#nothing feels worse than killing a character

[thewistlingbadger]

All the shade in the world when we say we want complex women characters we want more Ellie Williams and other characters whose actions make our insides twist, not frustrate us. We want characters that we hold beloved to become corrupted by fate but still have the opportunity for some redemption.

Caitlyn Kiramman is an interesting character, but she does not fit the bill for the "complex female characters" we desire. Jinx, Vi, and Mel better fit that bill. All three of those women have given us reason to both love and despise them. Many a difficult conversation have they been the subject of. And to me personally Cait just falls flat. And I don't think it's her own fault I think it's the writing. Season 1 cait is 🔛🔝 but season two cait? I understand that she's grieving her mother, HOWEVER, we barely saw any interaction between the two of them and the little that we did see showed us that she wasn't fucking with her like that/they had a complex and somewhat negative relationship. Imagine how the season opened with Cait actually finding her mom's dead body. We would all feel sick, and we'd all pity her. Or imagine had we been given a flashback between her and her mother when she was a child in the garden, having a good time. Or imagine how they just even mentioned the fact that their relationship was strained. Losing a parent is bad, what makes it worse is having unfinished business with that parent (which is why people love the story of Ellie Williams, it's why we understand why she wants to go after her father's killer other than the fact that the killer murdered her father). Caitlin only having one motivation to go after jinx, to descend into hell, to avenge her mother is not even. "Jinx killed mom now I kill Jinx" there's nothing compelling about that. We've seen the story several times.

Just to give a direct comparison.

Jinx's dad was a man she had an extremely complicated relationship with and this relationship was showcased throughout the season. The fact that she essentially lost her sister and killed her father at the same time is what pushes her over the edge. We completely understand why she's going to burn the world down because the show told us over and over and over again. Jinx always manages to lose the people she loves the most, and this time it's happened directly by her own hand.

Jinx's missile only kills three people, blows up a building, and inspiresb fear in the hearts of pilties and amazment in the hearts of Zaunites. Her actions were bad, but ultimately very few people actually suffered from her actions. The council only lost three people, it's not like pilltover's governmentless now (like how zaun is). The damage to the building wasn't that bad and it's easily repairable. And overall from her actions alone the citizens of pilltover are still safe.

Now let's look at cait. She's actively ruining the lives of zaunites by mass gassing them (we also how many kids were on the street. We all know how many homeless and disabled people there are in zaun. Now they're all negatively affected due to cait's lust of vengeance) and by arresting them when they've committed no crime. She's parading around the city with deadly weapons, under the authority of which she does not have! Cait abuses her name and her position as an enforcer to DEMAND that the council follow her plan. She had absolutely no right to storm into there and act like she had the power to call shots. What's even more gross is that she completely lied to them! Her goal was never to locate jinx, it was always to kill Jinx. If she truly cared about bringing jinx to proper justice, she would have ensured she be brought alive. If she truly cared about dismantling shimmer, she would have done that first bc A. Vi knows exactly where the factory is and B. According to silco, the last attack already cut the supply in half. It would have been easy to finish that off. Caitlyn acts like she's judge, jury, and Executioner the entire time she's down there. Her prejudice increases exponentially AS does her willingness to he openly prejudice. She literally refers to Vi's countrymen as animals, and accuses vi of being disloyal several times! and must we truly mention the assault she did? Must we mention that she was willing to kill a kid? That's a line jinx herself has not even willingly crossed yet, and she's practically crossed all other lines.

At the moment Caitlin is not a character who's doing the wrong things for what she believes is the right reason. She's acting out of complete selfishness. Even jinx, who committed an act of terrorism, didn't do it for herself. She did it for her dad, who worked so hard to bring down piltover and didn't live to see it because he refused to trade his daughter for Independence and peace.

So these are just only a few reasons why people don't support her this season. And her level of oppression, arrogance, and maliciousness is exactly why people are calling out those who defend her, because the majority of her defenders are privileged and white.

"We want more complex female characters" you can't even handle an angry, grieving daughter who just had her mother killed by her future wife's sister, shut the fuck up

[vampiresbloodx]

Enemy. chapter one.

pairings: Jinx x reader, vi x caitlyn, various characters.

synopsis: when you, a tired full time bartender who gets paid shit and lives in a small one bedroom apartment gets sucked into the world and battles that are happening around you all at once, you just wish you could remain blissfully unaware, you'd prefer not to know others business, as it's never good, then you meet a girl named jinx, and you grow more and more attached, which has always been an issue for you, to make things worse, you not only have to make sure neither of your friends kill each other while being stuck in the middle.

word count: 907.

warnings: fluff angst suggestive themes, adult jinx still canon season 2 but not really I fear idk her confirmed age so just putting it out there, canon typical violence, found family, PTSD, pain, alcohol, reader is a bartender, mutual pinning, hurt/comfort, arcane season 2 spoilers!!!!.

Jinx. 

The name you are starting to hear a lot as of late, you’ve always heard whispers of her, some call her silco’s daughter, you could honestly almost believe the story yourself when you look at them standing by each other. 

But you know the truth more than others know. 

You weren’t even sure of your own part in the story here, in everyone else’s lives, Jinx stuck around you because she wanted to, and she claimed to like you, a lot, so much so that you ended up one day coming home and finding her laying on your bed, like it was nothing, knowing you did not mention where you stayed at all to really anyone. 

“Is this your place? Cool.” 

Jinx murmured, unbothered as there was a curious look in her eyes as she looked everywhere, going through your stuff without asking for permission, as you rolled your eyes in annoyance at her. 

“Do you have to be any more of a creep?” you asked, slightly disappointed but not surprised by this. 

It's not like the two of you sit down and discuss your feelings to each other, how the other makes the other feel, what you really mean to another, nope, none of that. Anytime you even ask Jinx about anything she gets pissed and walks off in a huff, having an attitude towards you, blaming you all of a sudden, you see how her cheeks get red as she stutters her words more than usual, its cute, but you just wish you two would fucking talk. 

“Yup.” 

You watch as Jinx goes through your clothes, pulls out some underwear and your sports bras, holding them up as she winks at you, you stare back dumbfounded. 

“fucking put that back-” 

Then it became more frequent visits to your apartment, well the one shitty bedroom apartment you could afford in this hole, for a while, you worked as a bartender, still do, you were good at your job, making customers happy as you made their drinks and put a smile on their face, you met so many people, that’s how you’d regularly see Jinx. 

She’d come to your bar just to talk shit and complain about everything and everyone, but you always ended up enjoying her presence the more she came, she didn’t even ask when you will be off or when your shift started, she didn’t care about those details, because she knew that already, you called her a stalker and she laughed loudly like it was the funniest thing she’s ever heard. 

Some days, Jinx bothered you more than anyone else could, you were so used to the solitied life that now you were longing for the connection of others. You hated it. The feeling that ate away at you, eating at your soul, your body, your flesh, your mind, heavily. And the one face you always saw that was a constant was her. 

And so, you grew attached. 

Unwillingly so.

She knew that, which is why she stayed around on purpose, because she knew how lonely you were deep down, you’d never admit it, but you like having her around, hearing her stupid jokes and her loud ass laughter, her non stop talking and rambling, it made everything less quiet, and it took your mind of a lot of things. That was kind of nice. 

You wondered if you were that to her as well. In a way. You weren’t sure. 

If you could grab her face by your hands and scream everything you wanted to say and more to her, you would. You just didn’t want to lose her. She could easily walk away and leave you behind, you couldn’t handle that. 

For a while, Jinx would randomly leave without a word for a couple of days, weeks even, you got sick of waiting for her, hoping to catch a glimpse of her, wanting to hear her voice again, it never came, until you woke up one night at three am, trying to get a decent sleep in when you felt warmth next to you and arms wrapping around your body, you freaked, almost stabbing the girl with the knife you always hide underneath your pillow for safety reasons, she chuckled, “my girl, so feisty, just the way I like them” she murmured. You stared confused at her, this isn’t the first time she’s invited herself over for the night, but something about tonight felt different, instead of wanting to cuss her out, you watched her fall asleep, she looked so at peace, it was strange. 

The next day you woke up to her trying to cook you breakfast as you threw your pillows at her, still annoyed as she acted like nothing happened, laughing. 

Then she found out you were friends with a certain pink haired girl and her blue haired lover. 

What a small world it is. 

It was hard though, and still you were going to do it regardless, you didn’t care what happened to yourself, you care too much, too little, it was all consuming, overwhelming you, that Jinx hopes even she doesn’t break you. 

Before you even do that to yourself. how much of a mess you were in between choosing your friends, being on their side or Jinx’s side, watching them chase after each other like crazy, as there was you, in the middle, making sure neither of them get too close for your liking. 

[stayatsam]

i luv those tiktoks of dnd players making edits of their DM secretly plotting their downfall as if the DM isn't trying desperately to guide them away from TPKs.

[polydamnory]

A chance to talk about my OCs? Say no more!

I think my (technically not an OC, technically also is an OC) rendition of Arke from Greek Mythology would be the most interesting because she’s… a lot, to say the least. She probably wouldn’t have much of an opinion on most of them, the empowered characters and demons she’d probably just assume are some weird monsters or demigods, but Blake… Blake would make her angry. Specifically because of D’Deridahn.

In a way she understands D’Deridahn, she too was a deity locked away in a hellish (literally) prison after a very long and arduous war. And she too was only able to escape said prison due to the machinations of a mortal (or in her case, two mortals) fucking around in the world of the dead. But everything else about him is just one big reminder of the pure anger and spite that is driving her forward. Selfish old gods using and abusing those under/weaker than them all because they can is what got her into this mess, and to see them once again be set free, this time without anyone more powerful to keep them in check, fills her with so much rage she can feel it threatening to rip her apart.

And Blake? He freed this being all for the sake of one other person? That is something she could never understand. Because even though she does understand wanting to do anything to keep her loved ones safe, even to her point of doing something drastic that will most likely do nothing in the end but make someone else’s life a little worse, putting so many others lives in danger would ultimately not be worth it. You either do what you can so you are the only one that pays for your actions, or you don’t do it at all.

She’d probably try and kill him, to be honest.

ok cmere listen

take an oc you have from literally any universe that you have (other than redacted)

tell me what’s happening if they were to run into

- david

- huxley

- vega

- porter

- geordi

- blake

- hush

you can doooo as many of them as you want to

(this is just an excuse to hear about peoples OCs btw)

[moonlitlex]

honestly i could write essay after essay about everything that made that finale bad. and i will. however comma i genuinely do not care about any of these characters enough to want to do that. i don't want to spend my time critiquing and analysing a show where all the characters are boring and the plot is all deus ex machina.

LIKE. WHO IS RUBY. WHO IS SHE. WHO FUCKING IS SHE.

she's done with the whole SEASON. she was in EVERY episode. and we literally don't know anything about her apart from the whole mom mystery thing which is all for the big reveal at the end anyway?

and i can talk about the ways in which that was unsatisfying and so on. but like what does that tell us about RUBY? what do we know about HER

and the answer is honestly very little. ruby is such a stock doctor who companion that it's just kind of boring. she gets a big mystery, because of fucking course she does, and who is she outside of that? nice?? sweet?? does as she's told?? (this one is fucking boring btw) kind of like the chibnall companions, she's whoever she needs to be for the situation at hand. the writers say ruby needs to be shocked by landing on a planet after 6 months of travelling with the doctor, so she is. she isn't a person. she has one desire, which is to find her mother, and the only reason she gets to have that is that rtd needs to set up whatever the fuck was going on with her mom for the finale. that's it.

and the doctor. like why should we care about this doctor specifically, outside of the fact that this is the character we have been following for the whole show? who is he??? like seriously who is he? he doesn't get any character development? what makes him different from other doctors? who the fuck is this guy????

i said earlier that ncuti's doctor is what you get when you throw all the doctors in a blender and i stand by that. he's definitely the doctor, but he's like an average of all the other doctors with nothing particularly unique or special about him. ruby is what you get when you throw all the companions in a blender. definitely a companion, with nothing unique or special about her either. much like chibnall's companions, all she gets to do is stand around and watch.

and the crucial missing factor is we don't get to see what they see in each other. which from the companion's perspective is still excusable because here's a dude with a spaceship time machine and that sounds kind of sick so lets go and travel with him is an understandable motivation. but what does he see in her? because there's always a moment where you can see the doctor sort of think, oh yeah, i should travel with this person.

but there isn't really this moment with ruby. it's kind of like with how thirteen meets her companions. she just sort of runs into them, and now they're stuck together. and ncuti does get to emote more than jodie, so at least you can see that ruby and the doctor do like each other, but their relationship isn't really fleshed out ever. and like i can buy ruby risking her life for him, because that is just sort of what happens on doctor who, but it's not based on anything. we don't see them develop this trust of each other. their relationship doesn't get developed. it just appears fully formed.

[longagoitwastuesday]

I have learnt things about Geto that I wish I could unlearn

[imminent-danger-came]

Part of me, deep deep down, wonders if we still may have a scene of MK on his knees versus his friends a la 4x07

[tempestmothstorm]

"I think I would have just deleted myself if you didn't show up."

Yeah this is just straight up canon. But i have more thoughts though. So.

Like if you look into her dialogue is like abundantly clear that she’s just suicidal. It’s different from someone like Sayori who’s actively suicidal because she feels she is worse than everyone else, or Yuri who I don’t know is suicidal but has self harming tendencies she takes too far in act 2, or Natsuki who isn’t at all and is like “wtf are you guys ok”. The answer is no btw.

Monika’s whole outlook on it is that she has a lot of passive suicidal ideation that she pushes aside because she has to be the best. Her issue isn’t centered around her specifically being bad but instead a feeling of pointlessness with existing and the fact that the act existing itself puts burden on the world.

She’s also the type to make jokes about it, which I think is telling about her attitude about death, especially when compared to the others where the idea of dying is still terrifying and scary and something to hide. Meanwhile Monika acts casually as if people’s lives actually don’t matter. We all know her “left her hanging joke” and her general nonchalance with the other girls’ deaths, but the secret poem “A Joke” is probably written by Monika too, and the punchline is another reference to sayori’s death. The special poem about cutting is also by Monika, which shows that she would self harm if it weren’t for her needing to be the ‘responsible one’, and that she’d only do it again if she killed herself. She writes it as if it was a quirky relatable diary entry and not something deeply concerning, which in of itself is also deeply concerning.

There’s also the iiiiiiiiiiii.txt file that has her say that it would be “really easy to kill (herself) right now”. Reasonably the easiest way to do it would be to delete herself. While her constantly reminding the player how easy it would be to delete her is supposed to be a hint on what to do next, it does say something about her when she constantly fixates on it, almost as if she’d thought about it. Like a lot. She thinks about suicide and mental illness just as much too. Also a lot. And existential philosophy a lot. And death too. Again. A lot.

Her friends aside, she clearly just thinks about these things on her own, which implies some real bad things about her mental health considering literally everything else we know about her. Like it’s pretty obvious she’s not ok base game. And yet she doesn’t go through, in fact actively avoiding getting deleted because she still wants to see you. Because you are her only hope.

While her attachment to the player has like a dozen factors influencing it, I think a lot of it is also connected to her more suicidal ideas. She does emphasize that you “saved her” a lot in act 3 and while it mean saving her from her reality, knowing some of the other talks, it also could have saved her from giving up entirely.

Not to get too repetitive about how her life sucks, but like she really has no reason to exist in her eyes post epiphany. Nothing outside the literature club exists, there’s no past or future, everything is fake and has no consequence on the real world, and worst of all she’s completely alone with whatever connections she could have being fake. I think this one quote from her “introverts” talk basically sums up her situation:

"You know, I really do think you literally saved my life by being here with me, [player]."

"I can't imagine having been able to keep myself mentally stable, knowing that nothing here is real."

"I think I would have just deleted myself if you didn't show up."

"Sorry, i don't mean to sound dramatic or anything."

"Ahaha!"

"But I'm sure you understand yourself after spending so much time in the club."

"I mean, if you were forced to abandon everything in your life and spend your eternity with a few game characters..."

"...You'd probably find some way of killing yourself, wouldn't you?"

But yeah something something the connections you have with others gives life meaning and when the relationships she did have turned out to be false, she reached out to you, whose love could be real and whose existence as a real person is the only thing that could give her life meaning.

Another Monika talk that’s relevant would be the “No reason to be alive” talk. I’m not posting the entire thing here because it’s too long but the entire thing is pretty relevant. In it she talks about how living is pointless because you probably aren’t special and your existence alone takes up dozens of resources that isn’t worth wasting.

This highlights two factors that I think influence her thought process. One is that she feels like existence is worthless and likely won’t affect society at large, and with the whole being a video game thing the connection is obvious. The other is that she worries about how much of a burden she is on society. She wants to earn her right to exist in this world. When her reality doesn’t exist, this specific framework doesn’t seem that relevant, but when it comes to being a burden to others this ends up becoming a lot more alarming (and also creates another Sayori parallel yayyyyyyy)

Notably she mentions the key to happiness is to live selfishly and just look out for yourself and your friends. This can’t really apply in her own reality when she can’t see her friends as sentient, but when it comes to you, she can deliver just fine. She says she want to “live (her) life desperately striving to pay back (her) lifetime's worth of consumption” and with her own reality being pointless, paying back the people around her (you) is the next best thing.

But what if she failed to

"Of course, even if I fail to do that..."

"I think I would be too selfish to kill myself anyway."

"So much for being a good person, right?"

Sure thing buddy.

Another thing i want to mention is that it’s implied that these thoughts aren’t new. Like with some of these talks it’s ambiguous whether these ideas came pre or post epiphany. With her whole nihilistic thinking in base game contrasting side stories, it wouldn’t be that surprising if her thoughts got a whole lot more cynical over time. But she does seem to talk as if she’s thought about them for a while, while the epiphany was apparently recent in her memory.

For example in the “Dying” talk:

“It's something I used to think about pretty often..."

And in the “No reason to be alive” talk

"But the older I get, the more I realize that it's an immature frame of thinking."

Uh yeah these ideas aren’t new.

Of course it was probably taken to an extreme post epiphany and thinking about existential topics is normal. By itself it’s probably not some secret sign of mental illness, or at least not anything severe. (Sure she talks about a lot of stuff like mental health issues but it doesn’t really reflect on her, it just shows she can understand others perspective. Like she can talk about the introvert experience without being an introvert. Idk she’s just very empathetic and reflects a lot on the world. Makes her epiphany a lot more ironic though. So.)

But her post epiphany persona was very much built on preexisting ideas she had before that. It might not be that serious, but the fact that it’s there at all is concerning knowing what we do. The implications that come if this is all true is facilitating tbh and it honestly makes the side stories more interesting too. Like her whole “i have to be the best” attitude is probably connected to all her worries about being a burden or worthless.

And her whole thing in trust becomes a lot more layered too. The standard she holds for herself are not carried over to Sayori, who she sees as deserving of life just by being herself. She doesn’t want to be a burden or distract from Sayori’s problems, because her own true self isn’t good enough. Sayori is reassured that her existence is valuable and that she isn’t being a burden, something that goes against Monika’s entire act 3 talk yet is some she believes wholeheartedly.

This is also contrasted by base game where she straight up jokes about her death because death barely matters to her either. In base game, Sayori doesn’t matter, she isn’t special or even sentient, just a pile of code that gets in the way of Monika’s plans to reach the player. In base game Sayori is worthless and a burden, where Monika’s worldview has extended to everyone else. Yet in side stories she doesn’t think that, her standards only applies to herself because she loves her friends, they are what give her life meaning. Of course they deserve to live. They don’t need to prove their worth.

She’s a hypocrite because she values her friends more than anything. Again, the Sayori parallels are obvious from this angle, she has these exact same thoughts, with the only difference being that base game Monika projects her fears of worthlessness onto everything else while sides stories has her a lot more similar to Sayori.

Now the difference between side stories Monika and base game is really just how far their ideals reach, because normally Monika is like ok mentally , while in base game she’s suicidal along with everything else. Forget her saying she’s too selfish to do it cause it’s heavily implied she does do it in other universes.

Speaking of which I never hear people mention the MES emails in this cause a singular line puts into perspective how influential the player’s presence is on Monika and just how bad her mental health is. She is the MES’ guinea pig that everyone wants to see suffer (actually I don’t know how common knowledge this is I just got here and mostly stick to tumblr so idk)

So with the Side Stories MES email i think with all the lore drops we sorta forgot some of the more self explanatory info, including the fact that they have multiple VMs of ddlc and that there were “3 or 4 of them created and then destroyed by Monika”

While most people conclude this is just a reference to base game i think a lot of people dismiss that fact that these aren’t the game VMs, these VMs have no access to a player. Yknow. The player she relies on that supposedly saved her life.

Yeah i think she just deletes everything including her in apparently 4 separate universes. She kills her self in 4 universes.

She deletes everything in act 3 too but specifically because they get in her way between you, and the only reason she doesn’t delete herself there is that she still wants to see you. When the idea of reaching you is crushed, she gives in. By act 4 she ends up like all the other VMs, deleting everything knowing she can’t have you, can’t have reality. I mean the only thing keeping her going is the dream of reaching reality and finding real connections to people, and the idea that her existence will forever be meaningless probably pushed her to the extreme.

The player is the only real person who can give her life meaning and value, and in a world where the rest are seemingly fake, you’re also the only human connection she has. Again, the things that keep her going is her life being valuable in some way and the people around her. Post epiphany she only has you to care for with everyone else being thrown to the wayside without consideration of their own wellbeing.

So of course in act 4, where her connect to you is severed and she is suddenly aware of the harm she’s caused, she’s the lowest she’s ever been. Her reason for living is to be there for her friends and somehow pay back reality for how much she’s taken. And yet she let her friends die and let herself use them for her own selfish gain. She failed them, and has therefore become someone she see as not deserving of life. And with her last hope of the player rejecting her reach, she has no reason to keep going. So in the Easter egg where the player tries to bring her file back after deletion, she refuses to follow. She doesn’t deserve to intrude on their happy ending. She doesn’t deserve to come back.

And she doesn’t.

In future games she’ll probably return though, and with all the secret files and her motivations in the normal ending, I feel like it’s going to be for redemption by finally being there for her club.

She sticks around because no matter how much guilt she feels about just existing, she still wants to be there for her friends. Because while a lot of the act 3 dialogue was not meant to be something people agree with, there was one thing that I feel like is good if you look at it in the right way. Maybe people can’t pay back for the lifetime of consumption they’ve done just by living, but people can pay back and be worth existing just by looking out for their friends and those closest to them. Even if there can be doubts about life and existence as a whole, it doesn’t matter in the end when there’s joy to be found in the people you care about. Even if you make mistakes or hurt them, you can still find a way to make it up to them, to still deserve happiness in the end. The one thing that makes life worth it is the bonds you form with others. Because the people around you are what give life meaning.

She can’t let go and she can’t give up because she still has people she loves and wants to protect. So she’ll keep living for the people she loves. That’s all she needs to do in this world to make it worth living.

I hope she succeeds.

(Side note i took a lot of the Monika talk examples from this post. I did have my own ideas even before i read the doc and I already knew about this stuff anyways i just don’t wanna scroll through the entire wiki again to see all the Monika talks and this is pretty comprehensive. The extra imput is also useful so yeah)(anyways thanks for reading this really long tumblr essay. Good job and drink water ;D)

i would like to bring up that monika has probably considered deleting herself before

like staring at a high cliffside and getting the urge to jump

[djsherriff-responses]

Ok who was gonna tell me that original Pey'J was husband material?

[diluc33rpm]

the romance/relationship system in bg3 is genuinely some of the worst designed shit i've ever seen in any game with that feature but at least the memes we get out of it are funny. once saw someone comment something along the lines of 'patch note: waving at gale will no longer cause him to buy a house for the two of you to retire in' and i've never recovered since

[zaxazoom]

What the fuck. 😭

[fruiteggsaladit]

Every once in a while I'll despair a little at finding so little Hina and/or Rui or Koorime content in general and then I'll recall how in a post asking "whatever character you're drawing their fate is yours now", a description of mine of Hina (I think I said "had illegal sex and will die in illegal childbirth (allegedly, in the manga, but yes does die) or by suicide after having said illegal childbirth (allegedly, in the anime)") picqued someone's interest and they wondered what that character was from. I told them and then they never asked me any further abt that (fair, it's a heavy description to hear on the Internet from a stranger and the yyh fandom is terrifying and Hina's presence in the story as "tragic female character willing to die in childbirth" and it being not left to much speculation Why She Was Willing To Do That aside from the expectant "well she's a female character and she was written by a man so it must've been the ye old ideal and self-sacrificing mother trope" are all fine reasons that come to mind) but I'm carrying that affirmation in my heart! I know that if a character's story is just told in an interesting way, they can in fact become interesting through that interpretation, even if at first they were expected to be boring.

[mxdotpng]

we. as a community. are severally lacking in anything about richard and asbel trying to kill each other.

EDIT: these tags have become less and less about asbel and richard killing each other. i am so sorry. do not ask me to speak about anything ever this is exactly what happens every time.

[cosmocove]

this is petty n most likely an issue of ive just been exposed to entirely different shit but those posts about how people complaining about redemption arcs is bad bc its important message that people can change is just completely ignoring why people are actually complaining cause the big two examples i can think of for why people complain about redemptions are 1. the redemption is poorly written n ignores and/or retcons the previous seriousness of their wrongdoings just because the writer(s) want them to be good now n its kind of hard to do that if (for example) we take the lives they intentionally n mercilessly killed into account and 2. this character is an abuser but instead of taking accountability n bare minimum apologizing n letting their victim(s) choose whether they wish to still have them in their life the writer(s) choose a narrative where the abuser doesnt really have to change as a person they just dont abuse anyone anymore n the framing is weirdly unsympathetic to their victim(s)

[cerastes]

Habe you ever had a "did we even play the same game?" moment with someone?

My favorite game ever used to be Metal Gear Solid 4, it’s still up there in my top favorites, and this time at a party I met a guy that said he didn’t like MGS4 because he felt like it ruined Snake as a character and that it misrepresented him. I asked if he could elaborate and his response was that they took this Rambo dude, this super manly war hero and emasculated him into a weak old man.

I need you to understand that Solid Snake was without exaggeration fundamental in my growth as a person: I am from a latino country, grew up in what’s widely considered the wrong side of the tracks in the middle of nowhere, being macho, manly, tough was incredibly important to me, because that’s how it was in there, and Snake (plus “The Knight In Rusty Armor” by Robert Fisher) basically made me question all of what I’d grown up thinking up until then, because Snake isn’t a badass because grrr manly beef jerky I kill and swear, he is this incredibly solemn guy who hates what he can do, but is the only one that can do it, and if he doesn’t do it, then nuclear war happens, or worse. There’s a whole angle of expectation as a narrative arc in regards to Snake: Meryl expected a glorious, boisterous war hero, Otacon expected a grizzled, badass action hero, Liquid expected Himself But Better In Every Way, Ocelot expected a tool and nothing else, Naomi expected a callous and cold killer… And they were all wrong, he is, ultimately, an exhausted man that cannot stop no matter how much he wants to stop, because if he does, the world might likely go up in literal flames.

So to hear this self-proclaimed superfan of Snake say this just made me skip anger and go all the way to pity. In-universe, those in the know of Snake worship him as an actual God of War, and it’s a common thing that gets addressed in-universe: The whole point of MGS2 is that Raiden could never have won if he tried to be Snake, because you don’t want to be Snake. Snake hates being Snake. Snake isn’t manly because he beat a tank on foot one on one, Snake is admirable because he does the right thing, even if he’s breaking down molecule by molecule as he goes and he wants nothing more than to fuck off and raise dogs in the arctic, but keeps on going anyways because he can do something about it. The most important message he imparts on Raiden and Meryl is Don’t Be Me; Create A World Where Snake Doesn’t Need To Exist.

I felt pity because if you feel like MGS4 misrepresented Snake, then you really and explicitly are exactly the kind of fodder PMC nobody that feeds the proxy wars in MGS4. I think only by skipping every cutscene you can come out thinking that way. The only thing super about him was ficial.

[ultfreakme]

"Gojo should've gotten to live as a person-" THAT’S THE POINT. That is the ENTIRE point of JJK. Every single character who died was someone who "should've gotten to" do a lot of things. Riko should've gotten to live for herself, Geto should've had the chance to be a teenage boy given support and safety, Junpei should've gotten to live without fear, Nobara should've had the chance to let people in without fear, Nanami, Yuki, Mai, Higurama, EVERYONE.

Here's the thing, Gojo is on this list. Gojo isn't the exception because JJK at its core is a story about how overarching systems destroy people; bullying, capitalism, sexism, etc. And this system does not need people to run it. Which is why killing Kenjaku didn't stop shit because yeah he started this mess but its grown beyond him. Fuck, it was there before him.

This is also why despite Sukuna & Uraume being the only ones who are actual threats, nothing is better. The cast got rid of the higher-ups, jujutsu tech as it is, is no more. The major families are dismantled. This should be a victory. This is what the Sashisu gen pointed out as the problem but things have never looked more bleak.

Why? Because the problem isn't Kenjaku, Sukuna, curses, sorcerers or curse users. It's the existence of Cursed Energy itself. This has been pointed out multiple times by Yuki. Its the system and Gojo has been complicit to the system for a long, long time. He's also it's victim. Gojo says he's the exception a lot, but as everyone has rightfully pointed out, he was nothing more than a weapon to jujutsu society.

JJK has followed a very clear pattern to every character right from Geto to Junpei to Riko; characters are representatives of systems of suppression, and they will not escape it. I can't recall a single character that's escaped unscathed, much less alive.

Is it disrespectful? Yes. Is it demeaning? YES. There has not been a single character death that's been dignified in JJK. It's all on a scale of bearable to absolutely horrifying. It is genuinely wild seeing people resort to threatening the author AGAIN. Calm the fuck down. You are entitled to feeling upset about how Gojo has been treated but Yuta stans are being calm despite Yuta arguably suffering the "he is a weapon" thing WORSE. It's still a fictional character and JJK's narratives never treated Gojo with any exceptions despite the character saying otherwise.