#not because of them but because learn how to act in society. which is something that the internet made us forget. and same with larry signs

[ot3]

top 10 pokemon that are girls

'gender'.... much like 'animals' this is a concept from our world that has made itself present in the pokemon franchise. all pokemon began having genders (except for the ones that don't) in the second generation of games, in order to facilitate the pokemon breeding mechanic which has become a staple of the main series

you may think this means the issue of which pokemon are girls and which ones aren't is already settled. but do we really trust game freak to be the deciding voices on this one? i certainly don't. so here's a nonexhaustive look at some pokemon that are doing their best to be role models for young women everywhere who have been picking up and enjoying these games for decades.

#10 - NIDORAN♀

Not only is Nidoran♀ canonically a girl, she is the first pokemon to be canonically a girl as the gender distinction between Nidoran types predates the introduction of gen 2's breeding system that gendered all pokemon. she broke the glass ceiling, and for this we salute her.

#9 - KANGASKHAN

Both culturally and in media single mothers are subject to a lot of scrutiny and scorn, but kangaskhan breaks the mold. powerful, responsible, yet loving and joy-filled. the look on her baby's face tells us all we need to know; she holds on tight to the pouch, clinging to the safety she knows her mother can give her, but gazes awestruck and wide-eyed at the world around her, knowing its wonders will be there waiting for her as soon as she feels ready for it.

#8 - CELESTEELA

Technically, celesteela's gender is 'unknown', but it's obvious that celesteela represents what life can look like for a woman who truly has it all. As one of the largest and heaviest pokemon ever discovered, she's not afraid to take up space. she doesn't feel the need to soften herself to be more accepted by the world around her, but she's also comfortable enough with her feminine side to let it shine through where and when she wants. nobody tells her how to live her life but her and also she has big lazers

#7 - MISMAGIUS

Well she's not called MISTER magius now, is she?

#6 - LYCANROC

Perfect embodiment of the wolfgirl you knew (or, perhaps were?) in middleschool. There are many doglike/canine pokemon in the dex, but something about lycanroc's exaggerated unkempt mane and lanky, awkward posture evokes the physicality of a teenager who exists as a beast beyond the boundaries of her own body.

#5 - CHIKORITA

This saultry little binch...

#4 - RAYQUAZA

It's an uncomfortable truth in life that many women find themselves in the position of needing to play the mediator in order to stop the people around them from acting in destructive or harmful ways. But just because mediating conflict can be a difficult and unfair position to be put into, that doesn't mean it's a bad thing. Rayquaza just goes to show us all everywhere how a real woman can still thrive under these circumstances, doing her best to build a more peaceful world while not letting that push her into the shadows or make her take a back seat in her own life. she is a community leader and an innovator.

#3 - SALAZZLE

She's the archetypal femme fatale. A dominatrix. A baddie. Does she make me uncomfortable? Yes, absolutely. But I'm not a furry so I'm not really the target audience of what's happening here.

#2 - SLAKING

I know so many butches who look exactly like her. you love to see it.

#1 - MEWTWO

as one feminist philosopher has said: "I see now that the circumstances of one's birth is irrelevant, it is what you do with the gift of life that determines who you are."

I think any woman living in a patriarchal society can sympathize with mewtwo's story. enraged at being treated like the property of the people who created her rather than her own fully realized person, she goes on a rampage where it quickly becomes obvious that she is even more powerful than that what she was originally created in the image of. Although this takes her down a dark path, she eventually learns to self-actualize by working on herself rather than pointlessly lashing out at people who had nothing to do with hurting her. it's empowering stuff. doubly empowering because she killed all those clowns who DID hurt her

now, of course, there are plenty more pokemon that are girls than just what i've listed here today. but i hope youve learned a little something from this.

[nooradeservedbetter]

Oh my god alright unpopular opinion(s) time. I need to write it down or I explode.

Bearing in mind that bringing explicit signs to concerts is cringe as fuck and people shouldn't do it, because of self-respect and manners, because if it's not something you would tell a random stranger, then it shouldn't be something you tell your idol:

There's a double standard behaviour from fandom when it comes to Harry experiencing this kind of behaviour (there's a huge outcry by everyone except the het harries ofc) and Louis experiencing it (little to no reaction, I've seen people laugh but I like to think it's not the same people being outraged over Harry) which is kind of... sus;

When defending Harry, the argument is that "he is soooo uncomfortable with it and he shows it" and he's... Not. Like, sometimes he is at least annoyed, like when he called out Chloe with "I think about you when I fuck my boyfriend", but other times he jokes around that, has a wtf reaction but a funny wtf reaction

Case in point a dirty joke in Edinburgh 1 in which the sign was referencing golf and it went like "if you need 9 holes we're three people", he did a double take, laughed, then thought about it, went "but that 6" because his gay ass self forgot that vaginas existed, then kept laughing to himself. Amused wtf reaction.

And still everytime there's the outcry people are like "he's uncomfortable therefore you should stop". No. "You're embarrassing yourself therefore you should stop", more like. Regardless of his reaction.

Also since I'm here, comparing this to the treatment women in the industry go through is absolutely ghoulish and shows a fundamental misunderstanding of what power structures are in society, but this is another story.

[wordsinhaled]

i’m so totally normal about the fact that aziraphale’s last (known) deliberate foray into the queer community was when he learned the gavotte at the fictionalized hundred guineas club (!!!) in the 1800s and now in the 2020s he’s like “grindr? what’s that?”

many are talking about his repression which is very valid… and yet the thing to me that stands out about aziraphale is that he’s actually… incredibly stable in his identity and that identity IS incredibly queer. queer by the standards of heaven AND by human standards as well

metatron describes his “de facto partnership” with crowley as “irregular.” and in fact aziraphale in his entirety is irregular. he likes and makes it his business not only to understand but to be a connoisseur of all manner of things angels aren’t supposed to even remotely care about. food. music. books. theatre. sleight of hand. and more.

it’s the sort of behavior that would’ve gotten him othered, treated as a bit odd, in heaven even if he hadn’t chosen to consort all across the earth with a literal demon. and it IS treated that way - the fact is aziraphale even as an angel has got proclivities that set him apart from the rest of the host (even after offering him the highest position in heaven, metatron still acts deeply dismissive of him… like aziraphale’s bookshop is merely a quaint little hobby of his that can be easily transferred to another custodian, and not a literal extension of who aziraphale has become, full of his tartan and unique bibles and special vintages of wine and the books arranged in a very specific way)

so. aziraphale is a queer angel but of course he’s also queer to other humans. but in such a way that… he had his realization a LONG time ago, and put the matter very much to rest after that. aziraphale is perpetually something like several centuries behind schedule. he owns an ancient computer that probably continues to run windows 98 simply because aziraphale’s decided it should. he wears the same waistcoat and coat for generations because he simply likes them precisely the way they are and sees no reason to change them. but the idea that he doesn’t know how he comes across to others - of course he does. he knows he looks like your prim and proper grandfather and he prefers it that way

aziraphale looked around at humans in the 1880s and said: ah yes. this is where i fit. and promptly ensconced himself in that queer subculture. learned the gavotte. read his austen. loved crowley from afar. aziraphale is fiercely and vibrantly queer. just with the sort of assurance of someone who lives with his lover in a commonlaw marriage for decades and then shows up at city hall for the certificate once society decides it’s ‘allowed.’ like… he hasn’t had any need to know what grindr is because aziraphale’s ‘scene’ was a century and a half ago and it defined romance for him too.

but my favorite thing about aziraphale is how much of him is about appearances versus the truth. he can lie straight to angels’ faces and sleep at night. he knows he comes off soft but he once wielded a flaming sword. he dissembles helplessness but he’s far from it and he knows precisely how it makes others treat him. and at the core of aziraphale is rigidity, inflexibility of ideas… his sense of self is stable where crowley’s is malleable, and so on, and so on

and the fact that he’s continuously fixated on trying to misguidedly do the right thing, the fact that he seeks heavenly approval and wants to fit the world into his schema of good vs evil… in no way do i think that means he isn’t one hundred percent aware of how he feels about crowley or what it means about him by angelic or human standards. i’ve seen some folks saying that aziraphale doesn’t want to like kissing crowley and like… as much as i love me some brideshead revisited/atonement flavored angst; i put forth that it’s not internalized homophobia or queer panic but simply: “i’m trying to do the right thing for both of us and you won’t let me.” and “i wanted our first kiss to be different.” he was envisioning an entirely different flavor of romance than what he got but he emma woodhoused too close to the sun

like, y’all. aziraphale in all likelihood has a glorious collection of historical queer erotica. he just has a feathery diva coat hanging in his closet, and for what. “oh, good lord” he says at crowley’s revolutionary outfit in the bastille, while eyeing him up like an entire meal. he’s so good at affected propriety, at carefully constructed stuffiness, but between the two of them aziraphale’s got to be the one who has experience

aziraphale had been physically throwing himself at crowley the entire season. he orchestrated an entire regency ball so they could touch hand to hand. he spends the entire season (well, and season 1) looking at crowley like he’s particularly coveted. he looked at crowley before the fall like he was glorious and beautiful. aziraphale’s queer and he knows it and i think that isn’t his problem, it’s the fact that he wants to build a different sort of future for the two of them but crowley’s gone and thrown a wrench in it by reminding him of everything he can finally have. like. that’s the heartbreak. it’s how dare you make this ugly? i forgive you for our first kiss being all pain and salt. it’s my dearest, i wanted to make heaven as beautiful as you deserve. as sacred and safe for us as our bookshop. and i can do that for us, because once i held a flaming sword and i still remember how the hilt felt in my hands. and now the taste of you is in my mouth.

[paraphwrites]

i think it's interesting that edwin attracts lonely people.

-the cat king has seemingly never had a real substantial relationship. he lives his lives playing tricks and games, not actual connections

-monty literally only ever spoken to one (1) other person, and that's his fucked up mother familiar mommy situationship that he needs, like, so much therapy to unpack

-simon, maybe the only other gay kid in this boarding school, completely isolated from his peers by virtue of his identity and society and shame

-niko, who has been hiding in her room, avoiding other people for months out of grief and something larger (the inherent unavoidable devastation of growing up alone)

-and, of course, charles. charles, who died alone. charles, one of the only non white kids at that boarding school. charles, who's dad didn't love him and who's mom didn't say anything. charles, who flirts with every girl he meets. charles, who would follow him to the end of the earth but won't ever talk about his feelings because he's brills, mate, aces. charles, who spent his entire life alone and now won't spend a minute of his afterlife alone

i dunno. i think it's interesting. edwin, who we know is lonely, attracts other lonely people.

and, not to overstep my bounds as a silly little person on tumblr, but i think it's interesting that the show has attracted a lot of lonely people, too. and i think there's a lot of reasons for that. the target demographic is teenagers & young adults, a notoriously lonely group. the show features a lot of minority characters, which will attract minority audience members, and often people who are a part of a minority feel lonely and different from the people around them. the show is about friendship and found family, and i think that attracts a lot of lonely people. shit, i'm lonely, and i was drawn to this show. yes, for the incredible music and acting and cinematography, but also because the themes are so fundamentally resonant and raw.

and THAT is why dead boy detectives is an important show. because it is a show for the lonely and the grieving and the lost. AND it is a show for the hopeful and the learning and the coping. it is a show for people who have their shit together, and people with no shit together, and people who don't even know their shit is spilt all over the floor. this show MATTERS because it speaks to the fundamental devastation in human existence AND it finds the beauty to celebrate. it says, yes, loss is horrible and life altering, and you will be okay. yes this will be awful but you will carry on. and that is SO important. do you understand how important that is?? because everyone, everyone goes through loss and change and hardships. everyone. it is a show for lonely people! and we're all fucking lonely, aren't we? isn't part of the human condition just being lonely??

dead boy detectives is a show for people wronged by men. it is a show for people coated in grief. for people who are dealing with their sexuality late in life. for people with fucked up parental relationships. for people who date as a distraction. for people who are doing great and just like a silly little ghost show! for people not doing great but trying their best anyway. most of all, it is a show for lonely people.

just. FUCK! this show MATTERS! this show MEANS SOMETHING to SO many people!! including me!!! it matters to ME!!!! and i will continue yapping about it, even if it's just into the void!!!!!!!!!!!!

[lgbtlunaverse]

I've been wrestling with two beliefs I hold simultaneously but that I previously (incorrectly) thought were contradictory: that sexuality is inherently harmless, but also that specific kinds of sexual desire have been used to enact and justify grievous harm. The notion that men's sexuality is more important than women's consent, that white men's sexual access to white women must be protected from the "threat" of men of color, the idea that this specific kind of desire is so inherent to a proper society that if you have the wrong kind of sexuality you deserve to be shunned and harmed.

How can sexuality both be inherently harmless and measurably harmful?

Anyway, the answer is very easy, and part of why I feel like we should stop treating sex as something completely unlike other things and horniness as unlike all other emotions. Because I realized that, oh, right, this happens to other feelings too.

You know another feeling that is not inherently dangerous but is frequently used to enact and justify violence? Fear.

Fear is not inherently evil. Not even if it's irrational and your level of fear does not correspond to the level of danger you're actually in. In fact, irrational fears are such a common phenomenon we literally have a word for them: phobias. Which you are not evil for having. (Am I calling phobias the fear equivalnet of kinks? Kind of... I guess)

But fear and discomfort are used all the time to harm people. Let's say some random white woman is walking home late at night, and she notices a man is following her. This man might just be walking in the same direction by coincidence, but there's a small chance he's following her on purpose. It is quite natural for the mind to wander, and we frequently fear what we do not know. Discomfort or fear, in this situation, is neither inherently harmful nor unusual. However, if this white woman has been inundated her whole life with 'stranger danger' narratives and stories of women being brutally kidnapped, assaulted, and murdered by strangers. (Even though the vast majority of female victims are killed by someone they know, most often a romantic partner or family member) and she then, by the flash of a streetlight, spots that the man following her is black, and she has also been fed a narrative that black men are inherently violent and dangerous, that feeling of discomfort is enhanced and distorted until she believes she is in genuine danger and calls the police.

Statistically speaking, that guy really was just walking in the same direction, and is unlikely to be a threat. However she has now seriously endangered him, and justified it by the fact that she was scared.

A man justifying sexual assault because he couldn't help it, he was just so attracted to her. (And she led him on! She was barely dressed!) Is weaponizing his horniness in exactly the same way as people who call the authoroties on a disabled homeless person because they were "acting weird" are weaponizing their fear.

And all emotions can be weaponized this way. Anger is used to justify domestic violence ("you shouldn't have provoked me") Happiness and fun is used to jeoparidize safety (the last 30 years of olympic games have had a death toll among construction workers of over 116. The 2022 world cup alone has an officially admitted death count of 40, but the real cost is likely in the hundreds) disgust is used so often it's hard to restrict it to a single example (queerphobia, ableism, fatphobia, racism, misogyny, it's everywhere)

Sexual desire is just one way among many where the comfort of the powerful is valued above the safety of the opressed. It's not unique, but instead painfully common. And it's useful to keep this in mind not to devalue it or deny it's happening, but because we can borrow tactics and learn from similar situations rather than getting stuck on endless debates on whether porn is intrinsically evil or not, which will get us nowhere.

[rationaliity]

dr ratio vs. the genius society | an analysis

this'll also be a comparison between ruan mei and dr. ratio so warning for that one too, just in case.

i saw this post by @chronical-lover

and firstly, i just want to say thank you, especially about mentioning how aeons don't care about humans because youre so right. i wanna expand a little bit on the comparison between his character and the genius' that we've met this far.

ratio ultimately failed to be recognized not because he wasn't smart enough, but because he was too human. he's human first, scientist second. he'll always be human first, he doesn't have it in him to act without emotions no matter how much he wants logic to dictate his every move. his entire character is that he believes every one has a human right to be alive, to learn and to grow. he's there to guide them, not necessarily in the nicest way, but still.

i think contrasting him with ruan mei in the story quest was a perfect idea. when you meet ruan mei, she's kind. she makes the trailblazer feel comfortable, even for just a little bit. she offers companionship, tea, and a conversation. but she does not care about the trailblazer or her creations, something painfully obvious in her actions. when the trailblazer was facing up against ruan mei's failed attempt to make a replica of the emanator of propagation, ruan mei was no where to be found. but you know who was, just in case he had to step in ? veritas ratio. even though both knew that the replica wasn't likely to hurt the trailblazer, ratio was there.

" since you're here, i won't intercede. but should you fail, i will be forced to prevent some avoidable misfortunes "

( i hate this man so much )

but he was there. he witnessed the fight, and once the threat was over, it was time to get going ( his words, not mine ). he was there to witness you fight, and should he had needed to, he would've stepped in to prevent us from any actual danger. however, when we approach ruan mei after the fight, and we look reasonably upset from her, we don't get an actual apology. she says she regrets her actions, but her words aren't actually about putting us in danger. she was upset that her experiment fell short, that she had made another predictable outcome.

" you look.. upset, correct ? i regret my actions. there's no defending what i've done. time and again, my experiments have fallen short, and they've always yielded predictable results. i made a clone but it.. doesn't hold a candle to the emanator. "

she did say that she would be there if the danger proved to be too great, but she was not. veritas, however, was. both of them said that they would step in if needed, but only one of them was actually in a position to do so. only one of them took preventative measures to make sure that you were safe from harm. and that is not the genius ruan mei, no matter what her words say.

ruan mei has a flowery way of speaking. not to say that she necessarily minces her words, she's upfront about a lot of things. but she lures the trailblazer into a false sense of security. she's introspective, and questions her own actions a lot. but she's never apologetic about the way that her actions put other people in danger, just that they don't yield the results she wants.

ratio, however, is curt. we meet him originally as a brooding, mysterious figure. he's mean, he doesn't use a lot of words to get his point across. he says what he means, and he's a fan of effective communication. he doesn't have to worry about himself, he knows who he is and how is actions affect himself and the people around him, and that leads to people assuming that he's egotistical ( which he might be , a little bit. as a treat ) but the reality is that ratio cares more about the people around him that he'll ever let on.

and that's where he fails. that's the fundamental difference between him and those within the genius society. ruan mei, herta, screwllum, and the other geniuses do not care about anything other than results. and yet ratio is kind. he's inherently kind, his actions are all for other people. he's saved a dozen worlds with his inventions. he's a scholar within the intelligentsia guild, and a doctor saving his patient's lives every single day. he wants to guide people from the shadows towards the right answer, he wants to make them use their brains and think.

he does not act without considering other people. he can't be a genius first, and a human second. and that's where he fails to gain nous' recognition. it's not that he's not not intelligent enough to be a genius, it's that even in his pursuit of knowledge, he has not forgone his humanity.

and perhaps, in nous' eyes, that's the difference between the mediocre and the genius. to erase every part of you, your emotions, your empathy, your humanity, in the pursuit of knowledge is what separates a genius from the masses. not having those barriers allows you to really dig deep into subjects that would otherwise be considered taboo or dangerous, because you don't care about how the outcome affects people as long as you can study it. as long as you can get answers out of what you're studying, it doesn't really matter what the test subjects are feeling.

ratio is too human, too caring, to ever be considered a genius in nous' eyes.

[ash-says]

Tips for Dysfunctional Family Girlies Part 2:

1) Get your basics straight. Education. Boundaries. Financial independence. Further breaking it down and linking it if you get proper education at some point you are bound to get an awareness of this world, if you are able to adapt and improvise yourself and develop your emotional intelligence and get your boundaries straight you will save yourself a lot of unnecessary drama and problems. Education (formal and informal) both will help you in gaining opportunities and if you are financially independent, you are holding the power to make your own decisions.

2) Develop thick skin. Your mom is calling you names. Slut, whore and what not. Your dad doesn't trust you and abuses you physically. So, what now? Are you going to let them define what you are or internalize the anger and use it as a fuel to become successful? Choice is yours.

3) They say you don't owe an explanation to anyone. Sorry to burst your little bubble. Actually you do. We live in a society and have relationships that we need to maintain for survival. This hyper independent stuff is only good to read. We have responsibilities that we need to fulfill. If you don't owe an explanation to anyone then don't cry about a closure from someone too. If you can live by this go ahead and practice it.

4) Stop isolating yourself. That's it. That's the point.

5) First kill the fear inside you. Being a rebel outside the house is no good. Be disciplined. Know how to manipulate your family members in your favor and if you can't just find the weak points and threaten. I know it's difficult to implement but you learn through trial and error. Plus something is better than nothing.

6) Stop glorifying people who treat you with kindness and love. That's the bare minimum. Just because you didn't get it served in a silver spoon doesn't mean it is not served in a silver spoon. People can have ulterior motives and even if they don't fix it in your brain that's normal. No rose colored glasses allowed.

7) Don't be afraid of indulging in your sexuality. No I am not saying go and have sex with people. I mean it in a deeper sense. Connect with the repressed sexual side and try to find healthy outlets. Don't dim yourself to fit in others'expectations or to ease someone's insecurity. Be unapologetic about your wants and desires. Know yourself. It's a powerful energy source if you know how to use it positively.

8) Cry, cry and cry. Wail like a child. No need to keep it all in. No need to act like a macho woman BUT only in front of your god or your belief system. Max in front of your truly trusted people.

9) Question everything as easily as breathing. Doubt every thing. Every action. Every person. What proof do you have to not doubt ? Stop giving benefit of doubts. Stop looking for excuses on how they could be good and instead look for ways in which they can harm you. That's your lottery to be poised and composed. It's just what it is.

10) Obsession. We have it in loads. That's natural to us. So the trick here is to be obsessive. Hella obsessive but about things, topics, goals, subjects, inanimate things,etc. God forbid but never be obsessive about a person. Not even over your dead body. Why? For that I need to make another detailed post I think.

[yarrayora]

i like how falin being a maiden to be saved, a reward to be coveted, isn't a point to criticize in dungeon meshi. because we have various other female characters who are written as having their own agency

we have marcille, of course, whose story can be observed since chapter 1. how she's not depicted as the "girl team member" but "part of the team". when you're writing a protagonist group where there's only one female character among the male cast, you can always feel this sense of alienation in the writing, like she doesn't belong in the group as the story focuses on the rest of the boys. the way masashi kishimoto writes team 7 is a major example

but marcille is still allowed to be a "typical girl" who doesn't want to eat gross things and enjoy feminine clothing without forgetting the fact that she's a multifaceted person. she's a researcher who isn't afraid to get dirty when it's something relevant to magic and her goal, even though she's also grossed out at the idea of feces being used as fertilizer for crops

and when falin comes back as a monster who can't speak, it's still not a point to criticize. oftentimes stories involving female characters losing their speech (or, well, becoming disabled in some way) is meant to make her vulnerable, a fragile 'something' to be protected. but this is not an argument about how chimera falin is super strong, because that's a shallow way of thinking that ignores the fact that being a Girlboss doesn't ensure your female character is written as a fully realized person. this is about the fact that almost right after that Izutsumi joins Laios' party.

She joins late in the game, so it'll be easy for her to only be tacked on as an afterthought. A notable example would be Okumura Haru from Persona 5, where her character gets overshadowed a lot by the other party members' more colorful personalities, as if the writer wasn't sure how to integrate her into the already developed dynamic.

there's also how she's written as a sweet and shy girl yet the way her school uniform is designed betrays that image. it's heavily customized even compared to the trendy girl like ann which means it's impossible for her outfit to not go against school regulation. not something an obedient girl would have done. which makes me wonder if they couldn't decide on her writing until last minute.

but Izutsumi is different. her involvement and her own personal story arc eventually intertwines to the overarching plot. she hates having her options limited. she hates having responsibilities to uphold. she hates eating veggies! she hates that people expects her to do things their way! she wants freedom to do whatever she wants!

but in the end she learns that to have the freedom to choose, she has to uphold her responsibilities. starting from the simple things like taking care of her health by eating balanced meals, not just the ones she enjoy. she has to do work to get enough money for her food and travels. and she has to learn how society works so she can live independently. she has to learn which desire she has to prioritize that she can balance out with her responsibility as a living being.

her own self-realization culminates into her giving advice to laios that leads to him steeling his resolves to become king.

so you have Falin, who gets turned into a monster that cant communicate her desire and needs while under the mad sorcerer's control, and in exchange you get Izutsumi, the 'beastman' who knows exactly what she wants and throws a tantrum about it without shame, not understanding that what you want isn't always what you need. i think it's a really cool parallel!

this is a prime example of how tropes that get associated with misogynistic writing can be used as a proper tool that serves a narrative when you have more than multiple female characters having their own character arcs

in fact, you can apply this to pretty much every other things. when you're writing gay characters, having only one of them and they act camp can make people raise an eyebrow at whether this is meant to be a caricature of gay people or not. having two of them and one acts camp and one acts normie can be read as a bias against gay people expressing themselves. writing multiple gay characters, all with different personalities and desires will avoid accidental stereotyping.

even the minor female characters, be it the canaries or namari, help show that the way the narrative treats Falin isn't born from thinking that women are an alien breed compared to men. that her lack of agency means something for the themes involved.

[heartfullofleeches]

The Blacksmith

Yan Deity HCs [Request]

Tw: Self Harm

-

- Blacksmith isn't what most would gods would consider being one of their own. For the better part of its existence, The Blacksmith has functioned akin to a machine rather than his own individual self. Acting on orders given by those above him was all he knew until the punishment of gods through extensive torture was shunned upon by many. Blacksmith was free to do as they wished, but they're generally stumped to the workings of society outside of what their created purpose.

- Love as humans and even some gods express it is unfamiliar to the Blacksmith. Their creators greatest mistakes was teaching it the painful side of love without the innocence of something puee. He was instilled with the knowledge that any sign of weakness should not be allowed. That being said, a strange warm fills its chest whenever you treat it kindly. He does not deserve the gesture- Are you toying with it because you truly believe he is beneath you?

"My Lord.... I do not understand the purpose of this so called "hug" you have bestowed upon me.... I did not ask you to stop."

- There is no room for error in Blacksmith's eyes. As he adapts to the mortal understanding of affection, Blacksmith showers you with gifts and gestures to prove they are willing to even the playing field with you. If he brings you something you are allergic to or simply not a fan of its wise to keep sharp objects from him until you can calm him down and assure him it was a common mistake.

"May the spill of my blood grant me your forgiveness.. Had I heard you clearer I would not have made this mistake."

"It's cool, dude- Pizza is pizza."

- The Blacksmith is immortal and heals relatively quickly, which is why if you bother to patch them up when they do get hurt their brain just kinda shortcuts for a while. You are the mortal in the situation. Those supplies would be better saved for you. Is this what it means to care for another out of the generosity of one's heart(s)? Is this love? Logically, when you are injured they must return the sentiment.

"Please hold still, My Lord. The cast is almost complete."

"Isn't this a bit excessive? It was only a splinter."

"... Negative."

- The Blacksmith has a hidden profession of making music boxes. It is a tad embarrassed due to the macabre nature of the other objects it creates, but as they learn more if your world it develops a small obsession with the melodies they produce and their mechanisms. He leaves ones he is most proudest of in your bedroom - expecting you to somehow have no clue how it ended up there.

- Blacksmith can easily remove their helmet - they just don't want to. He has been described as beautiful by gods who have met it after the incident due to their eyes, but as for the appearance of its face as a whole no-one knows. It wears the iron maiden to atone for its sin of nearly condemning an innocent god, but it also believes those gods were liars and that its face will disgust you. If you argue back that are gorgeous regardless of if you've seen it or not, The Blacksmith has no choice but to take your word as truth since they trust you not to lie to them.

- Enjoys classical music. Cannot dance to save it's own skin, but would greatly admire your dancing no matter your skill level.

- One rule you must keep in mind is to not give Blacksmith access to the Internet. He will absorb modern lingo and relationship advice like a sponge. It confuses him greatly, but considering you are from this time it might be the key to winning your heart.

"Have a good day at work...Pookie."

[poweringthroughthis]

love in three acts | kim mingyu, wong yukhei

nsfw, mdni (ftm reader)

ship: wong yukhei (lucas) x male reader, kim mingyu x male reader

(requested!)

desc: forced to act like only friends in public, (name) is sick and tired of his boyfriend's ignorance. Maybe another hot guy what it'll take to set his boyfriend straight and appreciate (name) more.

warnings: feminization, reader's genitals are referred to as pussy/tits, dirty talk, sweat, strength kink, muscle worship/kink, voyeurism, cross-dressing, manhandling, pussy slapping, pussy eating, spanking, breastplay, vaginal fingering, vaginal s*x

act i.

Life is not what it is portrayed to be in cinema. (name) learned as much now that he was well into his 4th semester of college. Society has romanticized the college experience to such an extent that one dives in, expecting alcohol, parties and an enchanting love life to be the frontrunners, while in actuality, it is assignments, exams and stressful days filling the void most of the times.

Nothing changes if you don't make it happen yourself. Your dream life doesn't manifest one day magically, and your love life doesn't become one for the books by itself either. You need to start living the way you want to. That, is the only viable form of happiness in today's world. At least that's what (name) taught himself during one of his loneliest nights, freshman year, which culminated with a self-therapy session.

Then the nerdiest, biggest pushover of a guy, (name) was now a changed man. He had the biggest glow-up: his slender curves, thick thighs and pretty eyes, putting everyone's wildest dreams to shame in comparison. He embraced his true self fearlessly, taking control of his life and living the way he wanted to. He had definitely been happier ever since then, but he believed it did little to better his dating life as he was still boyfriend to a man seemingly afraid to love him in public.

Wong Yukhei is a lot of things, but inherently smart, he is not. Which is why he doesn't understand why his boyfriend is upset with him right now. "W-what do you mean?"

"Seriously Lucas? We've been over this before. Every time I as much as I lean into you in public, you go off to do something else with your friends. It's like we're strangers in public." (name) explained, perplexed.

"It's not like that! You know I love you. It's jus-just.." Honestly, Lucas didn't know himself why he'd been subconsciously dodging his boyfriend's advances while they were out. It's not like he never indulged in PDA with his previous partners. Maybe he'd been getting too caught up with his friends that he unintentionally neglected his boyfriend each time they were in the public eye.

"You know what? I need to go. Come find me when you have an answer. " (name) scoffed dejectedly, storming out of the empty classroom, leaving the flabbergasted giant behind. (name) started wondering if he wasn't attractive enough for Lucas.

If only he knew how wrong that assumption was. Because if that was the case, he wouldn't have the hunkiest man to ever exist (besides his own boyfriend), eye-fucking him from behind. The large man traced (name)'s every movement with great intensity: the way his hips swayed as he walked quickly, the way his skirt rode up just enough to show his supple thighs, even the way his ass looked perfect as he bent down to pick up his fallen stationery.

Kim Mingyu was a lot of things. And like every other guy, being inexplicably horny at the sight of a pretty boy, was one of them. he snapped out of his daze, dashing to (name)'s side, helping pick up his belongings from the floor, without failing to catch a peek of his bra underneath the dress. needless to say, he had to physically restrain himself from popping a boner then and there.

"Hey, you okay? Looking a little sad there" he offered his charming smile, making (name) look up as he straightened himself. His gaze fell on the handsome man's huge biceps, that flexed under the weight of his stack of books, threatening to rip his half-sleeved tee that was already too tight for his massive chest. It was hard not to, when a 6 ft hunk was sizing up his body shamelessly.

"I'm Mingyu. I'm in this faculty too. 3rd year"

"(name). 2nd year." Offered he, politely.

"Boyfriend problems?" Mingyu inquired, (name) taken aback. "Just guessing", he clarified, knowing fully well he eavesdropped into the couple's conversation earlier. What? He just wanted to see for himself who bagged this hot specimen before he could. Before (name) could respond, Mingyu moved closer.

"I won't pry into your personal life, but tell you what. Any man that doesn't appreciate you enough, is a loser."

He ran his hands all over (name)'s curves, finally slipping underneath his skirt to grope his ass and lift one of (name)'s legs against his groin, making the boy gasp.

"Someone who loves the beauty that you are, y'feel me?" His breath fanned over (name)'s face, the boy feeling 50 emotions at once.

"I,I shou-"

"Hey! What the fuck do you think you're doing?!" the duo turned towards the source of the voice: (name)'s seething boyfriend. Lucas stomped over to them, snatching (name) from Mingyu's grasp and wrapping his bulky arm around his waist, pulling the boy flush against his hard chest.

"Not so shy touching him in public anymore?" Mingyu teased. If Lucas wasn't mad jealous right now, he'd probably wonder how Mingyu knew about the couple's fight. But he couldn't care less right now. He all but dragged (name) back to the empty classroom, heels clacking against the tiled floor and slammed the door shut.

"What's wrong with you Lucas ?"

"ME? The fuck's wrong with him? How dare he lay his hands on MY boyfriend?" Lucas fritted his teeth.

"I might as well let him. Since YOU'RE so ashamed of touching me. I bet, with his huge arms and adonis-like body, he can easil-"

"You mean, these?" Lucas threw his stupid smirk (name)'s way as he flexed his massive biceps that threatened to spill out of his half-tee.

"Lucas! W- what if someone sees us? The door has a huge window" (name) stuttered, turned on by his boyfriend's manly display.

"I don't give a fuck anymore." Lucas said, taking off his shirt over his head in one swift motion, using only one hand.

Throwing shame out the window as all coherent thought left his body, (name) ran firm hands all over the muscle mass that was rock hard under the touch. He squeezed the giant pecs as Lucas made them bounce. "You like that?" He smirked.

"So fucking much, you're so big and strong for me." (name) moaned, latching his mouth to suck on the bulge of Lucas' biceps, the giant flexing them hard in (name)'s mouth. The musky scent of sweat filled the air making (name) hornier as the recalled how hot Lucas looked playing basketball earlier, all sweaty and pumped up.

He ran his tongue over all his muscles: the abs, the meaty chest, the armpits, licking every crevice of the result of his boyfriend's hard work.

Lucas moaned, throwing his head back, grabbing a fistful of (name)'s hair as he pushed him further towards his body.

"Yeahh, worship those muscles like the good boy you are."

"You're so fucking hot, baby. Look how fucking huge you are."

Lucas growled, turning (name) around harshly, removing the string of his dress with one hand, the piece of fabric falling aside at once.

"This little pussy is mine" He landed a smack on (name)'s hole, cupping him hard through his panties, the boy shaking from the recoil of Lucas' strength. "Gonna ruin it with my fat cock, baby."

"Yes, daddy. Do it, fuck me!" (name) cried.

Lucas delivered more slaps on his clothed cunt, (name) tearing up and thrashing from the impact, but Lucas held him in place with one hand and he continued using the other to smack his pussy. "Crying already? Wait till I'm done with you. you're gonna cry harder than now, begging me to stop, but I won't."

(name) sobbed at the prospect, loving every second of it. Lucas grabbed a fistful of the boy's ass, kneading the flesh hard, digging his nails deep into his plump flesh. "You have the fattest fucking ass" Lucas groaned, slapping it hard again, and again, and again.

"I'll make sure this fat ass bounces when I fuck you."

Lucas turned him around, grabbing him by the back of his thighs and lifting him up easily.

"Ah! Lucas, fuck! You're so strong."

"Yeah? Want me to throw you around? Use my muscles to manhandle you and fuck you real hard, huh? Like this" Lucas lifted him up in the air and threw him on the desk. He leaned in, pushing his muscular body flush against (name)'s soft one.

He grabbed the boy's neck, squeezing it hard and forcing him to look him in the eyes. "I'm going to wreck you."

"Please" (name) choked out.

Lucas released his grip, sliding the panties clean off and shoving three of his fingers in.

"Look at how small your little clit is, baby. This is so cute, I'm gonna enjoy stretching it out."

He rubbed his calloused thumb on his swollen clit, teasing it in circles as he pushed his thick fingers deeper, adding his pinky.

"Fuck! Oh my god, you're so deep. I can't.

"That's right. Scream my name. Make everyone hear that you belong to me." The giant rammed his digits harder, abusing (name)'s sensitive spot. His body jerked forward and fell on the table behind him, hands scrambling for support.

"Fuck! I can't, please-ah!"

Lucas didn't relent, adding his pinky to the mix, his knuckles rubbing against (name)'s walls. "Take it! Take it like a good boy."

The taller boy continued his merciless assault, ramming his thick fingers in and out of his boyfriend. (name) felt the familiar knot in his stomach as the pressure kept building. "Cumming, please-!"

"Yeah? Gonna cum? Gonna cum all over my fingers? Cum like the good boy you are."

(name) did as told, clenching and shaking, squirting all over his boyfriend's fingers. Lucas took out his digits slowly, admiring the mess, licking his fingers clean and tasting his boyfriend's juices.

"Fuck, you're delicious. Turn around."

"W-wait, I'm sensitive-!"

"I don't fucking care. I'm gonna eat this pussy till I'm satsified. "

(name) turned and laid down, the hard wood of the desk supporting his back. Lucas grabbed him by the ankles and hooked them over his broad shoulders, spreading his legs apart. His heels almost reached the top of the man's back, but it did not deter him as he leaned down and pressed a kiss on the wet slit, his warm breath fanning over (name)'s sex.

"You look so beautiful right now. Your tits spilling out of your bra, and your legs spread wide for me."

Lucas dove right in, burying his face in the boy's pussy, licking and sucking at the swollen clit.

"Ah, Lucas-fuck! So good"

(name) gripped the hair on the man's head, bucking his hips as he was sent to another realm. He felt the wet tongue prodding and sliding, the sensation overwhelming his body.

Lucas captured (name)'s labia in his mouth, suckling hard between his lips and pulling it back with a pop sound. The lewd action made (name) cry out as he was eaten out, his pussy abused and raw, the man's tongue lapping at his entrance.

"Lucas, I-I can't take it. Too much, ahh"

"Yeah? Like how I eat your fucking tight pussy?

Lucas licked and sucked his boyfriend's clit, slurping up the juices from the sensitive hole. "Fuck, I can do this all day."

"L-Lucas, wait! I can't! Please-ah!"

Lucas kept at his pace, eating (name) out, the latter feeling his orgasm approaching rapidly. "I'm-cumming! "

The giant smirked, completely pussy drunk. " Yeah? Eating this little pussy so good, huh? Go ahead and cum all over my tongue, baby. Cum on my fucking face."

(name) was a panting and moaning mess. He couldn't take the pleasure and pain mixed together, and it all culminated as he squirted all over his boyfriend's mouth, the giant swallowing it all up.

Lucas sat on the teacher's desk, pulling (name) harshly onto his lap. He massaged his tits through the bra, growing hornier and more aggressive by the second. He couldn't take his eyes off the beautiful view of his boyfriend in nothing but heels, the black material covering his breasts.

"Take that fucking bra off" Lucas growled, pinching the buds beneath the fabric.

(name) reached behind him and undid the strap, the garment falling and pooling around his waist.

"Fuck" Lucas whispered as he squeezed the soft mounds in his large palms. He brought his head down and suckled the rosy buds, biting them harshly and leaving marks around the skin.

"Oh fuck! Please, more!

"Yeah, you like that? My mouth all over your pretty little tits?"

"Mmm, yes"

Lucas continued his ministrations, slurping noises filling the room as squeezed and sucked harder.

"Oh fuck, I need you, now. Turn around and show me your pretty little ass."

(name) slid off his lap and turned around, his knees resting on the wooden desk and his palms spread in front of him.

Lucas unzipped his pants and pulled out his throbbing cock, already leaking precum. He gave his length a few strokes before sliding the mushroom tip across his boyfriend's pussy, the heat of the wet flesh driving him crazy.

"Please, put it in. Put it in!"

"Yeah? This is what you wanted all along, huh? Wanted to be fucked stupid in the middle of class? Wanted me to breed you full?"

"Fuck yes, please"

Lucas didn't waste any time, grabbing his thick member and pressing the head against (name)'s sopping entrance. The hole twitched at the touch, aching to be filled. He pushed the head in and watched as the hole stretched to accommodate his size, a moan escaping his throat.

(name) whined at the feeling of being filled to the brim. The cock inside him was massive, stretching his insides and reaching the deepest parts of him.

Lucas grabbed his boyfriend's waist and rammed into him, his cock disappearing into the warm cavern. "Fuck! You feel so fucking good, babe".

The man kept his pace, his thrusts getting deeper and rougher. He leaned forward and bit the boy's earlobe, whispering filthy nothings to him.

"You take my cock so well, huh? Such a fucking good little boy.

"Ahh, please. Faster"

"Yeah, you want me to fuck you faster? Wanna feel my cock in your stomach? Wanna be fucked stupid?"

"Please! I'm so close, please let me cum!"

Lucas grabbed his boyfriend by the back of his neck and pushed his face down on the table, his hips never ceasing their movements. Lucas' strength never failed to amaze (name). He always sent himself over the edge thinking how the giant could easily snap him into two.

"Ah, I'm- I'm cumming!

"Go ahead and fucking cum. Squeeze my dick, milk me dry."

(name) shook as he squirted all over the thick cock, his walls tightening and convulsing around his boyfriend's length.

"Ah, fuck!"

Lucas slammed his hips forward, his balls smacking the boy's ass cheeks. His seed flooded the insides, filling him up to the brim and painting his walls white.

He pulled out his length and watched the cum trickle down the boy's thighs, the sight making him twitch.

(name) laid exhausted on the desk, his eyes shut and his lips parted. Lucas tucked his dick back in his pants and carried his boyfriend bridal style, the boy resting his head on the man's broad chest.

Lucas kissed his forehead as he left the classroom, carrying his boyfriend to his car.

Little did they know, they were being watched in this classroom, yet again.

Kim Mingyu let out ragged breaths, his head against the cold wall of the lecture halls, eyes closed and lips parted. He was sweating profusely and his jeans felt unbelievably tight. As he came down from his high and removed his hands from over his crotch, he looked down to see what the stickiness was.

He was so crazy over seeing (name) being wrecked in nothing but heels that he came in his pants.

[kerosene-in-a-blender]

One thing (among many) that Midst does incredibly well is that the narrators use character death as a narrative tool expertly. Every death in the series does something and each death tends to have a narrative weight that's proportional to the narrative weight the deceased character had while alive.

Stationary Hill's Postmaster and Agatha Ledge are both minor characters whose deaths, while they are felt by the characters who knew them in universe, mostly serve to highlight the danger the other characters find themselves in, as the Moon Tearror hits Stationary Hill and the remaining Breach members (and Jonas Spahr) are plummeting through a razor-sharp mica field respectively. Meryl Concord is likewise a fairly minor character whose death serves both to mirror her brother Atticus's* (more on him later) and usher in the final phase of the conflict against Weepe by showing the how dangerous the heaving mass of tearror unleashed from his puppeteered body is. All these deaths serve to establish the lethal stakes of the situations each death occurs in, but are ultimately not dwelt upon too long by the narrative. This works because these are minor characters; they had little enough presence that the story can swiftly move on in their absence without feeling like a disservice to them.

Milton Fleit Sr. and Imelda Goldfinch are both antagonistic characters who ultimately die fairly ignoble deaths that the narrative doesn't dwell too long on, largely because, as the finale itself points out in regards to Imelda, none of the living characters we follow care enough about either of them to dwell on their deaths. But despite his both their deaths are heavily symbolically loaded. Milton Fleit Sr. dies in the same moment that Valor dies and the Trust begins bleeding out. Imelda Goldfinch dies in the moment that all her scheming to get Weepe in control of the Trust because she believes the Trust needs a man like him to lead it comes to nothing because Weepe at this point is a dying, broken man aggressively lashing out at everything around him. The narrative spends little time dwelling on the deaths of the characters themselves, and that works despite how important of a character Imelda in particular was, because it serves to highlight that ultimately, both of their lives, spent devoted heart and soul to the Trust, came to absolutely nothing because the Trust died with them.

Atticus Concord, Fuze Peabody, and Kozma Lazlo are important secondary characters whose deaths end up as catalysts for major plot developments later in the story. Atticus, in his attempt to blackmail Weepe and Saskia over the Black Candle Cabaret's role in the Breach route, ended up both murdered by Weepe and providing him with the means to facilitate his raise into the upper echelons of Trust society (in the form of his meticulously documented notes on every Breached employee of the Cabaret). His death is also the reason Meryl enters the story and avenging him is the reason she stabs Weepe and in doing so directly shapes the final confrontation between Midst's three protagonists. Fuze's murder after informing Phineas and Spahr via letter that he had information about the Trust's most infamous murder case resulted in Phineas' attack on Sherman in the Cabaret, Phineas impulsively running off after Tzila in a desperate bid to avoid Spahr saying he'd failed, Sherman selling Lark out to the Trust, and the Trust's focus throughout season 3 on finding Lark in order to solve to the economic crisis caused by Midst's moon exploding. Kozma's death at the hands of Weepe after threatening the Upper Trust is the trigger for the Breach's attack on the Central Vault, which is what ushers in the final act of the story. It is also the moment in which we learn that before he was Moc Weepe that character was a Fold Baron whom the other Barons, spearheaded by Kozma, attempted to murder by throwing him into the Fold Depths in a mica sarcophagus.** These characters were all major drivers of certain aspects of the plot in life, and they remained so in death, with each one of their demises having ripple effects that lasted through to the end of the story. The deaths of all three of these characters were also very heavily telegraphed. Weepe threatens Atticus on their first meeting with death if he's fucking with the Cabaret, Fuze is introduced as a man who is going to be murdered before too long, and Kozma's death is foreshadowed in the episode icon for "Baron", which shows someone's red blood in Weepe's pump apparatus.

The two most plot-central characters to die***, Moc Weepe and Saskia del Norma likewise had their deaths telegraphed to the audience in advance of them actually happening, with the narrators describing Weepe's happenstance first meeting with Imelda Goldfinch as spelling his doom and the way Saskia looks at Sherman, and tells him to go on without her at the end of "Shindig" signalling that something major is happening with her other body in the Highest Light and that whatever it is is not good for her. These deaths also were both given a lot of narrative breathing room. Saskia's death is in many ways the primary narrative subject of not only "Ghosts", the episode in which she has her final confrontation with Weepe before expiring, but also "Shindig", the episode that showed us why she made the choice to shred the remaining explosive beads at the cost of one of her bodies (and eventually her life). This post here is a great breakdown of how key an episode "Shindig" is in understanding Saskia and her motivations at the end. As mentioned above the narrators called Weepe's doom as early as season 1, and in many ways the entire series was a slow build towards his demise, especially after Imelda's actions (and Spahr's inactions) in "Inside" lead to a drastic worsening of his Fold condition. Weepe's immanent death hangs over "Ghosts" as much as Saskia's does, as Mother Trauma says, Saskia doesn't have long, but neither does Weepe. The finale also takes time out of the frenetic pacing of the final battle to have a quiet moment with the last remaining exhausted flicker of Moc Weepe, to show that above all else he is just tired and wants to finally rest. These deaths are given a lot of time to sit and settle because these are central characters, and their deaths have as much narrative weight as their lives do. As well, in Saskia's case, she remains central to the plot after her death, as it is what drives Weepe into the despair fueled rampage that he spends the final two episodes of the show in, and it is in her name that the Stationarians charge Weepe and the Company.

Every character who dies in Midst has their death count for something, in a narrative sense, but how much that death is doing is proportional to the weight the character had in the narrative while alive, and that helps make each death feel appropriate, narratively earned and appropriately impactful.

*Meryl Concord is Weepe's last onscreen victim, just as her brother is his first, and they both die the same way, being horribly dissolved by the Fold strain in his blood.

**The word "sarcophagus" is also used to describe what Lark creates to contain the leaking Fold from Weepe's corpse. Moc Weepe began and ended in a sarcophagus of glittering material, the first which excited Fold and the second which calmed it.

***It's debatable whether or not Lark's fate counts as "dead", as it seems she more became a permanent part of the Fold than anything else. Regardless, the pattern still applies, Lark's acceptance of the Fold and it's acceptance of her has been a part of her arc from the beginning of the show, and the moment where she joined it was another quiet moment in an action packed finale that was allowed to breathe and settle with the audience.

[consoledacup]

Cannot get what Alice and Will say to Colin out of my head. And it had me thinking about everyone's different reactions to hearing about Colin helping Penelope.

Alice and Will were pretty offended and affronted by Colin's blatant and rude dismissal of Will when he tried to warn him about Cousin Jack. When Colin brings his acquaintances to the bar at the end of s2 and thanks Will for his warning, I bet Alice and Will were like, he's a good egg. They probably admired his sincerity and were happy he brought them business. So they most likely developed a soft spot for Colin.

Alice is very new to the ton when she calls Colin gallant. The Mondriches are still learning the roles in which everyone plays. So instead of seeing Colin's help as scandalous or pathetic, the Mondriches can easily connect what he did to how he handled himself in s2. He's just a good dude, and they know it.

Hyacinth reads as much Whistledown as she can, but she still is not out and therefore not there to witness the societal structure of the ton. So she also admires Colin for helping Penelope. And Penelope herself also reiterates how kind he was to help her. She might be on the outskirts of every social function, but she wields societal power in a way that is unmatched. And she can see through the rules of propriety because, sometimes, she writes new ones.

And every other character who reacts to what he does sees his assistance as something different. Even Eloise, who still holds disdain for the ton, warns him about the scandal. Which makes sense because she's trying desperately to align herself with the winning side this season, while also nursing her broken heart.

All of this goes back to Violet's comment about people pleasing. People pleasing is not martyrdom. Those are two very different things. So Anthony was a martyr to the point that Daphne called him out on it. Colin's a people pleaser.

There is a dark and self-serving side to people pleasing. It's not about helping others. It's seeking the approval of others. It's going against what feels natural and right and doing what you think you should be doing or feeling how you think you should be feeling. So Colin has grown up, learning every aspect of societal norms. Despite the squabbles they get into, he thinks the world of Anthony. And he's watched Anthony and Benedict become men and thinks, well I should be doing that too. I should be acting like them and then, perhaps, I can command respect. And that idea is proven right when Anthony buys a Colin a drink for having so many admirers.

So when Debling pops up, Colin's obviously upset and jealous. He sees this older, richer, titled guy who has a lot going on, is serious about his work, and is easily winning Penelope's affections. But I think he's also threatened by Debling's apparent lack of concern for how people see him. He owns his peculiarities in a way that Colin didn't think was possible for esteemed members of the ton.

That's why his behavior at the Queen's Ball is such a payoff. He had learned how to successfully master society's game. But in the end, none of it mattered if he couldn't be his authentic self. None of it mattered if he couldn't have the one person who truly understood him.

[tizeline]

Asking some writers/artists I follow:

Is there anything in your fic/comic that you as the author know about, but won't end up in the actual story?

So I have a rather uh disorganized way of telling the story of the TSAU, I jump back and forth in the timeline quite a bit depending on what part of the story I wanna tell. Overall I improvise quite a bit, and because of that I can't be 100% sure what will be depicted in the story and what wont. But I might as well share some little tidbits of lore that are probably not gonna be mentioned in the main story (though they still might who knows lol)

So uh. April and Kendra are exes. Kinda. They were pretty close friends when they were younger and decided to become a couple when they were like 9 or something. This lasted for a grand total of.... 2 days, maybe? Then they had a huge fight about something silly like, I dunno, Kendra hacked April's tamagotchi as a prank and she got mad so they broke up and they've had major beef ever since.

Draxum made Mikey wear some type of artifact or gear that supressed his mystic powers as a kid for his own safety. Mikey started showing an incredible talent for the mystic arts at a very young age. Draxum was excited about this for all of 5 seconds before realizing that Mikey is a VERY small child with NO impulse control and he's definetily gonna turn himself and the rest of the family into glitter unless Draxum finds a way prevent that from happening until Mikey has the chance to develop an understanding of consequences. (He's learned to control his powers well enough to not need them by the time of the main-story, so he no longer wears the supressors)

Donnie's whole villain-act he puts on is partially a coping mechanism. He grew up never knowing anyone like himself (unless you count Splinter, I suppose) so the only times he saw himself represented in anything was characters in comics and shows and such. There were plenty of anthropomorphic reptile characters in the media he consumed, and Donnie clunged to anyone or anything that he could at least somewhat relate to. Problem is, a lot of these anthro reptiles were like.... y'know... villains. It's pretty common for super heroes and stuff to fight evil mutant reptile creatures, and even stories with only anthro characters reptiles tend to be charactarized as more villainous. Granted, turtles specifically usually don't get this treatment, but it still had quite an effect on Donnie as a little kid that most characters similar to him would be viewed as evil, which caused him to internalize that mindset. So turtle tot Donnie basically went like "Yes! This is what I am! A villain in someone else's story! It all makes sense now! This is a healthy mindset to have!" and just kinda embraced the role that human society had given to him because he didn't really know how else to deal. (Things changed after meeting April and he found out that there might actually be humans out there who might treat him like a person and not just a freak of nature! He still plays into the villain-persona, partially for fun and partially as a coping thing, but he doesn't have nearly as a negative view of himself now as he did as a tot)

And last, but certainly not least................ Draxum owns a Lou Jitsu body pillow (PURELY for research-purposes, NO other reason!)

[willknightauthor]

What happens in the Dolorian church in Martinaise is a profound bit of worldbuilding. At first Elysium seems like a normal, secular world, and if anything it's surprising how absent religion is from it. Liberalism has become the religion. The only real reminder that Moralism was once a fully functioning world religion is the abandoned and broken church west of the lock.

But learning about the pale point, the history of the churches, it makes sense now. The pale is directly interacting with human thought and society because they are both manifestations of information in the universe, in an evolving dialectic. Dolores Dei pulled information from the future and literally expanded the world by inspiring others with her dream. She was, by the standards of our world, a prophet. The churches, built around nascent points of pale particles, are a social attempt to control the pale through the collective act of ritual dreaming. By dreaming the divine, humanity pushes back the death of the world, for a moment.

By the time the game takes place, that side of Moralism is long dead. The churches have been abandoned and their function forgotten. Moralism has degenerated into liberalism. The Revolution was a moment of mass dreaming, of the future manifesting itself. It was the best hope to push back the Pale, but the MoralIntern crushed it, and restored global stagnancy. Growing entropy is accelerating the consumption of the world by the Pale, and no-one knows what to do because there is no future, only past.

Harry though, depending on how you play him, has the potential to start the reversal of this process, if just in Martinaise. The man who has effectively dedicated himself to a kind of monastic worship of the Pale (unknowingly) is the first one to start the process. (Never give anyone too much credit, even Harry.) But if Harry helps the homeless ravers start a club in the Church, he is effectively helping to start a new ritual community with the same properties as the old Moralist Church, right under the pale point.

If you get Noid to warm up to you, you learn he's a kind of organic existential philosopher. He even discourses with Tiago. He and the others don't just party as a hedonistic act, they maintain partying as a kind of ritual act of life affirmation and contemplation, an attempt to transcend themselves and realize something new and powerful. In short, they are reaching into the future to create something new. It's ridiculous 90s Euro club music, but the way they do it it's as ritually powerful as any church service.

This ties into the more general theme of Disco Elysium, that the human power to dream of a new future and then collectively act to bring it about is a powerful act of creation that pushes back the boundaries of the universe, and is necessary for our species to even survive. To crush the revolution, to crush democracy, is to crush the future. Elysium has killed God, but they haven't gotten to the next stage of becoming gods.

Dolorian humanism ironically does not end up elevating human beings. Only the communards had a chance at elevating humanity to a level of creative consciousness that would allow them to tame the Pale the same way they used to with religion. And the revolutionaries, even though the Moralists never recognized them as such, were likely pulling from the future as much as Dolores Dei. Kras Mazov will never be recognized as an Innocent, but in terms of prophesying and inspiring people with a dream which could push back the Pale, he effectively was.

Now with the revolution at a low point, the world is in a kind of existentialist limbo, lacking the conviction of faith in either the divine or the future. The old is dead, but the new cannot be born. What happens in Martinaise is the beginning of the return of that faith.

[yanderes-galore]

Ugh, Panther I don't know what exact time you'll be getting this ask but as if now it is not the 2nd in my time zone. But I don't have any time tomorrow so I hope its okay to send something earlier. If not, please feel free to ignore!

I just need *sucks in breath and clenched fist* Yandere Gojo from JJK with the prompts 14. , 34. and possibly 35.

with someone who has sorcerer powers but has grown outside of the jujutsu society? They fight because they genuinely wanna help people and Gojo introduced them to the school to be a teacher too - in hopes to get another strong ally but uh oh he got obsessed. Like, he does not want to lose you like he lost Geto and maybe you'll grow to understand him too. so imo the prompts work well. Can either be platonic or romantic I think he can be both!

Thank you!

Sure, friend! I hope this is to your taste :) I really hope he isn't too OOC or anything. There was no plot structure here 😮‍💨... I just followed the direction my mind guided me.

He's a subtle yandere here Ig.

Yandere! Satoru Gojo Prompts 14, 34, 35

"It's too dangerous in the world. You need me, you should know that!"

"No one else understands me except you!"

"Don't push me away, dear... I only want to be closer to you!"

Pairing: Romantic/Platonic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Fear of attachment/loss, Trauma implied, Clingy behavior, Overprotective behavior, Controlling behavior, Soft yandere, Threats near the end, Dubious companionship/relationship.

It had been a long while since Gojo had found someone he could relate to in some way. The companionship wasn't quite what Gojo had with Geto long before... but it was close. You were strong... yet so isolated from the rest.

A familiar feeling to him.

Gojo could tell you were a strong Sorcerer when you entered the school for a job. As expected... Gojo wanted to test you to see if you were right for the job. By the end of your examination... you were approved.

Leaving Gojo curious and excited.

In Gojo's eyes, strong allies were important in the field. It's what he strives to find and teach. Strength has always been important to protect the weak.

Gojo at first hated how interested he was in you. Yet you were so mysterious... according to you, you never went to Jujutsu High to learn your craft. Which leaves Gojo baffled on your strength.

You aren't stronger than him, far from it, but you are certainly strong and full of potential. During your job, Gojo often checked in with you. Many students never really saw Gojo away from you for long.

He was always playful and laid-back with you. Safe to say you both get along well as teachers. Perhaps even too well...

Gojo realizes he's too attached when the worry starts to settle deep within him.

The bond you share reminds him a lot of Geto. Too much, actually. Such a thought makes him pained.

Gojo's concern grows, even as he offers to train you. You're a teacher skilled in your craft. Gojo really shouldn't be worried.

But... are you handling the new environment well? You seemed like you lived an isolated lifestyle. Does the city bother you?

Gojo despises the worries he has. All leftover emotions from when he was a teen. He... just can't help himself, however.

You always care so much for others. As a teacher and Jujutsu Sorcerer, you end up sacrificing whatever you can to see students and friends safe. It's honorable...

But Gojo doesn't wish to lose another he's close to... not when he finally feels he has someone who gets him.

Such behavior makes Gojo stick around more often. To the point you even begin to wish he left you alone. Despite being a strong Sorcerer similar to him, Gojo also seemed to treat you like you couldn't defend yourself.

You didn't respect him babying you... it was an insult to your skills.

"Don't push me away, dear... I only want to be closer to you!" Gojo whines, a frown on his face as you sit in your empty classroom. You snort, amused that he acts like a child while treating you like one. You have no idea what's gotten into your friend and ally as of late.

"Satoru, I don't wish to speak with you." You state in a stern tone.

"Why?" Gojo replies, walking over to lean on your desk. He's as casual as ever it seems.

"You've been awfully... suffocating." You admit bluntly. "I am an adult who can handle themselves."

"... not in this world." Gojo sighs, gaze never once leaving yours behind his glasses. He notices your unamused look and straightens his posture.

"It's too dangerous in the world. You need me, you should know that." Gojo frowns. "The city has way more curses running around than where you came from."

"I can handle them." You retort.

"And if you can't?" Gojo responds, staring you down. Something about his staring unnerves you. You're silent, Gojo oddly going back to smiling after you stop arguing.

"I'm the strongest, you should really just let me take care of things for you. It would be much... safer." Gojo's tone is oddly relieved and gleeful.

"... Satoru... you can't be there for me all the time." You try to reason.

"Says who?" Gojo frowns. "No one else understands me except you! Am I just supposed to sit back and lose you?"

His words and lack of composure surprise you. Gojo's quick to fix his sudden outburst, however, sitting beside you and holding your hand. It's an action of comfort...

But you can tell there's a pained expression in his usually playful eyes.

"... just listen to me, okay?" Gojo whispers, looking back at you as his grip tightens. "You'll be safe if you just... keep me close."

"Satoru-" You try to speak, but Gojo covers your mouth.

"I don't care how strong you are... I'm stronger. If you don't let me protect you..."

Gojo's grin turns... unsettling. A twisted show of teeth that makes it look like he'll snap. You swore he even chuckled. Your heart beats faster when he leans closer.

"I may just have to keep you all to myself no matter the cost... that way you'd be safe and I can't lose you. How's that sound?"

[fuzzyfoe]

One aspect about Littlest Pet Shop that really captivated me as a child when I was a budding furry is the fact that all of the pets were anthropomorphic to the extent that there were no humans and it was just the pets themselves that were running this society for pets, yet at the same time the pets would still just act like pets. It was implied that there were pets who would do things like manufacture food bowls or squeaky toys or scratching posts that would then be sold to other pets, and then those pets would just eat out of their bowl or play with their toys like the kitty or puppy that they were. And this isn't considered weird or anything, despite the fact that they are capable of higher thought all of them take the time to simply just be a kitty or puppy and this is completely normal for them.

This wasn't just about the way we would play with the toys by the way, LPS had schoolastic books and DS games that would show that this is exactly how the LPS world worked. This was canon. There's this series of DS games where the pets all live in their own little town inhabited by only pets and they all own their own houses, yet those houses contain things and furniture that only pet owners would need, and those things are just for the pets to use themselves just like how they use the regular furniture as well. There was a short time where LPS ran an MMO in partnership with EA that was called LPSO, in which there were numerous NPCs who were all cats and dogs and rabbits in the same style that the players were, who all ran their own shops where you could buy things like dog biscuits or feathers on a string which you would need to use to fill up the hunger and happiness meter of the pet you were playing as.

Typically whenever I see the topic of LPS brought up in furry circles, it's in regards to the 2012 cartoon that had Blythe in it where it was this Doctor Dolittle situation where the pets were just treated as only animals and Blythe was the only one who could talk to them, which is a little strange to me considering that what LPS used to be before they added Blythe to it aligns so much more with what furries are all about. Sure the show gave us actual characters that were consistent that we would actually see more than once which is something that earlier LPS media didn't really do, and this let people actually become attached to characters like Zoe and Pepper and Sunil and it's fine if you like that era of LPS because of those characters. And the fact that this show was airing on the same channel that MLP:FiM was as well as during the time when MLP:FiM was at its peak probably has a lot to do with it as well. But I feel like it threw away a big chunk of what made LPS more "furry" and I feel like the discussions we could be having about 2000's-era LPS in regards to it being furry media is really being slept on.

Anyway I really like the idea of being an animal but in like an LPS kind of way. I get to still enjoy all of the good things that come with being sapient while also having the option to simply just be kitty whenever I want. I like having the ability to create things and to learn anything about the world, but sometimes I just wanna be kitty.