#notes from the new world

[raven-at-the-writing-desk]

🤡 happy twst april fools~ 🤡

(The last three April Fools’ Days were magical wheel/blastcycle-themed! For information on those, please check out this post!)

This year, you will be able to get “Magical Monitors” for the Guest Room from the in-game shop. It is a decoration item that depicts the VDC/SDC squad (Vil, Rook, Epel, Jamil, Kalim, and Adeuce) performing on a mounted flat screen TV.

This new limited-time furniture item pairs with a new video (VPN required for regions outside of JP, I believe). It shows a newscast-style skit (presented by Jamil and Kalim’s) and then an MMD performance of the NRC group performing the full version Absolutely Beautiful. (Yes, it involves the dance routine, including some ballet-like moves, and Jamil’s rap!) Afterwards, they show the audience how to do the dance moves at home. If that first video link does not work, try this one (in 2 parts; see the comments for the second half).

Additionally, there are plans for Extra difficulty to be added to regular battles mid-month. Previously, Extra was only in limited situations such as Unified Exams and (Guest Room) Material Collection Battles.

[pokimoko]

The fact that Main-verse Ooo is as good and as kind as it is (relative to the other universes shown so far, at least, it's obviously not perfect) all because of the same character that starts off as the OG series' antagonist, the person we were made to see as the bad guy (albeit an often ineffectual one) for several seasons, is making me lose my mind.

Imagine finding out the guy you spent your childhood beating up and saving princesses from is in fact a driving catalyst behind you being able to exist, and not only exist but also live in a world that knows what kindness is. All because that man, the same man who you've witnessed do terrible things, once met a little girl and taught her how to be good.

Simon's story really shows us that even if you lose your way and forget how it is to be good yourself, the world keeps the memory for you. That act of love Simon showed Marcy by protecting her and seeing her as more than the monster she thought herself to be created ripples upon ripples, small at first but eventually enough to help give their wreckage of a world—a world that easily could have been forsaken, its goodness overlooked because of its inhospitable remains—a chance to grow into something beautiful. Because of those very same ripples Simon created, the people of Ooo grew up in a world where they know enough about kindness that they were able and willing to spare the 'bad guy' some, to see beyond the wreckage and allow him to grow too.

In saving Marceline, Simon helped to not only to save the world, but also himself.

[secretsimpleness]

Sometimes I want to bring Morrigan but then I remember I play as a face-tanking rogue and I bring Wynne. Warden Cousland, Morrigan, Wynne / Dragon Age Origins (c) Bioware

[lactoseintolerentswag]

when they've got interpreting spiderman noir under a specific cultural lens at the function [picture of me going insane]

I cant help myself.. what can i say. And since you've mentioned some research going on behind the scenes.. do you have any fun interpretations? Or even anything fun about the 1800s!

OH HI

Hm. I don't have anything as fun as historical dancing, but I suppose this does give me the excuse (thabk u) to blab about Noir's childishness.

(wow putting this under the cut bc it got longer than I thought it would LMAO)

I think what a lot of people (including Noir's contemporary writers and yes even the spiderverse interpretation) fall for when trying to read Noir's character is the imitation of his idea of what an adult is, that he hides behind. Like Noir's persona is incredibly exaggerated. He's playing pretend. Look here, he's practicing.

A lot of his persona as Noir is imitation! Imitation of his uncle, of Urich, of the violence he's been exposed to. He's running around in his uncle's old uniform. Fundamentally misunderstanding WHY his uncle had been ashamed of it and his role in the war.

And then he goes ahead and steals Urich's alias because it sounds Cool (which is such a teenage thing to do jesus christ).

But like that imitation of The Adult isn't something that's limited to that exaggerated persona that Noir encapsulates. Peter himself is trying So Hard to be grown up and tough and responsible that it loops back around to him being a brat who would try the three guys in a trench coat trick. He even gets beat up for it when trying to defend his aunt. And I mean I've posted about him being a brat.

About how he looks at Urich as a Prime Example of what a strong and knowledgeable adult is (which is part of why he reacts so volatile in response to Urich showing he's not exactly as morally righteous as himself, he's wounded and let down). Whiskey? Whiskey sounds like someone Mature and Cool would drink, I'll have it too. And then proceeds to throw his drink at Osborn and laugh about it. The illusion was broken for me then.

But well it's not broken for everyone. I mean like obviously I poked at the contemporary writers, but I'm more talking about the other characters in the narrative. Mainly Urich and Felicia.

Urich taking Peter under his wing isn't entirely under the motivation to nurture Peter. I think it Becomes that, but he's really envious of that kid. He wants to see him lose that hope that he once had (ruh roh the opposite thing happened, being around the kid made YOU more hopeful Ben. Guess you gotta be good. Hope you don't die now).

Urich really is exposing him to an extremely harsh reality, and taking him places where adults are typically only allowed. He's letting Peter get a glimpse into what it's like, which will eventually enable Noir's tool of violence. All these tests will accumulate into what Peter thinks someone powerful and strong can be and do.

Then his problematic relationship with Felicia (writers I'm malleting you for this). He's clinging to her adulthood and the safety she represents, and he's young but she sees some adult strength in him. I mean she trusts him with the blackmail Urich gave her, which she really. Shouldn't, even if that's what Urich wanted.

Anyway, strength is something she's been consistently drawn to her in her partners. Strength to feel as her own. Even if it's to hers and others' detriment. There's also a part of Peter that's drawn to Felicia because Urich was. He's still honing in the good parts of Urich he wants to be.

I think the one person in the narrative who doesn't fall for it? Is Aunt May. You could argue it's just her being naturally motherly, but for someone who was about to be eaten alive she's pretty frank with Noir. I think she can see that that violence and exaggerated grittiness comes from someone inexperienced and young. Even if she can't consciously recognize the similarities between Noir's persona and Peter's protectiveness of her. I don't think she wants to see that. I actually have a short comic script about that, but it probably will never see the light of day.

Ugh he's like a cat puffing up to scare away a predator. It's fake!!!!! It's all fake!!!!!! He gets intimidated by JJ, he never ties his shoes, gets powers and then immediately guns to beat the shit out of Osborn, sings about the sandman when he's getting his face bashed in, crawls to Felicia all pathetic and sad, and he made a costume to run over roofs at night in.

And it's funny how he's forcing himself to grow up, but also really sad because all the things he's being exposed to is already forcing him to grow up. He's witnessing things no kid should ever see or experience.

Then there's the time period to consider. The aftermath of WWI, being in the midst of the Great Depression, and WWII just around the corner. He's faced incredible hardship and is going to continue to face so much hardship, and he's going to mature faster than he ever should have. It should have made him crash and burn Hard when he became an adult, and to me he still does because I'm ignoring everyone after ewaof LMAO.

As for my research on the 1800s NY that's for my own spider iteration run I'm working on, so not too related to Noir until I reach the 30's :3

Hope that was satisfying!!

[ichayalovesyou]

STOP I CANT HANDLE THIS

BOIMLER is part of the reason Chapel & Spock fucking BREAK UP

ARE YOU KIDDING ME

Im losing my MIND 😂😂😂

[mishy-mashy]

Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)

[goldkirk]

hey this isn’t aimed at anyone in particular but I’m saying it for the record here: if I tell you no, please stop messaging me about fundraisers and mutual aid.

I get enough messages that it’s impossible for me to keep up without devoting at least half an hour each day, when I’m not even on tumblr that long most days. Me having a boundary about this isn’t a moral failing, it’s a lifeboat for me on my own blog.

In my personal life I’m already advocating and donating literally as much as I can spare. This is not me not caring, it’s just me not willing to interact with that on the one place I go online to not interact with irl news and world events for the most part.

I cannot be upset all the time. I cannot be upset everywhere. I cannot use all my emotional and mental energy fielding my own upset from ongoing events. My options are to hold boundaries about this or stop coming online at all.

I’m all for sharing information and signal boosting to reasonable extents, but the scale of it this year is so large and so enduring that it is literally not possible to for me to participate on every account I have. I’ve previously shared links to Gaza eSIM donations and a major hub of verified Go Fund Mes here and elsewhere online. We, the online humans, know how to look those things up ourselves by now. There are many, many people choosing to do advocacy work, and right now, I can’t be one of them.

If you’re extremely upset when I tell you I can’t share/donate right now about a Gaza family or personal fundraiser you ask me to share here, just unfollow and block me. That’s what those buttons are for. Protect your own emotions and energy and get me off your feed instead of staying upset and continuing to engage with online people or content that upsets you.

Please don’t send repeated angry messages based on manufactured purity politics and moral outrage into my messages and inbox when I exercise the right to run my own blog.

[ancha-aus]

RealAgeAU Drabble - Parentalbond Horror

*grinning* I am baaaaaaaack!! @spotaus get over here :D

So. I had the difficult choice on which drabble i wanted to write so For now I settled on this one because I haven't had the chance to write a drabble with Horror's pov since a while and that is a crime.

First Drabble here Prev Drabble here Next Drabble here

As always we go in unbeta'ed and unedited.

*-----------------*

Horror checks the windows again before turning back to the couch and seeing Nightmare just staring at him.

Horror tils his skull "sleep will be easier if you actually lay down...." And he looks pointedly at the couch.

Nightmare gains that stubborn glint in his sockets again as he huffs "I am fine. Not tired at all." he looks at the pile of bags in the corner of the room wishfully.

Horror has to keep his chuckling inside as he answers "Shame then that it is bedtime for young skeletons." And adult skeletons. Horror glances at the other three. All KO on the other couch, all still dressed in their normal clothes and none of them actually finished their meals.

Horror will have to pack up the leftovers. Make sure nothing goes to waste. But he will let them sleep for now and just make them eat a big breakfast. But all three had been running themselves ragged lately. Especially after the last encounter they had had with the Stars.

It meant they have been making more jumps and teleports and not going out as much to collect things to make it easier for them.

Horror walks over to them and puts one of the blankets in this apartment over them, he doesn't bother to try and pull them away from one another. The four of them always had the habit of sleeping in a pile and that habit only got worse once they started searching for Nightmare and reclaimed him.

Horror checks Ngihtmare's plate and smiles "You finished it all today." No wonder he is grumpier and more active than usual.

Nightmare pulls a face and crosses his arms. Horror walks over and nudges him at his shoudler "Sleep time." and he waits.

Nightmare grumbles more as he pushes the blankets and pillows around. Horror just crosses his arms as he waits. Nightmare huffs but lays his skull down on the pillow and glares at him.

Horror knows he is grinning but he is proud to say he doesn't actually snort or laugh at the grumpy face Nightmare is pulling. instead he moves closer slowly, the first week of watching Nightmare flinch at every movement and sound had been horrible, and puts the blanket over him as well.

Nightmare doesnt complain about it. Most likely becuase he just saw Horror do the same for the other three.

Horror nods and sits by him "Time to sleep." it is his turn to keep watch and he plans on taking ti seriously.

Nightmare huffs but just turns his face further into the pillow. Tiny body starting to relax with the simple comforts.

Horror tries to not be obvious as he keeps an eye on Nightmare.

Horror knows of course what is going on and he is trying to not give in. At least one of them should not give into the adopting.

Horror can admit he had been surprised that Dust was the first one to actually soul adopt Nightmare. Especially after only a week. It had been so fast and the transition between the before and after state had been so smoothly that Horror had honestly thought that Dust had done it on purpose and planned.

It would have made sense. Dust had been the one to find the book first and been the one to actually manage to get Nightmare back to them.

Only for it to become obvious that Dust had no idea what he had just done.

Soul adoption is a rather normal thing for monsters to do. Though in most universes they rarely happened as monsters don't tend to abandon children.

But well, Horror's AU had been one with starvation and a lot of fighting. People lost their lives in multiple ways. That meant quite a few orphans.

Soul adoption happened when an adult monster willingly took the role as caretaker for a younger monster who doesn't have a caretaker. There are a few more factors obviously but Horror doesn't know all of them of the top of his skull, especially not now with that hole in it.

What it comes down to? Nightmare is an orphan and has no one he could go to that could take care of them, and all of them know this. Dust found out first and surprisingly his soul was open enough to the idea to accept Nightmare as... well... his.

There are more hurdles in this situation of course. The fact that they Nightmare they knew was an adult, which is what Horror thinks is tripping up Cross. But Dust had been very quick with accepting that Nightmare is now a child and so immediantly treated him as one.

Killer took a bit longer but quickly fell into step as well. Calling Nightmare tiny boss and going from his right-hand-man to his babysitter, Killer's words not Horror's.

Horror is however a bit surprised that Killer also soul adopted Nightmare. In theory it shouldn't have happened as Nightmare at this time already had Dust as his caretaker and so technically didn't need one anymore.

Seems like Killer's soul didn't agree with that.

Horror can't say a lot about it though, seeing as he can feel it happening with himself as well. And he has no doubt that Cross is very close to giving into his own instincts and feelings concerning this as well.

The whole thing with their last interaction with the Stars is a very big give away. Even if Cross felt very embarresed by his own reaction.

At least Nightmare is no truly convinced that they won't harm him and will help him. Horror is happy they managed to get there and with it having only been a month since they took him with them. Horror can say they did a good job.

Nightmare has falled asleep.

Horror move slowly and silently and puts two fingers to the the side of his small belly and feels.

Horror may not have a lot of magic himself but his AU was left him with a very useful skill. Wiht how little food there was available and how little magic there was there came issues. One of the issues was that after a while the magic monsters had wasn't strong enough anymore to digest the food that the mosnters did manage to eat. meaning that even if the monster ate food they would not get any energy or new magic from it.

Meaing that even if they ate they would continue to starve.

Wiht how difficult it had been for Nightmare at first to eat or even remember to eat Horror had worried something simular may have happened. That being in the goop form had caused his own magic to grow too weak to be able to function fully.

But all Horror feels is the soft and quiet purr of NIghtmare's magic working hard to use the offered food to rebuild the babybones' small reserves.

Horror sighs a sigh or relieve and just watches Nightmare for a moment. Nightmare, having noticed the pressure on him, makes an unhappy sound and his socket flutters open to give him a sour look.

Horror chuckles as he whispers "I apologise." Horror is unsure how clear his answer is as Horror himself is purring like a loud law mower at this point.

Nightmare blinks at him, still looking like the tiniest little grumpy skeleton this multiverse has ever known, before closing his sockets again and turning on his side. surprisingly not away from the touch and light hold.

Horror watches the other. It is strange. They are all different yet Nightmare still has them all completely under his control. Yet it is in a completely different way and Ngihtmare now doesn't even seem to realise it.

Horror leans on the couch and watches their tiny charge just sleep. Horror had managed to keep the need to complete an adoption at bay by reminding himself that Nightmare already had a caretaker- well two and a half now, Horror is sure that all Cross still needs to complete the soul adoption is a tiny nudge. Horror thinks that Cross is jsut thinking too much about it and doubting his own instincts and feelings.

But that still leaves Horror, and what he wants to do. He figured that it would be better to at least keep one of them unbiased in this nature, just in case that Nightmare suddenly turns into an adult again. But the longer this went on the less likely it seemed to Horror.

Not to forget. Horror doesn't even think Nightmare wants to be an adult again. Not now that he is a child but doens't have to vigilent every moment of every day.

Does he technically already have caretakers? Yes. Does Horror still want to count himself as one? Yes.

So. He just picks for himself.

Horror moves slowly and quietly as he picks Nightmare up. Nightmare grumbles in his sleep at being moved but calms when his magic recognises Horror.

Horror gets comfortable on the couch and lays Nightmare on his sternum. He can still feel the tiny soul beat and pulse fast even through two shirts.

Horror pulls the blanket back over Nightmare and waits.

It doesn't take long as Horror can feel the slight pull on his magic and energy. Hardly noticable and Horror doubts that if he wasn't so paranoid about his own levels he would have noticed.

It is something tiny monsters do. To help stabalise and sharp their own magic they try to take tiny bits of their parents, or caretakers in this case, to help guide them. It all happens naturally.

Horror just holds the tiny babybones closer and feesl Ngihtmare's soul slowly start to match Horror's own soulbeat and he feels all the calmer.

Now it is pretty much done. Horror will have to probably deal with this decision one day but for now he is happy. Their tiny babybones is comfortable and everyone is resting. Tomorrow they will have to worry about getting supplies and where they can go and eventually where they will sleep that night.

But right now? Right now he doesn't have to worry about that. and all he ahs to worry about is that their babybones is comfortable and healing.

*-----------------*

First Drabble here Prev Drabble here Next Drabble here

[vynnyal]

Actually you know what, I'm gonna post this. Check it out, I'm fiddling with this PMV. Spoils the whole game ofc. And the name of the song is pure imagination by Fiona Apple!

Also I'm apparently a big fan of drawing moon laying down 😂 total count including scrapped drawings is 5 (technically 6)

[thatdeadaquarius]

Reader that can emit sounds from their memory(like as an aura)

Walk into a room? Why do I hear boss music

Comedic timing? Fuck yeah.

Bored? Jumpscare noise.

Zhongli talking? Jeopardy theme.

Someone is annoying? Earrape.

Think about it!

Hello! I’m the 12th Harbinger, aka as CHIL- bitch shut the fuck up, WHATS UP ITS YA BOY AQUARIUSSS- /ref

lmao imagine you walking into a room like this in teyvat, with like that audio I SAVE BY GIVING IT CPR- TIGHT AS VIRGIN BOY DONT GET NERVOUS-

(also ill stop apologizing for the late replies to these, bc as we all know by now that im slow and u will get answered eventually i promise tumblr most likely didnt delete u guys asks im just hoarding them LMAO)

I’ve been super busy running in circles so sorry about ghosting! I still very much enjoy and love u guys and love seeing you guys enjoy my stuff :’) 

Still cant believe that, but thank you!

JEOPARDY THEME MUSIC WHEN ZHONGLI TALKS

HE’D BE SO CONFUSED

THINKIN HE GOT AN ANCIENT CURSE HE DOESNT KNOW ABT PUT ON HIM OR SMTH BC HE’S ALWAYS BEING STALKED BY THIS SONG-

(tbh unless the person is super observant I dont think most ppl would get that it’s YOU causing this chaos lmao)

◇

Like I can see Zhongli eventually getting it lol, other ppl I could see after the first few weeks of interacting with you (esp bc you mix it up, honestly it was only bc u kept playing the jeopardy theme over and over when Zhongli ranted on too long that he got it was you 💀):

Heizou (he’s the best detective on all of Inazuma’s islands, ofc he got it! no he will not acknowledge that he totally thought you were hiding a very musical tanuki somewhere on your person at all times lol)

◇

Alhaitham and Cyno (haitham took like, two hours of walking around town with you and knew, bc he’s a little know-it-all lazy bastard like that, and Cyno is actually just really aware, despite what most ppl think, he’s the General Mahamatra and not just a regular Mahamatra for a reason after all)

◇

Tighnari (i stg he can like, smell when bullshittery is happening in his vicinity …or... hear?)

◇

Venti (unsurpringly, he’s totally in love with this power of yours, i mean he definitely loves you cares about you a lot he says, but you’re starting to think he’s just lying to butter you up into pranking Diluc, Barbara, Jean, and really the entirety of Mondstadt more often  including Zhongli just so he can laugh until he’s on the ground again, also he definitely once asked you to make a dragon sound that’s the equivalent of shouting FUCK at Dvalin when he was flying overhead one day)

◇

Hmm

Hm hm hmmmm

Who elseee, i need a characcctterrr lisstttt…

Albedo (duh, he’s albedo, you think he has an entirely too thick folder dedicated to your recent obsessions, you rant a lot about it while playing and also he can access your browsing history 👀, and he somehow doesn't know that about you?? You’re like, literally one of his long-term, there-for-life, has-bought-a-house-for-free-in-his-head-you- arent-even-on-rent-anymore, hyperfixations or special interests. Autistic!Albedo is autistic, Because I Am Your God, And I Say It Is So.)

◇

Dehya (always knows when its you walking around near her bc you like to listen to your old world’s songs too often when you arent pranking bitches, she actually rlly likes it and your music tastes…)

☆

HOLY FUCK SPEED RUN BC GOD THERE’S TOO MANY BITCHES WANNA BE YOUR BABY, RIDING AROUND IN A DAMN MERCEDES-

OKAY-

SO not all in the same way or at the same time, or even the same length of time did they realize you literally change background music or some shit so I’ll let you just- you know okay- like you get it- you get it.

Xiao, Kazuha, Kaeya, Diluc, Ayato, Yae Miko, Keqing, Qiqi, Klee, Sara, Kuki, Nahida, Ningguang, Rosaria, Scaramouche/Babygirl, Dainsleif, Kokomi, Xinyan, Yun Jin, Yelan. 

Jfc got the whole damn pride flag up here

Anyway everybody else outta luck, at least takes em a month or longer to get it lol

♡

Sorry abt the end there i didnt feel like writing out all those bitches bc the few I did before were already longer than I thought they’d be…

Also, I am posting these spam of drafts (and that old follower 100+ event possession headcanons in prep for the next 2 weeks bc I will be really busy, again :/

Got spring break shenanigans this week, then I’ll be running around like a cat with zoomies bc im getting ready to install/actually submit my artworks for the gallery exhibition! 

…wish me luck or prayers or anything good from any god you believe in, I need the strength. 

With love, safe travels,

💀♒️

♡the beloveds♡

@karmawonders / @0rah-s / @randomnatics / @glxssynarvi / @nexylaza / @genshin-impacts-me / @wholesomey-artist

[spotaus]

Ough. I think that New Age AU Nightmare should accidentally unite rival kingdoms. Usher in a new era of peace style.

Like. It's my au so I can do as I please, but I REALLY like the idea that Reaper is the first adult (besides his Knights) who really takes Night seriously.

Reaper only knows him as the Teen King, but he'd heard rumors of the usurping before and chose actively not to mess with Night, assuming he was a loose cannon and might declare war. He *did* inherit a huge army, after all. So when Reaper asked for the treaty, he was pleasantly surprised to hear Night was open to the idea. They talked through letters for almost a year before anything went through, and Night was always well-spoken and blunt about his beliefs and what he wanted, but also didn't skimp on the thinly veiled threats.

Reaper was impressed, and had a deep respect.

And then he arrived, and Nightmare was like, fourteen. And of course, he didn't say anything, but he payed close attention, and Night spoke the same way he wrote. It was definitely him. So... Reaper just rolled with it. And was proven so so correct for doing it. Because Night far exceeded the accomplishments Reaper had been expecting, and cherry on top, Night had Geno's little brother. The entire point of getting the treaty.

Of course, Nightmare would be a powerful enemy to make, so the treaty went through, but it worked great because it seemed Error would be staying, and visits would have to be arranged.

So. My point here. I think Reaper is someone who's willing to talk to Nightmare as a friend, and commiserate over ruling, share news, strategies, and just have general talks that Night enjoys.

Along with that, I think that anytime there's a big event where the royals of different kingdoms meet up (think Galas or political hearings) Reaper acts as Night's entry into the world of the royals. Reaper's been alive for longer than most current rulers could even remember, so him treating *Nightmare* of all people as an equal? It immediately gave him a boost socially that he needed. And he has the heart and the knowledge, at this point, to justify Reaper respecting him so much.

And by the time Nightmare is grown (and probably brings his nuclear war-head crafting husband Wizard to events), everyone respects him. He has other royal friends. He has a place there, abd people listen to his insights, abd he helps other kingdoms resolve their systematic issues when he can. And a mix between Scary Dog Privilege (Reaper + Error + Knights) and just Genuineky Being Good At It, makes him accidentally kick off a longer era of peace between a lot of the kingdoms. The kinda thing you hear about when ancient civilizations have that one peaceful era.

I just think it'd be so so ironic if he managed to get through all of this trouble, and have all these odds stacked against him, and actually be able to kinda naturally improve things!!!

Also @ancha-aus ! (I might start tagging u in these since I don't post regular drabbles- lemme know if you'd like me to Not do this lol 🫡)

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

[moongothic]

So I'm confused about something. There was a cover story about Ms Goldenweek and other Baroque works agents breaking Crocodile out of prison but he just. Told them no? And stayed there with Mr 1 and Mr 2? I don't get why he wanted to go to Impel Down just to break out when he had the chance

I can't tell you 100% why Crocodile chose to stay in prison and go to Impel Down, but my best guess really is that he was just...

Taking the L with grace

More specifically. Crocodile had lost everything. I think deep inside he might've been literally too depressed to want to go free again.

Like he does literally say that. He gave up.

He had been building his reputation as "the Hero of Alabasta" for at least 10 years at this point. He had built not just a criminal organization that he had been running for four years, but also he had been running legal business stuff (like his casino) for probably longer than that. A decade's worth of work and effort to take over a country, and most importantly, get away with it. The reason he had orchestrated that whole rebellion was so that the rebels and the royal family could "take each other out", leaving the country wide open for a World Government Official such as himself to take up. The reason Baroque Works was doing this all in secret was so that the WG never found out, otherwise they wouldn't have let him have Alabasta.

But indeed, his plans were foiled by a kid in flipflops in less than 24 hours, just at the final moment before Crocodile would win. He lost everything. And the World Government found out about what he had been planning.

So even if he escaped from that prison with his former agents, what was he going to do?

He wouldn't be able to take over Alabasta anymore because he did not have manpower (as he had lost all his goons), and having lost his financial empire he wouldn't be able to build a new army any time soon. And even if he did, now that they knew what he had done the people of Alabasta would not accept him as their new king, even if he personally assasinated Cobra and the entire family. Not to mention, the WG finding out about his plans meant that they had every fucking reason to try and stop Crocodile if he did as much as set foot on that island again. By which I mean, they could launch a Buster Call on his ass. Send all the fucking Admirals after him. And so, even if Crocodile still believed Pluton was somewhere in Alabasta and that he just had to comb through the entire desert to find it... Between the Alabastan people and the WG in the way, finding Pluton would not be easy. Especially when Robin wouldn't even be there to just point him directly to it. It could take years, if not decades, while fighting off the WG by himself. And that's while assuming Pluton was somewhere in Alabasta. Like WE the readers now know Pluton is in Wano, but since Robin didn't tell him that. All Robin said was that the Poneglyph "didn't mention the weapon", and Cobra's reaction to the name merely proved the weapon's existence in Crocodile's mind. But surely, because Crocodile is a smart young man, he'd understand there was a risk that Pluton could exist, but just not be in Alabasta, right? Like that would be a possibility too, right?

I think this is why Crocodile has given up on Alabasta. He had one opportunity at seizing the country, and he failed. And without Robin, he could spend the rest of his life combing through a haystack for a needle when there's no needle, and he'd have no idea. I think is why he explicitly says in Impel Down he no longer has "interest in that country". He won't be able to pull off another stunt like this, ever.

And that leads us back to "why not escape earlier and avoid going to Impel Down to begin with". Thanks to his status as a Shichibukai, Crocodile hasn't been on the run from the WG for like two decades. And the past 10 or so years he has seemingly lived a life of luxury in his funny little casino. But now, having lost everything, he'd be back on the run. And because he's a world famous former "hero of the people", there would be nowhere he'd be able to go where people would not recognize him and send the marines after him. So he'd be on the run, for the rest of his life or until he'd get capture again. And mind you, the guy does not trust anyone, so he'd be on the run alone. Without any purpose or goal.

And you might be thinking, "Daz and the rest of BW was still there!", yeah, arguably true. But at this point Crocodile had no reason to trust any of them. Like personally, I think the reason Crocodile ended up taking a liking to Daz was BECAUSE he chose to follow him to Impel Down when he really did not have to. Like Daz showed an unusual level of loyalty to Crocodile, and I think Crocodile recognized that. That's why Daz is still with Croc, post-timeskip. But Miss Goldenweek and co? Crocodile had no reason to believe they wouldn't betray him if given a chance and a reason. And if the WG would come chasing his ass, they'd have plenty of reason to try and betray Croc (handing Crocodile over to spare their own lives). Not to mention, when they come release their former boss from jail, what did Miss Goldenweek say?

"Let's do Baroque Works again"

As I've already explained in detail, I think we might know why Crocodile wasn't interested in being Baroque Works' "boss" again.

So. Yeah. If in Crocodile's mind he'd be on the run from the Government for the first time in two decades all alone, in a situation where rebuilding what he had before would be bloody hard if not downright impossible, and he wouldn't be able to obtain what he had spent the last decade working for regardless...

Taking the L and just going to prison might've been the easier option

[youturningintodust]

god damn, those judgmental, narrow minded types. so closed off to what they don't (won't) understand.

"eww, why do they post so much about fake silicone, it's just toys and games, why don't they just like using their pussies like Us Normal Girlssss~*~*~"

like i get it. we are not about the formula for the way you want to fuck. we are clearly wired differently. it's real to us, even if it doesn't make sense to you. move on rather than being catty about it.

this shit is why i gravitate to befriending men in the lgbt community sometimes. at least they're not gonna judge me for bein masculine, having a cock-based sexuality and using it for topping the same sex.

is it that hard to not be a prissy bitch to us weirdo leslie feinberg gender freaks? for like, one day. cut the high school garbage.

there aren't that many of us in the world, and if you don'tlike to see us socially and sexually connecting together online, too bad. it's because we are a serious minority in every place where we live, and we often know few people or even no one else like us irl, and we need each other, we need to do that reaching out.

if stone top/bottom butch/femme sex is unrelatable to you, just press the X button and don't waste your time posting shit about it behind our backs. it's public, we do know what you say about us, and can easily guess what else in closed spaces, too.

Every new arrogant generation tries to recreate the 60s-80s Lesbian Sex Wars that divided us.

it's so old hat. just show each other respect, get over the cultural/physical differences, and grow up.

Edit: Please reblog the full version of this post here instead.

[kiruamon]

Grey World AU - Visit from the Moon 3

Aaaand the ninth part of this AU. Things are slowly calming down...

Finally done it. A week later than I thought. But with this we have finished Moon's "little visit".:D

[bacchuschucklefuck]

the never stop blowing up vhs is where cute twinks go to get harmed