#not really a story but more of a b plot

[stars-fall]

Idea: The queer bait (and switch)

Have 3 leads, two white pretty boys with a classic ship dynamic between them (but no romance) and the third is a girl. Later on in the cannon, once the fandom eventually begins shipping the pretty boys introduce a new character, another girl. She and the lead girl fall deeply in love (of course they can't run away together, they stay on the show)

The pretty boys on the other hand, both end up having girlfriends and because fundamentally incompatible, maybe even have one leave the show to raise kids with his gf. Two of the straightest straight men to ever exist

The fandom can't even call out the show for queer baiting because well, there is actual real queer relationship explored in the show- just not the one the fandom wanted.

[howtodisappearcompletelyand]

20/10 stars little guy

[firadessa]

Please acknowledge Bleakwatch Chronicles, Tinker Bell and the Lost City. I understand that BW chronicles may not have as much fans and are turned off by the art style. Also the author never posted (Zack Loran Clark) much promo for the book unlike Allison, nor mentioned anything about DF on his IG page. It is intended for a younger audience. However, I am much more excited for this book as it pertains to the movie universe. So please, just clap if you believe if you will.

As this is the first book to come out since 2017 that is labeled as "Disney Fairies" and the second spinoff- like this is important. You don't have to buy the book or give it the free promotion, but acknowledge the existence of it at least. WoS is not labeled as DF, if it matters.

Here are some of the reasons why I am more excited for Bleakwatch Chronicles than I am for Wings of Starlight by Allison Saft (Clarion x Milori YA Novel):

It's a post canon story implied to take reference to the cancelled Tinker Academy movie where TB goes to study at the Tinker Academy on the mainland. The art seems like they took references especially when directly compared to the concept art. WoS is a backstory.

It releases first, BWC releases in November 2024 and WoS releases in Feb.

It seems like more of original concept to me, literally because of the new concepts like the Flutterpunks and the implied secret cities of the Bleakwatch and Clockwork Capital.

New characters like Quin and Ozwald will be joining TB on this journey.

It expands on a old concept, and tweaks it in a way that makes more sense. IMO, an idea like a Tinker Academy seems to hold less weight because before the events of Tinker Bell fairies couldn't go to the mainland to spread nature, and it's implied they always stay. It is also implied in GFR that Tinker fairies don't typically go to the mainland even if TB's inventions help them in the intensive summer season (the song implies that's why she's there- it's implied in the first movie she goes there whenever she has a job) Vidia is dismayed by this and says "this is why Tinker fairies don't go to the mainland" whilst TB is checking out the car. In a deleted storyboard for Tinker Academy it is implied that it is a prestigious academy that FM gets into before the events of Tinker Bell, yet to me the idea of underground London tinkers makes more sense to me than the academy. Think about it, it's implied that TB and FM are some of the most brilliant Tinkers in pixie hollow and yet the Tinker population is small. (only Clank and Bobble greet her and we see no one in green outfits) Why do you think that is? I personally like the idea of rogue Tinkers who would scavenge on the mainland for parts and self-exile themselves from Pixie Hollow. It explains why FM calls the lost things junk, if the difference in mindset between the mainland tinkers and the pixie hollow tinkers was that the mainland Tinkers are considered "scraps" (get it) while the PH tinkers are considered more put together and community driven. It makes sense that TB being a brilliant Tinker that outshines even Vidia gets such an audience if brilliant Tinkers do not normally last in PH because they are seen as too curious and ambitious, opting to start their own community of outcast Tinkers in the mainland. Vidia's talent switch in The Pirate Fairy also implies that Tinkers have the gift of thought, and literally think differently (regardless of personality) then their non-tinker peers because it's their talent. There is much potential for this storyline as it adds more nuance to the Tinker Bell movie and the dynamic between the nature and non nature talents, something I think it would benefit from. It makes a lot of sense if the edgier steampunk designs came from a secret Tinker counterculture and not a secret academy imo.

The implication of this book suggest revitalizing the Disney Fairies franchise, possibly not just as a "brand". Not sure what that could mean but it's interesting

IMO, Wings of Starlight has more of a "booktok" vibe I'm getting from it. I'm not just saying that because it's YA, but given the (beautiful) cover design it feels more targeted for what Disney thinks grown fans of Disney Fairies might like based on whatever market research was done (and you know it was). WoS has been receiving better marketing and there are people out here that don't even know two books exist. I'm not saying the book looks lazy, slapped together, or unoriginal- or it will just be corporate and bland, I mean I'm a Disney Fairies fan I don't believe that everything is corporate greed lol and like to see creativity in the "unexpected". But I hope that future Disney Fairies books won't just be going for what is "trendy" to reel people in and instead invest in creative storytelling *in general*, in other words I hope they keep concepts and genres broad and inclusive enough so we have the potential for more creative stories. Not just expanded stories on specific characters and stories like the Twisted Tales series, or sticking to specific genres for this specific niche audience in a way that feels too specific. I feel like there has to be some sort of balance struck, or DF may be a little stuck for a while and may still have "missed potential".

On expanded stories, like I said, Disney has done a lot of that and there is an audience for that. However, I prefer the idea of post canon more than a backstory or expansion. From what I know, we know some details of the Milarion backstory and it will be adding more layers and expanding on the dynamics of the existing characters, where the new book seems to be more lore driven in focus.

I don't like Secret of the Wings that much in terms of lore as a lore fanatic. I feel like this book could also retcon other things when possibly trying to explain things that make sense in SOTW. If BWC is good, I can imagine myself thinking about it more after it releases but I can just imagine myself thinking more of how I felt and my emotional reaction after WoS with fading interest afterward, it just sort of feels like the book could resonate with me more y'know? and I got a pretty good gut feeling for that sort of thing.

Underdog bias, just acknowledge it's existence. Do that with the NG graphic novels from 2022, heck the whole Never Girls series. Do that with the whole DF franchise if you are new here somehow. That's it, that's the post.

The mystery. What is the mysterious pocketwatch and who's on the cover?

Copy and pasted plot summary- Tinker Bell loves nothing more than solving a problem. For her, red buttons demand to be pushed, treasure maps need to be followed, and lost things ought to be found. So when a strange fairy crash lands in Pixie Hollow and leaves Tinker Bell two clues to find a mysterious necklace on the Mainland, she really doesn’t have a choice but to help. However, her journey takes an unexpected turn when she discovers a hidden city of fairies living below the streets of London.

In this city called Bleakwatch, she’ll meet the Flutterpunks, the most infamous band of trinket scavengers around. Helping her may just give them their biggest score yet. But when the Flutterpunks’ plan goes haywire, they’ll be forced to choose between a big payday or saving their new friend.

When their adventure takes them inside the glittering Clockwork Capital, Tinker Bell and the Flutterpunks will uncover a villainous secret that threatens all the fairies in Bleakwatch. It turns out there’s more at stake than just finding a missing necklace, and it’ll be up to Tinker Bell to set things right. Luckily, that’s what tinker fairies do best!

[swiggity-swexual-i-am-asexual]

Here’s a sort of…. Prompt? Headcanon? Idea?? For Danny Phantom.

Let’s go with the,, semi-fanon idea of cores. We see the Far Frozen with ice powers, with their whole little civilization. They are ALSO the only ghosts we see that have any medical knowledge.

So what if ghosts with ice cores had healing powers? Danny is very durable, but he also (probably) has advanced healing.

Idk, it’d be a fun possibility to explore Danny ‘plays as a tank in irl superheroics 4 times out of 5’ Phantom finding out he can heal people while doing a school-mandated cpr class.

[atomicpinks]

sincerely hope endo-sensei keeps up the slow plot and doesn't rush it

[whatudottu]

My first thought when i saw this: TFP Ben 10

Given how this 👇 is Ben's canonical car:

You aren't too far off lmao (mostly on the colour at least).

You might not be particularly a fan of CNA from your sphere of headcanons, but considering that Ben can access another biomechanical species in the galvanic mechamorph, I'm sure there's enough of an Omnitrix work around to sample cybertronian data. Seeing as it's a Camaro you could probably have a TFP x Ben 10 crossover equivalent to TFA Waspinator maybe, a green Bumblebee (or a green hornet if you of/remember that) but it's Ben. Considering how the biomechanical Upgrade has a few biological translation issues to the point of not quite technically being a fully integrated transformation, maybe Ben would speak with his own voice like Upgrade does or maybe even through radio depending on how physically different cybertronians are to human anatomy.

I mean that specific line of thinking would only be possible if Ben snagged a sample of Bumblebee's CNA (or whatever you'd prefer) which could either be convoluted or unclimactic, though I guess if street racing in some part of the globe with a desert (aka somewhat nearby Bellwood which already exists cross universe between Ben 10 and Generator Rex) there could be some plot about his shenaniganery nearly running Team Ben off the road and messing with Kevin's own heavily modified yet fresh from 1979 Dodge Challenger to the irritation and anger of Kevin himself. Something something Bee got the attention of the wrong (mostly) humans(ish).

[outofcontextfossil]

i have a parasitic relationship with miraculous ladybug except no one is winning. everything that show does kills me and i actively shit on the show to everyone i know. we hate each other but also need each other to live.

[davonati]

I don’t think I’m gonna end up including it, but there is a version of Mt. Gilboa University where Sha’ul tries to kiss/fuck Daveed and then hits him because he’s rejected. This is def partly inspired by Beloved King (plus other interpretations where Saul sexually desires David) but I also think it would be especially good in MGU because it would create a parallel between that and Sha’ul having sex with Rizpah when she was a student. Like, this guy has a certain taste, and it’s not a good one!

It would also be foreshadowed by Yonatan overhearing Daveed about to say that Sha’ul only pays attention to the students when he’s trying to fuck them (I actually don’t know if anyone understood this is what Daveed was about to say LOL but that was the intention). I mean ofc that’s a reference to Rizpah first and foremost, but it could also be foreshadowing.

By now tho, if I did include this point then it would have to be canon that Daveed hid Sha’ul’s advances from Yonatan even when he was telling him that Sha’ul was the one who hurt him… and I don’t know if that makes sense. Honestly I think Yonatan’s revelation from Rizpah (and his accusation of her conspiring with Daveed) could be even more poignant if Daveed had told him that Sha’ul came on to him, but I’m definitely not going to go back and edit that now LOL

[itstheheebiejeebies]

As good as the finale was I am still left in serious want for more storyline for the Tuskegee Airmen because wow they really got a quarter of an episode in ep8 and maybe 3 lines in this ep and we're supposed to be good?

We really should have had scenes with them across more episodes, and gotten at least a fraction of their story because the way they were shown really showed almost nothing

[thedreadvampy]

so me and Sam FINALLY watched the last season of Capaldi's Who

and tell me how, after literally over a decade and for perhaps the first time in his fucking career, Steven Moffat wrote a not just tolerable but really actually good two-parter and fully stuck the landing. like the editing and pacing were still a bit off but the storyline was original, fun, interesting and emotionally invested, and most importantly, rather than ending on a damp fart or the most furious autofellatio in history, the final part didn't fumble it and ended in a way that felt emotionally satisfying and like it made sense for the characters. like the last time he successfully wrapped up a multiparter in a way that didn't feel cheap and hollowly disappointing to me was literally The Empty Child/The Doctor Dances, and a) that was in 2005 and b) tbh The Doctor Dances is about a tenth as compelling and memorable as The Empty Child.

so after 12 years of either hackery or great ideas that fall apart in the second act, Steven Moffat writes what I would genuinely consider to be a memorable Good Doctor Who serial. it ends with bittersweet pathos, a solid closer for all the main characters, and sends Moffat's showrunning career out on a genuine high despite failing ratings and budget cuts (and the fact Doctor Who hasn't been consistently good since about 2009). good job Steve. with grudging respect I admit you pulled it out of the bag on this one.

wait what's this there's one more episode left? and it stars Mark Gatiss? and you literally spend the whole episode inexplicably just shitting all over the legacy of Doctor Who by inventing a version of the First Doctor that bears literally no resemblance to the character that William Hartnell actually played, just so you can spend the whole episode saying misogynistic things to run yourself off to how much more Totally Feminist your version was than the version you made up in your head of what Doctor Who was like in the 60s? and it added literally nothing to the season except to take all the wind out of the sails of the actually good finale you already wrote?

even when he writes a good episode this fucker still finds ways to disappoint me.

[lovers-instead]

Sapphic YA Book Rec: Good Moon Rising by Nancy Garden

1996 follow-up to Annie on My Mind, this time featuring 2 girls who compete for the lead role in their high school theater department.

Links to download:

Internet Archive (to borrow)

Anna's Archive

Singlelogin.re

LibGen

[triplethreatsonic]

Hey so... I've been working on this again

[cathymee]

maybe it's to maintain a sense of tension & turmoil that would eventually reach an explosive peak, a sense of tug-of-war, a back-and-forth to hammer home the ideals they want to deliver and for the viewers to chew on, but although these arguments regarding hiroshi & his stance as a man torn between his loyalty for his country & the loyalty for his Filipino friends and lover is of course important, how they write these scenes & the points they present from this week alone is getting too repetitive...? literally the argument scenes from last night & tonight between adelina & hiroshi is basically the same; the ideas were the same, the dynamics were the same: the aggressive, radical adelina, bristling rage and fear over the injustices she's seen thus far, and the cautious, inspiriting hiroshi, all hopefulness and reassurance one moment as a lover, defensiveness and sternness as a japanese soldier in another. this debate will be ever-present ofc, it is one of the series' biggest conflicts, but it is unfortunately so easy to tell when it is a.) being pulled up as a main topic to move the plot along / be a necessary conflict for character development/introspection / be the conflict to deliver the morals & messages the writers want to send to their viewers, or b.) when it is being pulled up only for the drama and filler to pass the time. like watching the characters sit down to argue for 10 minutes, do other things for the plot for 2 minutes, then sit down again to argue for the next 20 minutes. lol.

[skitskatdacat63]

Christopher Nolan making movies: I'm gonna make a film that is so confusing and non-linear

[vaugarde]

i miss ann (guy biased towards the oshawott line)

[bitchthefuck1]

have you watched the pjo show?

I saw the first 2 episodes when they came out at a watch party one of my friends threw, and as soon as they ended I realized I didn't particularly care to keep going. It wasn't like, outrageously bad by any means, I just don't think it gripped me enough to want to continue, and there were enough odd adaptational choices that I thought weakened the story that I lost interest. I might have tuned back in if the changes actually built to something interesting in the later episodes, but from everything I've seen it kinda seems like they just took the teeth out of the story, which was what I was worried about.

That being said, the cast seems really great and well suited to their roles, so like, if they improve the writing and pacing in the later seasons and stop sanding down all the rough edges, I might pick it back up. But otherwise, pass.