and poorly-timed. They weren’t, however, hypocritical.

More often than not when I see people refer to Mahiru’s last words as hypocritical, they mean that she's condemning Fuyuhiko for avenging his sister, meanwhile her friend who committed an act of revenge received her protection. My issue with this? Sato’s murder of Natsumi wasn’t revenge. The third day of Twilight Syndrome Murder Case (which Mahiru played) has Sato explain in depth why she did what she did. She didn’t confront Natsumi with the intent to kill her; she only wanted to talk at first. But when Natsumi began making threats, she saw red and accidentally knocked her out. Knowing how dire the consequences would be if Natsumi woke up and tattled to her family, Sato killed her and pinned the crime on a rumored pervert. This is further highlighted in the trial.

Now, don’t get me wrong, Sato is still to blame here. No matter how much shit Natsumi was talking, she shouldn’t have responded with violence, and she found herself in that situation through every fault of her own. The key thing is that it wasn’t revenge; it was desperation. By the time Natsumi fell unconscious, it was Sato who was trying to avoid becoming the victim of yakuza “justice.”

Recall that the incriminating evidence Mahiru got rid of was a picture of a broken vase. To anyone who wasn’t there the day of the incident, a photo of this nature would prove basically nothing. Sure, one could surmise that it means the killer didn’t actually escape through the window, but figuring out what they did do, and by extension who they are, would require having run into Sato in the hall (given it isn’t brought up at any point, it’s unlikely there was security footage.) It might arouse suspicion, seeing as there were rumors going around that Sato was with Natsumi the day of the latter's murder, but it wouldn't be able to substantiate anything. Either way, the only people who would have any use for it were the police and the yakuza.

Mahiru protecting Sato from the police wouldn't make much sense at all. Blind loyalty toward her friends – to the point of helping them escape consequences for their actions – isn’t a trait she showcases in the main game. Sure, there are a few classmates she shows extra care toward (she’s particularly concerned for Mikan, and she offers to help Hiyoko when the latter is struggling with her kimono), but unraveling the mysteries of the killing game takes first priority for her at the end of the day. Moreover, in Twilight Syndrome, before she realizes that Sato is the killer, she takes pictures of Natsumi's body in the hopes that they'll be useful to the police (this obviously isn't the smartest move, but it's in-character: Mahiru is someone who's always trying to do the right thing despite her lack of self-confidence. She feels guilty about agreeing with the other girls not to report Natsumi’s body, and so she figures that utilizing her talent is the next best thing. We see her do something similar in 2-1.) Going from “I need to help the police find the culprit” to “my friend is the culprit; time to destroy the evidence” is a dramatic shift – one that doesn't line up with anything else we know about Mahiru.

What's a trait she does showcase in the main game? Distaste for cruel and unusual punishment. She sympathizes with Teruteru’s motive, heavily implying that Monokuma shouldn't have executed him, and she criticizes Nekomaru and Kazuichi for hogtying and isolating Nagito, before eventually bringing him food. The second example is especially noteworthy. Nagito got both the Imposter and Teruteru killed – he's an unstable individual, no two ways about it. Mahiru doesn't object to his being restrained; she objects to the over-the-top, vigilante-style methods used by Nekomaru and Kazuichi to do so. There's clearly a parallel to be drawn between this and Twilight Syndrome. If she's so against Nagito – a murderer who isn't her friend – receiving inhumane treatment, then there's no question she'd be against it for Sato, a murderer who is.

It's only reasonable to assume that, when Mahiru realized the truth of the incident, she destroyed the evidence for the same reason Sato committed murder in the first place: she knew that, if it got into yakuza hands, there would be hell to pay. She wasn’t too far off the mark, either. The rumors in mind, all it took for Fuyuhiko to connect the dots was witnessing Sato’s failed attempt to discard the sole intact copy of the photo (Mahiru needed at least one if she wanted to corner Sato and coax a confession from her; she obviously couldn't have anticipated that it would be absconded with.) And even if he didn't, say someone else found it: they might report it to the police, yes, but more likely (given the lack of solid evidence) they would start another, more potent rumor – one that would eventually reach the wrong ears, inciting action. All told, Sato was lucky to have only been killed, as the yakuza are capable of much, much worse.

Mahiru didn’t think what Sato did was right. Far from it; she was shocked and horrified when her suspicions turned out to be true. Furthermore, even outside of the TSMC, she believes her covering for Sato is something to atone for, which automatically requires thinking Sato was wrong. But if it was within her power to throw the mafia off Sato’s trail, she absolutely would, including by decidedly immoral means. You don’t have to condone murder to not want your friend to be kidnapped and tortured.

When Mahiru asserts during her final confrontation with Fuyuhiko that “no one has the right to judge others for their crimes,” “judge” is another way of saying “take revenge on.” Think the phrase “playing judge, jury and executioner.” Fuyuhiko judged Sato as deserving of death for her crime, and carried out that judgment by murdering her. That’s what Mahiru is condemning. She’s not dismissing his loss – she acknowledges that his sister’s murder was terrible. She’s saying it didn’t give him the right to become a murderer as well. This isn’t hypocritical; it’s perfectly consistent with her actions in the TSMC. She never took revenge on anyone, nor did she protect another’s act of revenge. She was trying to prevent revenge from the start.

That said, Mahiru isn’t above reproach (if she were, none of this would be happening to begin with.) Though I stand firm that she had every right to be angry here, I can appreciate that Fuyuhiko did, too.

Mahiru went into the beach house intending to figure out how to atone for a sin she couldn’t remember committing. Fuyuhiko went into the beach house intending to kill Mahiru as further revenge for Natsumi. Thing is, Fuyuhiko isn’t a cold-blooded killer. He thinks he's supposed to be, but deep down he’s conflicted. And so, to cope, he has an out: if Mahiru denies the game's reality, he'll call off the plan. He’ll spare her. More than anything, he just wants to believe that none of it happened; his sister isn't dead and Mahiru didn't cover for her killer. But it's too late to hope for denial. He'd already accused Mahiru of the cover-up and sent her the photos as proof, and she’d been taking it very seriously ever since. The threatening letter he left her, combined with her knowledge of the game’s true ending, would have been more than enough to convince the others to apprehend him like Kazuichi wanted – not to mention the most obvious thing to do for her own protection. And yet from the moment she received the letter, the only thing on her mind was making amends. There was no going back.

These conflicting goals are a recipe for disaster. Fuyuhiko, who had initially compelled Mahiru to face her sin, is now wanting her to deny that the events of the game ever took place. Mahiru, who came for help collecting her thoughts, is now face-to-face with the very person she needed to prepare to talk to. Keyword: prepare. Again, the important thing to understand about Mahiru is that, despite her headstrong attitude and emphasis on “doing the right thing,” she doesn’t always know what the right thing is. She lacks the confidence necessary to support her levelheadedness, and so she agonizes and deliberates. Instances of this include:

When she stays quiet as Hiyoko berates Teruteru, claiming he deserved to die, only to come to terms with the issue later (main game).

When she’s implied to spend the night awake pondering what to do about the Twilight Syndrome motive (main game).

When she waits several days before getting rid of the vase picture, showing that she didn't take the decision lightly (TSMC).

When she ruminates over how best to make amends with Fuyuhiko, leading him to think she’s avoiding him (main game).

The fact that, in the TSMC, Mahiru finds herself in a situation that tests her moral compass is what makes her involvement in the case compelling. She’s not someone who believes the ends justify the means, and yet all of a sudden she’s thrust into a scenario where they have to – where “the right thing” (not destroying the evidence) and “the wrong thing” (letting Sato suffer and/or die) intersect. No wonder she handles the entire thing so clumsily; it’s completely foreign to her.

Now consider this situation. Mahiru has been lured to a secluded area. She never got the chance to talk things through with the other girls and hasn’t the first clue about how to make amends. Fuyuhiko has proven that he isn’t all bark and no bite and could actually hurt her if provoked. Hiyoko is nowhere to be found; who’s to say Fuyuhiko hasn’t killed or severely harmed her? It’s a perfect storm of stress. Needless to say, the interaction is already doomed.

Said interaction starts when Mahiru, treating the game as though it were real, asks if Fuyuhiko killed Girl E. At this, Fuyuhiko is furious. But wait… this whole thing started because Fuyuhiko accused her of being an accomplice to his sister's murder, and yet now, when she's asking about what he did in the game, he says he doesn't want to hear it? When she says he shouldn’t have killed Girl E, he replies that nobody cares? How does this sound to Mahiru? A man who doesn't think he did anything wrong, refusing to accept responsibility? Only at this point does she get angry.

On the other hand, from Fuyuhiko's perspective, Mahiru had been avoiding him ever since he left her that letter, and so the fact that she isn't answering his questions is insulting. Even though he'd already decided on revenge, he’s giving her a chance to avoid the fate he had planned for her altogether, simply by saying she doesn’t remember anything from the game or believe that it happened. Yet not only is she doing the opposite of that, the girl who supposedly tried to protect his sister's killer is claiming that he was also wrong. His anger skyrockets.

All in all, it’s pretty easy to understand where both of them were coming from. In Mahiru’s efforts to protect her friend from revenge, she prevented Fuyuhiko from getting justice for Natsumi in any capacity. There was no way the authorities would believe him, a member of the criminal underworld, over a seemingly normal high school girl – not without evidence. Sure, a picture of a vase wasn’t substantial, but it was something, and she got rid of it. Meanwhile, if Fuyuhiko hadn’t been out for blood, Mahiru wouldn’t have felt the need to destroy the evidence to begin with. In other words, they both felt they had no choice but to do what they did – Mahiru to cover things up, Fuyuhiko to kill. Their goals clashed at nearly every turn, right up to the end.

Mahiru messed up – that I won’t deny. She lost her cool and chastised Fuyuhiko while he was in the middle of interrogating her about his sister. She shouldn't have done that – not because she didn't have a point, but because it wasn't the right time. Chances are if she’d kept treating the game as real, she still would have angered him enough to convince Peko it was necessary to step in, but straight-up condemning his actions more or less sealed her fate. It’s almost ironic how her go-to method of yelling at people to do better led to her death in this instance. Keep in mind, though, it was Fuyuhiko who put her in that position to begin with. He backed her into a corner, deprived her of the chance to think things through and expected her to simply… read his mind and say what he wanted her to say so that he could find an excuse not to kill her. That’s why I don’t think it’s fair to claim she brought her death entirely on herself.

Moreover, her last words in and of themselves weren’t off-target. Fuyuhiko spends nearly the rest of the game trying to atone for rushing into revenge. He realizes that Mahiru was right; “an eye for an eye” is a flawed credo, and it’s through this that he manages to earn the forgiveness of all of his classmates, even Hiyoko. Losing Peko might have been what ultimately springboarded his development, but Mahiru’s contribution shouldn’t be understated. Hell, the scenario of Mahiru's death echoes some of Goodbye Despair’s most important themes, namely restoration over retribution and being punished for a forgotten sin. The mindset that certain people deserve to die for their crimes is what leads to much of the cast’s misery, and ultimately the opposite philosophy is what saves them.

Thanks for reading :)

[scoupsakakitty]

I just read the drunk 14th member drabble you did and it got me thinking 🤭

Can I pretty please request also drunk 14th member but she’s at home and being super honest (bc she’s drunk) so the members take advantage of the situation and ask her questions

Just a funny and fluffy drabble 🫶

Late-Night Secrets | Seventeen x 14thMember | fluff

Part.2 here

Seventeen rarely had a free day where they could just chill together without schedules or obligations. So, when such a day finally came, they made the most of it—lounging in their dorm, playing games, ordering way too much food, and watching old variety show episodes of themselves.

As the night rolled in, Jeonghan clapped his hands together. "Alright, since we're all free tomorrow, how about a little soju party?"

The members cheered in agreement. Even Y/N, the 14th member and the only girl in Seventeen, excitedly nodded along. She had been with them for years and considered them family.

"Are you sure, Y/N?" Joshua teased. "You don't drink that often."

She rolled her eyes. "Please, I can handle my alcohol. I’m not a lightweight."

At first, everything was fine. The soju flowed, laughter filled the dorm, and the conversations became louder and more chaotic. They played drinking games, from 'Never Have I Ever' to 'Truth or Dare,' and Y/N was holding up surprisingly well—until she wasn’t.

It happened so gradually that no one noticed at first. But soon, Y/N started giggling at nothing, leaning heavily onto whoever was next to her (which happened to be Vernon), and blinking as if trying to remember how her eyes worked.

"Y/N... are you drunk?" DK asked, biting back a grin.

"Nooo," she slurred, dramatically flipping her hair. "I'm perfectly fine. You, on the other hand, are blurry."

Seungkwan burst out laughing. "Oh, this is going to be good."

Drunk Y/N was a menace. She poked at Woozi’s cheeks, calling them 'mochi-soft,' ruffled Mingyu’s hair until it stuck up in every direction, and stole Hoshi’s phone, only to take 50 blurry selfies before tossing it back at him.

"I feel so powerful," she whispered to Dino, who just stared at her in pure amusement. "No one can stop me."

"I don’t think anyone wants to," Dino replied, laughing.

Then, things took a turn.

"You know what?" Y/N announced, standing up (wobbling dangerously). "I have secrets."

The room went silent.

Hoshi’s eyes sparkled. "Oh, this just got interesting."

Seungcheol leaned forward. "Go on. We’re listening."

She pointed dramatically at them. "You guys always complain that I don’t like cuddling, but deep down—I love it. I love when you guys want to cuddle, but I have to act all cool about it."

Gasps filled the room.

"I KNEW IT!" Woozi exclaimed, pointing at her like he solved a murder case. "She always pretends to hate it, but she never actually moves away!"

"EXPOSED!" Seungkwan yelled, laughing so hard he almost fell off the couch.

Y/N pouted. "I feel attacked."

"Too late, you already exposed yourself," Wonwoo said, smirking. "What else do you have?"

Y/N tapped her chin, as if thinking. "Hmm… Oh! I kind of… borrow your clothes."

"Borrow?" Minghao repeated, raising an eyebrow. "Or steal?"

"Pshh, borrow. Borrow!" she defended. "Like, you know, sometimes your hoodies, or caps, or skincare products... but I always give them back!"

"That explains why I kept running out of toner," Joshua muttered.

"I KNEW my hoodies were disappearing!" Woozi groaned. "I blamed DK!"

"Oh!" she suddenly gasped dramatically. "Mingyu."

Mingyu, who had been innocently sipping his drink, choked. "What about me?!"

Y/N covered her mouth, giggling. "I may or may not have scratched your car."

Silence.

"Excuse me?" Mingyu's eyes widened.

"It was an accident! I was driving, and I miscalculated, and—" she waved her hands wildly. "But you never noticed! You thought it was your fault!"

Mingyu stood up, mouth open in betrayal. "I blamed myself for WEEKS. I thought I was losing my mind!"

"Well, mystery solved!" DK laughed.

By now, the members were having way too much fun with Y/N’s drunken confessions. But then, she dropped the biggest bomb of all.

"Also… I might be talking to an idol," she mumbled, swaying slightly.

Instant silence.

"I’m sorry, WHAT?" Jeonghan nearly shrieked.

"WHO?!" Hoshi demanded, eyes wide.

"Is he from a big group?" Joshua asked, suddenly intrigued.

"Is he older or younger?" Woozi probed.

Y/N groaned, rubbing her eyes. "Ugh, he’s so hot. Like, ridiculously good-looking."

"That’s not an answer!" Minghao whined.

"Y/N, who is it?!" Seungcheol urged.

But it was too late. Y/N, mid-sentence, had passed out.

Right on Seungcheol’s shoulder.

He sighed, looking down at her curled-up form. "Guess we’re not getting any answers tonight."

The members looked at each other.

"Okay, but seriously," Seungkwan started. "Who do we think it is?"

"Mingi from ATEEZ?" Hoshi guessed.

"Nah, I think it's I.N from Stray Kids," DK said thoughtfully.

"No way, it’s definitely Soobin from TXT," Dino chimed in confidently.

After a few more wild speculations, the group finally gave up.

Joshua, being one of the responsible ones, carried Y/N to her bed, tucking her in gently.

"Tomorrow’s going to be fun for her," he chuckled.

"Oh, absolutely," Mingyu muttered, still bitter about his car.

Seungkwan smirked. "The moment she wakes up, we’re making her relive every single thing she said tonight."

The members all grinned, looking forward to Y/N’s reaction when she realized just how much she had spilled.

Tomorrow was going to be very interesting.

[rivalsforlife]

takumi posted about the showcase on twitter today (relevant tweet 1, relevant tweet 2) and from the sounds of it he delivered the speech in english because he heard the capcom showcase had more overseas viewers than japanese viewers last time. so he asked janet hsu to translate a speech for him and record it, and then listened to it morning to night for two weeks so he could repeat it by memory at the showcase. he even made notes to try and get the cadence of it down.

(source tweet)

all for the experience of us turning on the capcom showcase and going "oh! I didn't know takumi could speak english!" and he can't he just memorized a script to pitch ghost trick in english because he thought it would be interesting to overseas viewers. this guy really operates on an entirely different brain level from most people and I have so much respect for him

EDIT: Have gotten a few tags now with people saying "I don't go here", so I thought I'd provide a little more information! You can view Shu Takumi's full speech and more elaboration on Ghost Trick in this video. It's a delightful little mystery puzzle game that is often considered one of his best works, and what he says in that video interests you I highly recommend checking out at least the demo and possibly the full game. You play as an amnesiac ghost with powers of the dead allowing him to turn back time and change fate. He seeks to save other people and uncover the truth behind his mysterious death, and his identity, before the morning comes and he's doomed to fade away.

As well, Shu Takumi's most well-known work is on the murder mystery visual novel series Ace Attorney, where you play as a rookie defense lawyer defending clients against a corrupt judicial system heavily stacked against you. You can find the first three games in the series (all written by Shu Takumi) in the Phoenix Wright: Ace Attorney Trilogy, which is available on all modern consoles and a total steal whenever it goes on sale. You can learn more about it through this trailer! I'm obsessed with those games and also super recommend checking it out if murder mysteries or visual novels are your thing.

[ablobwhowrites]

yandere sonic stuff and y/n idea?

MEGA WARNING OF A MEGA YAP SESSION!!!

I'm going insane with this idea cause watching people play sonic forces and the murder of Sonic the hedgehog game and dude I've been tweaking after I saw the movie too.

A y/n who is kinda this mysterious and scary person who always has a welding mask on and heavy padded suit that basically makes them look scary to anyone who doesn't know them but tails is all like "oh yeah that's my sibling!" (Or something I might change later) And they are a maned fox cause it i imagine them being tall as shit and also I love maned foxes. But end up being all sweet to tails but is a bit mean to others due to how many people bullied their brother but finding out sonic and the others are tails friends, they lighten up a bit but do keep their guard up but do like hanging around sonic also imagining tails is telling stories of when him and y/n where back in their old village and how y/n beat up his bullies or just any stories he remembers about him and his sibling. As y/n basically looking like Micheal Myers with how quiet they are and with the mask they basically almost never take off so the others never know what y/n looks like except for tails. and they work with tails projects and makes sure the welding on the machines he makes is stable enough or just to make sure the machine won't go explode or something.

Tails: "hey guys! Meet my sibling, y/n!"

*y/n somehow having a shadow look over them making them look more intimidating*

Sonic: "you sure they are your sibling?...they look like they are from a slasher movie"

tails to y/n (y/n just beat one of his bullies into a pulp after the bully tried to make fun of his machines and tails again)

Cube bot: "did we get the right fox? Cause I don't remember tails fighting us this hard"

*Orb bot looks over seeing y/n standing in their cell that's locked under several force fields*

Orb bot: "I might have to check the logs again"

(anyways that's it for my yap session. Hope you guys like it and if you did, please don't be shy and request any ideas for stories or y/n's. But for now please stay safe and drink water!)

[annabelle--cane]

gwen throwing lena under the bus like that is rolling around in my brain because, basically, they've been playing chicken this whole time, right? gwen brings blackmail to the table, lena deliberately under prepares her for assignments in a series of sort of vague half-hearted assassination attempts, and gwen takes liberties and rejects every offer to quit or just go back to her original job. gwen's blackmail doesn't even seem to figure into it anymore, she didn't bring it up when lena demoted her or any of the times lena has threatened to fire her, it's a pure battle of wits and ego at this point and neither of them wants to be the first to flinch. and now in a surely unpredictable turn of events something has gone wildly wrong and they've been connected to some murders.

the ink5oul incident was a particular team effort, because lena was pretty clearly using such a dangerous mission to try and force gwen into check mate. she had to know it was a terrible idea, she said she's the one who usually does the recruiting assignments and ink5oul immediately took against gwen because they clocked that she was too new to the whole game to be taken seriously. but because gwen could tell that lena was using this as a gambit, she ultimately ignored her own misgivings and reacted quite rashly when ink5oul questioned her competence, knocking over the final domino in the inevitable spiral to consequences town.

gwen's problem has been that she's always ready to go low but lena's actually the one with power in this situation. lena can toss her at as many magical serial killers as she wants but all gwen has to fight back with is her measly lena being bad at murder cringe compilation and her passion for endangering the lives of herself and those around her. the second that she gets another mysterious email with more leverage she immediately looks for an in and uses it to betray lena to trevor, the one thing that lena has been treating like a real potential threat to her and the one thing that lena didn't actually seem willing to do to gwen. potentially be responsible for her death-by-bonzo? not ideal, but acceptable. rat her out to the bossman? no no no that's too scary. gwen's weird email gave her an edge, but lena could have cancelled it out by just saying "yes, I think I know who's responsible, take her away, minster," and she didn't.

lena has always been willing to use her position as an employer against gwen to coerce her into danger, but she's spent the last few weeks quite visibly on edge about the possibility of her own employer bringing harm to her in some way, and refusing to cross the line of siccing him on gwen was her first flinch, leaving gwen open to use her position of class (or, in trevor's words, "quality") against lena by immediately getting the minister on her side.

[biibini]

nsfw ghostface!mizu

“what’s the matter sidney? you look like you’ve seen a ghost.”

tags: mdni , 18+ , modern!mizu with ghostface twist , fem! reader, ghostface!mizu , eating out for a hot moment, death , kisses, alternative motives , so bad yet so hot typa moment

a/n: am i late to this? yes. did this come to me during class? yes. happy late halloween and welcome back to mizu brain rot town ଘ(੭ˊᵕˋ)੭* ੈ✩‧₊˚

ghostface!mizu would easily find your place since silly you picked up the phone every time it rang and answering with a sweet “hello”.

ghostface!mizu quietly crawls into your bedroom without a single creak while you were busy talking to her on the hallway phone downstairs.

ghostface!mizu finds it cute how you’re blindly answering her questions about yourself, what you were doing tonight, what you liked to do, favorite color, etc. she knew you were lying through your teeth, but man, did it sound so pathetic and cute to hear your lies.

ghostface!mizu hums to every response with a “mhm” while watching your every move from your bedroom upstairs, gauging your reaction every time she hummed in response,.

ghostface!mizu sees your finger twirl around the phone line, playing with the wire, smiling down on the floor when you continue to go on and on about yourself.

“It’s such a boring color, I know, but it’s my favorite!”, you state, continuing to play with the phone line. You teasingly accuse her, “You’re asking all these questions about me, yet I don’t even know who you are!”,

Mizu watches you talk into the phone, hearing your playful voice tease her, practically begging for a sliver of her.

“You wanna know about me?”, she coos back, mirroring your energy.

“Mmhm”, you answer, nodding in response, “Who is my mysterious caller?”

“Someone who’s interested in you.”

She gauges your reaction from above. You swing your leg back and forth, grinning at the floor again. You look up from the hallway tile floor, blush spreading across your cheeks.

“You’re…”, you lower you voice, almost whispering, “interested in me?”

Mizu hums again. Deep. Almost sweet as honey.

A little curious, she pushed for more.

“Why? You got a boyfriend waiting for your call?”, Mizu teases, pulling out her weapon, sharp and ready for murder.

“No, no girlfriend or anything.”

Oh.

Mizu freezes in place, completely taken aback by that response.

“Didn’t think I was into girls?”

Your voice rings in her head. Mizu snaps out of it, sheathing the blade as she peeks to see your reaction. You’re still standing in the empty hallway, smiling and continuing to twiddle with the phone, just waiting to be caught.

ghostface!mizu now even more interested in you, continues to toy and tease you over the phone, overwhelming you with interest.

ghostface!mizu positions herself by your window, ready to knock at your window as you continued to stick by the hallway phone.

“No, I just wanted to get to know who I’m looking at.”, she answers in a snarky tone.

Mizu looks down at you, squinting to get a closer look as your eyes widen, quickly darting around to find a sign of a living being. You grip the hallway phone for safety, scanning your surroundings before you speak into the device again.

“What did… you say?”

A shiver crawls up your spine. You heard that correctly, right?

Covered by the mask, a devilish smile spreads across Mizu’s face.

“I just wanted to get to know who I’m talking to.”

Deep down, your gut instantly knew that was not what she originally said.

“You... you didn’t say that.”, you point out as you double check your surroundings.

"You sure?"

From a late-night call to a creepy conversation, you were freaked out. It was all fun and games lying about your "favorite" activities, but this was getting a little too real. Being alone didn’t help your case, as you were now talking to a random stranger turned stalker.

On the other hand, Mizu stayed silent, watching you go crazy from above for the past 15 minutes. Mizu unsheathes her weapon, a silver blade that glistened a blue tint against the moonlight.

As fun as toying with you was, playtime’s over.

You hear a tap to the rhythm of "shave and a haircut" come from upstairs. You look up as you watch a door hang ajar, slightly swaying to the wind, its whistle now clear to you.

That was your bedroom. Your bedroom window to be exact.

"Your girlfriend is calling you.", you hear through the phone, teasing you. It's a much lower tone than the teasing voice you were talking to only 5 minutes ago.

You quickly smash the phone down, hoping it was just a prank call trying to creep random people out.

ghostface!mizu awaits in her hiding spot, waiting for your next move, as the whisper of the wind fills the silence.

ghostface!mizu rings your home phone once again, hearing the rings echo throughout the house. she takes another peek on you again to find you staring at the phone, ringing and ringing in front of you.

ghostface!mizu grins to watch you slowly reach for the phone, hesitating to pick it up and hear her voice again.

"Your girlfriend is waiting for your call."

You feel that same shiver crawl down your spine. Your gut is screaming one thing to your head: You're not alone.

You feel a pair of eyes watching you behind your back. Turning around, you only find darkness in your empty house.

Just put down the phone. Just put that shit down.

"I wouldn't do that if I were you.", the voice orders through the speaker.

You slowly pull the phone away, regardless of the warning, your eyes carefully watching outlines of the outside through the glass of the front door.

"I said don't hang up on me."

"And why should I listen?", you yell back.

Enough of these stupid games. Kids need fucking hobbies-

"Because I'm right behind you."

What.

ghostface!mizu is careful and quiet. so quiet that while you were distracted by the front door, you failed to check your blindspot: the staircase hidden in the dark.

ghostface!mizu holds the knife to your neck, letting the warmth of your body borderline bleed against the silver blade. smiling at her capture, she locks your right shoulder in place.

ghostface!mizu gets a closer look at you through the hallway mirror. not bad looking at all... maybe even one of the better-looking prey she's caught. it also helped you were wearing a little slip dress. you might as well have been wearing nothing.

"What do you want from me?"

"We can figure that out upstairs, pretty girl."

ghostface!mizu pushes you upstairs, step by step, the blade's tip teasing against the thin silk fabric, waiting for you to disobey her at every step you take

ghostface!mizu roughly pushes you onto your bed, her hands burning up in her glove as you look up in fear, maybe even in awe. Geez, you had prettier eyes than most she's seen this night.

"I'll do anything, just let me go to bed, please.", you beg.

It's sick, really. First, this random stranger talks and lowkey flirts with you, practically terrorizing you, and now they've locked the door and blocked the only exit, all the while calling you a pretty girl. You shouldn't even be remotely attracted to this person.

You feel their gloved hand, cruelly squeezing your burning cheeks. It's nasty how your stomach twists in fear... and attraction to their touch. Forced to look up at Mizu, you see a glimpse of their eyes through the mask.

Alluring ocean blue shining in the moonlight, focused, steady, patiently waiting for one wrong move from you.

"Anything?", Mizu coos, tilting her head as the blade presses down on your neck, letting go of your face as she forces you to lay down. Staring up, you let the moonlight help you assess your supposed killer.

Black from top to bottom, compression shirt emphasizing her lean body, prominent muscles down to the hips, and black baggy sweatpants to match.

You feel a knee in between your legs, pushing them apart. The mask inching so close to your face that you feel her breath.

"Be a good girl, will you?"

Deep down, you know you should be running away, planning to jump out the window, anything to escape. Yet the way their gloved hands caressed your cheeks, as the other hand rested the blade on your neck, made your stomach twist in a despicably good way.

You couldn't deny that her voice was enticing earlier, teasing you and playing along during your time on the phone together. You knew that was the core reason you kept up the act.

Well, that and the fact that she called you pretty.

Your body turning cold, you hummed in response.

"I w-will.", you say as you feel her knee gently hit your entrance.

It didn't help that you weren't wearing anything underneath that slip of yours.

You watched the masked figure slowly go down your body, one hand gently caressing your side, cupping your boob and squeezing it in pleasure, while the other dragged along your side, reminding you of the consequences of disobedience. They stop at your entrance, warm and dripping wet.

"You promise?", she teases, her knee further pushing against your dripping cavern.

Nodding profusely, Mizu hid the knife under the bed, as she pulled your body closer to her in hopes of getting all of your juices.

"I promise- ah..."

ghostface!mizu is glad you're such a pretty victim, obeying her every order as she scrunched up the lower half of your slip, gaining access to your dripping entrance, lapping in hopes of not leaving a single drop go to waste.

ghostface!mizu gauges your reaction as she enters one finger inside, and then two, and then three. every time, you always surprise her with how loud you get with every new digit entering your gummy walls. she gets even excited when you yelp at every time your fingers curl.

ghostface!mizu patiently waits for your hips to start acting out against your twisted, messed-up mind. with every squeeze of your hips, you feel them move on their own against her tongue, reaching deeper with every thrust in and out as she strategically placed her hands on your hips, guiding them along the way.

ghostface!mizu pulls back from the grinding to blow against your clit, making your cries 10x louder, before going back to face grinding

ghostface!mizu goes back for seconds, forgetting about her victim's death as her tongue swirled around your stimulated clit, making your head confuse itself in the chaos, fear, and pleasure of it all.

ghostface!mizu looks above to watch your chest fall up and down with every flick of her tongue, further pushing her to bring you close to your orgasm. she feels your entrance continue to pour out liquid, lubricating your burning hot entrance as your hips rode the lower half of her face. her upper half manages to keep the mask on.

ghostface!mizu feels your hips slow down, thus moving you back down on the bed. what she doesn't realize is you kissing her in the process, sharing the stickiness with you.

ghostface!mizu pauses in front of you, cursing to herself how pretty you are, before tearing off the mask completely and going back for another kiss, needy for your touch as the knife dances down your spine.

"You're being so good for me, angel.", Mizu coos, deepening the kiss with you.

Pulling away from the kiss, you feel the sharp point of the dagger poking your back.

"What a shame, you're just so delicious pretty girl."

The sharp pain of something entering behind you takes over, distracting you from the sweet talk you witnessed in front of you. As you push forward, your lips lock with hers one last time, before you feel a gush of liquid run outside your back.

You pull away one last time, getting a glimpse of her devilish smile sprawled across her face, and her eyes glowing in the midnight, before blacking out to your death.

[snapscube]

i finished AA investigations 1 btw :3 tier list update time!

All in all: Investigations 1 was pretty tough to get through unfortunately. Not that it was like BAD or anything but i really lost the drive somethin fierce with this one. The writing just did not feel even remotely as sharp or fun as the best of even AA1, though i don't think there was ever a low point as low of some of the first trilogy's worst. The very definition of "mid" overall, and I don't mean the new kind of "mid" that actually just means bad.

The last case of AAI1 was actually really good though! Really picked up the pace, it was nice and long and very fun to put the actual mystery together. It tied together the underlying plot of the entire game very nicely, one thing i think Investigations actually did really well overall. I liked how tangibly connected pretty much every case felt, even if the individual stories lost my interest often.

I will say though in regards to the final case, holy shit it goes off the rails near the end. I think there is legitimately 5 instances in a row of the murderer going "okay im going home now" only for some character to rush in at the last second and extend the investigation because of some weird asinine piece of evidence that is infinitely less valuable than everything we've already discussed. I think that final 3rd or so of the case is particularly egregious about treating previous evidence as inconsequential at the slightest bit of opposition in a way that started to really exhaust me by the end. I know that's kinda the whole bit with Ace Attorney, but usually there's a bit of balance in the more well rounded cases. This might be the worst I've seen of it so far, so it left somewhat of a sour taste in my mouth. Still enjoyed it a lot up to that point though, so it gets a solid A rank :)

Sorry I didn't post a lot of screencaps or anything when playin this one, I would have been taking them but my Steam Deck (where i play these most often) has been acting kinda buggy w my controller's screenshot button. It'll work once when I boot up the game fresh and then just not register any of my screenshots after. Hopefully that'll be fixed soon :) Time to move onto AAI2.... sometime in the near future! Maybe tonight! Maybe next week! I dunno! WEEEEE!

[izzygoesdark]

SMOKE AND MIRRORS

summary: The team is looking for an unsub who makes it impossible to create a proper profile. But maybe the answer is closer than they think. \\ pairing: Spencer Reid x fem!bau!reader \\ warnings: unsub!Spencer, accomplice!reader, some fingering, so MDNI. \\ words: 1.6k \\ series masterlist

There’s always a brief, fleeting moment that changes one’s life forever in this situation, like when you flip a switch to turn off the lights. It usually goes like this; a person tells them their loved one is dead, there’s a beat of heavy silence, and then BAM, like a dam broke. Someone cries, others shout and beg, while there are some who take it with quiet dignity, holding back the tears for God knows how long.

The man in front of you is a beggar, asking the doctor to tell him his daughter isn’t really dead, that she’ll miraculously come back to him after recovering. But she won’t. Her murderer did a good job, they made sure she couldn’t be saved, even if she made it to the hospital. 

You glance over at Spencer, who takes a shaky breath, unsure of how to act now, and when his uncertain hazel eyes turn to you, you simply flash a supportive smile at him as you shake your head slightly. This is not the right time to question the father, you have to give him some time to grieve, to finally accept that his daughter is gone forever.

So, as you wait for the tears of the father to stop falling for more than a minute, your colleague moves closer to you and reaches out to squeeze your hand. He knows this case is taking its toll on you, and he’s been supportive all along, and despite his own feelings, he’s willing to put that aside to be there for you.

There’s a clock on the wall of the waiting room, which tells you it took the victim’s father a good half hour to pull himself together enough to talk to the two of you. He blows in the air from his lungs in preparation, then stands up to walk over to where you’re sitting, only to take the chair across from you.

“Can you find whoever did it?” he asks you, his voice rough but full of hope.

On your side Spencer nods in a barely visible way, but it takes him a moment to pick the right words to say. It’s a good strategy, you can’t give the man false hope, mostly because this unsub is a mystery to the entire team. 

You only connected certain murders because there’s a little detail that’s there in every single one of them, a small marble in each victim’s stomach. But that’s it. The profile changes with each case, there’s no fix point beside the marbles, and the team is getting more and more frustrated. 

Are they working in a team? Is it some challenge for gang members? Or is it the work of a single unsub? 

The number of questions keeps rising, with no answer in sight. Hotch is getting frustrated as Strauss decided to put more pressure on him to close this case quickly, while the rest of the team is mad that the unsub is playing this stupid game with you. Catching them became a necessity for your mental health’s sake, so everyone’s working extra hard to find something concrete.

And then, you hear Spencer shift in his chair as he takes a breath. “We’re doing our best to catch him, but this is an unusually complicated case, it might take time. But we won’t give up anytime soon,” he adds in the end. 

The man nods and leans back to look up at the ceiling. “That’s good to hear,” he says quietly. 

You stay for a few more minutes, but then you decide it’s time to go back to the office. The walk to the parking lot passes in silence, mostly because you’re too lost in your thoughts, and Spencer is perfectly aware of that, this is why he reaches out for your hand again.

In the past year, you managed to hide your relationship from the team, which wasn’t some conscious decision, rather the result of the chaotic circumstances. There were moments when you wanted to tell them, but there was always a new case, some drama in someone else’s life, or anything that made you reconsider. 

“Do you think we should stop?” he asks quietly as he brushes his thumb over your knuckles.

Without hesitation, you shake your head. “No, of course we shouldn’t. I just… get a little sentimental sometimes, that’s all,” you tell him with a shy smile before standing on your toes to place a kiss on his cheek. 

But that’s not enough for Spencer. Something suddenly snaps in him, and he puts one hand on the back of your neck, his thumb pressing against your pulse point, while the other hand lands on your waist so he can guide you better. Your back hits the side of the car soon after, and he kisses you like his life depends on it. 

His eyes darkened a shade or two in the past minute or so, you can see the hunger in them, but he’s not hungry for you. Well, not just for you. But it doesn’t bother you, after all that thing he wants is what got you together, what created a bond strong enough to make it hard to exist without him. 

Your phone rings, interrupting your little make-out session, and you both let out an annoyed groan while you check who it is. “Hotch. I guess our little break ends now,” you tell your boyfriend, then place a quick kiss on his cheek before answering the call on speaker.

Back in the conference room, the team goes over the cases and profiles again, trying to find a way to find the logic in the chaos. The unsub in an earlier case was an uneducated man in their early twenties, another time everything pointed in the direction of a perfectionist middle aged woman, and in the most recent case it seemed like the girl was killed by an impatient teenage girl. 

Hell, once it seemed like there were two unsubs. 

The marble remained the only fix point in the case, and that’s it. Everyone had their own theory, their own profile, but when you tried to find similarities between them, you came up with nothing. The method, the victims, the unsub–everything changed each time, there was no pattern to see. Even Spencer didn’t notice one.

How could he, though?

“That little feminine touch in the teenager edition was a genius idea,” you note with a small smile as you’re driving home once the day is over.

Spencer reaches out to take your hand and lace his fingers with yours. Those long, slender fingers you love so much, whether they run over a page of a book or your body’s most sensitive parts. You shift in your seat when you think about the expert ways he uses them, which doesn’t go unnoticed by him.

“I am a genius, after all,” he says with a smirk, responding to your question casually, while his body does the rest of the talking. He lets go of your hand to move his own to your core, teasing you through the fabric of your pants. 

“That you are,” you breathe.

Seconds later you successfully bite back a moan when he pushes his knuckles harder against you, and for the first time that day you’re happy this is one of those days when he decided to take the wheel. Focusing on driving and his hand that is slowly slipping under the waist of your pants at the same time would be impossible.

Without thinking, you gently wrap your fingers around his forearm to ground yourself, but that’s only fuel to the fire, you’re slowly losing control of yourself. “Spence,” you whine when you feel his fingers dip between your folds.

“It’s okay, baby, it’s okay. Listen, we’ll pick a new one tomorrow morning, alright? I have a few candidates,” he coos, as if you had the brain capacity to focus on the plan right now. 

“But–”

He pushes his fingers deeper to silence you. “Shh, just relax. We’ll talk about that tomorrow. For tonight, I have a much better plan. I want to give you something you’ve been begging for lately,” he tells you with a big smile when he looks at you.

Before you can say anything, he pulls his hand away from your pants to put his fingers between his lips to taste your juices that cover them. Only then, when a satisfied gleam appears in his eyes, do you realize what he’s talking about. 

The baby project. 

You don’t even know why you’ve been thinking about this, after all, planning a baby with someone like Spencer isn’t necessarily the wisest idea. But you love him. You want to have a piece of him with you even if something happens to him due to your little hobby.

You’ve been messing with the police, but mostly the BAU, for a while now, testing their limits in every possible way. Who will break first under the pressure? Who will figure it out first? Who will realize the killer’s been one of them all along?

To Spencer, it’s just a game. A game that he desperately wants to win. 

And what’s the end game? He wants to hunt down the members of the BAU, one by one. Each and every one of them, he said once. Which raises the question: are you one of them in his eyes?

note: I don't have a taglist, but I reblog all of my work on @izzygoesdarkreblogs.