#not really but they're implied

[lewiscarrolatemybrain]

Me, vibrating at a frequency that could shatter glass: I wanted a Koby-and-Luffy-Childhood-Friends AU and that turned into a Koby-grows-up-with-the-ASL-brothers AU and THAT turned into me imagining Koby still becoming a marine (Garp is THRILLED TO TEARS. Ace and Luffy give him a lot of grief for it but they're still lowkey proud of him) and one day, completely by chance, he stumbles across the Chief Of Staff Of The Revolutionary Army.

Wanted posters for the Revolutionary Army aren't passed around like the posters for pirates and criminals are, because it's actually very common for a would-be bounty hunter to get recruited to the cause if they seek them out, and the government doesn't want that, so only ranked officers are allowed to actually have them. And Koby, who recently made rank, did find himself staring for a very long time at the slightly blurry black-and-white picture of Sabo(?), Rank Unknown -- but a picture doesn't do a face justice, and he's been carrying that ghost with him for years, so he ultimately set it aside. Told himself not to wish for impossible things.

Only to, less than a week later, end up helping Sabo (Sabo, it's Sabo, holy shit it's Sabo) escape from a marine base. Koby will go to the gallows for this if he gets caught, but both of his other sworn brothers are pirates. He became a marine knowing that if he had to make the choice, he would chose family over duty. Granted, he didn't expect to have to make that choice for at least another few years, but here we are.

The two don't speak much -- there isn't time. Koby gives hushed orders and Sabo whispers clarifying questions and they breathe warnings back and forth, both of them stretching their observation Haki as far as it will go as they tiptoe out of the base.

This boy feels familiar. Sabo can't explain it, but he felt it the second he laid eyes on this young captain. The pink hair, the big eyes. It's worse now that they're standing right next to each other, Haki signatures pressed so close together it's impossible to ignore. This boy feels like feathers and steel, like something soft and warm and earnest wrapped around a core that is solid and steady and unfaltering. He is the waves that erode the shore, patient and gentle but inevitable in their quest for change. Sabo shouldn't be able to read the soul of a stranger this clearly, but he can, somehow. It feels good next to his own roiling storm clouds and piercing cliffs, it feels grounding, but he can't help the strange thought that there should be fire and forest here, somehow. There should be sunlight.

The boy feels familiar, and Sabo hates that he is the one following behind. Which is stupid, because he doesn't know where they're going and obviously the one who does should take the lead, but every corner they turn and patrol they dodge has the spaces between his shoulderblades winding tighter. He wants the captain tucked safely behind him, with Sabo in the lead where he can take the brunt of whatever danger they face. This, too, is strange.

They make it out of the base and down to the docs, where Koby gets Sabo set up -- the guards change shift in thirteen minutes, if Sabo waits there'll be an opening for him to steal a boat and get out of here -- and Sabo takes the opportunity to ask "Are you... sympathetic to the cause?"

The boy stills.

"You aren't on our books, is all. I don't recognize you as an officer. If this is you looking to join, I'm afraid I don't have time to vet you right now, but I can arrange for you to meet with a recruiter--"

"What the fuck is wrong with you?" It comes out a hoarse, furious whisper. Koby wants to scream.

Sabo blinks. "I'm sorry?"

"Is that how you justified it? Oh, it's been so long, they probably forgot about me? Is that what you told yourself?" He needs to keep quiet, he needs to get back inside before he's noticed missing, they can't do this right now -- "Or maybe you just figured out of sight out of mind, right? Since clearly that worked out fine for you!"

Koby waves a hand up and down Sabo, a gesture meant to encompass -- this! All of this. His fading grin and his fancy coat and his fucking wanted poster.

"Chief of Staff. That's impressive. I'm not surprised you're some big shot, it suits you. Are you having fun, Sabo? Is your grand adventure treating you well?"

"I don't know what --" but Koby can't let him talk, because Koby can't breathe, because Sabo is here and he's alive and he's acting like Koby is a stranger to him and if Koby doesn't spit out the words he's suddenly choking on then he's going to collapse into screaming sobs instead and they can't afford that right now.

"Let me guess, secret identities? Code names? It's all so hush-hush, so cloak-and-dagger, you were sworn to secrecy? I don't care. I don't fucking care what reasons you used to justify letting us think you were dead! For ten years! It was selfish, Sabo. It was cruel. And I--" He gasps. Coughs. Sucks in a heavy breath until the salt of the sea breeze settles in his lungs and he can tell himself the wetness on his face is ocean spray. "We mourned you. Ace and Luffy are still mourning you. Dadan and the bandits and Makino and Gramps. Everyone, all of us -- we have all been carrying this grief and you just--!"

Breathe in. Breathe out. Stay quiet. "If this is the life you want, then okay. Okay. But don't you stand there and pretend I'm a stranger to you, and expect me to play along. Don't you do that to me. Not to me."

[finelythreadedsky]

there are 32 complete surviving tragedies by three different authors (counting cases of disputed genre and authorship), and you can see a list here

[fudgecake-charlie]

to my IRL(s) who keeps sending me disco elysium memes despite the fact i haven't played it in months THIS IS BECAUSE OF YOU. HELP ME. If people have ideas on this AU feel free to have fun with it considering I. have only a few!

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[glitterspaghettiketchup]

Felt like i had to make this lol

[amanitacurses]

Scientist x Monster

[etchif]

they didn't die they got married and grew old together and everything is fine

[erinwantstowrite]

Wait did Loki already know about Dick and Jason and all that because he did research /before/ Peter got sent there on not just he was there without telling Peter? And that's why he ended up in that universe specifically cuz he had family there? Or I did I misread something?

oh no Loki is fully lying out of his ass right now. but really he's not lying, it's more like he's not telling the full truth ? idk how much I can really tell you guys cuz I don't want to spoil it... alright, so i can't tell y'all what he was doing specifically but i can tell y'all his general plan and some character insight

i'm feeling in a slightly spoilery mood so!!! if you don't want to know anything about what Loki is up to, don't continue reading! but be aware that at this point in time, there are some things that we just won't know about Loki in the fic itself that i'll talk about here!

before all of this he had absolutely no intentions of teaming up with Peter, he was just exploiting a weakness and trying to get Peter out of the way (this is the same as to what he did with Thor). he knows that Tony would be distracted, and in their efforts to find Peter they would probably be stressed out and their forces would thin because finding usually involves splitting up. they would also have to deal with Mysterio and Ohnn (....and a secret third character 👀). it would give him plenty of opportunity to go in and try and pick them off one by one. except it's not working on the Avengers side. we'll get more to this later 😁

after his first meeting with Peter, Loki figured that Peter would probably be a good place to get some intel if he needed it, because Peter trusted him and was not aware about Loki and his past with the Avengers (or at least not fully aware). the more that he learned about the Bats and Peter's relation to them, as well as learning about Peter, the more he figured it wouldn't hurt to have Peter on his side. he thought that he could twist Peter into believing the Avengers weren't coming. his plans have been shifting around, meeting his needs since the beginning. he's been standing off to the side and pushing the characters around trying to figure out what they will and won't do, like he's observing a game and they have no idea he's moving pieces around when they weren't looking.

however this plan was going to take a lot more time... and Klarion summoning Thor ruined it completely. he had to speed up the process and make his offer quite literally months before he thought he would. so in a way, we can thank Klarion for derailing Loki's plot

Loki had no idea what would happen when he directed Ohnn and Mysterio towards Peter. he knew that Ohnn had been traveling between worlds for a couple of months, but he had no idea if Peter would even survive going to this other universe. he also had no idea about Peter's relation to the Bats until he started digging around for his new plan (Plan: Exploit Peter's Love for his Parents). the thing is, is that his plan would have failed no matter what, because Loki failed to see that Peter's adopted family cares deeply about him, and this bond means just as much as any blood ties he could have. his own insecurities about his standing within his own family got to him. when he was digging around in Peter's life he saw that Peter's foster experience had failed. and he might, maybe, just a little bit... feel bad that the family that was going to adopt Peter were killed because of what happened in the Battle of New York.

so: while he has been very intentionally manipulating Peter... he was thinking of Peter's best interest after a certain point. instead of him not caring what happened to him as long as he was out of the way, Loki did start preparing to make sure that Peter could stay in this world and that he would be taken care of. because i don't believe Loki is an evil person, and even now he's just a little silly. he might have been a little bit crazy with Thor, but to be fair, every other time Loki had a plan and he wasn't crazy enough, Thor came out of it. I feel like they have different standards than what we would as humans. because if you have a sibling then I feel like you'll understand me here... me and my brother used to fight a lot and while we never actually chased each other with knives, we did chase each other with other weapons (whatever wouldn't actually kill but was within our reach) and I think this is their version of that. like me and my brother are super close now but when we were kids we tried to kill each other a lot lmfao. so Thor will probably forgive Loki because that's his brother. (and I'm pretty sure that Loki was under some form of manipulation by Thanos during the Battle of Manhattan/New York??? correct me if I'm wrong, but if that's the case Peter would eventually see that Loki isn't an evil person.) Loki is very chaotic neutral in my eyes, leaning towards evil or good depending on the day. so he's gonna get his ass kicked for trying to take over the world, but like, that's just his enrichment... you gotta let him try every few months/once a year or you're not doing enough to entertain and care for your sneaky God Alien Guy

[fluentisonus]

[uwuwha]

And oh, I wish I could hold you in my arms || but lately my body has been so afraid

A comic for @cometquest's blocktales apocalypse au! Can be interpreted either romantic or platonic. I kind of made my own story here, but you should definitely go check the au out!! His character designs are sick as hell and I've been a bit insane about them lately 🙏🙏!

Text reads: And if I knew you a little less, and my soul held a little less pride, I'd ask for you to stay safe by my side. But in my heart, I have long known what your answer would be.

Some extras below the readmore! Fair warning it's quite long

The comic without leetspeak!

In honour of the most recent lore post

Banner says: and me I feel also not so good Griefer's saying: Dude this yogurt fucking sucks

And my original tags condensed into incomprehensible paragraphs because there was not enough space to fit all of them underneath. Dear lord.

Genuinely I keep thinking about them oh my lord. The way in a normal world they would have never met. Wouldn't have even known eachother existed except in passing and rumors. Yet in this world where everything is falling apart Griefer and Jim are the only lifelines in their towns, do they meet even if its in voicechat. The only way Roadtown can talk to Turitopulis. And if Red lives in somewhere other than Roadtown or Blackrock, then Jim is quite literally the only way Brad can get updates on his father.

So they start talking and planning and communicating. And they communicate and they learn about eachother and they start talking more than strictly necessary and days or months or maybe years later, Griefer suddenly realizes that he's looking forward to his next conversation with Jim. He likes talking to him. He finds comfort with him. He cares a lot for Jim. A lot. Like a bird trying to rip out of his chest. Over the voice on his headphones who hes never seen before.

And if he knew Jim a little less well. If he maybe he were willing to beg a little more. He might've asked Jim to go and live in blackrock like his dad, or even go to Turitopulis to stay with him. But he knows who Jim is, and he knows who he is, and if someone had ever asked him to leave Turitopulis he would've socked them in the face. And even though he's calmer and more mellower than him, Griefer knows Jim would never think about leaving Roadtown for it to defend itself. And nobodys really manning the planes except for Jerry nowdays. So he never bothers asking.

But like a riving pounding against stone, the voices know they can't last forever and one day, maybe the voices finally got to him or maybe it was an act of self sacrifice, but Jim blows himself up. And all of the sudden Brad is left with headphones that emit static, no contact to Roadtown, and a sinking pit in his stomach. Do you see my vision here. Gripping myself.

[sukuna-dees-nuts]

rizzless sukuna pt 5

lowkey this is almost feels like crack at this point 😭

idk what im doing. im just going with the vibes i started with when writing this series lmaoo

Part 1 | 2 | 3 | 4

---

It's a beautiful Saturday morning; the sun is bright, the birds are chirping, and Yuuji is currently setting up the gaming console as Nobara and Megumi make themselves comfortable on the couch. His parents are out running errands together and Sukuna is… actually, Yuuji doesn't know and currently isn't concerned with his brother's whereabouts because it means that Yuuji and his friends get the house to themselves for the time being.

Nobara kicks off her shoes and plops down in the middle of the couch, resting her feet on the coffee table. Megumi drops next to her, pulling out his phone as he looks around. He glances back to Yuuji as he asks, “Is Sukuna not here?”

“Who cares?” Nobara replies, tucking a strand of hair behind her ear.

“Uhh, I don't know,” Yuuji says over his shoulder with a shrug as he gets to his feet. He makes his way back to the couch, tosses a controller to Megumi's lap, and hands another to Nobara. Taking a seat next to her, he sighs, “Probably vandalizing old buildings or something.

Nobara snorts. “Egging houses,” she adds.

“Surely he's done that before,” Yuuji comments as he picks his character and kart.

It’s no surprise that Yuuji and Nobara battle for first place in every race. Both are extremely competitive and weirdly good at this game. Megumi, however, almost always finishes in dead last. He doesn’t care; he never has and probably never will.

“Hey, Megumi, do you ever not come in last place?” Nobara asks with a shit-eating grin, pulling her eyes away from the screen and over to her friend. His brows are pulled together, and there’s a deep frown on his face as he falls off the edge of the map again.

“Do you ever shut up?” he grunts.

Yuuji cackles. “Don’t you play with Gojo?”

“Not because I want to,” Megumi sighs, dropping the controller when he finally finishes the race.

“Well, I guess someone has to give him enrichment time,” Nobara hums and crosses one leg over the other.

The front door opens, and Sukuna steps inside the house. He wipes his face with the hem of his shirt as he walks into the living room. Of course, the last thing he expects to see is Megumi sitting on his couch.

Their eyes meet, and Sukuna feels his heart skip a beat.

Instantly, Megumi’s eyes flicker from Sukuna’s face to his exposed abdomen and back up again. It’s only a split second later that he looks away, awkwardly scratching his cheek as he looks down at the controller in his hands.

“What are you losers doing?” Sukuna asks as he steps into the living room.

“We were having a good time,” Yuuji states without looking away from the screen. His character throws a red shell, hitting Nobara’s kart and allowing him to take first place. “Yes! Take that, Kugisaki!”

“This is why girls don’t like you!” Nobara shouts, shoving Yuuji hard enough that he falls off the couch.

The boy lands on the ground with an oof! but it doesn’t stop his focus from the race.

Sukuna watches the scene play out with his top lip curling in annoyance. As he rolls his eyes, he takes a seat on the arm of the couch next to Megumi. He can’t help but notice that the boy is in last place and after spinning out, immediately drives into a banana peel that he could have easily avoided. Sukuna snorts in amusement.

“Dude, you’re shit at this game,” he says, nudging Megumi’s shoulder with his elbow.

Megumi huffs, opening his mouth to reply, but his words are cut short temporarily as Nobara tries to kick Yuuji’s controller out of his hands. She cackles when she’s successful, only for Yuuji to grab her ankle and pull her down onto the floor with him.

Turning to look up at Sukuna, Megumi states with a deadpan expression, “This is why I don’t play.”

Raising an eyebrow, Sukuna looks over at Yuuji and Nobara who are simultaneously trying to race and knock away each other’s controllers. A grin spreads across Sukuna’s face and without thinking, he reaches down and grabs the controller from Megumi’s hands, their fingers brushing. Sukuna’s gaze briefly meets the other boy’s before he’s turning back to the TV.

With Yuuji and Nobara distracted trying to sabotage each other, it doesn’t take much for Sukuna to quickly catch up to the front, but not without adding a couple teasing jabs to Megumi’s poor choice of character and kart.

“Why on earth would you pick Baby Rosalina and the Badwagon?” he asks with an amused snort.

The younger boy shrugs. “I just hit the randomize button. I don’t care that much.”

“Obviously,” Sukuna retorts. He shoots Megumi a teasing grin.

Megumi rolls his eyes. “The only other time that I play this game is when Gojo forces me and Tsumiki to play with him."

Sukuna grimaces. “Sounds awful.”

“It’s not that bad. Gojo is just a sore loser so Tsumiki usually lets him win so we’re not stuck there all night.”

With a hum of acknowledgement, Sukuna briefly wonders if Megumi would be down to play with him, just the two of them. It doesn’t sound like a bad idea. The only thing would be convincing Yuuji to let him borrow the switch or getting Yuuji out of the house long enough for Megumi to even come over. Well, he supposes that’s something they can figure out after they’ve had their movie date.

“Yes! First place! As I should be!” Nobara exclaims as she finally finishes the race with Yuuji on her tail with a close second.

Yuuji scoffs. “Only because you knocked the controller out of my hand and made me fall off the side of the map.”

Rolling her eyes, Nobara waves a hand dismissively. She leans back against the couch and stretches her arms above her head. “You’re just a sore loser.” Her eyes flicker back to the screen and she sits up straighter. “Megumi coming in 4th place?! And here I thought you just liked losing."

“Whoa, how’d you get so good so fast?!” Yuuji asks with a laugh. He looks over, his head tilting to the side when he sees that there is no controller in Megumi’s hands. That’s when he notices that his brother never left and is instead sitting on the arm of the couch with the controller in his hands. “Hey! That’s cheating too!”

Nobara looks over with a frown as Sukuna is handing the controller back to Megumi. He pushes himself to his feet, pulling his phone out of his pocket to check his notifications.

“Thanks, Sukuna,” Megumi says, the corner of his mouth quirking up.

Without thinking, Sukuna clicks his tongue and shoots Megumi a wink. “Any time.” He doesn’t bother sparing a glance to Yuuji as he turns around and heads out of the living room and up the stairs to his bedroom.

A long silence draws out in the living room, both Nobara and Yuuji staring at Megumi in a mixture of shock and confusion as Megumi watches Sukuna go. When he turns back to his friends, he shifts in his seat, growing a little uncomfortable. “What?”

“What was that?” Nobara asks, the game now forgotten with her full attention on Megumi.

“What was what?”

“That!” She gestures vaguely in Megumi’s direction. “With you and Sukuna. He was… nice to you.”

“So?” the other boy cocks an eyebrow. He leans forward and places the controller on the coffee table before sitting back. “Is Sukuna not allowed to be nice to people?”

“No,” both Nobara and Yuuji say simultaneously in the same deadpan tone.

Yuuji pushes himself up to his feet, setting his own controller on the coffee table. He turns to Megumi, hands settling on his hips. “He’s not even that nice to me and I’m his brother."

Megumi shrugs. “I don’t know, maybe he felt bad for me because you two were being insufferable.”

“Sukuna doesn’t feel bad for people,” Yuuji says with a shake of his head. “He’s the one who makes people feel bad.”

Again, Megumi shrugs. “He’s always been nice to me.” He gets to his feet and excuses himself to the bathroom.

Nobara and Yuuji watch as he leaves. The moment they hear the bathroom door shut, they’re both sitting on the couch and facing each other with wide eyes, ready to conspire.

“There’s something weird going on here,” Nobara whispers, tapping her chin with her finger.

“You’re telling me. The other day, Sukuna was making plans to invite someone over when I wasn’t here.” He pauses, looking around to make sure that they’re alone. He leans in a little closer, cupping one hand around the side of his mouth. “And even worse, there’s someone with a nickname in his phone.”

Nobara’s eyebrows shoot up, her eyes widening. “A nickname? What kind of nickname?"

“It said ‘Raisin Boy’.”

“What the hell does that mean?” she asks, her eyebrows instantly pulling together in confusion.

Yuuji shrugs and leans back. “I dunno.”

A look of determination settles over Nobara’s face. “Well whatever it is, we're getting to the bottom of it!”

Yuuji grins, matching Nobara’s determination with a high five. "Operation: 'Find out who Raisin Boy is' is now underway."

[rmbunnie]

Something kinda tasteless about the way that alongside the concerns of "Batman needs someone to rein in his aggression/edginess" (mostly a meta concern,) "Robin is a symbol of undying hope right alongside Batman, Superman, and the police system," and "now that the thought's crossed my mind I think being Robin would be pretty sweet actually," one of Tim's points for why he should be Robin at the end of A Lonely Place of Dying is "we need to show the criminals of Gotham that they can't just kill Robin and expect to get away with it!" Because. They can. That's exactly what happened.

Using that line of reasoning, Tim makes the claim that the idea of Jaybin's life as disposable and inconsequential is heinous and bad, his killing something impermissible, but instead of disproving said idea they allow it to become true and devote their energy to making sure it doesn't become widely known as such. By covering his death up, they actually are permitting his murder to go unaddressed and deeming it acceptable, even taking away the opportunity for it to be consequential to anyone outside of Bruce's inner circle by not spreading the news. As much as we say "oh Bruce was a great dad because losing Jason crushed him" and "he almost considered trying to kill the Joker one time," he in all tangible areas did not do anything about Jason's death. Setting aside the question of killing the Joker or not, it's still shown in Batman Year 3 that Bruce's reaction to Jason's death in the time til Tim showed up was to hide away everything Jason owned and carry on with business as usual, a little angrier. Bruce didn't make any changes or actually evaluate anything in a significant way after the warehouse and Jason's death didn't warrant any tangible consequence, that's evident from reading the comic. I know some may disagree, and I acknowledge the room for interpretation, but in order to discuss Tim's reason we have to concede that it is explicitly written into this specific comic as something Bruce and Tim both recognize as fact, because it serves as the foundation that this reason is built on: there is good reason for the criminals to believe there would no punishment for killing Robin based on the actions Bruce did or didn't take in response. The concern about the public realizing there are no consequences for killing Robin wouldn't be reasonable if it wasn't true, if there actually were.

While they recognize that Jason's death came to pass largely without consequence, the fact itself is less of an issue to both Bruce and Tim than letting criminals actually find out that it doesn't have consequence. They know it's unjust, the notion that Jason can be killed without repercussion (and in making an effort to minimize his murder confirm it to be true,) but their concern isn't for what actually happened to Jason or the lack of proper response. At least on the vigilante side of things, the problem is public perception and continuing to uphold an image of Batman as just and diligent while permitting him to ignore injustice against those close to him. There's no efforts taken to actually disprove the idea that killing Robin would lack impact, what Tim proposes is just making it harder to prove right.

I think the best way to word what comes across tasteless for me here (aside from the side commentary on the unstoppable might of the institution of police and how it's an exemplar of heroism) is that beyond Tim's victim-blaming of Jason during his stint as Robin, (discussed in more depth by people who can word it better than me,) in the base text of a Lonely Place of Dying, it is foundational to the initial premise of Tim as Robin that part of his motive for being Robin hinges on accepting what happened to Jason as something that cannot be allowed in their pursuit of justice or go unaddressed for reasons completely unrelated to the actual harm, and then intentionally erasing the event and the way in which it was allowed and did go unaddressed. No matter how much it's claimed in later comics that Bruce was faultless and Jason doomed himself, Tim's Robin came to be at least in part (in-universe) as a cover-up for the lack of action taken about Jason's death, and by extension as an effort to overwrite his time as Robin and an individual entirely. And thought it wasn't the way his character viewed it, Tim wasn't passively complicit in it or going along with a poor grieving man, the intentional and deliberate erasure of Jason as a murder victim and the injustice of his posthumous treatment was part of his opening pitch.

[kineticallyanywhere]

Time & Space pages 1-2 ( This is the start || ao3 (not yet!) || next ) Starts less than 24 hours after the death of Willy Stampler. With the job done, there's finally time to sort some things out. They just need the right amount of space.

[aiden-artsy]

Morning 🌞

[sysig]

Blood sugar levels (Patreon)

[lienwyn]

Kang Yo Han in his natural habitat, as observed by Kim Ga On

OR

You want to fuck that old man so bad it makes you look stupid