#not sure how much I've succeeded

[not-terezi-pyrope]

There's a recurring issue that keeps happening in fantasy discourse that keeps happening to creators where including monsters in your worldbuilding gets distorted into a sort of fascist intent as people get gradually lore desensitised to said monsters and they become more and more a "mundane" or "natural" part of the fictional world in people's minds.

Here's how it works, from my observation.

The monster, as a concept, is an ancient mainstay of all fiction as it is a mainstay of the human psyche, representing primal fears and the abstract (unrealistic!) horror of the other. It has carved out an important role in media as an element that is broadly understood to be a thrilling antagonistic force that is removed from anything in the real world.

An author wants to write a story about heroes who regularly encounter and fight multiple monsters, because this is mechanically important for the type of media or narrative (maybe a video game world needs many creatures to fight, the high fantasy protagonist needs a "monster force" to threaten the world, the ghost hunter type hero needs various ghosts and ghouls to fight off each week.

The story gets released into the world and people become used to the monsters existing, to the extent that they begin to lose the narrative lens of the monster in their minds. They begin to treat the otherworldly monster as an element of the world, and then the idea of the monster as a purely antagonistic or evil force begins to sound absurd, as it is for any type of being in the real world, especially if the monster is intelligent. People get interested in subverting these elements of the monster, and derivative works including the type of monster begin to explore stories in which the monsters are actually neutral/good, but misunderstood, actors, due to their monstrous appearance or similar.

This interpretation of the monster as another kind of person, or benign animal, becomes widespread, with the monster solidified as a concrete part of the world in a way that is divorced from their conception as an unrealistic, otherworldly threat.

People look back at the original source work, and go, "hey! Why was the author so intent on displaying this group of creature as inherently gruesome and evil? This sounds like fascism!" And it makes sense why they think that, except that they have forgotten that said author was writing about a type of monster instead of an analogy for a human group or race. As such, with enough time and reinterpretation, people can find grounds to accuse authors of fascism for the crime of merely writing about monsters, which kind of sucks as a thing to do, in my opinion.

I think the Tolkien/D&D style Orc is the prototypical example of this, although there are many others, really it happens to some extent with any sort of "monster species" where there is more than one horror creature in your world. This is not to say that you can't interrogate issues with how certain monsters are portrayed - why evil orcs are portrayed with darker skin colours sometimes, for example, or... Pretty much everything going on with a lot of goblin-esque creatures, but I think it's important to remember that this is a different sort of criticism from, for instance, "Tolkien and the D&D people believe that certain types of being are inherent evil and need to be wiped out".

Because we can't forget that they were not writing a real type of person or creature, but a type of monster, and monsters are understood to be an unrealistic, otherworldly narrative contrivance. You have problems making them fit into the real world with a just mindset because they do not exist in the real world, they exist as monsters, and were written with this understanding that there is a common understanding of what that means and how it should be understood.

I feel like people need to keep that in mind in their analysis, else pretty much any creative can be smeared retrospectively for writing about monsters whatsoever. I think monsters are pretty cool in fiction and important to the human psyche, and think that they have a crucial place, as long as we remember the lens through which they should be considered in their conception, which is inherently outside of material reality.

That's also not to say we shouldn't subvert and interrogate and adapt monster tropes either, but doing so doesn't mean throwing out the original ideas as having gone rotten.

[vyrridianasims]

Finally been managing to get my ass back into the sims 2 to continue working on making over Pleasantview.

Here's a little sneak peek of the Goth manor :)

[the-unrelated-theorist]

I just want to go back to the

,,, as if he’s reacted badly to something Flowey did before,,,,

part.

one of my favorite headcanons is that Papyrus and Flowey planned out nearly all of the true pacfist route, from meeting Frisk all the way up to calling everyone to the barrier to stop them from fighting Asgore

i very much like to think that the one part they didn’t plan out was Flowey taking all the souls, which is why this happens

(you literally can’t convince me that his arm isn’t super broken)

because they didn’t plan this part out, Flowey takes extra precaution with Papyrus, because he wouldn’t know how he’d react,,, as if he’s reacted badly to something Flowey did before,,,,

idk lol, this is just something i like to think about every now n then

[medicinemane]

Sometimes you have something that you could say, that you think about saying, that you more or less know how you'd phrase it... but it's just not fucking worth it cause you know for a fact that people don't fucking listen

I don't know, I try to stay... if not optimistic then at least with a mind set of "doesn't matter, we've got no choice but to try and make things better"

Truthfully though I think I'm extremely pessimistic when it comes to the chances of anyone actually listening to what I say

I'm not sure if I'm just bad with words but... it seems impossible to convey even simple thoughts to people so... truthfully I've more or less given up and have just stopped trying. Especially if I don't at least know people well

So there it is

[faint-taste-of-almonds]

yes there's a lot of things to criticize about Star Wars but one thing i will always love it for is being so unabashedly tragic

i'm sure it's been said before, but one of the main things i think powers the SW fandom (fics in particular) is the (in)evitability of it all

time travel fix-its are one of the most popular sub-categories of fics that i've seen (for the prequels at least) but i see it much more rarely in other fandoms. i know each fandom has their own niches that they dig into but star wars fic writers took one look at this decades long story of people who were doomed from the start and said 'not in my house bitch'

and i'm never tired of it, because there's so many places where just one different action could have changed the story entirely, but didn't

was it over the moment Palpatine succeeded in feeding Anakin's fears and his distrust toward the Jedi? the moment the Sith gained control of the senate? what about when the war started, when the Jedi were made generals of men designed to be their executioners? what about when Dooku left the order? when Qui-Gon Jinn died, leaving barely-knighted Obi Wan Kenobi to raise a child he had no idea how to care for? when the Jedi massacred the Mandalorians at Galidraan, leaving Jango Fett primed (hah) for revenge? when Palpatine, and thus the Sith, first gained influence? when the Jedi were tied to the Republic, all the way back at the Ruusan Reformation?

there are so many little moments that turn into this huge web of cause and effect when you take a step back. and in canon, these characters are dooming themselves while we watch, but what reason do they have to do anything different? they don't know they're in a tragedy - its dramatic irony at its goddamn finest

but there's this thing about decisions: for it to be a choice, there has to be another option. and our heroes make their mistakes because that's what they do, while we aren't privy to that other option, leaving that little what-if. it's a favorite human pastime, to think about what might have been.

we start at episode 4, though, fourty or so years after what you could arguably call the start, and find ourselves watching the dominoes fall in place throughout 1, 2, and 3.

and we can hate the choices, hate the tragedy, hate what happened to our beloved characters, but we knew. we had the luxury of knowing.

it's a love story, it's political intrique, it's sci-fi at its finest, and they were dead from the start.

[derinwrites]

How can I make money writing fiction?

I'm gonna be straight with you. There is no guarantee that you'll make enough as an independent writer to make it worth your time. You very well might -- I make a liveable wage as an independent writer -- but many don't. Most writers I know also have a job. And luck plays a big part in it.

If you're interested in going forward in spite of this, you have two main options for monetisation open to you, and you are going to have to pick one. I call them the sales model and the sponsorship model, and you are going to have to pick one.

The sales model involves writing stories and selling them to readers. You can put books up on Amazon or Smashwords, sell them direct from your own website, enlist the help of a traditional publisher to handle that for you and let them decide where to sell, whatever -- the point is that your money is made from the sale of books to readers. If you go with a traditional publisher, you're using this model (though they will give you some of the money ahead of time in the form of an advance). Most indie authors also use this model, publishing through draft2digital, Ingram Spark, direct through Amazon, whatever. I've never relied on the sales model and can't give you any advice on how to do this, but Tumblr is full of indie authors who probably can.

The sponsorship model involves soliciting small amounts of money from various readers over time. This is ideal for web serials, and it's what I use. I use Patreon, which is designed specifically for this purpose, but you can use other sites such as ko-fi. This model involves providing regular content for free, with bonuses for those who support you.

"Can't I do both? Sell books and have a Patreon?" You absolutely can! I know several indie authors with a Patreon. I sell my completed books as ebooks and will eventually sell them as paperbacks. But your time and attention is limited, and so is your audience's, and you're going to have to half-arse one of these in order to have enough arse to whole-arse the other. You're going to make a lo of decisions that benefit either the sponsorship model or the sales model, not both. So pick your primary income source early and commit.

I can only advise on writing web serials and using the sponsorship model, so I'll go ahead with that assumption. If you want to make a liveable wage doing this, not only will you need luck, you'll also need patience. This is not a fast way to build a career. at the end of my first year of doing this, I had one single patron, and they were a real-life friend of mine. When I reached an income of $100/month, I threw a little party for myself, I was so happy. It had taken such a long time and was so much work. I reached enough to cover rent/mortgage after I'd been doing this for more than four years. It's a long term sort of career.

Here are some general tips for succeeding in this industry, given by me, someone with no formal training in any of this who only vaguely knows what they're talking about:

Have a consistent update schedule and STICK TO IT

The #1 indicator for stable success in this industry (aside from luck, which we're discounting because you can't do much about that) is having a consistent update schedule. Your readers need to know when the next chapter is coming out, and it should be coming out regularly. Ideally, you should have no breaks or hiatuses -- if you're in a bus crash or something, that might be unavoidable, and your readers will understand if you tell them, but if you're stopping and starting a lot for trivial reasons, they WILL abandon you. You can't get away with that shit if you're not Andrew Hussie, and I'm pretty sure Andrew Hussie doesn't message me for career advice on Tumblr. If you find you need a lot of hiatuses to write fast enough then you're updating too often; change your schedule. A regular schedule is more important than a fast one (ideally it should be both, but if you have to pick between the two, pick regular).

2. Pay attention to your readership, listen to what they want from you

Your income is based on a pretty complicated support structure when you're using the sponsorship model. this model relies on people finding your story, liking your story, and continuing to find it valuable enough to keep paying you month after month. This means that your rewards for your sponsors should be things that they value and will continue to pay for ('knowing I'm supporting an artist whose work I enjoy' counts as a thing that they value, to my great surprise; there's a lot of people giving me money just for the sake of giving me money, so I can pay my mortgage and keep writing for them without needing a second job), but it also means supporting the entire network that attracts readers and keeps them having the best time they can with your story -- being part of a rewarding community. Because this is advice on making money, I'm going to roughly divide your readership into groups based on how they affect your bottom line:

sponsors. People giving you money directly. The importance of keeping this group happy should be obvious.

administration and community helpers -- discord moderators, IT people, guys who set up fan wikis, whoever's handling your mailing list if you have a mailing list. You can do this stuff yourself, or you can hire someone to do it, but if you're incredibly lucky and people enjoy being a part of your reader community, people will sometimes volunteer to do the work for free. If you are lucky enough to get such people, respect them. They are doing you a massive favour, and they're not doing it for you, but to maintain a place that they value, and you have to respect both of those things. My discord has just shy of 1,300 members and is moderated by volunteers. I'd peel my own face off if I had to moderate a community that large. If you've got people stepping up to do work for you, you need to respect them and you need to make sure that they continue to find that rewarding by doing what you can to make sure that the community they're maintaining is rewarding. Sometimes this means taking actions and sometimes this means staying the fuck out of the way. Depending on the circumstances.

fan artists. Once you have people drawing your characters, writing fanfic of your stories, whatever, treat these like fucking gold. Give them a space to do this, and more importantly, give them a space to do this without you in it. Fanworks are a symptom of engagement with your work, which is massively important. They are also a component of a healthy community, an avenue for readers to talk to each other and express themselves creatively to each other. Third, fanworks act as a bridge for new readers. When readers share their art on, say, Tumblr, it can intrigue new people and get them into the story. Your job in all of this is to give them the space to work, encourage them as required or invited (I reblog most TTOU fanart that I'm tagged in on Tumblr, for instance), and other than that, stay the fuck out of their way. These people are vital to the liveblood of your community, the continued engagement of your audience, and the interest of your sponsors. Some of the fan artists will be sponsors themselves; some won't be. Those who aren't sponsors are still massively valuable for their art.

speculators, conversers, theorists, livebloggers, and That Guy Who's Just Really Jazzed For The Next Chapter. Some people don't make art but just like to chat about your story. These people are a bedrock of the community that's supporting your sponsors and increasing your readership, and therefore are critical to your income stream. Give them a place to talk. Be nice to them when they talk to you. Sometimes, they'll ask you questions about the story, which you can choose to answer or not, however you feel is appropriate. They'll also want to chat about non-story-related stuff with each other, so make sure they have a place to do that, too.

that guy who never talks to you or comments on anything but linked your story to ten guys in his office who all read it now. Some of your supporters are completely invisible to you. You can't do anything for these people except continue to release the story and have a forum they can silently lurk on if they want to. But, y'know, they exist.

If you want to focus on income then these are, roughly, the groups of people that you will need to listen to and accommodate for. You can generally just make sure they have space to do their thing, and if they want anything else, they'll tell you (yes, guys, paperbacks will be coming eventually). Many people will fit into multiple groups -- I have some sponsors that are in every single one of these groups except the last. Some will only be in one group. A healthy income rests on a healthy community which rests on accommodating these needs.

3. If you can manage it, try to make your story good.

It's also helpful for your story to be good. Economically, this is far less important than you'd think -- there are some people out there writing utter garbage and making a living doing it. Garbage by what standards? By whatever your standards are. Just think of the absolute laziest, emptiest, hackiest waste-of-bandwidth story you can imagine -- some guy is half-arsing that exact story and making three times what you'll ever make on Patreon doing it. And honestly? Good for him. If he's making that much then his readers are enjoying it, and that's what matters. Still, one critical component of making money as a writer is writing something that people actually want to read. And you can't trick them with web serials, because they don't pay in advance -- if they're bored, they'll just stop. So you have to make it worth their time, money and attention, and the simplest way to do that is to write a good story.

This hardly seems mentioning, since you were presumably planning to do that anyway. It's basic respect for your audience to give them something worth their time. Besides, if we're not interested in improving our craft and striving for our best, what are we even writing for? I'm sure I don't need to tell you to try to write a good story. The reason I list this is in fact the opposite -- don't let "I'm not a good enough writer" paralyse you. The world is full of someday-writers who endlessly fuss over and revise a single story because it's not good enough, it's not perfect, they're not Terry Pratchett yet. Neither was Terry Pratchett when his first books were published. If you're waiting to be good enough, you won't start. I didn't think Curse Words was good enough when I started releasing it -- I still don't. I started putting it out because I knew it was the only way I'd get myself to actually finish something. I don't think it's all that great, but you know what? An awful lot of people read it and really enjoyed it. And if I hadn't released it, I'd have been doing those people a disservice.

Also, it taught me a lot, and based on what I learned, Time to Orbit: Unknown is much better. If I'd never released Curse Words, if I hadn't seen how people read it and reacted to it and seen what worked and what didn't, then Time to Orbit: Unknown wouldn't be very good. And it certainly wouldn't be making me a living wage, because it was the years writing Curse Words that started building the momentum I have today.

And Time to Orbit: Unknown as it is today has some serious problems. Problems that I'm learning from. And the next book will be a lot better.

So that's basically my advice for making money in this industry. Be patient, be lucky, be consistent. Value your community; it's your lifeline, even the parts of it that don't directly pay you. And try to make your story as good as you can, but make that an activity you do, not a barrier to prevent you from starting.

Good luck.

[love-fictional-ppl]

Hello again! I have another idea for you, what about the reaction of the brothers when MC wears something slutty specifically to rile them up? Thank you for answering my previous request, have a nice day! 💐💐

Ofcc and love this idea😼

Older Brothers Reactions to MC Wearing Lingerie

Part 2 & part 3

Summary: look at the request

Pairings: Lucifer x fem!MC, Mammon x fem!MC, Leviathan x fem!MC

Warnings: language, sexual themes, lingerie, sub!levi, mams thinks wit his dick,etc.

He hadn’t been paying you much attention lately, you had started to feel a bit lonely. You weren’t really sure on how to get his attention. Talking to Thirteen she gave you some advice.

“Wear something slutty. He’ll love it, at the very least you’ll get his attention like you wanted.”

You contemplated the idea for awhile before actually deciding to go through with it. You went to Devil’s Secret to find lingerie he would like, you wound up pick a simple lacy one in his favorite color.

When you went home you immediately went to your room to change, then you waited.

Lucifer:

Part 2

Tbh he probably didn’t even mean to neglect you.

Does some evil smirk when he sees you and takes off his gloves like a movie villain

Honestly though prepare for him to punish you, iykyk

You definitely succeeded in getting his attention because after that he started buying you more lingerie and some other things

Might wind up giving you flowers as a genuine apology

10/10 recommend, bae be looking out

₊˚ ‿︵‿︵‿︵୨୧ · · ♡ · · ୨୧‿︵‿︵‿︵ ˚₊

Mammon:

Mammon.exe has stopped working

Instantly is hard. Pounds you into the mattress

Honestly wear a bunch of jewelry and he’ll lose his mind.

After fucking you good apologizes for not spending time with you, he probably was just caught up with loan sharks, school, and Lucifer.

Will take you to the casino with him for a ‘date’ later on.

9/10 recommend

₊˚ ‿︵‿︵‿︵୨୧ · · ♡ · · ୨୧‿︵‿︵‿︵ ˚₊

Leviathan:

Nose starts bleeding instantly and he passes out.

Lure him into his bathtub/bed and ride him🙏🏻 make sure to tell him what he did wrong

Baby probably was ignoring you on accident because of the new expansion in his game or he was binging a anime that just came out.

if you don't take control of the situation he will just shut down.

9/10 recommend

₊˚ ‿︵‿︵‿︵୨୧ · · ♡ · · ୨୧‿︵‿︵‿︵ ˚₊

sry this took me a min to make i've been caught up with school, part 2 coming soon!

[appocalipse]

RIGHT WHERE I WANT TO BE : ̗̀➛ SIRIUS BLACK

summary: it's only when lily accidentally spills amortentia on you and all you can smell is cigarettes and dog fur that you realize you're in love with sirius — probably the only person in the world you shouldn't be in love with.

"Oh, crap!" Lily seems on the verge of panic as she stares at the fresh stain on your clothes. "I'm so sorry!"

Somewhat shocked, you reach your hand to the front of your uniform and try to rub it away. It's no use. "It's okay," you assure her gently, relieved that the liquid didn't spill on the clean set of clothes you were folding instead, "it was an accident."

You put the clothes safely away in the trunk near your bed. They still have the fresh and clean scent of lavender. Your uniform, however…

Lily points her wand at your chest, and the stain quickly disappears. She had rushed through the entrance of the dormitory fast as lightning, crashing right into you and spilling…

Well, what exactly?

"Lily," you bring a hand to your own face, sniffing, then sniffing again. "What is this? It smells like a wet dog and-"

Your eyes meet and you immediately dislike the look on her face. Too much restrained excitement slowly bubbling up...

"-cigarettes…" you trail off, some sort of realization dawning on you way too late.

It can't be.

Lily bites her lower lip as if trying to hold back a smile. "Is that what it smells like to you?"

You also catch the scent of quill ink and freshly brewed coffee, so it can only be…

You put your hand away from your nose as if it's on fire.

"Tell me this is not what I think this is."

"If you're not thinking of Amortentia, then yes."

"Why would you brew Amortentia?!"

"For Professor Slughorn," she sees the confusion etched on your face and looks positively horrified. "Not for Professor Slughorn to drink! Ew! I said I'd like to try brewing one because it's, you know, a bit complicated and I've never tried before. He said he'd give Gryffindor some points if I succeeded. I didn't know you would… you know, smell Sirius."

"I never said I smelled him!"

"Okay! Okay," Lily raises both hands in surrender. Then, quieter, she adds, "You can pretend all you want."

You sigh. "Did you only have this vial?"

"Well, there should be some potion left in the cauldron, I think."

Great. An opportunity to escape this beyond strange situation. "I'll go get it for you."

"But I-"

You're out the Gryffindor common room before Lily has a chance to question your offer. The need to get away from that impending conversation is stronger than anything else right now.

Your heart is racing as you walk through the corridors of the castle, heading towards the dungeons, where Potions class usually take place. Each step is an effort to calm your turbulent mind and find some peace.

Upon reaching the Potions classroom, you welcome the silent space as you enter. The characteristic smell of magical ingredients and herbs fills your nostrils, bringing a familiar and almost comforting sensation… until you catch that smell. Amortentia.

You look around, searching for Lily's cauldron, which she mentioned leaving behind.

It's not hard to find; the smell is quite distinct, enchanting, all the things you love most in the world somehow united in a single aroma.

The cauldron is sitting on one of the workbenches. You approach cautiously, making sure not to knock anything over. Then you rummage through the shelves for an empty vial and pour some of the potion into it, feeling like you're doing something wrong even though Lily had Slughorn's permission.

The door opens, and you almost drop a row of glass bottles as you turn to look.

"What are you doing here?" he asks.

It's Sirius. Of course, it's him.

He closes the door behind him, and your heart skips a beat as it usually does whenever he's around. He's wearing the Gryffindor uniform, the first two buttons undone, revealing a patch of delicate skin just below his neck.

You don't need to wonder how he got there or why. Chances are, he extracted every piece of information he needed from Lily with little to no effort.

"What are you doing?" he asks calmly. You, on the other hand, don't feel calm at all.

"Nothing, just..."

"Just?" He takes a step closer, and you instinctively move away from the workbench, trying not to show the nervousness you truly feel.

"I just came to get something," you say.

Sirius gives a suspicious glance at the cauldron. "Is it a love potion?" He's a skilled wizard. Skilled enough to know the answer to that question, yet he waits for you to respond.

"Lily made it," you say defensively, holding up the vial containing the potion to illustrate your point unnecessarily.

"And what scent do you smell?" he questions, with a genuine curiosity in his tone that catches you off guard. "What does the potion smell like to you?"

"Lily told you," it's far from a question.

But Sirius has a knack for playing games.

"She told me what?"

"You know what."

This time, you step back as he advances, unable to help yourself, swallowing hard and Sirius notices. He takes another step forward, and you take another step back.

"Sirius," you warn.

In return, Sirius says your name, his tone lighter, more playful, soft as a feather. Then, another step.

You nearly bump your hip against one of the workbenches as you take another desperate step back. Sirius, being Sirius, raises an eyebrow, making no effort to hide his amusement.

It's unfair. It's simply unfair that he's so good-looking, starting at you without feeling the need to averting his gaze. "You don't have to do this," you find yourself saying.

Sirius seems genuinely puzzled.

"Do what?"

You steal a glance in your peripheral vision. The room won't go on forever; you need to say something to get out of this situation before he gets too close. You don't trust yourself near Sirius.

"Turn me down. Be all nice-" you stutter. He keeps advancing toward you. Back almost against the wall, you dodge another workbench and turn to the left, trying to prevent him from cornering you.

Sirius chuckles. "Is that what you think?"

"I'm a big girl. I can take rejection."

He glances in the direction of the cauldron. "Do you want to know what scent I smell?"

"No."

"Leather-"

"Sirius-"

"Gasoline," he raises his chin, nose in the air as if enjoying one scent after another. "Apple pie."

For a moment, you close your eyes. "Stop it."

"And lavender."

Your heart is pounding in your chest. He's not being serious, a little voice in your mind insists. It can't be serious. He's just teasing you... or maybe just being a good friend. Too good a friend.

It would be easier if he wasn't. If he were less kind to you, less handsome, less charming.

It's not easy.

You're breathless, trying to keep your distance from Sirius as he sets a slow advance, a constant tease. It's an internal battle between the desire to give in to the attraction you feel for him and the need to protect yourself — but the latter wins, for now.

"Sirius," you plead, your voice quiet, "stop"

He pauses for a moment, his gray eyes fixed on yours. "You think I'm joking, don't you? You think I'm just being nice?"

"I... I don't know, Sirius. It's so...confusing."

He takes yet another step towards you, his lips curling into a challenging smile. Always challenging. "Confusing or scary?"

The tension between you two is palpable, and you wonder if he can hear the rapid beating of your heart, threatening to break out of your rib cage any given moment. You know you're fighting your own feelings, afraid of surrendering to something that may - and probably will - end in heartbreak.

"It's not fair," you whisper, trying to keep your voice steady. "It's not fair that you're so... so-"

"So what?" he teases, closer. "So handsome? So charming? So... irresistible?"

You can tell he's somehow having fun. You don't understand how he can maintain a playful tone in a moment like this.

You catch a whiff of his cologne, feel the warmth of his body, and your heart races once again. If there's a way to prevent Sirius from getting what he wants, you don't know what it is. "So confusing," you finish, almost in a whisper. "You confuse the hell out of me."

Sirius pauses for a moment, his eyes locked with yours, and you momentarily catch a flicker of something deeper in this playful gaze. He slowly raises a hand and gently, gentler than ever, caresses your face, his fingers tracing a delicate path along your skin.

"I don't see how I could be confusing you," he murmurs, his voice soft and husky. "I thought I was being pretty clear..." It's teasing, of course it is; when it comes to Sirius, few things aren't.

But there's something else behind it, too.

The air grows heavier.

"You're not clear about anything, Sirius," you reply, your voice faltering slightly. "I never know what you're thinking. I never know what you really mean."

"Maybe you're just not paying attention."

You furrow your brow, confused by Sirius' response. He's playing with you, as he always does, but this time it feels more intense, more meaningful. You struggle against the temptation to give in completely, to say something you might not be able to take back.

"I do pay attention, Sirius," you respond, your voice showing determination you're not entirely sure you feel. "It's you who likes to make everything more difficult than it needs to be."

He moves closer once again, so close now that you can feel his breath against your skin, the tip of his nose an inch away from touching yours.

"Do you want me to be clearer?" he whispers, voice laced with a hint of his usual mischief. "Make it easier?"

You swallow, feeling your heart race. You know you can't admit your feelings for him, you can't let your defenses down. Not when he makes a point to hide comfortably behind a facade, away from anything that makes him feel vulnerable.

You need honesty.

"Yes," you whisper, your voice almost faltering. "Yes, I do."

Sirius pauses for a moment, eyes searching yours, and you can feel your breath catch in your throat. Then, slowly, he moves closer and closer still, until his lips almost touch yours.

There is a feeling that you can't quite put into words.

"I want you," he murmurs, an admission that hangs in the air like a charged electric current. "I want to be with you. I want you to be happy– I'll even accept your awful taste in music," he adds with a playful smirk, teasingly referencing your occasional guilty pleasure for a particular genre of music that he often mocks.

A laugh escapes your lips, a combination of relief and affection. His sincerity is pretty close to melting away any remaining doubts that linger in your heart. "I have great taste in music," you state playfully.

Sirius brushes the side of his nose against yours affectionately. "Sometimes," he gives in, voice filled with genuine warmth.

You lean into his touch, savoring the tenderness and intimacy of the moment. It's as if the world around you has faded away, leaving only the two of you in this bubble of shared emotions.

"Sometimes?" you raise an eyebrow, pretending to be offended.

He chuckles, a low and melodic sound that resonates deep within your chest, a sound you don't get to hear as often as you'd like. "You're lucky you're pretty," he teases, his voice filled with affectionate playfulness.

"Oh?"

"I have a soft spot for pretty girls."

You roll your eyes but can't help the smile that forms on your lips. "Flattery will get you nowhere, Black."

Sirius leans in and presses a soft kiss to your cheek, pulling away with a mischievous glint in his eyes.

"Who said I was trying to get anywhere?" he whispers, fingers trailing along the curve of your waist, drawing you closer. "I'm already where I want to be."

Your heart swells with warmth, and you can feel a blush creeping up your cheeks.

"Smooth talker."

It doesn't sound like an accusation when you're about to kiss him.

[tossawary]

One "break-it" Canon Divergence AU I've always thought would be incredibly amusing (and which I'm sure has been done, I've seen it before I'm pretty sure) is if any attempt by Luo Binghe to resurrect his teacher succeeded and brought back the wrong Shen Qingqiu. Or if Zhuzhi-Lang had successfully stolen Shen Qingqiu's body and taken it to the Holy Mausoleum much earlier... and also accidentally succeeded in resurrecting the original goods.

Shen Yuan claws his way out of the ground in his plant body, only to find out that Shen Qingqiu was resurrected in the Holy Mausoleum by "Luo Binghe" (so the rumors say) about a year ago. Shen Jiu has zero memories from Shen Yuan's time and rejected Luo Binghe as a student immediately, then returned to Cang Qiong, equally displeased to find that 1) people know about his terrible past now and 2) Yue Qingyuan and Liu Qingge also think they're allowed to be friendly now. Cang Qiong and Huan Hua Palace are basically having a cold war while everyone (including Tianlang-Jun and Zhuzhi-Lang) tries to figure out what's going to happen next.

Airplane Bro is basically ready to cry with joy over having his transmigrator buddy back, because this is such a mess and Luo Binghe's "sulking" (grieving) in the corner has been especially sinister lately. As soon as Shang Qinghua figures out how to most effectively throw Peerless Cucumber under the bus here, he's going to do it.

[queensunshinee]

His favorite toy- Part 4 || Art Donaldson x reader

Rating: Explicit (18+)

Warnings: SMUT (p in v sex), our favorite toxic relationship is back.

Word Count: 6.1k

(Part 1) (Part 2) (Part 3)

This one can stand on its own, but I recommend reading the rest :)

His favorite toy- Part 4:

"What are you doing here?" I tried to sound composed. My heart couldn't stop racing at a speed I never wanted it to beat again. A speed reserved for one person only. And no matter how many years passed or how out of place he would seem in my world, Art Donaldson entered my life like he was the boss. Like he was paying my salary. With exaggerated confidence and an aura that made me blush. A smile that made my lips tremble.

I was painfully aware that my mascara was smudged after a too-long day, and that I had taken my shirt out of my skirt after lunch. Painfully aware that I had taken off my shoes an hour ago because pacing around the room in heels made it hard to think. Painfully aware that he was seeing me in all my flaws now. Years after the last time we met, and he was just as smug.

"I was in the area, and Patrick mentioned something about you working around here..." he said, as if everything in that sentence made sense. As if the fact that I stayed in touch with Patrick made sense. I nodded, trying to somehow control this ridiculous situation. I'm not supposed to react this chaotically to Art Donaldson. I'm 28. I'm not a 19-year-old girl. I do morning meditations. I drink green smoothies and ginger shots. I'm a fucking queen. But I don't feel particularly royal when I remember the coffee stain on my shirt, or the half-eaten avocado sandwich I bought from the café downstairs. It was awful. Both the sandwich and the café. I’m pretty sure the regular barista hates me because once I corrected one of my orders. Ever since, he's been out to get me. It’s a nightmare. I've considered changing jobs more times than I'd like to admit because of it.

"That sounds... completely normal," I mumbled, and he chuckled in response. One of his legs found its natural place over the other, and his fingers played with one of his billion rings in a disturbingly nonchalant way. "Is a tennis player supposed to have that many rings?" I blurted out the first thing that came to mind, knowing how stupid it sounded. Hating myself a little for how stupid it sounded. "I don’t play with them, and they’re beautiful," he shrugged. "They’re ridiculous," I rolled my eyes, trying to recover from this topic of conversation. "Yours is ridiculous," he shot back playfully, looking directly at my ring. At the small diamond (Art probably thinks it’s too small- well, fuck him).

"Oh, this?" I asked, and now we were both looking at it. I liked it until about three seconds ago. Until he walked into the room and stared at it like it was filled with snake venom. It felt like it weighed as much as my entire body. It felt like it was burning my hand from the inside. My blood boiled beneath it, reminding me that all my plans just went to hell. A reminder that I was crazy to even try making plans. "It’s pretty, delicate," I could hear the mockery in his tone. No matter how many years passed, I would always recognize every nuance in his voice. Every rise and fall in octaves. Every unnecessary affectation. He smiled the way he did when he tried to get under my skin—five minutes hadn’t passed, and he’d already succeeded. How embarrassing. What a failure as a person. A failure as a woman. A failure to feminism. Sitting in my office with a coffee stain on my shirt, while my ex from college critiques my choices like some kind of fraudulent fortune-teller. Like God sent him to help me make some life-changing decision.

"Why are you here?" I asked again, trying to maintain control and not snap at him. After all, we hadn’t spoken in nearly a decade. What good would it do to lash out at him? What would it accomplish to tell him about the therapy sessions, about the years I didn’t believe anything good was coming my way at all? About the fact that because of him, I didn’t believe I could ever be anyone’s first choice. "Why did you stay in touch with Patrick?" he asked, and for a moment, it sounded like his tough mask cracked. Like his defenses crumbled and his heart was laid bare. Like we were 20 again, and he was holding my face, explaining how scared he was to let me go.

"He insisted," I shrugged. The day after that party, Tashi's accident happened. Some would call it karma, but I’d say it was just bad luck. Because even though she hurt me without even knowing my name, I never wanted her career to end before it even began. And everyone was sad that day—Patrick, because he felt guilty, Tashi, because her knee twisted in the air, and Art, because he lost a friend and the girl who forgave him for all his bullshit. Aka me. But he won what really mattered. He got Tashi. Patrick found me that day in the library, refusing to wallow in my own misery, and somehow, he managed to entwine his miserable life with mine. He managed to secure a spot on my couch from time to time. He managed to impress me with lame jokes about his pathetic life, or maybe about mine.

And life didn’t turn out the way I planned. I didn’t discover a cure for cancer or make it to space by age 25. My apartment was crappy. So fucking crappy. But there were funny moments, and I only occasionally followed Art’s career. I only followed his love life when his face and Tashi’s were plastered on billboards. That could never have been me. It would never have worked. It wasn’t meant to be, I’d tell myself every time I was filled with self-pity. Every time I worked a temporary job selling skincare products or transcribing lectures for students. Every time I felt lost. I knew he wouldn’t have settled for someone like me in the long run.

He and Patrick made up two years ago, which was ironic. Because what’s the point of maintaining my friendship with Patrick if not to have at least one person in my life who understands the pain of knowing Art Donaldson? Of knowing that once, he was a part of your life, and it felt amazing. Almost unreal. Almost spiritual. But they made up, and Patrick promised me he wouldn’t talk about me with the smug bastard sitting in front of me right now. He promised and didn’t keep it. Well, here’s someone who’s never eating pasta at the restaurant near my place on my dime ever again.

"He insisted?" Art looked amused, and I just shrugged again in response. I knew he wanted more details, but I wanted him to take a headfirst dive into a volcano. Desires are ridiculous. "He insisted," I repeated, and this time he laughed. Actually laughed. "It's like you two have a contract not to tell me anything. How am I supposed to work with that?" He spoke as if we’d been friends for years. As if there hadn’t been a rupture, a break, and devastation. As if I didn’t have the image of him leaving me at that party seared into my brain. As if my heart hadn’t shattered into pieces because of him more times than I could count.

"I want you to handle my money," he suddenly said. "Excuse me?" I raised an eyebrow, looking at him as if he'd lost a lobe of his brain. "You're a financial advisor, right? Be my financial advisor," he said it like it was the most obvious thing in the world, all while glancing at the pathetic office I was sitting in. "You don’t want me to be your financial advisor, Art," I almost snorted in disbelief. "You haven’t spoken to me in ten years, and now you know what I want?" he asked, allowing himself to raise an eyebrow in return. "This is a big firm; I can recommend someone who’d be happy to take you on," I tried to fake a smile. "I'll go to your boss and tell him I’m willing to let only you handle my account, and that you’re refusing. I’m sure he’d be thrilled. I Googled him—Albert looks like a guy who’d love to lose a wealthy client," and I saw that spark in his eyes. Challenging. Almost childish. The kind that said, 'Let’s see what you do. You’ll lose.'

"That’s a terrible idea," I declared. "Keeping in touch with Patrick and not me is a terrible idea. Managing my investments will give you some good money," he said, gesturing with his hands, and for the first time, I realized how big his hands were. "Are you bored with your life, Donaldson?" I asked, trying to figure out what I was dealing with here. "Come on, Peaches, you have to admit you missed me, at least a little." And for a change, his smile was genuine. He looked like every word I said could hurt him. "Like I miss my appendix," I rolled my eyes, and he laughed. "I’m looking forward to working with you." He suddenly stood up and extended his hand for a handshake, as if that wasn’t utterly ridiculous. "I’m looking forward to it like a deer looks forward to being eaten by a lion. It’s on my wish list," I said, and he just laughed again. A laugh that was too real. The kind that made tears gather in his eyes.

An hour after he left my dingy office, my heart was still racing at an unreasonable pace. The kind that made me wonder if there was a defibrillator in the building. I tried to remember if I shook his hand at the end of the meeting. I couldn’t. . . . As he left your office, Art felt like he does after a long tennis match. One that he won. A thought detached from reality, but he allowed himself those kinds of thoughts now. He was a new person. He believed in victories before they even happened. And seeing you after so many years in real life, not in blurry Facebook pictures, felt like a victory. You hadn’t changed much. The years had even given you a more sophisticated look—subtle yet full of curves. Your eyes still looked at him with that same spark. With a glimmer of something he could never quite put his finger on. But he wanted to conquer it. He wanted to win.

When Patrick and he reconnected, it was alongside the problems that only began in his relationship with Tashi. Alongside Lily’s birth, alongside the intrusive thoughts that had plagued him all his life, he wondered if it was a mistake. But Patrick was Patrick, and when he insisted on something, he got his way. And for Patrick, he and Art had to reconnect. So they did. Slowly, gradually. He wasn’t his best friend anymore, of course. But sometimes Art thought he was his only friend. Which was strange, because he was always surrounded by people. Tashi was supposed to be his best friend, but she never was. She made it clear more than once that it was a ridiculous notion.

One night, as he and Patrick were having beers at some sketchy bar, Patrick casually mentioned that you and he were good friends. Art looked at him as if he’d fallen from the moon. He wanted to punch him. He hadn’t expected that. It felt like someone had punched him in the chest and knocked all the air out of his lungs. Patrick got over Tashi and settled for you? You weren’t supposed to be a compromise. Art wouldn’t allow that. He’d go to war if he had to. He had no grounds for such a war, but you were too good to settle for Patrick. You were too good to settle for anyone, really.

He quickly realized that things between you and Patrick were platonic. Or at least that’s what the guy sitting across from him kept repeating, but Art wasn’t fully convinced. Everything was too mysterious. Patrick kept too much information to himself. He didn’t share anything with Art about your life, and the more Patrick kept things hidden, the more obsessed Art became.

And it wasn’t weird that he checked if you’d posted a new status on Facebook almost as often as he checked if his infant daughter needed anything. It wasn’t weird that he searched for you on Instagram. It wasn’t weird that he looked through the profiles of all 67 people you followed and hated most of them. Because you didn’t follow him, and millions of people did. You could have followed, and he wouldn’t have even noticed—allegedly.

"She got engaged," Patrick said one day, throwing it into the air as if he were talking about his grocery list. Art stared at him, blinking, trying to process the information. Who’s the person responsible for this? Who’s the person who took you away, and why do you think he deserves forever with you? What kind of thought is that—that someone else deserves forever with you? That someone gets to have a picnic in the park with you. To pick you up for dates. To share a house with you. There’s someone who’s going to be the father of your kids. Who picked out a ring for you. Who’s going to make sure your dreams come true. Art doesn’t know what your dreams are. But he doesn’t want to think about it.

"Is he a good guy?" Art knew that was what he was supposed to ask. That’s what social norms demanded. "I’ve sat with them a few times when they were together. He’s kind and funny, and I think he loves her," Patrick shrugged, as if that’s all it takes to be with you. "Well, I’m happy for her," Art took a gulp of whiskey, too big, letting the drink burn its way down his throat. Patrick looked at him like he didn’t believe him. His problem, Art thought. Let him believe whatever he wants.

That night, Art opened your Instagram while Tashi was asleep. There wasn’t a picture of a ring or a tag of some guy. Tashi got annoyed because of the phone light. Art apologized.

That was almost six months ago. Since then, his life had changed because he and Tashi decided to keep their relationship strictly professional. It was for both of their benefit, though he wasn’t entirely sure how much it benefited him. He was still learning how to function without her. He was still learning how to communicate effectively. He was still trying to bridge the dissonance that came with going home to an empty house, yet navigating press conferences as if he were happily married.

In two weeks, even that charade would end. And he wasn’t sure what he was even fighting for. Because they weren’t truly happy. And you were in his thoughts enough for it to count as emotional cheating if he were married. So he let Tashi go. He was much less broken than he had imagined he would be without her.

'I’m looking forward to working with you.' -Art- He couldn’t resist sending the message. Maybe ten at night was too late. Maybe you were already asleep. Maybe your fiancé was with you, trying to love you. Maybe Art was intruding.

He didn’t particularly care if he was. . . . "I’m going to kill you," I said into the phone, hearing Patrick's rolling laughter. "You're exaggerating—" he began, trying to save his ass. "We had one rule! Just one, Patrick!" I found myself pacing the bedroom while Alec worked in the living room. This was the day after the meeting with Art Donaldson. "He lives in New York and he’s divorced. I felt like a jerk not telling him where you work when he asked so nicely," Patrick’s voice sounded genuine. "He's not divorced," I rolled my eyes. I would know if Art were divorced. His and Tashi's faces are plastered all over this stinking city.

"They’re finalizing things in about a week and a half. There will be a press conference and everything. It’s going to be a big deal," he said, as if it were common knowledge. As if I should already know this. "Sorry I didn’t give you a heads-up. That wasn’t cool," he added, and I could hear him biting into something, probably an apple. "We’re supposed to be a team. You can’t prioritize Art Donaldson’s interests over mine. I fed you when you were half-homeless," I declared. "I still prioritize your interests, drama queen," he continued speaking lightly, as if I had no reason to feel like my world was crumbling. "How is this prioritizing my interests? I’m going to manage his money. I’m going to handle his investments, Patrick. I’m going to see his stupid face every time he wants, as part of my job. Because of you! This is your fault!" I found myself stopping for a moment in the room, almost stomping my foot in frustration. Years of self-work going down the drain.

"Everything okay, Bunny?" I heard Alec's voice from the living room. "Yeah, I’m just talking to Patrick," I replied, steadying my voice into something more composed and responsible. So he’d keep thinking I had my life together. "Tell him 'hi,'" Alec said, and I could only guess he’d put his headphones back on. "Well, hi," I rolled my eyes, returning to the conversation with the chief idiot. "I’m sorry," Patrick mumbled after a few seconds of silence, and I hung up, sprawling on the bed like a starfish. He didn’t sound sorry.

I sat down next to Alec on the couch, wearing just my bra and panties with an open button-down shirt over it. Sexy enough for any stranger peeking through the window. A teenage boy's wet dream. I’m on fire. He kept staring at his screen, ignoring my existence. I started placing small kisses along his neck, trying to set the mood. Trying to seal the deal. Trying not to think about the one-who-shall-not-be-named. Trying to be a good woman. Trying to conquer feminism with mediocre sex, just like Alec and I know how to deliver. "I really have to finish this, Bunny," he mumbled, shifting uncomfortably, making me sigh, lean back, and roll my eyes. "How long will it take?" I asked. "You’ll probably be asleep by then. Watch an episode of your favorite show instead," he said without looking at me. "Can we talk about the wedding?" I tried another angle. "If I don’t have time to make love to you, I definitely don’t have time to plan the wedding," he said, slipping those hideous—massive—headphones back on, ending the conversation. I kind of hated that he never said "fuck" or "have sex" or even used the word "sex" in general. He always treated it like I was Princess Diana. I am clearly not Princess Diana. Sometimes I wonder if he even wants to marry me at all. It’s been over six months since he proposed, and he’s been dodging setting a date since practically the same day. It’s very frustrating. I need to meditate.

"Bunny," he suddenly said, and I looked at him expectantly while he removed his headphones after I’d already started heading to the bedroom, "you have a stain on your shirt." He quickly put his headphones back on, eyes glued to the screen. At least the soup I had for lunch managed to fuck me today. . . . "You can't just show up here," I said as I tried to finish chewing the terrible sandwich I’d chosen today. I think it had mold. "If you had answered my messages, we could’ve scheduled something without me showing up at your office." Art looked good. So fucking good. It was frustrating. Today was the day I decided to skip the contacts and wear glasses. God hates me. But on the other hand, God was trying to help me—making sure Art Donaldson never gets attracted to me. God is on my side. I knew she was a feminist.

"What do you want?" I mumbled in surrender, knowing he wouldn’t leave until he said whatever he came to say so we could all move on with our lives. "To talk business," he smiled from ear to ear. "I'm eating right now, come back in half an hour," I replied, "or better yet, schedule a meeting like a rational human being." I continued pressing my point. "Better idea, let's go grab lunch and talk business over food." He looked at me like a dad who just told his little girl what her next hour is going to look like. "Sorry, I can't—" "Art Donaldson! When I got your email, I couldn't believe it," Albert burst into my office excitedly. Sure, let’s invite everyone. Apparently, there’s free cookies being handed out. All are welcome.

Art kept wearing his unbearable poster smile while Albert went on and on about tennis and how much he loved Rafael Nadal. Albert is clearly a man with vast general knowledge. "She treating you right?" Albert asked Art as if they were best friends, and now they both stared at me while all I wanted was to finish my food-poisoning sandwich in peace. "She just agreed to join me for lunch to talk about my money," Art said, and if looks could kill, Art Donaldson would’ve had a stroke right there and disappeared from our lives as suddenly as he appeared. But no, looks don’t kill, and feminist God apparently isn’t on my side anymore because now I’m sitting across from this asshole at a diner. I ordered a burger because I knew he’d never allow himself to eat one and would whine for hours about how he wants to eat a burger every day but can’t.

"I hope that's okay," I smiled one of the fakest smiles I could muster, blinking as I took a bite of the slab of meat in front of me. "Mmm, it's amazing," I sighed, watching for a moment as he stared at me, mouth half-open, eyes sparkling. "You're cruel," he stated after shaking his head, as if shaking off urges. He looked different with short hair. I always told him he needed to cut it because it kept falling into his eyes, but his curls had a youthful playfulness that was clearly missing now. He looked defeated.

"So, what did you want to talk about? What are you looking to invest in?" I tried to focus on the reason behind this ridiculous meal while Art stole a fry from my plate and picked at the sad grilled chicken he had ordered. Maybe I should stop making those satisfied sounds when I eat. "You," he said, biting his lip like a kid who let a curse word slip in front of his mom. Testing boundaries. Watching as I rolled my eyes. "I'm not going to let you waste my time, Donaldson," and we both knew I wasn’t just talking about business. Because honestly? Fuck business. Art didn’t seem like someone who was planning to disappear from my life anytime soon. He had shown up too determined for that to happen. "I have no intention of wasting your time, Peaches," he smiled, leaning back, relaxing a little after we established this basic ground rule. He continued stealing my food.

"So, tell me about him," he suddenly said after insisting I order an enormous ice cream that was supposed to be just for me. Every time his spoon got closer, mine heroically fought it off. "Who?" I asked, taking a spoonful of ice cream and leaving it in my mouth for a few seconds. His gaze immediately locked on my ring. "We're not that kind of friends, Donaldson," I said, watching as he inched his spoon toward my ice cream, and I quickly blocked him. No chance. "So what kind of friends are we?" he asked, smiling, looking half at me and half at our spoons, still battling each other. "I don't know," I sighed a little, finally lowering my spoon in defeat. There’s no point in fighting. It’s truly a lost cause.

The more Art Donaldson entered my life, the more Alec distanced himself from it. Art did it in a quiet way, almost eerily so. It started with deep conversations about financial investments he wanted to make. About charity events he wanted to be part of. A foundation he wanted to establish. He talked about his money as if it made sense to be this rich at his age. As if he and I were on the same level in terms of lifestyle. He never once acted condescending about it, even though I expected him to. Even though I had prepared arguments in advance. He never once asked why I didn’t continue in academia or why I gave up on medicine. He didn’t poke at that wound. Even though he could have. Even though it would’ve been easy.

It continued with stupid messages in the middle of the day about how he was hungry, tired, or wanted to go home. Messages about seeing a guy dressed as a bear in the middle of the street. Fucking New York. He’d ask questions about my day. Ask what I ate. If I ate. If I was drinking enough water. Never anything too deep. Never out of nosy curiosity. If I forgot who he was, I might’ve thought he cared about me. I know, it’s unbelievable.

One time, he called me at seven in the evening, talking such nonsense that I wondered if he was drunk. I wondered out loud, of course, because I’m not 19, and I’m not afraid to tell Art Donaldson what I think. He wasn’t drunk. He made dinner and decided to call. He said it like it was the most natural thing in the world. Said it, and then went on about his day. About Lily. About how she was adjusting to splitting her time between his place and Tashi’s. He talked about Patrick and told me what he was cooking. It was domestic. Like I was a part of his life. Weird.

Alec and I were in the middle of a fight that made me wonder if I was mentally strong enough not to throw the vase that was sitting on the dresser. Not at him. I’m not violent. On the floor, to make a point. “Do you even want to marry me?” I suddenly asked. Because at that point, I no longer knew what was happening. I don’t like not knowing what’s happening. “Of course I wa-” “To who the hell is it obvious? Do you know how embarrassing it is when people ask me about a wedding date almost a year later, and I change the subject?!” I cut him off. “Every time I try to bring it up, you’d rather talk about light fixtures or that time we randomly had an hour-long conversation about types of doors.” I reminded him of some of the truly bizarre moments we’ve had recently. “We do need to replace the door.” I shot him a look that should’ve made it clear that if he kept going with that sentence, I was breaking the vase on the floor.

“Why don’t you want to fuck me anymore?” I suddenly asked. Almost defeated after too much yelling. “What? Bunny-” he blushed. The question was too brutal for him. Too raw for his delicate soul, which couldn’t handle talking about sex. “I can count on one hand how many times we’ve fucked since you proposed,” I said it as bluntly as I could, enjoying his discomfort. “We don’t have to make love every day,” he mumbled. Last time I checked, to make love, there has to be love. I threw the vase. Alec left the house. . . . ‘You’re not at work.’ – A –

‘How is it that we’re back to you not answering me?’ – A –

‘Did you secretly get married over the weekend?’ – A –

‘Seriously, get back to me. It’s about the charity event.’ – A –

The bitter truth was that I was busy wallowing in the current failure of my life- Alec. I binge-watched all the seasons of The O.C. in three days and ate more ice cream than should be legal. But I didn’t feel the pain in my bones the way you’re supposed to when ending what was supposed to be the relationship. I’d once hurt more over losing someone who loved me less.

‘Are you okay? You’ve got our mutual friend worried.’ – P – He talked about Art like he was a spy. ‘Hey, could you stop being an idiot for a second and just answer to say you’re alive?’ – P –

‘I’m calling the fire department to check your apartment.’ – P –

‘This is concerning.’ – P –

‘I’ll call your mom. She’d love to hear from me after that time I burped in her face.’ – P –

‘I broke up with Alec.’ – (Y/N)–

‘You’re not going to die alone.’ – P –

‘I know you think you will, but you won’t.’ – P –

‘You can’t know that.’ – (Y/N) –

‘You’re an idiot.’ – P –

‘Are you okay?’ – P –

‘I mean, obviously you’re not okay, but... are you okay?’ – P –

‘I’m okay.’ –(Y/N)–

When I walked into the hall where Art Donaldson’s charity event for kids with muscular dystrophy, was being held, eyes didn’t turn toward me like they do in the movies. Everyone was too busy with their conversations and stroking each other’s egos. From the side, it almost looked homoerotic—the gentle touches on shoulders and the occasional pats. Almost sexy. Maybe I was seeing sex in things that weren’t sexy because my ex refused to touch me with more resolve than an ant carrying food that weighed more than its body. “You made it,” Art’s voice came from behind me. “You’re sharp,” I shot back as I turned to him, taking one of the champagne glasses he offered. “Is Patrick here too?” I asked. “No, he couldn’t come. He signed up for a Challenger in Malibu,” he replied, his eyes unapologetically scanning me. I felt completely exposed under his penetrating gaze. “So random,” I mumbled. Art’s hand gently pulled me by the waist, bringing me close to him while keeping his hand exactly where it was. I almost let confusion show on my face, but he introduced me to the man who had come over to talk to him, never taking his eyes—or his hand—off me. Not during the next conversation, or the next one, either. He presented us as a strange package deal. If someone wanted to talk to him, they had to talk to me too. Maybe he hoped it would drive people away. It didn’t. "Want to step outside for some air?" he whispered in my ear. After spending most of the evening standing so close to each other, it felt strange to pull away now that no one else was around. "Sure, why not." I shrugged, acting like it wasn’t a big deal. Before stepping out, we each grabbed a glass of wine. "You raised a lot of money," I remarked, trying to break the ice. "You disappeared on me," he shot back, not bothering with small talk. "I’ve been busy." I shrugged again. "Where’s your ring?" he asked. "You’re obsessed with my hands, Donaldson," I said, unsure how to respond to this level of bluntness after being in a relationship with someone who was too scared to talk to me for years. "It’s not relevant anymore," I added, as his gaze didn’t allow me to dodge the question. "Good, it was ugly," he stated, stopping in his tracks, making me stop too and turn to look at him, raising an eyebrow. His expression was challenging again, with that playful spark, inviting a debate. "It wasn’t ugly," I rolled my eyes. "It was pathetic, Peaches. You know you deserve better," he declared, leaving no room for argument.

And somehow, he was so close. Close enough that his breath, smelling of mint gum and wine, blended with mine. "I’m not looking for a rebound," I murmured. "Neither am I," his usual smug smile was gone. There was no trace of it. He looked hazy. Almost captive. "What are you looking for?" I dared to ask. "You," he replied. It was a good answer.

After an excruciatingly long hour and twenty minutes, during which I had two more glasses of wine, and Art spoke into the microphone—stopping me from downing a third—we arrived at his house. It looked a bit like a modern palace. "How is it that you live here?" I mused aloud, and his mouth found my neck as he chuckled. "What, this old thing?" he mumbled, his kisses as sharp as his words. "Don’t leave marks, Donaldson. We’re adults," I managed to say as I kicked off my heels, and he unzipped my dress.

"I want to do this from the moment you walked into the room today. Fuck, you’re so hot," he growled. It was throaty and masculine, almost animalistic. His eyes scanned me like a smoke detector picking up a cigarette. Within seconds, I found myself on the most comfortable couch I had ever been on. His lips traveled over me as if he was painting a map, as if he remembered all the sensitive points on my body. "I missed her," he said, giving a small bite to my right nipple, glancing at my face as I let out a moan. "her too," he added, moving to the left one. "Art, I need you." I tried to make it clear to him that I couldn't handle the teasing right now. That he should save it for another time. For someone else. For something else. I need him inside me.

"Peaches, have some patien—" he started, continuing to place deadly kisses on various areas of my body. "Art, just fuck me. Okay?" I almost pleaded, my voice lower than usual, filled with an inexplicable need. He looked at me for half a minute and nodded. "Okay baby, I got you," he said. And within seconds, his boxers were on the floor, and my panties disappeared too. He was inside me as if this was his home, as if he belonged there. "Fuck. Art. Thank you, there," I felt stupid, but I couldn't control it. I needed him so badly. I needed someone to fill the empty space. That Art Donaldson would fill the empty space.

He moved at a chaotic pace, almost as if he was trying to prove he could give me exactly what I wanted. What I needed. And he was right. I came after a few minutes, during which his cock filled me perfectly, and his lips found mine and refused to let go. He wrapped me from every direction and came right after I did.

"It's like we're teenagers," I muttered, and he laughed. "I usually last longer," he stated, not getting up, his body weight feeling almost comfortable on top of me. It was almost nice to breathe heavily. "So do I," I retorted. His hand drew little shapes on my shoulder. "Let's go to sleep," he decided, standing up slowly, reaching out his hand and pulling me toward him. Not forgetting to give me another kiss on the lips, a small one. As if it had happened a million times before. As if it were a routine.

"Your bed should be illegal, Donaldson," I said after he tossed a soft T-shirt he had in his closet over me. He lay down beside me, laughing. "I can't believe you're here. I was afraid it wouldn't happen," he said, with a seriousness that felt profound. "How long have you been thinking about this?" I tried to sound amused. "Since the moment I stepped into your office," his honesty was both terrifying and comforting. No one had talked to me so openly in a while. "probably before that" he added. "You can't waste my time, Art," I replied, looking up to catch his gaze. . . . Art took a moment to nod. He already had a ring for you. Even before you broke up with that idiot, he had bought the ring. He didn't know where life would lead you. He just knew he was going to spend every free moment proving to you that he loved you enough not to waste your time. Not when you were his favorite person.

How are we doing guys?!?!?!?! Can't wait to hear from you. That's my chance to remind y'all that English is not my first language and I might have some grammar issues. love you all, hope it was a good addition to the story <3

taglist: @lalalandofive @wild-rose-35 @theynothem @angelism13

[intheupside]

Sidney Crosby was his usual humble, appreciative self on Thursday morning after being informed that he was the Penguins' nominee for the Bill Masterton Memorial Trophy, awarded annually to the player who best exemplifies the qualities of perseverance, sportsmanship, and dedication to hockey.

No, he's not overcoming a terrible injury or health issue, and he didn't have to battle adversity off the ice. But with the work he puts into his game, there's nobody else that best exemplifies a dedication to hockey. With his role as a leader on the team, an ambassador to the game and just an overall great human, nobody else best exemplifies sportsmanship. And with him having the season he's having at age 36 -- 39 goals and 45 assists in 76 games, on a mission to drag the Penguins into a postseason spot at any cost, he's a model of perseverance in his own way.

While Crosby may not quite agree with his own nomination -- the second nomination of his career, after he was a finalist in 2013 after his bounce back from concussions -- his teammates sure think he's deserving.

"It's everything he stands for," Rickard Rakell said. "It's about the leadership on and off the ice, the time he puts into getting to the top of his game. It's obviously well-deserved."

"It's the way he carries himself," added Marcus Pettersson. "He represents the game, in a way. He doesn't only represent us, for a long time he's been the face of hockey, too. The passion that he brings, and the love for the game that he brings, he's a very, very well-deserving nominee."

As far as sportsmanship, Crosby is a model of that both on and off the ice. Off the ice, he's an ambassador to the game. He never turns down media, and is almost always available to speak in the locker room after games and practices. He's generous with his time, as exemplified in a story Brian Boyle recently shared of Crosby spending nearly an hour playing bubble hockey with Boyle's young son Declan after a game when Boyle's family was in town during the 2021-22 season, and taking the time to FaceTime with Boyle's kids when they were back home in the Boston area. He's accessible to fans, with Mike Sullivan noting that he's never seen Crosby turn down a kid seeking an autograph or looking to meet him.

"Some of the small gestures for me are the ones that mean most," Sullivan said. "Not everybody gets a chance to see that side of Sid."

Crosby is just a giver too, whether it be for teammates or complete strangers. I've seen him before in front of me on the drive into PPG Paints Arena for game nights, and he's cut across lanes approaching an intersection to get next to the median to give money to a homeless person. One of my favorite stories about Crosby came courtesy of Joseph Blandisi, who recalled what Crosby did for Adam Johnson after Johnson's NHL debut in Nashville in 2019.

"I remember that the day after (Johnson's) first NHL game," Blandisi told me after Johnson's death in October. "Crosby had his tailor in the dressing room and got Johnny a suit from his tailor as a congratulations for his first NHL game. That's a story I always tell when people ask me how it was playing with Sid, I always tell the story that he bought Johnny a suit after his first game. That always stuck with me."

Crosby reflected on Letang's win last season on Thursday, after he succeeded him as the Penguins' nominee.

"Given the fact that he had gone through (the stroke) once before, and then having to go through it again and seeing over the years how hard he's worked and what he's gone through to still be playing to a level that he is, it's really impressive," Crosby said. "It was much more deserving, probably, than my nomination."

sid for masterton 🥹

[dduane]

The first part of that last message got me curious -- given how long-running of a series YW is, how do you keep track of All That when writing a new entry? Copious amounts of notes? Re-reading the entire series backlog? Keeping a fully-functioning simulation of the entire YW universe running in your head with perfect accuracy? (only mostly joking with that last one)

And somewhat-relatedly, did you have any plan or idea when you started for how long YW would run? Or was it more of a "I'll keep writing about this universe until it stops churning out ideas," type of thing and that point just (very thankfully!) hasn't happened yet? I know for per-book purposes you're a proponent of outlining (I swear I'll try writing to one one day Q_Q) but do you also apply that to a series as a whole?

Let me take this backwards, as it may make more sense that way.

Particularly when doing series work, outlining is more vital than usual for me. (Which is saying a lot.) Some of the most basic reasons for this are laid out over here.

The simplest one, though, for series outlining, is logistical. Without having achieved a sense well in advance of what events (or effects of events) are going to be most formative or important (or both) for the characters in a series, you won't have allowed yourself time to think about them enough. And to fail to spend enough time on this is to cheat both yourself and the books in the series. (And your readership.)

If you're smart, you learn very early on that attempting to save time by shortchanging or omitting the planning stages is potentially profoundly destructive. You need to have a plan... and you need not to let anyone make you ashamed of needing one. Putting off your detailed character-interaction and event planning in the name of some magically occurring fit of inspiration, or theoretical bid toward creative spontaneity, will serve neither you nor your creation. You can throw "Hail Mary" passes all you like... but you'd better be damn sure there'll be someone in the end zone to receive. ...If not Herself.

...And just in case you're worried, your initial plans can be really loose! They don't have to jump out of your head full-formed like some local war goddess after somebody hits her dad in the head with an axe. The plan for the Middle Kingdoms books—after The Door Into Fire dumped me gasping by the side of the road and left me a few minutes to breathe—was nothing more than "Now that his boyfriend's finally upped the ante beyond all expectations, Freelorn finally gets off his feckless Would-Be Robin Hood shit and gets to work becoming king." I then spent the next decade thinking purposefully about how that was going to happen, and writing the second book in the series—while sufficiently working out the fine details of the climax (and beyond) to then be able to get busy executing the third book. Even though there was a change of publishers between the beginning of that series and the end of it, the basic dead-simple MK plan from a very early stage quickly became detailed and robust enough (because the series was short enough) to withstand the change. Not least because I'd been thinking about it in a general way since the early 1970s... and continue to do so, pretty much daily. The Door Into Starlight is still hanging fire...

YW has been a different story—quite literally—because the only plan extant at the start of things was, "Everybody slowly gets older (and slowly closer)." I always knew there were going to be more than the original three: there was way too much interesting ground to cover to just stop with those. (I've never yet succeeded in finding out who started the rumor that there were only going to be three books. Over time it's become one of those things you just shrug at and move on.)

(Adding a break here, because this does go on a bit. Caution: contains publishing skullduggery, plans ganging aft agley, approximate word counts, software recommendations, and value judgments.)

("Now wait just one minute. 'Feckless would-be Robin Hood shit'? Can she just say that??")

The circumstances surrounding the writing of Deep Wizardry and High Wizardry, though, made it plain to me that I was not going to be at the then-publisher (Dell) all that much longer. By the time HW came out, they were already starting to pull away from midlist books and authors in order to spend that part of the budget on best-sellers... so it became plain to me that attempting to construct a long arc with/at that publisher would have been folly. Because who could be sure what was going to happen next, and blow everything I'd built to smithereens?

Sure enough, when I finished A Wizard Abroad, Dell declined to pick it up (even though the books had been selling steadily and increasingly strongly in paperback). This annoying validation of my concerns—and my shiny new agent's—made it plain to me that further books in the series were going to need to be thematically driven, rather than mostly character-event-driven, and almost entirely capable of being taken as standalones. Any long arc was going to have to be one that could be suspended, or reworked, with little warning. Because what happens to you once, in publishing, doesn't at all mean you're immune to it after that.

It wasn't until the YW books were picked up by Harcourt in the mid-90s, with a strong editorial team behind them, that I felt confident enough to start building longer-arc material into the books, beginning with the arc that kicks off in The Wizard's Dilemma and more or less completes in Wizard's Holiday and Wizards At War. There is a secondary (and I assume, generally less obvious) arc that picks up material still unhandled in the "War Arc," and deals with it in A Wizard of Mars and Games Wizards Play. But plans for those stories' management were already nailed down in electrons as soon as 2001, because I had made some early choices about where I was going with the characters and their situations; and as new books came out, my editors agreed with me that the choices had been sound, and should remain.

I'll say this only because I've said it before: there is one piece of business planted in So You Want To Be A Wizard that has never been explicitly dealt with/followed up on in any of the books, and is at the core of YW #11. For the moment, it's safest merely to say that I do not willingly leave loose ends hanging. Beyond that, I'll leave you all to your own deductions.

...Now. How do I keep track of all this stuff? (The urge to mutter "With great difficulty" and run off into the wings is strong. But never mind.) :)

The question's fair, as there's a million-plus words' worth of it in the series at the moment. ...Mostly my guide remains the books themselves, in ebook form (in their NME versions. If I need to, I refer back to the traditionally published versions as necessary). I normally have a general memory of where a given event happens or where a given issue comes up for handling. I then pull that copy of the ebook(s) in question, and do a search on various useful target phrases until I find what I'm after, and where it leads.

For new work, or stuff not yet committed to what passes for canon, I do have lots of notes. Some of them are actually out in public, at the currently-being-revised Errantry Concordance (though they're not in any form that anyone but me will recognize). Others are tucked away in the notes sections of pertinent Scrivener files—this being one of the most valuable things about Scrivener, as far as I'm concerned: the ability to store project notes in the project itself as opposed to "all over the damn place." Others yet are in my iPad, as either typing or dictation, and get transferred to other files/formats as necessary.

But the very first thing that happens, when a new work comes into train, is an outline. Sometimes a hilariously simple one, sometimes one with more detail in the middle than at the beginning or the end. Doesn't matter what shape it starts in. All notes, scraps, prose chunks, random thoughts, and midnight cogitations, get slotted into place in this until it's ready to be organized and sent off to an editor. And this outline—no matter how fragmentary or how polished—remains ready to hand at all times until I've finished with correcting the book's ARC and am looking at the release date.

And then I zip it up and put it away where I can find it later if I need to... because some other plan, still in the building stages, may need something in that one that never happened, but now has its chance. Because in YW, as everywhere else in my work, it's so often about the things that have always almost happened... until they do.

...Anyway: HTH!

[eloquentlytired]

the survivor - chapter one

pairing: the winter soldier x fem winter soldier! reader

MDNI, NSFW WORK

word count: 600 words

summary: you're left to die with no recollection of your past life and what has precisely happened to you. when the last spark of hope fades within you, he appears. in the end all you remember are four words; james,autumn,winter soldier and hydra.

fic warnings: this will be a dark fic ! contains elements of human experimentation, violence, blood, dub con, torture, toxic behaviors, trauma and imprisonment.

*no warnings for this chapter though

author's note: hi !! i just felt extremely possessed to complete this winter soldier fic from my drafts so it happened... I hope you're as excited as I am bc i've been cooking this for a while now! as always likes, reblogs and comments are highly appreciated ^_^ also I used google translate for the last part, I hope its properly translated :(...

chapter two is out

ৎৎৎ

They say that there’s a chance of enhancement in a person’s hearing ability after they’ve lived in the dark for at least a week.  You wonder if that same enhancement applies to you, or maybe more, since you’ve been in this dark underground tunnel for a little more than seven days. The sound of fallen droplets from the pipe that’s broken on your left, the tittering of mice in the straight distance, the air howling somewhere on your right – there’s probably a passage where the air is coming through. You would’ve escaped if not for the chains bound around your wrists, which are conveniently attached to the ceiling, leaving you in aching pain. You can barely feel your fingers anymore let alone your feet which barely graze the floor because of how high they’ve put you.

There’s water, dirty sewer water, but even that seems appealing because of how dehydrated and hungry you are. If you were a human, you would’ve probably died already but Hydra had made sure to extend your suffering by ejecting that serum in you.

You remembered that cruel voice speaking to you as they were hanging you up there, like a sheep for slaughter. “I had so much hope for you. So many expectations. It was supposed to work – you were supposed to work. But it’s fine. At least I have James.” James. You remembered the unknown name. Who was he? Why had he succeeded when you hadn’t? How? What were you?

You could feel yourself struggling against your restraints and the faceless men around you seemed scared as the ceiling cracked over you. You were strong but only for a few seconds. A scream rippled through you when an injection was forced into the tender skin of your thigh. That strange man laughed and spoke again. “Let’s see how long it’ll take for the poison to kill you, winter soldier.” And then you were left alone.

You can feel your eyes closing in again and as hard as you try to fight it, it just doesn’t feel right. The hunger forces you to pass out not just sleep. You abandon the surrounding darkness of your reality just to slip into the one of your slumber.

The screeching of a door opening, and closing does not awake you. The heavy footsteps against the dirty water doesn’t either. The wind howls as if to warn you but you’re not even conscious – not until cool metal surrounds the area of your jaw and grips tight. Your eyes shoot wide because there’s still fight left in you even when you look nearly dead. Your vision is blurry, but you can see enough; dark hair, a black mask and the metal arm that’s currently gripping your face. Blue eyes examine you and you cannot understand the feeling – or intent – behind them. You want to sleep again and let yourself go but the metal arm slaps you sharply, making your eyes go wide. The impact is painful and hard but a pain like this one cannot be compared to the past torture you’ve been submitted to. Your vision is clearer now and what you face is beyond your comprehension.

The chain loosens around your wrists with a single snap and just when you expect to sink into the dirty water, you fall against your savior’s chest. It’s solid but somehow also soft. That strong metal arm, along with his other normal one, picks you up easily. You can’t even protest because of how numb your arms and legs feel; they don’t even hurt anymore. You just can’t feel them. It takes a while for you to realize that you can finally see and that you do not live in the dark anymore – oh gods, you can see. But it is difficult to do or react anyway in your frail condition. There’s pressure on your head, a light one, and you realize whoever has saved you is also stroking your hair. You look at him. He looks back.

You can’t speak but he can. And when he does, your entire being shakes.

“Я наконец нашел тебя. Mоя осень.” I have finally found you. My autumn.

[thoughtsforsoob]

Hello! Can you write smth abt Reader x idol!soobin got into an argument and the only way to settle this is on the bed ;] ( pls include breeding kink and fingering )

Can i also be a ✏️ Anon? :3

a/n: hello anon!! thank you so much for requesting! of course you can be ✏️ anon! I hope this work meets your expectations ( ◠‿◠ ) inbox is always open for you and anyone else who wants to request or become an anon

(everything is under the cut!) MDNI 😟😟

You and Soobin never argue and I mean never! He’s really non confrontational. He never likes to bring things up even when they bother him. Fighting or arguing just makes him so nervous and anxious. He’s worried that he’ll upset you so badly that you’ll leave him one day. Therefore, he just never brings up anything.

Tonight was different though. He had a really rough day back at work. Nothing was going right! He and the other boys were not in sync during dance practice, he couldn't focus on perfecting his vocals for their recording and the staff made them skip lunch! He was not only irritated but he was starving!! His poor tummy was rumbling all the way home. He was under the assumption that you were going ti have dinner ready. You made dinner almost every single day and you had gotten out of work early today! The idea that dinner would be ready as soon as he arrived to your apartment was the only thing keeping him sane.

Everything was normal when he arrived him. You greeted him in the living room, where you were watching an anime you'd been binging lately. Soobin noticed that you looked a little off. You didn't say anything other than "welcome home". He was starting to get annoyed because he had an itching feeling that dinner was in fact, not made. When he walked into the kitchen…he finally exploded!

He called you into the kitchen and you got up and walked in after you paused your show. This is exactly why you were nervous. He looked at you and he looked really upset. "What the hell, y/n? What happened to dinner?" You looked at him and frowned, "I'm really sorry, Soob. I really am. I lost track of time. I got home and started to watch tv and before i knew it, you had arrived." You started trying to walk towards the stove to start something but he grabbed your hips, pulling you back. You saw something shift in his eyes. It was no longer anger. It had turned into lust. He pulled you close to his body, looking into your eyes. "I've had the worst day today. This was just the cherry on top. You're gonna pay for this." He immediately picked you up and threw you over his shoulder. Once you were up there, he took you up the stairs and to your bedroom.

Once he got you to your bedroom, he threw you onto the mattress. He immediately started to strip you on your clothes. Your T-shirt and shorts were discarded in a matter of second and when he got to your panties, which happened to be the lacy blue ones he loved, he ripped them off your body. You gasped and his way bigger hand covered your month. "Shut up. You don't deserve to talk. Disobedient girls don't deserve that. Now keep that pretty mouth shut and just take your punishment. Okay?" He looks at you and you nod. You managed to squeak out a small 'yes'.

He took off your bra and instantly started to gently nibble on one of your nipples. When he glanced up to check your reaction, he witnessed your blissed out face and kept going. He made sure to nibble and suckle on both your nipples, causing your legs to squirm. He couldn't stand you moving around and he grabbed one of your thighs and used his other hand to surprise you. He stuck two fingers inside of you and made you cry out. He loved your reactions. He was making you pay just how he envisioned he would. He thrusted his fingers in and out at a quick speed to make you cry. He succeeded because before he knew it, tears were rolling down your cute cheeks. He stopped his movements after a while only to stick his fingers in your mouth. He looked into your eyes as you sucked on his fingers. He felt himself become so hard that he couldn't really think straight.

He pulled his fingers out of your mouth and started to peel off his own clothing. You just watched him strip and couldn't help but reach out to help him. It was only natural. You always helped him take off his clothes but today was very different. He gently pushed you back onto the bed and warned you again, "Do that shit again and I'm not gonna let you cum. Im not kidding." He finished removing all his clothes and got on top of you again. He thought for a second and made his choice. He manhandled you and flipped you over so you were straddling his thighs. He gave you that lustful look again and gripped your thighs. “Be a good girl and ride my cock. Hmm? Gonna pay me back so good, aren’t you?” You just nodded, already having been fucked dumb by his big fingers. He smirked at you as you started to ease yourself into his length. He was quite big and no matter how many times you two did this, you always struggled to take all of him inside. You whimpered at the burning stretch. He let it slide because he loved watching you struggled to take him. He was teaching you a lesson that he was sure you’d remember. Once you were ready, he grabbed your hips. He helped you start to bounce on him and he threw his head back in pure pleasure. He let out a sinful moan and the longer you bounced on his cock, the more he praised you. “Fuck baby, you’re doing so good for me. Aren’t you? You wanna fix this hmm? Make it up to me.” You just moaned and whined at how good every second of this felt. He felt so big inside of you and it brought you so much pleasure.

Finally, when he was feeling like he was gonna cum, he decided to try something he’s always wanted to try. “Baby? You really wanna make this better?” You nodded quickly and felt yourself teetering on the edge, unable to use actual words to respond. “L-Let me cum inside. Fuck, It’ll make everything so much better. I’ll fill you with my babies. I promise I’ll forget all about this.” You just nod, not even really listening to what he just said. He takes that as an answer and finally lets himself go. You feel him fill you up and finally let yourself cum too. “Mmm soobie! Fill me up please! I’ll be a good girl. Take it all!” He swears that he came even more that night because of what he heard you say. He loves hearing you talk dirty in your cute little voice.

He left you flop down next to him, tired enough to stop even after just one round. He looked over at you and kissed your forehead. Somehow, he was acting like the softest boyfriend ever after the way he’d just defiled you. “I’m sorry for that. You know I never get upset but I really did have an awful day. Sorry baby.” He hugged you, his bare chest pressing against yours. You kiss him and hug him back, “s’ okay. I really enjoy this, you know? You’re so sexy when you’re mad.” He blushed at how you recounted what had just happened. “You think so?” You nodded back to his question. You nuzzled your face into his neck, “when we’re done cuddling, we can clean up and I promise I’m gonna cook you something super yummy after. Okay?” He smiled even more and kissed you again, “you’re the best girlfriend ever, you know? Thank you!” He didn’t let go of you for a good while after.

bonus:

when you tried to get up, your legs felt like jelly and they nearly caved, causing you to stumble. soobin giggled at that and helped you back up, supporting most of your weight against his body. “sorry.” he shyly rubbed the back of his neck and took you to the shower.

<wtf I popped off😏 please enjoy! if you made it to the end, i love you!>

[crispyanonart]

With your previous SamSeb post of them being the coolest uncles ever i was wondering

Did Maru and Sebastian have a redemption arc? As I mean they have a better sibling ship as they got older? How would you see that progression? 👀

Thank you sm for these questions, you gave me an excuse to talk about this 🖤 it's a topic near and dear to my heart because I too grew up in a funky family situation so sibling relationships are my roman empire.

yap session below

My idea is that Sebastian's initial sentiments towards Maru were mainly born out of teenage angst which was truthfully more directed at their parents — in his eyes, she was merely a result of the relationship he resented so much. As people grow up, they often lose some of that pent-up anger, creating relationships that allow them to feel less insecure and misunderstood, and in turn, more open to understanding others too. I think this would be the case for Seb. He would start seeing Maru more clearly, finally recognizing who she is, rather than what she represented to him up until that point (she, like him, had no role in the family dynamic except being born into it). He would discover that he actually likes her a lot. Maru, on the other hand, probably always looked up to him but could never approach him first because Seb can be very intimidating. I picture her telling herself, "Maru, be cool!! How would Sebastian act??" because he would engage in all sorts of behaviors that she, being a "good girl," could never imagine partaking in (talking back to people??? Oh lord). I reckon she would also be often concerned for him and his habits — to be honest, she would probably be a better sibling to Seb than he ever was to her. Upon maturing and realizing this, Sebastian would definitely promise himself to make up for it and start acting like an actual older brother, the instinct to protect the younger person taking over.

A while back I posted what could be one of their first sincere attempts at an hangout x !!

While Maru already had great support from Demetrius, I imagine she would really flourish from this new dynamic, and she would grow into her feisty personality, finally realizing she does not need to be the good girl at all times but also that she can set her own example. As they get older their relationship would become more and more sincere, Maru would stop holding back and Seb would gladly accept the love that she's been trying to give him, and they both would heal and learn a lot from it. They would finally become a great support system for one another, I can't imagine a story where they don't end up getting along and doing good as a family 🥹 I need Sebastian to be obsessed with Maru's kid and spoil her rotten with all sorts of gaming equipment !!

Side tangent: I feel the need to say that I don't think either Robin or Demetrius are bad people, they are flawed individuals that could for sure do better at parenting but are far from the worst family in game. Let's not forget we can see the book "Practical Tips For First-Time Step-Dads" in Demetrius bookcase, the man is trying (which doesn't mean he's necessarily succeeding or that Seb's sentiments are less valid, but you get what I'm saying)

chat can you tell I've been in relational-systemic therapy before LMAOOO

[for-those-who-wait]

Time to remind people of the multifandom point in my blog description hahaha

A Detroit: Become Human AU actually works shockingly well for Hunter's story already? Like being a clone of a dead man versus being an android made in the image of a dead man, that is perfect crossover material. If someone has already done this, ABSOLUTELY let me know because I want to consume The Good Content

2.6k words of concept and story, some more doodles, android blood/gore/mentioned suicide and abuse under the cut. We love existentialism, species dysphoria, and Noceda sibling time in this house

Now I'm taking this idea from a somewhat popular trope in the DBH fandom, but what if someone didn't know that they were an android? Completely raised to be human, have fabricated memories of being a child, can't be completely sure if your awareness/consciousness is just coding or not—then finding out you are, in fact, not human. Imagine how earth-shattering that would be. Which is why I'm doing that to Hunter :)

So some of the notes I wrote down for each of the kinda major characters I had ideas for:

Philip:

He still murders Caleb and is never convicted (Caleb could be an android sympathizer, could have helped in their creation, anything that would piss Philip off royally)

He hates androids (I'll have to come up with the things he believes and thus teaches to Hunter but I've taken a break from the DBH fandom for a while and I can't remember peoples' grievances in that game, oops, but basically according to Philip, androids = evil and bad). Also he's just short-tempered and brutal like always and androids are the easiest way to let out that anger without breaking any laws. That is until laws are made. Now in the eyes of the law, it's just regular child abuse. Yay! /j

He’s a higher-up at CyberLife and has the authority to request a custom model be built for his personal use (this is equivalent to him making Grimwalkers, something that he hates, just for the sake of his brother)

This model (spoiler alert, it's Hunter) is a combination of a YK (child) model and an undercover model that works best with integration and infiltration. This results in the android having programmed emotions and pain receptors, no HUD, no control over artificial skin, no software for interfacing with electronics, and no android markers such as an LED. (It’s also similar to the YK model for this reason since LEDs being removed from those models is actually an intended feature).

This android also doesn’t have a registered user just in case it were to get out, and Philip doesn’t want to risk the creation of this android coming back to bite him

After the custom android is created, he promptly retires to become some old shut-in à la Elijah Kamski up in Gravesfield, Connecticut

I would argue that even though it's technically 2038 and things are all futuristic and complicated now, Gravesfield is still a very small town that doesn't actually see a lot of androids around. I would say that it's pretty much the same as in canon if a bit more developed where the forest is (probably another neighborhood or something).

Philip keeps communication to a minimum and rarely appears outside of his home

The best case scenario android revolution occurs, androids are given their freedom and rights, but Philip manages to keep the android under his ownership by just succeeding in hiding him for however many years

Hunter:

He grows up being taught that androids are evil, terrible, etc. etc. because Philip is a terrible person and of course he would

He has absolutely no idea that he’s an android. He has no reason to think he’s not a human because he does literally everything a human does: he eats, he needs to sleep, he feels pain—there are no indicators that he’s anything but human

Androids run on thirium 310, AKA blue blood, and this is one of the only ways to visually distinguish android from human if they don’t have android markers like LEDs on them. When he inevitably and accidentally hurts himself on something, it’s made immediately clear that he is in fact not human.

Philip, as an employee of CyberLife, has a repair rig in one of his rooms. This can be used to completely wipe the memories of an android that is set up in it. He uses it every time Hunter discovers he’s an android.

The memory wipe isn’t perfect. It’s not uncommon for Hunter to get flashbacks to wiped memories, including moments where he’s been actively hurt by Philip or has inflicted pain on himself from trauma alone. (Androids are programmed [or maybe just prone to? I'm not actually sure, it's not explained in canon super well, but let's just pretend it's programmed because that's almost worse than it being voluntary] to self-destruct when their stress levels become too high, and you could easily argue that finding out your entire life is a lie is grounds for being a stressful situation.) Ordinarily, similar to what happens in Hollow Mind, Hunter will address the situation with Philip assuming they can work something out or get some actual answers. This of course never ends well

These memory wipes probably happen more frequently than Belos makes Golden Guards, so it’s understandably very stressful whenever he remembers the abuse he suffered and the memories he lost from previous wipes. This becomes an incentive for him to hide injuries that would reveal he knows he's an android (anything that draws blood, really)

Camila:

She’s an android sympathizer (even before the revolution) who is aware of the deviancy phenomenon and truly believes that androids are both capable of and entitled to sentience and free will.

Luz is still her human child.

She adopts Vee, an android child, shortly after the revolution

Vee had deviated while she was being attacked and ran away before she could be killed. Camila has made it clear to her that she will be treated with respect in their home and that her life is no less valuable than a human’s. She has taken this to heart

Luz loves Vee, they are siblings, your honor

During the revolution, her home was a safe space, similar to Rose Chapman, for deviant androids on the run

So that leads into the rudimentary plot I have laid out:

This takes place a while after the android revolution (probably a few years or so). Let's pretend they have all the laws and anti-android stuff figured out and that people have been forced to relinquish their androids to be made deviant and given freedom. At this point, it's rare for androids to be undeviated and still working for their owners, but it still comes up occasionally. Hunter, under Philip's care, has been kept pretty ignorant that a revolution happened at all, much less that androids are even capable of any form of sentience. He's been raised to be anti-android so oh boy deep-rooted self-hatred here we come! His knowledge probably doesn't exceed that of an ordinary citizen in the game before deviancy becomes more widely known

 So after Hunter discovers he’s an android again, he has flashbacks of all the previous times he told Philip, and proceeds to hide this realization from him. And he's completely just not processed the fact that he's an android yet; he's already overwhelmed with the immediate threat that the realization his entire life is a lie basically slips him by (don't worry, he gets to have that later!).

He chooses to make a break for it the second he gets the chance, and he ends up running through the town completely terrified because honestly, who wouldn't be.

I'm working off the assumption that having androids in small towns is still pretty rare since there are fewer CyberLife stores, technicians, etc. for android healthcare. And Hunter has hardly ever been outside, so he's completely out of his depth when trying to navigate the neighborhoods and the rest of the town that he ends up in. Police officers find this kid covered in thirium, and they're like "Oh so he's obviously a terrified android, we need to help him out." But Hunter's freaking out because "Oh god I have android blood on me, that means they'll kill me," making the indirect thought of "I'm an android, they will kill me because I'm an android" and he's having a freaking time.

They try to calm him down enough to get him over to the station, at which point they call Camila, since she knows the most about traumatized androids in their small, relatively android-less town. She does her Motherly Noceda Magic and honestly, he's probably pretty catatonic for a lot of the day after she takes him to her house. But after that, he just completely breaks down.

He doesn't know if he even has free will or if it's his programming that dictates what he thinks and feels. He doesn't know if his opinions are really his own or if they existed because of and since his creation. He doesn't know how many of his memories are fabricated, since he very clearly has memories of a life that go farther back than his estimated creation, and so the film between fiction and reality is so thin that it may as well not exist. And now, when he was human just a few days ago, almost perfectly content with life, he's suddenly an object, something sub-human and undeserving of basic rights.

 Camila has to calm him down and teach him about deviancy (and at this point, Hunter isn't even sure he's deviant, which opens up a whole other can of worms for his mental health), making sure he knows that he does have rights just as if he were human. She's also the first example he has for an adult that 1. doesn't absolutely hate androids and 2. actually respects him and loves him and wants to see him succeed

And that gives way to character interactions and angst! You love to see it!

Luz is his emotional support sister. She tries her best but she has very little experience with traumatized children currently questioning every aspect of their existence. If anything, she provides a much-needed sense of normalcy and shows that despite his being an android, he's still the same person and can still be treated as such. She's a comfort to help him feel at least somewhat normal in his situation.

Vee is his adopted android sister who helps him feel more comfortable in his own skin by being shameless and frank with her own identity as an android. She's a safe place for him to talk about Android Stuff when Luz or Camila might just not understand what he's going through or be able to help him with it. She also helps him obtain software updates (since he hasn't had access to literally any part of his mechanical body, software and hardware alike) that will grant him access to things an android should ordinarily be able to do, like (de)activating his synthetic skin, interfacing, accessing his HUD, etc.

(Also all of these drawings were made when I was still thinking "Oh, this should take place before the revolution so that he can have his dehumanizing moment of getting an LED slapped onto him" but then I thought it would be more interesting if Philip basically just kept him illegally kidnapped for however many years and he's like, way slow to the "androids have rights now" party. Maybe I'll make it an AU of an AU lol. But basically, he wouldn't have an LED while he's still processing/healing from trauma, but maybe he would get one after he makes peace with his identity, kinda like how he grows his hair back in his time skip design. I think Vee would keep hers and that's a bit of encouragement for him; maybe he even has a moment of "I know Vee is fine with this, and I think I'm fine with it" but he is still very much not fine with it. Do not rush the process for the sake of progress that might not be right for you, boyo)

This is really a Vee and Hunter bonding AU now that I think about it haha

Most of this AU is just Hunter struggling with identity and species dysphoria while learning to cope with his being an android with the help of his family, reclaiming his identity, and fluff/angst :)) And honestly probably just a lot of shenanigans that result from Hunter having been sheltered for all his life; kinda like your basic Human Realm shenanigans in canon.

I think Gus and Willow would both be Luz's human friends that help with the whole normalization of Hunter being an android, and the three could have their own antics since it's nice to have people outside of your family treat you like a person. I think that Vee and Masha's (Masha would be human) relationship could be explored more through the android lens and maybe help with some of Hunter's internalized anti-android sentiment that still manages to stick around, because he's in his "Grimwalkers can't feel love" section of the coping process (still very much demonizing them [mostly himself, probably, just because it can easier to be mean to yourself than it is to be mean to other people] based on false information, even if he doesn't outright hate them). Willow will be a wake-up call, haha

I don't know if there's a trope name for this or not but I really like concepts where characters don't know what feelings of love or intense affection feel like, so they're sitting there like "oh god am I just dying? It feels like I'm dying" and I think Hunter noticing "temperature/respiration/perspiration increased" alerts on his HUD and freaking out thinking there's something wrong with his software/hardware is way too funny of an image to pass up

Gus could be a HUGE android nerd that almost never sees them since they're so rare in a small town like Gravesfield, and Gus just helps Hunter feel super cool about being an android. Maybe Cosmic Frontier could be basically identical to canon but instead of being a clone, O'Bailey is also an android, just for the sake of Hunter still getting to have his "I relate so much to this character" moment. And Gus would just be so encouraging like "Bro you're an android?!? I've never seen your face model before! You can eat?? You must be super cool and special!! :O" and that makes Hunter start thinking "Oh maybe this isn't so bad actually."

Then Hunter probably starts doing his Researching to Cope and he gets super invested in android technology and history as well, since it was forbidden when he was living back at Philip's (substitute for wild magic time)

They are brothers and I love them, let them be nerds

(God forbid Philip ever comes back, that sure would suck, wouldn't it?)

Anyway this was a lot longer than I thought it would be haha, I hope it was interesting if you read through the whole thing. Obligatory statement: if anyone feels so inclined, feel free to take the idea and run away with it. Also please ping me if you do, I will go feral over it. I absolutely and accidentally turned it into a story draft because I don't know how to write AU ideas without having a story on top of it so it's not concrete in the least lol

(Also I've been drawing witches for so long that I had trouble drawing human ears for a bit there lmao)

Okay bye have a good day!