#not tagging this cause I’m just hating

[em-prentiss]

The last thing I want to see when I’m scrolling through hotchniss fics is the tag “not Emily Prentiss friendly”….man get tf out of here

[constarlations]

🍊 Big Sis Nemona 🍊

my favorite Unovan/Latina Pokémon trainer ever created

Twitter Link

[suja-janee]

I love Lucy Maclean, she’s such a sweetheart

[juniperhillpatient]

hate it when there’s already enough characters & they bring in a new one to take up all the attention from the already interesting characters. like ok. no one asked

[nai418]

Tiger and Hondo doodle BLAST

[its-just-hyper]

In anticipation for the ending of my hero academia, I gotta say: man, is anyone remembering that one time that one beloved book series about a wizarding school ended with the flawed government staying exactly the same, everyone having kids and naming them after killed off characters, and the protagonist becoming a cop?

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[dykedvonte]

(abt my last ask) thank you for the answer, your understanding of charas is trully stellar!

I wanted to ask, what's your take on recovery!au (unless you intend to cover it in your fic)? In the universe, where Jimmy happens, but the crew somehow survives. Everyone is traumatised, Anya is pregnant, Curly is disabled (could he even be able to afford disability aids? Pony express in no more, would they even be paid a sufficient compensation?). There is also a question of p*lice investigation (or whatever agency is responsible for space crimes), even more trauma... Man, it's bleak.

-💀

I like them sad but for emotional and physical recovery reason rather than all the actual legal stuff that would ensue.

I like when Swansea relapsing is explored and Daisuke losing a little bit of his light. I am clearly a big supporter of Anya and Curly remaining close friend after but I think exploring the unhealthy dynamics of the trauma bond they’d develop should be played with way more. I think it’s a bit annoying when people are on the nose about Anya telling Curly he should’ve done more, especially when he’s struggling through recovery.

I feel like people really want her to be a character to rub salt into wounds, just to give her something cathartic, but it’s just OOC for me. It’s not a kindness thing but I don’t think she wants that sort of guilt to stay with him like that? He did not do what Jimmy did, he could’ve done more to stop it but she would not intentionally try to direct what she can never take out towards Jimmy at Curly. At least when they all make it out. This is not to say she doesn’t think he shouldn’t have any remorse but she understands that no one else could have foreseen Jimmy crashing the ship or getting that bad.

I like when it gets psychoanalytic in fics with the crew. Talk about Curly finally opening up on details on how he and Jimmy were friends, have the others realize how bad Jimmy was to even Curly, not a lot of people realize that they don’t know how Jimmy was to him. Have Anya be angry and snippy, have her worry she’s becoming like Jimmy even though she could never be like him, it’s that fear though, that she is owed that cathartic release and may take it out on others in some selfish subconscious desire to reclaim control for herself. Have her actualize-herself, is med school the only option? What does she want now? Does Swansea divorce his wife, give up on the life he created because he was just following the path of a good man, one he didn’t believe? Or does he stay and use the time he has left to make it something he believes in. How is Daisuke? Is he more mature or does he lose a little light? What are his new aspirations if any? His relationship with his parents?

Ultimately, I think a recover au should really focus on just them actually getting to know each other and filling themselves. So much of their interactions were likely based on coworker dynamics first. With that out the window they are now people who can’t really move on from each other but need to move on in life.

[funhouse-mirror-barbie]

I talked a lot about Stella’s appearances previously, but I wanted to talk about her other appearance in season one—this scene:

This scene is interesting to me. I’ve seen some discussion on tumblr debating that this scene was only showing that Stolas felt guilty about cheating on Stella, not that Stolas was actually in the wrong for doing so.

And I find this logic fascinating b/c, yes if you would like to interpret it that way, you can. It’s up to you to decide how you want to interpret or engage with any work.

That said, I don’t think that competent and consistent writing would make the audience try to justify why Stella was there in hindsight. (Conversation continues below cut)

This scene is significant to me because the visual composition and direction of the animation puts Stella at the same level of importance as Octavia.

Which, in my opinion, means that this is one of the few times Helluva Boss did “Show don’t Tell” really well.

Through the visuals, the lyrics of the song, and Stolas’ reaction to Ozzie’s conjured Stella and Via, the audience is told that “these are people Stolas has both failed. He knows he has failed them and fears losing them. But he still hasn’t considered how his actions would impact them, and is now being faced with the idea of that possibility for the first time”

I specifically say that “he’s afraid of losing them” because the illusion of Octavia and Stella both turn their backs on Stolas, leaving him with just Blitzø. It’s extremely clear visual story telling—Stolas wants to be with Blitzø, but in doing so he is neglecting and will potentially lose his relationships with his wife and child.

And, at this point, because it’s before S2E1, the audience has still not been told that Stella is evil and abusive, and have no reason to think that Stolas wouldn’t care if Stella left (and again you can argue that there’s foreshadowing in hindsight but I have already gone over in depth why there isn’t enough information about Stella for the audience to see that coming)

What this part of the song is communicating to us is that Stella has at least some importance in Stolas’ life.

I think you could say that “well obviously Ozzie just didn’t know enough about Stolas’ personal life” but at the same time, what is being depicted in the show is also for the audience’s benefit.

When you are using a visual medium for your story-telling, your compositions and what you physically show the audience is important.

Like this isn’t subtext, it’s not even subtle—in a scene that is depicting Stolas’ shame, guilt, and embarrassment over his affair with Blitzø, Stella is included with Octavia because he knows he wronged her too.

(Also I almost didn’t write “Stolas’ shame, guilt etc.” b/c I was like “well wait, I can’t remember for sure that Stolas was shown as being ashamed or embarrassed about his relationship with Blitzø” so I went back to check and rewatched Ozzie’s and like.. Stolas being ashamed of his affair with Blitzø was shown even more explicitly than I remembered. Like, he straight up tries to ditch Blitzø and then hides his face after Ozzie asks him if he gave up his family to be with Blitzø ????

And Blitzø’s reaction to this shows he’s obviously hurt by this? Like. I know some people have acted like Blitzø is in the wrong for rejecting Stolas after Ozzie’s but I can’t imagine not being hurt by this reaction…)

But anyway, back to the main point—All of these visuals and the character’s reactions to what’s going on around them are meant to illicit emotions within us, but if Stella’s abuse and complete cruelty were always planned and she was always supposed to be hated, the emotional impact this scene is significantly lessened.

I know I’ve already said this, but I just can’t help thinking that the story would have been SO MUCH more interesting if Stolas was held fully accountable and actually had to reflect on his actions. There was so much potential for the plot and deep nuanced character development and change.

At the end of the day though, it’s not my story, and the writers and creative heads of HB get to tell the story they want to tell.

As a final note—I am not trying to nitpick, these are things that occur to me while I am trying to understand the story and engage with it on a deeper level.

But with every new episode, I find myself having more questions about why certain choices were made, and getting more and more confused about why characters behave the way they do. I can’t help thinking that the story was never fully planned out, and I worry that’s only going to become more obvious as time goes on.

[a-sketchy]

liking yosuke is harder than liking akechi tbh. like akechi’s crimes are entirely fictional but yosuke’s homophobia and misogyny and other general shittiness is genuinely uncomfortable for real people for very understandable reasons. ultimately i could never blame anyone for not being able to stand yosuke’s issues, and no one’s obligated to like the characters i like nor in the specific way i like them, but it’s sooo annoying to read nuanceless takes on either end of hating him based on an extremely shallow reading of the text or liking a squeaky clean sanded down version of him. and that does apply to akechi too, but i think it’s overall harder to overcome the instinctual disgust of yosuke’s actions to grapple with a sincere analysis of his character than it is for akechi, cause even without having hard stats to back this up, i’m pretty sure the demographics of people who like persona include more queer people and women who have faced any sort of prejudice than people who have been murdered, y’know?

so like, free my man. he did all that shit but he’s complex about it

[fujii-draws]

OKAY! Chatot rant in tags below! Read at your own discretion.

[itspileofgoodthings]

School is going so great and also I am so exhausted and also I am having an existential crisis

[juniorfor2]

I cannot believe what they are doing to Jace - they really need to make another deliberate mouthpiece, just to make more Team Black characters misogynistic???

I was annoyed when Condal said a year back that it was ‘young, hot-blooded sons who eagerly started wars’ but I was hoping he’d mostly be referring to Aemond - you know, the canonical hot-blooded, idiotic dude who started a war with his kinslaying of Rhaenyra’s son? Not fucking Jace.

He’s the son of a woman who is trying to break into an oppressive system, and betrothed to a badass woman that knows how to use weapons and clearly likes to terrify the shit out of her enemies for fun - why are the writers trying to make it out as if Jace is being super restrictive and disbelieving of his own mother’s abilities???? Is that why they’ve been erasing Baela from the episodes? So they don’t have to confront their own stupidity and racism?

Condal, stop making this a both sides are bad show!!! It doesn’t work, it’s misogynistic, and only reflects badly on you.

Stop ruining one of the best characters of the entire dance just because you can’t stand the fact that Rhaenyra’s council and loved ones actually respected her authority and were dedicated to her safety.

I know you must hate the fact that Alicent’s family - the greens you so clearly insert yourself into - abandoned her without care after the fall of King’s Landing and clearly disregarded her authority the moment they could get away with it, but maybe you shouldn’t be adapting a show if you hate the story it was based on so much. The greens were misogynistic, mass murderer, rapist maniacs who couldn’t get themselves together and only lived as long as they did because of plot armor, so if you could finally get that into your head it would be great. Otherwise, fuck off.

[hana-bobo-finch]

Yknow what it’s time to be completely honest. It’s hot take time. I hate Russ so much. He’s the worst rescue corps member and when I’m not forgetting he exists he makes me so mad. He’s such an overcontrolling prick but it’s not like how dingo’s a prick (like with dingo it’s very obvious he’s meant to be annoying and condescending, it clearly stems from insecurity, he still obviously cares about other people and most of the time he’s just putting up a cool guy facade). Yonny’s eheheheh is like music to my ears even though it’s just text on a screen but Russ’s stupid little KEE HEE is like nails on a chalkboard. All he ever talks about is his inventions and how you should totally get them and blah blah blah. And he’s always like “efficiency this efficiency that I’m busy what do you want” shut up bro!!! Please!!! He’s a nepo baby and I want to smack him every time I see him. His family is what you’d expect from a bunch of rich freaks (shepherd mentioned that they randomly threw a goodbye party for Russ and made her hold their coats at the door??). The fact that people think Collin is annoying or dingo is rude or yonny is uncaring or etc etc etc when Russ is RIGHT THERE is so infuriating, he is all of those traits wrapped up into a hideous little creature. People say that the rescue corps don’t have much personality which is true to an extent, i don’t fully agree but nonetheless Russ is the most cardboard cutout of all cardboard cutouts. Where is the personality?? Yonny’s a sweetheart who’s maybe a lil bit crazy but it’s for a good cause, dingo’s just a whole mess of undiagnosed anxiety and chronic-gym-bro personality, bernard has that whole history with santi and he talks like THIS, I don’t need to defend shepherd because if you just talk with her on base or read her logs you know she has personality, Collin is such a caring lil guy who’s constantly tired and did a bunch of weird jobs to pay for college, then there’s Russ the nepo baby who I want to slap. I guess he does have a bit of a personality but every aspect of it is annoying. Idc how many people disagree I am speaking my truth. I would hug every rescue corps member except for Russ. I would slap his stupid bald head

[feralcorpses]

I’m sorry what, he kinda ✨SLAYED✨ tho- *gun shots*

Dude got ignored 😔

(The comment is on their community post where the poll was what’s your favorite gravity block)

(Feral POSTING ABT SHIPS!? unheard of, no srs I don’t think I have ever even mentioned ships on this blog until now-)

(Someone tag marsmarbles for me please they gotta see this, I have an irrational fear of tagging people ok-)

[hoonphobe]

there’s so many points i need to make abt aot, eremika, and eremin omfg. i’m just gonna bullet point it.

the last two eps are probably the most in depth mikasa’s character has ever been. i’ve always disliked that her whole personality was pretty much being devoted to eren and that she’d only ever be seen as her own person in very small increments. like even when eren wasn’t present. her character had so much potential and it was kind of wasted. she deserved so much better like how is the fmc one of the least developed women in aot

i was never the biggest fan of eremika because imo they lacked a lot of vital chemistry needed for a relationship especially on eren’s side. eren cares for mikasa deeply but i could never see it being romantic. i feel like every “advancement” eren’s made towards mikasa some other outside force caused that. like armin having to tell eren that mikasa deserves better because she’s liked him for so long and he never returned those feelings idk it feels so forced

eren’s relationship with armin is MUCH deeper than the one he shares with mikasa and it’s shown in both the anime and the manga. him and armin have always connected on a deeper level because they share all their burdens, the same dreams, they completely understand eo better than anyone else. if eren ended up with anyone it should’ve been with armin.

i think eremika had potential. if eren had a deeper connection with mikasa like he did with armin it’d make sense why they’d end up together. i’m aware that everyone has different relationships with others and love presents itself in different ways, but eren has always been someone that wears his heart on his sleeve so i find it hard to believe that he’s never express himself to mikasa once even if it’s not directly. i feel like since mikasa loved eren so much they used that to imply that eren loved her the same way which is very cheap and lazy imo.

i feel like there was sm eremin erasure after eren’s death like they had a whole conversation abt how they’ll always be together even after death and yet the only person we see reunite with eren is mikasa. i have no problem with eremika reuniting at all, it makes sense since armin was the last of the trio to die, but not even showing them all reuniting is so sick

i understand the sweetness behind mikasa being the one to help eren forget abt the stress he has, but i think it’s more powerful that armin has always been someone to not help him forget but to support him through every hardship he encounters. aot is a series abt how eren took extremely drastic measures to achieve freedom for his friends and his people, he literally committed genocide, he needs someone blunt to tell him that the decision he made was utterly stupid, that although he did it for a greater cause he still did an act that’s truly unforgivable. armin was the only one who could truly resonate with eren in that aspect, the only one who could “forgive” him because eren did it all so that armin could achieve his dream after his had already shattered.

i understand that eren confessing that he didn’t want mikasa to end up with anyone else was meant to be used as a double kill if he likes mikasa and that he’s very vulnerable, but i just feel like it was very forced. armin using it to get eren to let out his true emotions made no sense to me like armin has never used mikasa to stir eren so i find it crazy that he’s use it the final time he’d ever speak to him

and yeah those are most of my opinions, you don’t have to agree with them or are they supposed to be taken as a fact because they’re not!