#not for kazui though

[thechibilitwick]

catzui reveal

catzui....... his greed sickens me....

[accirax]

🎶 You asked me what I wanted to be and now I think the answer is plain to see, I wanna be innocent! 🎶

[cheshirecat-syndrome]

[dai-mondai]

Meet Lou Slum, the Lonely Doll

Inspired by his Birthday Art and Tia Safalin

YTTD Milgram Prisoners!

Also here's the old version of this sprite

[mukuroom]

SHUSHHHHHSHHSHHSHHSHSHHSHHH mean to him.....

[0507-worms]

triage/cat gifset

[008-edits]

more milgram icons!

(credit is not needed, but appreciated)

[plan-3-tmars]

Approval Vs Demand in Milgram

> aka my interpretation of the clapping motif in backdraft and cat :3

We clap to show approval or appreciation, but sometimes, we also clap to make noise and put a demand on people. It's like Fuuta says, I think the clapping represents the "spectators" in both he and Kazui's lives - For Fuuta it's his fans and for Kazui it's his family, but I'll expand more on this later.

The first time we hear clapping in backdraft is during the clip I showed you. Fuuta's fans clap for him when he arrives in the tunnel to 'serve justice', they approve of his actions. Through his shaky smile and the description of being "surrounded by the masses" though, we can gather that he might not be as comfortable in this environment as he previously let on. This big dramatic arrival may just be a persona put on to "impress those spectators"

However, the next time we hear clapping the tone has changed. This time it's Future Fuuta watching Past Fuuta deliver the 'killing blow' to the girl. With hindsight, he knows this is the action that drives her to take her own life, and he is shown in clear distress. It's almost like he's fighting a mental battle between the demands his fans have for him to deliver justice once again, shown through their clapping, vs the added knowledge he now has that this action will land him a guilty verdict

With Kazui, it's a bit different, as cat actually shows people psychically clapping during his wedding, though there's no sound. It's his parents, the mysterious brown haired woman and the bartender, clapping in approval of the ceremony.

However, we know that this is all for show, quite litteraly in Kazui's head. His marriage is a performance and friends and family are the spectators. Therefore, I think the clapping during his wedding represents both approval and the perceived idea Kazui has of this being the right thing to do, lie and lead a normal life. Similarly to Fuuta, who had the idea of his cyber justice being the right thing to do, which was most likely only heightened by having an approving audience by his side.

In contrast, the clapping during the clip I showed represents a demand Kazui has come to learn to continue lying, most likely through his parents (father), and that what he wants to do, what is "yearning to be satisfied" is the wrong choice he should not choose. Kazui is implied to be drunk in this scene, staggering and clutching his aching head, and the clapping probably represents this mental battle of right and wrong, what the spectators wish and what He himself wants to do.

He becomes increasingly distressed while trying to choose between the demand he has been taught to follow (represented by the overwhelming clapping) and what his intoxicated mind wishes to pursue (being his true self)

The similarities between the scenes where clapping is shown in both characters makes me think this is purposeful, a fun motif, and that the clapping represents approval to conform to the expectations others have set for you, and later pressure to continue doing so when you begin to falter.

For Fuuta, this started as approval from his fans towards his cyber justice, and ended in a battle between his past actions, encouraged by his demanding fans, and the hindsight he's now gained

For Kazui, it started as approval from his friends and family towards leading a normal and (traditionally) expected life, and ended in a battle between the demand he has perceived to continue being your grade A traditional husband, and the true feelings his heart wants to express.

[good-beans]

this is so stupid but i always have fun imagining the milgram characters watching their own/others mvs and seeing their reactions, especially for MeMe

That’s not stupid at all, thank you so much for the ask!! It’s sooo interesting to think about! I planned on just posting this drabble, but the more I thought about it, the more I started jotting down headcanons for everyone 👀 Of course there’s the initial disbelief and shock that Milgram can really do what it claims, but once they accept that, they’d have a lot of interesting reactions…

Es gets to watch the video first, then the prisoners are free to watch their own in the privacy of the courtroom/extraction room/wherever. Other prisoners can watch them only with explicit permission from the video’s singer. No one is allowed to watch Undercover except for Es. At first they spend hours looking at those final frames of themself flinching from the camera, hoping to jog any sort of memories, but eventually they give up on it. While actually watching it, they don’t mind the murder silhouettes. While sleeping, however, it has triggered more than one nightmare.

Haruka: He thinks Weakness is very pretty – he’s amazed seeing himself on the screen and hearing his voice, knowing he’s not that good of a singer. Even before his innocent verdict, it gives him a huge surge of confidence. Once he gets to know the others better, he gives them mv permissions, then stares intently at their faces to see their reactions as they watch it. AKAA scares him a bit, seeing his own intense emotions on screen, and he only gives Muu permission to see it. When he’s alone, Haruka pauses the shots of his mother, just to stare for a while.

Yuno: Laughs at the symbolism her mind used in Umbilical. She’s never shied away from sexual words/thoughts, so it's funny the video was as tame as it was. She thinks the song is fun, and isn’t afraid to show the others and sing snippets of it around the prison. Some days it’s too emotional for her to get into it, but most of the time she tries to display a confident attitude about it. After Tear Drop, she’s satisfied with her anger and more overtly sexual images. If anything, she feels too exposed by the shots of herself looking more vulnerable/sad. 

Fuuta: He experiences a solid mix of embarrassment at the gaming theme in Bring it On and feeling a surge of pride that he looks badass in the knight’s armor. He’s worried the warden won’t take him seriously with the video game obsession, but he absolutely loves the song and thinks it portrays his toughness and ideals well. He’s less thrilled with Backdraft, everything about it unsettles and embarasses him. He’s thrown by the shot of crossing out his own silhouette – he’d had self-harming thoughts, but wasn’t quite ready to confront them so blatantly yet. Like Haruka, he can be caught pausing the arcade shot just for a moment before turning the whole thing off and storming away.

Muu: She has mixed emotions towards After Pain. She hates seeing herself look so weak and pathetic, but it gives her a lot of hope that her story will be understood. She misses her friends, and seeing them again is bittersweet. She closes her eyes at the moment of the stabbing – she’s only gotten the courage to watch it through her fingers once. She watches INMF once, then refuses to look at it again from shame/horror. Despite Haruka’s begging, she doesn’t let him watch it, either. 

Shidou: He asks Es what they saw in Throw Down. Upon finding out his family wasn’t in it, he chooses not to watch it. He believes he already knows all about his emotions and crime, so there’s no need to go through that pain again. He’s tempted to watch it when he’s confused about Es’ verdict, but still holds off. He does watch Triage when informed his family is in it. He spends hours in front of the screen by himself. Only after seeing that one does he watch Throw Down, though he’s still left confused about Es’ decisions.

Mahiru: Absolutely loves TIHTBILWY. She thinks it perfectly describes her situation, and that the song is very cute. She lets others watch it, and unlike Yuno, feels like singing it 24/7. It reminds her of her bf, and she thinks that’s very romantic. Similar to Shidou, she spends a lot of time watching I Love You just to look at her boyfriend. She shows it to everyone, just to show him off and talk about him, even if she does skip over the beginning and end each time.

Kazui: He is very similar to Shidou; he refuses to watch his videos until T2, assuming it would be too painful to watch something he already knows and wishes to avoid. Unlike Shidou, seeing Hinako is far too painful, and he regrets watching it and seeing her so happy on their wedding day. Though maybe he’s still waiting, and hasn’t seen any of the videos yet…

Amane: Magic makes her worry more than anything. She fears she’s poisoned by unnecessary vainness since so much of her video involves cute things, colors, outfits, animals, and is set up like a tv show. She’s also worried that Es and the others will really see her as a child because of how cute the whole thing is. She prevents herself from watching it too many times, but buried under all her fears, it gives her a surge of pride seeing herself so talented and pretty and the star of the show. Purge March only reaffirms her confidence in her crime – the video brings up some awful memories, but it shows her as a leader, a warrior, a hero! It brings her comfort and confidence more than anything.

Mikoto/John: The videos are distressing to both of them, and they spend all their time studying the others’ screentime. Mikoto watches in horror as John does things that line up with his spotty memories, and John panics seeing that his actions distress Mikoto more than they’ve reassured/saved him. John does end up watching his own scenes a few times – it feels incredibly good to appear in a way that Mikoto may finally notice him. He feels seen. Now, logically I think that MeMe would be the final tipping point in which Mikoto finally accepts the situation and his DID, but if I must stick to his canon denial, then I’d say he goes on a whole rant about movie magic andt the crazy things you can do with editing nowadays. He doesn’t have a good explanation on how Milgram found his home and knew so much about him, but he explains everything away as cgi or camera effects. Double manages to sway him a bit more, as he hears John speak so plainly to him. Just as the audience had some debate on who was apologizing at the end of Double, Mikoto and John wonder who is apologizing to whom. Though they both come to the conclusion it’s their own apology, they decide that if it was the others’, they’d accept it and forgive them.

Kotoko: She’s very pleased with Harrow, and is unashamed to show it to the others. Though she’d been able to watch a few of the previous prisoners’ videos, it still shakes her a bit when she realizes that Milgram really does have the tech to look deep inside her. She watches it just a few times – not obsessing over it, but not afraid either. Deep Cover, however, is a once-and-done sort of deal. She claims she’s not letting the others watch it because “they couldn’t handle such harsh but true criticisms about themselves,” but she doesn’t end up watching it anymore herself, either.

[accirax]

Chessgram Theory: Who is Kotoko Breaking?

While the object Kotoko is breaking in Deep Cover’s thumbnail is still certainly up for debate, many people (including myself) are of the belief that she’s snapped a white bishop from the game of chess. Given where Kotoko’s mental state is right now and what’s implied by the lyrics of Deep Cover, I think it’s likely that this MV’s theme will depict all of the prisoners as different chess pieces. Therefore, it’s worth asking: who is that? And, in a larger sense, which prisoners could be represented by which chess pieces?

Kotoko pretty clearly sees her situation as her and Es against the rest of the prison. So, I think that the characters would be divided as Kotoko and Es on one team, and everyone from 01-09 on the other. Kotoko is wearing black and appears to be breaking a white piece, so it’s pretty safe to assume that she and Es would be represented by the black pieces. It’s an interesting choice, given that, even to a non-Western audience, black can be considered a color of evil, and white a color of purity and truth. However, if the Es/Kotoko team is “mystery and anger” and the 01-09 team is “cold demeanors and death,” it fits well enough.

And that’s ignoring the most important part: in chess, the white team always moves first. This would fit with Kotoko’s vigilante worldview that everything she does is just a retaliation against others’ wrongdoing. The other characters attack first by sinning, and Kotoko is only picking them off before they can do any real damage to Team Warden.

Anyways, as for the pieces themselves, different websites seem to have slightly different opinions on what each piece can represent, with some obvious throughlines. I’ll be pulling quotes from these three articles, color coded according to which one is being used, which you can read more of if you wish. I’m also not a chess expert, so if I’m missing anything or got something wrong, I encourage you to add any of your own thoughts!

We’ll start with the Black Team, because there are fewer characters and I think it’s pretty obvious who’s who.

Kotoko Yuzuriha

Kotoko herself will probably be the black Queen. As anyone who’s played chess should know, your Queen is the most powerful piece in your arsenal because it can move on straights or diagonals for any distance.

The queen is our impulse to fight and possibly our id. It can argue based on beliefs. It can let loose and fight like a rook. It has no reason to hold back as a knight does and will often attack to the other side of the board just because it wants to.

This hyper-violent description of the Queen reminds me a lot of Kotoko. She attacks the other prisoners because, according to her beliefs, they’re criminals who deserve to be punished. Not to mention, the “id” is actually the same thing as the “es” in psychology. After we voted her innocent in the first trial, Kotoko became our teammate. She thinks that she’s the same as Es, so seeing herself as the “id” would fit perfectly with that self-assessment. Speaking of Es…

Es (and Jackalope?)

Es is most likely going to be the black King.

The king is not as powerful as the queen, but he is considered the most important piece that needs the most protection.

Even if Kotoko has more power than Es inside the prison, Es is still the one ultimately calling the shots. They’re the important piece who actually casts the votes that Kotoko can use to exact justice. The way that Es falls asleep between trials (or, at least, they did the first time) also reminds me of how the king can only move one space per turn, and often remains in the same square until closer to the end of the game.

The meaning of the Queen in the game of chess is she is plainly the closest support to the King and is often the second biggest (tallest) piece on the board, signifying her power and importance.

Es and Kotoko being the King and Queen together also opens them up to being assessed as a pair. They start the game next to each other, far across the board from the white pieces. If Es is the tallest, most notable piece in the prison, Kotoko isn’t far behind, acting as the King’s loyal fang.

I don’t know if any of the other pieces on the black team would have any sort of particular association. Maybe Jackalope could be the pawn that starts in front of the King (I think that’s the E pawn), so that he could hop out of the way on black’s first move to allow Kotoko to escape on a diagonal?

If I’m right about this theming, I also believe it’s possible that the black team would start only with the King and Queen. This would 1) make Kotoko and Es appear as rootable underdogs by having fewer pieces, 2) show how Kotoko is doing all of the work to defend justice, and 3) give Kotoko a lot of space to move around in from the start.

Now that we’re done with the black team, it’s time for the 01-09 White Team! Given that this side has many more main characters, there are several more possibilities to discuss here. I’ve settled on an answer for each of the prisoners, but there’s certainly room to be flexible with any of them.

Haruka Sakurai

Starting with Haruka… sorry, buddy, but I think you’re a Pawn.

Look, there are only eight pieces (not pawns) for each team on the board. If there are nine prisoners on the white team, at least one of them has to be a Pawn. And, especially through Kotoko’s account of the first Trial, Haruka wasn’t doing a whole lot. He didn’t get voted guilty, so she didn’t attack him, and he didn’t try to save any of the attacked prisoners, either. All he really did was get a new fit and align himself with Mu, someone who barely avoided being voted guilty in the first place.

There is a debate about whether the pawns are the peasants who live outside of the castle walls or are the soldiers protecting the royal court behind them.

Specifically, though, I think that Haruka would be the pawn that stands in front of Mu. Depending on which piece Mu is, it doesn’t have to work like this, but if you say that Pawn Haruka’s placement is basically a “if you want to attack her, you’ll have to get through me first,” that’s quite reminiscent of the threat he presented in his second audio drama.

Haruka also makes sense as a Pawn because he has a lot of potential. For anyone who doesn’t know, in chess, if a Pawn manages to make it to the other side of the board, they can transform into any other piece. Haruka’s quiet demeanor might let him slip under the radar, but if Kotoko takes her eye off of him for too long, he could wind up becoming a threat to the King (Es).

Haruka (VD2): “If you don’t forgive Mu-san, I’m going to kill you.”

In the audio drama, Es counters this plan by pointing out that, as a prisoner, Haruka cannot attack them. However, the sentiment is still there. Even if a Pawn doesn’t really stand a chance of attacking the King when Queen Kotoko is on the loose, there’s always the possibility that he could get too close and throw a wrench into Kotoko’s plans.

Yuno Kashiki

As for Yuno… well, we all know that she’s a Queen in general, but in chess, I don’t think that argument really holds up. Yuno really just isn’t… relevant? enough? to the conflicts of the prison as a whole (at least where Kotoko is involved) to be represented by such an important piece. But, if Yuno isn’t the Queen, what would she be…?

Personally, I think she would be a Rook.

The rook is brute force. It is a disregard to beliefs.

Simply put, Yuno is a Rook because she’s a pretty straightforward person. That’s not to say that she doesn’t lie, of course– her whole t1 attitude seems to have been a bit of an act, and that one section in the middle of Tear Drop makes it pretty obvious that Yuno conceals her true feelings on order to better please her customers sometimes– but that, in the end, Yuno always does what she wants. If she wants to barge forward or cut across the entire board sideways, she’ll do it. She often keeps to herself, just like how enemy pieces wouldn’t want to get directly in front of the Rook for fear of being curb stomped.

Back to her t1 attitude, though…

The rook is the castle, the walls, the protectorate of the city, and in being so, is the only piece not representative of a living thing.

While most sources attribute the Rook’s walls to protecting the other important pieces, Yuno’s walls protect herself. Yuno’s Castle keeps her true self locked behind cold and stony walls, giving her freedom from making any attachments.

Futa Kajiyama

Futa is a Knight because… he’s, uh, literally a knight.

The knight pieces are the protective knights in the castle. The pieces are shaped like a horse because it is symbolic of what knights rode during battle.

It doesn’t always have to be that deep. (/j)

Actually, though, there are other reasons to call Futa the Knight– possibly some of the same reasons why the Milgram creative team decided to make one of his MVs themed after fantasy RPGs in the first place.

The knight represents the pure inner-warrior. If a knight starts out passive, it will always end up aggressive and vice versa. It can't move very far, but it never moves in a straight line, always preferring to be tactical and thoughtful.

Futa definitely seems to cycle between aggressive and passive. He passively lived his life as a regular guy until he unleashed his aggression and became a cyberbully. That aggression fueled him until he learned of his victim’s death, at which point he shut down and seemed to become more passive and introspective again. Arriving in Milgram triggered his aggressive tendencies, but getting voted guilty and losing an eye for it triggered his passive terror. At the time of his second audio drama, it seems like he’s returned to aggressively questioning Es again, and it remains to be seen whether he keeps that attitude into t3 or if something happens that once again makes him lose his footing (or die).

Mu Kusunoki

Much like Yuno, Mu also has an argument for being called the Queen– more so than Yuno, considering her strong Queen Bee coding in It’s Not My Fault and the titles of both of her audio dramas– but also falls short in the “being opposed to Kotoko” department. Although Haruka certainly looks to her for leadership, I can’t imagine Kotoko actually considering Mu a serious enough threat to put Mu on the same level as herself.

So again, like Yuno, I think Mu might be the other Rook. Mu also displayed a very “whatever I say goes” attitude in INMF, so she can share the same rhetoric behind Yuno being represented by that piece. The logic behind the castle aspect is slightly different, though.

Every country or medieval estate would have its royalty who were protected within the walled city or castle.

Mu is a rich, half-European girl whose dad sells real estate. Of course she would be represented by the Castle! Mu’s tactics involve consolidating her power in order to lead from a place above it all, exactly like how a castle looks over the rest of the village. Additionally, I can’t find the source of whoever pointed it out first, but I’ve seen it mentioned that the dress Mu wears in her birthday art is a reference to the one that Belle wears in Disney’s interpretation of Beauty and the Beast. It’s a fairytale with a princess (and perhaps someday, a queen), yes, but it’s specifically one where the heroine is trapped within a castle. Making Mu into a Rook would be a great way to keep up her royal theming, while leaving the Queen for a character a bit more powerful and relevant to Kotoko.

(Going back to Haruka for a moment, this would make him specifically the A or H pawn.)

Shidou Kirisaki

I really thought that Shidou might have more competition for the role of King, but the more I thought about it, the more I realized that nobody fit the role quite as well as he did.

Shidou is the perfect balance of a piece who’s very problematic for Kotoko’s win condition, while also not being much of an active threat himself. There are very low odds that Shidou would ever actually try to harm Kotoko directly or get in her way to divert an attack. However, as long as he’s alive, Kotoko can’t win, because Shidou can keep attempting to heal all of the pieces Kotoko tries to eliminate. That’s not something that the King piece can actually do in a chess game, but hopefully you get my point.

Additionally, Triage let us know that Shidou is a family man. While the white Queen will obviously not be representative of Shidou’s deceased wife, and not every other prisoner would enjoy living under his reign (cough cough Amane), the optics of him being the “head of the family” are obviously there. It’s a pretty bad look if the white King starts the game by pleading with the black King to give him the death penalty, but… Well, at least Shidou changed his mind.

Mahiru Shiina

Not to answer the theory’s main question so early into the post, but… I think Mahiru is a white Bishop. Specifically, the one that Kotoko could be snapping in half in the thumbnail.

As far as I can remember, barring Undercover, Milgram’s MVs have only shown us things that have happened in the past. There are some things that could kind of hint at the future (like Shidou’s “So hey, prolong my life / I’m indispensable” in Triage) or depict prisoner’s fears of the future (like Futa potentially being afraid that Es could declare him guilty again at the end of Backdraft). But, I think that every instance of something like that happening could be explained as something that the character did or thought about in the past as well. That might be wrong, as I don’t want to take the time to write out how everything that appears like it could be in the future is actually in the past, but it sounds right to my memory.

My point being, while the snapped bishop could be indicative of Kotoko’s plans to crush someone in the future, if the chess pieces do represent characters, it makes far more sense if her smashing the white bishop is something that already happened in the past. Thus, it would probably be one of the three characters that Kotoko attacked in the past: Futa, Mahiru, or Mikoto.

Of the three options, I think Mahiru fits the role of bishop best.

The bishop is your belief structure. This is why a bishop that starts on white, will always be on white and vice versa for the black bishop.

While not a particularly religious person, Mahiru is someone who lives and dies based on her beliefs about the value of love. No matter what happens to her, she always keeps her same perspective, believing that love is the entirety of who she is and the only thing that’s worth living for. It’s how firmly she clung to those beliefs that sent her to Milgram, and her lack of awareness regarding her actions that got her voted guilty. AKA, Mahiru’s Bishop-like beliefs are exactly what sent her to be crushed in Kotoko’s palm.

To the extent that the blood in the thumbnail is the Bishop’s and not Kotoko’s, Mahiru was also the most grievously injured of the prisoners in between trials. I saw people joking that the thing Kotoko was crushing was “Mahiru’s bones,” and, like… maybe you’re not entirely wrong? 

I hope that you continue reading the post to hear my thoughts on the last three prisoners. But, if you are tapping out here… uhhhh, 0610 enjoyers, go crazy with this one.

Kazui Mukuhara

When I started theorizing for this post, I really thought that I was going to make Kazui the Queen to Shidou’s King. The two of them are pretty close, so the idea of Kazui being Shidou’s guardian makes total sense. And, most importantly, Kazui was the one to actually intercept and divert Kotoko’s attack on Futa. He’s been established as the most muscular prisoner in Milgram, on par with someone like Kotoko, which is perfect for him being the Queen!

Wellllll… I changed my mind and decided to make Kazui a Knight anyway.

There are a lot of good arguments for Kazui being a knight too, okay? After Cat, it’s pretty clear that Kazui was once a police officer. Thus, being a member of the castle guard would be a good match for his choice of career. They’re also probably the most traditionally “manly” piece, representative of an armed man on a horse, and Kazui tries very hard to be manly.

Knights can also hop over other pieces, much like how Kazui jumped into the fight between Kotoko and Futa. In fact…

Never underestimate [the Knight] for its limited range. It’s known as the "Queen Killer" for a reason!

Knights are often a good piece to use to attack Queens because of their unique L-shaped movement pattern. Unlike every other piece, they can attack the Queen from a position that can’t be immediately reversed upon them. Thus, Kazui’s ability to beat Kotoko could be an indicator of this “Queen Killer” quality, instead of the innate power of being a Queen himself. (This logic applies to Futa as well: he can attack Kotoko from the unique angle of appealing to Es’ morals and own sense of justice. Kotoko can’t do the same because, unlike Futa, she has yet to outwardly acknowledge that her murder could have been anything less than righteous.)

Also… the Knight is the only piece that doesn’t move in a straight line. Get it? The Knight doesn’t move straight? And that represents Kazui? Because Kazui is–

Amane Momose

Amane is the other Bishop because… religion.

The bishop stands close to the king and queen because it represents the church which many royal courts held near and dear to their hearts.

The Bishop represents the church, an important and very powerful entity throughout history and even today if you think about it.

Again, not everything has to be a reach. (/j)

So… yeah, Amane’s beliefs– specifically religious beliefs, this time– are also a huge part of her life. Even if she’s changed what the cult’s doctrine means to her, she still confesses that she carried out her murders for the sake of what her religion considers right and wrong.

This is also considered the third most powerful piece on the chessboard because back in the day religion could influence many people, even without the help of the royal family.

Not so much for Mahiru, but this sentiment also fits Amane pretty well! Between the threats of potential conversions and potential assassinations, Amane was definitely one of the prisoners to watch heading into t2. From what I’ve heard, the main reason why her vote was so down to the wire was mostly because people were afraid of the power that Amane held.

Interestingly, this would put another prisoner who was voted guilty in contention for the piece that Kotoko is crushing. However, I still think it’s more likely that that piece would be Mahiru, because Kotoko didn’t physically attack Amane. If it were Amane, it would more likely be that her beliefs were crushed as opposed to her bones, but… I don’t really think that really happened, either. Amane would almost certainly be a bishop, though, so there’s certainly a possibility that that broken piece could be her.

Mikoto/John Kayano

With only one prisoner left to go, you may have already come to the conclusion that Mikoto is the white Queen. And… yeah, I can’t really deny that at this point. Like I said, I wanted to make Kazui the Queen, but I couldn’t otherwise figure out what Mikoto would be.

Because, there’s one main thing that makes me think that Mikoto has to be the Queen… John’s lack of restraints.

She is allowed to move in any direction and in as many squares as she wants.

Due to the whole situation with John not technically being a prisoner, when John is the alter in charge, John cannot be restrained, even when voted guilty. That makes him very powerful; no matter what he does, we can’t use a guilty vote to try to stop him, much like many people hoped to do with Haruka when voting him guilty in t2. The Queen can visit any square, no matter whether it’s black or white, upright or reversed, Mikoto or John. Choosing any other piece that was constrained to a much more limited set of movement rules just felt off for him.

Next, while Kazui was able to defeat Kotoko and save Futa, the fight between John and Kotoko was a draw. That means that they are also evenly matched– perfect for both being the same kind of piece. Mikoto isn’t as close to Shidou as Kazui is (anymore, I think?), but they were at least smoking club buddies, so calling Mikoto the Queen to Shidou’s King isn’t the most ridiculous proposition.

Finally, making Mikoto the Queen, a very feminine piece, is super interesting in the context of people discussing how Mikoto is often associated with stereotypically feminine roles and the girl prisoners (oboetemasuka | candckirby | purgemarchlockdown). I don’t have a whole lot else to say on this matter considering these weren’t points of Mikoto’s characterization I originally noticed myself, but I encourage you to read these posts to get a taste of what I’m talking about. I’m sure there were other posts discussing it too, but… it’s so hard to find things on Tumblr ;-;

Conclusion

Finally, we’ve been through every prisoner! Here’s a summary of what I decided on (left or right side doesn’t matter):

The funny thing about this theory is that it could be fully disproven wrong in, like, a week, if either 1) that wasn’t a chess piece at all, or 2) the chess pieces obviously represent something else. For instance, the chess board could fully relate to, you know, Kotoko’s actual murder and not what she got up to in between trials. We are supposed to get more actual evidence regarding that too, aren’t we…?

Still, if it turns out that the chess board does represent Milgram, I will get the full satisfaction of having called it ahead of time, even if my assignments aren’t 100% correct. No matter what, I had fun thinking about it, which is (in my opinion) the highlight of theorizing! If you have anything else to add, I encourage you to communicate your thoughts in comments, tags, or reblogs. If you don’t, then I simply thank you for reading this far!

Deep Cover… soon.

[good-beanswrites]

With this innocent/guilty spread, how do you think the whole situation would play out?

(Originally from my Songshift/Roleswap AU)

T1:

Guilty: Haruka, Fuuta, Muu, Amane

Innocent: Yuno, Shidou, Mahiru, Kazui, Mikoto, Kotoko

T2:

Guilty: Shidou, Kazui, Mikoto

Innocent: Haruka, Yuno, Fuuta, Muu, Mahiru, Amane, Kotoko

Ooh, I remember that, it was fun!! (Original post here) Thank you for the ask – weirdly enough, I was just thinking about doing something like this, and it was really interesting to figure out! Although I’m sticking with Yamanaka’s structure of three injuries/three deaths, I’m purposefully choosing new victims/relationships/interactions. There could easily be repeats of a lot of canon events, so I’m trying to just focus on new possibilities…) Spoiler alert, we once again arrive at Superhell 😭 Some of the verdicts seemed counterintuitive with the events going on, so just imagine there were Really compelling mvs lol 👍

As soon as she’s forgiven in T1, Mahiru is reaffirmed in her belief that her emotions are just right, and that she should be able to indulge in/share her love. She decides the guilties are going to be her personal rehabilitation project, and that love can save them. John also reacts strongly to being reaffirmed, becoming extra suspicious of everyone now that the Warden has agreed it’s important for him to protect Himself at all costs. It’s mostly Mikoto fronting throughout the trial, unaware that John is preparing himself with weapons/strengthening/planning every now and then.

During the first hiatus, Kotoko would attempt her attacks in the same way: She gets a hold of Haruka unnoticed, leaving him in a terrible state. She arrives at Fuuta’s cell next, but Mahiru has taken him to another room to try and help him. Kotoko ends up attacking Muu next, but Kazui steps in to help. Kotoko makes a final dash to Amane’s cell to attack, but Mikoto steps in after hearing the commotion. Without any of the restraints or being taken by surprise, the fight ends much differently than a draw. He beats Kotoko nearly as badly as she’s been hurting the others before Kazui can separate them. 

When T2 begins, Haruka, Muu, and Kotoko are injured. Mahiru throws her whole self into helping Shidou take care of the others. Muu and Haruka look to both of them for care and attention, both becoming very attached. They find peace in it, but the others are put off by the weird little codependent family thing they have going on. Kotoko stays away, insisting she can care for herself and doesn’t want murderers’ help. 

Yuno admits she wants nothing to do with the caretaker role, especially since Mahiru’s got things covered. She reacts fairly similarly to canon, though she’s a bit more aimless without having Mahiru’s company. Fuuta is wracked with guilt of his crime from the guilty voices as well as severe survivor’s guilt, thinking he could have protected the others (or at least bought them time) if he’d been in his cell like he should have been. He spends a lot of time with Kazui, admiring the way he heroically stepped into two fights to protect the younger prisoners. 

Amane still doubles down on her religious beliefs, but this time it's out of fear. Having stood face-to-face with Kotoko ready to beat her, she saw her life flash before her eyes and believes God saved her from such a close fate. She isolates herself, afraid of everyone who tries to check on her. Mikoto is also constantly on high alert for any threats – he’s strong and focused, but just as stressed and exhausted as a guilty vote could have been.

As T2 comes to a close, Shidou’s treatments stop with his guilty verdict. Haruka and Muu heal thanks to Mahiru’s physical and emotional help, and become vengeful towards Es. They believe that Es tried to get them killed through Kotoko, then guiltied Shidou to finish the job. Some see it as being annoyingly entitled, but others see it as a beautiful change in confidence when the pair start fighting for their life and loudly standing up for themselves. 

Seeing how well Mahiru is taking care of things, Yuno continues to openly reject the caretaker responsibilities and keep to herself. Amane sees this as a sign of agreement with her own aversion to medicine, and she clings to Yuno for support (she wanted to lash out against Shidou, but was far too afraid to risk getting hurt.) Being responsible for a child only makes Yuno more upset, and she avoids everyone in the hopes she isn’t bothered. Amane doesn’t pick up on this, and her fears from the previous trial ease a bit.

As good as Mahiru is with treatments, she can’t do anything for patients who refuse it – during the trial, Kotoko doubled down on her avoidance of medical aid when Shidou was named guilty, not wishing to be associated with villains. She ends up succumbing to her injuries and dying, regardless of her forgiveness. Shidou is crushed by this, feeling like he should have paid more attention to her worsening condition and given some tough love when she tried to refuse. He’s plunged into guilt, having complex emotions over the fates of his recent patients.

The event causes an escalating argument between the prisoners, wondering who should have been watching over Kotoko more closely. This time, when Kazui steps in to disagree with Mikoto, his previous trial of preparing for threats and giving in to his temper kick in. He attacks Kazui, and since the restraints only affect one of them, ends up killing him. (John fronts most of the third trial, under the stress of the guilty verdict and also ashamed for taking things too far.) Soon after, Fuuta falls into despair and commits suicide – regardless of the current inno verdict, the immense guilt from the previous trial and combined with his role model Kazui being ripped away are too much to bear. 

The only one I couldn’t put my finger on for a solid reaction was Mahiru. I want to say she’d keep up a good attitude – she’d be so proud of Muu and Haruka, and of her own success in healing them. She’d be glad to see Amane feeling better, and encouraging Yuno to remain involved in the group. She’d be disappointed that Kotoko had refused treatment, but not feel personal guilt since it was her decision, right? But at the same time, she’s emotional enough to take all the deaths very personally, and have a hard time staying upbeat through any of them. Especially regarding Fuuta, I think the fact that a man she had cared for through a depression who then committed suicide on her watch again would really mess her up…

So yeah… Superhell 2! :’)))) I just think it’s very interesting looking at the different friendships and enemies that could form 👀 I really wanted to toy around with a different cult recruit, but if anyone, it would have been Haruka (and I didn’t want him to die here too, this time from injury neglect 😭) I actually theorized that Kazui was going to get really hurt in canon T3 because he stepped into a fight like we wanted him to, but it was too much for him to handle, so I was happy to include that here even if it made me Sad ;-; I didn’t detail out exact injuries, but I actually really liked the idea of Muu with the injured eye like Fuuta – something about her always being loved for her appearance, and now she has to come to terms with the fact that she’s not forgiven, not beautiful/pitiable to earn anyone’s sympathy, and needs to find the strength to pull herself out of that.

[fairymochee]

my thoughts on the new Kazui mv

[linabirb]

i pass these around like freshly baked cookies to help everyone heal from the purge march mv

(part 1 part 2 part 3)

[rouwaa143]

the lack of content is making me go insane

[amugoffandoms]

Ahahaha i am making you talk about how the voting will affect kazui and yuno~~~

🔫😄

omg there's a gun im being threatened to talk about this oh no it's definitely not like I was planning on doing this anyway because I'm UNWELL ABOUT THEM AT 1 AM

ANYWAYS DRUMROLL FOLKS WATCHING IN THE AUDIENCE, IT'S TIME FOR MUG'S 1 AM MILGRAM THOUGHTS!!!

How Voting Will Affect the Liars

Similarities

From the get-go, we already know they're pretty similar. They have references to a cat in their t2 MVs (A flash of a cat silhouette in Tear Drop and Cat. [And also the Dove eating])

We also have Yuno confirming this in her interrogation questions.

Which prisoner is the most like you? Kazui is the only option.

The two of them are also related to theater.

Yuno mentions in one of her interrogation questions that she's a part of a theater club and half takes place at a theater.

Observant Pair

Yuno is able to point out lies while having a conversation. (See her catching Kazui lying about his type and Mikoto's smiling.) She's also pretty observant with all the relationships with the prisoners (Haruka & Muu, Shidou & Amane).

I'd say Kazui is also observant. I recall a timeline conversation he had with Fuuta about attacking a guard. He mentioned that the guard could have a gun or other weapons, which is why you would have to be careful when making decisions.

Now, here's where I get a little more assumptions and stuff and less concrete similarities, but I'm doing it because I love these characters a lot so it's okay!

They both have bad self-esteem/ issues.

Yuno's aren't especially prevalent in any of her voice dramas/songs, but just note that I'd feel like being told you're some little girl when you want to be thought as of yourself would be seriously bad for your mental health.

And, also, looking at current timeline conversations, she's been asking a lot if it was worth it to be born which haha girl you need therapy.

She does mention she wouldn't mind living her life over again, which sure, doesn't sound indicative of any problems, but considering how terrible it is to be dealing with people almost dying everyday and hearing people pretend you are lesser than who you are, pretending you are some little girl, I'd say it's pretty sound reasoning for some issues.

Kazui had a little, uh, how to call it, breakdown-ish over him lying his entire life.

E: In short – between love and hate, [I would say] I hate you. Remember that. K: … I get that. E: Huh? K: I despise myself for lying, too. Being a liar, you see – it’s painful. E: Heh. Then just– K: So I’ve tried to change! I’ve tried to change. I have tried to stop lying to myself and others! E: … K: I’ve confided in others. I’ve tried to be myself! I’ve tried to just be the way I was born! E: …Hey, Kazui– K: It’s not my lies that killed her. She’s dead because I stopped lying to her! If I had just kept lying- She wouldn’t have died…! E: Kazui… K: I can’t live unless I lie. That’s how I was born… I’m pathetic, aren’t I?

[Source]

You can also take a look at a single interrogation question and see how terrible he's doing.

Do you like yourself? I can't really say I do.

So, wowee they seriously need some therapy (sorry I'm trying to be lighthearted I'm still think about kazui's votes BAHAHSHDH also these two being my favorite characters of milgram is not a good sign for myself)

They would rather they never committed the murder.

If you could turn back time, would you commit the same murder once again? I'd make sure that I won't have to commit it. That's it.

Do you regret your "murder"? I do regret it. I should have kept lying.

(Voice Drama)

K: It’s not my lies that killed her. She’s dead because I stopped lying to her! If I had just kept lying- She wouldn’t have died…!

Love and Like

Now, this one is sort of hard to determine on Kazui's side, but they do seem to make some sort of clear distinction between love and Like.

Difference between like and love? Isn't liking a state, and loving a feeling?

Cat MV

Maybe, perhaps… or… could it come true… like It’s for the sake of true love, who wouldn’t lie for that? . . .

Hey, so what if I said I liked-liked you, what would you do?

Kazui mentions true love (so, let's say romantic in this sense!) and I'll use liked-liked as just crushing.

Kazui says he lied (to protect his wife) because of true love. He mentions he likes someone because he was wondering about it.

Now, Kazui as a liar is pretty obvious. He mentions he's a liar, continue lying until you find the king of the masquerade, and shown as a magician (known for tricking and lying). He basically says he's lied for others.

Lying

(please enjoy silly minigram)

Yuno has lied as well. Not in MILGRAM, of course. She has no reason to lie. I'd say moreso on the side of her work. She's lied to her clients about who she is because she wanted to satisfy her client. She dresses up (hey, is this a half reference why is there changing costumes in this /j) for each of her clients and lies to them just to satisfy them for the money.

Someone mentioned in a post I reblogged a while back that they both lied to satisfy others and that's what they did.

This same post was when I begin to realize how Kazui's voting will severely affect Yuno.

Voting

So, this is the part of the post you've all be waiting for.

The Voting.

Now, luckily for Yuno, she's innocent! Haha, woo!!

We'll talk more about that later.

Kazui's voting is interesting to say the least! (Please don't look at my last posts to see how crazy I went please vote him innocent anyways)

To me, Kazui's vote feels like would you forgive a liar who has come clean, who has begun to show their true self to you?

Kazui is beginning to reveal himself to us, to show the person underneath the lies, the costumes, and the masquerade masks.

He's trying to be honest again! For the first time since his wife's death, he's trying to show the truth and let Es reveal him for who he is: a liar, a liar who is trying to be their true self.

Now, let's reflect on Yuno for a moment.

Let's recall one of the main objections to Yuno's voting last round. She didn't like being voted innocent because of how much they tried to justify her actions and act like she's such a poor, innocent girl who only did it because she's never felt love. She couldn't believe she was voted innocent because of that! Because of lies she had made up for her clients. (Shove that, in Kazui's words lol)

She wants Es to judge not because she's pitiful but because they believe it is a correct judgment to decide. To use logic instead of half-baked opinions on herself.

She wants Es to see her true self, someone who isn't pitiful, someone who did it because she wanted to.

See the line of connection?

They both want Es to see them for who they are, not for their lies.

Now, reflecting on the current voting, let's look at Yuno.

Even after her telling us/Es not to pity her, apparently some people still acted like she was an innocent girl. And even then, we all sort of chalked her up as abortion girlboss (GUYS please she's so much more than that head in hands places hand on wall) AND, hey, I'm not saying I'm immune to this, my reaction to her was pretty much the same. I'd vote her innocent no matter the reason (I love her character or that her murder is forgivable to me, even with the pregnancy entrapment theory)

But, she's more than that. She's more than a single action she's done.

But, somehow we missed that while we voted and made our decision.

We decided she was just a single action she's done made from her lies. She was trying to make sure we'd see her as herself, not a single thing we did.

And we didn't! We voted her innocent because she's a pitiable girl who has done nothing wrong.

So, wowed, strike one for us, Failure to Vote for One's True Self.

We voted for a single part about her and disregarded everything else because it was easy.

We didn't let her show us for who she is.

Now, Kazui time!

I've already mentioned previously that Kazui wants to show his true self to us, so I won't regurgitate stuff you already know.

Now, I feel like it's sort of clear that people don't care too much about that. More on the fact that he could have stopped at any time. (He wanted to tell the truth on his terms. Divorce is also a pretty bad look on you in Japan so I've heard.) He wanted to protect his wife, okay, cool cool.

He still wants Es to reveal his true self. (And, judging from the guilty verdicts, I don't think that'll work, that'll just make them worse in the long run.)

Also, quick tangent: This sounds familiar. Why does this voting seem like we've done this before as if we wanted to reveal their true self as if we wanted to show them their sins.. anywho

And, by giving Kazui a guilty verdict, we're only further proving that we don't give a damn about wanting to know about his true self, only that he lied to his wife, disregarding any of his own feelings related to the matter. We don't care about him wanting to be hinest.

We're proving we don't care about his true self, only his actions.

So, now it's strike two! Failure to Allow Someone to their True Self.

So, yeah, isn't that fun? We failed to vote for someone's true self and failed to let them even be that.

So, why do I think Kazui's voting will affect Yuno?

Well, they're pretty similar, we know that.

They both are liars who have lied to satisfy others in a sense.

Kazui's voting is to see if we can allow someone to be their true self and be honest about themselves. He was beginning to do that when he took off his ring.

Kazui getting voted guilty means that we don't really care about their true self and their feelings, only their actions matter. None of their circumstances matter. (Hey, reduction of punishment by extenuating circumstances? What in the world, how did you get in here I thought that was only a Yuno thing)

Yuno is trying to show that she wants to be seen as her true self and we're forcing this man to continue lying.

So, guess what? Yuno probably won't show her true self if we're failing to even let someone be honest and vote based on their true self.

Yuno wants to be seen for who she is. And, it seems like we have an odd aversion to that.

So, Yuno will never find the warmth that will allow her to be true, to be herself. Hey, maybe she could die trying to be herself, who knows?

All we know is that we're deciding if someone's true self is worth seeing.

Judging by the current votes and what our judgments are based upon, Yuno will never be able to be herself. We have decided that it's not worth seeing anyway.

[mukuroom]

kazui as this miku figure