#now he has PLENTY

[somerandomcockroach]

And coloring based on @thegunnsara 's sketch

[idontcaboose]

Haunted Car Au part 13

Previous. Masterpost

“You done figuring out the sound files yet?” Duke asked while tapping on the hood of the Batmobile.

He was excited to hear a campy “Yes, Sir!” Come out of the open windows of the car.

“Neat, first off, any files that have your name in it?” He was a little disappointed, but still snorted to hear the tragic ‘Noooooo’ from Darth Vader.

“I think Red Robin has some pronoun type files in there, what are yours?” A mix of sir’s, dude's, and bro's were played until Duke had to stop the guy.

“Ok, what about age?” He wasn't expecting to get a straight answer, but when the car played a Scooby-Doo cut of ‘those meddling kids’, he was confused.

“So a kid?” Duke questioned. He got a weird mix of 'Ehhh', 'Kinda', and 'close enough' type files.

“We can worry about that later, any ideas how you got stuck?” A short ‘Nope’ with a pop on the P played.

Talking to the car guy was strange. Getting answers could be easy or turn into 20 questions trying to clarify an answer. So far, Duke knew the person:

is male or male presenting

a meta

has no clue how he possessed the car

has a good understanding of current memes

was possibly in their teens (probably a bit younger than Duke, but older than Daimian)

was a street kid? (When asked where he lived the car played “Why should I worry” from an older Disney movie about homeless animals in New York or something. He had to look it up.)

has a good sense of humor

and is taking their situation in stride.

Duke really had to wonder what their life has been where this is not a vast problem to fix…. And whether or not he should argue his ‘notification tone’ being a choir singing.

He really does not get paid enough for this, but it is better than the other stuff Gotham throws at the Bats.

“Mind if I get you up on the lift and check the engine? Might give us some clues.” After an affirmative from the car guy, Duke got to work.

Next

@kizzer55555 @sebas-nights @candeartist422 @trappednyourheart @fandom-life-corrupted-me @tkiesai @2lbballpeenhammer @admiralwidow @rewrittenwrongs @whotfevenknowsanymore @symmetricalastigmatism @thespacedragons @atinygracie @okami-love @lesbian-spider-drone @1n0sss @forgetmenot-bluepurple

[hayaku14]

pushing daisies kaishin au #2

pushing daisies au where shinichi has been able to revive dead animals, plants, even people since he was a child.

kudou "i can literally talk to the dead" shinichi

shinichi's parents didn’t exactly encouraged him to use this power. especially not in public. they’ve seen him revive and re-kill dead plants and animals in the same breath, it doesn’t take a detective to figure out what could happen near a human corpse.

but a young shinichi is curious, a young shinichi admired his father, and a young shinichi wanted to prove himself a detective. but most of all, a young shinichi wanted to help.

so when he saw his father struggle in solving a particular case, a young shinichi figured that maybe asking straight from the source would help give them a hint.

the complete horror in yusaku's eyes shinichi saw that day made him promise himself to never do it again.

shinichi realizes later on that reviving someone just for a clue on the whos, hows, and whys of their death only to touch them again, to basically kill them again, is sick and twisted and the realization leaves him feeling raw and dirty.

he then decides that if he’s gonna find out the truth, if he’s gonna bring justice, it’s not by making the victims suffer a second death. he will unravel the mystery not by magic but by logic.

the curious case of kuroba kaito

hakuba immediately contacts shinichi.

“he was...a friend. if i have to gather all the best detectives to catch his murderer then so be it.”

hakuba goes on to explain.

it was a kid heist. shots were fired. snipers. kaitou kid was caught on camera falling, as if he’d been shot, but he appears a minute later flying away on his glider with not a speck of blood on his suit. all should be well however, a few buildings away in an alleyway, the body of kuroba kaito is found dead. gunshots through the heart and chest.

a simple explanation would’ve been that the glider was a fake activated by kid’s assistant as a last ditch effort to save his legacy and this kuroba kaito was kaitou kid himself. he would’ve said it out loud but by the look on hakuba’s face, he can tell that he already connected those dots long before shinichi even stepped foot in the morgue. that wasn’t what hakuba called him for.

“can i...take a look at the body alone?”

hakuba raises an eye at him but moves to leave without questioning. "alright then. i have to check on another friend anyway. she's been...distraught ever since she heard the news and..." hakuba's words trail away as his eyes unconsciously drifted towards kuroba kaito's covered body. shinichi patiently waits through the quiet pain that he sees on hakuba. the pinch in his brows, the tenseness of his body. he must've been a really good friend.

hakuba shakes his head and turns his attention back to shinichi. "sorry, i...its been a long day. i'll leave you here then. call me if you find anything."

left alone, shinichi carefully zips open the body bag covering kaitou kid's upper body. he looked eerily similar to himself and imagining his own body cold and dead in the morgue sent a shiver down his spine. shaking his head, he pulls a chair close and reads through the file hakuba brought him.

"no witnesses. no camera. not a trace nor lead to anything. just some reports on mysterious gunshots in previous heists that lead to nowhere." they were professionals, whoever did this, shinichi thought. it was not going to be an easy case.

he takes another peek at the body. so this was kaitou kid, huh. too young to be the same as the one before his hiatus. perhaps a successor? motive could be related to his predecessor. his mother hasn't said anything of interest. does she really not know or is she protecting him? he runs his hand through his hair. there's too little information to go on...unless...

temptation rears its head. the source of information is right there in front of him. one touch and it could open up new leads to the case. an immediate disgust twists deep into his gut. he promised himself to never use it on people. to never kill. his father's haunted eyes embedded in his mind. he shouldn't. he really shouldn't. but he remembers the anguished look on hakuba's face. if he was going to do it, this might be the only good time. any longer and his touch would not revive kid. and gone along with him would be vital information to catch his murderer.

shinichi heaves a deep sigh. he has never used his abilities on dead people since that one incident as a child but he couldn't shake off the look on hakuba's face. it was now or never. shinichi reaches for kid's hand.

---

pushing daisies au #1

[ultipoter]

I'm obsessed with the idea that the battle against Volo is a battle between the Chosen Ones of two higher beings.

I sat on this sketch like six months, went into a wild frenzy a couple days ago and here we are! Jirou just can't catch a break!

[chirpsythismorning]

I’m sorry but nothing will ever beat Finn’s drive playlist that he made during s3 filming, with songs like Me and Michael, The Basement, Gay Thoughts and No Woman lmaoooo

[tk-duveraun]

LBH gets stuck in a timeloop at Jinlan City and he can't figure out why. Worse, no matter how much he prepares himself, he can't stop losing his temper with SQQ and feeding him his blood one way or another.

In the worst loop, he attacks SQQ and shreds his robes, seeing his back and the glowing green sigil there. Lbh retreats and finally remembers that in the abyss he saved a trapped spirit that offered him a wish and his wish was, of course, for shizun to be safe.

But in the next loop even though he avoids SQQ entirely, the Old Palace Master still has him brought to the Water Prison and the reset happens when SQQ agrees.

And here's the problem LBH thinks, he already entered HHP belt the timeloop started. He can't unring that bell and doesn't know what to do. He kills the OPM, but the sowers still accuse SQQ and the timeloop still restarts.

Finally he realizes Xin Mo is affecting his thoughts and actions, which is why he lashes out at SQQ.

He kills every sower himself, then returns to the abyss and destroys Xin Mo (MBJ bringing him back out)

Freed from the loop he tearfully returns to qjp in the middle of the night and begs sqq to believe him that he means to no harm and Xin Mo is destroyed (which shouldn't mean anything to SQQ but obviously DOES) and please let him just come home

[epickiya722]

It's so funny seeing people either convert or just now going "BkDk is so gay" after, what, a decade of its run.

Because now?? Now you're admitting something deep is there? Romantic and/or platonic?

Maybe it was just me but I clocked that tension in the beginning, even when I wasn't into the ship like that (as in it wasn't a ship I thought about given where I started with the anime and manga).

When Midoriya called Bakugou "Kacchan" and not once did Bakugou not tell him to not call him that, that's when I knew "oh... y'all got something... to be worked out there."

[legokingfisher]

Forever ago I saw people going “oh Pixal and Sora have got to meet i think they would be friends!!” But tbh I think that Pixal, a person whose bodily autonomy has been taken away and has been scrapped and reprogrammed and shit against her will, and her personhood questioned on the grounds of her being an android (and who has a spouse who has been through very similar shit on account of his robotness) would not be super hyped that there is now a person whose entire elemental power skillset is rearranging mechanical/electronic structures at will.

I don’t think she would be a dick to Sora or hate her straight up, i just think she would be . Wary.

[antianakin]

Happy fix-it AU where Padme leaves Anakin anyway because she realizes how bad he is for her, and she ends up retiring because she REALLY doesn't want to be a Senator anymore (it was also maybe encouraged by her Queen after her secret marriage to a Jedi was discovered) and she goes back to Naboo to be with her family. She's left behind her responsibilities but she doesn't know what to do now, she's just... adrift, sort-of in limbo and mourning her relationship with Anakin. She has to keep convincing herself not to go back to him because she KNOWS she doesn't want that anymore, she KNOWS she doesn't want to be the person she was with him again, but the thrill of the secret marriage to someone who was so passionate about being with her is also sort-of like a drug.

Her parents both offer to let her come help them in their respective jobs, but she doesn't really have the energy for that right now. She DOES like helping Sola with her nieces because their energy and innocence seems to be a balm for her heart. One day, Sola asks if Padme can take the kids to a local festival in Theed one day while she and her husband go do something else, and Padme agrees. The girls are old enough and Theed is safe enough that they can wander off on their own away from Padme as long as they know not to go TOO far and come back to her after a little while. As she peruses the different artwork on her own, one artist's work stands to her more than anyone else's, it just hits at the core of her and she's not even sure why. She stands in front of a painting of a bird in flight for what seems like hours, though it can't be more than a minute or two, before the artist himself comes over to speak to her.

He addresses her as Senator Amidala, and she quickly tells him that she's not a Senator anymore and she doesn't really want to go by the name Amidala either, she prefers just Padme these days. He agrees, and something about him, maybe his eyes, seems familiar but she can't quite put her finger on it. They talk about his art for a while and everything he says about his inspiration feels like it's speaking directly to her. Eventually, Pooja and Ryoo come up to her and start pulling at her hands, demanding that she come see something with them. Before she leaves, she finally realizes she didn't even know his name and asks him.

It's Palo. The first boy she'd ever loved. The last time she'd seen him she'd been twelve in the Legislative Youth Program. She knew he'd left politics to become an artist instead, but she'd never actually seen any of his art before or ever tried to get back in contact with him. Now she wishes she had. Pooja and Ryoo are still pulling her away so she doesn't have time to really get over her shock at this revelation before she has to leave him behind and someone else comes up to ask him a question in her place.

He shows up at her parents' door the next day with the painting of the bird she'd so adored, and offers it to her as a gift. He refuses to accept any payment for it no matter how much she insists, but asks if she'd be willing to take a walk with him instead. She agrees. They end up spending the whole day together, just talking. For the first time, Padme doesn't feel like she's drowning in her own feelings or floating with no direction. She feels a lot like she's finally come home.

[zabiume]

Could Orihime Reject Someone Out of Existence?

This is one of those statements that gets thrown around by Orihime fans a lot as a way to defend her strength, because Orihime's weakness has been a defining part of criticism surrounding her character throughout the early-mid 2000s (and even today tbh). And it's not limited to Orihime's fans either. I've seen a lot of people use this as criticism too ["Orihime could probably reject someone out of existence"...(hence it's bad that she didn't get the opportunity to do so)]. Nevermind the fact that there hasn't been a single instance where she felt a villain has even warranted that, or the fact that Soul Society goes absolutely ballistic on Quincies, who do wipe souls out of existence, I still find this to be an interesting discussion because it neglects to consider....anything we've been told about Orihime's powers. Granted, it's pretty scummy that Kubo elaborates on the structure/logistics of her powers only in extra-canon material like CFYOW (read by only a few dedicated fans) or Klub Outside (paid Q&A forum with restricted fan access), so I don't expect that everyone has done their required reading on this, but I still think it's a good excuse to actually talk about what she can and can't do.

What Orihime Can Actually Do (Basic Powers, Achievements/Growth)

At the start of Bleach, Orihime has three basic shields - 1) Soten Kisshun - the one that rejects damage within a particular area, 2) Santen Kisshun - the one that rejects any attack aimed at Orihime & her allies (AKA, a traditional shield), 3) Koten Zanshun - the shield that forms within an external object and basically blows it up. I've seen people say Koten Zanshun is a akin to a small knife or shuriken, but in classic Kuboscience fashion, we see that it actually creates a shield that disrupts the union of matter. Ostensibly, Orihime could blow someone up if she's angry enough, and it is fun to think about Orihime blowing people up, so I understand any disappointment on that front, but. Moving on.

In Chapter 43, the Shun Shun Rikka clarify that they're not really "fairies," but a manifestation of Orihime herself. They are a part of her. I assume this works similarly to zanpakuto spirit manifestation. And IIRC, she is the only Fullbringer that has this type of manifestation (object affinity + spirit), when most Fullbringers only have an object affinity. They also mention that she needs two things to activate her powers: 1) her Heart, and 2) chanting the kotodama. I think point #1 should already make clear to us that Orihime won't be abusing her powers to hurt anyone any time soon, not unless she loses her 'Heart' like Ichigo did as a Vasto Lorde in Las Noches. Bleach signifies this as an Objectively Bad Thing. Whether we agree with that or we don't, it is the underlying mythos that sets apart our hero characters (Ichigo & his friends) from our villains.

So what can Orihime do, at this point in canon? She can regrow limbs and shield people from attacks, which she does extensively throughout the Soul Society and Hueco Mundo arcs. Here she is a) using two of her shields at the same time, and b) trapping Ichigo (the strongest guy in canon at any point in time) within her shield.

Over time, she develops Shiten Kosshun, a way to incorporate Tsubaki into an offensive technique without actually compromising on her distaste for excessive violence. Here's why that's a big deal. She can also use her Shun Shun Rikka long-range, which you can see when she's a) healing Chad post-Yammy (sorry for the random color screenshot, I got it off Twitter because I couldn't remember the exact chapter), and b) in 686, when we learn she uses them to keep an eye on Kazui. She also uses Santen Kesshun as a transport service throughout TYBW, which is not something she could do during the Lust arc, since she needed Uryu's help to get there. She also does not need to say her kotodama to activate her powers anymore, which is the result of constant and continuous training with Rukia pre-HM arc and Chad post-HM arc.

Since Orihime isn't a shinigami, it might get a little difficult to measure her "growth" the same way we do with characters who attain bankai (the Bleach standard for strength). But in less than three years, Orihime developed a new shield, got faster at healing, and found new and inventive ways to use her powers every arc. She was already at lieutenant-levels of strength in terms of healing way back in the Soul Society arc, if Ieumura's testimony is anything to go by:

So...what can't Orihime do? This is what I think I've seen a majority of people scratch their heads about, thereby making her seem ridiculously overpowered but severely underused.

Like any Bleach character of significance, Orihime is ridiculously overpowered, but I don't think this translates into "Orihime can do everything" and its implied "but she chooses to do nothing." We'll get into Orihime's choices and my opinions later, but I think now is a good time to talk about Orihime's natural limitations.

What Orihime Cannot Do

Two of Orihime's major limitations that I wanted to highlight are from Klub and CFYOW, like I mentioned earlier. You can read about them below.

To summarize: 1) Orihime can't recover spiritual pressure/is very slow at recovering spiritual pressure because of the tremendous strain it puts on her body and the fact that she can only heal what she can see, 2) Orihime can't heal someone with fatal injuries if "enough time has passed" (AKA if she gets to them too late after they've been injured). 3) Orihime can't actually revive someone if they've been evaporated. She needs a physical body.

These limitations are important, because they imply that she can't actually wipe someone out of existence. Interacting with reiryoku puts a strain on her. I once wrote that she could probably "reject" an egg that's just been fertilized by a sperm (we love a pro-choice queen!), but I doubt she could zoink a 20-year-old out of existence, because again: there is a time limit within which she has to act, or her powers won't be able to work. The only rejections she could do with people are abortions, and even then, I don't think she could do late-terms. And even then, if you can't see a cell with your naked eye, I doubt she could do those either. I've seen people wonder if she could cure cancers and my honest answer is: probably not until the symptoms were obviously visible.

The Shun Shun Rikka can't actually undo something if a certain amount of time has passed, so I highly doubt she could undo one's physical body, one's spiritual pressure...one's entire being. Even if she could, I doubt that would cleanse the spirit and send it to Soul Society. Instead, they would disappear/evaporate, which destabilizes the balance of souls (the way Quincies do it).

The reason I obsess about this is because limitations are a good thing when you're exploring a power system. There's always been this misconception that Orihime can basically "do anything," but that doesn't...mean anything. Orihime can't do everything, which means she is, like every other Bleach character, limited. Even Aizen's zanpakuto had a shortcoming, so I don't think Kubo necessarily nerfed her, and I think it does help contextualize what she can actually do vs what people expect her to do for no good reason.

Even if Orihime Could, Should She?

I enjoy powerscaling as much as the next guy, but I think the thing I like the least about it is its complete lack of literacy. Specifically literacy of the narrative.

In stories like this, heroes don't win over villains because they're objectively stronger. They win because they push an ideal that, in some way, represents the core values of the series. You were stronger, but I had the power of friendship on my side. You turned your pain into violence, but I turned mine into compassion. The entire point of Ulquiorra's arrogance was that he believed in what he could see – Aizen's strength. But he lost because of what he couldn't see – Ichigo & Orihime's hearts.

A part of the Arrancar saga is the long philosophical battle between Ulquiorra and Orihime, where Ulquiorra has faith in Aizen's watertight plans, his formidable army, his impenetrable kingdom. Meanwhile, Orihime has faith in her five scrappy best friends who invaded said kingdom overnight and have,,,,,only the slightest idea about what they're doing. Aizen's entire force operates under the belief that because they can do something, they should. Because they have power, they should use it, and if they can, seek more of it. Ichigo and Orihime, as a contrast, use their discretion and seem really upset about having to fight anyone at all. People point this lack of killing intent out as an exclusively Orihime thing, but it is very much an Ichigo thing too. Ichigo looking down at Grimmjow with pity-filled eyes is an exact parallel to Orihime looking at Ulquiorra with the same expression. People wanted Orihime to be vengeful against the Arrancars because they're her abusers. But Orihime sees them as victims. She pities the fact that they know nothing but brute violence — and that this is their reality. She sees them as someone to be saved.

But lest we think she's an irrefutable saint who gets off way too easy, it's clear she has some regrets about her place in the friend group and her dependency on Ichigo in particular. But, post-HM, she doesn't ask him to save her at all. Rather, the first time we see Shiten Kosshun, she's the one protecting him. I don't think Orihime has ever needed to kill someone to prove that she's a dimensional character in a series where even Ichigo hesitates to murder the guy who killed his mother. I think it's interesting that Orihime and Ichigo are largely sympathetic towards their villains unless they really, really fuck up, in which case Orihime has lashed out in appropriate doses (see: Ginjou, Yhwach.). I don't understand what vengeance would add to her character that compassion hasn't tenfold.

A last point I want to note is about weakness and our reaction to it. Many of us are shonen-brained to a point where we divide a story into victories and losses, battles won and battles thrown. But Orihime's character arc has never been about her victory over anyone but herself. Orihime can't reject someone out of existence, and even if she could, would she want to? Would Ichigo? Throughout the story, these two have been set to contrast characters who can and did. While their enemies sought to escape their own weaknesses (which Bleach conflates with being human) through transcendence, Ichigo and Orihime chose weakness constantly. They chose to be merciful, to be kind, to be vulnerable. I've seen countless jokes about how Ichigo loses 5 times before he can win for good. I've seen Orihime get her fair share of setbacks. But they come out of it victorious anyway, against all odds. And they aren't stronger because they have the power, they're stronger because they have the heart. I simply couldn't bear losing out on character writing like that.

[skecherss]

"He knows I'm not the possessive type. I'm totally cool with him having other friends." Girl twenty issues earlier you stole your mom's scrubs to sneak into a hospital and spy on your boyfriend's female friend after he repeatedly told you they were just friends. ARE you cool with it

from Robin (1993) #101

[thebroccolination]

THE EX-MORNING SERIES CONCEPT

By now I think many people have heard that KristSingto’s upcoming series is an original script that was written for them. What we also have confirmed is that it was written about them.

[source]

KRIST: This series was written by P'Backaof and directed by P'Lit where they created this script from the start deliberately for the two of us and they got information for the characters etc. from KristSingto directly. In the series, the name for P'Sing is Tamtawan, and my name is Phatapi. And Tamtawan Tamtawan and Phatapi are KristSingto themselves.

INTERVIEWER: Does that mean you play yourself?

KRIST: [laughing] Yes, we act as ourselves, so it's not difficult at all.

Today, Aof elaborated on his part on Twitter:

[source: @backaof]

[translation: @_beinglistener]

And Jojo added:

[source: @jojotichakorn]

[translation: @_beinglistener]

So, two gay men are the leading creative minds behind KristSingto’s comeback series. Time to study up on your KristSingto history, kids. \:D/

Long live sanctioned RPF. 🎉

[thanatika]

yeah i agree with your point about survival mechanics and i feel the same way about the lack of combat mechanics. "why would an educated city doctor need a weapon" because shit is hitting the fan in every way impossible and pretty much everyone is walking around armed... also why am i supposed to believe the the fact that he's a man of intellect will somehow provide him with food? i don't think anyone is going to be too eager to share food during an outbreak intellectual or not...

+ follow up for the previous ask but actually my favorite quest from the original pathologic is the day 11 bachelor quest that involves shooting down soldiers. i think it really drives the point home about how this random fuckass guy who is supposed to be battling a plague doesn't even have the time to do that anymore because the people in charge are asking completely irrelevant things of him now and he's at a position where he cannot refuse what is being asked of him. like i think it was good storytelling that even as the guy who lowkey wants to deal with the plague and solve its mystery you still have other, more pressing, less interesting and or pleasant tasks to complete

i agree! honestly, i feel this way about the combat mechanics even more than i do about the physical survival (food, health, illness, sleep) mechanics. because sure, i can see how it makes sense for daniil's position of authority to mean that his basic needs are somewhat provided for -- although i don't think it makes more sense than what we got in the original game. i've never seen anyone bring up "isn't it kind of unrealistic that the bachelor isn't given lots of food during a massive food shortage?" as a plothole that needed to be resolved. the townspeople generally don't like him much, and most of the people with power don't either, except for the kains. sure, maybe it's kind of weird that you can go see the kains while broke and on the verge of keeling over from hunger, and they won't do anything to help you, but... the kains are pretty self-centered, and they're so goddamn weird that maybe they forget that you need to eat food to live anyway. and it's half-implied that the powers that be are ultimately giving daniil this role as a convenient way to kill him, so it makes sense that they would put no pressure on the town authorities to keep him alive.

(and honestly, artemy is taken under the olgimsky's auspices as much as the kains take daniil's under theirs! which is to say, selfishly, with ulterior motives that are more important to them than the well-being of their healer, but... the olgimskys are set up as the wealthiest of the 3 families financially, as well as the ones with the most access to food, given their control over the meat industry. so if anything it's "weirder" that artemy isn't more materially provided for, though to be clear i don't think there's an actual plothole there either way.)

but anyway, you could handwave it and say that daniil's position of privilege and authority gives him more perks than he got in the original game, but the amount of fighting you have to do to get through town is... kind of an unavoidable physical reality? like you're given so many sidequests that you often wind up walking around town after dark, and that's when the bandits come out. is the idea that the bandits would be too scared to attack him because he's so important? because that doesn't make a lot of sense to me, and even pathologic 2 establishes that he's seen as a valuable target by the bandits:

and then there's the quests where combat plays a more direct role in the story itself, like getting involved in saving andrey from the firing squad, or killing guards to break artemy out of prison, or the quest where you have to kill var in attempt to stop the arsonists (which i include on the same tier as the other ones because i really like the quest journal entry he has if you complete it where he blames himself for willow's death. it's a good character moment.)

hell, even in pathologic 2 itself, one of the biggest Bachelor Moments is on day 11, when you have that big dramatic convo with him after he killed a soldier for the papers he was delivering. plus one of bad grief's idle dialogues in patho 2 is commentary on the bachelor being "quick on the draw" and that he "already shot someone". like he just straight up is not living a combat-free existence. and overall, combat isn't just a good tool from a mechanical perspective, heightening the stakes and placing pressure on the player (though it is), it's also pretty important for him on a thematic level imo, almost as important as artemy and his "rivers of blood". in patho classic, daniil has this early interaction with the inquisitor:

which, thinking about it from a doylist perspective, was probably the writers' attempt to make it sound more plausible that this random medical researcher from the big city was competent with multiple types of guns. and i appreciate them coming up with that hint of backstory to cover their bases a bit, but with those bases covered, i think the fact that daniil ultimately spends more time shooting people than he does prescribing medicines for them actually does a lot for him thematically? i mean, if his whole thing is that he's this "tempted destroyer", someone who frames his career as a combative battle with death rather than a quest to save people's lives, whose "default" solution is to raze the town with artillery because he's too limited by his rationalist worldview and military upbringing (and bitterness over being manipulated and sabotaged) to come up with a solution that saves the any remaining infected survivors on his own. plus the way that clara frames artemy and daniil as two sides of the same coin in being violent destroyers and killers, who without player intervention will immediately devolve to running around chasing each other down in what's either an insanely dedicated tom and jerry LARP or some really elaborate foreplay. imo, that whole dichotomy (which is pretty core to the game, as the idea of dichotomies are core to it in general) works so much better with the way they're both presented in classic, stalking around with gun/scalpel in hand. hell, not to mention the effect that spending 12 in-game days trying not to starve and getting killed by bandits or guards or worms or soldiers every day would have on the player, and the way it would make them feel about the town and their natural projection of those feelings onto dankovsky, who is a perfectly fitting vessel for them as the avatar actually undergoing those virtual experiences.

ultimately i think they are mainly going this direction out of a desire to do something more creative and original, which is fine... it just seems a bit silly to me that they keep saying "well obviously that doesn't really work for the bachelor's scenario", when, well... even as recently as patho 2 in 2019, they seemed to think it fit his narrative pretty well! i'm also guessing that a lack of combat won't be that bandits are just no longer roaming the streets at night. it sounds more like pathologic 3 is set to be more of a nonlinear experience, where you'll probably fast travel from place to place instead of having to walk across town so much? so you'll be avoiding bandits just in the sense that the gameplay will be avoiding them. i guess i'm hoping that at the very least, there's still the implication of the crunch of not getting enough sleep or food and the threat of being stabbed to death while trying to get through town occurring to dankovsky in the background, even if those mechanics are deemphasized in favor of more macro-level town resource management, time control, and sherlock holmes fruit ninja or whatever the hell they were on about back in 2022 lmao.

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'

[prettyboy-remi]

[bonefall]

...Something's kinda hitting me, guys. I think something just clicked.

So we all know that BB!DOTC is the arc I'm not staying faithful to, right? A lot of characters are getting total overhauls? I'd actually been dancing pretty heavily around the pro-colonialism themes in the original text, simply because I don't really feel comfortable handling them (same with certain sexual themes, it's not great for my mental health to force myself to engage with certain elements that are triggering)

So I'd made it so there was Park Cats (Wind Coalition and River Kingdom) who arrived relatively recently, and Tribe Cats (Sky's Clan, Shadow's Clan) who nestle into an unclaimed spot in the forest. All groups roughly equal in power until Thunder's Clan which was existing in defiance.

But Clanmew isn't JUST comprised of Parkmew and Tribemew-- there's a third contributor. Old Townmew, which mixes with Parkmew and forms Middle Townmew, mixing again with Clanmew to create Modern Townmew.

Since I'm now really thinking about the colonialism themes, especially in my re-read where it starts reaching its narrative conclusion in Books 5 and 6... I think I need to add that 3rd cultural group. I need to make them a player. I think I'm doing a serious disservice by only having the Park Cats, Tribe Cats, and then saying all others mostly lived in the town.

I'm gonna do a BB!Brokenstar with Slash. Previously I'd just cut him completely-- but I think I should, instead, walk him back from being "Pure Evil" like he is in-canon and make him into a real character.

One Eye's a god drawn to the festering stink and rot of the First Battle; Slash is a mortal, leading a group like any other in the Forest Territories.

I think I'm also going to significantly bump up the time the Park Cats have been in this territory. Slash and his cats have been fighting them for years, and until the Mountain Cat influx, were basically spread through most of the Forest.