#idk its been on my mind as I mill about the office

[ricciardo133]

July 2018

maxiel, Daniel genderswap, pining, drunken hook-up alluded to

-

Max wakes up slowly, feeling a girl cling to his side in the hotel bed. He can't remember Daniel and him inviting girls over to their shared room to unwind after Silverstone, but they did drink an inadvisable amount. Daniel had drank some noxiously sweet wine that some fan had gifted him. Idiotic, Max had thought. Max stuck to gin, a drink that normally doesn't leave him feeling this discombobulated. He feels wrecked, sore, and achy. He doesn't even feel ready to open his eyes.

The woman beside him stretches and sighs. "Rough night, eh, Maxy?" she says in a familiar Australian lit.

They both freeze.

Max sits up, slapping around the hotel lamp until he finds the switch. He stares wide-eyed at the woman lying beside him, her mass of dark curls against tan skin. Her wide, familiar eyes with that distinctive nose set between. Her hands are flung over her mouth, but Max can still see the right tattoos in the right places, only against different curves.

He glances down at perky, bare tits and soft, wide hips, and then back up in embarrassed shock.

"Daniel?"

"Yeah."

"You're a girl."

"So I've noticed."

Max gets up, starkly aware of his own nudity. He fumbles in the morning light for clothes, glancing at his reflection in the mirror as he pulls on a pair of sweatpants.

He's still quite himself, but the hickeys are new. He didn't know his face could feel this hot. He mentally feels memories from last night brush against his psyche in frustratingly fleeting snippets. Biting down on soft thighs. Warmth and tightness. Hard nipples in his mouth. God, he thinks, we finally did it and I can't fucking remember shit.

He looks back, seeing Daniel is gone. He panics and hustles to the bathroom where not-Daniel-but-still-Daniel stands and assess his body.

"Wow, kinda thought girl-me would have a bigger rack."

"You're taking this well."

"Well, obviously, we're dreaming."

"Hm."

Daniel twists in his spot, watching his reflection as he gives his ass a smack. Max is immediately hard.

"Daniel."

"Max," he echoes with faux shock. "Relax, this is, like, a seriously vivid dream. A horny one at that. I think we boned last night."

Max can't utter a word. He just watches as Daniel feels up his own body, smaller hands drifting over smooth skin. His nails skate along his thigh's tattoos, upwards to drift along fine hair between his legs. Max squirms and feels anything but asleep.

"So real," Daniel whispers.

"Can you maybe put something on?" Max begs. Daniel cocks an eyebrow and smirks. Max feels unnerved seeing his expressions in a feminine font. Daniel's refreshing confidence always made Max feel... too much. Like if he wasn't careful, he could spill over with it all. Watching Daniel now fondle his chest, pressing the small mounds together as he assessed himself in the mirror, Max felt ready to burst.

And they fucked. He turns and heads out to the hotel room.

Life is cruel and this dream sucks and he wishes he could remember.

"Hey, Max, hey," Daniel soothes, coming up behind him and blessedly covered in a hotel towel. "I seriously think this can't be real. Just like...what's that DiCaprio film?"

"Huh? Inception?"

"Yeah, that one. Just a really, really good...weird dream."

"Okay, then hit me." Max walks up to Daniel. He's not used to being this much taller. He feels dizzy again with need, wanting nothing more than to pin the older Aussie down on the bed. To hike his soft yet strong legs over his shoulders. Maybe it'd be fine if they did it again, since it maybe is an impossible dream and Daniel's not a boy right now. Not that it mattered normally. Max didn't care, he just wanted to feel him all over again.

"What?" Daniel smiles, eyebrows knit in confusion.

"In dreams, that's how you wake up. Like, a kick to jolt you awake, right?"

"Oh, right. Yeah, we should wake up."

Max leans closer and turns his cheek.

"I'm not smacking you, Max. Here," Daniel takes Max's hand in his. All Max wants was to knit their fingers together, to feel the way his palm is finally bigger than Daniel's. "We'll do it to ourselves, okay?"

Daniel places Max's hand against his own cheek. He watches the gorgeous woman in front of him mirrors him, hand raised gently, fingertips against the curls that fall so, so long down to the middle of Daniel's back. He'd look so good with hair like that even as a boy. Max thinks to tell him this and stops himself.

"On three, yeah?"

"Okay."

Daniel counts down, in that singsong voice that's his but not his pitch. Max tries to commit it to memory as he gives himself a just-too-painful slap.

And nothing changes. The only thing that changes is now Daniel panics.

"Holy fucking shit, Max."

"Daniel-"

"This is real."

"We'll fix this," Max tries as Daniel starts tearing apart the hotel room. Max glances at the clock on the nightstand while Daniel goes on a heated search for something. "We don't have to leave for the flight for two hours."

Christ. He pictures telling their team anything. Daniel can still race, of course, Max thinks. He'll just need a new suit that fits better. And some adjustments to the car's seat fit. And a good PR statement that, yes, something impossible happened overnight but no worries we'll be set for Hockenheim so don't worry about how this happened.

"This!" Daniel says, leaping up to Max and putting a small card in his hand. "This is why! Read it. It came with the wine that hot girl gave me."

Max rolls his eyes and reads it. He narrows his gaze. "A change, temporary, good for two? What's that mean?"

"Beats me, but read it again. Temporary." He sighs, letting his head knock back. Max stares at the line of hickeys down Daniel's thinner neck, too faint. "I do kinda miss my dick."

"How does it feel?" Max asks despite himself. "To be a girl?"

"Good, I guess." Does Daniel press his thighs together reflexively, Max wonders. He feels pent up and horny again. "Like, I don't mind it, but it'll be hell to buy a whole new wardrobe," he attempts to joke through shaky laughs.

"Maybe that note meant 'two' like in two times," Max says, voice quiet.

All he can hear for a moment is the whirl of the hotel aircon. He watches Daniel's feminine frame, his big eyes and wet lips.

"Can you remember any of it?" Daniel asks, voice barely registering above the whirl.

"Not much."

"And it kinda doesn't count, right? Because I'm not really me right now, so its okay? And you don't mind?"

It can count, Max wants to beg. It can. It can be okay after, too. It can be okay all the time.

"I don't mind. You're hot as a girl." The last three words feel too final. Daniel's shoulders fall as he nods.

"Yeah, a stunner, huh? So, well, we'll take her for one last ride."

Finally, Daniel walks up and pushes Max onto the hotel bed. Max's mind reels as Daniel lets the towel drop. Two breasts in Max's face as he feels thighs straddle his waist. His hands fly up to trace eager lines up Daniel's spine and rake gentle tracks back down with his nails. They both shudder.

"Last time, right?" Daniel says between kisses down Max's neck. Max feels his eyes water. It doesn't have to be. But he doesn't say anything. He flips Daniel over on the bed, body tenting over the smaller frame. And this time, he focuses. He wants to make Daniel feel good. He wants to come inside. He wants to etch every moment deep in his mind, so he'll remember every gasp, every touch, every sigh.

[springfieldblues]

my long ass review for S32E03 Now Museum, Now You Don’t

warning: LONG because i rambled about history more than i thought i would

id been looking forward to this one because i like art history, especially after seeing how they tried their best to stick to historical accuracy in the previous episode I, Carumbus. this time however….they didnt try that hard. i dont know why i thought theyd go through that sort of trouble again LMAO

but its okay, i dont really expect the simpsons to be the paragon of historical accuracy or anything. especially in anthology episodes told through a particular character's lens (in this case, lisa, whos already feverish so whatever)

first i just wanna say that this is, i guess, less of a review and more of an accidental list of history fun facts. so im just gonna get my general thoughts out of the way first.

the episode was fun! to me at least haha. i mean it got me to think and do a lot of research on my own so that must count for something. besides a couple of really weird ones, the jokes were good. anthology episodes tend to be….not that good but i thought this one was one of the better ones so far. idk.

anyway on to lisanardo da vinky its the renaissance! jesus christ the italian accents in the beginning of this segment were annoying as hell but i also feel like that was the joke lmao. ill be real i kind of tuned out for a second there when grampa started rambling so idk what he said.

i told myself i wouldnt get nitpicky with historical accuracy if the jokes were funny (final edit: so that was a lie) but this meh bit with the pizza guys and mascots was really not worth ignoring the fact that its impossible for italy to have any tomato-based food in the 15th century (tomatoes were brought to europe from the americas in the 16th century, and pizza as we know it today—flatbread, cheese, tomato—originated in the late 18th century)

oh this next part was kind of legit tho. lisanardo, like the real leonardo, became andrea del verrochio's apprentice at his workshop. i loved this next bit:

"Whoever paints the sweetest cherub will have the honor of having MY name signed on their work. That's what great artists do!"

SO YEAH as it turns out, lisanardo painted the sweetest cherubs. the painting here is called The Baptism of Christ, and the real leonardo assisted verrochio in finishing it. specifically, he painted the cherubs in the corner.

this causes verrochio to quit and go someplace with less talented people: a music school (yes, verrochio did quit painting after getting owned by young leo and his mad angel painting skills. he never did anything with music tho, he was more of a sculptor)

alongside lisanardo, in mr largo-verrochio's workshop we have barticelli (botticelli bart), dolphatello (donatello dolph), ralphael (raphael...ralph) and mediocrito (no one that i know of. sorry milhouse) (and kearney i guess but they dont refer to him by name). botticelli and donatello are said to have also been apprentices at verrochio's workshop, but raphael came a couple of decades later so he couldnt have been there. and donatello was too old so that claim is a bit questionable. but anyway

it IS true that leonardo's peers envied him, to the point where he was anonymously and purposefully accused of being gay (a major crime punishable by death in 15th century florence) while he was still working at verrochio's workshop

we are then treated by what im pretty sure is the fourth time the show has used 'at seventeen' by janis ian, this time sung by a dejected lisanardo (man they really do keep making yeardley sing these days huh) who only wishes to be appreciated and not envied.

"I'll show them all! I'll show them all in a secret diary that no one will decipher for 400 years!"

some of lisanardo's future inventions. who wouldve known

so after barticelli, for some reason (revenge??? or something?? what was his plan here idgi) steals lisanardo's diaries full of blueprints of her inventions and takes them to mr burns who i have to assume is pope alexander VI here, they decide to use her inventions for war.

"With these, we can kill the most evil people in the world!! ....Slightly different Christians."

leo actually did this of his own accord. im surprised this is what they decided to do with lisanardo instead of talking about leo's love of nature and vegetarianism (not a single mention of that in this episode? come on...) then again, trying to do good only to end up indirectly making things worse is a very standard lisa storyline. i guess they didnt want to miss the chance to have evil pope burns (very fitting, especially for that era since they were all about money and controlling the people)

so lisanardo decides to leave for france, unlike the real leonardo who was more or less persuaded by his ultimate fanboy king francis I to move to france.

"Lisanardo, I have many questions. Why are you hitting yourself? A nerd says 'what'? And how is it possible that I am rubber and you are glue? Et cetera, et cetera."

that line may seem a little random, like hes just nelson saying nelson things (and i mean, obviously he is) but the real francis also "had an unquenchable thirst for learning, and Leonardo was the world’s best source of experimental knowledge. He could teach the king about almost any subject there was to know, from how the eye works to why the moon shines." so yeah, he did have many questions and lisanardo, finally being appreciated for her intellect, was happy to answer them all. its very interesting how lisa assigned this role to nelson in her retelling of da vinci’s life :^)

and so she lived the rest of her days in france, nat king cole's 'mona lisa' plays because duh, and they make a da vinci code reference because duh. and the segment ends. and not a single time did they show the actual mona lisa painting. the fuck?

(ngl i was fully expecting bart to say 'leonardo da vinky' for a second here)

so this next segment is about french impressionist painters, most likely the batignolles group, a name adopted by the early representatives of impressionism. its much more vague than the lisanardo segment since no one here is referred to by name (except moe, more on him in a sec) but i dont feel like it really matters in this case. bart is prrrrooobably claude monet but its hard to say, this segment is kind of a mish-mash of a lot of things. also i gotta say i really liked how lisa introduced the story to bart with an 'if you hate the formal study of art' and not 'if you hate art' because thats exactly my headcanon. i LOVE the concept of artist bart and whenever its referenced it just makes perfect sense to me.

anyway the segment opens in 1863 at the école des beaux-arts (back then it was actually known as the académie des beaux-arts), preserver of traditional french art styles. skinner reviews his students’ paintings one by one. praises the plain, unimaginative paintings depicting your typical european countryside landscapes. very run-of-the-mill (haha get it...cuz theres….a windmill) (although the real académie didnt approve of such basic stuff, they wanted artists to draw epic historical and mythological scenes) then he gets to barts painting and he gives him an F- because the painting made him think.

(the paintings in this scene arent real famous paintings as far as i know but they are inspired by real paintings enough to get the point across)

in comes barney dressed as bacchus as a model for the students to sketch, which i just loved:

barney: “You prefer robe open or robe off?” skinner: “Just cover your privates with this walnut shell.” barney: “Whoa!!! So roomy!”

skinner gasps in horror at bart’s sketch, which “looks nothing like him” and bart explains that “it shouldn’t; we’re making the art that we feel because we can’t compete with a camera.” damn, you go bart. take that, realism. draw what you feel!!

(also no, you didnt need to hold still for 17 hours for a daguerreotype. 30 min tops.)

nelson haw-haw of the week: FOIE-gras!

so here they are at the moulin rouge (“enjoy it before baz luhrmann ruins it” hey shut up. i love that movie), which wouldnt be built for another 26 years, but it is the most widely known gathering place for bohemians in the public consciousness so i can understand why they went with the moulin. nelson delivers this anachronistic line:

“This époque keeps getting beller and beller!”

which alludes to la belle époque, the golden age of france usually dated from 1880 to 1914. made me snort so ill let that slide

and heres moe! as henri de toulouse-lautrec, who was actually born a year after the year this segment is set in. yo moe szyslak he was just 1

toulouse-moetrec introduces himself as the chronicler of the demimonde (not an actual job). an iconic figure associated with the moulin rouge (largely due to his affinity for alcohol and prostitutes), toulouse-lautrec was also a painter, having illustrated a series of posters for the moulin himself. he simply had to be in this segment, anachronisms be damned, just because they decided to include the moulin. cant have one without the other.

and yes he did have a walking cane where he kept his liquor.

i love how everyone drinks absinthe in this place. theyre bohemians what else would they drink

toulouse-moetrec points out that barts paintings are the greatest thing hes ever seen (and hes seen like five things!) and that hes a genius. milhouse realizes that they should stop doing what the teacher says and use their own minds to instead...start doing what bart says lmao. to the easels!

next we have skinner hyping up chalmers about the art his students made for the salon de paris, an art exhibition that the emperor of france will attend. he assures him that none of these paintings will encourage debate, provoke thought or be out of place at a dentist’s office. when they unveil the art, theyre both SHOCKED at how scandalous the paintings actually are.

this reaction was kind of accurate. impressionism was severely rejected at the salon de paris, due to paintings not looking finished enough to them, they thought they were ugly and vulgar for depicting nudity in a contemporary setting (historical and mythological nudity was fine). these impressionist paintings were sent to the salon de refusés, which is. yeah. the place where they sent the rejects. the salon de refusés does not make an appearance but this scene makes a reference to it when the artists get expelled from the royal salon. also:

“What about our student loans?” “Oh they’ll be refunded. We are not barbarians, I mean, come on.”

(god if only)

so the painters are down because they want the emperor to actually see their paintings. toulouse-moetrec pipes in once again with an idea.

“There is one thing the emperor loves more than anything.” “France?” “No, he hates France.”

apparently the emperor really loves cheese, which makes sense since its napoleon III (who loved cheese) and homer (who loves cheese.) so the painters roll into the salon inside a giant wheel of cheese (obviously.) as lenny said, “Eh, you know French cheese. Very runny.” napoleon III chases after the wheel into a room, where the wheel falls apart after getting chomped on by the emperor. now that they got his attention, the painters proudly show the emperor their impressionist art, which he couldnt be more indifferent about because he just wants to eat his cheese dammit, and he awards them with the royal medallion just to kind of get them out of his way. skinner immediately starts kissing ass (as he does) until marge’s like ‘hey wait a minute. you expelled these students from the royal salon’ and an executioner immediately starts ominously measuring skinners neck.

“Uh, sir...is your tongue sticking out because you’re dead or because you’re mad at me?”

and thats the end of that lmao (gore in this episode, gore in the last episode, and next week we’re getting gore too cuz its THOH, what the hell is goin on)

we get a short intermission with maggie, who wants a story for her too! lisa tells her that renaissance artists loved to put babies in their paintings, especially baby angels.

here she is showing her The Triumph Of Galatea by raphael:

King David Playing The Harp by peter paul reubens:

and a very simplified version of pretty much any depiction of hell by hyeronimus bosch lmao:

not much else to say about this one, really. but i really liked that sky!

the last segment is about frida kahlo and diego rivera. or as bart puts it ‘the one about a fat guy whos wife is too good for him.’ i was REALLY looking forward to this one because i love frida and i thought itd be a cool opportunity for animators to go bonkers and do really cool shit with her art as inspiration…..but the segment is not about frida, its about diego and his selling out to capitalism. and its also yet another story with homer and marge drama. no funky cool animation here. sigh i guess i’ll take it

the story begins in 1929 at la casa azul, frida’s home (now museum dedicated to her life and work.) frida and diego are getting married. this courtyard definitely did not look this way yet back in 1929. also theres something very cringy yet funny about lovejoy saying spanish words the way he does, i honestly cant decide how i feel about that one

the writers know theyre being cringy with their gringoness so they go along with it.

moe: “Spanish for ‘best wishes’!” mel: “Spanish for ‘congratulations’!” bumblebee man: “Spanish for ‘muy bueno’!”

OH YEAH BUMBLEBEE MAN this is his new voice actor, eric lopez! hes not mexican but its still great to finally have a latino actor voicing a latino character and hes very excited to be part of the show so i hope to hear more of him!! im rooting for him

el barto/zorro makes an appearance which i am very confused about. he has jack shit to do with frida and diego and mexico in the 20s-30s. el zorro was set in the spanish california of the early 19th century. their use of the original theme song makes me think they just wanted to flex their disney privileges tbh

lets not talk about that that whole scene was bad

anyway diego announces he and frida are going to new york, without even asking her first. frida is obviously pissed.

“Don’t worry, as a woman, you’ll be treated with much more respect in America.”

so in new york, diego is having a bit of a business meeting with mr burns as one of the members of the rockefellers, who is commissioning him to draw a mural for the rockefeller center. its kinda funny how he refers to him and frida as socialists even though they were very much communists lmao its okay you can say it. ok so far, but then frida says ‘yes, we hate the capitalists! right now, a young socialist is being born who will take them down! mr. bernie sanders. i hope hes quick about it’ and that was a simple enough joke and couldve been left at that but then its immediately followed by this weird as fuck family guy-esque cutaway gag to bernie as a baby:

“Getting a cootie shot should not cost your lunch money. And if you don’t listen to me, listen to the Bernie Babies! What? Everybody’s got goons.” *larger babies start beating up this other baby* “I disavow that, and welcome it.”

this confused me so much that i had to ask one of my american friends to help me understand, but even she was like ‘uhhh yeah thats a weird joke,’ especially now that hes been out of the race for months (then again these episodes take almost a year to produce. i guess they couldnt be bothered to replace it with something more relevant.) whatever that was weird and confusing and unfunny moving on

frida is pretty irked that diego is going through with this deal. after all, it goes against everything they believe in. im not sure how the real frida felt about diego doing the mural, but she did feel a bit of rage during her visit to the united states, especially the obvious disparity between rich and poor. she hated having to interact with capitalists and found americans very boring. in this segment, frida seems to be acting more like the american communist party, which diego got kicked out of for accepting commissions from wealthy patrons. in any case, frida is pretty upset about this whole thing.

and finally we get the first and only kind of surreal frida moment. kinda. maybe. its more cartoonish than anything but im desperate ok

interesting how they felt like they had to add a “don’t smoke” in big letters after showing patty and selma flying away on their giant cigarettes. i wonder if this is something theyre making them do now? i remember hearing something about them toning down patty and selma’s smoking

diego comes home to frida, drunk as hell, followed by the marx brothers. i cant believe they didnt make a marxism joke come on it was RIGHT THERE. THE MARX BROTHERS. KARL MARX. COME ON

frida paints her feelings.

this makes diego realize that frida is a genius and he is not half the artist she is. he proclaims he will now show his awe of her by sleeping with other women, starting “an hour ago.” to which frida replies, “and i will start sleeping with other women, starting two hours ago.” yes this was pretty much their relationship. though im just wondering how the hell did diego not know frida was this kind of artist until now? i know homers an idiot but jeez. art was how frida and diego met, diego knew from the get-go that frida was an incredible artist. i guess the fame got to his head or something. again, homer just being stupid.

“well enough already, while the art is still deco, okay?”

its time for the mural diego painted, Man At The Crossroads, to be unveiled:

rockefeller examines it. good and great so far, and then...uh oh

“Who’s that fellow…? With the beard, and the bolshevik smile…” “That’s the founder of Soviet Russia, Lenin!”

“B-b-but he’s a communist!” “Oh he just attended a couple of meetings.”

rockefeller will not have this communist in the temple to capitalism that is the rockefeller center, so he orders diego to paint over it. diego stands his ground and refuses. despite rockefeller’s threats, diego says that theres only one person he wants to be proud of him no matter what and in true homer & marge fashion, frida is touched by this. they happily leave the rockefeller center.

now, the real story of Man At The Crossroads and the rockefeller center was actually not that different. as soon as the rockefellers found out diego had snuck in a portrait of lenin into the mural, they ordered him to paint over it, to which he refused. diego even offered to include abraham lincoln and even american abolitionists in the mural as a compromise, but the rockefellers simply did not want any references to communism whatsoever. they did not complain about the hammer and sickle, though. yes, they did know diego was a communist and hired him anyway. what did they expect? lmao. diego said:

"Rather than mutilate the conception [of the mural], I shall prefer the physical destruction of the conception in its entirety, but preserving, at least, its integrity."

so they decided to destroy the mural before it was even finished and they never talked to each other again.

diego then repainted the mural at the palacio de bellas artes back in mexico, this time known as Man, Controller of the Universe. this new version included even more communist leaders and a depiction of john d. rockefeller jr. drinking at a nightclub, right underneath a depiction of syphilis bacteria. cue nelson haw-haw:

this was the version they used in the episode also, since the original was, well, never finished and also destroyed. only a black and white photograph of it exists, taken by diego before it was destroyed so he could remake it.

right so, homer!diego then pulls a Barthood and finishes the episode with a large mural summarizing the entire episode. he says some rick and morty thing i didnt get because i dont watch the show idk idc

the end

ALRIGHT NOW ITS TIME FOR THE STORY OF VINCENT VAN MOE

[catsdaydreams]

A Warm Welcome

IDK what Im doing with my blog or my life but here’s to starting a non TRR series. :party emoji:

Sneak peek at a new series!! cannonish

Enjoy?

The elementalist chronicles, PT 1

PermaTag: @cora-nova

Sabrina raced across the campus glancing at the clock tower in the distance. She was going to be late for her career planner meeting for sure. Every second that she watched ticking by felt like a personal taunt on behalf of the clock. “Shit she muttered, trying to pick up the pace. She eyed the double doors to the building straight ahead and slowed down to avoid crashing straight into them. Once inside she blinked the sunlight out of her eyes, speed walking the corridor half blind from the lighting transition and almost into the planner herself.

“Oh! Sabrina! You’re early.” The planner said with a frown checking her watch. “You aren’t supposed to be here for another ten minutes.” She chided knowingly. “Well, if you’re on time you’re late.” Sabrina huffed, repeating the mantra she’d been told and taught by her ever-barring father since childhood. She put on her best smile and extended a hand towards the planner, “Sabrina Russell.” The planner returned her smile, and shook Sabrina’s hand, “Ms. Robertson, my office is right around this corner.” She said, motioning to the hall to Sabrina’s left.

The two turned and entered the first door on the right and Sabrina took her spot in the chair opposite of the desk and waited patiently while Ms. Robertson organized herself and pulled out Sabrina’s file. “Now, Ms. Russell, we usually don’t schedule a meeting until the end of first year so that you can decide on what you would like to major in and we help you start to point towards that goal. However you requested to move this meeting up, and we allowed it based on your high marks. Is there a major you have in mind?” Ms. Robertson said, hands clasped over the manila folder on the desk in between them.

Sabrina saw her name printed on the side, knowing that her parents were worried for her and called this meeting on her behalf, pulling alumni favors to get the meeting pushed up. The truth was she had no idea what she wanted to major in. It felt as if all of the motivation and drive she had the year leading up to college simply vanished once she started classes. Everything just seemed so dreadfully boring compared to how she thought college would feel, not that she really knew what to expect. Knowledge retention and conceptual understand came as easily to her as breathing, and so being a straight A student was effortless. The problem was, she didn’t know who to be outside of class. A numbness had eaten away at her energy and motivation, she spent most of her days laying on her bed, staring at the ceiling with headphones in and not really noticing the music that she was listening to. Life seemed like a haze.

“Actually, Ms. Robertson. That’s the problem. I don’t have a major in mind, in fact I feel like I don’t belong here, like I’m meant to be somewhere else.” Sabrina replied honestly. The older lady peered at her curiously, “what do you mean?” she asked and Sabrina let out a heavy sigh, “I don’t know. I always thought college would be exciting. Maybe even magical.” She said wistfully, a pit of longing in her stomach. “There’s a treasure trove of knowledge here which I always thought would be my dream. But it’s like I’m numb, and bored. I’m not so sure Hartfield was the best choice for me any more.” Ms. Robertson nodded in understanding. “Well, it sounds like you have the freshman blues.” She said, peering into Sabrina’s emerald eyes. The older lady pensively waited for a reaction, however she would get none from Sabrina who had already expected this reaction. She didn’t realize it but her answer had silently sealed the final nail in the coffin, finalizing Sabrina’s resolve to transfer schools. Sabrina already had a slew of acceptance offers from other universities, and if Hartfield was simply going to brush off her concerns then she would find a school that wouldn't, and would also challenge her.

Her parents would be furious of course, but Sabrina could tune them out easily enough. She had already informed her of her intent to stay at the school over winter break, not that she suspected her parents cared. They would likely be vacationing abroad somewhere European anyway. Sabrina recalled her mother talking about attending some apple festival somewhere soon and presumed it would be their winter getaway. Ms. Robertson continued, not realizing that Sabrina had already tuned her out, responding only in key places enough so that the women wasn’t aware of her lack of attention.

After an hour that Sabrina honestly couldn’t recall, she found her way back to her dorm room. She ran her fingers over the mess on the desk, glancing at the half made bed and clothes on the floor while making a mental packing list for the morning. She made her way to the bathroom leaning over the sink and looking at herself in the mirror. She noted the way her eyes seemed dull, and her skin seemed flat and plain. Sabrina turned the facet on to cold water, closing her eyes and splashing some of it into her face as if it would be the magical solution to her resistant state of mind. She blinked rapidly a few times, reaching for the hand towel and drying off her face before glancing up to meet her own dull looking eyes in the mirror.

Except it wasn’t her own eyes staring back. A pair of almost identical green eyes stared back, alert and concerned and watching her silently. “What the hell?” Sabrina reeled, looking at her reflection not copying her actions. She stared incredulously before reaching out to touch the mirror, finding instead a cool liquid that sent ripples out where her finger connected with it. “Whoa,” she breathed, tracing her finger lightly across the surface, ripples of disruption following her touch. She wondered what would happen should she just decide to push her hand in... and suddenly she couldn’t pull her hand back out. “Oh no.” She said, her heart quickening. She gently tugged on her arm, willing her hand to reappear, instead her arm sinking further and faster the more she fought.

Sabrina sucked in a breath as she was pulled the rest of the way through the mirror, feeling as if every ounce of air in her body was being forced out through her throat. A flash of light and a sensation she couldn’t quite place and suddenly she was standing outside near a lake. A little too close to the lake she realized as she began to lose her balance on the muddy embankment. She yelped in surprise as she toppled towards the water, a friendly hand reaching out and grasping her wrist and pulling her away at the last second.

“Woah there freshman!” An unfamiliar voice called out, sounding like warm honey on a cold day. The mysterious stranger wrapped a hand around her other shoulder, trying to help her balance. She met his chocolate brown eyes and matched them to his flawless complexion. “Um, thanks.” Sabrina stuttered out. She looked around bewildered, suddenly realizing that she was soaked. “Here let me help you dry off,” the stranger chuckled, making strange motions with his hand. A breeze blew by Sabrina, with an impossibly gentle force that seemed to instantly dry her clothes and most of her hair. She looked down at her clothes incredulously.

“You missed the hall of mirrors by a mile there.” He laughed good naturedly, “I’m Griffin, a second year here and an earth-att.” He said proudly. Sabrina stared at him, not sure how to process what was happening here. She looked around at the picturesque scenery in front of her, a large statue surrounded by cottage inspired buildings enclosing it. The lake she had stepped out of seemed to run along the edge of the buildings, almost like a moat encompassing the structures in the middle. A beautiful ornate bridge sat a few feet to her left, providing safe dry passage to the other side leading to a dirt road into a thick patch of trees.

“Where the hell am I?” Sabrina asked incredulously, it was only then that she noticed the other people milling about on the ground and somehow, in the air! Sabrina watched wide eyed, wondering how in the world it was possible when a voice filled with sheer disdain broke her trance. “Don’t you know there are entry protocols? You should have entered through the mirrors like the rest of us.” Sabrina searched for the source and met the gaze of a boy about her age peering at her through judgmental eyes. Griffin rolled his eyes at the intrusion, “Doesn’t the great Beckett Harrington have anything better to do with his time?” Beckett glared at Griffin, narrowing his eyes, “Actually, yes. Freshman orientation starts in 15 minutes and I need to be on my way.” He sneered, before turning on his heel and walking the opposite direction.

Griffin rolled his eyes yet again and met Sabrina’s, “Don’t mind him. Not everyone here at Penderghast is like that.” He said, begininng to lead her away from the edge of the water. “Penderghast?” Sabrina asked confusedly. Griffin stared at her blankly, “Yeah? Pengerghast college of elemental Magicks? You know, the one you’re currently attending?” He said. A few moments passed before Griffin narrowed his eyes at her, “You are a student here right?” Sabrina froze. She couldn't decide if it was a dream or real, and if it was she didn’t want it to end. She suspected that she had been transported here by mistake and simply nodded in response, not quite sure if she should lie or tell the truth.

Griffin smiled, the suspicion lifting from his eyes. “Do you need help getting to orientation?” He offered. Sabrina nodded again, still in shock. So magic is..real? Or was this some kind of fever dream? Perhaps she had hit her head in the bathroom and was hallucinating. She stayed lost in thought as she trailed beside Griffin, half listening as he babbled on. “And that is the security system, it vaporizes intruders.” He said nodding at the large statue in the center, its head followed the pair as the passed by. Sabrina’s heart raced with each step as she wondered when the vaporizing blow would come. After an agonizing minute the statue seemed satisfied and resumed it gaze around the campus, and Sabrina let out a breath she didn’t realize she’d been holding. They made their way inside of one of the cottages, which seemed mansion like on the inside. Griffin made twists and turns and Sabrina trailed along beside him. “So for future reference, this is the hall of mirrors where you're supposed to come in.” He said opening a door to reveal a circular room filled with all different types of mirrors. The walls were littered with small circular mirrors, floor length mirrors, square mirrors and mirrors of all varying sizes.

“Aw, hell.” The pair heard, as they both turned to see a beautiful brunette trying to pull her foot the rest of the way through. She stumbles when it finally comes out, landing straight into Sabrina’s arm as she does.

“Oops.” She giggles, “Shreya Mistry, in your arms and at your service. Good catch, by the way.” She says beaming at Sabrina. Her dark curls match her tan complexion Sabrina notices as she helps the girl regain her balance. “ I much prefer air travel.” Shreya says, giving her a knowing look. Sabrina laughs awkwardly, “yeah.” She states. Shreya glances over at Griffin who introduces himself. “I was a few minutes away from being a month late,” she laughs as she heads toward the room entrance. “Why a month?” Sabrina asks curiously, suddenly wondering how long it took her to get from her dorm room to the current location. “Because that’s the next time the wards will be down to travel for visitors day.” She states matter of factly. Sabrina nods, “right!” she says as if she has any idea what Shreya is talking about.

Sabrina decides then and there that she is staying at Penderghast as long as she can before anyone realizes that she doesn’t belong.

[punkscowardschampions]

Junior & Nancy

Junior: What are you gonna do? Nancy: I've never had less of an idea Nancy: What can I do? Junior: I wish I knew for you Junior: But no, I don't Junior: By the time I worked it out, I knew it was too late but maybe if I'd said something to you, we could've avoided it playing out like this Junior: I'm sorry Nancy: Don't apologise to me, please, I can't start sobbing outside of this office Nancy: You've done nothing wrong. It's me who messed everything up Junior: I'm sorry, no wait, scrap that Junior: You can't help what you felt Junior: You're not the first person to get a crush, everyone's just acting like it for the drama of the thing Nancy: But I chose to act on it Nancy: You didn't see her face. It was... Nancy: I've got no words for it Junior: Oh, Nance Junior: There's no other way she could react, or would've Junior: I'm not judging but how did you get this caught up? Its not like you Nancy: I thought she wanted me to. Genuinely I'm not just making an excuse Nancy: We had a connection. The way we'd talk, I didn't imagine that, I can't have Junior: At best though, that could never be more than friendship, she's a married teacher, a straight one Junior: not to go over it now, you know Junior: What a mess Junior: Tristan is being Junior: its bad Nancy: He has a right to Nancy: I'm so stupid, oh my god Nancy: They couldn't hold of mum or dad yet but when they do... Junior: Yeah but, he's trying to make it something it ain't, get the anger but I wish he'd keep the gay hate to a minimum Junior: Oh God, babe Junior: how mortifying Junior: I'll find a hole to bury you in Nancy: Thanks Nancy: I've literally become a lesbian stereotype. The predatory one Nancy: If my brother ever finds out I'm gonna have to get you to bury him too Junior: We're doing our best to keep it on the DL, strictest of confidence Junior: but if your rents talk to mine, he'll suddenly take an interest no doubt, eurgh Junior: You weren't being predatory, at least, that's now how you meant it Junior: and she's in the position of power so she always had the upper hand to push you away Junior: which, I guess, she did in the end Junior: would've been helpful if she'd have clued up before now but we can't blame her Nancy: I'm gonna have to move back, aren't I? How can I stay here. I can't Nancy: I love her and I've done this to her Nancy: What if she loses her job because of me? I might have wanted him to leave her, or vice versa, but I never wanted that Junior: Not necessarily Junior: She won't Junior: Not to rub salt in an open wound but its very clear it came from you and not her Junior: Its not going to come to that Junior: There's only this year left, we can stick it out together, I've got you Junior: anyway, rumours follow, don't they? Idk how but that's the magic of teens, better if you face it head on Junior: own it in the ways you can Nancy: You make everything sound so straightforward, no play on words meant Nancy: I should have told you everything Junior: I get why you didn't Junior: it got to be real when it was just in your head Junior: wow, sounds harsh but, yeah? Nancy: I'm gonna hear much worse Nancy: At least you're coming for a good place Junior: We need to decide on your side of the story, so we can stick to it Nancy: What's the point? Everyone already knows what happened Junior: Yeah, there's definitely the key facts you're not gonna be able to run from Junior: but its all about how you sell it Nancy: What are you saying I should do? I can't throw her under the bus Junior: No, of course not Junior: I'm not explaining it well 'cos I can't do it myself Junior: but you know, the old, hold your head up high regardless of how you're really feeling Junior: acting as if you're not as phased as you are, too, not lying about what happened, just acting as like its less of a thing so people will get bored, you know? Nancy: Have you met my mum? Holding my head up high won't be a problem Nancy: Casually trained at it Junior: Yeah, no, good Junior: I know its gonna be hard Junior: but it will help this all be over sooner Nancy: That'd be nice Nancy: It's new for the rumor mill but not me Junior: How long? Nancy: Since I came here, pretty much Junior: Oh, honey Junior: That's such a long time to have those kind of feelings Nancy: I know Nancy: How did I get here? Junior: I dunno Junior: We all build things up in our minds, fantasies and that Junior: it just got out of hand because it was uncheck Junior: like I said, you're not the first or last Junior: Its okay, it will be alright Nancy: You're only saying that to make me feel better, I get that, but it's kind of working anyway Junior: I'm honestly not Junior: You know what went down wasn't cool but I think the outcome is more than enough punishment without me needing to be a dick about it Nancy: but I wouldn't blame you if you were Nancy: You asked me so many times who I fancied, if I'd just said, it would have stopped it, I would have come to my senses enough not to try and kiss her Junior: But you wanted to Junior: more than you wanted to be logical and sensible Junior: for better, or worse, as its transpired Junior: its easy to beat yourself up about it now Nancy: I should've beat myself up before hand Nancy: Repeatedly over the head Junior: I'll get you a time-turner and a mallet, like Nancy: Much appreciated Nancy: Can you arrange a bodyguard too, for Rio more than Tristan tbh Nancy: She's gonna be livid Junior: Not with you Junior: She'll get it better than me, she's had her fair share of crushes, I'm sure Nancy: Have you really not? Nancy: Envy you at this point Junior: Nope Junior: I'm like a sexless slug Nancy: They have a nicer label for that, to let you know Junior: Yeah, I'm not into that Junior: Never say never, you know Nancy: Unlike you have my judgement Nancy: Unless* Nancy: Never say never with your straight, married, teacher Junior: When is it okay to laugh cos like Nancy: Go ahead Nancy: We have to Nancy: I can't cry rn and still face everyone Nancy: I'm not THAT good at holding my head high Junior: are you gonna take some time off or just Junior: face it from the jump Nancy: I think if I walk away it'll just make it harder to come back Nancy: If I'm staying here then I need to carry on Junior: Agreed, from that POV, definitely the best thing to do Junior: but don't force yourself to do things you can't Junior: we can go cry in the toilets whenever you need, okay? Nancy: Have a gorgeous mascara moment Nancy: Maybe my mum will force on a flight back to London Junior: Maybe Junior: Or roll up on you here Junior: such fun Nancy: Oh god, she probably will Nancy: I know I brought it on myself but....please no Nancy: Parent swap with me really quick? Junior: They'd despair but give it my best Junior: At least your Dad is going to be too awkward to say anything Junior: Small blessing Nancy: I wish that was a like father like son trait Junior: Thank god for the mute button Junior: shame it doesn't cover all communications, including IRL Nancy: Honestly Nancy: If I thought I hated Irish class before Junior: Yeah, no escaping how bad that's gonna be Junior: 😬 Nancy: If I pretend I've had a straight awakening now will that make it better or worse Nancy: She turned me everybody, nothing to see here Junior: I think it'll take you from the butt of the gay jokes to the butt of the slag ones Junior: which might be easier to handle but Junior: might have to display some straightness and we're not a convincing couple to say the least Nancy: Plus you're my cousin Nancy: That'd just create more rumors Junior: Yeah preferably you're going straight for someone not in the fam Junior: Idk, who are the most elligible bachelors around Junior: Hmm Nancy: Tristan's off the table Nancy: Lovehate only happens in YA Junior: Plus, all that rage, probably closeted himself, if we're following the rules of YA to the letter Nancy: And if we're going classical, he probably wants to sleep with his mum too Junior: 🤢 Junior: oh no Junior: flip the script on 'em, go for a younger boy Junior: preferably not weird young, like year below tops Nancy: Oh god Nancy: Boys are so Nancy: Even hypothetically it's a no Junior: 😂 Junior: I don't think you're gonna be pulling this off effectively any time soon Nancy: You're right. Back to the drawing board I go Nancy: Thanks, June, for talking me off the ledge Junior: Wouldn't be worth much as a bestie if I didn't Junior: we've got this Junior: it only FEELS like the end of the world Junior: that's comforting, right? 😏 Nancy: Until I think about how bad you said Tristan is handling what happened Junior: Yeah, well, reckon Rio will be having words Junior: he just needs to get it out of his system Junior: look sufficiently sorry and miserable and he should be satisfied, then you can get on with your life, like Nancy: I do feel sorry and miserable so as long as I can get it across instead of looking like a unrepentant bitch Nancy: We'll see Junior: Yeah Junior: he's not awful, like Junior: It probably sucks having teacher parents, but that ain't a reason to take out years of frustration on this sitch Nancy: He can't be that bad, she raised him Junior: Oh, babe Junior: you've got it so bad Nancy: I wish there was a mute button for feelings Junior: You've got to start putting in the work Junior: Conscious uncoupling Nancy: That'll be as much fun as having the chat with my parents Junior: I didn't promise fun Junior: Strictly business Nancy: This is why lesbians die at the end of every movie, isn't it? Nancy: No fun Junior: Mhmm, its not just bed death you've gotta avoid Junior: its alright, you've been scorned, that'll further your plot development, no need to die today Nancy: Just living with the heartbreak then. Fantastic Junior: Unfortunately Junior: Its survivable, so I'm told Junior: and there's lots of songs and films on the subject to keep you company Nancy: You're angling for a hetero rom-com watching session because the male leads are always hot. I see you Junior: You need some straight drama in your life Junior: it will make you feel so much better about your own Nancy: Her being straight was a big part of my drama Junior: Yes and no Junior: Even if she was gay, Nance, it wouldn't have happened, alright? Junior: You need to remember that Junior: what if you have a nice lesbian lecturer at Uni, you don't wanna go through this again, thinking it'll be different Junior: its a no go whatever the circumstances Nancy: I know Nancy: I'm trying Nancy: I don't want to go through this again Junior: I know Junior: Its a complete perspective overhaul Junior: It'll take time Junior: you'll get there Nancy: I better Nancy: I don't wanna be stuck here in this place Junior: You won't be Junior: You've got a whole life of new, better experiences waiting Nancy: Brain swap? If I was as smart as you I could graduate early Junior: You're plenty smart, its truly not that far off now Junior: Final stretch Nancy: You're right. It just feels like forever rn Nancy: My own fault Junior: It does though Junior: clock watching all day every day Nancy: Definitely Nancy: Same