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#not everything relates to it or is a callback!
socialc1imb · 2 months
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Chonny Jash fandom stop relating the meaning of every song and lyric to cccc challenge (HARD MODE)
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beskad · 1 year
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Anyone saying to viewers or fans confused or dissatisfied by Bo-Katan's character in S3 "to understand Bo in The Mandalorian you need to go watch Rebels!" is, I think, missing the bigger issue.
Maybe Rebels addresses her arc really well and builds on TCW characterization? That's great! But the writers of Mando are not addressing it. They even appear to be currently, actively ignoring and/or retconning large portions of TCW and Rebels.
For "cinematic universes" (*gag*) like this, it's important to either adequately recap relevant existing canon, or clearly restart from square one. That way, even a casual viewer can understand the characters and and their motivations relative to the show they're watching now.
It is not a reasonable expectation to have every viewer need to have seen 4 seasons of an animated show to adequately understand a character who's been dropped into the 2nd season of a completely separate live action one.
Some decent groundwork was laid in season 2. We can't, nor should we, have all information about a character revealed to us immediately, that would just be a sloppy infodump.
Bo-Katan is the leader of a faction of Mandalorians who want to retake Mandalore. Cool. She's got a grudge against Gideon who, as we found out via Din in season 1, is responsible for the Great Purge of Mandalore, a complete bombing that made an already inhospitable landscape completely unlivable. So on and so forth.
However, at the end of season 3—a season where Bo-Katan is heavily featured—we still have received no clear explanation or recap of her backstory outside of her surrender to Gideon. There have been many opportunities for different characters to know and address that she had a leadership role in a literal terrorist group, Death Watch. It's very relevant, but it's never addressed. Even if we're going with it being previously resolved, it's a very significant and relevant part of her backstory and Bo-Katan doesn't even have private moments of reflection that might explain that to us, the audience.
She preaches about the failures of a divided Mandalore, despite having explicitly and repeatedly contributed to that division in very recent history. There's no self-awareness. from her or the writers.
If Favloni & co. want to retcon previous material—it's annoying, but they're technically allowed to do that.
However, they are not clearly committing to previous canon, nor are they doing the work to clearly establish new canon.
Regardless of the why for any of this, the fence-sitting makes for a mediocre product that tries to do both. The end result is a messy and inconsistent characterization and half-baked backstory that feels incomplete and leaves me asking the show I'm currently watching, "wait, did I miss something?"
Some additional gripes/support for my opinion that the creative team isn't committing to a clear plan for her characterization:
Bo specifically states that the planet and city didn't always look like this. But—
Completely omits that she's a key reason why it was wrecked twice over. Seized once by Maul, which I don't fault them for not acknowledging in live action because casual viewers would be confused (though technically the Solo movie did it so like, pick a lane), then later bombed into oblivion by the Empire.
She mentions her father, and that he's dead. Completely omits that she had a sister who's also dead, and who technically also died defending Mandalore (Satine's cultural genocide against her own people, which also oddly resulted in a population of seemingly all-white pacifists, is a rant for another post). There is room for a compelling and clear in-universe explanation for this! Like maybe she's in denial or tortured about it, and that's why it's not brought up. But we the audience still need to know that. However, it looks like they've just written Satine out. Maybe it would too clearly place Bo-Katan as a Bad Guy which is inconvenient for them because they don't want to take the time to address it, despite this season spending a lot of screentime with her.
They're even ignoring her characterization previously established within this same show with her showing explicit disgust for Din's faction in season 2, then somehow being fine with joining them in season 3.
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get-back-homeward · 2 years
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i was thinking about how mad day out is the band’s first big photoshoot since brian’s death. and it dawned on me.
the format--a full day photoshoot of several locations around town--is actually a call back to july 2, 1963. when dezo hoffman does a day in the life feature and takes photos of the band at 7 locations across london. those photos are used all over the world throughout the decade, so it was probably the most productive photoshoot they ever did. talk about time well spent.
the two day long shoots bear some vague similarities in location and posing choices: using gardens and streets as background and stopping by the photographer’s studio to get more formal shots. there’s even an echo of the sleepy john shots in john playing a drowned sailor at the pier.
but the largest difference is that the 1963 one was controlled, like 1963 demands from a band with one album on the charts. its normal everyday activities to introduce the boys and show how wholesome and relatable and in sync they are: sitting in a hotel room, waiting in the hotel lobby, walking down a street, visiting the tailor, eating ice cream. the jokes are kept to a minimum, the shots mostly serious and professional. they’re all in ties and proper suit shirts and pants. they still have something to prove. the most scandal is a striptease sign in the background of the rupert court shot. and maybe bananas if you’re uptight about sexy fruit (capitol records, im looking at you).
mad day out is their playground, and it’s a perfect representation of their 68 chaos. paul shows up in a pink suit and stands around looking out of place. john’s wearing all black with ruffles down his chest. ringo’s got yellow ruffles, and george has loud striped pants. they bunch together in front of a tinfoil wall with a wind machine on (perhaps the one idea that isn’t theirs and they hate it). john’s hair flies into paul’s face, and paul chomps down on it. john rubs his face on paul’s cheek, and a look of contentment crosses paul’s face. ringo wraps his arms around john in a mock couple pose, and paul suddenly looks plagued by the devil. paul awkwardly wraps himself in a pink flag, then unfurls it to hold it out in front of them for a shot but never brings himself to look at the camera. then there’s moto helmets and goggles and a bugle and ringo’s wearing a shoe on his head. at some point, they all wrap themselves in pink flags, and john rests his chin on paul’s shoulder.
they go to a theater and there’s a parrot because whimsy. the tensions still persist sans parrot with john and yoko retreating to one side of the room and paul and george in a heated conversation on the other. but at some point, they go wild over the costumes like the theater nerds they are. john goes for leather and shimmering fabrics. paul goes for animal print and loses his pants. paul bares his midriff. at some point they both end up rolling around on the ground for reasons unknown.
they go off to find karl marx’s tomb, but it’s sunday and the cemetery’s closed so they do a bit of mockery about local MP elections instead. climb up a wooden plank onto a hunk of concrete and act out a series of group hijinks, including a fistfight and possibly attempted murder. find a sign to disobey and smirk at the camera as they do it. drink water from a fountain and spit together on cue. become one with the plants in a garden because that’s what bugs do.
they make their way to a pier, where john lies like a supermodel in front of other three. john strips his shirt, so paul follows. john continues with his pants too and then thinks better of it. george steps in front of them to save the shoot from total derailment and john throws up his madman face. a still mostly shirtless j&p armwrestle, like they’re acting out glimpses of liverpool dock life. paul feels like wrapping himself in marine anchor chains. john poses like a dead sailor washed up on the pier, glasses cast aside. without missing a beat, george picks them up and throws them on.
at the end of the day, they end up at paul’s mediation dome. john uses martha as a pillow. paul stares up at the glass. george’s smile hits at the eyes.
most of these photographs sit in a drawer for decades.
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trashbatistrash · 1 year
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,
#just thinking of shifter cat Jason#a whole big ass Maine coon#lying down on top of baby kitten Dami and idk duck Tim cuz they were fighting in his ear#cut to him fighting with also cat Bruce only to have giant friendly dog shifter dick just lie down on the both of them#or wolf since those are a heck of a lot bigger#probs cringe and probs already done#but I will embrace it#be cringe and free#the other kids might be easy too#Duke can be a lark as a callback#to his old name#half a mind to make cass a bat just cuz or a Maine coon too just to muddy that shiva relation water a bit more for funsies#steph a golden retriever sounds boring but I think it fits her#understand everything has no thought behind it#and my choice for Jason being a Maine coon was just so I could have a big but not big animal lie down on designated small animals lil bros#all my ideas are literally pulled out of my ass in the moment#I wanna try drawing it tho#Tim could be a bearded dragon too just for that play on words plus there’s rarely bearded dragon rep in shifter AUs#or he can be dangerous in shifter form as a treat and he’d be a Komodo dragon#I’ve been on a giant lizard streak recently o(-(#tegus are adorable o(-(#and I’ve always been in love with big ass animals that’s why I name dropped the biggest domestic cat here#anyways I’m here to say Komodo dragons are adorable and if they weren’t so dangerous I could be petting one right now o(-(#or he can be a crocodile to fit with his love with that very 90s to early 2000s mascot crocky#…#gosh I hate my adhd how the heck did we get here#art ideas
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l-in-the-light · 1 month
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Trafalgar Law on touching and being touched
It won't be a perverted post despite the title lol. But I won't stop your imagination, be free!
There's this funny theme going on with Law and Luffy in particular that picked my interest.
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Luffy touched him first.
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And he later returned the gesture, much more awkwardly.
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Again, Luffy grabbed him angrily first.
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Law made sure to return the gesture. (btw he also does it with Zoro, who was the first one to wrap an arm around him at post-Dressrosa feast. In Wano Law has no problem grabbing Zoro and shouts at him angrily. Again, it was Zoro who initiated the touch first).
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Law grabbing Luffy to teleport them makes Luffy react in a curious way, you wanna know why?
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Because it totally feels like this moment. Both Law and Ace, right after getting uncuffed, grabbed Luffy in same way to get him to a safer place. Ace-Law parallel in relation to Luffy kills me. The whole Dressrosa arc's plotline between Luffy and Law is just Marineford Went Well This Time. Ngl I kinda hated Oda at first for that. Now i dig it.
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He didn't seem to like that. Luffy says "Let's all get along well!", but Law thinks alliances don't have to "get along".
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Mistranslation here. What Law says here, being so surprised, is "nakayoshi ka?!" which means "you two get along?!" or "you two are buddy-buddies?!". It's a callback to Luffy declaring that Law and Strawhats crew should get along (he uses same word then, nakayoku-get along), Law learns here that Luffy's crew indeed "gets along well". You can interpret it whatever way you wish, but I will use it this time to put this scene into context:
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The same gesture Luffy did to him before, but Law didn't return it to Luffy - that's because they're not crewmates. But he takes the lesson to heart and "gets along" with his own crew. Omg I can't believe i'm writing it, I make Law sound like this completely awkward adult who doesn't know how to be friends with people.
But bear with me, the shit is only starting. If you don't want to have feels I reccommend you just laugh at it and stop reading here. I digged up a feels landmine by accident. In-depth study starts below!
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It's also a possible callback to the "reassurance" Law got from Cora-san. "I'm counting on you to escape" and Law did. He counts for his crew to steer the submarine well in similar manner.
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Law's family didn't seem very touchy-feely, so please keep that in mind as well. He's got limited experience with touches and the few touches he did get familiar with were either taken away from him or brutalized.
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Law getting patted on the head lovingly by his parent.
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Next time this loving gesture happens, he gets thrown from like two-floor building into a pile of garbage.
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And then he gets lied to that everything will be fine. We all know it wasn't.
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Do you still wonder why he hates being touched on the head?
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The sister touches his face gently while showing child Law support and compassion, reminding him not to despair, someone kind will help him.
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Corazon doing the same gentle touch to the face while crying for him, thinking of all the pain Law had to experience. Indeed, the world sent Law someone kind. And Law lost him and blames himself for that.
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Law holding Lammy's hand while lying to her that it will be alright. He never does that gesture again to anyone.
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The sister holding Law's hand.
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"Don't come closer! Don't touch us! We will get infected!" even doing the barrier gesture (I guess that's why Law doesn't get along with Bartolomeo). I used only few examples, there is much more, I just couldn't bear posting them all. Anyway, Law's got the message, his touch is unwanted. The body and mind remembers this.
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Similar shit said at the auction in Sabaody about Fishmen, we don't see Law's reaction to that, but we can guess already that it was for sure triggering. Those people talking are sitting not that far away from him.
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Ever wondered why Law throws people when teleporting? Besides the fact he avoids making contact with anyone unless they initiate it first, because that trauma is still strong in him ("Stay away! Don't come closer!"), there is one other possible reason:
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Wonder no more! He does it to people because that's how people treated him as well, even people who apparently loved him.
Now that I have ruined the "Law is just an awkward unsocial nerd" joke for you, let me offer something to warm your heart a bit in exchange:
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Corazon made sure to touch Law a lot and hold him in his arms, despite being often clumsy about it. I think he understood Law's trauma about being touched and his fear to touch or approach anyone, and tried to help him overcome it.
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Being hugged and trying to return the gesture. Corazon's efforts did bring some results! But it only works for very few people, Law is still wary of people he doesn't know well. He expects to be unwanted and acts uneccessarily cold, distant and unapproachable because of that. But if you scroll back to the beginning of this post, you can see that he is trying his best to overcome it as well, one step at a time. Some things just can't be rushed.
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And hey, at least he seems to be actually relaxed and almost like he *enjoys* being carried around. You think it makes him look uncool? Definitely. But suddenly it feels like Something Important, kinda intimate in a way and not just a silly comedy moment. It's a sign Law relies on people when he lets them carry him and that's why he doesn't protest.
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Sanji is like "Why are you relaxing like that?! Get off!!" Finally, it makes sense why Law makes such a sour face here. Sanji should be grateful for the rare privileage after all! Anyway, this is anime-only extension, in manga Sanji actually doesn't tell Traffy to get off and Law chooses to scramble by himself, which doesn't taint the fragile trust those two just shared.
For those who made it to the end of this post, have I ruined Law's comedy moments for you forever? Because I sure just did that for myself.
I could also add one more cute thing from One Piece World Seeker Law's dlc, but I will let those interested to discover it by themselves!
I'm also amazed by the consistency of this theme. Both manga and anime never forget that touch is seemingly a big deal for Law.
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crowsongcaws · 7 months
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PLEASE SAVE BIGB'S DESIGN
TL;DR at bottom (also this sounds like anger and it isn't, I'm just dramatic) Screaming, crying, on my knees BEGGING PLEASE
I know so many other Life Series/Traffic Life characters have reoccurring tropes they aren't able to escape from fandom-wise (cough cough DESERT DUO cough cough) but please for the love of EVERYTHING!!!!!!!!!! Let BigB be free of the cookie thing!!! It really is "yeah I don't watch him but I included everyone else so I'll include him and he has a bunch of cookie fanart so yeah BigB = cookies <3" It's a funny little callback sometimes, but for him, it's just that people don't know what else to give him. He hasn't even been OCified!!! (OCified as in a fanon version of himself has become widely known and accepted over the canon character i.e. Grian being an avian, Scar being ridiculously buff, Jimmy being a canary etc etc)
I understand why people would be hesitant to make him some sort of hybrid like most other members, but he doesn't have to be a hybrid to be OCified! For example, although Martyn also tends to be elf-like or sometimes something monster-related, he's widely regarded as a Listener! And guess what? BigB was also in EVO!
"But BigB's skin had a cookie on it---" AGES AGO, PLEASE LET IT DIE "Joel isn't 'OCified'---" Didn't ask, don't care, talking about BigB right now At this point, I could draw a cookie with eyes and limbs and say it's BigB fanart and everyone would be like "yaaay!" I desperately want and NEED to see BigB with non-cookie related designs. Can he have little stuff hinting towards the cookie thing? Of course! That's part of his character! Just PLEASE add on literally ANYTHING ELSE. BigB with 4c (read it again, FOUR-C) hair with shaved sides and a heart shaved into one side. Same hairstyle but the sides are braided back and one of the sides has a heart braided into it. Cottagecore BigB with mohawk braids that go back into a bun with that little bandana headband on! Imagine he's in friendly floral clothing holding a bouquet of flowers, and the center of the flowers look vaguely like eyes but everything else about him looks so typical you barely notice at first glance because he's totally Normal(tm) and completely unaffected by Evo as opposed to literally everyone else. Please give BigB a new outfit. That sweater is TIRED. Let it REST. Give him literally ANYTHING ELSE. Give him a fucking corset idk! A dress! Ball gown! Spacesuit! My Chemical Romance merch! LITERALLY ANYTHING ELSE. "I don't think BigB as a character would wear a corset/dress/anything feminine---" Why? Go on. TL;DR Stop making BigB's personality revolve around cookies (and also being a cheater because of Double Life for that matter) and please add literally anything else to his character design/personality traits I am begging and screaming and crying because I can't unsee it
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ascesabo · 6 months
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sometimes i want to reach through the screen and shake sabo by the shoulders because. god. there's just so much going on with him.
he's first introduced through the veil of luffy's memories- here he's just another feral jungle kid, sticking it out with ace and luffy, the 'nicer' brother in young luffy's eyes. and then boom. you find out he's a runaway noble trying to escape his abusive, neglectful family- and this changes nothing, they still get to become sworn brothers, but just as quickly as this is resolved, his asshole of a dad takes the three of them hostage. and what does sabo do? he gives up the little sliver of freedom he'd fought for, is willing to become miserable and lonely again if it means ace and luffy are spared. and then he comes home to find that in his absence, his parents have already found a replacement! great!
and he doesn't even get to address how fucked up that is, because stelly runs his mouth and now sabo's too busy trying to figure out how to stop his brothers and their home from getting burnt to the ground. he never gets to give them a proper goodbye- he exhausts himself trying to reach them, but he can't because. you know. he's ten. so where does this leave sabo? ten years old, with nowhere to go- he sets out to sea to try and start over, and for the crime of wanting to escape a terrible life, he's punished with an explosion to the face. he loses his memories, his brothers lose him- and so the cycle continues.
then the army saves him, takes him in; he's essentially a child soldier, with how prodigious of a fighter he is from the get-go. but hey, he thinks he's finally found his footing, even if his past's a blur to him- then it all comes flooding back. in the worst way possible. he sees his brother's corpse and he remembers, but it doesn't matter, does it? he's too late, ace is gone, and sabo's lost ten years of a life he could have shared with his brothers. we don't even know how (if, even) he recovers from this- except for a single passing statement from koala, asking him if he's 'had that dream again' because he'd been crying in his sleep. this is never brought up or addressed again. great!plus, we never do find out if getting blown up at the ripe old age of ten could have left any lasting fire-related trauma; and if it does, what does that mean for sabo, who's pretty much made of it, now?
both of these questions are answered at once- sabo treats the fire as if it's ace. it's ace's legacy he's carrying on, and it's ace he seeks freedom for. he copes by making sure ace lives on in his flames, and how can he ever hate the fire living in him if that fire is all he has left of the brother he never got to see again?
i just have to wonder about him, because he's got so many Issues that just. don't ever get addressed? every time we see him deal with his grief (episode of sabo, his own retelling of events in dressrosa) we never really discover anything about him. i wonder how it felt to finally remember the childhood that eluded him, just to find out he was an unwanted, replacable child. how he feels, living with the knowledge that he could have done something to save ace, that he'd failed to remember the two people he loved the most? i wonder just how terribly that guilt must weigh down on him- because where luffy's already begun to heal, sabo still sees ace in everything he does. his title of flame emperor is a direct callback to ace's final attack in his fight against blackbeard. he talks to his goddamn fire like his brother is still in front of him, which is sweet and heartbreaking and, considering his backlog of unaddressed trauma... incredibly unhealthy. i know these will probably be left unresolved for the sake of moving the story forward- but god, sabo, are you okay?
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vorareromantic · 7 months
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anyway i have some more proof for my "mello still would've killed himself if he lost to near" theory. special shoutout to @melloneah for giving me input while i talked my head off about this. ur a real one
first of all, this:
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his "great and respected predecessor, the man whose actions were a strong influence on me personally." beyond birthday, the second child much like second place mello. the second child, the backup, the second choice who went off the deep end. he could never succeed, bound for failure. and of course, mello goes so far as to say he's trying not to base his analysis of beyond on his own experience. trying, but not succeeding. he takes influence from B because he understands and relates. he knows what it's like to be second best, to feel like a copy. and the "if this was how i felt, i shouldn't even need to say how bad it was before."
then, there's this:
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the emphasis on beyond's failure and loss. but then, mello circles it BACK around to "my poor, poor predecessor," which has a strong undertone of mockery, given what we know about mello and how he views failure. and then he says that B must've "longed for death," and offers condolences for the humiliation that he experienced.
obviously, i can't bring up any of this without mentioning mello's introduction to the story where he knows he's going to die and has accepted that.
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mello knows he is going to die because he knows his options are a victory by default if near dies or not beating near and surviving, which as i mentioned before, he implies to be embarrassing and not worthwhile. he studies these actions through beyond as he leads himself knowingly up to his death. but he knows what he's doing. that's why he takes off his helmet. he can't and won't live with the failure and shame. he studied where beyond went wrong in his own failsafe suicide attempt so that he wouldn't make it out alive and suffer the same shame and embarassment.
not to mention the phrasing. "died like a dog," according to merriam-webster, is used to describe a dishonorable or shameful death. he acknowledges that through beyond too, with the embarrassment of failing. he knows his own death will shameful, but he also hasn't died yet, which implies his choice in the matter. he chooses to die a shameful death because he believes it's better than feeling his own defeat. he compares himself to beyond repeatedly and admittedly takes inspiration from his actions all the way until the end.
he references the hardest part of killing someone in one of the paragraphs above, which is important because it's a callback to when he says this:
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he acknowledges that killing is hard, and in the part where he makes this callback, he says that humans aren't designed to die easily. so he has to do something more extreme to not make beyond's mistakes. something that would keep him from the same embarrassment of surviving when he meant to die. perhaps even something that violates those natural laws of the universe-- oh, wait, wait.
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interesting. very interesting.
i also must point out my own personal views on the labb murder cases book. firstly, i do not think it is canon in the sense that everything in it happened. i do think it is how mello personally views the events that unfolded, but despite his denial i do also think it is largely influenced by his own experiences and worldview. there would be no way for him or L to know the exact dialogue that occurred, or anything beyond the major plot points. a lot of it is left open for interpretation, and mello makes up his own dialogue and perspective. was B or misora really anything like how they were depicted in this story? who knows. most of it was made up. and given he expected near to be the first to read it and the only person to care or understand, i think he knew that near would know exactly what that book was.
mello knew he would die, was yet to die, seemed to know how he would die, foreshadowed it, recognized all of the risks of the notebook and yet continued to show his face, and then all of the connections of himself to beyond especially right before acknowledging his suicide attempt as a power move and the humiliation of surviving through failure. he never had any intention of making it out alive. his case study on beyond was truly an analysis on himself. the labb murder cases wasn't just a story or a fanfiction, it was a suicide note. one last insight into the complexities of mello's mind, and perhaps most importantly, he gets the last word.
edit: i also just realized the full title is "death note: another note the los angeles bb murder cases" but none of the other death note books are called "another note" because the rest of them are not notebooks or notes. but this is. mello says he doesn't want it to be a novel, but it's because it's intended to be a suicide note and that EVEN IF IT TURNS INTO A NOVEL it is always a suicide note first and foremost.
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Buck & Eddie:  Two emergencies in 7x1 illustrated Buck hasn’t dealt with his death
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It appears the first call with the older onery couple and the second call with the burned car relate to Buck’s death and they seem to illustrate how he’s not over it yet.
These are my OBSERVATIONS and INTERPRETATIONS of two scenes included in 7x1 and other people’s may differ since everyone consumes and interprets media differently.
Now back to the regularly scheduled program…
Before I delve into this, I have to mention that I don’t think Buck’s over his death yet.  Does he want to be?  Yes but the fact is he hasn’t dealt with it and the first two emergencies in 7x1 alluded to it.
For those who read my post about my frustrations surrounding the fact that TM (showrunner) said Buck was tired of talking about death and he just wants to be happy (linked here), I’ve elaborated on why I believe he hasn’t dealt with it yet in this post.  I found two things in the first episode of season 7 that seems to prove my theory associated with the way TM might be saving Buck dealing with the fact that he ACTUALLY DIED in season 6 until after 7x6 airs since that’s Maddie’s wedding and the Buckley parents are scheduled to return.
I live blogged during last week’s episode but while doing so, I noticed so many things that I wanted to expound on but I wanted to analyze them first to see how they connected to previous seasons and episodes.  I watched the episode three more times for multiple reasons but mainly because I wanted to make sure I understood all the callbacks, hindsight, metaphors and foreshadowing.  This post will not include everything I found because it’s a lot but I will do several posts to cover the others.
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While Buck and Eddie were in the locker room talking, Buck said all ND wanted to talk about was his death, it got boring after a while and he didn’t know why he thought dating a dEaTh DoUlA was a good idea.  Eddie responded, “Well you had just died” but then he said something else that caused me to pause because it was JARRING.  He said, “Welcome back to the land of the living Buck, you were missed” (more on this topic below).
Be clear, I’M GLAD SHE’S GONE AND I WISH THE SHOW WOULDN’T HAVE SHOVED THEM INTO A RELATIONSHIP.  If she would have helped Buck with the fact that he died like she was supposed to then all that screen time spent on whatever they had in season 6 could have been used to SHOW how he arrived at a point of just wanting to be happy at the beginning of season 7 but the audience didn’t get that.  The truth is, if he wasn’t opening up and talking about it (it’s likely he wasn’t since he’s not in therapy) then of course it got boring for him because he was doing what he always does, avoiding dealing with his own issues by trying to fix everyone else’s.  Reminder, he’s the guy who likes to fix things except for when it’s his own problems.  He avoids them the same way he avoided moving on from AC in season 2 which equates to the way he avoided talking to TK for a week so he wouldn’t have to break up with her at the end of season 5.
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Also, Buck hides his true feelings and he said so in 4x2 when he was in a FaceTime therapy session with Dr. Copeland.  He said, “How I hide my true feelings from others”.  Additionally, in 6x15, he told Eddie, “The truth is I am different.  But I feel like I have to be the same old Buck, mostly for the sake of everyone else.”  These two statements he made along with the way he avoids things further substantiates the fact that Buck is hiding the way he really feels about his death and he’s pretending to be happy.
IMO, the first and second emergencies in 7x1 the 118 was dispatched to appeared to show where Buck is mentally.  I’ll start with the chair and the car metaphors in this post because they’re the ones I couldn't forget when I watched live.  After my initial viewing, I kept wondering why the man in the first call was not only sitting in a reclining chair but he was ALSO TRAPPED IN IT.  Additionally, I couldn’t get over the fact that Buck and Eddie were the only two on the scene of the second call with that burned car.  Not only was the car destroyed from the inside out; it was the question the owner of the car asked Buck that I couldn’t forget.  The chair and the car are the two items I’ll expound on in this post to illustrate how they relate to Buck’s death and I’ll include my opinion to explain how they might relate to what could possibly happen with him before the end of the season.
Call #1
Do these two GIFs look familiar?
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They should because Buck and Abe are both sitting in arm chairs that are suited for only one person and they mirror the way Buck’s life could end up if he lives it the way other people want him to instead of him living it the way he wants to. The darker color in the suede of Abe's chair is similar to the color of Buck's leather chair. Also, Abe's chair is outdated but he still uses it so he doesn't have to deal with Edna.
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In 7x1, Abe just wanted to be at EASE with his life while sitting and relaxing in his chair but his wife wouldn’t let him.  He was trying to watch TV but she kept knit picking at everything he was doing.  She was doing the whole “pay attention to me or else I’ll force you to do it and make your life a living hell while I'm at it” dynamic and it was annoying AF. They had been married for more than 30 years and they never had any kids but they were also miserable.  They hated each other and it appears they were in a marriage neither of them wanted to be in.  After the 118 arrived, Edna said, “He loves that chair more than the loves me”.
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Furthermore, they had a couch in their home but it was just sitting there which means ABE REFUSED TO SIT ON IT WITH HER.  He told Chimney the fighter jet should have put one of them out of their misery.
Was the depiction of their relationship reminiscent of one from season 5?  YES!
In 6x1, Bobby told Buck he needed to take inventory of his life so he could be at EASE and when he did, he sat in his chair but at the time, since he had already given TK the boot, he didn’t have to worry about her doing to him what Edna spent 30 years doing to Abe.  If Buck would have kept on clinging to TK, then that could have been his fate.  TK was shallow and wanted all the attention on herself the same way Edna did and she proved it with her raggedy and immoral journalistic behaviors.  She had planned to throw the 118 under the bus in 2x6 but she didn’t get the chance to do it then since the LAFD’s lawyers were more powerful than her news station’s lawyers.  However, she jumped at the opportunity to do it a second time in season 5 when she didn’t have anyone to stop her.
Abe’s relationship with Edna gave the audience a future flash forward of where Buck could end up if he follows what some GA viewers want him to do.  Before he died, in 6x2, Lev told him his life went by in a blur and it was the reason he went to the happiness convention with his friends.  Abe chose the life he felt like he was expected to live with a wife and a house too but based on the way he was acting; it clearly wasn’t something he would have chosen for himself.  And he was so far from being at ease that he was miserable.
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Additionally, Edna was a combination of every woman Buck’s ever dated.  She was older and had red hair which coincides with AC.  She didn’t care about what Abe was doing because she wanted him to do what she wanted which coincides with TK and also, she had red hair.  She was frustrated with him and what he was doing which correlates her to AM, reminder she didn’t like Buck’s job which is the reason why she left him with a cast on his leg after the ladder truck explosion.  Finally, ND was fascinated by Buck’s death the same way Edna was fascinated by the fact that Abe might not be ok.  She cared more about the chair being out of her house than she did about his well-being.  Their lives were miserable but instead of ending their relationship, they clung to each other just like Buck and TK did in season 5.
IMO, the couple represented the life Buck would have if he follows the path some people in the GA want him to.  Believe it or not, there are still viewers who want everyone to do things the way they did them, i.e., get married, have a house, have kids and work a job until they die and instead of wanting Buck and Eddie to experience the true love they clearly share to flourish and grow, for WhAtEvEr ReAsOnS, they’d rather they stay in relationships with the women who wronged, abandoned and ignored them. It appears they're choosing not to see how much they love each other and they would prefer them to “stick it out” in relationships with people who clearly make them miserable.
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Reminder, in 6x15, Buck told Eddie, “I still don't know how to act. I am different but I feel like I have to be the same old Buck, mostly for the sake of everyone else” and I’ve always believed he was saying that directly to the audience.  It was aimed at the women who wanted him to keep waiting around for AC or those who wanted him to stay with AM because she had an adult conversation with him before she dipped.  Then there are those who wanted him to stay with TK because she was career driven (that’s a bunch of BS because journalists can be driven in their careers without being immoral, vindictive, callous or using people to get popular by writing a crappy book) and then there are those who wanted Buck to stay with ND (I know this may be hard to believe but there are posts that indicate “he knew what he was getting into when he dated her” 🙄).  Like seriously, they wanted him to stay with her because in their minds, she was perfect for him but haven’t all his girlfriend’s stans said that?  They have and the question they should ask themselves is, why haven’t any of Buck’s relationships worked (related post linked here and here) instead of acting like the women who treated him poorly deserved to stick around.  Also, Buck’s a ticking time bomb waiting to explode the same way that dummy bomb would have if it had gone off. However, just like on the call, Eddie’s going to be there for Buck but it’s unclear when or if he’ll be able to stop it from happening.
Call #2
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The burned car was still smoldering but it was also hollow and charred to the core.  IMO, it was included as a call that only Buck and Eddie were allowed to extinguish as a way to illustrate how it’ll take both of them working together to repair Buck’s charred, burned and smoldering insides.  Reminder, in 6x10 he was struck by lightning and he died which means he’s probably feeling hollow on the inside and I think he feels all cored out just like that burned car.  While they were in the locker room, it appeared he was ready to talk to Eddie about the way he feels which is the reason why he may have invited him to go out so they could be alone and he could speak freely.  But he backed off when Eddie mentioned “Big date” and reminder, Buck was the one who assumed Eddie had a date with M (more on this below) but Eddie was talking about Chris' date.
After Eddie left, the audience didn’t see Buck leave so apparently, he went somewhere but who knows where since he wasn’t shown again until the next time they were at work.  If they had gone together, it would have been a date but IIRC, other than the poker date in 6x13, every time Buck and Eddie hung out in the past, they were at Buck's loft or at Eddie’s house.  Additionally, Eddie admitted he’s a nester which means he’s ok with them staying in like they did when they played video games and drank beer in the past.  The one time they went to a bar together in 3x11 doesn’t count as a date because the rest of the 118 was there with Albert.  I think Buck was extending an olive branch and trying to let Eddie know he needed him the same way Eddie tried to let Buck know he needed him before his breakdown in season 5 but when he finally broke, Chris called Buck and he came running.  I’ve always wondered how it will play out if Buck breaks down while he’s alone in the loft and I have an idea of how it will happen but I haven’t decided if I’ll post it on here.
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When they were done, the car owner asked, “Is it a total loss or is…?” and Buck responded, “Uh… not total.” then he smiled, held up a pine tree fragranced car freshener, which is symbolic of an actual family tree because of the ROOTS, then said, “Have a good day”.  Buck’s biological family roots are about to come into question AGAIN (related post about the Buckley parents other deep dark family secret linked here) and guess what?  When they do, it’s going to rock him to his CORE and the only person who’ll be able to help him is EDDIE!  Buck’s not a total loss as the phrasing in the scene alluded to and Eddie KNOWS that! However, Buck will need for Eddie to tell him that over and over again until he starts to believe it.
I think the confrontation OS mentioned that’s supposed to occur between Buck and Eddie will be in relation to Buck’s self-worth and how he views himself.  There are a lot of people who want to move on from the fact that Buck died and rightfully so since he along with the viewers had to endure an entire season of him not dealing with his issues.  But the truth is 9-1-1 hasn’t moved on from it either and even though TM said Buck’s ready to find happiness, the fact still remains that Buck hasn’t dealt with the reality of his own death.
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IMO, he will find happiness when he’s in a relationship with Eddie and reminder, Eddie’s the one who’s always trying to encourage him.  He did it in 7x1 too after Buck said, “You don’t want him to end up like me” but Eddie was quick to respond, “You didn’t end up like you”.  It was soft, pure and so full of love that it took Buck’s breath away.
Now be honest, would AC, AM, TK or ND have said that to him?  The answer NO!
I stand by the things I included in a previous post because Connor and Kameron are supposed to return some time around or after 7x5 and that’s when I believe the proverbial $hit regarding Buck’s self-worth will hit the fan since it’s likely they’ll have some devastating news for him about the baby.  Then the Buckley parents are set to return for Maddie’s wedding and nothing good ever happens to Buck when they do so it's looking like a trifecta of bad news for Buck (related post linked here).
Other than the time he spent talking to Chris at Eddie’s house, Buck was only shown at work during the entire episode and I believe that was on purpose.  It’s unclear when he’ll be shown in the loft again but when he is, that could be when the audience sees he’s not doing as well as he’s trying to get people to believe.  It’s likely the way he really feels about the fact that he died will be shown and if he feels like that burned car… it’s not going to be pretty or pleasant.
Eddie KNOWS Buck’s not doing well but he’s not going to push him to talk just like he didn’t in 6x12.  He’s going to wait until Buck’s ready then, he’ll have the heart-to-heart talk with him the same way he always does.  Reminder, Eddie takes care of Buck (post linked here) while Buck listens to Eddie and makes him talk (post linked here).  In 7x1, Eddie said, “Welcome back to the land of the living Buck.  You were missed” and I kept wondering why he phrased it like that but then I realized it’s because he knows Buck hasn’t confronted the fact that he died but he’s not going to push him, he’ll wait until he says he’s ready then Eddie will be there to take care of him like he always is.
Make no mistake, Buck’s happiness is with Eddie but he thinks he’s off limits since he’s “dating” M (please understand I don’t think Eddie and M are "seriously dating" and that's based on RG's responses about the character of M in his interviews. I’ll do a separate post on it explaining how the show and the actors have explained it in so many words).
TM used two BOLD contrasts in the first episode, a chair and a car, to show Buck has to deal with his death and it’s likely he'll continue to include these types of metaphors until he does.  Also, TM's comment about Buck being tired of talking about dying seems to be a bait and switch and he's trying to get viewers to look away from Buck’s death so they’ll forget he’s been hiding it, then they’ll be blindsided by it when he finally breaks. Reminder, after the Madney wedding, there will still be 4 episodes left in the season and what exactly will TM fill them with🧐?
Will Buck finally deal with the fact that he died this season since he didn't in season 6?  Who knows but based on the chair and the car, it appears his process of dealing with it has just begun.
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part-time-zombie · 1 month
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Ok I've either reached some sort of analytical epiphany here, or I fully fried my brain and I'm no longer making sense. Either way...
seven sides = seven deadly sins.
Roman = Pride.
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Easy enough, he represents the ego and pride in a most literal sense (along with passion and creativity). A wound to his ego creates literal pain, and his reputation/role as a heroic prince means everything to him since his very existence is tied to being the "good" part of imagination.
Remus = Lust.
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Another easy one, but I think it's more than just the dirty jokes here. It had been suggested before that since Remus represents all forbidden/unwanted thoughts that c!thomas rejected/repressed because he thought they were bad, there likely may have been a point where he was also his closeted homosexuality in the past.
Virgil = Sloth.
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Procrastination is a common practice from Virgil, one he either unintentionally prompts or openly promotes. Anytime something stressful or challenging occurs, Virgil always seems to suggest inactivity and avoidance as the solution, preferring to hide from the issue altogether instead of making any effort into fixing it.
Orange = Wrath (?)
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Not much is really known here, but from what we've seen so far it's fair to assume that anger is a driving force if not a direct role for the orange side, though future videos may provide more insight.
Janus = Greed.
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Greed is a desire to collect and hoard material wealth/resources, with no intention of sharing or using it. It is innately selfish (and not always in a good way) and the way I feel this translates to Janus is by him wanting c!thomas to prioritize himself above all else, even if it involves letting others down. He wants Thomas to seek out the things he wants in life (like the callback) and to take it without feeling bad about choosing his own happiness. This isn't just for goals/achievements, though, he also wants thomas to save his free time/availability for himself without giving it out carelessly. It's as he said: "it's your time and you do what you want with it". He wants Thomas to remove the blindfold and take what he wants while he still can, before the opportunity is lost again.
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Patton = Envy.
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This one was a little tough, but I think I made it make sense (at least to me). Patton is Thomas' morality, something instilled in him by observing and imitating those around him. As such, Patton's ideals largely come from him comparing himself and Thomas to others. Sure, Thomas is good, but is he as good as someone else? Can be be better? Can he be perfect, and what counts as perfect to begin with? Patton is constantly looking to outside influences to determine what standards to set, which is why Janus managed to help get through to him when he needed guidance in pof. In a way, Patton is envious of others for them seemingly having gotten it all figured out and being effortlessly good (which is obviously ridiculous, but Patton may have had issues with realizing that).
Logan = Gluttony.
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In all seriousness, though, this is about more than just crofters. Gluttony is an obsessive overindulgence of material pleasures and consuming more than is healthy. It differs from greed in that greed focuses on amassing wealth and holding onto it, while gluttony uses up everything it can as quickly as possible. How does that relate to Logan? Well, instead of simply associating this with jam or wine, I like to think he is gluttonous of c!thomas' time. He says he experiences a "titillating, tingling sensation whenever deadlines are met" and regularly tried to direct as much of the focus onto himself and his plans as possible, and becomes frustrated without having surplus time to work. It's not like that time is wasted, though. He does quite the opposite by trying to prioritize all of the time to what he wants, even when it's at a detriment to the others/thomas. He allotted only 0.5% of the day to hopes and dreams, insisting the rest of the day be spent as he pleases. Why? Because being prioritized means he's important and respected, which for him is like the best feeling in the world. And going by how eagerly he devours crofters or chugs wine, it's clear that anything he finds enjoyable will be immediately consumed.
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stochastiz · 2 years
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episode 11 of 4-Sided Dive has me sobbing at 7:30am
Revealing Ashton's unhealthy but incredibly relatable self-medication habits
Tal and Dani talking about Ashton's chronic pain and coming to terms with that as a lived experience. Tal saying he used to think friends with chronic pain were just being assholes and not understanding until he started having his own.
Liam saying druidcraft is his favorite ability "because you get to tell people you love them" = sobbing in gift giving is my love language
everyone trying to reassure Liam that the blame for what happened shouldn't be on Orym and him sitting there going :|
"boy I hate having something to lose now, it's really uncomfortable" and "abandonment is the theme, everything leaves the moment you care"
"i habitually keep making characters that just keep working and refuse to retire and I think that speaks more about me"
Liam absolutely lighting up at the mention of the tower
"roleplaying is a language of love and pain"
"Herr Widogast would recognize that this group has less walls between each other..."
I really wanna watch documentaries and YouTube deep dives with Ashton now
the "forever and ever and always" callback
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sevensoulmates · 6 months
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Buddie 7x04 Meta Part 4 (of 4)
Click here for part 1, part 2, and part 3.
This is the last part so it probably won't be as long (hopefully).
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This entire conversation with Tommy includes a lot of references to Eddie. Whether Eddie's mad, how Eddie feels, why Eddie would like Tommy, how Eddie/Chris feel about Buck, how Eddie is such a great person and everyone would want to be friends with him, etc. Even when they're not talking about Eddie, they're talking about Eddie. And I love the idea of Tommy and Eddie being friends. Because honestly at the end of the day, it was Buck who was projecting more than friendship onto Tommy and Eddie's relationship. Queer men can have platonic friends that they like without wanting to be with them, and it genuinely does seem like that's what Tommy and Eddie are to each other. Their chemistry wasn't all in Buck's head, but how the two of them together made Buck feel? That was so real and super super telling.
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Here's callback number ∞ to the streetfighting arc. This line in particular borrows a very particular...word...from a very particular grocery store fight. In 3x05, Eddie is the maddest he's ever been at Buck because Buck starting the lawsuit meant "I couldn't even talk to you", "Do you know how much Christopher misses you? How could you you weren't around?", "because you're exhausting!" Exhausting has been a buzzword in the Buddie fandom for many years and most people use it as an excuse for overdone and unnecessary Buck whump, but it's an interesting choice here. Especially in conjunction with Buck's acknowledgment of "making everything about him" which is another thing that is mentioned in the same episode 3x05 AS WELL AS in 3x09. But now, it's being used in a different context. Buck is falsely ascribing all of his attempts to get Eddie's attention over the last however many days to trying to get Tommy's attention. Even Tommy's like huh? "My attention?"
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Lou places emphasis on "my". "My attention?" So even Tommy knows that this whole time Buck has been trying to get Eddie's attention. He's surprised that Buck is suddenly saying it's been about Tommy the whole time when quite obviously, it has not been.
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Even Buck himself is not so certain about that. He "guesses so" because in this moment he's feeling infatuation, a connection with Tommy, a warm feeling that maybe reminds him of how he felt in the early days getting to know Eddie. He "guesses so" because that's the easy explanation to a question that's been circling his mind non-stop the past few days. It's an answer, and as we know Buck is always seeking an answer. It's a "for now readily available easy explanation" that Buck can take at face value because it means he can sleep easy at night knowing that his place with Eddie is safe again for the time being.
Even just a couple of seconds before the kiss happens, Buck brings up Eddie one last time in case you forget who's always on Buck's mind. He then mentions Maddie's words "There are better ways to get someone's attention", before he's interrupted. But before I dive into the kiss, I want to mention the implications that Tommy believes the best way to get someone's attention when you like them, instead of getting jealous, is to kiss them. It's an interesting suggestion, that all of this time, instead of all Buck's stupid peacocking attempts to try and get Eddie's attention this episode...he could've just kissed him. Foreshadowing? Only time will tell.
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And boom. There we have it folks. Tommy kisses Buck, and the lightbulb goes off. Buck is attracted to men, he likes men AND women. This is 911's definitive statement that yes, we were right, Buck is bisexual, has been this whole time, and will always be in the future. And no, it's not just in relation to Eddie (which by the way is an IMPORTANT distinction). Buck is attracted to men in general, he's a bisexual man, and the show is not doing a "gay for you" trope here. They're committing to Buck being a queer man and this opens a world of new doors for him.
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And again, I've said it once and I'll say it again: finally letting Buck realize his bisexuality, and act on it ON SCREEN (not just a throw-away mention) is REVOLUTIONARY. This representation is incredibly important and Buck's bisexuality on its own, separate from any love interest, will always be a part of him. Whether you like Tommy or not, that's not what matters. What matters is that Buck is realizing he can find happiness with a man. And more than likely, he will end up with a man, not because he has to, but because his perfect partner in the show has already been proven to be a man.
Eddie Diaz.
With this kiss, we are officially on the path towards Buddie. Buck kissing Tommy, or having a temporary relationship with him does not negate that. Just like Buck was always going to end up with Eddie even through his relationships with Abby, Ali, Taylor, and Natalia. Tommy is no different. And if after four long essays explaining point by point why that is true isn't enough to open your eyes, then I simply can't help you anymore.
Some last tidbits:
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This reminded me of the Lonestar crossover where Eddie begs Marjan to "for the love of God, please follow Buck back on Insta." Just interesting since Eddie x Marjan was another fake-out love interest coupling.
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And finally, the last 3x09 callback. This reminded me of the line when Buck says Eddie wanted to throw punches at him, Eddie says "I wouldn't do that", gives him a seductive look, and then says "You're on blood thinners". To which Buck says his famous "I could still take you". Yet another verbal comparison of Tommy to Eddie.
Final thoughts: This episode was fucking amazing (I really liked Athena's story too). This episode was more than enough proof for me that Buck and Eddie are going to get together. Buck is bisexual and FREE!!!!!!!
We were right about that, we're gonna be right about Eddie, and we're gonna be right about Buddie. Just unclench and enjoy the ride.
And for my fellow warriors who've been in the trenches for years telling everyone that the story will get there eventually, I salute us all! I hope yesterday's episode was vindication for you all as much as it was for me. I had a blast working with you all. See you all again for our celebrations when Eddie comes out and Buddie becomes canon. For now, I hope everyone had a Happy Bi Buck day!!
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Full meta: Part 1, Part 2, Part 3
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deathsbestgirl · 29 days
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idk how to write reviews at all but i think perihelion dealt with with msiv so well. its all pain & grief & denial that we see in the finale, its complicated and i never felt it reflected what they truly believed or felt. mulder & scully just went through hell. mulder watched his biological father shoot him, they watched william die after trying so hard to find him, and not abandon him. the whole revival is about william even if we don't see him until s11.
perihelion assumes mulder & scully believe csm, because it's something they've both always feared. scully was going to leave csm in en ami because she was suspicious. mulder was always afraid william was an experiment, much like emily. and his birth was traumatic for not just scully & william, but mulder & everyone who helped them (doggett, reyes, skinner).
mulder & scully are so vulnerable when it comes to william, and that's literally what the whole thing is about. and now scully is pregnant again, and they have another child coming under questionable circumstances again!! and now they have more reason for concern because of scully's dna, like that's part of why scully was reignited, why she wanted to find william (and everything in home again with losing her mother, and the visions jackson sent to her).
i don't think you can fault scully or mulder for believing. sure, they have experience with csm, maybe they should know better. but they're also constantly discovering they've possibly believed lies. and this is personal.
i think their relationship develops perfectly in it. they've decided to coparent and move in together. they're both terrified to fail again. what if the x files is all that ties them together, and they're about to lose them again? what if sleeping together doesn't mean the same thing to the other as it does to them? their communication has improved greatly, but they're still mulder & scully, always trying to protect each other & not put the other through more hell than necessary. always extremely independent, as "codependent" as they can be.
and as we have seen many times before, their coping mechanisms conflict and it's addressed. they're together but they're not, as with most of the series. but now it's from a place of knowing what being together is, how their personal struggles impact the other, and a deeper understanding of themselves. and eventually, this only gets them closer. they've always moved at their own pace and perihelion is no different.
it isn't fanfiction, it's meant to fit in with the series and follow the arc of the revival, and take it further. i think it makes complete sense with the scope of the show, and the interests of people today.
and i know i'm probably one of the few in fandom who loves it, but it has so much goodness. the words & phrases & names claudia gray uses are a callback to so many episodes, some widely loved scenes. scully has a friend! she's temporarily working a job maybe harder than her last job as a doctor (until they know the fate of the x files) and it's extremely difficult for her. mulder has no idea what he's gonna do (they'll figure it out). there are new players, some closely related to ones we already know and others who are basically Brand New.
idk!! but in talking about the revival, i also felt the need to throw my two cents in about perihelion. i'm just a big fan and i hope she makes it a series.
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99redragons · 27 days
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Wow, I agonized over this post way too long. Here it is, finally. I was gonna make this a reblog but i think since it's referencing multiple posts (and boy it got super long and added a related theory) this is better on its own. This is furthering @gin-juice-tonic's analysis of the tBoB journal pages. Heavy tBoB spoilers, and warning for the darker content it has. (some swearing too) I'm convinced now they're a warped version of events and downright fake for some, however, I believe many are real.
...But did Ford remember them? "I can delete memories randomly, just for fun. Maybe I already have." I do NOT think Bill could erase everything. He probably can only erase small/recent sections. But this is a big part of my theory.
But first, Gin's points. (using some of your pics for this Gin, hope you dont mind) I'm not going to post every journal page, but I'll give a ref for ones that seem important.
Okay, this is the post that actually convinced me (went through the links from tapas, the first is sure suspicious, but the second has pretty compelling evidence.) Ford referred to Fiddleford as F through the whole of journal 3 (aside from in code), and Bill as his Muse until the reveal, he wouldn't suddenly change the way he refers to people, even if he planned to rip out the pages, in which case, why would you write them in the first place?
On the first link (this one), this appears to be an embellished story. When you look at it from bill's perspective, he's reminiscing. He lies to himself. He's making it seem like Ford and Bill hit it off immediately, and while in a way, they did, it probably wasn't like this. I'll buy Ford used Cipher's line back at him, but the jovial way they banter is just so Bill. Ford would emphasize how he felt, the mysteries he was thinking about, his reverence for his Muse. He probably wouldn't recount it line for line when he was so secretive in journal 3. Bill makes it seem like they were more like equals, when in reality he likely relished the devotion and divine status Ford attributed to him. Also, "Cipher Speaks" is in Bill's handwriting from the sticky notes. could be coincidence? I think not. 'Ford' also describes it as the "GREATEST. DAY. OF MY LIFE." This mirrors bill's earlier statements about the reader's life being forever changed after meeting bill. According to Bill, meeting him is the highest moment of anyone's life, right?
In an additional post, Gin explains how Bill didn't tell Ford he was from another dimension. Ford had to find that out at the betrayal. So, all this taken, those two pages at least are fake.
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For the third link, this one, while from Doylist perspective, Alex wanted the book to have fun little callbacks, from Watsonian, Bill simply can't help himself. Bill loves trying to be funny. He's trying to keep the reader hooked, and keeping the story interesting through callbacks is one way to do that. Some of these are Bill, some are self-referential because Bill's talking about real events from the past. (rats, cipherite suit, Small World cassette, we'll get to those later)
Bill has a habit of telling the truth through his lies. What I mean by that is, if he is repeating himself through actions or words, it's probably because there's some truth to it. If he's contradicting himself, there's something he's hiding. He'll claim he has no weaknesses, but later admit he does. He'll say he has no exes, only to reference exes later. So, we can glean truths from the lies he's telling in the pages.
I think Alex is a good enough writer to keep Ford and his writing (mostly) in character. He's made retcons/continuity errors before, but he knows the fandom will pick apart everything and find them, and will have a reason for it. There's definitely some fake pages, which begs the question, which are real?
One detail I want to point out is the vignette/burn marks on the edges of some of the pages. My secondary theory is about these. (And no, it doesn't indicate they were fake.) I'll explain later.
Assumptions/disclaimers: The pages we're shown are roughly chronological, though skip forward where surviving J3 pages would go. Pages aren't realistically double-sided like they would be in J3, these are inserted into tBoB magically. I don't have a blacklight version of J3, so I'm probably missing a little bit of context there. References J3 quite a few times, so this post works best if you are able to reference both books. I can go into detail and post more pictures for any sections that aren't clear.
First off, 'Lost in the woods'. This one I believe is real, because Ford's (author's cipher) codes are in it. This code is consistently used in the book whenever Ford inserts a page, even on the moth. For Bill to use this code would break the established pattern Alex has made. However, I agree with Gin that Bill intentionally placed this page to establish Ford as lonely, and thus make Bill look better for befriending him in contrast. I don't think it's that odd for Ford to talk about his social awkwardness, he talks about his childhood bullying pretty frankly, specifically on a page meant to be an author's About Me. However, he did rip this one out, so I think he was trying to ignore his feelings by hiding this page. No vignette.
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'Cipher speaks', as we've discussed, is likely a fake/altered meeting. Vignettes on both pages. On the second page you can see where it looks burnt in one corner, and there's even tear marks like there's a page missing there, perhaps their real first meeting. It's also strange for Ford to draw himself like that.
'My Muse & Me'- Ford refers to Bill as his Muse again. Despite my doubts (I went back and forth on this one), I think this one has to be real. We find on the website computer (code: Fordtramarine) that Ford tried to submit a paper on fordtramarine. In that paper he refers to an 'extradimensional entity' and 'two-dimensional'. He shouldn't know that Bill is interdimensional at this point, so Ford must mean 'outside of physical reality', as in, the astral plane. Though, there's a painting of 'a muse' in the paper. Wasn't Bill supposed to be secret? Perhaps he thought he could get away with that small reference? Perhaps this paper was submitted more recently? I don't like the idea that things from the website are also fake, since it would be strange for Bill to have such narrative control there. The website seems to reveal things Bill can't control, even if Bill is talking. This page also establishes more timeline. This is saying that not only could Bill freely move in and out of Ford's mind within a year, he had full access to alter it as well, ahead of their deal before the test. This page is probably to make it seem appealing to let Bill into your mind. It also serves a purpose of showing us Ford had let Bill fully into his mind at this point in the story Bill's weaving. I am curious why would Ford hide this only to submit a paper on it, just to keep his Muse secret? And those damn red triangles, did Bill draw those, implying he could possess Ford before their deal? No burns/vignette. The neighboring pages both have it, why not this one?
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June 15th- There is direct dialogue from Bill quoted, however, he refers to Bill as his Muse. Wouldn't Ford be creeped the hell out by the rat thing, and be alarmed that Bill possessed things just to kill them? I think this page was real, but was ripped out by Bill. Heavy vignette.
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(Sorry for the poor quality, my phone camera is awful)
At this point I should explain: I think the burn/vignette represents Bill 'burning away' memories/altering them. Ford's memories, but possibly even the reader's. I want to be clear; I don't mean Bill erased the entire memory of the page, I mean Bill erased at least some part of those events. When it's heavy around the edges, heavier manipulation. It also could indicate which ones Bill burned/destroyed. More evidence for this later.
Karaoke page- How did Bill convince Ford to drink with him after the rat thing? Bill made him forget it was Bill. "The rats were his idea?" Yeah, he told you that right away, why did he need to tell you again? While probable this happened, the writing from Ford is sus. "This Bill guy, he's really got it all figured out"? Sounds a bit like Bill talking. The drawing is strangely detailed, too. 'Dancing queen' (disco girl's parody origin) was released in '76, so that lines up time wise, at least. Likely altered/created to make Bill seem friendlier. Either could have destroyed this one if there was a real version. Vignette.
A Voice from the Past spread- He says 'my Muse', but then mentions Bill by name, which indicates it's altered. Is the first bit real, then? Why would Ford rip out this important page revealing his muse's origin and past? His curiosity would overtake wanting to keep it secret, surely? And conversely, why would Bill fabricate it? To make himself seem more sympathetic? However, there is another explanation. There is the possibility Bill erased the memories of this conversation and it really happened in some form. Bill probably realized after revealing this information to Ford it could ruin his plans. Some vignette at the top, mostly on the right page. In that is a drawing of space and a code. The code says 'forget the past." Coincidence, or purposeful on a page for a conversation Bill made Ford forget? Bill could have ripped out the pages (if they existed) himself. It's also important to note Bill is trying to isolate Ford here, which is another reason he'd hide the pages/alter memories of talking about Stanley. Also, if Bill erased the phone number from Ford's mind later, it would make sense why Ford had to send a postcard.
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A Winter Break/The Krampus adventure. Where would these pages have gone if they were real? It was January for the test, so it was before the deal, but after the bunker? Gin mentioned it feeling 'off' and strange because it's just Krampus, nothing weird or Gravity Falls-y about it, and I agree. And also, Fidds knocking it out feels... weird. I think that story is fabricated with some real details thrown in. Fidds is noticeably shaken up after, but otherwise the whole story seemed almost whimsical, and just...weird, and not in the GF way. It's fake. Ford goes back inside after looking outside in Time Traveler's Pig. He doesn't come outside onto the porch at all. You could say he comes back out after that, maybe. You could say it's a retcon. But we know the children's footprints were Dipper and Mabel, not random kidnapped kids. (Bill likely wouldn't expect the reader to know this.) My eyes are also drawn to the green and red rectangles. The festive theming bring to mind a Christmas special, and how often are those only partly canon? So, then what's real about it? I believe the gloves, and possibly the snow globe was real, since they come up again later. I believe if there was a monster, Ford (or bill possessing ford 'then-DARKNESS') fought it off, traumatizing Fidds even more. Something made Fidds shaken up. Fidds and Ford probably spent Christmas together. And Bill did warn Ford about Fidds' second thoughts (mentioned in J3). Did Fiddleford notice Ford forgetting things? Did he assume Ford was simply unshaken by what happened? For me what seals the deal is the heavy vignette around those pages. Bill altered his memories of what happened and is telling us this story instead, probably to make it seem not as bad, so Ford wouldn't be so angry that Bill wasn't there/realize that he possessed Ford. I'm also suspicious of the "Trust No One." at the end. Did this phrase really come from Bill? Wouldn't Bill be saying 'Trust me'? To be honest, it's possible the last page here was half a real conversation, but the way Ford suddenly changes his tune is strange AF and I suspect shenanigans for it. And the things Bill says are very different from 'F is not bold enough to follow through.' (J3 code, An Encounter) Also, most of these pages seem to have no reason to be ripped out, aside from mentioning Stan by name/drawing them, but he could have crossed that out, and the last page which Ford would have hidden from Fidds. If they were real in some form, Bill probably destroyed them to hide the truth.
Stanley memories pages- Real, not much to say about those. Goes after Bill's warning. Probably legitimately torn out by Ford since he'd want to keep these pictures before hiding J3. Though I do notice they are covering up a lot of red triangles, perhaps also drawn by Bill. No vignette.
Dream, or warning?- Before Jan. 17th. Real, since I can't see why Bill would make up a warning about himself. He wants the reader to trust him. The heavy vignette, again, indicates he made Ford forget about it and destroyed the pages before he could solve it, which would probably be easy since it was a dream. The laughter+fire at the end indicates Bill discovered them. Just a fun side note: the song referenced is 'Im your puppet'
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"I was wrong about everything" spread- I think goes in the gap where the black scribbled out pages are in J3. Again, the Author's cipher is here, indicating these are real. Vignette again. Bill's possessing Ford a lot, trying to erase the idea of fighting back from his mind(unsuccessfully), likely also hiding these pages. More red triangles.
Bill-proof suit- Goes after The Blind Eye- references being banned from the library, Blind eye mentions still researching Bill. J3 said he discovered the chant to enter someone's mind by researching Bill, so he could also find the anti-cipher society and the cassette. Real. Bill likely destroyed these pages and the previous ones to try and slow down Ford and erase his plans to destroy Bill. Vignette.
Zom-bills to Looky Here: After 'Ways to hide', as Zom-bills is written in invisible ink, but before the truck stop. (This would require Ford to have written on the right page first, then Bill tore the rest of these out, but not a huge stretch) Bill is fucking with Ford hard. He's probably taking his anger out on Ford while simultaneously trying to bully and manipulate him like he would do to his henchmaniacs, as he says later. Vignette on most of these- he's constantly possessing Ford and making him black out, trying to manipulate his memory to make him compliant/torture him. Bill likely destroyed the cassette+the memory of it so it couldn't be used against him, as Ford presumably never gets the chance to. Why he's showing the reader this? He thinks it's funny. He could also be hoping to scare the reader, if the reader knows what he's capable of, they'll be more afraid, and fear and love are the same, right? Notably the sticky note page is only a little darkened, probably because Bill genuinely was trying to talk at first. I can't find any evidence that these are fake, but there's no codes indicating they're real either. I think they were real, but Bill destroyed at least some of them.
(Side note: Computer code: Oroborous. Curiously uses Bill's cipher, bill writes in J3 too. These pages are also vignetted. Bill wouldn't like Ford knowing he showed fear. He also purposefully didn't give the reader these 'missing pages', because he hates them and doesn't want to reveal his fear.)
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Polaroids- Did Ford destroy this himself like the VHS? Trying to avoid being blamed for things Bill did? Just ashamed/horrified? Curiously, no vignette on the polaroids (this could be just to have the full page visible), or Bill wanted Ford to remember these to have the threat sink in fully. Probably actually happened, Bill doesn't really have a reason to fake these pages as they make him look worse/scarier.
Blackness/'No' pages: This is largely where my theory that vignette=memory manipulation makes the most sense, The darkness overtaking the page represents bill's influence and control, and stops resembling the journal pages much (though it could be invisible ink again). He can mess with Ford's mind as much as he likes. If these pages were ever real, Bill could have destroyed them himself too. Bill's pretty much telling the story here.
Fidds page, S page- Gin made another excellent post pointing out the problems with these. They're a bit redundant when compared to J3, aren't they? And in oddly specific ways. The use of the brother code indicates they're real, though. If Bill erased Ford's memories of these pages, him basically re-writing them makes sense, and also Ford going from 'the caves hold the answer' to 'the caves might hold the answers', the snow going from 'begun to fall' to 'has fallen', and going 'fidds wont speak to me'! instead of 'my assistant has clearly left me'. In some way Ford has probably retained a bit of his plans, but its not a stretch to say he'd loop his train of thought after losing memories. The "I grow maddened" at the edge is very shaky and blurry, which could reflect the shaky and blurry memory.
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I also notice (this has probably been pointed out before) now in J3 that only once outside of Gravity Falls (route 14) can Ford plan clearly. Perhaps Cipher's influence is weaker outside the town? It makes sense. if Ford sent the postcard and made his plan while free(ish) of Bill's meddling, that's why Bill couldn't just erase his memory of his plan again.
So...yeah! Some are definitely fake. Some are placed or altered intentionally to serve a narrative. Bill could be manipulating the reader's and ford's memory to have never seen these pages. Some of these memories could have been simply warped, or erased later- not right away. I'll be honest I don't love the implication that Bill can just manipulate Ford's memories freely, so I'm sure there are significant limitations to it. Bill has to stall for the whole book and give away a lot of secrets in order to change the reader's brain enough for him to be satisfied, and even then it's not enough to make the reader give in. Bill's abilities are much less than he purports. He also says that the person can notice his 'tune-ups', so there is only so much he could alter someone's brain before they notice. However, if he's been messing with Ford's head this long, he'd have a big advantage. Is the explanation that Bill erased Ford's memory a little lazy? ...Yeah? But it also kind of heightens how badly Ford was being manipulated and why he got so paranoid and unhinged there. It lets a lot of these puzzle pieces fit together that wouldn't otherwise.
My vignette theory isn't super strong, I'll admit, but I think it definitely indicates something, given some pages don't have it when they could have. They could also simply indicate those pages were burned, though it being on the fake pages makes less sense then. Bill having destroyed the pages himself makes sense for a lot of the pages, but I cant rule out the possibility Ford did destroy some of them out of frustration/shame.
Something I also realized while going through J3 again is how many 'doodles' in J3 involve red triangles. (you can see an example on Frilliam's page) The triangles I assumed were Ford's obsession with Bill, but what if they were Bill's obsession? For another post perhaps.
So, what do y'all think? Ideas? Agree? Disagree? Things I missed? Questions? Something huge that shatters my whole theory? Let me know!
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midnight1nk · 22 days
Text
Love is a powerful force.
The love between friends, family, partners. And most importantly, the love one has for themselves. In the SMG4 show, this is no different. I’ve touched on this back in my ‘ONCE UPON A Ṕ̷̱E̴̺̽R̵̖̎̕F̵̢̗̈́̀E̴̞̍C̴͈̽T̶͓̘̈́ SMG4’ theory. In IGBP, Boopkins said this:
“Love wins! Love always wins!”
[’It’s Gotta Be Perfect’ // timestamp 28:56]
He wasn’t wrong. The countless enemies the Crew has encountered, all were resolved one way or another through the power of love. No one ever said love didn’t come at a price.
The good guys indeed win, but not without sacrifice. They kept their promise, but not without loss.
However, despite everything, love always remained.
A connection bounded by love is delicate. It can either make itself stronger or it could break.
For our returning character, Marty, his connection with Mario was broken due to a one-sided betrayal. As I also discussed in my ‘WOTFI 2024 Predictions’, Marty would take his revenge on Mario in WOTFI 2024. Ever since his debut, Marty has been overworking and feeling underappreciated. Underestimated. The only ally he had was Mario. That was until Mario, his own creator, abandoned him for a plate of spaghetti. And that is who Marty will go against.
There is one more taking his revenge on the crew: Mr Puzzles. As seen at the end of The Meme Factory Arc, Mr Puzzles swore that he would be back and indeed did in ‘SMG4: Inside Out’. Well, at least that was how it was. With the current episodes coming out, some people were confused about why this wasn’t mentioned again.
The truth, my dear fellows, is that his plan has already started and we didn’t even realize it.
Follow me as I discuss the parallels between previous arcs, a callback to narrative foils, and most importantly: a sequel…
PUZZLEVISION 2: NOW AIRING
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⚠️ DISCLAIMER IN INTRO POST ⚠️
“The worst of times are when you have to force your biggest smiles…”
I’ve made many theories on SMG4, a few now posted on Tumblr. However, this was the actual first theory I came up with, not ‘ONCE UPON A Ṕ̷̱E̴̺̽R̵̖̎̕F̵̢̗̈́̀E̴̞̍C̴͈̽T̶͓̘̈́ SMG4’. It all started back after the Puzzlevision arc ended when, out of pure curiosity, I decided to check out the PV website. It was mostly to see if it was still up and, to my surprise, it was. Not only that but it was replaced with a whole new image.
If Gravity Falls taught me anything, it’s that something never truly ended.
Ever since then, every Wednesday and Saturday, I would check back at the website to see if there was any change. It seemed like my efforts were worth it because, on one of those days, the image became a GIF. I unfortunately wasn’t able to capture it to show but I know I’m not the only one who has seen this. All I could offer instead is this…
Back when it was still the PV arc, there was a moment when you could save a PNG of Mr Puzzles, and every time it did, it would show a message.
“Downloading me is pretty rude” (correct me if I’m wrong) — Mario’s Mysteries ”Still pretty rude of you” — Once Upon an SMG4 ”You don’t seem to listen, do you?” — Scooby Mario, Where'd You Go! ”HAHAHAHHAHAHAHAHA” — Mr. Puzzles' Incredible Game Show Spectacular!
Now, when you save the image this is what comes up:
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“Now Airing”
And if you look closer, the file type is also there [gif-to-webp]
The term "Now Airing" is obviously used when a program is currently on the airing schedule of the channel. The people behind SMG4 didn’t need to put this image in, they didn’t need to keep this website on. But they did.
"That's All Folks!" Yeah, right. Nice try.
Looks like this website is about to come back to life, and a new game is afoot.
WOTFI 2024
In my ‘WOTFI 2024 Predictions’, I’ve picked apart the episode ‘We Must Kill Mario’ and how it would relate to this year’s WOTFI.
I’ve intentionally left some details/questions out from the post. The biggest example being Marty’s speech. It stuck out for me when I first heard it, it was way too specific and way too familiar.
“The one person I trusted the most has left me behind for… SPAGHETTI! Now I’ve escaped! …And it's time for… everyone to suffer like I have! At the hands… of the one thing YOU love the MOST.”
Then I realized why: the Meme Factory mini-arc.
Mr Puzzles never had friends growing up, it’s what got him obsessed with television. It was also the core motive to creating the perfect show, that any kid who is just like he was won’t be alone anymore. Of course, he got defeated by the SMG4 crew.
In the mini-arc, Mr Puzzles and Leggy went through the Meme Factory so he could have power again. For the first time, he got to experience what was like to have a friend. While he initially wanted to do this on his own, he had Leggy as part of it. That was until the Crew beat him once again, turning Leggy back into Meggy. This was different, this truly did hurt.
Because what’s worse than having no friends? It’s to be betrayed by someone who you thought was your friend. And the SMG4 crew was to blame for it. Now with the Marty speech, it applies to him:
“The one person I trusted the most has left me behind for… them! Now I’ve returned! …And it's time for… everyone to suffer like I have! At the hands… of the one thing YOU love the MOST.”
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If that's so, then what is the 'one thing'?
Well, with spaghetti going from Mario’s one true love to becoming poison, it’s only logical that Mr Puzzles would turn someone from the Crew to go against them. A friend that would destroy their friendships. And he already had the perfect choice:
“And SMG4, who knew you could play an antagonist so well! High marks from me.”
[Puzzlevision]
When Mr Puzzles returned in ‘SMG4: Inside Out’, he latched onto Four’s mind and took over. For what purposes, we don’t know. Yet. But the Crew would have to save Four once again.
But Four isn’t showing any signs of control or possession?
No, but it doesn’t mean Mr Puzzles isn’t working behind the scenes, watching over Four’s every move.
Back in ‘We Must Kill Mario’, when Karen’s kids were flipping over the videos on the SMG4 channel, they stopped and jumped for joy at ‘Mario’s Mysteries’. A Puzzlevision episode.
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Later on, when Marty revealed his motive behind his poisonous spaghetti sauce and declared that he was going to come back when he escaped from Karen, it left many questions:
How did he escape from jail?
Who is driving the helicopter?
How did he even get inside the house?
We can assume. But to know in absolute, no.
After Marty escapes, Karen thanks Four and Mario for keeping her kids safe, saying:
“I owe you one.”
Now, I did say that this could mean that Karen could have a big role in WOTFI ‘24 where she will finish the job. But it also could be interpreted in another way.
You saved my kids, but now let me help save your life, SMG4.
If Mr Puzzles is really working behind the curtain, then it would turn out that, as of right now, two arcs are happening simultaneously.
And this wouldn’t be the first time.
WESTERN SPAGHETTI & WOTFI 2023
Let’s rewind to Marty’s debut episode, ‘SMG4: Mario is Fine’ when, just as any other episode, a wacky adventure with Mario. Except for the very end, when the episode ends with an ominous close-up of Marty, clearly implying that there is more than what meets the eye. For the rest of the episodes, it went along like this:
[Marty’s debut]
Marty’s strange and subtle appearances (he was just standing there)
the Western Spaghetti arc
Marty’s even stranger appearances that none of the crew took seriously (like the interrogation scene with Shroomy in 'SMG4: SMG4 Kids')
WOTFI 2023 (the Notebook arc)
It starting to parallel to episodes we currently have:
Mr Puzzles’ Return (’SMG4: Inside Out’)
His sudden appearances like 'Mario Lost His M(o)ustache'
(+ perhaps future subtle hints that something is wrong with Four)
WOTFI 2024
"something is really wrong with Four" moments
Puzzlevision 2
Structure-wise, it is similar. But with Four involuntarily along for the ride, this makes things more complex character and lore-wise. Hmm, curious…
Possession, power, perfection.
Do any of these words ring a bell?
…I think it’s time to revisit an old enemy of the SMG4 crew, one achieved far greater than anyone of us could’ve imagined.
To create the perfect universe.
GENESIS & REVELATIONS: THE INFAMOUS TWO-PARTER
Before I called this "Puzzlevision 2: Now Airing", this was the "Reverse Genesis" theory because I saw how Genesis and Puzzlevision were really similar. Genesis had Revelations right after, so I suspected that Puzzlevision would have a sequel of sorts. Let me explain:
GENESIS
⭐️ Initial Motive
Zero, a virus from a different universe. He traveled from universe to universe, destroying them by killing their corresponding avatars.
Zero had the power to convert Mario into his new Avatar and a new universe. He was close to completing the process until the SMG4 crew intervened.
⭐️ Zero's Defeat
The Crew worked together to save Mario. Three and Four were able to use their guardian powers to transfer meme energy to Mario.
Axol sacrificed himself to save everyone and defeat Zero (but didn’t outright kill Zero).
REVELATIONS
⭐️ True Form
It turns out that Zero is two people: SMG0 and Niles.
SMG0 wanted things to go back to the way they were when the memes were getting corrupted > Niles and the creation of the meme cycle > Niles getting obsessed with the idea of a perfect universe.
He returns in Revelations to carry out his plan, carrying a grudge for the other Meme Guardians.
We see Zero’s true appearance, the one without Axol's physical features.
⭐️ Controlling the Most Vulnerable
Nine latched onto Melony, who was grieving over Axol’s death.
He used Melony to learn her god powers so he could use her to get to the God Box and reunite with SMG0.
⭐️ The Drawing
Melony drew a picture of her and Axol a week after WOTFI ended.
In her mindscape, Niles impersonating Axol ridiculed Melony for not being strong enough and for hanging on to Axol, ripping her drawing.
Melony fought back, claiming how their friendship gave her strength and it would be the same thing that she'd use to end Niles.
⭐️ Round Two: The End
Another fight against Zero in his true form, back to where it all started: the God Box.
Zero finally gets defeated, being killed in the explosion, allowing SMG0 and Niles to move on.
⭐️ A Sacrifice
Terrance was sacrificed to save everyone before the God Box gets blown up.
PUZZLEVISION
⭐️ Initial Motive
As I already mentioned, Mr Puzzles didn't have friends growing up and got obsessed with TV.
He wanted to be on TV and tried to achieve 5 stars with his streaming service, Puzzlevision.
He managed to get them and create the perfect show where the audience gets to be involved. At least, for a moment.
⭐️ Mr Puzzles' Defeat
While he managed to get 4.5 stars with 5 episodes, the Crew beat him with 5.5 stars within an hour special.
Mr Puzzles received a final but non-fatal blow from SMG4.
Technically, Luigi sacrificed himself by taking the hit from Mr Puzzles instead of the Crew. But no one really died.
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NOW AIRING
[We're entering the predictions part of this theory, let's go:]
⭐️ True Form
Due to the Meme Factory arc, he is motivated more than ever to crush the SMG4 crew.
PREDICTION: he might show this true self(?), one where we see his body mingled in wires and metal
⭐️ Controlling the Most Vulnerable
Mr Puzzles has three choices regarding who to control:
Meggy — Tortured in ‘Western Spaghetti’, was friends with him when she was “Leggy”
Four — Possessed in ‘It’s Gotta Be Perfect’, terrified that another IGBP incident would happen, a perfect narrative foil to Mr Puzzles and the most likely choice.
Three — Notebook stolen for WOTFI 2024, has the most to lose (his café, friends, domestic life, etc), and able to emotionally manipulate.
⭐️ The Drawing
Just like Melony, Three drew him and Four in his notebook after WOTFI. The only difference is that her page is more open and seen whereas his notebook is personal and secretive.
This drawing will come into play whether Controlled!4 or Mr Puzzles find it and ridicule him for being soft, ripping it even.
OR
Three would use it as proof to Four that Three really cared about him, that as much as he denies it and play it off like they aren't, they're friends. What he said when they were in the pit wasn't out of desperation to save himself. He meant it.
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⭐️ Round Two: The End
Final Battle with Mr Puzzles, perhaps this time being his final goodbye.
⭐️ A Sacrifice
As mentioned in my ‘ONCE UPON A Ṕ̷̱E̴̺̽R̵̖̎̕F̵̢̗̈́̀E̴̞̍C̴͈̽T̶͓̘̈́ SMG4' theory, someone may be sacrificed. A character doesn’t necessarily have to die, it could just be a fake death, which leaves us with several options:
Three — to show that he does care.
Four — feel guilty for being a “villain” again, so he would have to take Mr Puzzles down himself. Turning Mr Puzzles own weapon against him.
Pedro — Yes, Pedro of all characters. From his first appearance, it's likely that he's not going to come back. But then again, narrative foils. Pedro was created to be a funny man for Mr Puzzles (Pedro was able to still remain funny by the end) meanwhile Marty was created to take over the pizza shop for Mario (constantly being underappreciated and underestimated). If he doesn’t sacrifice himself to save Mario in WOTFI '24, then it would be here.
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Another meme like in Revelations (please not the children please not the children please not the children)
ROLLING DOWNWARDS
With all of these arc parallels and Four's mind being invaded by Mr Puzzles, there would have to be hints about something being wrong with Four. Well, there kind of was. There are a few ways that I could think of that Mr Puzzles could use Four:
Man on the Inside
In 'Mario Lost His M(o)ustache', Mr Puzzles overhears Three’s idea to rig the votes, stopping the idea from even happening. Of course, it could be that they were right next to him, and/or they were loud. That was what I initially thought. But it could also be that Four at this point is still under his control. Four could be acting as his eyes and ears when he isn't near, unintentionally becoming a spy for Mr Puzzles.
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(Those familiar with Sonic X and the Cosmo Arc, yeah, it's like that.)
Mr Puzzles could listen to every conversation, every detail. And he would know if the Crew is plotting something to get rid of him for good.
2. "Tear Themselves Apart"
Another thing I left out of my WOTFI '24 Predictions was that Mr Puzzles could speak for SMG4, interfering with Four's thoughts to make him say what Mr Puzzles wants him to say. A script of sorts.
Being in Four's mind gives him a huge advantage: Mr Puzzles has access to all of Four's memories. For one, Mr Puzzles could find out about the cosmology lore and all of the Crew's adventures.
Second: Mr Puzzles could interfere with his memories and change them. He could make Four forget about stuff.
Third: Mr Puzzles could go through and pick out what makes each member of the crew tick, making Four do all the talking for him. For example, he could bring up Desti for Meggy, Terrance/the Youtube Arc for Three, etc. Mr Puzzles wouldn't have to even lift up a finger when they can tear themselves apart.
If I wrote it: I would have Controlled!4 namedropping someone from their traumatic past or bringing out their insecurities in a passive-aggressive manner. Basically, like the examples I gave. And every one of them would start to leave the crew, hanging out less and less at the castle. SMG3 would be the last one Controlled!4 would break. I imagine them getting into a heated argument that becomes way too personal, something along the lines of:
Four?: “Dude, you fell off. You’ve gotten soft. Domestic even. And where did that get you? Oh, that’s right… Terrance.” Three, offended: "Don't you dare bring him into this!" Four?: "Hmph. Oh, yeah? What about Eggdog? Face it, SMG3, you'll always end up alone." Three: "Did what I told you at the pit meant nothing to you?" Four?: "Like I would ever believe you! You just didn't want to die. Even if you aren't a villain anymore, you are still a selfish piece of shit. Still comparing yourself to me, ha. I don't get why you would even try, you'll always be second best."
Then, Mr Puzzles, talking through Four, would slip up. Mr Puzzles would be more interested in finding all the Crew's weaknesses so any detail that wasn't part of it was skipped over. It wasn't like it was important, is what he thought. But for Three, it was everything he needed to know,
This isn’t the real Four.
Three, smirking: "Oh, so this was your big plan? I would've come up with something better than that. I guess we meet again, Mr Puzzles."
3. What if: the demonic goop is still in Four...
“Oh, SMG4! It never left.”
It would be a sort of Venom situation that, even if you tried to get rid of the parasite, some of it still remains. [insert spider-man 2 black suit theme]
During the Meme Factory arc and in several episodes, his strange behavior from IGBP came back. At times, scenes looked incredibly identical.
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[........Announcement?????? // I Put Mario In Danger For Views]
Could it be bad writing? Likely. But the fact that IGBP was referenced once again for this arc, everything has to be put into consideration.
If it is confirmed that the demonic goop is still inside Four, Mr Puzzles will use it to his advantage. After all, it did work the first time in IGBP, so why not again? Not only that but it also gives him a bonus advantage, he could be working on his plan in two places at once and none of the crew would notice, thinking that they already got rid of it. It has a lot of potential to bring back the keyboard, the goop, the pit, the USB with the perfect video, and even Peach.
And if we are acting like it's a Venom situation, then maybe we could have the goop have a voice on its own. Could you imagine a "We are Venom" moment, that would be sick! (sorry, I'm just a spider-man fan.)
HIDDEN IN PLAIN SIGHT
What else could happen in Puzzlevision 2?
It may be a bit too early to call since we still have to go through WOTFI. However, knowing me, that doesn't stop me from trying. For that, we have to dive into some semiology.
That’s right, we’re going in the deep end here.
Let’s head back to a familiar arc:
It's Gotta Be Perfect
While I was going over the movie for these past theories, I remembered something that piqued my curiosity.
The goop itself.
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As someone who is into mythology, I spotted some familiar symbols and I've decided to give you an insight into what they are and explain why they were one of the top-tier design choices of the show.
Let's start with this one:
The Eye of God
You probably have seen this before. This is as its name states, the eye of God.
It's also known as the All-Seeing Eye because, according to Christianity, no matter what you do to hide your sins, God would see it. He sees all.
The symbol consists of an eye in the middle of a triangle. The triangle represents the Trinity (Father, Son, and the Holy Spirit). Because of this, this symbol is used for protection.
It is also similar to the Evil Eye symbol, where it's a circle instead of a triangle. This one is to ward off evil spirits/energy. (I actually have one of these myself.)
Secret societies use the symbol for other reasons: for power, wisdom, and control.
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Well, yes. It would make sense why it would be in IGBP. Four's audience watches his every move and no matter what secret he has, they will pick up on it. But the symbol is also used in a negative connotation; the keyboard and Mr Puzzles use their power to control Four.
The Eye of God is also known to be the 'Third Eye', which God uses to put judgment on the people. On a human face, our third eye would be in the middle of the forehead.
And where on Four exactly did Mr Puzzles take control of?
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That's right, in his mind, near where the third eye would have been.
Now, onto the next one:
The Eye of Horus
In Egyptian mythology, there are two eyes, both from deities, that are considered sacred. One of them is the Eye of Horus from, you guessed it, the sky god Horus. His left eye, to be precise.
Symbol representations include: protection, wisdom, good well-being and health, re-establishment of order from chaos, and the moon.
The eye is used as a form of measurement for pigments and medicines. We'll get to that.
Two myths connect to this symbol:
In a fierce battle between Seth (the god of deserts, storms, disorder, violence, and foreigners) and Horus, Horus got his eyes ripped out. Thoth (the god of writing and secret knowledge) helps him restore them back to where they belong, becoming a symbol of life and restoration.
The eye itself can be divided into 6 pieces, each one representing the six senses (smell, sight, thought, hearing, taste, and touch) and a specific numerical fraction. Think of it as a measuring spoon. But if you put the pieces together, the fractions don't add up to a whole. Some suspect that it was because of the magic Thoth used to restore the eye. Some say it represents the fact that perfection isn't possible.
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Perfection isn't possible, that is exactly what was said in IGBP. I went frame and frame to see if this eye was flipped in any way (due to it being a texture pattern). But, nope, it stayed exactly this way. This will come back in some way in PV2, especially if the whole "the goop is still inside him" theory comes true.
PREDICTION: by the end of Puzzlevision 2, something will change about Four’s left eye (heterochromia, blind, etc.)
Still don't think it is relevant? I present to you this frame:
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His left eye is within the corruption of the goop.
To the fans who had this as a headcanon, congrats on predicting this somehow!
Now, let's not mistake the Eye of Horus for the other important eye:
The Eye of Ra
While the two eyes are similar, the Eye of Ra, the right eye, is different in terms of appearance and purposes.
Symbol representations include: power, violence, fury, and the sun.
The eye is the embodiment of his daughter, Sekhmet.
Pharaohs would adorn them as amulets as a form of protection against their enemies, usually painted with a dark red. It must be handled with care because its power can easily get out of control.
Similarly to God's Third Eye, the Eye also obtains information from what it sees.
A little fact about this god: Ra places a solar disk on the top of his crown aka his head.
Again, there is a myth linked to this:
Ra was becoming old and weak, making him vulnerable. That made the people of his kingdom disrespect him, they ignored his laws and instructions. They basically made fun of him. Furious, he set his daughter (Sekhmet) to punish anyone who did this. The lion's eye, Sekhmet, went on a rampage, her roars so powerful that they conjured diseases. This killed millions of people. When Ra saw the devastation she caused, he tried to call her back to his side. She ignored him and continued on. Blood-thirsty, literally. Without a choice, he tricked her into getting drunk by using a mix of beer and pomegranate juice. She passed out for a few days and afterward, she calmed down. It wasn't all bad as the priests who worshipped her were able to create new medicines. Without her, there wouldn't be medical advancements, naming her the goddess of medicine.
What does this have to do with the SMG4 show?
Narrative foils are a constant in the show, especially in arcs. Two sides, complete opposites, are more similar than they ever realize.
Three versus Four in IGBP
Meggy versus Wren in Western Spaghetti
Four and Three versus Mario and Marty in WOTFI 2023
and of course, Four's crew versus Mr Puzzles
Then, who would be the Eye of Ra to Four's Eye of Horus?
It's Mr Puzzles.
Mr Puzzles and Four are indeed different but they are also really similar with one thing: they want to keep their audience happy. What makes them different is that Mr Puzzles sets himself is high standard for the sake of being popular while Four does it for the sake of his audience.
Just as Ra places his solar disk, Mr Puzzles got rid of his head and placed a TV, a luminous object, in its place. His obsession became his identity.
From the Meme Factory arc, Mr Puzzles swore revenge on the SMG4 crew after they disrespected him. That he seemed like a laughing stock.
But we haven't seen the Eye of Ra anywhere in the show. Unlike Four, Mr Puzzles doesn't face a humanoid face anymore. How could he have the Eye when his face is just pixelated screen?
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Actually, he does and we saw it ourselves.
I present to you this from the Puzzlevision arc:
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In the most human we have seen of him, we can see his right eye. Not only that, it's almond-shaped, the same shape as the Eye.
That is why one of my predictions was that we might see his 'true self'.
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Am I reading too much into this? Yes. But if they were able to put the name "SMG4" into the castle door frame design, I would think twice about these design choices. This fits just perfectly right.
THINGS I WOULD LIKE TO SEE IN PV2:
Signs of Controlled!4
If the whole “he still had the demonic goop inside of him” is true, then Four’s pink scars might return.
Even better, I want to see Four already having scars from the incident, hidden under his glove and sleeve.
If not scars, then they could show his change through his wardrobe. I mean look at them:
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All Four needed was some suspenders, a hat, add in a puzzle piece pattern, and they're basically twinning. Give my guy a new outfit, please!!! Hell, give him a mask even!
Meggy talks to Mr Puzzles
She confronts him for the last time, telling him that she understands where Mr Puzzles is coming from but it should give him an excuse to do what he did. Mr Puzzles will have to see that, regardless if the show's going to give him a redemption arc or not.
Three’s Part of the Crew
Three tells the Crew that they are his friends. Probably it slipped out or he did it on purpose. Either way, he meant it.
Three would confirm to Four that they’re friends. As much as it was Three denies it or acts very tsundre about it, he meant what he said in the pit back in IGBP.
BONUS: Three promises Controlled?4 that he would take them home. (She-Ra moment OMG!)
Mr Puzzles’ True Form Prediction
With the power he has left, he’s going all out, revealing his body mingled with wires and pieces of metal.
Cosmology Lore Returns
Before the battle, the Crew would have to gear up. Three might return to the Meme Factory to get as many memes as possibly could, using the Meme PokéBalls. He urges Eggdog to stay home.
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At the battle and Four is saved from possession, Three and Four use their meme guardian powers to defeat Mr Puzzles. Add in the WOTFI 2020 tracks and the crowd goes wild!
(For those who were in the Owl House fandom, it would be a 'GROM' moment!)
Reprise of the Song ‘Creative Control’
Originally, it was about how Mr Puzzles was willing to do anything to get 5 stars and his perfect show.
Reprise could be about the SMG4 crew fighting back against his control, accepting imperfection.
(sort of how real-life TV show executives put limits on the creative team on what is allowed in the final product.)
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SMG4’s Left Eye Prediction
Using the meme powers and/or defeating Mr Puzzles affected Four’s eye.
Pink - a reference to his scars and pigments, matching his ‘S’ logo (also because he looks good in pink).
Blindness — due to his scars
Mario’s ‘Best Friend Award’ For SMG4
Mario wasn’t able to give his award on MAR10 day or after IGBP.
He has the chance to give it to Four here.
THINGS THAT DEFINITELY ARE NOT GOING TO HAPPEN, BUT COPIUM
SMG4’s Locket
We never got to see who was inside Four’s locket. Who was the person waiting for him back home?
They could bring it back and finally reveal what was inside Four’s locket.
X and FM Return (+ Redesigned Models)
To be fair, it’s their choice not to be back, but I would love the Meme Machine(TM) together again.
The Boarded-Up Room & Upper Floors
Finally reveal whatever the hell is that closed-off room in the SMG4 castle.
"...And... This...Well...I'm not sure what's behind this door."
"...uh we don't talk about that room."
[SMG4: The New Castle]
Hey, Four, now is a good time to show it off. C'mon, I wanna see!
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.・-: ✧ :--: ✧ :-・.
And that is my "Puzzlevision 2: Now Airing" theory and predictions. Undoubtedly, a sequel to Puzzlevision is going to happen. But as to what it is about? We would just have to wait and see if the power of love would be perceived once again. An arc starting from a betrayal.
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"…And it's time for… everyone to suffer like I have! At the hands… of the one thing YOU love the MOST.”
The game is afoot and with that, my dear fellows, we shall see in the next upcoming episode. But, in the meantime, that’s just a theory…
AN SMG4 THEORY
🎶Thanks for dropping by🎶
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nitewrighter · 2 months
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I love your take on how Peter Parker would mesh into the DC Universe, especially as the guy that the Forever People and New Gods gravitate towards. When it comes to Spidey getting tossed into cosmic level threats, such as the original '84 Secret Wars miniseries, he's usually the designated "guy everybody underestimates" because even though Peter is a street-level hero by choice, he can punch SIGNIFICANTLY above his weight class. Like taking on "They can smack The Hulk around" heavyweights. Not only that, but he's a scientific genius who can rub shoulders with the likes of Tony Stark and Reed Richards, in spite of being this dorky, wisecracking wallcrawler.
His whole thing is that when he's around other heroes, because Peter is so secretive about his secret identity, others tend to make wild assumptions about him that Peter never bothers to correct them about, because he is just that short of being Batman-levels of paranoid about his secret identity being uncovered and having it or his loved ones used against him. He's ALSO the one who believes the best in everybody, regardless of what they might think of themselves. He holds his peers to a certain standard, so when they betray that standard, and betray their fellow heroes, THAT'S when Peter gets pissed, and you have moments where he solos like... the ENTIRE X-Men team or something to that effect.
It's why Wolverine, despite being an extraordinarily violent individual, considers Spidey a friend, because Peter genuinely believes that Logan can be so much better than he believes himself to be.
He's like this hodgepodge of Billy Batson, Dick Grayson, Jimmy Olsen, and Bruce Wayne all rolled into one wisecracking package.
I think it also helps that Spider-Man very easily slips into the role of someone who speaks out on behalf of those who are marginalized because, at his roots, he's from a very economically unstable background--he's usually having to negotiate his superheroism with a job that barely keeps a roof over his head, and I think one of the things that makes Spider-Man such a beloved and relatable characters is that, his connection to the world of superheroes doesn't actually protect him from the very mundane, everyday threats of existing in capitalism. He has to worry about keeping a roof over his head, he has to worry about keeping a roof over Aunt May's head, he has to hold MJ's hand while she sobs over community theater programs for local kids get shut down or how she didn't get that callback because even though she's immensely talented she, quote, 'doesn't have the right look.' So he's also this natural advocate of people who get passed over by life in ways all these Marvel heavy hitters don't even think of.
Captain America: Why didn't [Villain of the week] just do [very obvious Lawful Good solution]?
Spider-Man: Because No Child Left Behind shut down 5 different schools in his area, he's in a food desert, a drug arrest for a drug that is now legal is still on his record and actively affecting his hiring prospects, and during the decades you were on ice lawmakers have been steadily killing all the local and federal support programs and antitrust laws you enjoyed in the 40's.
Captain America: Ah. Yeah. That'll do it.
So I think the Forever People (and by extension, the Hairies), being kind of a love letter to counterculture themselves, would be a great team-up for Spidey. Again because they're technically aliens and lack a lot of Earth context, everything about our planet is amazing and new and groovy to them! I think it would be a good blend of characterization, again, with a Spider-Man who's definitely getting severely burnt out and struggling with the sustainability of being Spider-Man and existing as Peter Parker.
Jack Kirby's notes on the Hairies also definitely overlaps with his philosophies on the Forever People, so I'm definitely putting this in here:
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Kirby is literally so passionate and insane. But I love the idea of a very exhausted and jaded Spider-Man putting it on himself to be a guide and protector for a polycule of mind-blowingly optimistic space-hippies and somehow healing in the process.
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(This is the vision) (Also maybe Spidey gets to get fused into Infinity-Man with all of them at some point. Infini-Spidey. Working name.)
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