#not for any self serving reason in particular

[rhinexstone]

Anytime I read about just how supportive and kind Pedro Pascal was to Bella Ramsey about not only their acting on set but just in their existence as a trans person I just

[sapphorror]

The Narrator's perspective only gets more horrifying the longer you think about it. Like, imagine being an Echo of yourself—one of many, all made to serve a very particular purpose and knowingly living on borrowed time, if 'living' is even the right word for your current state of pseudo-existence.

You've inherited the mission of a dead man—it's literally the only thing left that you can do before fading, so you sure as hell better believe in it; the alternative would be unbearable. Only you keep failing. With every loop that you don't remember, your lack of agency in this situation becomes starker—you can influence small things, sure, but it becomes increasingly clear that you have no real power, no matter how personally invested you are in the events unfolding in front of you. You are, after all, only an Echo. You've forfeited the right to meaningfully engage with the world.

Worse—every loop you're made aware of is another time you've failed, with unimaginable consequences, though you had no control over these previous iterations of yourself and can't even learn from their mistakes. Everyone around you is operating on a shared perception of reality that you are not part of, will never be part of. After a few repetitions, you are, ironically, the least informed person in the room. All you have left to go on is an evidently outdated script. At the same time, everyone else is experiencing a contiguous version of you, comprised of parts that are, in some sense, also you, while at the same time existing at a complete remove from your current perception of self. Whatever you don't know you did—that's you now. You are, after all, only an Echo. You've forfeited the right to define your own identity, never mind know what it is.

Even worse—this has trapped you within a stagnant hell of your own creation. Nothing you say or do really matters in terms of your own self (the rest of the world is a separate issue entirely). Anything you've come to believe—say, for totally hypothetical example, that you were wrong actually and your envisioned paradise is really a hell beyond any you had the capacity to envision—has about as much permanence as a drawing in the sand. 'You' will continue, exactly as you were, no matter how much you might like to change your behavior. Every possible future has already been set in stone. You are, after all, only an Echo. You've forfeited the right to say anything you haven't already said.

For some reason, no part of any of this has made you feel more comfortable and at peace with the general concept of finality.

The really, truly absolute worst part, though?

There is no one for you to blame but yourself. And that's exactly what turns your story into such a tragedy.

[ozzgin]

What does Daos, the Romanian werewolf boy look like? What is his personality like? What was his childhood like and what made him want to be a warrior? Did his parents do some witchcraft or offerings to the gods to have a son so big and unnaturally strong? Why was he betrayed by his own people? May we get a story of how was like in battle before he became a werewolf? Love your OC!

Yandere!Werewolf Headcanons

I’m so glad the wolf boy is liked! I genuinely didn’t expect much when I wrote the story, but he’s definitely grown on me as I researched and expanded his lore. Here’s a little doodle of how I imagined him, plus a little background. I couldn’t think of any particular war story, but I came up with a funny reasoning for it instead.

Content: gender neutral reader, monster romance, character info

Background. Daos came from a family of tarabostes, or cavalry nobles. While Dacian society was divided into priests, nobles and peasants, all of them were trained for battle. "A hand above the weapon, and another holding the plough" is how they were described. Much of their culture revolved around war. Thus, even as a child, Daos spent most of his time sparring. He'd always had a sturdy build: he was taller that most of his peers, could work for hours without breaks, and his wounds were quick to heal. He was sent to serve in the army before he even reached his teenage years.

Was there witchcraft involved? Not at all. Everyone seemed to agree, however, that such strength and tenacity were not a mere coincidence. Clearly this boy had been sent by Zalmoxis himself, perhaps as a reward for their relentless pursue for victory. Daos carried the flag of the wolf-headed dragon through countless battles.

Why was he the one to be sacrificed? Well, because he was the chosen one, naturally. What better messenger for the Heavens than the godsent gift itself? Daos absolutely despised his reputation as a blessing from above.

With you. In his human form, he is quiet and reserved. You suspect the blinding aggression of his werewolf self is reminiscent of days long gone. The fearless warrior who lived for bloodshed has fallen into slumber, only awakening under the guide of a full moon. You can only imagine what kind of battlegrounds required such boundless violence, as he speaks little of his barbaric past.

Maybe it’s too painful to remember, you assumed.

“Before I died, you mean?” he asks with a raised eyebrow, looking up from his book. “I didn’t think you’d be curious about it.”

“I didn’t want to intrude, and you never mention it”, you explain sheepishly.

“That’s…” he purses his lips, visibly uncomfortable. “I just assumed you’d find it boring. I’m an old man. I didn’t want to saddle you with embarrassing war stories.”

You watch as a deep blush spreads across his face.

“Oh my God”, you remark, baffled by the realization. “Is that why you never…you’re terrible at this.”

He gently pats his lap.

“Come here. I’ll tell you everything you want to know.”

[Main Story] | [More Monsters]

[davidtennantgenderenvy]

On David Tennant and Aging

So, I’ve seen a lot of posts in response to Tumblr users’ habit of affectionately calling their favorite middle aged dudes “old men”, David Tennant in particular, saying things like “clearly you’ve never met an actual old person”, “omg you talk about these guys like they’re 80”, “please be normal about people aging”, etc. And on one hand, all of these statements are objectively right and true! But as someone who’s always been really fascinated by and found a lot of beauty in getting older (which I’ve explored in some of my writing on A03 because nobody else is going to do it for me), I’d like to provide a bit more nuance on how I think this label applies to David in particular.

David, obviously, in literal terms, is not “old”, at least not to me- I don’t personally consider people old until they get past 60. 52 is middle aged, simple as that. And yet, when I see David stuck with the “old man” label, it still somehow feels weirdly right, for a number of reasons.

It annoys me so much when people say David “hasn’t aged a day since Doctor Who”, because, well…

He clearly has. A lot. He’s got forehead creases, deep crows’ feet and eyebags, and I think that post-Fourteen we’re gonna see him rocking the grey temples a LOT more. He also has the voice of an older man now, his upper range is still there but the default is much more deep and rich, with a gravelly, rumbling quality that just goes straight through you. I personally think Broadchurch was when David finally started to embrace looking his age- Alec Hardy just wouldn’t have been served by Ten’s fresh-faced boyishness.

Obviously, these are the kinds of changes you’d expect any 52-year-old man to have, but something about David just makes it all seem a bit more… intense? The expressiveness of his face combined with his almost gaunt frame makes his wrinkles very prominent, and when he works his voice to its emotional extremes, his lower register can sound positively ancient, to devastating effect.

David, I think, is someone with an old soul- I don’t think he could be as good as he is at playing ancient characters like Crowley and The Doctor if he weren’t. He has lived so many lives, given so much of himself to so many characters, often incredibly tragic ones, and I think it wears on him. David also has five kids. FIVE. Do you know how exhausting it is to be one of the hardest working actors alive and be a present, loving father to even ONE child? But David somehow does it anyway! Nowadays I see him and my heart breaks because he looks so tired, so weary and fragile. But he’s all the more beautiful for it to me because I know that that is because he is kind. He’s a deeply empathetic person who feels and lives to the absolute fullest, and that story is written so clearly on his face, along with every other story he has ever been a part of.

There’s other things about David that make the label endearingly fitting- his utter hopelessness when it comes to technology, for instance. And he’s just got that warm, wise, grandpa energy too sometimes- look at that above Fourteen picture and tell me I’m wrong!

I once showed my friend who’d only seen David in Doctor Who and Harry Potter a picture of David from Around The World in 80 Days. It was a particularly emotional scene, and his face had just the most beautiful expression of compassion and sadness, every wrinkle on full display. And she said, in a less than complimentary fashion, “he looks so old!” Which, of course, offended me quite a bit at first. But to me, referring to David as old almost feels like a badge of honor, something he’s earned by living fully and selflessly, working hard and being wise and compassionate beyond his years. I think David himself is secretly more than a little insecure about the fact that he’s getting older. There’s sadness behind every jovially self-depreciating remark he’s made about his age in the past year, particularly in comparing himself to Ncuti Gatwa. I know how much David struggles with his impostor syndrome and how people perceive him, and I can clearly see in his eyes the fear of being discarded, the anxiety he feels about if he’ll still be as loved as he was back in 2007 now that he’s closer in age to King Lear than he is to Romeo. So I hope David knows it’s a privilege to watch him grow older, to watch his soul and talents deepen with the crinkles around his eyes. If I, in my silly goofy tumblr girl-ness, call David Tennant an old man, it’s because it’s a label that suits him beautifully- even if it isn’t TECHNICALLY an accurate one yet.

[gothhabiba]

hello, i kno close reading aint the only way to analyse a text but im trying to find other ways of doin it but google is just givin me how to do close readings in your classroom things. idk im not a booksguy really tho id like to learn how to books better. do u have any like basic resources for ways to read a text an figure out whats goin on in it that isnt doing a close reading? thanks

Close readings are mostly associated with new criticism. This school of criticism, like every other, arose in a particular time and place and can be analysed as having arisen for a particular reason. Also like every school of criticism, it has its adherents and its detractors. But considering the "work" as its own whole, self-contained aesthetic object in the way that NC does is not the only way to read.

Some other approaches, off the top of my head, & the schools of criticism they're roughly associated with:

How does the work make you feel? What are your reactions to it? What emotions and associations does it conjure up? What is your spatial or temporal experience like reading the work (like, how does the work appear to you as something that unfolds over time, as you read it? When and how are you reading it)? How do your expectations about a certain work affect how you read? [Reader-response]

What is the economic and ideological history of the genre, form, and aesthetics of the work in question? What ideological function does the work seem to serve? Does it serve to convince its readers of anything, and if so, what political implications does its viewpoint have? What ideas of oppression, history, and the forms that resistance can take does the work present or seem to advocate for? What does it make visible or invisible, what does it make seem possible or impossible? [Marxist literary criticism / Marxist aesthetics]

When, where, and by whom was the work published? What else do we know about the author's opinions on aesthetics, politics, &c., and how do we know it? How are those opinions reflected by, or in tension with, what you see in the work? Were there any problems getting the work published, and, if so, do they have to do with the author's class or gender or politics, &c.? Where and how was the author living (richly or poorly, working as a maid in another household or employing servants or a wife to free up time for intellectual pursuits) while writing?

And, doubling down on when the work was published—what were the popular or dominant discourses about science, biology, human cognition, political economy, race, gender, war, &c. &c. when and where the author wrote and published? How does the work seem to mobilise, use, subvert, echo, further, or contest those discourses? How would the work's first readers have read it in light of the popular discourses they were familiar with? [contextualism; new historicism]

What materials was the book originally published in? Where did those materials come from? Was it cheaply or expensively made? How much was it sold for? Who would have been able to afford it? What does the form of the book (any illustrations? what's the typeface and size? margin size? hardcover or paperback?) imply about who is meant to read the work, and how they're meant to read it? What effect did the state of print technology at the time of the book's publishing have on its final form (e.g., it used to be impossible to have text and an image on the same page in a mass-produced book)? Where do the objects described in the book presumably come from, and by whose labour would they have been produced and transported? What does this say about the material lives of the characters? [Material culture studies]

What are the early notices and reviews of the book like, and where do they appear? Who wrote them and where did they publish them? Is the book mentioned in diaries and letters from around the time of its publication? How did the responses to the book change over time? How did audiences in different places, or of different demographics in other ways, respond to the book? What went into making the book accessible to new audiences over time? What extra-textual stuff (“paratext”: book covers, advertisements, interviews, reviews) influence how people read the work? [Reception history; translation studies; maybe fandom studies]

Who edited the work? How much control did the publishing house, and the publishing house's readers, have over the final format of the text? Who decided what the punctuation would be like, and where the chapter breaks would go? Who decided on the spelling (was it published at a time when spelling was standardized? Did the author's manuscript contain any idiosyncratic spellings? Did the publishing house have a house style)? Are there any ideological connotations to "correcting" this author's spelling? Was the author's manuscript typed or handwritten? Were there any problems reading their handwriting? How many versions of the manuscript were there, and how did the publishing house chuse which to work from? [Editorial theory]

These associations between methods of reading and schools of criticism are mostly just to give you terms to look up to read more. Scholars don't all necessarily belong firmly to a given school, and people often mix and match various modes of reading to be able to argue what they want to argue.

[screeching-bunny]

Yandere! Priests Hcs

Warnings: Obsessive Behavior, Yandere Thoughts, Bad Writing, Stalking, Possessive Behavior, Reader is Referred as ‘You’

🌟 Yandere! Priest is a very devoted lover. He makes sure that all your needs are whether they be external or internal things. Cares more about your life then his own and is willing to sacrifice anything for you. He makes sure to follow any request that you have for him and is even willing to act as your pet if you ever wanted him to.

🌟 Yandere! Priest gave up his religion in order to worship you. You are the reason for living without you, he would be nothing. Everyday he wakes up is for you. You are his sunshine, his beacon of light, and his God. It would be wrong for him not to devote every second of his life to you. Why would he not? You definitely deserve all of it.

🌟 Yandere! Priest is very easy to manipulate due to his willingness to follow your every command. That however, does not make him any less dangerous though. He has many connections and is friends with almost every powerful person in the world. If he ever needed to he would ask them for help in getting rid of certain matters.

🌟 Yandere! Priest is a bit of a germaphobe and would constantly come over to your room to clean it. Washes all your clothes for you and basically does all the household chores. With him by your side, you can basically rot in bed all day.

🌟 Yandere! Priest would probably make up a religion based on you and would try to get others to join. He has a very mild temperament and is almost always kind to others. However, that doesn’t mean you can go and disrespect him whenever you want. He hates getting his hands and would manipulate anyone so that he can get his way.

🌟 Yandere! Priest is an S tier manipulator. Anything you do or say can be twisted to this man's will. He’s insanely smart and could haggle his way into getting anything for free. Many people look up to him and don’t understand that he’s just using them. To them he’s an angel who would never want to hurt anyone.

🌟 Yandere! Priest secretly puts a tracker on you so that he can track your every move. He is very particular on who gets to associate with you. He won’t even let anyone 20 feet near you if he doesn’t approve of him. Those people don’t even deserve to be in your presence, they're all just lesser beings that might try to corrupt or harm you.

🌟 Yandere! Priest cares a lot about your opinions on him. He’ll sometimes get self conscious and will wonder if he’s pleasing you enough. If you even dare to say that you're unsatisfied with him, he’ll act as if he created the greatest sin in the universe.

🌟 Yandere! Priest most likely met when he’s severely injured and you helped save him. Due to that, he’s been by your side ever since. He was in dire need of assistance and you were brought down from heaven just for him. How could he ever repay you for this? By attending to your needs, after all he was created to serve you.

🌟 Yandere! Priest has an altar of you, where he just prays to it everyday. At night, his thoughts are full of you and when he wakes up, they are still full of you. Nothing is going to change that. His love for you is so immense, that you’ll feel suffocated by it daily. It’s honestly so scary sometimes, no one should be this obsessed with a person.

🌟 Yandere! Priest could never bring himself to yell at you if you ever did something wrong. If anything, he’d gaslight someone else into thinking that they were the ones at fault. “My love did not break that plate, it was just too slippery for someone to hold properly. You should have designed it better, this better not happen again.”

🌟 Yandere! Priest would never harm you if you tried running away from him. Instead he would just give you a disappointed look and then lock you up in a lavish room for a few days. Seeing the look of pain on your face also causes him pain. So he’ll try his best to never cause you any physical harm.

🌟 Yandere! Priest would make running away extremely difficult. He would make sure that guards would always be guarding your room and if you were ever in public eyes would be constantly on you. The vast number of people watching you would deter you from the idea of escaping.

🌟 Yandere! Priest is amazing at painting. When he’s not busy, he spends all of his free time sketching you. You're his favorite thing to draw and are basically his muse. Has multiple sketch books filled to the brim with pictures of you. Will sometimes even run up to you with one of his paintings and wait for you to compliment them.

🌟 Yandere! Priest is willing to be a pawn in any scheme you try to play. He doesn't care if you're just using him, as long as it’s only him. Can sometimes be a little delusional when it comes to you. You’re staying with him because you love him, totally not because he’s forcing his love upon you.

🌟 Yandere! Priest gets so offended if someone dares to even insult you. That is considered blasphemy to him and there’s no way he’s letting that individual get away with that. Whether they are a woman or child, they’re not getting away with it and will be severely punished.

🌟 Yandere! Priest sings praises to you on a daily basis. You can’t go one second without him complimenting you on something. He brags about you to other people so often that they start to get tired of your name. Will go on for hours if he really wanted to. There’s just nothing about you that he doesn’t admire. You’re just so awesome.

🌟 Yandere! Priest dislikes being away from you. Every second away from you is like hell. He honestly can’t stand it. Can be very needy at times and beg for you attention if he has to.

🌟 Yandere! Priest overall is not the worst yandere to have. There definitely are people who are more vicious and willing to take away every freedom you have. Just make sure not to run away from him and you’ll be living a smooth sailing life.

Pt.2

[finniestoncrane]

Sniper x Fem!Reader, word count: 700 basically, there's a piece of art i saw by lukewarmflukes (which i can't find the original of on a reputable site) of sniper fucking his fleshlight and saying "please, please, please" and that thought has not left my mind for almost a month so have this so i can be FREE of that particular demon and it's very self-indulgent because i want him to want a big girl thanks, reader doesn't really feature but is reference to❤️ request info • prompt list • send me a request • kofi • masterlist minors DNI!! 🔞 cw: masturbation, fantasising, begging, whining

It was almost ritualistic, the way he waited until the dead of night, happy to lose some sleep for the sake of having an undisturbed moment of pleasure. A fair trade, he reasoned. Peace, quiet, isolation, all affording him the experience of feeling a release he was always so desperate for.

But despite it being a routine, there was always the little surge of excitement when he reached under his bed and produced his stealthily purchased toy, removing the fleshlight from it's box and giving it a quick, hazardous wipe down before setting it down on the desk.

Then there were the pillows, a necessity if he was going to be able to indulge in the fantasy, to pretend you were there with him, available for him to use for his own filthy needs. One on either side, the felshlight propped between them, kept still as he pushed the pillows together. He'd never touched you, he wished he had, but he imagined this was as close as he could get to recreating a synthetic you. The pillows could be your thick thighs, your plump rear, your stomach, your breasts, whatever big, soft part of you he wanted to grab at as he fucked what he pretended was your wet, waiting cunt.

A quick squirt of lube, his large hands stroking down the length of his throbbing cock as he spread it around, slicking himself up, ready to enter the soft, textured insides of the toy. Not as good as the real thing would be, he imagined, as he slipped the tip in with a sharp inhale. But it was good enough until he could work out how to actually have you.

With precision, cool, calm and collected as always, he rolled his hips into a steady pace, letting the walls of the toy cling to his cock, stroking it as he began to fuck it.

He was well beyond his hands now. That fantasy had served him long enough. His fingers circling round his length, palm pressed hard to the shaft, pumping his fist and pretending it was you. Imagining you beside him, whispering sweet and kind words into his ear as you delighted in masturbating him, feeling his cock throbbing against your hand as you coaxed an orgasm from him.

It worked, for the longest time. But he needed more. Something different.

Actually, what he needed was you. The toy was the next best thing.

How kind would you be to him? How welcoming? He pictured you, teasing him at first, your legs pressed together as you hid your arousal from him. He lost focus for a moment, knocking himself off balance as he imagined you spreading them apart, opening yourself up to him, pulling at the collar of his shirt to bring him closer to you.

Would he stretch you a little? Would you be the perfect fit together? Would you whine and moan for him, like he was now, the realisation of which had him suddenly quieten so as not to arouse suspicion from anyone who happened to be passing his room.

As he withdrew his cock slowly, inserting it again as his eyes rolled back, he let his thumb fall over the black casing onto the synthetic skin, tapping it against the simulated clitoris. If he had you right there, laying in front of him, his cock buried deep inside of you, he'd still relish in making you scream, or giggle, or whatever sound you might make if he paid any attention to that sensitive bud.

There was a soft thud as he gripped one of the pillows with his free hand, the other still clutching the toy, holding it against the desk as he became more frantic in his movements. His hips no longer rolled gracefully, he was rutting, fucking with abandon, closing in on his orgasm.

The veins along his length throbbed, balls tensing as he felt his orgasm approaching. Maybe the real you wouldn't be as into the idea of him filling you up, but he could pretend.

"Please... please... please..."

A long groan pushed over his parted lips, wavering as he shuddered in ecstasy, unbalanced swaying as he felt his release filling the toy, coating his own head with his cum.

Maybe you were dirty enough to let him paint your insides. He'd find out eventually.

[literaryvein-reblogs]

Some Law-Related Vocabulary

for your poem/story (pt. 2/4)

Admiralty - of or relating to conduct on the sea

Alter ego - second self

Attractive nuisance - a thing or condition on one's property that poses a risk to children who may be attracted to it without realizing the risk by virtue of their youth

Bequest - an act of bequeathing

Bequeath - to give by will

Bona vacantia - goods that are unclaimed and without an apparent owner

Capricious - governed or characterized by impulse or whim (e.g., lacking a rational basis; likely to change suddenly); not supported by the weight of evidence or established rules of law—often used in the phrase "arbitrary and capricious"

Colorable - having an appearance of truth, validity, or right

Damnum absque injuria - a loss for which the law provides no means of recovery

Dying declaration - a statement that is made by a person who firmly believes that he or she is about to die and has no hope of recovery and that concerns the circumstances or cause of the presumed death

Eleemosynary - of, relating to, or supported by charity

En ventre sa mere - in the womb

Euthanasia - the act or practice of killing or permitting the death of hopelessly sick or injured persons in a relatively painless way for reasons of mercy; called also "mercy killing"

Exculpate - to clear from alleged fault or guilt

Filius nullius - an illegitimate child; bastard; called also "filius populi"

Finger - to accuse or identify as guilty

Fireman's rule - a doctrine holding that a property owner or occupant is not liable for unintentional injuries suffered by firefighters or police officers in responding to a problem on the property

First blush - initial view, appearance, or consideration—used especially in the phrase "at first blush"

First degree - the grade given to the most serious forms of crimes

Hereditament - inheritable property

Homestead - a home and surrounding land

Inchoate - not yet made complete, certain, or specific : not perfected

M'Naghten test - a standard under which a criminal defendant is considered to have been insane at the time of an act (as a killing) if he or she did not know right from wrong or did not understand the moral nature of the act because of a mental disease or defect; called also "M'Naghten rule"

Mulct - fine, penalty

Mysterious disappearance - the loss of property under unknown or puzzling circumstances which are difficult to explain or understand

Pierce - to see through the usually misleading or false appearance of

Poison pill - a financial tactic or provision used by a company to make an unwanted takeover prohibitively expensive or less desirable

Prior art - the processes, devices, and modes of achieving the end of an alleged invention that were known or knowable by due diligence before and at the date of the invention

Pur autre vie - for another's life

Shark repellent - any measure taken by a corporation to discourage a hostile takeover attempt

Silent record - a record of a criminal proceeding which does not show that the defendant acted with knowledge or understanding of his or her rights (as in entering a plea of guilty or waiving the right to counsel)

Sui generis - constituting a class alone; unique or particular to itself

Vexatious - lacking a sufficient ground and serving only to annoy or harass when viewed objectively

Wrongful birth - a malpractice claim brought by the parents of a child born with a birth defect against a physician or health-care provider whose alleged negligence (as in prenatal testing or diagnosis) effectively deprived the parents of the opportunity to make an informed decision whether to avoid or terminate the pregnancy

Yellow-dog contract - an illegal employment contract in which a worker disavows membership in and agrees not to join a labor union in order to get a job

More: Law-Related Words ⚜ Word Lists

[astro-royale]

「How to know you are spiritually protected ☥

My own insights into spiritual protection- Amaryllis

1. This is going to sound weird but… feeling invisible when you go outside in large crowds. Sometimes it will literally feel like you’re gliding..and some people can’t see you at all. Some people seem to look straight ahead completely unaware of your presence..and the people who look, turn their heads to look again to make sure they’ve seen you correctly. Because your auric field stands out so much…

2. You are safe in situations most people wouldn’t be. This is not by any means an invitation to try this out because if you F* around you will find out! - Spirit. But maybe you end up being in certain circumstances where you have to walk alone at night on certain streets that may have a certain negative reputation and you always end up being safe. Like having to take a certain particular way home everytime you come home from school or work and other people have horror stories about that road/street yet you don’t and you’ve always been fine.

3. Learn to see the hidden blessing behind rejection. You get rejected by many people, jobs, “opportunities”…this one sounds strange again but it goes back to what I said in point number 1 with somehow being invisible to certain people with negative energies that could possibly harm you. Sometimes when it comes to romantic relationships especially…we have short term contracts with people..but staying within that connection any longer would be harmful so spirit encourages us to sever that tie or to let go because it served its spiritual purpose. Maybe that person suddenly decides they want to break up or don’t like you anymore. Rejection is Gods protection. I’ll say that again. Rejection is Gods protection. Whatever is meant for you, will find you and be with you.

4. You have some sort of extra sensory gift. With power comes responsibility. If god gave you some sort of intuitive power; one half of the reason as to why you have it is to protect you and warn you about certain dangers.. to help a seasoned soul like yours navigate this life.

5. You are able to sense when something isn’t right with people.. this goes back point number 4. But sometimes you will get chills or feel like something isn’t right with certain people and you don’t know why. Even when others seem to gravitate towards that thing/person. You can see behind the veil very well.

6. An obvious one but getting warnings in dreams, having a strong connection with the dream realm and understanding the spiritual significance behind it.

7. Your friends/family let you know they’ve had dreams about you and you often know what they mean/what they’re referring to, and know to take it as a sign.

8. Another strange one.. not being able to sleep…not knowing why you can’t sleep sometimes for several days in a row and then you’re fine and able to sleep normally again. Sometimes the astral realm is murky. Spiritual warfare is real. And sometimes not entering different realms and dimensions full of energy harvesting, demons, malicious entities, means not being able to sleep that night. That’s your higher self and guides protecting you.

9. Getting chills/realisations reading this post ;)

That’s all folks

[atamascolily]

I'm not the first person to observe that magical girls are literally a brighter and more vibrant version of their ordinary selves, but I like this particular Memoria from Magia Record, "Girl's Boundary" ("That Which Divides" in the North American server) not only because it shows this juxtaposition directly, but because it also makes the subtext explicitly text:

There is a vast gap between ordinary girls and Magical Girls. An invisible but tremendous gap. However, armed with their "feelings" and "wishes" they can cross that gap in a single step.

There's a tendency to focus on the downsides of contracting--and for good reason--but I think that it's also important to focus on the very real appeal (especially for adolescents) of stepping out of your boring everyday life and becoming an idealized and powerful version of yourself, complete with ruffles and sparkles. (The sparkles in this drawing indicate that this is 2-star Memoria, and probably were not meant to be Magical Girl Madoka is sparkling, but wow, does it sure look like it at first glance.) It's such a powerful fantasy, and this card does such a great job of depicting that, and showing what it's like for it to come true.

The use of "boundary," 境界 (kyoukai) here is interesting to me in contrast to the kekkai, 結界, or magical barrier created by witches (translated as "labyrinth" in the official English version). Becoming a witch is literally being bounded, circumscribed, limited in possibilities; instead of being able to transform back and forth, they are fundamentally stuck in a monstrous and inhuman form for eternity. A witch is neither a magical nor an ordinary girl but a secret third thing, reviled and trapped in their own personal hell, existing in a liminal space that is anathema to the world around it (represented by the change in animation). Magical girls, however, have the freedom to cross over at will because their feeling and wishes give them strength and power to do so.

This card's text also reinforces the idea that magical girls literally exist in a different world that ordinary people cannot experience. In the original series, this gap serves to isolate and alienate them from their previous existence and ensure there is no turning back (and Madoka and Sayaka do not even have to contract to experience this for themselves; just being introduced to that world is enough).

However, the act of becoming a magical girl--both the original contract and the transformation--is, like electrons, fundamentally quantum in nature: it allows them to instantly* jump from world to world without passing through any points in between. Which makes sense in a weird sort of way, since "feelings" and "wishes" are literally energy, and the transformation of soul gem to grief seed comes with a powerful explosion reminiscent of nuclear fission.

(*Many arguments have been made about how long magical girl transformations actually take in-universe and whether the slow montages are experienced by the girls and/or observers or are only a representation for the audience; YMMV, but on several occasions we see magical girls in PMMM transform instantly without an extended sequence, which makes the latter seem more likely.)

Speaking of transformation sequences, this card evokes Madoka's in the opening of the PMMM, where she dances with her double. More poignantly, it also speaks to Madoka's profound self-worth issues, where she feels she is useless in her ordinary life and can only find fulfillment as a magical girl.

Finally, I have a lot of questions about that magic circle design in the upper right corner, and I wish more of it was visible in the background.

[weirdsht]

Hi first of all i just want to say that I love your fics and second may I request a flirty workaholic reader x cale where the reader is isekaid to lofcf and told cale about it so the reader became the right hand person of cale who loves flirting with him anytime anywhere😙😙🤣🤣 but the story focuses on cale being curious how will the reader act to other people who is not part of the calefam, just someone who is a stranger. So he then disguises himself as a stranger to meet with the reader (who is experiencing day off the first time since becoming a servant because she argues that seeing cale's face, serving and flirting with him is what she considers as rest but the others didn't allow it this time since they are worried and tired of always seeing the reader work)

Then the reader 'accidentaly' bumped into disguised cale whose name is Bob and they became friends so nowadays the reader will set a little bit of their time once a week to meet with her new friend and cale is becoming jealous of his disguised self because the reader is always telling him about what she and 'Bob' does with so much joy in her eyes

Best Friend Bob - Cale/Reader

notes: thank you for liking my fics! Also, I'm not that versed in writing flirty personalities so I'm sorry if its bad huhu

tags: female reader, assistant reader, fluff, they didn't get together in the end sorry, but you can imagine that they did

English isn’t my first language so there will be grammatical errors

Pls don't repost my work anywhere without my permission

Constructive criticisms and any kind of interaction are more than welcome

Requests are open and welcome

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“You’re sending me away? Do you not want to play with me anymore cutie?”

Cale grimaces at his fellow transmigrator’s words. He should be used to the flirting right now but for some reason, he still isn’t.

“It’s been years since you had a day off. You still work even when everyone is slacking off.”

“Just looking at your face is enough rest for me.”

_____ winked at him and Cale turned away.

“Anyways take this time to explore or something.”

“You wound me, but since you insist…”

With that _____ takes a day off for the first time since she transmigrates into this world.

‘What am I even supposed to do the whole day?’

_____ has always been an introvert and a home person even before she got sucked into this novel. Sure, at first she was curious about her new surroundings. However, she felt like she had seen enough since Cale was always on the move.

“Maybe I flirt with him too mu– owww”

The girl stopped in the middle of her mumbling as she bumped into a guy. He looks plain, but there’s this air around him that screams rich.

“I’m so sorry”

“Oh no, I should be apologizing. I wasn’t looking where I was walking.”

_____ waved her hands at the unnecessary apology from the man. She felt guilty that this poor guy was saying sorry when she was the one walking with her head in the clouds.

“I’m sorry for bumping into you. As an apology maybe I can treat you to something?”

The woman offered to the stranger. This particular looks familiar but at the same time, she’s sure she has never seen him before.

“If you insist. I know a great cafe around here. We can have some tea there.”

And so the two of them had tea at _____’s insistence.

“My name is Bob. What about you?”

‘Okay now this is suspicious’

_____ thought before quickly introducing herself to Bob.

‘Hmm, who could this be?’

She’s not an idiot. Bob is a rare name in this novel. It might have looked like it was common because of all the times Cale and his friends used it.

But there was only one recorded person who was named Bob.

Well, based on the novel none of the enemies ever disguised themself as Bob so _____ deemed it safe for now. However, they are extremely curious as to who could it be.

A few hours pass, Bob and _____ have become friends while exploring the town together. The woman is still suspicious and is trying to figure out Bob’s real identity but aside from that she thinks his pretty good.

“How was your day off?”

Cale asks as soon as he sees the workaholic enter the villa.

“It actually went great, I made a new friend.”

“Really now?”

The redhead inquires further, interested in his assistant’s social life.

_____ told Cale all about what happened the whole day. From how she met Bob to where they last went. She told him everything except for the part where she felt suspicious about his identity. 

…Of course, Cale already knows all of this.

His Bob afterall

A few hours ago he had asked Raon to give him a disguise. Something that _____ had never seen before so she would not recognize him.

Why one might ask?

It’s purely for experimental reasons. _____ kept flirting with him that he wanted to find out if she’d do the same to others.

Results showed that she doesn’t.

But they also just met so it might change.

So Cale continues befriending her under the guise named “Bob”. As he does, they surprisingly become good friends. It’s also good that the assistant now takes regular days off because of their meet-ups.

“I’m getting tired of this…”

“You’re tried human? How about we go rest for the day? We can’t get you sick because you’re tired!”

It was another friend's date with _____. They have been friends for about a month now but the girl still acts the same.

Meaning, that not once has she flirted with Bob.

Sure, she’s more comfortable with him but the way she acts with Bob and with Cale are so different.

Does this mean that his just special?

Cale isn’t sure.

But his tired of having to switch between identities when he's not even getting money out of it.

Okay, maybe he was a little jealous of how close Bob and _____ have gotten.

It doesn’t help that his assistant every single detail of what happened while looking all happy and excited.

However, no one needs to know about that.

But as much as he doesn’t like the current situation he continues it. It’s because he enjoys the look of happiness etched onto her face whenever they hang out together.

He just wishes that smile was because of Cale and not Bob.

“Bob, by now I think we can consider ourselves as good friends right?”

_____ asked one day while the two of them were eating street food after roaming the market.

Bob nodded his head in agreement. Inside, Cale rolls his eyes because how can she be so close to a guy she just met a month ago?

���I see. So who are you? Choi Han? Wait no that guy sucks at acting…”

Seems like the cat is out of the bag.

Cale would usually be irritated that someone saw behind his plans. However, he has been thinking as to how to put a stop to this so it’s beneficial for him.

At that moment

“Raon”

He states and the black dragon undones the magic alterations done on him, revealing his real appearance.

“Now, young master Cale why would you do such a thing? Did you not want me to go out of your sight so much? You only need to ask and I’ll stay with you 24/7.”

_____ winks flirtatously. Meanwhile, Cale just shrugged his shoulders. Indicating that he has no plans of sharing his plans with her.

“But seriously, did you through all this hassle just to make sure I take my day off regularly? Or did you find my social circle lacking?”

“No _____! He was jealous at how you and Bob got so close!”

…Okay maybe Cale should have briefed Raon about not exposing his feelings in front of _____.

[radioactivewisdom]

Liberal and Leftist men are becoming increasingly sneaky in presenting their woke misogyny. They’ll use “theory” to explain why access to women’s bodies is actually a good thing, and totally not aligned with patriarchy at all! Just as a conservative man would pick up his Bible to tell a woman why her body belongs to her husband completely, both types of men are serving their own best interest. I’ll give credit where it’s due, Dworkin was correct in assessing the similarity in the supposed “differences” between political men. Male sexual “need” is at the core of both ideologies. It doesn’t matter religion, political leaning, economic class, race, or century, women’s bodies have remained a resource. Men have always sought to control reproduction via women’s wombs, and no revolution or rapture is going to change that.

It’s important for women to not participate in men’s blame game, faulting the very systems they created in order to further dominate women. As a woman, the man most likely to hurt you is one of the same race, religion, social, and economic class. He’s not harassing you because he’s poor, but because of degeneracy and entitlement. Physicality is a male minded obsession because it distracts from the truth. It’s really THOSE men’s fault, not ours. As if male allegiance doesn’t span across continents, centuries, and space itself (misogynist have landed on the moon.)

Unfortunately, no matter where you go, the story remains the same. Women in Mesopotamia didn’t experience sexual slavery because of capitalism. Of course our world needs fixing, but only intelligent women are capable of that, and it won’t come from removing a single system alone. They’re all interconnected. Built upon each other, because sexual entitlement is at the root. Men have leveraged money, race, and all other physical and political distinctions, to better monopolize their position. Nobody wants to dismantle patriarchy, only rid the parts of it that personally put them at a disadvantage.

The money game is becoming harder to win, so now economically unfit men want to do away with it. Guess what resource they’re going to redistribute first? Your body. The world’s poorest are women, and their male peers don’t seem to be making it any easier on them. Yet, women are supposed to believe that male behavior is all due to one particular economic system? Are these institutions detrimental? Yes, but not for the reason XY’s claim.

The only allegiance you should have is to likeminded women who practice self preservation. Everyone else is trying to convince you that a lack of sex is oppression. Sex is seen as a resource, and if money can’t “pay,” another loophole will be found. Our world has been built upon the notion of sexual access and paternity being given away to the highest bidder. Whether they pony up cash, blood, or scripture, doesn’t matter. The intention remains unchanged. So called progressives put on pretty performances, deceptively disguising ulterior motives. Stay sovereign, there are better courses of action to take.

[mxtxfanatic]

Wei Wuxian, Morality, and the False Justice/Revenge Dichotomy

A key feature that drew me into Wei Wuxian's character is that while he is moral, he is not an unconditional pacifist. He will always do the right thing first and foremost without a care for how others will view him, because his morality is not dictated by vanity or reputation:

[Wei Wuxian said] "...But, let the self judge the right and the wrong, let others decide to praise or to blame, let gains and losses remain uncommented on. I, too, know what I should and shouldn’t do...."

—Chapt. 75: Distance, exr

However, that doesn't mean that he will accept just any treatment towards him. Wei Wuxian is the absolute last person to just lay down to be trampled underfoot by his adversaries:

If he were Chang Ping, he wouldn’t have cared how prominent or powerful the LanlingJin Sect was, or how much glory the road ahead offered him, and he wouldn’t have let the matter go. Instead, he would’ve went to the dungeons on his own, cut Xue Yang up so that he was nothing more than a puddle of flesh on the ground, and summoned his soul back to repeat the process to the point that he regretted ever being born in this world. But, not everyone was like him, preferring to perish together with his enemy.

—Chapt. 30: Dew, exr

The scene inside of the supervision office was more than horrifying. Within the courtyard, corpses lay everywhere. Not only there, the bushes, hallways, fences, and even roofs were piled up with corpses. All of the corpses wore sun robes. They were disciples of the Wen Sect.

—Chapt. 61: Evil, exr

He returns the suffering dealt to him by his enemies back 100 fold, but after he has gotten his revenge, he is able to move on peacefully, which is why he holds no grudges towards the Wen remnants once the Sunshot Campaign against the QishanWen concludes and even encourages Wen Ning's corpse to seek revenge against his murderers. Mianmian actually explains it best:

The woman seemed as if she was scared. She was even more careful, “No... I don’t mean anything more. There’s no need to be so agitated, everyone. I just feel that the words ‘killing indiscriminately’ isn’t really suitable.” Someone else spat, “How is it unsuitable? Wei WuXian has been killing indiscriminately ever since the Sunshot Campaign. Can you disprove this?” The woman tried hard to protest, “The Sunshot Campaign is a battlefield. In the battlefield, would it mean that everyone is killing indiscriminately? Let’s consider this as it stands. I really don’t think it’s right to say that he killed indiscriminately. After all, there is a reason. If the inspectors really abused the prisoners and killed Wen Ning, it wouldn’t be called killing indiscriminately anymore, but rather revenge...”

—Chapt. 73: Recklessness, exr

Seeing a protagonist that believes in "an eye for an eye" without being labeled as bad or "morally gray" by the narrative for refusing to turn the other cheek, who also knows how not to take it too far and stray out of my personal morals, has been such a breath of fresh air. It is also very validating to see a work of fiction so concerned with the subject of oppression and marginalization that doesn't frame violence and vengeance as antithetical to moral righteousness and justice. Because what is "justice" without restitution? And is it truly restitution if the option to avenge oneself of an unconscionable wrong is denied based on the false equivalency of being "just as bad as" your own oppressors' actions? Because the truth is that in most cases, violence is the only route to liberation, and sometimes, revenge is the only way to make possible the release of your resentments, lest the unaddressed wrong keep you stagnant in your malcontent. I am glad that Wei Wuxian serves as a model for this particular lesson.

[dailyadventureprompts]

DM Tip: Creating a Campaign Skeleton

Learning to be a better dungeonmaster was a protracted process. A younger me was often so stressed out by the desire to be a better artist that I'd have legitimately mauled a person if it would've revealed to me the wisdom I sought (with my hands or even an actual maul given the chance).

One of my biggest hurdles was the idea of a universal framework for d&d adventures, a guideline that would tell me if the things I was creating were on the right track. It was sorely needed, I loved the process of being creative but without an understanding of how my creative energy was best used I ended up sinking days, weeks, or even months worth of energy into projects that went nowhere. Worse yet, when I DID get a chance to put my ideas into practice at the table they'd frequently spiral out of control and crash, resulting in even more stress.

Over time I learned from these mistakes, I got better, and then I got good. I moved from conscious incompetence to competence, and I ended up having a run of absolutely stellar campaigns that were everything my younger self could have dreamed of: stable, enjoyable, meaningful, and most importantly an absolute delight to my players. Routinely I'd have people, including folks that'd only played with me a few times, mention that getting together to roll dice and listen to me babel on in silly voices was a highlight of their week.

It was as one of these campaigns began to wind down (three years! a satisfying conclusion on the horizon!) and I started looking for a followup scenario that I decided to study all my really successful campaigns and figure out what connected them. The end result was something I'd been looking for for nearly a decade, a reliable format that I could build campaigns around.

I want to preface this section with the understanding that while this information is laid out in a vaguely chronological fashion there's no guarantee that these ideas will occur to you in any particular order. Inspiration is a funny thing, and each idea flows into the others to make a cohesive whole. Due to foreshadowing and setup reasons you're also going to need a pretty solid idea about all of these when starting a campaign, though exact details will likely change/ can be vague up until the moment they're needed.

The Reason: Who are we and what are we doing?

Gives your players a solid background to build their characters around and give them a reason to travel together, rather than having to ad lib one on the spot. Likewise sets expectations of what the campaign is "about" that you can build on or subvert in time. The reason doesn't need to hold true for the entire game, just long enough to serve as a framing device. EG: The Witcher starts out as a "monster of the week" setup and then uses that framework to pivot into politics and prophecy once we've seen the premise play out.

The Pilot/Crashtest Adventure: What's first?

I’ve already written about these, but the general concept is to give your party a mostly contained first outing that doesn’t have any larger bearing on the plot so they can focus on learning how their characters play/building the party dynamic.  By the time the party's finished this first adventure they'll have already started putting down roots in the world: they'll have in jokes, npcs they've started to care about, an understanding of what's on the horizon, and an idea of where they want to go next.

The Central Gameplay Pillar: How does this all work?

It's important to have an idea what your campaign is going to be about in a mechanical sense in addition to its plot and themes. There is a difference between an adventure that has the party delve a dungeon, and a dungeoncrawling focused campaign. I like to lead with these outright during the campaign pitch so that players can know what they're getting into. Your playgroup will likely have strong opinions about what they like and dislike, even if they don't have the words to describe it, so you might need to explain the ideas for them.

The Hub: Where are we?

I think every good campaign has a hub, some kind of settlement that the party returns to between adventures to offload loot, pick up supplies, and sift through the latest gossip to look for the next questhook. Letting the party return to the same place lets them build up a relationship with it, clarifying the picture in their mind as new details are added and they grow more and more attached. It's possible to have multiple hubs over the course of a campaign, but I'd advise really only having one per arc to best concentrate your efforts. Fill up your hub with distractions and side adventures, shorter stories that the party can get tangled up in while the larger adventure slowly reveals itself. Returning to the same hub also means returning to a familiar and expanding cast of NPCs, which helps your party become more and more invested in the setting

The Main Event: What's going to happen?

Here we get to the meat of the issue, the big story you want to be telling using this campaign. To pull off the sick narrative kickflip you wish to perform, you're going to need to lay a lot of groundwork, seeding in details left and right as well as giving the party a chance to stumble across evidence of your schemes without ever realizing the whole thing. To do this, you're going to work in the building blocks of your big reveal/twist/pending disaster into the setting along with those side adventures from the hub. This will give your party an idea that something is going on, but with more pressing matters to take care of they're going to be distracted up until the moment you decide to pull the trigger.

The Setting: What's over there?

While things like genre and tone are definitely things you should have a handle on from the outset, I personally feel like the details of a setting are best constructed on an ad hoc basis, either in a direct response to something required by part of the narrative (be it side story or main event), or pencilled in at the margins as the party explores the world.. That said, creation of the hub and setting often go hand in hand because it's important to match the settlement to the environment and then shape the environment to the quests inside the settlement. As for what's beyond your hub, I happen to have just written something about building out settings.

Now, this next option is one that I recommend you start thinking about only once your campaign is fully underway, so it doesn't clog up your creative process by focusing on something that you might not even get to

The Change: What the fuck?

A little while after the main event has kicked off and your party is off on the quest that will turn them from mere adventurers into heroes, they start to hear rumours of strange happenings. It's certainly not related to the present scenario, it may even be an unexpected windfall, but it's not something they have time to look into. Time ticks on, the land is saved, and the party is able to enjoy their victory lap as well as some dearly needed time off. Before they can get comfortable however they're slammed by some strange occurrence that they could have never predicted that changes the state of the world. A neighbouring kingdom invades, an important ally is murdered and they're blamed for it, a dragon starts rampaging through the realm. Its important that this event is outside the party's skillset, not necessarily diametrically opposed, but counter to what they were planning

artsource

[princessbrunette]

kinktober : oct 23rd

miguel o’hara x spitting

since discovering how much you’d liked it, it had become quite the sick little habit.

you’d loved miguel so much, that it was abundantly clear there was nothing he could do to gross you out. any request he made, you were on your hands and knees ready to serve. he took care of you well, and you truly felt he deserved to be treated with such high regard. this aroused him, your natural submission — the way he could push you without having to ask twice. you were truly his best girl.

for someone who is constantly fighting and jumping in and out of universes — miguel was relatively clean. he didn’t like to let blood linger for long, despite contrary belief. whenever he returned back from a mission of sorts, hair tousled and blood splattered on his face he’d be beelining towards the sanitation station.

however, things were different when it came to spit.

in any other instance, he’d find it disgusting. but god, it was you — how could he? he loved the way your spit would web from your lips, white and frothy when you pull back from trying to take him all down your throat. the obscene way you’d drool when you finally do, the warm wetness dripping down onto your chest.

what he loved most was how willing you were to accept his own spit.

the sexual tension had been bubbling between the two of you all day. there was no particular reason, no event that caused this thick fog of lust — miguel just looked particularly big that day, and acted particularly in charge around everyone — which in turn had you looking up at him with the sweetest puppy dog eyes which was proving harder to resist by the minute. the two of you were stealing glances at eachother whilst working on the screens all day, trying to find a moment alone.

unfortunately, the only moment you got alone was right before he jumped head first into a portal. you wasn’t sure why you sprung up out of your seat and ran to him, eager to be near him once more before he disappeared off into an alternate universe to take care of business. he’d turned to face you fully, his brow permanently etched into a frown as he watches you approach him urgently.

“mig.” you call, before you’re right in front of him.

“quickly, sweetheart. i have to go.” his voice is warm and soothing only to you, and you wanna melt there and then.

“just… want a kiss. no one’s here.” you barter, wide watery eyes flickering around the room before returning back to him. he takes a deep breath in, hands on his hips as he regards you. he takes a step towards you, large coarse hand gently gripping your cheeks, squishing them slightly.

“if i kiss you now, i’ll never leave.” his voice is quieter, huskier when he pries your mouth open wider and spits inside it. before you can react he presses your mouth shut, soothing a thumb over your lips as if to seal them. you swallow without thought, hoping to inspire praise. “save the kissing for later, cariño.”

with that he steps back, sparing you another glance purely for self indulgence before disappearing into the portal.

what a tease.

[chris-prank]

stumbled across ur blog and love ur writing sm!! i have such a thing for pathetic yanderes…. ty for ur service 🙏🙏🙏

wouldn’t it be funny if hero reader and dr. seraph met at some random place outside of hero’s “working hours”?? like what if they both just happen to be waiting in the hour line DMV line and hero reader is in their casual clothes (sweats or something) and notices first and is like shitshitshitshitshitshit LOLLLLL

It's an honor for me to serve the fans of pathetic yanderes 🫡

I realize that I didn’t specify it in the first part of Dr. Seraph story, but he actually never got thrown in jail! Also, in my head, this world has cartoon superhero logic, so no one can recognize Dr. Seraph when he is not in his crazy scientist attire. So in this situation I imagine Vincent being the one recognizing the hero, either it’s because he had stalked them before or their identity is widely known. Despite that, your idea has so much potential for funny and awkward moments, I love it!

･*:.｡..｡.:*･*:.｡..｡.:*･

He had lost count on how long he had been waiting. 40 minutes? One hour? He didn’t really care anymore. Compared to his criminal life, waiting in line at the DMV was a pleasant breeze. Thinking of the breeze, he had luckily brought his white cardigan, which now protected him from the morning cold.

His fingers mindlessly ran over the golden feathers embroidered on the sleeves as he stared at some rocks on the ground, lost in thought.

“Excuse me?”

A voice called out to him. Pulled from his reverie, Vincent turned his head while answering.

“Y-yes?”

That’s when he was met with you. The love of his life hero who has been fighting him and his boss for years. There you were, in your civilian clothes, waiting in the same line as him!

OH SHIT, SHIT, SHIT, SHIT. WHAT ARE THEY DOING HERE? DID THEY RECOGNIZE ME? AAAAAAAAAAH!

Many more obscenities were silently screamed in his mind as he stared at you, his face quickly turning red as a tomato. He was so absorbed by his internal panic that he didn’t even register what you had told him. You were surely warning him to not make any sudden moves and to put his hands up.

“I’m s-so sorry, b-but I didn’t quite catch what you said…”

“I just wanted to tell you that I really like your cardigan, the embroidery on the sleeves are so cute.” Your eyes darted away from him and he swore your face got a little flushed as you repeated yourself.

Was he hallucinating? Did the years of working with toxic chemicals finally affected his brain? He stood there, his mouth agape. If you hadn't noticed how red the man was before, you surely did notice now.

“I love your sweatpants!” He blurted out.

There was an awkward silence for a few milliseconds, as Vincent realized the words that had flown out of his mouth, “N-Not em everyone can pull them off…”

“Really?” You chuckle gently, “I’m glad you think so… Actually when I saw your cute outfit I got a little self conscious about my “no effort day” fit.”

“What?! But you always look good no matter what you wea— I mean, I’m sure you do… not that I would know eh eh…”

Wow, he was really making it worse for himself wasn’t he? At that moment, he wanted to sink into the ground and disappear… Now that he thought about it, he should try to create something that allows him to do that.

After some more chatting, you shook his hand and excused yourself for bothering him. He told you not to be sorry and that he was happy he got to talk to you, for no particular reason of course.

As Vincent continued to wait for his turn to come up, he opened and closed his fist. He mentally noted to scrape off the bit of your DNA that was left on his palm, back at his laboratory, as a souvenir.

･*:.｡..｡.:*･*:.｡..｡.:*･

I hope you didn’t mind me slightly switching things up and liked my response! 🙏🏻