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ravens-two · 1 year ago

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PAC: What your Future Spouse will be like and how will you meet them?

This reading includes:

your FS's personality, vibes, and general info

how and where you will meet them for the first time

songs that represent the vibe of this relationship

The extended reading includes:

your FS's first impressions of you

your first impressions of your FS

a little moodboard

(this first extended reading is available for free!)

Disclaimer: this is just for entertainment purposes, and as a pick-a-card reading it may not resonate for everyone.

TIPS | BOOK A READING WITH ME | PATREON | LINKTREE | SUGGEST A PAC TOPIC

Pile 1

Hierophant, Hermit and Page of Swords

"Love/I said real love, it's like feeling no fear"

How will your FS be like?

Your FS has a lot of earth energy, for me it feels mainly like Capricorn and Virgo, but there's also Taurus here. This doesn't have to be their zodiac sign, I actually think it's more their overall vibe. They're responsible, down-to-earth, grounded and tend to take things seriously. They also seem to be more traditional, or at least they're someone that respects authority and think that you should follow the rules. Despite being traditional, I think that they're pretty open-minded and open to new experiences. In fact, they like to try new things, they give me scientist vibes tbh. It's like they'll try anything at least once, just to see what it will be like.

When it comes to their work they might work in STEM, law enforcement or in management. I also think that they really like to read, mainly non-fiction because they're always trying to acquire more knowledge. If they're not really readers, then this is more of a nerdy vibe when it comes to their favorite hobby. If they love cinema, then they really like cinema and will be telling you about behind the scenes and production stuff every time you two watch a movie.

I feel like they have a hard time expressing their feelings though. It's not that they're thinkers rather than feelers, it's more like they don't feel comfortable being vulnerable, however I also think that they'll do their best to work through this. These people will not cheat on you and they also do not tolerate cheating or any perceived betrayal. They are very loyal. They're in this to actually get married and stay together, not just to play around.

Also, this is very specific but I also think that they're atheists, but they're very attracted to the occult and spiritual - it's like they really want to believe in something, but they can't believe in something they can't prove.

How will you meet them?

I feel like this will be quite different for everyone, but I'm getting two main things. For some of you, you might meet your person through the internet. This could be through a dating app, social media, some of you will even meet them through an online game I'm seeing (I'm actually seeing you being really frustrated with your person, maybe they're playing against you and winning lmao). For this group your relationship might start long-distance or you and your person might have to travel a lot to see each other.

For the other group I see you meeting this person while you're away from home, this almost has an adventure vibe to it. For some, you might be going away on vacation and you meet someone there. For others, this could be a work trip and this person could be somewhat related to your work. I'm also seeing that some of you aren't exactly traveling, but you're out of town, like the city next to yours or something like that.

your vibes in songs

Cherry - Lana del Rey

Like Real People Do - Hozier

Heavenly - Cigarettes After Sex

Blackbird - Beatles

Francesca - Hozier

(checkout the first extended reading on my patreon - available for free)

Pile 2

Seven of Wands, Nine of Pentacles, Two of Cups

"put your life out on the line/you're crazy all the time"

How will your FS be like?

Oh right away your person attracts other people's attention and jealousy. They're probably very beautiful, visually striking or they've got money or status. Either way people can't take their eyes off of them. For some of you, this attention isn't for the best reasons. People might feel wary or scared by your person.

This is someone that doesn't take shit from anyone. They are assertive and have high self-esteem. People might try to put them down, but it's literally impossible. I'm actually feeling Leo, Libra and a bit of Taurus vibes here. They're like the brightest star in the room. They also believe that they're the best - not in the sense that they're better than other people, but more in a self-motivation way.

If they've got money and status - like a good job for example (I also think that they're known for their job and they are very good at it) - it's because they worked really hard for it. They don't really come from money, they worked hard for what they have. That's the other thing they are hard workers and will not settle for less than what they have envisioned. They also don't like lazy people or debbie-downers. They firmly believe that everyone makes their own destiny. (for some reason I'm also getting that they like the movie Brave lol).

When it comes to the relationship they love to shower you with gifts, it might be their love language. Also, something that they will do is support your goals and motivate you when you're feeling down.

I also get a bit of a secretive vibe from them, it's almost like they make you look at the brightest parts of them to distract you from the shadows. They sometimes might struggle mentally, I feel like this might come from some childhood trauma or anxiety. Despite this, they're fighters and don't stop trying to get better.

How will you meet them?

Unlike pile 1, I feel like this is a very old-fashioned type of meeting. You might meet in a public place, like going out to a party or to a restaurant or something like that and you see them and they will start a conversation with you and ask for your number.

Others of you will meet your person through someone else, like a friend or a co-worker will introduce you to them. I don't think that this will be match-making, but you two will be instantly attracted to each other.

Either way, this feels like a more traditional courtship type of situation lmao. You'll both take your time getting to know and really dating each other. I feel like this will be very romantic.

your vibes in songs

Art Deco - Lana del Rey

Angels - The XX

Mystery of Love - Sufjan Stevens

Yellow - Coldplay

Wild Horses - The Rolling Stones

(checkout the first extended reading on my patreon - available for free)

Pile 3

Tower, Knight of Swords, Eight of Pentacles

"they say I'm too young to love you/they say I'm too dumb to see"

How will your FS be like?

Talk about scorpionic energy. Your person is a force of nature, pile 3. They might have a lot of Pluto or Scorpio influence in their chart. I feel like this is the bad boy/girl pile - in a good way though. If this is a woman she is the embodiment of that dark feminine aesthetic, think Megan Fox for example. In general, they give me dark, edgy, goth vibes. But some lean more towards a romantic, Byron-esque energy. These are the type of people who will seduce you with their gaze and then with their words. They have a very intense sexual energy.

Your person isn't afraid of change, in fact, I think that they crave change. They might start out as being a bit commitment-phobic actually. Your person has also been through a lot, they might be the tortured artist type. They are deep thinkers and love to talk. Like they will talk and talk and talk. Honestly, they're happy to talk about anything, but especially about philosophical stuff or conspiracy theories or that type of thing. Also, as they are so open minded they will be open to talk about anything and are really good listeners. Like, for example, you might love Star Wars but they've never seen it, they're still super happy to talk to you about it and will know about it enough to hold a conversation. They have this gemini energy that they know a little bit about everything. They are very supportive and whenever you have a problem or are feeling down they'll sit you down and ask you to tell them everything.

I get the feeling that they know more than one language and they might actually work as translators, editors or linguists. In general though, I think that this person works freelance and does a lot of different stuff. They want to try as many professions as possible.

They love poetry or music and will either read poetry or sing for you. Again, there's an artist vibe here. They might not be an artist by profession, but they love the arts.

When it comes to their love and emotions they are very passionate. They might express their feelings in really over the top ways. It's like when they're happy they're really happy, but when they're sad they're also really sad. They feel things deeply. Being loved by them is something all-consuming.

How will you meet them?

I actually feel like most of you will meet your person through work. This might mean that you will be co-workers or that you will meet them whilst you or them are working. Let's say that you work as a lawyer for example they might become your client and that's how you get to know each other. Of course, nothing can really happen whilst they're your client, but it will happen afterwards.

For other people, you will meet them during a period that you are very focused on your career and/or you have a lot of work to do. For some people, I'm even seeing that this will be while you're doing your thesis. You're completely focused on something, maybe even feeling a bit stressed and you just meet them randomly. You won't really have time for them right away, but they'll be persistent and keep showing up on your radar until you have enough time to actually get to know each other.

your vibes in songs

Brooklyn Baby - Lana del Rey

West Coast - Lana del Rey

Can't Catch Me Now - Olivia Rodrigo

The Louvre - Lorde

Patience - Guns N' Roses

(checkout the first extended reading on my patreon - available for free)

Pile 4

Queen of Wands, Fool rx, Nine of Swords rx

"I live to love you/and I love to love you"

How will your FS be like?

Right away I can see that your person is very stubborn and strong-willed, pile 4. This manifests in both a good and a bad way. It means that they are persistent and don't change their minds without good reason. But, it also means that once they have their mind set it's very hard to make them come around.

This person is very fiery. Mainly I see Aries and Leo energy here. They are extroverted, confident and some of them are a bit brash, while others are charmers. They are also very confident in their charm and sexuality, and it's probably what will draw you to them at first.

I also see them as wanting to boost your self-esteem and show you off to others. They love some jealousy lmao (you being jealous, and also others being jealous of them and your relationship). They are absolute drama queens/kings. It amuses them to blow things out of proportion and they love it even more when you do it back at them. Okay, the scenario I'm getting is they trying to make you jealous by doing something silly or talking about an old partner, they would then love it if you were super dramatic about it and pretended to be really upset. They like to argue for fun as well. Like, honestly you need to rein them in at the dinner table so that they don't push your families/friend's buttons. They are very passionate.

I also think that they are a bit pessimistic at times, but when they really feel like that they will try to keep it to themselves instead of being overtly dramatic. I also think that they're looking for stability and a serious relationship after a time of not having it.

They really don't like surprises. And might not be too excited about change. They would prefer if everything always stayed as it is. I also, feel like sometimes they have a hard time balancing between feeling adventurous and not feeling like leaving their safe space.

I think that most of them speak really fast, and often without thinking. Which ends up with them regretting their words more often than not. Also, acting without thinking.

How will you meet them?

I'm not getting a place/physical circumstance as much as the other piles. But, I think that you will meet your person after you have been through a really hard time. Perhaps you have been struggling a lot with anxiety and are now recovering and then you randomly meet them. I feel like you'll know it's them because they will give you a feeling of calmness and peace.

For others I think that this will be a really difficult situation like the loss of a friend, family member, pet, or even a job. It will take you a long time to recover and you will still be quite vulnerable when you meet your person. You might also be a bit anxious about getting into a relationship at first.

your vibes in songs

Music To Watch Boys To - Lana del Rey

Religion - Lana del Rey

More Than Words - Extreme

She - Elvis Costello

National Anthem - Lana del Rey

(checkout the first extended reading on my patreon - available for free)

#pac #pick a card #pick a card reading #pick a pile #future spouse #fs pac #fs pick a pile

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cookiescribble · 1 year ago

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spencer x british!reader

as a brit i would love to see a fic of a reader with a british accent and spencer adores it and mimics her sometimes

Taking It In (Spencer Reid x British Fem!Reader)

A/N: Thank you so much for the request! This is a bit of a team effort because I’m a bit more knowledgeable about British culture (in no means an expert, I just had a hyperfixation on the Beatles and Doctor Who in middle school/ high school lmao) but Mod Angel is usually the one who writes for fem!readers. Also, we’re both American so we hope this is what you wanted! Sorry for the little wait - Mod Ghost

We also just binged season 2 of Heartstopper and tried our best to pick up on some of the language because we thought this was a really cute idea and wanted to write it as best we could! - Mod Angel

~~~

“Coffee? I thought that people from the UK drank tea?” Spencer piped up from behind as his girlfriend was pouring coffee into one of the paper cups she’d found around the canteen.

“It heavily depends on who you’re talking to, Spencer. I feel you should know just as well as I do that everyone’s different. You didn’t profile me as soon as we started dating?” Y/N joked, to which he looked puzzled.

“Wha–no, I usually try to keep my job separate from…personal relations.” He replied sheepishly, starting to mix up his own mug of coffee.

“That changed when we started dating, didn’t it, love?” She teased him, patting his shoulder.

It made him blush and stutter like mad, his hands waving around as he tried to scramble to find something to say. It was rare to see him speechless, but she couldn’t help but to smirk as she watched him struggle. It only lasted a few more seconds before she cut him off, reaching out and gently touching his hand.

“It’s alright, I was just being cheeky, that’s all. C’mon, let’s go back to workin’ on the case, okay?” She chuckled, leading him away from the counter with the hand that wasn’t holding her coffee resting at the small of his back as they walked.

“I knew that!” He squealed in his own defense, which made her giggle loudly.

A few weeks later, the BAU were out to dinner, taking a small break while in the middle of a case. Though, it wasn’t much of a break, considering they were still talking about the profile.

Spencer pointed to a plate in the middle of the table. “Can I have a chip?”

A confused silence fell over the table as they all looked in his direction. Spencer stared back at them, an eyebrow raised in his own confusion.

“What?” Spencer asked finally, breaking the silence.

“What did you just say?” JJ responded with a smirk, raising an eyebrow at him.

“I asked if you could pass me a chip” he answered, pointing to the plate again.

“Where do you see chips?” Hotch chimed in, concerned for his mental stability.

Still confused, Spencer pointed to the plate again.

“The fries?” Penelope clarified, gesturing to the same plate finally.

“Oh.” He nodded awkwardly. “Yeah, can you pass me a fry?”

“You’re really spending too much time with that girlfriend of yours, aren’t you?” Morgan teased, grinning and playfully nudging his shoulder.

He smiled and shrugged. “I don’t know what you’re talking about,” he said in a faux-English accent as he finally got the ‘chip’ he wanted as the rest of the table laughed.

“Speaking of Y/N, where is she tonight?? I miss that girl.” Garcia complained from the other side of the table,

“Oh, she went out with one of her mates–” Spencer started before Prentiss cut him off from where she was sat next to him,

“Mates??” She asked incredulously, seconds away from giggling as he groaned and leaned back in his chair.

“FRIENDS! Her friends.” he grumbled, finishing his food and making a mental note to not only tell but blame his girlfriend, Y/N, for everything he’d been through tonight. Not before giving her a kiss, though. The fact that she wasn’t here just made him realize how much he missed her, and it made him wonder if there was a correlation between missing her and talking like her.

The girls dropped him off at home a few hours later, where the first thing he said when he saw Y/N was ‘this is your fault’.

“Do you…want to elaborate on that or…?”

“Later.” Was all he said before he was hugging her and burying his head in her shoulder.

She tugged him close, feeling him start breathing deeply against her shoulder as if he was falling asleep and tapped him to wake him up a bit so she could start leading him to their room. “Come along, darling, let’s get you into bed. You seem tired.”

“I know that they’re fries but you say chips…it’s cute…” he mumbled as he walked, only adding to the confusion but she chalked it up to him being tired from a long day and let it go for now as she tucked him in with a smile at how cute he was.

#spencer reid #fanfiction #criminal minds #spencer reid fanfiction #spencer reid x reader #criminal minds fanfiction #ghosty #mod angel #mod ghost #spencer reid fluff #british #british speaking Y/N #request #thank you for submitting !!

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iheartjohnlennon · 5 months ago

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The Beatles NSFW Alphabet - George

@heiterhund >>> #1 co writer

Oopsies for any grammatical errors

A is for Aftercare (How he treats you after sex, what happens after sex, etc...)

• George didn’t even know it had a name. He just thought it was common practice to be caring and giving after sex.

• He usually runs you both a shower, quick to support your body as he rinses and cleans you off. He’ll offer you a clean blanket after the act, just to be sure you feel comfortable and at ease. The bed will be all done up, fluffed pillows, enough space, all for you and him.

• Super, super sweet guy. If you wanted a drink he’d probably already have it ready at the bedside.

B is for Body part (His favourite body part of yours)

• George loves your eyes and mouth.

• He loves the way your eyes light up when you see something you like. The pretty gleam when you make eye contact with him has him weak in the knees. He feels like a lovesick dog.

• Your smile is so precious. He loves the way your teeth look, no matter how much you may dislike them. He thinks they’re perfect.

• Your eyes and mouth are so beautiful to him...especially when you’re taking a mouthful of his cock with your eyes watering.

C is for Cum (Everything to do with cum!)

• George likes to cum in your mouth.

• He especially likes when you swallow his cum and don't spit it out. He likes the filthiness of that.

D is for Dirty secret (Something utterly filthy that he did and/or does/and or wants to do behind your back.)

• George wants to do anal but he thinks that you would think it's gross.

• He knows it'd feel way tighter than your cunt and he wants that feeling. With your consent and some lube, he'd be fucking you like a rabbit. George definitely teases the hole as well. It looks so cute, so tight, so warm - perfect for his cock.

• George thinks doing anal things would make him feel more dominant. You'd be his bitch, taking it up the ass.

• He doesn’t know how to ask or tell you about it directly, so he usually gets off to the idea of it. He feels quite odd for liking it…maybe one day he’ll confide in you.

E is for Experience (How experienced is he?)

• Georgie has little experience, little knowledge, so he just finds his way.

• He lost his virginity with his friends cheering him on in the next room, in a cold, dark room to a German prostitute, and he didn't last very long - I'm sure that says a lot!

• His thrusts are sloppy but he tends to hit your g-spot either way. But not due to expertise...it’s just because his cock is sizeable.

• But he’s a quick learner!! Tell him what feels good and he’ll do just that and improve.

F is for Favourite position (How he loves to fuck you)

• He's very much into doggy style. He likes having you face down, ass up on the edge of the bed as he pounds and ruts into you senselessly. It always makes him feel alive.

• It also gives him an excuse to dig his sharp teeth into your shoulder. He's so possessive like that. He also likes pulling your hair back as he fucks into you.

• It doesn't have to be all rough though, he can slow down and be all sensual.

• He has a big cock as well, that position is perfect for him and for you.

G is for Goofy (How silly is he during sex?)

• He’s not really goofy or joking during sex. He thinks it’s too special to be joking.

• He thinks sex is a special bond between two people, and if he’s speaking or talking - it’s either him complimenting you, or saying pure filth.

G is also for Goal (What's his goal and/or dream in relation to sex.)

• George just wants to make you cum.

• In fact George wouldn't care if he doesn't end up cumming, just as long you do - in the best, most drawn out, most satisfying, most toe clenching, most sheet drenching, most impregnating, most draining way possible.

H is for Hair (How well groomed he is, does the carpet match the drapes, etc..)

• George has a lot of pubic hair, especially around his balls. His hair peeks out below his navel, a cute little happy trail.

• It’s not bad, by any means, there’s just a lot of it.

I is for Intimacy (How romantic he is during sex, etc..)

• George is naturally very soft, very romantic and very kind.

• He doesn't always go all out with candles and rose petals and champagne but when he can he does.

• He always does a bit above the bare minimum though, there's no just going at it like bunnies - there'll always be a nice track on in the background, always foreplay.

J is for Jack off (Masturbation headcanon.)

• If it’s his only means of getting off, he’ll do it. It ’s not his preferred choice, but if you’re not available, he has no other option.

• He has some photos of you that he uses. for his birthday, his gift to himself was booking you a photo shoot. The photographer was sworn to secrecy and told to destroy the film he had after it was processed.

• Those photos are kept in his billfold, always in his pocket and used during desperate times.

K is for Kink (One or more of their kinks in relation to you.)

• George has a sub kink for sure, and though it's not often he lets you dominate him, he does love it when you're rough with him.

• He revels in you tugging at his hair, calling him names, riding him - sometimes that stuff just brings him a joy he can't put into words.

• So yeah, sometimes he just wants to be your bitch.

L is for Location (Favourite place to do the deed.)

• George definitely likes doing it in hotel rooms and all that jazz. He travels a lot, so of course hotel rooms are his natural favourite.

• He also has taken quite the liking to fucking you in the studio. Whenever anyone is out for lunch, he’s there dragging you to bend you over the amps and have his way with you.

M is for Motivation (What turns them on about you, gets him hard, makes him cum, etc..)

• George is deeply turned on by your confidence and the way you carry yourself. Your self-assured attitude drives him wild.

• He loves it when you take the initiative, whether it's initiating a kiss, a touch, or suggesting new things to try in bed. Your boldness excites him.

• George is especially turned on when you affirm how good he makes you feel. Hearing you moan "it feels so good, Georgeeee" or praising his skills in bed just does it for him in so many ways.

N is for No (Turn offs, what pisses him off, etc..)

• He dislikes very rough or overly aggressive behavior in bed. George prefers a more sensual and intimate approach to sex.

• George is also turned off by any kind of dishonesty or insincerity. He values genuine connections and can't stand it when things feel fake or forced.

O is for Oral sex (Does he prefer giving or receiving? How does he give, how does he receive?)

• George will never admit this, but at his core he’s a slight bottom. He loves the attention he gets when you’re on your knees and gagging around his length.

• His hand usually cups your cheek, thumb brushing the soft skin there as you stare up at him through your lashes.

• He loves the feeling of your mouth around him, the warmth and the wetness driving him crazy. The sensation of your tongue swirling around his tip makes him groan in pleasure. There's no feeling like it.

P is for Pace (Fast or slow? Rough or sensual? Ect.)

• George's pace tends to be slow and sensual, reflecting his desire to make each moment last and savour the connection with you.

• He prefers to take his time, exploring your body with deliberate and tender movements. He believes that building up the anticipation makes the climax even more satisfying.

• He’s not opposed to picking up the pace if you ask for it, but his natural inclination is to be gentle and loving.

• During more passionate encounters, his pace can quicken, becoming more intense and urgent, especially if he's particularly aroused or if you've been teasing him all day.

Q is for Quickie (His opinion on quickies, how often they happen, etc..)

• Obviously he doesn't hate them but would much prefer you to have sex that's comfortably timed.

• When they do occur, it's in desperate times, like he hasn't seen you in weeks or he can't get rid of a boner.

• He can finish quickly and fuck you hard so you don't possibly get caught.

R is for Risk (What kind of risks will they take.)

• George is cautious by nature and generally avoids situations that might lead to getting caught, preferring to keep your intimate moments private and sacred.

• However, he does have a bit of a spontaneous side. He enjoys the thrill of doing something unexpected, like pulling you into a quiet room during a gathering or surprising you with a passionate kiss in an empty hallway.

• George’s idea of risk is more about breaking routine than being public. He loves to surprise you with spontaneous intimacy at unexpected times, like when you’re in the middle of a conversation or doing something mundane.

S is for Stamina (How many rounds he can last, how quickly can they cum, etc..)

• George has a steady stamina; he might not go for marathon sessions, but he’s certainly capable of giving you a few solid rounds.

• He typically lasts a good amount of time, enough to make sure you’re fully satisfied before he lets himself go.

• He’s more about quality than quantity, focusing on making each round deeply satisfying rather than trying to stretch it out unnecessarily.

T is for Toys (Does he own toys, use them, what kind of toys, etc?)

• George isn’t someone who naturally gravitates toward sex toys, but he’s not opposed to them either if you personally want to use them. He just won't engage because he trusts himself to give you pleasure.

• He’s more into the connection between the two of you rather than relying on...accessories.

U is for Unfair (How much does he like to tease you, how does he tease you, etc..)

• George has a teasing streak, but it’s always playful rather than mean. He loves to draw out your pleasure, taking his time to get you worked up before giving you what you want.

• He enjoys the build-up, like whispering sweet, naughty things in your ear, lightly brushing his fingers over sensitive areas, or pulling away just when you think he’s going to give you more.

V is for Volume (How loud is he, what noises does he make, what does he say, etc..)

• George is relatively quiet during sex, preferring to express himself through soft moans, deep breaths, and quiet gasps.

• He’s not one for loud, vocal expressions, but the intensity of his breathing and the occasional groan lets you know just how much he’s enjoying himself.

• He loves hearing you, though, and your moans often encourage him to be a little louder, especially when you’re both close to climax.

• In those moments when he’s overwhelmed by pleasure, you might hear a slightly louder moan or grunt, but it’s always controlled and subdued.

W is for Wildcard (Random sexual headcanon.)

• George has a surprising playful side that comes out in the bedroom. He loves experimenting with sensory play, like using feathers or ice cubes to tease and stimulate your body, enjoying the mix of sensations and how they heighten your pleasure.

You shiver slightly - George is trailing an ice cube along the curve of your neck, watching intently as goosebumps rise on your skin. He smiles, leaning in to kiss away the cold trail he’s left, the contrast of his warm lips against your chilled skin sending a thrill through your body.

X is for X-ray (His cock.)

• 7 inches, slim but not skinny, aaaannd not circumcised. (I want him so bad.)

Y is for Yearning (His sex drive, how much do they want you?)

• George's sex drive is somewhat understated but powerful. He might not be as overtly aggressive, but when he wants you, it’s an intense and all-consuming desire.

• He often finds himself thinking about you at the most unexpected times - while strumming his guitar, during a quiet moment in the studio, or even while out in nature.

Z is for Zzz (Sleep afterwards?)

• You and George go to sleep at roughly the same time because you both talk until you fall asleep.

• You talk about anything really. Your day, the weather, your jobs, how good his cock just was - everything!

• And sex doesn't always come before sleep. Sometimes you'll both decide to watch a movie before you drift off, or maybe you'll have a really late dinner.

Ringo, last but not least...

Check out the masterlist!

#the beatles #60s rock #george harrison #the beatles imagine #the beatles smuts #the beatles x reader #vintage #john lennon #paul mccartney #ringo starr #george harrison x y/n #george harrison x reader #george harrison imagine #georgeharrison #the beatles fandom #the beatles art

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i-am-the-oyster · 23 days ago

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Some not at all lighthearted thoughts about Maxwell's Silver Hammer

I've been thinking a lot about Maxwell's Silver Hammer, Joe Orton, and 'original sin'.

Orton was killed by his (male) partner with a hammer on the 9th of August 1967. He had written a script for a potential Beatles movie (it was returned without comment) earlier that year. He was due to meet with Richard Lester on the morning of his death, to discuss filming a revised version of the script, with Mick Jagger as a possible lead.

18 days later, on the 27th of August, Brian Epstein was found dead.

Less than six months later, in Rishikesh, Paul started working on Maxwell's Silver Hammer. On the face of it, one of Paul's 'story songs'. On closer inspection though there's reason to suspect it's more symbolic and less allegorical. The timeline is off: Maxwell starts in college, then goes back to school, then suddenly finds himself in a court. The second and third verses are dream-like in their unrealism.

The other three Beatles' frustration with the recording of the song is well known, but John also said it was their first attempt at writing a song about Instant Karma.

From this site:

Former Apple employee Tony King expands on the song's meaning a little further in Steve Turner's book “A Hard Day's Write,” by relating a conversation he had with John Lennon concerning his song “Instant Karma.” “John told me that 'Maxwell's Silver Hammer' was about the law of karma. We were talking one day about 'Instant Karma' because something had happened where he's been clobbered and he'd said that this was an example of instant karma. I asked him whether he believed that theory. He said that he did and that 'Maxwell's Silver Hammer' was the first song that they'd made about that. He said that the idea behind the song was that the minute you do something that's not right, Maxwell's silver hammer will come down on your head.”

Paul tends to speak of the hammer metaphor more like random negative events, rather than some kind of deserved retribution, but he did talk about the breakup like this:

That whole period weighed on me to such an extent that I even began to think it was all tied in with the idea of original sin

So I was already thinking something along the lines of: what if John and Paul had come to some terrible conclusion about "sinful" gay activity attracting divine retribution. They decide they need to find "the right woman" to settle down with, and resist these "sinful" urges. Paul deals with this, in part, by writing a freaky song partially inspired by Orton's murder, where he giggles at the mention of the word 'behind' (in every take, apparently). He also allegedly obsesses over the recording of the song.

So when I saw this section of John's lyrics sheet for Now and Then I gasped:

Remember when we thought our life <love> had ended the gods had been offended

Yeah.

#anyway sleep well #trigger warning murder #maxwell's silver hammer #original sin #joe orton #internalised homophobia #the beatles breakup #john and paul #if i were a girl #we could have had a homosexual relationship #thanks for the transcription correction foryouwereinmysong

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kylieswift31 · 5 months ago

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Taylor Swift and the Truman show

"Well, for me, there is no difference between a private life and a public life. My life... is my life, is the Truman show."

Tied together with a smile

Taylor is currently at the peak of her career as she's now breaking her own records and reaching a level of fame only seen by the greatest such as the Beatles and Michael Jackson. Yet underneath all that success is a layer of conflict due to the discrepancies between her private and public life. With closer inspection it is clear to see that Taylor has left a trail of breadcrumbs that reveal that she has been queer since the beginning of her career. The ‘love struck and boy crazy’ version we first saw of Taylor was supposed to be a temporary step in her career during the fearless era, but through a series of unfortunate events she has spent the entirety of her career in the closet.

Now with the ending of the rerecords and eras tour in sight, Taylor has begun to reveal the cracks in the facade of her public persona so that we can see who she really is underneath. Her performance of 'delicate' on the eras tour is a visual representation of this process. Throughout the song we slowly see cracks forming in the glass, one at a time until at last there are so many cracks the entire stage shatters into a million tiny little pieces.

But what causes the cracks?

Taylor.

And it’s all inspired by the Truman show…

Daily life

In the mirror

The first time you watch the Truman show, the focus is on Truman and his journey. He lives a normal life in Seahaven with his wife Meryl, has a successful career in finance and spends his free time with his best friend Marlon. There are small cracks in the facade of his picture perfect life from the beginning, but halfway through we reach a turning point as it becomes clear that Truman is also the star of a 24 hour reality TV show that broadcasts his life to the public without his knowledge. Every move he makes is being observed by the outside. And then when you get to the end of the movie you start to realise that not everything you saw was as it seems.

Taylor has several well known Easter eggs that reference the Truman show, but with further investigation we can discover that she also relates to his story on a personal level. In the song 'mirrorball' Taylor explores the theme of wearing a mask that reflects back what the viewer wants or chooses to see. Just like an iceberg, if we stop at the surface level of what we see of Taylor’s personal life, we’ll miss the depth of what lies underneath. Many of her music videos echo Truman's story in a way that leaves her truth hiding in plain sight.

Good neighbours

Truman’s day starts with a moment of quiet reflection as he gazes at himself in the mirror before greeting his neighbours on his way to work. “Good morning! And incase I don’t see ya, good afternoon, good evening and good night!” His iconic catchphrase is repeated each day. Even though Truman’s the only person in Seahaven who isn’t a paid actor, he’s having the same scripted interactions day after day. His life is centred around acting the part, just like everyone else. The only difference is that he’s wearing a mask to hide how he really feels underneath. Truman's day is very reminiscent of the groundhog day trope to highlight how scripted and repetitive his life has become.

Taylor's life in the public is very similar to Truman's now that she can't go anywhere without being recognised. The once unfiltered teen that was vocal on myspace has become selective and restrained with what she shares online after years of having her life picked apart for all to see. The chasm between Taylor's public and private life has grown to the point where removing the pop star mask will impact her career.

Product placement

The Truman show is sustained through the revenue generated from the products advertised on the show. The first time we meet Truman's wife Meryl is when she's showing him the latest gadget she's picked up from the store on her way home from work. This feels subtle at first, but as more products are mentioned throughout the show it becomes more obvious and the advertising feels more akin to a late night shopping channel. We start to see that everything from the decor, wardrobe and food they eat is for sale. Every aspect of Truman's life has become commodified to generate revenue and to keep the show running.

All the little Easter eggs throughout Taylor's 'lover' music video seem like personalised advertisements now that we’ve seen that they advertise memorabilia on the Truman show in a similar way. However, within her career marketing is an integral facet of Taylor's career. "When you realise the rules of the game you're playing and how it will affect you, you got to look at the board and make your strategy. But at the same time, writing songs has never been a strategic element of my career. But I'm not scared to say that other things in my career, like how to market an album, are strictly strategic."

Hidden in plain sight

It's not obvious at first that Truman and Marlon have found a way to communicate with each other honestly whilst remaining undetected. Truman is often sharing his plans of going to Fiji to get away for a while. However, when he's really planning to leave Truman says "Just between you and me Marlon, I'm going away for a while." This allows the viewer to believe that it's just another wishful thought about going to Fiji, but said in a way that lets Marlon know that he is serious this time. Beer seems to be both another advertisement and a signal to indicate that he's been sent by the director. "It's all true. It's all real. Nothing here is fake. Nothing you see on the show is fake. It's merely controlled." Later on when we're shown that the director is feeding Marlon his lines, it's clear that he has always tried to be as honest as possible with Truman.

Taylor mentions wine frequently through her discography. Perhaps this is to show us that her truth has become so watered down within her lyrics that she lost sight of who she was before. Taylor has changed up pronouns and added hidden meaning to words and phrases mentioned frequently throughout her discography. Through this process she has become incredibly skilled at seamlessly adding connections to multiple muses within a song.

The first crack in the glass

Everything changed

From what we can see, Truman has known from the beginning that he's been the central character within his town to some degree. Truman appears to be fairly content with the life he had created for himself, despite the confinement he felt (he hasn't known any different). This all came to an end when Truman realises that his father is still alive. This changes everything as the first cracks in the facade of his seemingly perfect life become visible.

Intercepted

A very similar experience happens with Taylor in the 'delicate' music video. We can see that this interaction leaves Taylor more aware of those around her. "People often greatly underestimate me on how much I'll inconvenience myself to prove a point…" In her real life there are several events we could attribute to being her motive for change including the sale of her masters (ownership of her first six albums) to investors, a relationship changing or something that affected her reasons for remaining closeted.

Chance of rain

We see Truman sitting at the beach reflecting on how his father drowned when he was a child. As it starts raining he gets up to leave, only to reveal that there's just enough rain to encourage him to get up and go home. We slowly start to see how manufactured these scenarios are. Throughout Truman's week there are planned situations that are designed to test for any changes in his behaviour, like if he's still petrified of the water. These actions reveal just how much pressure they've placed on Truman to prevent him from leaving. It leaves us asking how much free will does he truly have with his choice to stay or go? At this point it feels like the choice has been made for him.

Taylor recreates this rain scene in the 'lavender haze' music video. We see her sitting at the end of the bed with a rain cloud over her head while her lover is asleep. We can infer that Taylor is showing us that she identifies with how isolated Truman was feeling in this moment. Taylor has given up a lot in her personal life for the success of her career, but how much of that was her choice to do so?

Reflecting on the past

Truman goes back home and opens up a trunk full of childhood memories. He's looking at photos of his family while trying to make sense of what he saw with his father still being alive, and the implications of that. This is the beginning of Truman questioning how far those in his life have gone to keep up this lie. If his father is still alive then what else have they lied about?

In the 'cardigan' music video we can see that Taylor is reflecting on her past in a similar way, but this time through playing her piano. Both 'the tortured poets department' album and summation reveal a similar theme of reflection, but with an honest exploration of the agony that comes along with it. "Nostalgia is a mind's trick." This album is a reflection of her career, highlighting the toll it's taken on her personal life along the way.

The one that got away

Love triangles

As Truman pulls out a red cardigan from a plastic bag, we get flashbacks of his high school years. His attention is torn between Sylvia and his current wife, Meryl. During a moment alone with Sylvia they sneak away together, but she appears anxious knowing they don't have much time alone. They share a chaste kiss before Lauren gets dragged away by a man claiming to be her father. She hastily reveals that everything Truman knows about his life is a lie, that it's all done for him and that everyone is watching him. Her father claims that she is just having an episode and reassures Truman by saying that he's taking her to Fiji to receive more help. Sylvia's interaction with Truman is the catalyst for her character being removed from the show. This reveals that even in high school Truman's love interest was planned out for him, despite his attraction to Sylvia.

Taylor wistfully talks about the fictional teenage love triangle during the 'folkmore' set. She describes how James is longing for the one that got away, which seems to contain an element of truth from her past. In 'imgonnagetyouback' she talks about how she won't stop fighting until they're back together again. I tend to lean more museless, with the queer side of Taylor being the one she's fighting for most of all (and with any other muses being secondary to that). If we consider the love triangle from that perspective we can see that the muse she lost was a cherished piece of her history, but the part of herself she lost along the way is the one worth risking everything for to be able to feel whole again.

It's all in the details

Through the development of Sylvia's character we start to see the significance of the colour red. To the viewers at home it is a symbol of heartbreak and loss, and that Truman's attachment to the cardigan is based on his feelings for her. But for Truman we can assume that it is more like a symbol of hope that he might finally be free one day. Other symbols we see her wear include a red seahorse pin (their school mascot) a green bauble bracelet and the 'how's it going to end?' badge. When he reads the badge in the library he quietly admits that he's been wondering that too. This is the earliest insight we witness of Truman not being fulfilled by the life that has been scripted for him.

Many of Taylor's Easter eggs are a reference to the Truman show. These include Sylvia's rose shirt, the eras tour poster, 'karma' door, the song 'how did it end?' and many of her music videos. In the 'lover' music video there's also the bauble earrings, her lover has a seahorse patch on his jacket and the board games are Taylor Swift themed. These all seem like amusing connections until you pick up on the deeper correlations to Truman's story.

Cardigan

After Sylvia left, all Truman is left with is her red cardigan. Sylvia begs Truman to come and find her, but as the flashback ends we find out that Truman didn't follow her to Fiji at the time because his mother got really sick. Instead he settled down and married Meryl, while living with the loss of what could've been with Sylvia. After Truman finishes reminiscing about the past, he slyly reveals that the badge is still pinned onto the cardigan. This reveals that his attachment is not so much to Sylvia now, but to the idea of leaving one day so that he can be free to live his life authentically.

Taylor's song 'cardigan' is one of her most significant references to Truman's story. In the 'cardigan' and 'willow' music video we can see that it is a symbol of the memories she carries from her past and a reminder of what she's left behind along the way. The stars on the cardigan hold a similar sense of hope, just like Truman's pin. "You drew stars around my scars, but now I'm bleedin' 'cause I knew you." This imagery evokes the pain of carving into skin to emphasise the heaviness that comes with sitting with the memory of what could have been.

The bar

After Truman's flashback scene we get a glimpse of commentary from a bar as they're watching the show. This juxtaposition reveals how watching the Truman show is an ordinary occurrence during their daily lives, just like many of us tune in to watch the eras tour on a grainy live stream. The 'delicate' music video ends with Taylor walking into a very similar bar to meet up with a secret admirer, but it remains unclear which one is sitting there waiting for her.

Cracks in the facade

The one worth fighting for

Once the nostalgic moment is over we see Truman holding a photo frame of his wife Meryl. It seems like a loving gesture at first, until he turns it around and opens it up to reveal that he's been collecting a collage of facial features in an attempt to recreate a portrait of Sylvia from memory. This contrast between the memory and Truman's reality exposes how much he has sacrificed along the way by staying in Seahaven. Holding onto the cardigan, pin and picture of Sylvia is an act of defiance when everything else in his life has been decided for him.

Taylor left everything behind when she left her old label, including the ownership of her first six albums. She was not given the option of buying them back without having to commit to producing another album for each one she earned back. Unfortunately this is something many in the industry have had to endure. With hindsight we now know that Taylor was able to rerecord her past albums with added vault tracks, but at the cost of reliving her past. Taylor's back tattoo in the 'you need to calm down' music video conveys that the memory of her life's work was the only memento from her past that she was able to take with her.

Glitches

As Truman is driving to work again, his car radio starts glitching and he ends up on a channel that contains the directions everyone else is hearing in preparation for his arrival before work. From our point of view all of these mishaps are new, but there would have been flaws like this in the system a lot longer than that. But if Truman has known he was the star of the show from the beginning, what was the point of the movie? To reveal the truth to us, and the viewers at home, slowly over time. And to give us a chance to understand his point of view as we prepare for his departure.

We have seen plenty of glitches like this occurring in Taylor's performances on the eras tour, and many of these have been intentional (such as the screens glitching and swallowing bugs). This draws our attention to the cracks in her pop star facade, revealing glimpses of the person she is underneath. And just like Truman, she's giving us the opportunity to slowly adjust to the changes she plans to make in the lead up of what's to come.

Breaking down

Truman appears to be overwhelmed as he starts to reveal just how much of the town he lives in is choreographed around him. This is the start of Truman escalating his reactions to create more cracks in the facade, in the hopes that more viewers begin to see the challenges he faces living in the spotlight.

This purposeful increase in revealing more of the inner versions of themselves is exactly what Taylor is portraying during the 'delicate'' performance on the eras tour. Slowly allowing us to see them as normal people behind the larger than life character they had become in the spotlight. The way Taylor begins creating the cracks on purpose allows us to understand that what's to come is purposely being exposed.

Life's a stage

Truman attempts to enter an elevator, only to discover that it's fake. This is a big step towards seeing what's behind the magician's curtain the first time you watch the movie. When you watch it again this is the point where you start to discover how complex the set of Seahaven has become over time to keep the show running. Many elements of the town act as rest stops and exit points for the actors away from Truman's view.

Taylor pushes down the walls of the bedroom during the 'lavender haze' music video, revealing that the relationship had always been a facade to begin with. Interestingly, this is the only music video that we see begin after the clock ticks over to midnight. Just like Cinderella returns to her original state at midnight, so too does Taylor. This correlation to Cinderella's story implies that the lavender haze we see hidden beyond the walls of the bedroom is the most honest version of Taylor underneath everything else. Lavender is heavily used as a subtle reference by queer people, especially lesbians. Koi fish can be seen in all of the 'midnights' music videos except for 'karma'. They are well known for swimming against the stream, something many neurodivergent people experience feeling. Koi fish are often associated with the yin and yang symbol and together they symbolise balance, courage and perseverance, much like the song 'you're on your own kid'.

Turn up the heat

Invisible

As he seeks out his best friend Marlon for help, we learn that Truman feels concerned that he is being followed or set up for something. Marlon appears calm until Truman mentions that his father is still alive. It appears that this detail may not have been disclosed to the public. Truman demonstrates that everyone in the store is so preoccupied with fulfilling their roles that they will ignore him at all costs. This is a very unnatural reaction and wouldn't be a new discovery for Truman.

The bodyguards in the 'delicate' music video react in a similar way, just like the guards at Buckingham palace are trained to stay focused and ignore distractions. On an emotional level, this behaviour feels like no one is interested in you unless you're wearing the mask of who they expect you to be. "The actors were hitting their marks." Many neurodivergent people experience this disparity between who they are on the inside and the curated version they present for others to see. This act of reflecting back what the viewer wants to see is often done out of necessity to remain safe, but leaves the inner and truest version of oneself feeling invisible. "I want you to know I'm a mirrorball. I'll show you every version of yourself tonight." Unfortunately, you have to participate in their performance if you want to be seen, but the version you they see isn't who you truly are on the inside.

Just for you

After an evening together, Truman is left alone when Meryl offers to take his mother home. As the TV is playing in the background we hear how the presenter is incredibly specific when describing the next episode of 'show me the way to go home'. "Where we learn that you don't have to leave home to discover what the world's all about. And that no one is poor, who has friends." This is a form of subliminal messaging telling Truman that he's better off staying home, implying that there's no point trying to leave because they will prevent him every step of the way.

In the 'lavender have' music video Taylor is watching a similar weather station, but when she gets closer she pulls the screen apart to reveal that there's nothing but space and koi fish behind it. This likeness to Truman's story presents an intriguing insight into the obstacles and road blocks Taylor has faced as a queer woman throughout her career. The koi fish behind the screen also highlight Taylor's determination to challenge the status quo and how she has been working towards much needed change within the music industry.

I do not

Truman is flipping through a photo album full of photos of his family and life with Meryl. His mother stresses her desire for grandkids while she's still alive. Truman continues to look through the album after they leave. The final straw for their relationship comes when he reveals that Meryl had her fingers crossed when they got married, implying she was never fully committed from the beginning. Looking through the photo albums seems to be a weekly routine when his mother visits, so we can assume this wasn't the first time Truman's noticed this detail, the only difference is that he's pointing it out now because it's the next step in his plan to leave Seahaven.

Many of Taylor's music videos emphasise the facade she has played into of the life society expects her to maintain. This has become more evident than ever with her current relationship with Travis Kelce. They want her to fulfil the 1950's lifestyle as a happily married wife with two children, a house with a white picket fence, to stay home each day as a housewife and to serve her husband when he gets home from a long day at the office. 'The man' music video highlights the disparity between these expectations and the lifestyle men are usually celebrated for, so that we can understand that this isn't the life she wants for herself.

Undressed

After Truman attempts to confront his wife about the photo, he follows her to work in his pyjamas. She works at the hospital and claimed to be doing a leg amputation from the elevator incident, a story they made up to explain what he saw the day before. When he locates her within the hospital the actors are forced to begin the procedure to keep up appearances.

Taylor was wearing a corset with a pattern very similar to Truman's pyjamas underneath her blue dress recently while out with Travis Kelce and his friends. Everyone in the group was wearing matching pant and shirt sets, with Brittany Mahomes in actual pyjamas. This may have been a hint that Taylor's beginning to escalate the cracks in the facade of her pop star persona.

The failed escape

Predictable

Truman is sitting in his car when Meryl gets home from working at the hospital. When she gets in, he locks her in the car and attempts to leave town. "Blocked at every turn. Beautifully synchronised, don't you agree?" This is the point where he's revealing that he knows how predictable everyone around him has been, pointing out that the same three people keep going past on schedule.

Logically if Taylor knew what the roadblocks were before she left her old record label, she would have known how her opponents would retaliate after she left. "Blood's thick but nothing like a payroll." It seems likely that they were planning to sabotage her once she left, with her first album in particular. If they were predictable enough, Taylor could've had time to plan ahead to mitigate the damage done to her career. This could include holding back on releasing certain songs, which has now lead to the rumours of 'lover' vault tracks.

Just like clockwork

Truman begins to drive around the round about over and over again to highlight that he has figured out that the townspeople move around him like clockwork, but again this isn't new information to Truman. The director's attempts to prevent him from leaving are incredibly predictable and they always have been. Truman would have been able to pick up on this pattern when he was still in high school, if not earlier. "When you're young they assume you know nothing." The benefit of them being this predictable is that Truman could foresee their reactions and blindside them when they least expected it.

Taylor uses many clocks throughout her music videos as easter eggs and to draw our attention to time and dates that might be relevant in the future. One element of interest is the concept of routine and the predictability that comes with that. The arena in 'the hunger games catching fire' seems to be inspired by the Truman show as well. Katniss figured out that there are new threats in each segment that changed on the hour, ending with a lightning strike at noon and midnight. This kind of predictability allows one to plan in advance. Three years perhaps?

Planned to fail

After driving around in circles Truman claims that they're headed to Atlantic City, only to find out that the end of their street is blocked up with traffic. He concedes to going back home after all, just to announce suddenly that he has changed his mind. As Truman doubles back and attempts to leave for the second time, he discovers that the traffic jam had magically cleared up after they left. He was accurate in predicting that his plan to leave would be counteracted by some form of intervention. Truman's actions are forcing the director to reveal his hand, only to call his bluff and get further than the director expected him to. And despite her fear, Meryl is still putting on a performance for the camera here too.

It's a possibility that Taylor set up a similar scenario to unfold with the release of her 'lover' album. The contrast between the aesthetic and themes of the 'reputation' and 'lover' albums could have been done on purpose to blur the lines between the two in an attempt to mitigate the damage done from being sabotaged. Underneath the vindictive theme of 'reputation' was the romantic songs her opponents had been anticipating from the 'lover' album.

The bridge

Truman stalls at the bridge due to his fear of water but forces Meryl to drive across while his eyes are closed, willing to do whatever it takes to leave. "We're over the bridge!" he exclaims when they make it across. As Truman continues to escape, they are still faced with roadblock after roadblock. The escape plan eventually fails when the road is blocked because of a leak at the nuclear plant. They thank the officer for his help but when the officer says "you're welcome, Truman" he runs away from the car in a panic, but is quickly captured and returned home again.

Taylor draws attention to the bridges of her songs at the very beginning of the eras tour because they are the most authentic lyrics in all of her discography. She often begins a song with a very optimistic perspective, only to end with the most brutally honest observations of her experiences in hindsight. Taylor has told us that she tells lies. In 'love story' the lie is that she's singing about being in love with Romeo. When the perspective changes during the bridge, she's being honest when she describes being in love with Juliet and wanting to marry her. In 'lavender haze' we hear how stifling it's become to continue hiding her truth. "The only girl they see is a one night or a wife. I find it dizzying, they're bringin' up my history. But you aren't even listening." If we don't listen to what Taylor is saying during the bridges, we are avoiding her truth.

The turning point

What was once lost

When they return home Truman confronts Meryl, but she calls out for help and Marlon arrives with beer. Meryl leaps into his arms crying as he comforts her, but he's looking at Truman when he says "everything's going to be okay, it's all going to be fine." The next scene cuts to Truman and Marlon sitting at the end of an unfinished bridge together as Truman begins to tell Marlon what he's been through. "Maybe I'm losing my mind, but it feels like the whole world revolves around me somehow." Marlon replies by saying "The last thing that I would ever do is lie to you. I mean, think about it Truman. If everybody is in on it... I'd have to be in on it, too." The screen cuts to the director feeding him the lines but we can also see that Marlon has been as honest as he could be within his role on the show. To placate Truman and encourage him to stay, he is reunited with his father who he hasn’t seen for 22 years. Truman seems apprehensive about the reunion, but Marlon encourages him to go along with it.

In the 'willow' music video Taylor enters a glass display case and starts performing for the crowd of an old fashioned circus. As her lover approaches for the first time they reunite through the glass pane but it feels like the glass was intentional to keep them apart, despite their intentions to be together again. This imagery is echoed over and over again throughout Taylor's music videos and the eras tour. We can interpret this as a visual representation of being closeted in plain sight or as a form of protecting something that's delicate. Judging by the way they all end up shattered in the end, they seem to be foretelling what's still to come.

Test run

Truman was never really planning on leaving the first time because he had planned to fail. There are a few benefits of acting in this way. Firstly, we know that Truman had never crossed the bridge before and his attempt forced the director to play his hand by revealing what obstacles were ahead if this was his exit route. Enacting his bigger plan before seeing what was ahead would mean that he's more likely to fail if he crosses the bridge while under prepared for what is on the other side. Secondly, if everyone has assumed that he has failed, they won't see his bigger plan coming if they believe he's feeling defeated. They placated Truman by reuniting him with his father, but that backfired on them when he escaped when they least expected it.

Taylor mentions that "Every bait and switch was a work of art" in 'mastermind'. I wasn't sure if I was using this term correctly when search results were full of business examples and psychologists were linking it with the act of gaslighting, but the type of bait and switch I was intrigued by is akin to a chess move. This type of move is often referred to as the 'queen sacrifice'. By purposely leaving the queen unguarded, your opponent is lured into the trap, only to be met with a devastating counter attack. This, and the element of a trial run before the big reveal, is what lead me to consider that the 'lover' album may have been used as bait for the sale of her masters. If she alluded to coming out straight away to entice the sale that was going to happen anyway, that obstacle wouldn't get in the way of her bigger plan. (It is not my intention to imply that this theory is true, so this is just a hypothetical option in favour of the bigger picture.) If this was a prelude for a bigger plan, it still would have been extremely devastating when it did happen.

The show must go on

This is the turning point in the movie when we begin to see Truman's life from the directors point of view. "An entire human life recorded on an intricate network of hidden cameras, and broadcast live and unedited 24 hours a day, 7 days a week to an audience around the globe." We start to find out how they had to manufacture ways to keep Truman on the island. His father dying played a big part of that, but to the viewers it's just another plot twist in the show they've been watching for entertainment. They have 5,000 cameras around Seahaven now, but started off with just one before he was born and they've been watching Truman's life unfold ever since. "We accept the reality of the world with which we are presented." This is the director's response as to why Truman has never left Seahaven or found out about the show. This contradicts everything we've seen from Truman's point of view. Just because he could leave doesn't mean he could leave freely. How much harder does he have to try before the director will let him go? He goes on to explain that with Meryl's decision to leave the show, a new love interest will be introduced and he has hopes for the first on air conception to occur. It's evident that Truman leaving would derail the directors plans for the show going forward.

Taylor has described how writing a song is like sucking the snake venom out of a bite. Expressing herself creates distance between the heaviness of what she's experienced and I believe this is why she sees herself as the narrator (or director) of her discography at times. During the 'folkmore' set on the eras tour she describes herself as the narrator of the teenage love triangle. It's also common for Taylor to be more than one character at once. At the end of 'the man' music video we discover Taylor is the director, and then it's revealed that Taylor was also the male actor that had been wearing a disguise. This implies that Taylor is James in the love triangle and based on the evolution of her speech, we can infer that as the director she chose Betty in the end. This feels like a clue that we should consider that she has been showing us her version of events from different perspectives all along.

The doll house

Everything on the show is for sale, including their wardrobe, food products and dollhouse style versions of the homes they live in. These elements are jarring after seeing the level of animosity Truman was experiencing with each road block he faced. It feels like they've overstepped a boundary by consuming every detail of Truman's life.

In the 'lover' music video, we first see the lover house is within a snow globe and our first shot of Taylor is through the peephole. The couple dancing throughout the house seem to be sharing a romantic moment, but the entire experience feels voyeuristic. No rooms are off limits as we see them in the bathroom swimming inside of a fish bowl. "Can I go where you go? Can we always be this close, forever and ever?" plays at the same time. It feels like we're asking that of her. It becomes uncomfortable to realise how much we want to have access to every detail of her life.

Back to normal

Headquarters

Not only is Seahaven contained within a dome, the director and his control centre is housed within the moon structure. From the interview with the director we can ascertain that he doesn't usually reveal this much behind the scenes, but the return of Truman's father required some damage control.

The vault in the 'I can see you' music video is reminiscent of the moon shaped structure the director worked out of. The connection between these and the overall theme of the music video reminds me of the scene in 'the hunger games mockingjay' where they rescue Peeta from the capitol, only to find out he was trained to attack Katniss. This scene has an eerily similar asylum vibe like the 'fortnight' music video as well.

The mask

The next morning we go back to Truman in the bathroom again, as if he's just started another regular day. He seems cheerful as he's using a bar of soap to draw an alien outline on the mirror, while at the same time implying that he feels alienated in real life. This facade of normalcy he is presenting after his plan had failed is on purpose to lull the director into a false sense of security. If everyone thinks he has given up and believes he is resigned to staying after all, nobody would see his final escape plan coming.

Just like Taylor showed us with the visuals of the delicate performance on the eras tour, the mask is breakable. Now that we know that Taylor is the one breaking down the facade herself, it becomes harmful to refuse to see Taylor for who she really is underneath the pop star persona. And just like with Truman leaving in the end, Taylor has shown us that she's choosing herself now, regardless of the consequences. So we can either choose to join her, or sit back in defiance until she walks away.

Back to work

As Truman returns to the office it becomes more obvious where all of the cameras have been hidden in plain sight. They're everywhere, including inside his pencil sharpener. But the least obvious camera is the one Truman is wearing, his wedding ring. This came from his father, something he purposely gave to Truman as he was supposedly drowning. He never took it off because it was a reminder of what he had lost at such a young age. Truman was able to escape in the end because he took the ring off and left it behind. They had no way of tracking him if he wasn't wearing it. In hindsight we can see that Meryl's necklace also contained a camera that was used frequently.

If all of the moon and black holes references are a codeword for cameras or surveillance in the Truman show, we can consider that Taylor has used them in her music videos in a similar way. 'The man' music video begins with a similar office scene with a man who is charming and magnetic, but the wink at the camera implies that he's also putting on a performance. At the end of a work call Truman mentions that "life is fragile" after he's introduced to his new love interest. Just like Truman's comment, Taylor has used the word delicate to to describe the fine line between the brittle nature of the facade and how easily it could all fall apart, like what occurs during the 'delicate' performance.

This place is mine

After Meryl left, Truman moved down to the basement. This is the only room in the house that contained anything that was truly personal to Truman with his padlocked chest of mementos and remnants of old hobbies. But on top of all this it was also the room with the least amount of cameras, making it the perfect place to hide.

In the 'lover' music video the only space that is personal to Taylor is the attic, and it’s just like Truman's basement as both rooms are typically used for storage. If you look closely you can see a familiar trunk to the side as she's reminiscing over old pictures on a projector. On the eras tour the only real piece of the lover house is the attic seen throughout the 'folkmore' set, the rest was burnt away on screen and ever since the setlist changed it has been falling over instead. This change reveals that it was a facade all along, similar to how we begin to see behind the scenes half way through the Truman show.

The escape route

The map

Truman's desire to travel to Fiji is heavily featured as Truman's motivation for leaving Seahaven. There's evidence of this throughout the basement, including a large map of the island. Was this really his dream destination? No. Talking about going to Fiji encouraged the director to reveal his endeavours to prevent him from leaving. If Truman was constantly being challenged with his fear of the water, he was also being exposed to potential exit routes and obstacles. Truman's desires to go to Fiji was a facade to masquerade his true intentions of plotting his escape without raising suspicions.

One of Taylor's latest songs explores wanting to escape to 'Florida!' and reflects Truman's dreams of moving to Fiji. Another map Taylor has shown us in her music videos is the man wall. It's seen as a road map for her future rerecords with the end goal of coming out as queer, similar to what Elton John did at the peak of his career. Now that we can see that Truman revealed his dreams to travel as a means of testing his opponent, we can begin to understand that Taylor may have used her attempts to come out as queer in a similar way. If Taylor had expressed her intentions to come out of the closet behind the scenes, she would have been reminded of the challenges she would face if she did so. We see a small portion of this scenario play out with political discussions during the 'Miss Americana' documentary.

Behind the curtain

The director is concerned about Truman being asleep in the basement so Marlon is sent to investigate. When he arrives he finds a decoy in the bed and a tape recorder of Truman snoring. As he searches the rest of the basement, he pulls back the map to reveal what's inside the closet. This is the moment everyone discovers that Truman has escaped and that the map of Fiji was a disguise for his master plan all along.

The man wall is the most fundamental Easter egg for many Swifties, with endless theories on how to decode it. But what if the biggest Easter egg of all is actually set up as a trap to draw our attention in, so that we become so focused on it's significance that we don't notice the bigger picture? The subway wall is made up of small square tiles, with Taylor Swift themed posters and the rerecords written with spray paint over the top to mimic graffiti. But if you look even closer still, you will see that there's also a crack down the middle of the man wall map. This suggests that there's something hidden behind it, just like with Truman's map.

The tunnel

When Marlon opens the closet in the basement, we discover that Truman had dug a hole through the ceiling and this is how he escaped. Marlon climbs up the stepladder and we see his head pop out of the hole in the garden. We could assume Truman began digging this hole after Meryl left because we can see he left behind the same multi tool that she advertised in the beginning, but he was in the middle of digging in the same spot when she came home that day. All we had seen was an awkward shot of Truman from behind as he was working in the garden bed. Truman also purposely left patches of grass unmowed so he had an excuse to be frequently working on the old lawn mower in the basement, something that was quickly replaced once Meryl left.

The ending of the 'delicate' music video is what sparked this deep dive into the Truman show. I discovered that the bar Taylor enters is called the gopher, an animal famous for digging holes underground. This unexpected connection to Truman's method of escape was unbelievable after picking up on many of Taylor's hints towards a departure.

The trap door

If Truman had been digging a tunnel in the garden from the beginning, how did he get away with it? He disguised the hole by filling it with balls and rocks in just the right size that were painted to look like garden ornaments. This is echoed in the scene where Truman is telling Marlon about how he wants to go to Fiji. Marlon asks if Fiji is near Florida, so Truman demonstrates with a golf ball to show that it's practically on the other side of the world. The way Truman is describing it implies that the tunnel is hidden on both sides in a place where the cameras can't find it, and all that's left now is to plan his escape route.

Taylor’s version of Truman’s golf ball is the painted nails aligned with the 2 and 8 on the karma coffee cup, pointing to where her journey through the tunnel starts and finishes. Other ball shaped references include the pearl coloured balls floating around Ice Spice in the 'karma' music video, the golden orbs in the 'willow' music video and the tennis balls in 'the man' music video. When Taylor attempts to leave the glass case in the 'willow' music video, she finds it has been boarded up. She tries to find a way out through the glass, only to reveal that she knew that there was a trap door underneath her feet the entire time. We hear the lyrics "I come back stronger than a 90's trend" at the exact same time Taylor goes down the tunnel. And which trend is she referencing? The Truman show, of course.

Leave everything behind

Cut transmission

Once the director had realised that Truman had really escaped, he was left with no choice but to cut transmission on the live broadcast for the first time since the show began. Panic ensues for the viewers who didn't see this coming, meanwhile we see Sylvia watching from home in anticipation. Ratings for the show are at an all time high as everyone at home waits to find out what happened to Truman.

It's interesting that Taylor drew inspiration from this loading screen for the eras tour poster considering it's a reference to the moment Truman escaped. It draws a very clear parallel to his story, implying that what we're watching on the eras tour is the Taylor version of the Truman show.

Lost at sea

It's unclear how long Truman had after he escaped before the search party started. At first it seemed possible that Marlon left the car door open when he arrived for Truman to escape, but it's more likely he was just in too much of a hurry. It' seems 's likely Truman had some time to escape on his bike undetected. His fear of water meant checking the ocean would be the last place they would think to look for him, which is exactly what happened.

This moment after Taylor entered the bar in the 'delicate' music video reveals a sense of clarity just before she opens up her eyes. The ending of Taylor's story is yet to happen, but from what she's said throughout the tour, she's not planning on slowing down anytime soon.

The note

As Truman sails off we see him pull a note out of his pocket. All he took with him was the collage picture of Sylvia. This symbol of hope for his future was the only thing he took with him. "The only thing that's left is the manuscript, one last souvenir from my trip to your shores."

When Taylor left behind her life's work and started over by herself, she carried a picture of the one that mattered most with her when she left as well. If you look close enough at the man wall, you can see a polaroid shaped outline underneath the black karma letters, as if something that was once there had been taken away. Just like Truman's collage picture, this missing piece represents the secret note from the 'delicate' music video. The one piece of evidence that meant something to them, when so much of their lives were full of half truths and lies. And what's on the polaroid picture? Proof that Taylor is queer... "Like a rainbow with all of it's colours."

It's time to go

Almost drowned

Once they locate Truman as he's escaping on the boat, the director utilises his power to create a storm to derail Truman's attempt to escape. When his first attempts to force Truman to turn back fail, he orders the workers in the control room to hit the boat with the largest wave with to intentionally capsize the boat. They object to risking Truman's life, but the director goes ahead anyway. The wave overturns the boat and Truman almost drowns. As the director escalated his attempts to make Truman stay, it became clear that he would rather let Truman die than watch him leave if he refuses to stay. This highlights how unethical the director's attachment to Truman and the show had become over the years.

In the 'cardigan' music video we see Taylor clinging to her piano in the ocean, just like Truman did with his boat. This shows her determination to fight for her future despite the cost. The trap door Taylor escaped out of in the 'willow' music video is just like the exit points under the stage of the eras tour. Taylor's most iconic exit is after the surprise songs when she dives into the stage. Her character then swims against the current just like Truman did and when she reemerges again it's for the beginning of the 'lavender haze' set.

The getaway boat

Despite the director's attempts, Truman recovers from the storm and sails far enough that his boat crashes into the side of the dome wall. Truman managed to escape Seahaven after a lot of planning, but I think he had some help along the way. If Marlon was aiding Truman's escape plans, he would have been a crucial liaison behind the scenes. Throughout the interview with the director we get a glimpse of Sylvia and find out that her home is full of anti the Truman show propaganda. These include pictures of cast members that could be open to joining their side, with Marlon listed as being their best bet. It's possible the protestors worked together to smuggle Truman's father into Seahaven to encourage Truman to leave. One of the posters shows a young Truman in what appears to be a pizza themed clown costume. Pizza is mentioned a few times by the control centre workers and by the security guards of a car garage. This could be the common factor connecting the protestors helping Truman escape, as well as providing an inconspicuous meet up place to swap information that wouldn't draw attention.

Just like Truman had help, Taylor had a team working together in the 'I can see you' music video. This depicts an alternate view of Truman's escape, with a team breaking in from the outside to rescue Taylor from the vault. Many of the guest appearances in Taylor's music videos are representing the other side of Taylor, more so than any particular muse. Many of the scenes featuring Ice Spice in the 'karma' music video also mimic the ending of the Truman show.

The stairs

Truman found the stairs that lead to the door and is so close to leaving behind the only place he's known. All of this is unfolding because Truman reached a point where his own wellbeing was more important than the character he had been portraying for the audience. Sylvia warned him in the beginning that everyone was watching him. This would have confirmed any suspicions Truman already had and lead to a life of being on high alert knowing he was being monitored at all times.

Both the public and private sides of Taylor have experienced the same restrictions over time, forced to keep a large part of her life hidden from others at all times. The scene with the moon and Saturn implies that an alternative ending to Truman's story is in store for Taylor. The moon was the home of the control centre watching over Truman day and night. Capturing the moon and Saturn in the 'karma' music video suggests that both sides of Taylor have worked together to reclaim the role of director, and are now working together to rewrite their story so that they can reunite and move forward together.

Captive

Finally in a last ditch effort to persuade Truman to stay, the director talks to Truman for the first time. It's clear the director has grown attached to Truman to the point that he doesn't see Truman beyond the character he's crafted over the years, but he only sees the public persona of Truman. The director is pleading for Truman to stay, to let the show continue as it is and claims that he knows Truman better than he knows himself. "You've never had a camera in my head!" is the only thing Truman says in defence. This sentence epitomises everything Truman has experienced living in Seahaven. After all, he was wondering when it was going to end when he was still in school. If the director truly knew what was best for Truman, he would have ended the show years ago.

When Truman told the director that you can't see inside my head, we can assume Taylor is trying to say that we can't see inside her heart. During the 'Me!' music video Brendon Urie opens a heart shaped door that reveals what's inside his heart. This implies that the music video revealed what was in Taylor's heart from the beginning. "When it's like, "me-ee-ee," it's like dancers, cats, gay pride, people in country western boots. I start riding a unicorn, like just everything that makes me me." This is how she describes the music video during the 'Miss Americana' documentary. "And for a fortnight there, we were forever." I believe this is a reference to the fourteen songs on her 'debut' album. Her first and potentially most authentic album is full of songs she wrote before she became famous. And then beginning with 'fearless', Taylor actively added in male muses to her songs to camouflage her queer identity. Unfortunately this was also the beginning of the gap between her public and private life growing apart. Looking back we can see that despite the pain this caused, she never lost hope of reuniting them again.

How did it end?

The final bow

The Truman show challenges our perception of how ethical it is to have such unobstructed access to Truman’s life. We’re left questioning if our entertainment was worth the price he was paying by spending his whole life living in the spotlight. He bows for the audience watching at home and ends with one final “Good morning! And incase I don’t see ya, good afternoon, good evening and good night!” before he turns and walks through the door. The director was left with a look of disgust as he realised Truman had been preforming for the audience all along. Those who had seen the signs watched on with anticipation and those that didn’t were left feeling shocked and confused.

At the end of a theatre performance, the cast will come back on stage one last time to give their final bow of the night as the audience applauds the performance they've just witnessed. We then have to consider that Truman and Taylor's final bow was an acknowledgement of the fact that they had been putting on a performance the entire time. Just like in 'the manuscript', "looking backwards might be the only way to move forward." Going back through Taylor's history and finding the bread crumbs she left along the way will help us understand that the queer version of Taylor had always been there, we just had to know what we were looking for to be able to see it.

The door

As he steps through the door we wait in fervent anticipation to see how Truman's story ends, only to watch as the credits start rolling without an epilogue. This feels frustrating when we had been hoping to see Truman and Sylvia reunite after many years. Instead, this kind of ending is encouraging us to go back to the beginning and reconsider the story through a new lens after learning about how it ended. Each time you rewatch it you can pick up on the deeper layers of the story, seeing more evidence of Truman's discomfort from living an inauthentic life, and how much determination it required to overcome the challenges he faced along the way. Any further explanation would have diluted the magnitude of the moment Truman felt free for the first time in his life. Just being able to walk through the door in the end was the ultimate accomplishment.

The story Taylor has been showing us was never a revelation of her muses, but a slow unravelling of her experience as a famous person who has had very little privacy throughout her life. She's giving us a peak behind the curtain and allowing us to see who she really is beyond the larger than life character we've all built her up to be. And whether we like it or not, she choosing herself now above all else.

The only difference between Taylor and Truman’s story is that Taylor’s not leaving, she’s simply just stepping out of the closet.

Meet me at midnight?

After turning a pumpkin into a carriage and creating a fancy dress to wear, the fairy godmother forewarns Cinderella before she leaves for the ball.

“You must understand, my dear. On the stroke of 12, the spell will be broken, and everything will be as it was before.”

The same is true for Taylor.

No matter how much she accomplishes in the spotlight, she is always going to be the truest version of herself underneath the layers of her pop star persona.

"Dear reader, will you still want me when I'm nothing new?"

When the clock strikes midnight, are you still going to want Taylor when you can finally see who she really is underneath?

Who she has been all along?