#not to revive a dead horse | Explore Tumblr posts and blogs

magicalgirlsirin · 1 year ago

Text

the elysian realm: well written, poorly directed

NOTE: this post is an elysian realm critical look by a relative newcomer to hi3, i dont really have the grace of having played it as it came out. i enjoy the elysian realm, but in my opinion, its absolutely a mess with regards to storytelling.

Part 1: so no theme?

When I titled this post, I meant it quite literally. There's plenty of stuff within Elysian Realm that is well written, I'm not here to argue that it isn't (with some small caveats). Most characters are interesting and engaging, and have a wealth of available text to further their depth. The real problem here is that all that detail and work isn't in service of anything. There is no theme to the Elysian Realm, no point of narrative, no common through line. Elysia introduces us to the realm, implies there's a point, that the 'unfinished lives' of these 13 trailblazers is going to go somewhere, and then waffles the plot all the way from the initial game mode through Elysium Everlasting, with a final cinematic which I will get to later for my thoughts on why it doesn't work.

The initial game mode that kicks off the story is just oddly paced. The first chapter is relatively fine, just serving as an introduction to the realm and its mechanics both in and out of universe. One of the first questions I had was just "why does kevin have a weird basement paradise with ai copies of his mostly dead friends and then also a version of himself and hua who are still very much alive" and I'm loathe to report that the realm never bothers answering this question or elaborating on why it exists. At risk of sounding like HoC, it really is a meaningless diversion with pointless people existing redundantly.

The second and third chapters, however, are unforgivably bad. I realized upon reflection they were probably heavy focus on Mobius and Aponia respectively because their suits were debuting at the time (or something to that effect) but it feels like such an agonizing detour to focus on them with seemingly no other motive. Learning about the two furthers my understanding of the Flame Chasers as a unit, I Guess, but doesn't illuminate anything about the realm or even Elysia.

I will get back to Elysia.

Part 2: No really, why is Mei here?

Another major problem with the Elysian Realm is that Mei pretty much ceases to be a character. Even though she's the point of view, she barely expresses any of her own opinions, thoughts, or even basic input outside of rebuffing Elysia's attempts to flirt with her. Sure, she still has some snark and sass to her, especially when interacting with Kevin, but outside of that I can barely remember anything important she does. Which is crazy! I could easily describe any other contribution she's made to various chapter sets/arcs within the game, but the Elysian Realm is absolutely dead air.

This ties into the fact that the realm has no theme, there's not a point, so Mei isn't going on a character journey. You could argue that Elysia is influential to Mei's arc for gifting her the power of origin, but that's not really... character growth. Mei becomes origin because she accepts the blessings* and ideals of the Flame Chasers, but because she didn't learn dick or shit in the actual realm, everything kind of just rings hollow. Mei functionally is meant to be a stand in for you, the viewer, to self insert into the realm and imagine that you're the one interacting with everyone, which is such a disservice to Mei.

*I want to briefly sidebar to curb the misconception that Mei was given the power of origin because she collected all the signets, or that the point of the realm was to find someone to collect them all to have that power passed along to them. Mei getting the power is unrelated to the realm's existence as far as I'm concerned, given that Hua says this:

I trust that Hua is telling the truth here, mostly because she has no reason to lie to us. What this does leave us with is, unsurprisingly, still no answer on the purpose of the realm. Vague handwaving of Kevin saying that Mei has earned the right to "seek answers" only for the narrative to do a weird slight of hand where Aponia goes "now you get to know Elysia's secret because you defeated me kyaaaaa" is not the point. I doubt Kevin allows people into his basement for the possibility of finding out some dead chick from 50,000 years ago that no one outside of WS would actually know by name was secretly a herrscher.

Speaking of which.

Part 3: The Elysia was always a herrscher reveal is dumb

I know this is the most contentious part of the discourse™ when it comes to Elysia, but I cannot understate how stupid it is. I can accept retcons of herrscher order, begrudgingly but yes I will concede if the game wants to commit to it. What I cannot concede to is the game saying that Elysia was born a herrscher.

All the Flame Chasers got MANTIS surgery. This is a fact. Elysia received it as well. Don't you think like, I don't know, literally anyone involved in the procedure would have noticed she has honkai radiation off her like a nuclear bomb? This is such a basic hole in logic and it feels like the game almost wants you to forget that this is a thing, but I didn't, I've spent the past 2 months digging through all the realm game mode text to come to this conclusion.

I also have grift with the fact that she was a previous era herrscher with sapience, since a lot of the tragedy of the previous era is because of the loss of humanity. Kevin was fucking devastated by the HoF emergence, because he hesitated. He saw Murata's face and thought she was still in there. But she wasn't. Kalpas lost Emile to the HoD. Mobius lost Klein, not only to her own over-ambition, but to HoL. Sakura lost Rin to HoC. All of these are essential to their stories, and it's because those herrschers were just mindless tools, godproxy emanators of destruction with no higher order thinking skills. Only a will to subjugate humanity.

Oh but actually Elysia is a sweet and special perfect girl who never did anything wrong, she didn't betray anyone, she was always the bestest girl who loved humanity and was a friend to everyone because she's so lovable and you should love her too ❤️❤️❤️

Yeah no I'm not doing that. I want to make it clear that I actually really like Elysia, and it doesn't take much to fix the parts of her story that have no logic or retcon themselves in the span of a chapter. She's very close to being well written, which makes it all the more frustrating that the narrative continually bends around her to make her have less flaws. Elysia is pushy! She's overbearing, and tends to needle at people whenever she notices something. She forces Mobius to try on clothes she likes but Mobi doesn't, she constantly flirts with Mei and calls their hangouts dates even if Mei doesn't seem interested, she's a little selfish and plays pranks, all of this stuff is very endearing! I just can't deal with the other things the game does to try and make me like Ely more.

Part 4: Even if I try to fix it, the realm is broken

I could sit down and outline ways to fix Elysia's writing, the way the realm's story is structured, and it would be fine and dandy in service of smoothing over the stuff I didn't like about it, but you know what it wouldn't fix?

Mei.

Yeah I think we all just keep forgetting about Mei being in here. The thing is that because the Elysian Realm is such a dead weight in canon, you almost can't make Mei go through character development because it wouldn't flow into Transcending Finality in a comprehensible way, and this post isn't about the problems with the final chapter set of Part 1 (although I do promise I have some complaints about the writing choices in there too).

The realm treating Mei as a self insert, and not really serving her arc either, is seen most obviously in "Because of You", the ending cinematic. One that famously doesn't feature Mei at all in the fighting. The ender for this arc is Elysia, because all things start with Elysia. It's Elysia Impact all the way down, except for the part where it has literally no bearing on the main plot.

And that's the problem, isn't it? The only thing the realm really does is augment our understanding of Kevin, and only barely so if you want to split hairs about how Sim!Kevin isn't our Kevin, given that there's a few stray dialogue moments that actually go against Sim!Kevin and most other characters insistence that Kevin is an immovable rock of a man.

So at the end of it all, what do I even say? I love the realm, obsessed to death with it, all the characters are my favorites, well written, absolutely dogshit in terms of story direction. I find this contradiction to be reflective of Elysia, a character who exists only as a vessel for whatever the writer/story director thought would be cool, instead of making it mean anything.

#dazzling nova #honkai impact 3rd #raiden mei #kevin kaslana #fu hua #sorry to beat a dead horse but consider i casted revive #elysian realm

38 notes · View notes

not-neverland06 · 1 month ago

Text

𝚃𝚑𝚒𝚜 𝙻𝚊𝚗𝚍’𝚜 𝚈𝚘𝚞𝚛𝚜

Pairing ˏˋ°•*⁀➷ Arthur Morgan x fem!reader

A/N: Oh. My. God. I am so sorry this got delayed so many times. This is such an important chapter to me, it plays such a pivotal role in "Y/N's" development that I kept scrapping it and starting over. I didn't want to give this to you guys until it was perfect, and I think I've gotten about as close as I can. I'm predicting one more story chapter and then possibly one short epilogue.

Next Part - Hell Hath No Fury Series

Summary: Arthur's gone and you're own once more. The familiar ache of grief lingers as it always does. But the clouds must always part for light. Through death and grief, you still manage to find yourself.

It always seems to be cold at night, now that Arthur’s no longer there to keep you warm. You curl into yourself, knees tucked to your chest as you smother your face in the thin pillow on your cot. You press the fabric tightly to your mouth, trying to keep the sounds of your crying out of the other’s dreams.

There should be no surprise that you’re on your own again. Beating a dead horse doesn’t make it move, but somehow, you keep finding yourself tangled in the reins, dragged along by the memory of men who’ve long since let go. You wonder, sometimes, if your life is one bet of many between god and the devil, seeing which one of them can get you to break first. What you could have done to draw their ire, you don’t know, but you’re not sure how much more pain and loss you can handle. Your lifetime is filled with the empty graves of those you’ll never see again. Now, Arthur’s is just another headstone to add to your endless cemetery.

You worry that you’re too loud on the harder nights. But no one’s ever complained that they hear you crying and you figure they’re all probably too busy mourning in their own way to notice the way you do.

Abigail is practically an empty shell of herself without John. As much as they fought she doesn’t seem to know what to do with herself. Especially knowing he’s in jail, destined for the noose, and there is nothing she can do about it.

Karen’s not doing much better. With Sean in jail alongside John, she’s fallen to the drink. She’s adopted a fatalist view that, without Dutch, you are all doomed to die at the hands of the Pinkertons. Sometimes, looking at the depressing faces of those around you, you think she might be right.

Stuck out in the middle of nowhere, with only two rotting cabins between what was left of the gang, you are a far cry from the fearsome outlaws you once were. This is no longer the Van der Linde gang. Now, you’re barely any better than a group of desperate wanderers.

You know sleep won’t come to you tonight, you’ve been tossing and turning for hours. Any longer and you’ll wake everyone else up. Wiping roughly at your eyes, you slip a blanket around your shoulders and head toward the creaking door of the cabin. You try to keep in mind that one wrong step and the groaning wood below you will alert everyone.

Barefoot, you walk along the muddied planks of the porch and head towards what’s left of tonight’s fire. It’s not ever-burning as it once was. The gang takes care to ensure if anyone were to come looking for you all, you wouldn’t be such easy targets.

You sink onto the log before the dying fire, with embers glowing faintly in the darkness. Sparks flicker and leap from the blackened wood, a futile effort to reignite the flame. Their struggle is in vain, though, there is no life left to kindle, no warmth to revive. The fire is gone.

Light footsteps make their way towards you, but you keep your gaze steady on the flickering struggle before you. “I’m gettin’ real tired of this,” Sadie’s disappointed sigh is a familiar one as she comes to stand behind you.

“Were you in town again?” You ask, ignoring the glare you feel boring into your back. She stares at you for a while longer before letting out a rough sigh and throwing herself down beside you. The log shifts slightly under her weight and you dip towards her.

“I was,” she grumbles, something white balled up tightly in her fist. You turn towards her finally, eyes narrowed on the paper in her grasp. Her face is drawn tight, jaw set angrily as something vengeful burns within her gaze.

“What is that?” You ask, tone inquisitive but not truly interested. Her eyes dart towards you before she shakes her head and tosses the paper to the dying fire. What’s left of it, licks eagerly at the paper, trying its damndest to burn brighter.

“Nothin’, don’t worry about it. Why can’t you sleep?” Her switch in conversation is quick and far from subtle. Your head tilts slightly in curiosity, gaze switching between her and the paper that’s slowly curling up at the edges. She’s hiding something, it’s easy enough to tell from the way she refuses to meet your eyes. Besides, she’s snuck into town plenty of times, you’ve never seen her come back this riled up before.

You jump to your feet and she startles at the quick move. “Don’t,” she snaps, snatching at your wrist as you rush by her and swipe the paper from the fire pit. Sadie gets to her feet, hand held out with an expectant look as she waits for you to give her back to paper. When you don’t comply immediately, she says your name, voice low and tense, a warning.

Lips curling up slightly in challenge, you leap back as she lunges for you, holding the paper away from her. “What is it?” You tease, curiosity curling over the lingering ache from earlier.

She snaps your name again and you flinch back in surprise, “I mean it, don’t look at the goddamn paper.” You’d only been joking with her, trying to focus on anything other than Arthur. Now, there’s a familiar churning feeling of dread as you look at your friend. She’s not angry at you, she’s angry at the thin sheet you’re holding. There’s something on here she doesn’t want you to see, not for her own sake, but for yours.

Your breath quickens, heart dancing dangerously fast against your ribs as you finally look at what’s in your hand. She hisses your name but you stubbornly ignore her, frowning when you realize it’s a torn-out piece of a newspaper. It’s a smaller article from the local St. Denis paper stand, talking about a ferry being lost at sea.

“Oh, god,” you whisper, hand coming up to cover your mouth as bile rushes up your throat. You bite down on your tongue until the taste of iron fills your mouth, holding back the nausea. “This is him, isn’t it?”

Sadie lets out a rough sigh, shoulders slumping in defeat. “I didn’t want you to know.”

“You were just gonna hide this from me?” You nearly shout, taking one angry step towards her. Her brows turn down in guilt, mouth settling into a thin line as she shakes her head. “No? You weren’t?” You demand, tone rough with grief. “You were just going to wait until I put the pieces together myself?”

“Dammit, woman, you’re barely holding it together,” she barks out, snatching the paper from you once more. She turns her back on you, shredding it into pieces so small you’ll never be able to finish reading it. “I was going to wait until I didn’t think you were on the brink of completely fallin’ apart. Besides, it doesn’t say anything about the people on the ship, we don’t know what happened.”

“We never will!” The words tear out of you, a sharp, bitter exhale. A panicked smile twists your lips as you struggle to keep yourself upright. “Sadie, your husband is dead, you know that. You have your answer. I never will. I will never know what happened to him. And it doesn’t even matter because he left me!” Your voice cracks, a sob slipping free despite your best efforts to swallow it down. “I shouldn’t care about that goddamn bastard, but I do.” You turn away from her, shoulders caving in as you wipe roughly at the tears streaming down your cheeks.

There’s a beat of silence behind you. You miss the way her face falls, her hardened exterior falling away just for a moment. She looks at you with something like understanding, pity more likely. She steps forward, her arms winding around your shoulders, trying to hold you steady through the pain. You struggle against her hold for a moment but she keeps her grip firm, forcing you to succumb to the small comfort.

You sink into her embrace, breath hitching as the grief claws its way up your chest, relentless and unyielding. You can’t keep doing this. You aren’t made to endlessly love and lose, to watch pieces of yourself crumble with every goodbye. It feels as though there should be nothing left of you- no bleeding heart, no raw edges. And yet, every time you think you’ve reached your limit, life finds a way to push you further.

But life, pain, and the ugly company of grief never stops or goes away, despite how much you wish they would.

A few weeks later

Physical pains and ailments heal. There may be scars left behind, but for the most part, you can be wholly healed. Anguish of the mind and heart is a different beast to conquer altogether. That sort of pain ebbs and flows. It doesn’t slip away neatly. It comes and goes, sneaking upon you when you least wish for it.

Distractions can dull the edge. The looming danger of death and the law from any of your multitude of enemies helps. But more often than not, the weight remains a leaden burden on your shoulders and a gnawing ache deep in your chest.

For now, the pain has numbed into something dull that makes you clench your teeth and hiss. But if you force yourself, you can find steady ground to stand on. You can keep yourself calm and sated, if you focus yourself on the anger rather than the grief.

Anger comes easier than healing. It lashes out at the world and balms over the constant pain, if only for a little while. You find yourself getting into more and more fights around camp. The forgiveness of shared grief has its limits and you’ve been testing them for a while. You’re curious how far you can push before you’re forced out by the rest of them.

Sadie’s efforts of finding a new place for you all to hide don’t go unappreciated. But this cabin feels like a cage, no matter how far you’ve come from the mud and chaos of the old abandoned camp. The tight space presses against you, the silence weighs heavy against your chest and constricts around you tightly. You hear the faint rustle of the trees in the wind, but it’s a vacuous cavern inside.

The memories of Shady Belle plague you like a ghost. The brief moments when you could almost forget everything pressing down, but now, that place, too, is just another reminder of what’s been lost. Memories of nights spent with Arthur or sitting outside and listening to Javier play his guitar are tainted with loss and rage.

Sadie and Charles provide you brief comfort, but it will never be enough to make this place feel like home. You try to shake thoughts of Arthur, what the gang once was, and everything that came before. You’ve been running for so long, from your past and who you once were, but it feels like you’re being dragged right back.

Unable to handle the suffocating silence any longer, you take Arthur’s bow out from the chest under your cot. You grab a handful of arrows and jump to your feet. Throwing the door of the cabin open, you stride past everyone lingering outside. A few people give you odd looks, but they don’t stop you from leaving. You’ve become a dark cloud around camp, your presence heavy and actions unpredictable. It’s almost a relief for them when you’re gone.

Lady’s just as restless as you are, except the dumb beast doesn’t understand that neither of them are coming back. Charles doesn’t know what happened to Diablo or the other horses when he fled St. Denis and you’re not interested in looking for them. She’ll just have to live with the pain, same as you.

“Let’s go,” you mutter, swinging onto her saddle and leading her out of camp. It’s as if a weight slips from your shoulder the further you get from camp. The tight grip constricting around your chest loosens and for the first time in days, you can draw a full breath as the world opens before you.

The thick groves of trees thin and give way to sprawling plains of grass and wildflowers that stretch endlessly. Steering Lady off the trail, you ride her hard and fast, determined to put as much distance between yourself and those suffocating cabins. Dirt kicks up under her hooves, flying up behind you as she pushes herself to the limit.

The world around you blurs into streaks of green and gold as memories and grief slip away from you. You lean forward over Lady’s neck, urging her to go faster even as she huffs beneath you. You’re racing the wind, chasing after a dream that’s been lost to you. The air lashes at your face, the sting sharp and cold. Your eyes burn and you tell yourself it’s the wind, even as wet streaks drip down your cheeks.

Bright beams of sunlight streak across the ground, illuminating the path forward. Morning dew glistening under the light, transforms the earth into a field of stars beneath your boots. You draw in a deep breath, letting the crisp air fill your lungs, and tighten your legs around Lady’s sides, signaling her to slow. Her chest heaves beneath you, each breath a puff of steam in the cold air. You can feel her desire to keep running, that shared, desperate need to escape clawing at both of you.

But she’s exhausted, and no matter how much you’d like to keep going, you can’t push her until she collapses. You’re tethered, whether you like it or not, you’re always going to be pulled back to camp. It’s a cage and a haven. Though you hate the confinement, deep down you know survival outside of it might be beyond you. You don’t trust yourself not to wither in the wilderness alone.

The sound of water rushing draws your attention and you turn towards a green hill rousing in the distance. Guiding Lady toward it, you crest the incline and slip off her saddle, letting her graze.

Below, a river carves through the land. Its rushing currents are strong enough to carry something away with no hope of return. You step closer to the edge, peering down as the sunlight dances on the water’s surface. It runs like liquid gold, unnaturally beautiful, almost hypnotic, like the siren call of a sailor’s doom.

A herd of deer drift alongside the river, their presence serene and almost make the idea of simply drifting away, peaceful. Your foot inches closer to the edge, slipping on the wet grass, and for a split second, the earth feels like it’s tilting forward.

“You don’t usually ride out this far.”

The voice snaps you back, and you gasp, spinning around. Charles stands behind you, one hand on Taima’s saddle, watching you with a calm but expectant expression.

“I can’t stand being there,” you say, moving toward Lady. Your hands fumble with her saddlebag, needing something to occupy them. His eyes flick briefly to the river, then back to you, his gaze sharp and knowing.

“You’re not the only one.” He strolls to the edge and whistles softly. “Far drop.”

You keep your hands busy, pretending to rummage through your belongings. “I’m a good swimmer,” you tell him, voice flat.

“Not that good.” His tone is clipped, a warning wove into his words.

You let out a sharp breath and finally turn to face him. “What do you want, Charles?”

He shrugs, resting one hand on his belt as his dark eyes assess you. “Thought you might want some company.” He pauses, his voice lowering. “Or, at least someone to keep you from doing something stupid.”

You wince, knowing how it must have looked. You’re hurt and desperate, but you’re no fool. The river might be pretty, but you’re not looking to drown yourself in it. “It wasn’t anything like that,” you insist, and Charles gives you a sharp, assessing look. “Charles,” you snap, exhaling in frustration. “Honestly. I just,” you take in a slow breath, shaking your head, eyes downcast. “I need a break.”

“Alright,” he says simply. “We’ll take one together.” He walks back to the cliff’s edge, dropping down to sit with his legs dangling over the side. He glances over his shoulder and motions you to join him.

Your fists clench at your sides as you take slow, reluctant steps toward him. The dew on the grass seeps into your pants as you sit beside him, hands folded in your lap. Out of the corner of his eyes, you catch his profile, calm, steady, and scarred.

The aftermath of St. Denis lingers on his face. A fresh scar cuts along his jawline, a reminder of how close he came to joining the others who didn’t make it. Yet, with some of them gone, he seems more at ease. Charles never agreed with Dutch’s grandiose visions, and though he and Arthur had a bond, it’s clear the gang’s collapse has freed him from some invisible yoke. He wears his hair in a braid lately, speaking with nearby tribes and helping them when he’s not in camp.

If it wasn’t for some odd honor-bound obligation he’s got to you and a few others in camp, you don’t doubt that he’d be riding free by now. Still, he stays with you, and selfishly, you’re glad for it.

A gunshot cracks through the quiet, echoing among the hills. Birds take flight from the treetops as a hunting group crashes through the grove below. They circle around the herd of deer and let their bullets fly wild. Their hounds snap at the flanks of the animals, jaws clamping around the soft throats of the doe.

Charles scoffs, shaking his head in disgust. “You don’t kill the does,” he mutters angrily. “Just the bucks. These men... they have no respect for the laws of nature.”

You let out a sardonic huff of laughter, gesturing toward the chaos below. “Welcome to the future of our country,” Your gaze drifts toward the horizon, where smoke from St. Denis factories smudges the sky. Even this far out, civilization stretches its claws, unstoppable. “The west is dying, Charles. The time of outlaws, of freedom, is being shackled and destroyed.”

You turn to face him, meeting the same burning anger in his eyes that’s been smoldering in your own for weeks. It’s the first time you’ve seen that fire in him so clearly- the shared, silent rage, you’ve both been trying to suppress. “Our time is over,” you tell him, voice low with finality.

His eyes narrow, jaw tight with defiance. For a moment, he says nothing, but then he rises to his feet, his movements purposeful. “Maybe,” he says, his voice steady, “but not today.”

Without another word, he strides toward Taima, tightening the saddle and checking the reins with precision. “What’re you doin?” You call after him, brows knitting together in confusion.

He gestures toward the hunters below, his tone sharp. “You want to do something stupid. Fine. But take it out on someone who deserves it, not yourself.”

His words hit like a slap, and before you know it, he’s leading Taima down the hill.

You linger in the sharp sting of what he said only for a moment. Jumping to your feet, you rush to Lady, adrenaline coursing through your veins as you mount her. With a kick of your heels, you follow Charles down the path toward the hunters, your rage finally finding a target.

For the first time in a long while, the weight around your chest lightens. You might not be able to fix the world, but you can make sure someone pays for tearing it apart. And as you ride beside Charles, you remember why he’s still here. He’s not just keeping you alive, he’s giving you something to live for.

Sitting inside the cabin, the smell of venison drifts toward you. After the incident with the hunting party, you and Charles salvaged what you could of the herd. Neither of you liked the idea of anything going to waste. Some materials were given to the local tribe, and the rest have been feeding the camp for days now.

Last night, you’d scoured the woods for herbs and other ingredients and discreetly left them on Pearson’s cooking table. You were growing desperate for a flavor other than plain meat. Judging by the faint smell of mint wafting through the air, it seems he finally took the hint.

Propped against your flimsy pillow, you run your fingers along the worn leather of the journal in your lap. For weeks, you’ve toyed with the idea of opening it, of seeing the world through Arthur’s eyes.

Here, in the rare serenity of a quiet camp, you finally give in. The journal is as you would expect, sketches, details of some of the more pivotal moments for the gang. Every once in a while you’ll find a sketch of someone and a brutally honest recollection of how Arthur thought of them. Some of them are less flattering than you would have thought, you’re almost worried for how he might have seen you.

You make it through his entries about Blackwater, the sun setting lower in the horizon as the light from the window gets dimmer. Outside, voices grow louder as people gather around the fire for dinner. You force your eyes to stay on the page, blocking out their drifting voices.

His entries after the mountains are almost amusing. He’s clearly frustrated about something, though, he skirts around directly addressing what it is. Only a few times are you directly mentioned, for the most part, he avoids writing about you. But you catch glimpses of yourself hiding in the pages. A half-finished sketch of your hand holding his, the beginnings of your face abandoned before he can finish.

There’s an entry a few weeks after you acquired Lady. A sketch of her and Diablo grazing together, their noses nearly touching as they crane their necks towards the grass. Surrounding the drawings are small notes about herbs and foliage he’d collected on his hunting trips. Among those sketches, there’s a small blurb about the horses.

Diablo seems to be taking a liking to Lady, odd pair, I think.

An odd pair, you suppose there’s not a better way to put it. Something that never should have worked, a devil and a lady, yet it still clawed and fought to find its way. In the end, though, one of them was always going to be left behind. You can’t help but wish it hadn’t been you.

A rough sigh escapes you, and you flip past the next few pages. Then, you stop. A familiar pair of eyes stare back at you.

You’ve changed so much since this journey began. Your skin is weathered, your once-pristine hair is now more often than not dirtied and knotted from the wind. Your body has grown leaner, stronger, shaped by the relentless movement and harsh diet. The woman in the red dress from St Denis was already a stranger, someone you couldn’t recognize.

Even from Arthur’s view, you still don’t know her. The general shape of your face remains. You have the same slope to your nose, your jaw still tilts the same way. But your eyes are so different. He drew them with fire, with life, with a fight you had once thought yourself incapable of.

You feel invulnerable as you stare down at her, as though her fire can be passed so easily to you. The feeling flickers and fades, replaced with the same familiar ache you’ve grown used to.

You can’t make sense of it, how he could have seen you so kindly, and yet still walked away.

“Got that look in your eye again,” Sadie’s voice cuts through the stillness, startling you. She leans against the doorway, one hand lingering on the revolver strapped to her hip.

“What look?” You mutter, glaring down at the journal. It feels too raw, too personal to keep reading. Torturing yourself with thoughts of him isn’t getting you anywhere. He’s gone. You’ve faced death all your life- mourn, move on. That’s how it’s meant to go.

“Angry,” Sadie tells you, voice soft and knowing. “Like how I looked after I lost Jake. You ain’t look like that when you lost your husband.”

You shrug, fingers tracing the lines of your face through Arthur’s eyes. “Arthur was nothing like my husband. He leaves something to be mourned,” you tell her simply. She watches you a moment longer, but when you get to your feet, her expression sharpens.

“Going somewhere?”

“Out,” you reply curly, the cabin walls closing in around you. You’re growing tired of the suffocating way Charles and Sadie hover as if they’re both waiting for you to break again. That moment on the cliff, your grief by the fire, it was all a lapse of judgment, nothing more. You’ve fought too damn hard for your freedom just to throw it away because the men you love always leave you behind.

“Need some compan-”

“No,” you snap, cutting her off. Your tone leaves no room for argument.

You step outside, the balmy evening air clinging to your skin as you head toward Lady. You don’t know where you’re going, but that’s fine. You just know you need to figure out how to live for yourself. And you can start by riding.

The moon hangs heavy in the sky, its light threading through the plains like silver threads. Clouds roll overhead, slowly swallowing the stars. You smell rain in the air, a promise of a storm tomorrow. You’re sure you’ll be holed up in the cabins tomorrow while it pours.

For now, you have the trail and the night for yourself. You let Lady take the lead, her slow gait a soothing rhythm as you settle into the ride. Normally, you don’t risk staying away from camp overnight. There are too many lawmen and bounty hunters looking to make a name for themselves. Tonight, though, you make an exception.

A loud whoop cuts through the stillness, yanking you from your thoughts. You pull Lady to a halt, eyes roaming the dark horizon. A lone rider crests the hill, silhouetted against the moonlight, his path set toward something hidden around the bend.

“Must be my lucky day!” He hollers, voice manic. There’s a flash, the sharp crack of a gunshot splitting the quiet, and a scream follows.

You curse under your breath, driving your heels into Lady’s sides. The two of you round the bend in time to see the rider poking his head into a finely adorned carriage. The driver slumps lifelessly over the reins, blood pooling beneath him.

Grimacing, you draw back into the shadows of the hill. “Alright, ladies first,” the bandit taunts. He reaches into the carriage, his groping hand causing a shrill shriek before he’s grabbing a woman and tossing her into the dirt. You grit your teeth, tucking yourself further out of sight, hoping to go unnoticed.

The glint of his revolver catches the moonlight as he climbs into the carriage. From inside, the muffled sounds of arguing give way to fists striking flesh. The woman lies with her face obscured by her hands. She flinches and sobs with each punch landed and the noises make Lady shift uneasily. Her hooves snap against the dried brambles of a dying bush.

“Damn horse,” you mutter, eyes clenched shut as the noises momentarily pause.

“Who’s there?” He calls out. It’s barely a moment before his patience snaps and he fires a warning shot into the air. “You don’t want me to come find you,” he warns, voice low and tight.

Knocking the brim of your hat down, you let out a resigned sigh and turn the corner, forcing yourself into the open. “Howdy,” you call out, trying to mimic the casual confidence Arthur used to have in moments like these. Bandits, outlaws- they all recognize each other through the ease with which they face situations like this. You only hope you’re a good enough liar. “Just passin’ through, friend, no need for problems.”

For a moment, his gun dips to his side. Then, his face is twisting into a wide, erratic grin. “Nice trail isn’t it? Perfect for catching big fish,” he says, swinging the revolver toward the woman’s husband. She whimpers loudly and grasps at the slumped-over man. You can hear his shallow, wet breaths from where you sit.

“There ain’t no need to shoot ‘em,” you tell him, voice steady despite the tension coiling around you. “There’s a fence not far from here, you’ll get more money selling that carriage than you will killin’ them.”

He crackles and it makes your skin crawl. “Where’s the fun in that?” He sneers, cocking the hammer back as he points the gun at the woman.

This man laughs, taking far more pleasure in tormenting others than in the act of robbery itself. He’s malicious, sadistic—the very picture of a perfect outlaw. For a fleeting moment, he sees something in you, thinks you might be cut from the same ruthless cloth. But he’s wrong, and there’s something exhilarating about stepping beyond the mold your family and husband once shaped for you, discovering who you can be on your own terms.

Your hand drifts to the revolver on your side, slowly easing it out of your holster. His head snaps toward the sound of you pulling the hammer back, but it’s too late. From your spot atop Lady, all you see is blood splatter as his body drops to the floor. The woman screaming lets you know you hit your mark near perfect.

Opposed to the man now bleeding out in the dirt beneath you, there’s no thrill in the kill, no satisfaction. Just the cold thrum of your nerves, the slight tremor in your hands as you slide off Lady and stride toward the couple.

With the bandit dead, the woman’s husband seems to make a miraculous recovery. He springs up, blood still streaming along his chin. “Thank God for you, sir-”

He stops short when you tip your hat back. Perhaps his ears were still ringing from one too many blows, dulling his senses, or maybe he was simply too pigheaded to grasp the fact that he’d just been rescued by a woman. You level him with an unimpressed glare. “Not a problem,” you say flatly

“Oh, good heavens,” the woman gasps, whispering your name with a startling familiarity. You freeze, eyes wide, as your blood runs cold.

Elsbeth Morton.

You’d know the voice anywhere. Of all the people you could have run into, she’s the last you’d ever want to see. Your tormenter through finishing school. She used to cut your hair in your sleep, stain your dress, and make your life a misery for sport.

Her sneer hasn’t changed, though the lines around her mouth suggest her spite has only deepened. “Well,” she drawls, voice laced with faux pity, “I see nothing much has changed for you. Still scrounging out an existence in the dirt, are we?”

Your jaw tightens. “Elsbeth,” you grit out. “You’re welcome.”

She laughs, short and derisive in a way that makes you bristle. “For what? Subjecting me to this humiliating spectacle? Honestly, I think I preferred the company of the bandit. At least he had the decency to get on with it instead of pretending to play the hero.”

You bite the inside of your cheek, forcing yourself to stay calm, but she doesn’t stop. “It’s almost tragic,” she continues, brushing the dirt from her skirts as if trying to erase the sight of you. “You’re still so desperate for approval, aren’t you? Trying to prove you’re something you’re not. What’s next? A big speech about how strong and independent you are?” She snickers, tugging her husband to his feet. “We both know better.”

Your voice comes out low and steady. “You’ve always been good at pretending you’re better than everyone else, Elsbeth.” God hates you, you’re sure of it. If he doesn't, why is she here? Dragging you back to everything you loathed about your former self—the vapid, dependent, hollow shell of a woman who had once believed her worth was defined by the man standing beside her.

“Pretending?” she snaps, narrowing her eyes. “Darling, I don’t need to pretend. You can wear all the trousers you want, but we both know you’re still the same timid little girl, hiding behind a man and hoping no one notices she doesn’t belong.”

Her words cut, but they don’t sting the way they once would have. Instead, they ignite something, a fire born not of anger, but clarity.

You’re not the man bleeding out in the dirt, killing for the joy of it. But you aren’t the polished girl she remembers, desperate for a man’s approval. You’re something else entirely. Unbound by society, free to choose your own path, you’re a beast of your own creation. And if there is one thing you’ve learned about yourself- you love putting your past in the grave.

You let out a slow breath, your hand drifting toward your revolver. “Elsbeth,” you call, voice sharp enough to cut through her self-satisfied grin.

She stops, turning back with an arched brow. “What now?” she huffs. “Come to beg for my acceptance? Or just another pathetic attempt to-”

“That husband of mine,” you interrupt, voice cool as steel, “was good for one thing.” You draw your revolver, the barrel leveling with her chest. “Teaching me to shoot.”

Her eyes widen, her sneer faltering as her hand instinctively flies to her necklace.

Your lips curl into a wicked smile. “Now, how about you hand over those pretty jewels?”

She scoffs, but you see the way her grin falters, the slight fear in her eyes. You shoot her a wink and take a step closer, reveling in how she stumbles back.

“And while we’re at it,” you continue, voice tightening into a sharp, mocking edge, “why don’t you hand over those earrings too?” You laugh, waving your gun recklessly as you shrug with a faux playfulness. “Actually, what the hell, I think I’ll take that dress—seeing as you’ve gone and gotten it all muddy anyway.” You take a step forward, your gaze narrowing on her trembling hands. “Hell, even that hair ribbon. You always did like rubbing your finery in everyone’s face, Elsbeth. Let’s see how you like losing it.”

She stares at you, disbelief flickering in her wide eyes, her hands frozen in hesitation. “You can’t be serious,” she whispers.

“Oh, I’m dead,” you pull back the hammer of your gun with a slow, menacing click. The sound hangs in the air like a threat. Your eyes narrow, and a dangerous smile tugs at your lips. “Serious.”

She moves hesitantly, every motion weighted with reluctance, disbelief etched across her face. You, the woman she used to torment and cow with a simple look, now dismantling her composure piece by piece. The power shift is palpable, and for the first time in your life, you watch Elsbeth Morton falter.

“Go’n now,” you say, your voice cutting through her trembling silence. “Don’t keep me waiting.”

Her husband flinches as she begins to remove her jewelry, her fingers trembling as she unfastens each piece. You hold out your hand, and she hesitates, her face flushed with humiliation as she steps forward to place them carefully in your palm, one by one, like a chastened child.

He glances at you, then at her, his eyes wide with a mixture of fear and disgust as if the sight of her submitting is too much for him to stomach.

Your eyes narrow on him, your hand tightening slightly around the revolver. The smug smile creeping onto your lips says it all—you’ll deal with him next.

You understand, finally, that you’re no longer the woman shaped by the men in your life. The husband who failed you, the outlaw who abandoned you, the society that tried to break you. People will learn that you aren’t afraid to take what’s yours anymore, because for the first time, you’re carving your own path, and God help anyone who tries to stand in your way.

Next Part end. — I do not own the characters or the game Red Dead Redemption 1/2, but this writing is my own all rights reserved © not-neverland06 2025. do not copy, repost, translate & recommend elsewhere.

Hell Hath No Fury Taglist: @buckysblondie @littlebirdgot @heloixe @summerdazed @committingcrimes-2047

@m1stea @pokiona @fleouris @soupvender00 @warmsideofthepillow03

@whimsiwitchy

#Arthur Morgan x reader #arthur morgan x you #arthur morgan imagine #arthur morgan #red dead redemption 2 x reader #red dead redemption 2 #rdr2 x you #rdr2 x reader #rdr2 imagine #rdr2 #Hell Hath No Fury

178 notes · View notes