#not because i had any kind of catharsis
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pharawee · 10 months ago
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Guys, I'm going to be honest. Maybe I'm still in shock because it's been like 2 minutes since I finished the DFF finale but
lmao that was so cheesy (affectionately)!
Come to think of it, with 50% of us screaming for blood and 50% of us (aka me) crying because why can't we all just get along, this is actually the perfect way to end things: make all of it become true and untrue at the same time.
The ending is so absurd and over the top and so predictable in being unpredictable that I actually feel well entertained. Just pure chaos. I don't know how else they could have let it end in only 30 minutes - except to not let it end.
Also, did I detect some Silent Hill 2 soundtrack vibes in those piano tunes when New was hallucinating? Because I appreciated that.
On a more serious note, the nightmare revelations were truly messed up and I appreciate that too. Psychological horror my beloved.
I guess in the end it's not about revenge or forgiveness or remorse at all but more about guilt and grief and punishment (and I guess that too is a lot like Silent Hill 2). A group of boys bully their classmate and in the process destroy the lives of a whole family. New gets his revenge on them, and more innocents die, and on and on it goes because no one ever truly deals with their guilt (and/or grief). Even in their drug-induced psychosis/happy ending Phee and Jin (whose nightmare is it anyway?) only wish they could help Tee... and then they do nothing. The whole thing literally becomes this beginning-less, never-ending miasma - a monster bearing Non's face (and now I'm just stuck on my Silent Hill 2 parallels and I should probably stop and listen to some Akira Yamaoka to get it out of my system).
*but also that Jin potentially hallucinated two whole years of uni is probably the worst punishment of all.
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scalpelsister · 1 year ago
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also this isnt really proper shade at larian or anything and the writing of this game is SAURE good so dont take it this way but.
i sure do wish. Minthara was not villain batted as hard as she was. Her being locked to "evil" runs and being mutually exclusive with several party members. Her being nothing more than a miniboss for your average player- who does not even know shes a potential party member! Her being so chronically unloved by the community because... shes the "evil" companion. Hell, even the amount of people saying frankly really edgy shit about killing her or hurting her completely unprompted lmao. Like I genuinely think shes been pretty unfairly demonized both by the community and by the meta of just like... the game itself because she's really actually..... kind of, dare I say, sweet? if you get to know her. ugh.
#also if i had two nickles. shes sylvanas all over again lads i fear#idk obviously larian handles her character much better than wow ever handled sylvanas but its genuinely like#kind of eerie how similar they are and how hard they where both villain batted considering how evil they actually are#ESP compared to their male counterparts#like i would argue that neither of them are any more evil- and likely are even less evil- than a lot of the men in the same game that#are not villain batted at all.#like every character in warcraft is a war criminal so sylvanas is hardly uniquely evil on that front#and i have a hard time buying that minthara is anymore inherently evil than astarion lol#idk again larian handles trauma much better and it feels... inauthentic to accuse them of not treating minthara well because shes#traumatized. thats def not the argument im making here but it IS really sad to relate to / find catharsis in another traumatized elf#only for her to be. villain batted just like the last one :/#idk. its just a bummer.#like again thankfully its not a thesis of larians like. karlach and shadowheart and laezel are all beautiful and wonderful examples of like#traumatized women allowed to be angry and validated for being angry#BUT im selfish haha i want my bestie minthara to be able to have a happy ending w the rest of us and i dont want to see her demonized for#idk being a traumatized angry woman like!! it seems outta place for that to be the message but#whatever im rambling ive lost the plot#my post
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theabigailthorn · 2 months ago
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We know you were on accutane. Stop lying
not that it would matter if I had, and not that it's any of your business, but I have in fact never taken accutane.
This is a useful teaching moment though, because what you're doing is a well-studied phenomenon in digital media called 'policing fake femininity.' It's a thing people do to women in the public eye, a specific kind of criticism centred around accusations of being inauthentic, fake, or having cheated in some way. Often it's men doing the policing but women do it to each other a lot too, there are whole websites dedicated to it in fact. Often those criticisms centre around our appearances, as yours did here.
It's sometimes a response to perceived inequality, of which there is plenty! Women in the public eye - myself included - do benefit from a lot of privilege. I've always been quite open about that. People who engage in that kind of public bullying often tell themselves that because of the privilege (or perceived privilege) of their targets the fake femininity policing is socially justified, or the fault of the target. But it doesn't really do anything to correct the structural problems that give rise to that inequality.
In their paper "Policing Fake Femininity," scholars Brooke Duffy, Kate Miltner, and Amanda Wahlstedt say,
“The solution to the structural concerns associated with capitalist patriarchy is not, we contend, to label individual influencers “stupid famewhores” and disparage their mental health in ways that invoke the spectre of hysteria (e.g., “batsh*t crazy,” “delusional,” and “lunatic”). As Chemaly [Rage Becomes Her, 2018] argues, it is necessary that girls and women express their anger, but such a directive “is not an endorsement of unbridled rage, or permission to deliver a swift roundhouse kick to the face of anyone who upsets you, or to regularly fill the spaces you live and work in with hostility and discomfort.” While venting anger at these influencers and their purportedly questionable choices may provide some form of much-needed catharsis, such gender-coded vitriol amplifies the rampant misogyny and toxicity that women already face in online environments.”
If you'd like to know more, I recommend:
Steve Cross & Jo Littler, “Celebrity and schadenfreude: The cultural economy of fame in freefall,” in Cultural Studies
Brooke Duffy, Kate Miltner, & Amanda Wahlstedt, “Policing “fake” femininity: Authenticity, accountability, and influencer anti-fandom,” in New Media & Society
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mangle-my-mind · 1 year ago
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I don't think my answer will surprise anyone. It HAS to be Gimme Danger.
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What is the best scene in Velvet Goldmine?
Reblog & tag and/or reply with your answers!
#First - EWAN FUCKING MCGREGOR ATE THIS SCENE UP. CAME HUNGRY AND LEFT FULL.#his performance is just absolutely incredible - SO much more heart-tearing than the original song imo#the bisexual lighting? iconic#the SCORES of reaching hands of the fans!!! the ocean of adoration and craving that's right there at curt's feet. i feel it so tangibly#they're all there for him reaching for him - but he's hardly paying them any mind. because this performance isn't for them.#Curt never even looks at the audience during this performance. he's always looking up or out or beyond#this performance is for HIM. and it's for BRIAN.#and the kicker is he doesn't realize that Brian is actually THERE#this song is the perfect vehicle for curt to try and vocalize his angst#(try being the key word bc does he succeed? does this performance actually exorcise any of his demons?)#@holy-loki thinking of that conversation about how this performance 'strains for catharsis but never actually reaches it'#Curt is on his knees mourning his relationship with Brian. One he knows turned sickly and poisonous#but one he misses all the same.#the first verses we see him begging for some kind of respite - 'feel with you at ease' 'kiss me like the ocean breeze'.#he wants love and release from his pain and maybe Brian was the key to that at one point. Brian had saved him once. Maybe he could again?#but then the chorus comes in and the begging gives way to anger and goading#i feel like he's daring Brian to do something - 'swear you're gonna feel my hand'#(honestly i feel like i lost the plot on what i'm trying to say but i'll just keep going lol)#THEN - MY FAVORITE PART - THE WRITHING. OH GOD THE WRITHING#i just love how physical this performance is. like curt cannot properly express himself without involving his whole self in it#CAN YOU FEEEEEEEL IT#just fucking tearing his throat apart BEGGING TO FEEL SOMETHING FROM THE MAN WHO ULTIMATELY DECIDED TO COMPLETELY SHUT HIM OUT#the man who saw curt for the mess he is and said 'no thank you'#the man who couldn't understand why curt didn't fit into his glam fantasy#the man who turned his back on him in the studio - who shouted nasty things at him from the window#who opened the curtain and dropped it#GOD imagine being Brian and seeing this and then just. just walking away?#could never be me#the fact that Mandy was there too to witness this?#let me ramble about THAT for a second.
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moonlightspencie · 2 years ago
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This Ain’t for the Best
Description: Mutual pining. Classic hunting scenarios. Sharing a bed. Wearing the other’s clothes. Confessions. Friends to lovers. Tswizzle title. Need I say more?
Pairing: Dean Winchester x gn!Reader
Warnings: a little bit of violence, me cramming in every cliché i can because i love the classic fanfiction tropes more than i love breathing
Word Count: 5.9k
A/N: i was kicking my feet and giggling as i wrote this, especially when i snuck in criminal minds AND taylor swift references. i love writing and never beta-reading or editing what i’ve written. catharsis.
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Crashing at Bobby’s had its benefits.
First, we had the comfort of knowing where we were going to sleep at night. It was good to have a bed waiting that wasn’t in a motel room.
Second, there was almost always good food around. I had a knack for home-cooked meals, and it was much easier to be appreciated for it when I actually had a stove to cook on.
Third, there were boundless opportunities for Sam, Dean, and I to kick back and actually relax.
That’s how I ended up in the kitchen, laughing with Dean over old stories we’d told a million times before. He reached in the fridge, pulling out two bottles after we’d come down from the most recent remembrance of an old case. He cracked open the top of his beer, then my drink, sliding it towards me on the counter. Sam and Bobby strolled in st that moment, pausing when they saw us.
“You both woke up like an hour ago,” Sam said, unamused.
“6pm somewhere,” Dean and I said in unison.
We looked at each other with a small laugh, leaving Bobby and Sam rolling their eyes. I took my drink and stood a few steps away.
“We should really get going, though, Dean,” Sam stated.
“Where?” Bobby asked.
“We were planning on doing a run to the grocery story. I don’t want us to eat up all your food without repaying you, and we’re almost out of beer,” Sam said, pointedly looking at his brother.
“This one needs more of those little fruity drinks, too,” Dean teased, nodding at the bottle in my hand.
“Hey, it’s still a malt liquor. Just one that I like,” I said with a laugh.
They said their goodbyes, and I started walking into the front room. Bobby watched the door for a few moment after the boys left, then turned in the archway and locked his gaze on me as I sat on the couch.
I looked at the bottle in my hand. “I know y’all are all about beer, but I can’t help if I prefer something with a little flavor.”
“That’s not why I’m looking at you,” he grumbled, fed up with me already. “What in the world is goin’ on with you and Dean?”
“Huh?”
He furrowed his brow. “Don’t act all shy, now. You two have been flirting nonstop lately.”
“What’s new? We’re both pretty flirtatious in general.”
“Not like this,” he said with a shake of his head. “I don’t know the last time I saw that boy blushing, or you getting all flustered like a teenager.”
“I am not,” I scoffed. “Nothing’s happening, Bobby.”
“I’ve known your for five years, now, and I’ve known those boys since they were kids. You stayed in my house for a year, too. You can’t hide this kind of thing from me.”
“I’m not hiding anything. I’m an open book.”
Now, he scoffed. “Yeah, and I’m running for president.”
I rolled my eyes, taking another drink. He came closer, sitting down next to me.
“If you keep denying all this…”
I swallowed, finally resigning. “There’s nothing to do about it, Bobby.”
“Yes, there is. You could tell him.”
“It wouldn’t do any good. You know how he is, he doesn’t want to be tied down. If we don’t make any moves or promises or whatever, a lot less doesn’t get broken.”
He raised a brow. “I do know how he is. For you, he’d make an exception.”
“I don’t think so. Besides, it’s all just flirting for him. Doesn’t mean anything.”
“Are you blind?”
I looked at him, brows raising. He shook his head, picking at the label on his bottle.
“Sorry. I just— I know what I’m seeing, and I really don’t think it’s just a little friendly flirting for him, either,” he said, looking at me again. “I really think you should speak up while you’ve got the chance to. We don’t often get good things with lives like ours.”
“I know. I just don’t want to screw things up.”
“You’re gonna end up screwed if you keep pushing it down, anyway.”
I sighed. He took that signal as a time to change the subject, and for that I was thankful.
“Well, let’s find you the next case, huh?”
The next one was an easy find, and it would’ve been great to break the news to the boys when they got back, if not for a very clumsy Sam walking in the door with a twisted ankle.
“You what?” Bobby asked, incredulous.
Sam sighed, pouting. “I rolled it when I stepped in a pothole.”
Dean shook his head, clearly hiding his amusement as he helped his brother hobble towards a kitchen chair.
“So, no case, then?” I asked.
Bobby perked up. “No, you and Dean can still go. I can take care of Sam.”
“Bobby…” I warned, seeing through him instantly.
“Yeah, that’d be great,” Dean said, cutting off my death stare. “When was the last time we went on a case, just you and me?”
I looked at him.
“Seriously, you guys can go without me,” Sam said. “It might be good for you, Y/N. You seem a little restless.”
“I am not,” I defended.
Bobby chuckled. “Sure, you’re not. But I’m not suggesting, I’m telling you. Get out of my house.”
I glanced at him, offended. “I am a delight.”
“You are, but I still want you out. You become much less delightful when you’re antsy.”
Dean laughed. “Come on, it’s only a state over, right? If we start driving now we can make it by sundown.”
I took a moment.
“Alright,” I nodded, heading towards the stairs to gather my things.
The case was a hot mess, to say the least. We couldn’t figure out what we were hunting to begin with, and the only true consistency is that the deaths were messy, leaving each victim with a missing liver. It wasn’t until we were at the most recent site of the death that things took a little bit of a turn.
“What do you think?” Dean asked, leaning in my direction.
I shrugged, looking around the house.
“It seems… clean.”
“I mean, I guess. We haven’t found hex bags or EMF readings—”
“No,” I cut him off, gesturing around the living room. “Like physically clean. Nothing is out of place. Look at the mantle.”
I walked over, using my gloved hand to wipe along the surface. I showed him my hand.
“Clean. Not even dust.”
He raised a brow. “And that matters because…”
“Because we’re supposed to be looking for some monster-unknown that never cleans up their messes. Every other scene we’ve been to has been a wreck, so why is the only thing out of place the blood stains on the floor? This is also the first time it’s been in the victims house.”
He paused. “You’ve been watching Criminal Minds again, haven’t you?”
I rolled my eyes, taking off the glove.
“That’s not important right now,” I shook my head, standing next to him again. “And, for the record, it’s helping our case.”
“Right,” he chuckled. “Well, profiler, why don’t you tell me more about what you’re gathering from the scene.”
“Don’t patronize me,” I said with a laugh.
He smirked, placing a hand on my back.
“Let’s get out of here and figure out why things changed.”
We followed dead-end leads all over town, until we hit a lucky streak.
“Check this out,” Dean said, calling me over to the table in our room. “Remember that dive bar our last vic was seen at? Look at this dude’s last social media post.”
I walked over, resting a hand against the table as I leaned in. I looked at the laptop, raising a brow.
“Same place.”
“Same place,” he confirmed. “Wanna check it out? See if anything suspicious is up?”
“You sure you don’t just want to hit the bar?”
He looked up at me with a quirked brow.
“What do you think I am? Drinking on the job. I’d never,” he feigned innocence.
I snorted. “Right. So not you.”
“Leave in ten?”
“Sounds good to me.”
We hit the road soon after, winding up at the bar with our eyes peeled for any suspicious activity. There was plenty for us to see in a seedy town like this, but there was only one interaction that truly piqued our interested. I nodded at the man who was paying a little too much special attention to a woman, drawing Dean’s gaze in that direction. He was equally skeeved out. We kept an eye out for another hour or so before the weird activity took another step into the creep category.
We followed out the man who we caught following the woman, all the way to a neighborhood just outside the city. We made our move as soon as the man walked up to her house.
I followed Dean up to the house, and we started to slink around, waiting for any sign of trouble. I first checked through a window near the front of the house.
“Nothing,” I said, motioning for us to move further.
He took the lead, and we came up on a window that looked into the dining room. He slowly looked inside.
“Oh, you’ve gotta be freakin’ kidding me,” Dean mumbled, pulling his head back from the window.
“What?”
“Well, do you want the chance to play out your little crime show fantasies?”
I raised a brow. He sighed, shaking his head.
“That’s not— well, it is a monster in there, but not our kind of monster,” he said, tilting his head.
“It’s a human?”
He nodded. “Looks like it. Nothing supernatural that I can see. She’s passed out now, but let’s get a move on before he starts in on her.”
He started walking towards the back of the house, but I stopped him before we got to the door.
“Can— How do we do this?”
“What do you mean?”
“That’s a human. We can’t just chop his head off or exorcise him.”
“We could still stab him.”
“But should we?”
He gave me a very unamused look, waiting for me to make my point.
“Can we attempt to just— Kick his ass and leave him to deal with life in prison? Only go for the shot if it’s necessary.”
He softened. “He killed people, Y/N, does he really deserve mercy here?”
“Do you really think the prison system is mercy?” I asked, earning a slight chuckle. “I just feel weird about killing humans unless our lives are in immediate danger.”
“Okay,” he nodded. “Okay, we’ll play it your way. But if anything goes sideways—”
“Then you feel free to shoot him.”
He nodded curtly, then we continued to the door. He opened it carefully, and we stepped inside, checking our surroundings before we headed towards the woman in the dining room. We saw the man first, his back to us as he sat across the table from her.
“Playing house? Really?” Dean quipped, causing the man to whip around.
My gun was pulled before the man had a chance to stand up and react. He looked between us, obvious annoyance on his face.
“You’re not cops,” he stated.
Dean smirked. “No, we are much worse news for scumbags like you.”
“Now,” I started, “you can try and fail to fight your way out of here, or you can sit still while my partner here makes sure you’re sitting nice and pretty for when the cops do show up.”
Dean moved before he had a chance to formulate a response, dragging him out of the chair. The man tried to put up a fight, but it was pretty quickly silenced by means of a fist to the face. Dean left him on the ground after a few minutes and a roll of duct tape.
“Nice,” I commented, then put away my gun.
I moved to the woman at the table who was still passed out. I checked for a pulse, and when I was sure she was still breathing, I started undoing the binding that kept her to the chair. Dean called in an anonymous tip to the police station as I finished up clearing her of everything. She started waking right as I was about to try and move her to the couch.
“Hey, hey,” I said quietly, trying to give a little comfort before her panic set in. “You’re safe now, alright? You’re fine.”
Her eyes opened, and she immediately clung to me when she saw the man on the ground incapacitated.
“What happened?” she asked with a quivering voice.
“Me and my friend Dean saw this guy creeping around your house. We wanted to make sure everything was okay, and when we found out it wasn’t, we found a way in. The cops are on the way now.”
She nodded. “Thank you. Both of you.”
I glanced back at Dean with the ghost of a smile on my face. He raised his brows at me.
“Why don’t we get you to the couch?”
“You’re not staying?” she asked, still in shock.
“No, we gotta leave,” I said, helping her to the couch. “We’ll stick around for a few minutes outside till the cops get here, though.”
“Okay,” she nodded along absentmindedly as she laid on the couch.
I walked back to Dean, motioning for us to go outside. He looked back down at the man for a moment who was still passed out, then followed behind me. We got back to the Impala and waited.
“Weird to be thanked,” I said, watching the house.
He hummed. “Doesn’t happen often, that’s for sure.”
“I can’t believe we were accidentally hunting a serial killer.”
He snorted. “I’m surprised there’s not more crossover when we hunt.”
I hummed in agreement. “I also wonder why things changed so much. From the murders messy and public to being more confined in the homes.”
“Who knows,” he said, shaking his head. “Monsters make a hell of a lot more sense than people do.”
“You got that right.”
Soon enough we saw flashing lights coming down the street. We watched some officers step out of the first car, and a few more get out of an SUV.
“Is that FBI?” Dean asked, looking intently.
“I mean, we just found them a serial killer. They’ve probably been on high alert,” I said.
He nodded, and we watched for another moment as they prepared to go inside.
“Man, those vests are cool as hell in real life, too,” I commented.
“Alright, that’s enough,” he wrapped up the conversation with a laugh.
He pulled off the sidewalk at that, and started driving in the opposite direction of the cops. We decided to stay the night at the motel, neither of us awake enough to get back to Sam and Bobby. He pulled into the parking lot, and we trudged inside.
“At least we aren’t covered in monster guts this time,” I said as I fell onto the mattress.
“Right?” He chuckled. “Cool if I take the first shower?”
“Of course. I’ll be here.”
He shut the door of the bathroom, and I let out a sigh. All of the teamwork bull crap we’d been doing certainly didn’t help my case, but I could at least be thankful he didn’t want to go the bars and find a hookup. I threw my arms over my eyes and sighed.
“Hey,” I heard Dean’s voice call out, his hand on my knee.
I uncovered my eyes. “Sorry. Must’ve dozed off.”
He smiled. “Go take a shower.”
“You sayin’ I need one?” I asked with a quirked brow.
“Yeah. You’re a mess,” he replied, a playful glint in his eye. “I don’t know how I sat in a car with you all day, to be honest.”
I scoffed, getting up. He moved enough for me to get by, but didn’t let me get far before he started talking again.
“Movie tonight?” he asked.
I rustled through my bag, pulling out my pajama shorts.
“Sure.”
“Any requests?”
“Uh,” I started, still looking for a clean top. “Maybe a comedy. We could use something funny.”
“Good point.” He stared for a moment as I kept digging. “You missing something?”
“I can’t find my t-shirt. I thought I packed three in here.”
“Do you want one of mine?”
I paused, considering the offer. One one hand, I wouldn’t have to wear a cami to bed and risk accidentally flashing him in my sleep. One the other, I’d be wearing his shirt and that would be a sure way to get me in my own head. The risks of the first definitely outweighed my lack of self control.
“That would be awesome.”
He walked to his own bag, pulling out a shirt that matched the one he wore and handing it to me.
“I still think wearing our outside clothes to bed worked just fine.”
“Did you ever feel rested doing that?” I asked.
He sighed dramatically. I laughed.
“Exactly my point,” I said. “Most of your well-being has to do with mindset, Dean.”
He grumbled to himself as he settled into bed, and I took that as my chance to get in the bathroom. My shower was quick, especially since Dean used up most of the hot water. I knew I should’ve gone first, but it forced me not to stay in forever. I pulled on his shirt and my shorts, trying not to let myself smile when I saw myself in the mirror wearing his clothes. I walked back into the room before I allowed myself to think too hard.
He looked at me as I walked out, a smile creeping on his face. I fought back my own to raise a brow as I lingered at the foot of my bed.
“What?”
He shrugged. “Funny seeing you in my shirt.”
“Looks better on me than it ever did on you,” I sassed with a smirk, crawling into bed.
“Can’t argue with that,” he noted, still watching me. He cleared his throat a moment later, looking at the TV screen. “Uh, I found something, I think. They had Step Brothers on demand.”
“Oh, perfect,” I said as he clicked play.
We settled into a comfortable silence for a while, and I cuddled into the duvet. After we were halfway through the movie, I gathered the blankets around me even more.
“Is it just me, or is it freezing in here?” I asked, looking over to see Dean still sitting above the covers.
“It’s a little cold,” he shrugged, then looked at me. “I can check the heater.”
I nodded as he got up and crossed the room. He held a hand out, a puzzled look on his face after a moment. He smacked it with his hand, and still felt nothing.
“Hm. Hang on,” he said, moving to the phone. “Hi, I think the heater in here’s broken.”
A pause.
“Ah, great. Okay, thanks.”
He hung up the phone, looking to me apologetically.
“They said the heating’s down in the whole place.”
I sighed. “That sucks.”
He sat back in his bed, looking at me for a moment before he spoke again.
“I know it’s been a while since we had to, but do you wanna come sleep in my bed tonight? I run hot, it might keep you warm.”
“I know. I had to sleep next to you in the summer, and it was like roasting in an oven,” I chuckled.
“See? It’ll work perfect when you’re cold,” he said, standing again.
He pulled the covers back, getting underneath and patting the mattress next to him. I cursed myself for finding this case in the first place.
“Just don’t complain if I kick you in my sleep,” I said, getting out of my bed.
He chuckled. “I’m not worried about it.”
I got into his bed, and he threw the covers over me. He then reached over top of me to grab the remote, pressing play and slinging an arm around my shoulders. I pulled the duvet up to my chin, leaning into his side.
This position put me in a delicate spot, and I found that to be true more and more with every passing minute. Every time he laughed, I felt it reverberate in his chest. Every time he talked to me, I’d look up to see his face inches from mine. Every time he moved, he held me a little tighter.
In short, Bobby was all too correct about me being screwed.
“Hey,” Dean said, voice soft. “You okay?”
“Mm?”
I looked at him, once again trying not to think about the proximity.
“You always laugh at this scene. You didn’t make a sound this time.”
“Oh,” I chuckled, looking towards the screen. “Sorry, I must be exhausted.”
“Is that all? Seems like there’s something on your mind.”
“Alright, Dr. Phil,” I joked.
“Seriously,” he said, squeezing my shoulder. “Is everything okay?”
“Yeah. I think I just need some sleep,” I replied, glancing at him again with half a smile.
He quirked a brow, clearly not believing me, but willing to drop the subject.
“Okay. You know you can always talk to me?”
“I know.”
He smiled softly, then looked back at the TV as he shut it off. He settled into bed, still holding onto me. I snuggled into his side, using his chest as a pillow. I felt him breathe deep before he shut off the light.
“Goodnight, sweetheart.”
“Night, Dean.”
I woke up the next morning before he did, and decided there was little harm in remaining there. I shut my eyes, letting myself enjoy the fact that I was still snuggled against him. It gave me a moment to pretend he was mine, at least for the morning. I listened to his breathing, and wondered if he ever dreamt about me in the same way I did about him. As if on cue, his arm tightened around me a little as he stirred. His thumb brushed against my shoulder where his hand had snuck under the sleeve of the t-shirt, though I couldn’t tell if he was really awake until I felt a soft kiss against the top of my head.
At that moment, I decided it was probably best to continue pretending I was still asleep.
He stayed that way for a little while, his hand still against my shoulder, making little patterns with his thumb. It took everything in me not to move when I felt him brush a few stray pieces of hair away from my face, and even more when he let his hand linger against my cheek for when felt like a few seconds too long to be purely friendly.
I wondered if he was always like this when I wasn’t awake. Extra attentive, and sure not to wake me. Maybe that’s why I somehow remained asleep every time I fell asleep in the car that normally jostled me around like a rag doll with his driving. I wondered even more if Bobby was right about something else he’d said days ago: the unrequited feelings might not be so unrequited after all.
I nestled my head against his chest, trying to give him a warning that I was about to open my eyes, and he quickly pulled his hand away from my face. I took in a breath, blinking slowly as I let the light seep in for the second time that morning.
“Morning,” he greeted quietly, his voice still soft and raspy from tiredness.
I smiled. “Morning.”
“You hungry?” he asked, drawing my attention to him.
I nodded, leaning back a little to see him better.
“Very, and I saw a café on the way into town that looked good,” I said.
He smiled softly, shutting his eyes for a moment. Then, he yawned, finally sitting up. He turned and looked at me as I stayed laying.
“How’d you sleep? Warm enough?”
“Thanks to you, yeah,” I replied, stretching. “I’m scared to get out of bed, now, though.”
He patted my leg over the covers, “If you want food, that should be motivation enough.”
“Good point.”
I reluctantly climbed out of bed as he walked into the bathroom to get ready for the day. It was cold, but not unbearable. I decided to throw on some clothes in the room since he always took a while in the bathroom. By the time he was finished, all I needed to do was wash my face and brush my teeth, then we were off.
Breakfast was short and sweet, and we made it back to Bobby’s in record time. We strolled in the door, seeing Sam gimping around the kitchen as soon as we walked in.
“Still letting that ankle beat your ass?” I asked immediately.
He laughed. “Trust me, if I had any control over it, this wouldn’t have been a problem in the first place.”
“Maybe you just wanted out of the hunt,” I said in reply.
“Oh yeah, I loved hanging out and making Bobby bring me ice packs all day. Dream vacation, actually.”
Dean shook his head with a smirk. “You didn’t miss out on much anyway.”
“How’d it go?” Sam asked as he took a seat.
I looked to Dean who was already glancing in my direction. I shrugged.
“We stopped a serial killer, actually,” I noted.
Sam gaped. “And I ‘didn’t miss much’?”
“Just knocked him out and called the cops. Not much fun, anyways,” Dean shrugged. “Oh, we did find maybe the best pancakes I’ve ever had, though.”
I hummed in agreement enthusiastically, nodding.
“They were freaking incredible,” I said, then looked back at Sam. “And they had like, real, fresh maple syrup.”
“Unlimited stacks when you bought the platter, too,” Dean chimed in with a gleeful smile.
“You two sound like an old married couple,” Sam scoffed out with a laugh. “What, did you fall asleep together after reading the newspaper, too?”
“After watching a movie, actually,” Dean corrected, grabbing a beer from the fridge. Then, he looked at me. “Did you want anything?”
“I’m okay.”
Sam looked between us, a raised brow and an amused look on his face.
“You two actually fell asleep together?”
I rolled my eyes. “That’s what you choose to focus on?”
He smiled mischievously, then looked at Dean.
“Making moves on her, now?”
Dean swallowed, glaring at his brother with wide eyes. I furrowed my brow, about to see if I could prod Sam for information, but Bobby walked in before I had the chance.
“Hey, you two. How was the hunt?”
Dean let out a breath. “Not real eventful. I could use some sleep.”
He started walking out of the room, all of us watching as he left. Bobby turned to me first, a questioning look on his face.
“Don’t look at me,” I said with my hands up in defense. “I think Sammy pissed him off.”
“Real smooth, Sam,” Bobby commented.
Sam scoffed, shaking his head. Bobby merely sighed, going to take a seat across from Sam. I looked at them both, hands on my hips.
“Why do I get the feeling you two know something I don’t?”
“Did Dean not talk to you?” Sam asked, looking at me.
“We talk plenty.”
“That’s not what I mean. He said he was gonna talk to you when the next case was over,” he stopped, then looked at Bobby. “Case came and went, and still nothing.”
Bobby shrugged. “Out of our hands, Sam. Told you not to meddle.”
I sighed in annoyance. “You two are children, you know that?”
“Hey,” Bobby said, offended.
“I’m gonna take a walk,” I said finally, turning for the door.
The second I was halfway out, they started talking again, but I couldn’t bring myself to care too much about what they said. Clearing my mind sounded like the best option, and I was determined to do it.
I started walking around the yard, music blaring from my phone to keep me preoccupied as I watched the sky light up with a million different colors. I found an old car with a relatively clean exterior and decided to climb onto the hood. I leaned back, watching the sky as it turned darker, the stars slowly peaking out.
“Room for one more?” Dean’s voice asked from behind me.
“Come on up,” I said, scooting over a bit.
He came and sat next to me, looking up at the sky. He let out a slow breath, then looked at me.
“Taylor Swift?”
“You know it,” I replied.
He smiled, turning his head back.
“Stars are coming out,” he commented.
“They are. You should’ve seen sunset, it was gorgeous.”
He scooted closer, leaning his head against mine silently. After a moment, I let myself lean against his shoulder a little more.
“You okay, Dean?” I asked after a beat.
“Of course. Why?”
“I dunno. You just seemed a little off when we got back today.”
He sighed. “Yeah. It’s— It’s nothing.”
“You sound like me, now.”
He chuckled. “Guess we’ve got the same bad habit, huh?”
“Yeah, guess so.”
We stayed there until it got dark enough to really see the stars come out, not moving even when the chill of the night started creeping in. I readjusted my head against his shoulder, preparing myself to speak again.
“Did you really follow me out here just to look at stars?”
I felt him still. Then, after a moment, I sat up a little straighter and looked at him. He glanced back at me, clearly feeling caught out.
“Thought you could use some company.”
I raised a brow, and he smirked, looking away.
“Alright, you got me,” he said, “What gave it away?”
“First off, I’ve known you for years,” I started, nudging him in the arm. “Second, Sam and Bobby were all uppity about the fact that you apparently told Sam you had something to talk to me about.”
“I swear, he can’t keep a secret to save his life when it comes to stuff like this,” he said, rubbing at his face.
“Well, try me,” I said, unable to keep my eyes off of him. He was extra cute all flustered. “I’m a good listener.”
He let out a breath, then looked at me, scanning my face for a moment.
“I know I’ve got a certain type of reputation—”
“You?! No way,” I exclaimed with a smile, my eyes wide.
He laughed. “Exactly my point.”
“You know I don’t care about that, though. Reputations are a one-sided story.”
He hummed. “Yeah. I guess you’re right.”
He sighed, looking back at the sky for a moment.
“I just,” he started, giving a shrug, “I feel like it— Like it makes people feel like I never want anything but a hookup, you know?”
“It makes people feel that way?”
“I’m that easy to read, huh?” he asked, looking at me again with a faint smile. “You. I mean you.”
“I gathered that much.”
He laughed softly, as did I.
“How’d you know?”
“I had suspicions fueled by Bobby. Then you kissed me and started being all affectionate when you thought I was asleep this morning.”
His eyes widened. “You were pretending to be asleep? That’s so not fair!”
“Hey, I woke up snuggled into my own personal space heater, I didn’t exactly want to be up and at ‘em.”
He rolled his eyes, tugging me into his side with an arm around my shoulders once more.
“How long has it been for you?” he asked quietly.
“I don’t even know. I guess I started realizing it a year or so ago.”
“That’s embarrassing for me, then. I knew the second I met you,” he said with a laugh.
“Dean,” I said with surprise. “It’s been half a decade! No wonder Bobby got on my ass about it before we left.”
“Well, hey, Sammy’s been on mine for a couple years. You got off easy up till now.”
I laughed. “I guess so. To be fair, we were flying under the radar for quite a while, though. The incessant flirting the past few weeks is what got us in trouble.”
“Why did you start being extra flirty, anyway?” he asked, resting his cheek against the top of my head.
“I don’t know. I guess I was, like, subconsciously seeing a window. You haven’t been doing your normal bar hookups the past few months, so I thought maybe there was a reason for it,” I paused. “Though, finding out you’ve been crushing on me for five years kind of makes me question that.”
He snorted out a laugh. “Easier to keep my mind off you that way. That sounds terrible. I just— I never thought in a million years you’d think anything of me.”
“Well, when did you realize I might?”
He sighed. “You remember a couple weeks back when we were taking down that vamp nest? You easily could’ve died, and we hugged afterwards, but when I pulled back I… I saw that look in your eyes that seemed an awful lot like how I look at you when you’re not paying attention. I wanted to kiss you, and I didn’t doubt in that moment that you would’ve let me if I had.”
I paused. “Why didn’t you?”
“I was scared. We’ve been friends for so long, and we practically do everything together. I didn’t want to ruin anything on the off chance that I was reading those signs all wrong.”
“You weren’t.”
He fell quiet for a moment. I looked up at him, and he looked back at me as I did. He quickly wet his lips, drawing my gaze downward before my eyes flicked back up to his. His lips parted momentarily. Then…
“We should get back inside. It’s getting cold out here,” he said quickly.
I nodded curtly, pulling away to let him get off the hood first. He gave me a hand, helping me down next. We walked back to the house quietly, saying soft goodnights before we went to separate rooms.
I was all settled in for the night, cozy in my bed with a book in hand. Then, I heard a knock on the door. I grumbled as I got up, annoyed that I had to leave the comfort of a mattress that wasn’t a sure cesspool of germs I didn’t want to think about. I flung the door open.
“Someone better be dying or I’m gonna kick some ass for—”
Dean’s lips crashed into mine, effectively silencing me from my rant. I melted after a few seconds of mental delay, my hands gripping onto the material of his shirt as his cradled my face. I felt him smile into the kiss, drawing my closer with arms that snuck around my waist, holding me tight. He wasted no time in deepening the kiss once he was sure that the signs were all giving him a positive response.
We finally broke apart a few minutes later, breathing heavy with pounding hearts.
“I figured I should stop letting opportunities pass me up,” he said with a nervous chuckle.
I nodded. “Yeah. Yeah, good thinking.”
His eyes scanned over me, his chest still heaving.
“You wouldn’t happen to need another space heater for the night, would you?”
“I run cold, what can I say?” I replied with a smirk, and a spark in my eye.
He smiled, walking me into the room with his lips on mine, kicking the door shut behind him.
(EDIT: starting taglists now! let me know if you want to be on any!)
FULL MASTERLIST | BUY ME A COFFEE
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endless-ineffabilities · 9 months ago
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The Bolter (part one)
Steve Rogers x f!Reader
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synopsis : Steve carries out his decision to return to Peggy, aiming to live out the rest of his days with her. But this means he's leaving everything behind - he's leaving you. Did he make the right choice? Will there be anything left with you to come back to?
in this chapter : Steve is about to walk out of your life, causing you to let go of everything you two have, and everything that could be.
📝 yes, the title is inspired by Taylor Swift's upcoming song The Bolter. In my interpretation and in this story, it is meant to symbolize someone who runs from someone or something. A potential relationship. A loved one. And the choice is not easy, one that may bring a lot of remorse or catharsis? Anyhow - Steve IS a bolter. In the beginning, at least.
themes/warnings : language, angst!!!, pining, unrequited love, Steve is kind of an asshole for leaving (but we love him anyway)
word count : < 1k
main masterlist ▪︎ series masterlist ▪︎ next chapter
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This is it.
This must be what true heartbreak feels like.
Steve, your best friend and the unrequited love of your life, has decided to volunteer to return the Infinity Stones to their respective timelines. Very noble of him.
But he also confessed that he plans to stay with Peggy, now that he finally has the chance.
They can have the dance that was stolen from them, decades ago.
Steve can be with his true love it seems. And that person is just not you.
Well, fuck my life.
"Doll," he smiles ruefully, both of your hands encased in his, "say something."
Say something, he says. What is there to say - I'm in love with you, I want you to stay with me? Don't leave me? I want you stay - for Bucky, for Sam, for Nat. For everyone. For me?
What can you fucking say that will ever be enough? In the 7 years that you've known Steve, you've grown to love him. As a friend, as family. Then, almost inevitably, as the only keeper of your heart. And he knows this.
But he's still leaving. Because, at the end of the day, Peggy is the keeper of his heart.
To you, Steve has always been everything good. Golden boy perfection, with a heart that would put a saint's to shame. Sunshine, laughter, companionship, standing tall and unwavering in his ideals. His gleaming red, white, and blue tendrils snaking their way into the very fibres of your being and taking root.
But now, all you feel is empty. You were angry, when he first told you, days ago. You had almost screamed at him, told him how unfair he was being. You made a long, drawn-out case for Bucky. How he doesn't deserve this. But really, you were making a case for yourself.
Stay, you had said.
He simply smiled, without any mirth. Not like his usual on-brand Steve Rogers gesture of sincerity. He smiled and it did not reach his eyes. He was sad, or maybe he pitied you. And that made you even angrier.
Until minutes later, when you finally broke down, and sobbed quietly in his arms.
"I hate you," you muttered against the creases of his shirt.
"I love you," he said back, and you hated him even more for it. He doesn't get to say that to you, in that way. Not in the same way he would say to Peggy.
Now, right before stepping onto the platform that will cause him to vanish from your life, he says it again.
"You do know that I love you, right?" His smile is genuine, if not a little nervous. He hoped you would be as accepting as Bucky, and send him off with just a rueful look. A gentle, final word. A sweet farewell that he can take with him as a reminder of all the times you spent together.
"I know," you breathe, relenting. Steve does not like that your eyes are glazed over, empty. Like you're not taking him in at all. You take notice of the resulting sag in his shoulders, out of character from the dignified stride he sported as he was saying goodbye to the others.
A big part of you wants to remain indignant. So what if he's hurt or uncomfortable due to your coldness? It serves him right.
"Come here," he whispers, and it comes across a silent plea. Come here? Will you, please?
You take just one small step closer, but he is already ahead, wrapping his arms around your frame. Your stony mask breaks as your cheek presses against his chest, away from his view. His chest plate glistens from your tears, but you don't have it in you to wipe them away.
When he pulls away to look down at you, his heart breaks. He cradles your face in his hands as you look up at him through wet eyelashes, and it's almost enough to make him consider staying.
But then you say, "It will all be okay, Steve." You gingerly pry his hands from your cheeks, giving them a comforting squeeze. "We will be okay."
You look behind you, where Bucky stands watching the exchange, and he offers an encouraging nod.
You take a step back, mustering everything that you possibly can, all the love you have for Steve, to give him one last genuine smile.
"Go get your girl."
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Read part two here.
The way I was making myself upset while writing this - god I love angst!!! ~~~
I was gonna keep going, make it even more brutal, but I'll save that for the upcoming parts. It will have some Bucky x reader as well 🖤
God Bless America('s ass).
oh, and let me know if you wish to be tagged!
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temporalhiccup · 24 days ago
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There are many different reasons to play ttrpgs, and sometimes creative catharsis is one of them.
Certainly it's a reason's Bluebeard's Bride is one of my favorite games, or why it's fun for me to play emotionally vulnerable characters in Bite Marks and Apocalypse Keys.
A couple of months ago I started playing DIE with some close friends, and a couple of new players I haven't had a chance to play with much. But it's a group that's played with each other often, and DIE has a really emotionally rich and complex premise we were excited for: "In DIE, you play a group of authentically flawed and desperate real-world people (Personas) who are sucked into a cursed roleplaying game and take on the form of heroes, villains and power players (Paragons)."
So I made a conscious decision to create a transmasc character and delve consciously and deeply into the act of catharsis. I have played trans characters before, (arguably ttrpgs are one of the ways I explored if I was trans but that's another story), but this was the first time I wanted to pull at the threads of my own confusion and sadness, trauma and regret. To work through my grief.
In real life, it's difficult to put into words the grief I am going through with my parents. It's a complex issue, but one of them is that my parents have always seen as me as their daughter, and all three of us cannot imagine me being anything else to them. My father has always pointedly interacted with my brother as a son, and has always faltered when I failed to act like the daughter.
It's hard to grieve because there are thousands of subtle nuances—their love for me, borne from endless sacrifice and hope, also places chains on me. To break those chains is to break them, to keep those chains on is to break me. I have broken myself over the decades, again and again, and there is never a shape that will please us three.
So for DIE I created a more intense caricature of fatherly trauma. Almost cartoonish in his abuse, with no room for nuance. Somehow in describing the black and white nature of this fictional father, and how it shaped my character, it's easier for me to see the shades of grey that my real father is. It's easier to find the shadows of me there too.
I realized today that in DIE, this traumatizing figure also contains the fear I had. Conditioned to be a woman, where my very existence can trigger violence from men. There are many reasons it took me so long to know I was trans, but one of those reasons was that I could not imagine taking on the shape of an oppressor.
It didn't matter that I knew many men who were gentle, loving, and kind. It didn't matter that what men are does not have to be defined by the patriarchy. Men were dangerous until I knew better. Men could betray my trust and become dangerous once they got to know me. Why would I want to take on the shape of something dangerous and harmful?
Today I explored a part of that. As an Emotion Knight my character draws upon the emotion of loathing—what better way to draw upon an aspect of gender dysphoria? To become strong, to fight, I had to give in just enough to my father's voice, its whispers from the war hammer in my hand. I had to take on his cruelty, the loathing I had for him and myself. I described the danger of falling into unthinking violence, to protect what matters to me. I was standing on the precipice, knowing I was a breath away from going too far.
All of this made it easier to see my real father, standing at the end of a corridor I will never reach. It feels like if I walk towards him, the corridor will stretch on and on, made of all the doors of all the daughters I could have been for him. One of them, any of them, would be better than what I am now.
That moment of catharsis felt breathless. I could feel myself falling towards the doors. Then I looked at the other players, and I could see all of them feeling for my character. Feeling for his pain, for his hope. Watching him stumble towards the edge. I could feel their hearts surrounding mine.
I don't remember what I said to Sherri, in character. I know I wanted her to pull my character back into this fictional moment. I know I wanted Sherri to pull me back into this reality, with her. Away from the corridor. It was enough that I saw the corridor for what it is, that I knew all its doors. That I knew they could never be opened.
This dance of catharsis feels safe. It's hard to describe how it's still fun, and wonderful, to connect to my friends' characters. To check-in and feel out if we were still having fun, trusting in the play, trusting in each other.
The game session ended hours ago, and we'll play again next week. But the corridor is still with me, and I feel it stretching behind me. I feel all its doors. When I close my eyes, I see my father's back, walking away from me.
Maybe next week I'll try walking down that corridor. Maybe I'll call out to my father, knowing he won't turn around. Maybe I'll leave it behind. Maybe I won't do anything for now, because grief takes time. I don't know.
I just know that I'm very grateful to be here, to be loved, to play. I'm grateful for the stories we tell together, and how it can help us retell our own stories about ourselves.
This story of grief is hard, but I'm grateful. It means I chose to survive, to live, to be me.
It hurts to choose myself over my parents love for me, but I'm glad I'm doing it. I'm choosing all the people who love me, who see me when I cannot yet clearly see myself.
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amysky21 · 5 months ago
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I am devastated that I don’t have any friends that listen to Worlds Beyond Number, because the new episode (ep 33 The Witness) is the single best episode of a ttrpg actual play I think I’ll ever see (figuratively, because it’s a podcast).
The insane amount of trust between all of them to be able to let loose on each other’s characters in such an (understandably) volatile way was just awe inspiring. It evoked so much feeling, and such complex feelings. The characters are having a rough time (understatement) and to finally have the horrible emotional catharsis of release was horrible and beautiful. It had the vibe of ‘my parents are fighting’ in all the right ways.
Also the sound design was phenomenal. Taylor worked some kind of magic with all of the details, and (vague spoilers) Suvi’s identify spell was such an amazing experience to hear. It almost felt like the magic of seeing the scene in the boat from the old Charlie and the chocolate factory movie, just a torrent of feelings and sounds.
@quiddie’s rp was breathtaking. Literally, I had chest pain from how stressed I was (affectionate). Suvi is the most intricately complex character I’ve ever had the pleasure to obsess over and I adore her because of how humanly real she feels.
I literally don’t have the words to explain how much I loved this episode. This image just about sums it up.
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Ps, I’ve watched all d20 seasons and some other stuff and don’t think I’d ever heard Lou raise his voice seriously before (“you lied” from Ravening War is the closest but that didn’t have the same vibe because it was about being slammed down big style) and I fully put my hand over my mouth like a shocked Victorian woman. God, they’re all just such good actors, storytellers, improvisers aaaaaaaaaaaaaaaaaaa
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godzillabreath · 17 days ago
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wwdits finale
I feel like I've written one of these chunky text posts after every season of What We Do in the Shadows, but I always feel so incensed about the decisions the writers continued to push.
I really do feel like season 3 reached the pinnacle of what the show was for me, and for me, it hasn't justified its continued existence since then. Ultimately, post-season 3 they decided to go with the overarching theme of "nothing ever changes, this is a metaphor for the long, listless immortal lives these vampires have." Guillermo is upset by this unchanging nature, but we never get to have a catharsis for him. He is ultimately stuck in their mire, and so it feels unsatisfying to end the series by having him continually strung along. It's not only unsatisfying, but it genuinely feels bad.
What would have been more interesting is if the writers had Guillermo push back against the unchanging apathy the vampires experience and provoke them, make them aware of their endless drifting, change and challenge them.
I really loved the idea of Nandor wanting to be human again in season 3 episode 8. I wish this could have been a long-running theme explored with him. Such an ancient vampire feeling so disenfranchised and out of time struggling with the idea of being human again, have some kind of emotional tether to the world. I think it would have been cool if, somehow in the end, Nandor could have been made human again, allowed to live a life he never really had. Guillermo could have easily facilitated this change in him. It writes itself.
Another thing I really didn't like in the finale was the explicit jab at anyone who ever found the relationship dynamic between Nandor and Guillermo compelling. Creating this framework of "Nadja hypnotizes you fool audience members into thinking Nandor and Guillermo are this married gay couple, that's so funny, it all exists in your stupid mind" felt very much like a punch down. I could probably extrapolate this argument out further to talk about the weird "woke homophobia" from the showrunners' framing: how queerness is always used as a punchline, how queer culture is a quippy line or a pride flag but not an actual element of the show, how queer relationships aren't ever allowed to exist seriously on screen in the way straight ones are. So yeah, that sucks.
Lastly, I felt the ending was disappointing because it eschewed any ideas. The showrunners decided to make it meta and self-referential as a opt out of saying anything conclusive for the characters or for the audience. It was lazy, bland, and unsatisfying. It will go down in my mind as a show that was half-good, with all this unrealized growth from season 3 siphoned into 3 additional seasons of sitcom slop.
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yandere-daydreams · 13 days ago
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pretty personal, but wanted to thank you for helping me (quite some years ago) come to terms with my s.a. experience. the way that you write unhealthy power dynamics, rape and dubcon is very authentic (in sense if not in form) and seeing it clearly expressed by you that those shifty, difficult to prove as s.a. encounters ARE coercion was very helpful. dubcon writing gets a terrible rep, but imo it's ironically very informative when done with intent (as in without excusing the actions as normal because they are between partners. or because you didn't excplicitly say no. and other many things that muddy the waters).
like. getting to read something that clearly acknowledges s.a. as s.a. and then also reframes it felt almost like reclaiming it.
i was reading geiman's allegations transcript and it brought up shitty traumatic memories, which in turn reminded me of how you were the writer that made the horrible lonely shameful experience (because surely if you let it happen to you it's partly your responsibility. surely you could have been more explicit in your no. surely you being dependent on the person for your survival had nothing to do with why you had to convince yourself your s.a. was totally consensual sex) feel less lonely. so. thank you.
anon this is such a heartbreaking and reflective and beautiful ask to receive but you MUST understand that it's currently sandwiched between about twenty-five monsterfucking discourse asks on either side. there are benefits and downfalls to using this platform and one of them is the lack of delineation between serious asks and. well. the rest of them.
no but seriously, i do feel like horror is a genre that gets discredited pretty often despite being one of, if not the most helpful types of fiction in terms of working through traumatic subject matter. i love romance, but it kind of has a habit of glorifying unhealthy behavior or justifying dynamics that shouldn't end happily with the ultimate goal of preserving veneer of positivity that is simply,,, detached from the events being depicted. in horror, there's a little more room to acknowledge horrific things as horrific because they're supposed to horrific, and the complicated feelings and catharsis you receive from that acknowledgement is, like, the entire point. it feels obvious that a spade should be a spade and that bad things are bad, and yet, here we are.
that explanation kind of sucked and my thoughts on the subject are very abstract, but thank you for sending this in <3 i'm glad my silly little blog could help in any way you needed it to.
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maybeyoullfindthissomeday · 4 months ago
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Carls,
If you found this, then either you were really lucky or I did something really stupid. Either way, I hope these words find you well. I think we were always firm believers in things happening for a reason. And maybe, I had to get through those "things" to be able to get to you, to enable me to put forward the best version of myself, because that's what you deserve: the best. Not saying that I am the best that this world has to offer, because obviously, I'm not. It’s that I know within every fiber of my being I would do my best to make you feel love like you have never felt before. You know more than anybody what these past two years took and what re-wiring had to occur to find true happiness, maybe something I’ve never ever felt before. Not saying things would be perfect everyday between us because it won’t be. There’ll be a few bad days and the mediocre days, but then those make the good days seem worth it, especially the best days like we had in Chicago, where I had an epiphany and fell for you during Illenium’s set.
Please know that I did try to let the feelings fade, but they didn't, at least not enough to prevent me from writing my shitty poetry for you. But you're here now, and all I can say is that I'm sorry. These poems might be seen as a violation of trust, and/or ruining the pureness of our friendship. It’ll be clear why I had to hide this, at least until the moment was right. So if you’re uncomfortable about the sexual nature of some of these poems, then there’s a link on the side menu to skip them. However if you’re curious, then they’re here for your all-viewing pleasure, but I beg of you to please understand that a lot of this is art and maybe release (not that kind, lol, just catharsis). When you write about love, sometimes the lust breaks through too, and also, sex is easy to write about, at least, for me. I hope you know that I rarely think about it when we spend time together, even though you know I’m a sex and love addict. I believe you know more than anybody that we didn’t become friends with each other for the reason that you were attractive and that there was a possibility of us being together. You were never a back-up plan, and you never should be. You are my best friend, and if there is anybody I want to do life with, it's exactly that, a partner in crime, a festival buddy, a confidant, and a soulmate. And there shouldn't be any secrets between such a pair... so here is my writing from at least since Chicago, and I’m sure you can read between the lines.
I’m ready when you are...
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akajustmerry · 4 months ago
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I've been thinking a lot about the hatred for alicent from fans online and I've realised that a lot of tv and film show enjoyers who claim to love "female rage" media actually only want "female rage" wrapped up in neat little package of catharsis and inoffensiveness. strictly talking about the series as a show here (I have not read the book) so this is not about fans with legit critiques of how alicent has been adapted ofc! but it's ironic seeing people with furiosa or pearl icons talk shit about alicent being a Bad Mother, about her being depressed, unkind, selfish, and hypocritical - as if this is not rage. A lot of you just want the single serve catharsis of violence or terror, the fantasy of flying off the handle - you don't actually care about attempts to accurately portray the anger women feel when they're oppressed. did you expect alicent to be a perfect and doting mother to children she had as a teenager due to marital rape in a forced marriage? did you actually want her to show kindness to her sons who murder and rape people? can you even sympathise with why she won't do those things? alicent is someone who never had an ounce of autonomy in her life and has spent her whole life furious about it with nowhere for that rage to go. because if she ACTUALLY lashes out in rage? well, you saw!!!!!!! it does nothing!!! because for women in highly patriarchal societies, their rage is met with apathy or punishment or death. one thing I deeply love about alicent in the show is how angry she is without any relief or healthy outlet for it. It's what makes her feel real. it's what makes her compelling. watching how terrible and misogynistic and vitriolic fans are towards her has really made me realise you don't care about female rage unless it offers you something, unless it comforts you! A lot of you don't want to face facts that a woman being angry is often uncinematic, and "problematic." you're confronted with just a fraction of woman character's rage with no catharsis, and you're oh so ironically calling her a bitch.
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calp0sa · 4 months ago
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what do you like and dislike about airy?
CRAZY MESSY INFODUMP INCOMING OH LORD
well there’s nothing i truly dislike about airy, because everything about him just makes him who he is. i just wish we got more insight to him as an Actual person rather than his host facade, even though that was sort of the point of one 17-18, i feel like the fact that he’s pretty much a regular ass dude went over most people’s heads (Not mine though because im really smart and could beat albert einstein in a rap battle) i know the mystique is the most prominently interesting aspect of the whole show… but yknowwww it’d be nice to know a little more about him personally considering how we now know he’s far from a one-dimensional character and shouldn’t be taken at face value (i am side eyeing a huge chunk of the one fandom as i say this) now okay if i were to talk about everything i like about airy we’d be here til the next solar eclipse but i’ll try to jot down everything i can. airy, to me, is the most fascinating object show character there is. i swear every time i observe something about him it’s like i’m opening a matryoshka doll as i dissect his character further and further… every rewatch of one i notice something, whether it be minuscule or glaring, there’s always something for me to brutally analyze. see, and here’s where i contradict myself, because while it’s frustrating not having much official trivia on him, i actually quite love how mysterious he is. i love how he seems like he knows a lot more than he lets on. i love how his caginess only sparks more questions. and i love how FESTERED he is. how you can tell there was so much that led up to him being so numb and stagnant… it does nothing but pique my interest. and i love how this festered-ness parallels with the contestants. i can’t help but feel as if the true extent of airy’s suffering was reflected through those on the plane, how the contestants went through so many fluctuant stages of sadness, denial, hopelessness, anger… all in the midst of isolation akin to airy’s forest. it makes me wonder if ONE served as catharsis to airy. not just a purpose or a distraction, but something to spark resonance within a desolate soul. speaking of distraction, it’s really interesting to me how reliant airy is on escapism, and this is most evident in how he literally takes on such a gilded and contrived host persona to the point where it’s difficult for the viewer to discern who he is OUTSIDE of “airy”. big fan of how the show basically tricks us into thinking he’s this ruthless malevolent all powerful entity until it takes us by surprise and reveals that he’s Just Some Guy, and it could’ve been anyone in his place. but this isn’t to defend him… no… airy was definitely a selfish and inconsiderate asshole (sorry yall) he just isn’t as awful as everyone makes him out to be. airy is not evil, nor is he good, he just kind of sucks LOL. and i love him for that honestly! the thing about this is he should’ve stopped and asked himself “what am i going to gain from this” yet he was so absorbed in trying to hoist himself out of that inevitable pit of dread that he did not care if he destroyed everything else in the process (Might i add that this is a huge parallel to liam’s impulsive vengefulness… i swear i could go on and on about how those two are brothers from another mother) another interesting thing about the hosting stage of airy is the chance that he probably did feel some sort of regret. especially after the shock of breaking his face, being confronted by harsh genuine emotions after such a long time… an iota of the pain and fear he assumed was long gone… as well as the crushing reminder that he basically threw himself and all his senses away just for a stupid game. What a loser amirite. even if he had some semblance of a wish to end ONE, he knew he couldn’t. i’d imagine he told himself mockingly “yeaaaa you basically dug yourself into this, you’re not backing out any time soon” (even though he could’ve easily backed out he was just a loser ass COWARD!)
i didn’t know the paragraphs had character limits! interesting. anyway i can’t help but wonder if airy made that effort to take care of liam in an attempt to break the cycle, the cycle of destroying everything else, including your very self, for the purpose of One thing. maybe airy thinks violence and spite is just a huge waste of time yes of course, but i think he understood liam to some extent (remember what i said about resonance 😁😁😁) i just love how everything about airy is so subtle, yet so major, so jarring and confusing yet when you piece it all together it makes such a scary amount of sense. i love making sense of how nonsensical he is. (of course i do. i am possibly the biggest fan of nonsense there is) now i will add a funny little thing i like about him. i like how he’s all impatient and snarky. and i know you’re probably thinking “franklin how in the abraham lincoln’s bootycheek do you think he’s snarky” Listen, it’s really funny once you actually notice it. there were so many instances where he sounded exasperated with the contestants. my personal favorite being
“yes, as long as you are here, you can’t die”
>”WE CANT DIE?”
“Yes… that’s… what i just said 😐”
he has this barely noticeable “oh my god can you let me do what i need to do” attitude and it’s SO funny. i like to imagine he rolled his eyes a lot while he was hosting. its really funny to imagine. and its also funny to imagine him smiling like an idiot like he did hosting in one 17. that scene was really cute it makes me want to run into ongoing traffic and get continuously ran over by 12 different semi-trucks. if you ignore how miserable the contestants were (sorry contestants) it’s actually really endearing how excited and eager airy was when he got ideas for challenges. i bet he felt so proud of himself it’s honestly kind of sad. he’s sad. what the hell. he really thought he was the SHIT when he said “riches… immortality… whatever your heart desires 😌” Oh my god he’s so pathetic don’t even get me started MY ONLINE CLASSES ARE STARTING I GOTS TO GO BUT ANYWAY FEEL FREE TO ASK FOR AN ANALYSIS ABOUT LITERALLY ANYTHING AIRY RELATED I HAVE MORE THAN A HUNDRED BIBLES’ WORTH OF SHIT TO SAY ABOUT HIM BYEBYE THANK YOU FOR ASKING THIS
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lime-bloods · 4 months ago
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I decided to take the plunge and look for responses to this update on Twitter, and was disappointed to find a lot of people expressing that they thought this episode was pointless trauma for trauma's sake, when I thought it communicated its point very effectively.
One of its main points of course is the truism that "recovery isn't linear". Vriska's echeladder at the end of the chapter symbolises this; not only does it include "regression roast" among its rungs, but it's the first echeladder thus far that Vriska has actually failed to complete by the end of the episode; Scratch expresses this point literally by shrinking Vriska down, reversing the literal growth Vriska has experienced over the course of page 666. Consequentially, the Doc Scratch chapter lacks any kind of catharsis at its conclusion, and as a result it does feel really awful to read, but the deliberate choice behind this is clear to see.
While cliches about the intricacies of recovery from trauma do not, in and of themselves, make for a particularly profound message, this chapter also more importantly gave us a clear vision of what Vriska needs to work on next in order to move on from this obstacle: her compulsion to constantly be acting, always moving forward, is in fact part of what holds her back.
This manifests itself most glaringly in Doc Scratch, who positions himself as an impulse that Vriska cannot ignore - echoing Hussie's commentary that "He's always there at the right moment to nudge people in the direction of doing the nasty thing [...] they already know they want to do." - with English removed from the picture, the threat Scratch poses is now simply the fleas he's left in Vriska's mind. No matter what she tries to "do over" within the Plot Point, the decisions she made in the past are still part of her life, and there's always the possibility that she will make decisions like those again. (there is nothing new in Paradox Space.) But from the beginning, Vriska's brash decisionmaking is also exactly what leads her into Scratch's parlor in the first place: she has an eternity in front of her to just spend time with the friends she's made amends with, if she wants to; but even when the challenge facing her is literally just growing and maturing as a person she tries to blaze ahead and take the quickest path through it. And Aradia foreshadows this in the first chapter when she warns that Vriska's attitude is defined by "direct acti0ns"; so long as she obsesses over cause and effect, the repeating patterns that shape her world and her life will always be in her blind spot. (Perhaps that's why she wears an infinity loop on her missing eye?)
This chapter also shakes things up in an important way by turning our understanding of Vriska's echeladder candle on its head. We've had the vague sense that it's been "burning down" to something since the first chapter, but with Gcatavros advising Vriska this week that she needs to slow down "sO YOU DON'T BURN OUT," it suddenly seems like the candle burning down isn't necessarily all a good thing. Her interaction with Scratch is filled with allusions to this; there's a "convenient timer" keeping track of Vriska's life in the Plot Point that she's not paying attention to because she's too busy looking forward, and he sees her off with a coded warning that her "Light" may soon run out just as it did when she was a child. Ultimately what this latest chapter has brought to the table is stakes; by demonstrating that it's still possible for Vriska to face losses on her journey through the inferno, we can no longer be so confident that the "Hell Tiers" have to be a straightforward "upgrade".
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writing-for-life · 9 months ago
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About Love As The Catalyst For Change
Okay, so while I was going through all the panels for March Mania, I also stumbled over these ones again:
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And although I’ve read it all a million times and had all these feelings before, I just need to blurt them out:
Love Is What Changes Him
It’s such a central message of The Sandman, but I feel it often gets lost in a million other things. And they’re all important, but so is this one.
Because yes, Dream went with Delirium and found Destruction (and Despair found him btw), and his Destiny was Death. And that whole Desire thing… ‘nuff said. BUT… (major spoilers ahead)
Those panels above are basically the turning point in a nutshell. No, well, the turning point is actually the moment he kisses (and then kills) Orpheus, but those panels are the essence:
He set out with Delirium in hopes to find Thessaly (the pendant Nuala wears here used to be hers, and she gave it to her when she left the Dreaming and him. And I can’t even begin to tell you how I feel about him letting Nuala keep a gift of his ex, who betrays him later by protecting the woman he hurt, and then making it the item that holds the power with which Nuala can call in her boon. One could spin that very far in all sorts of different directions).
But when he comes back after killing Orpheus, it doesn’t really matter anymore. Thessaly was the usual romanticised dream that could never be real. But he finally did find love. For his son. The unconditional kind. The one that doesn’t need anything in return because it just is. And he was loved back, if for a brief moment. But it was real, not a dream. And that love stays real (that’s why it initiates the turn, 3rd act and all that).
I’m reminded again of the words of Frank McConnell in his intro to The Kindly Ones:
“And with [killing Orpheus], Dream has entered time, choice, guilt and regret—has entered the sphere of the human.”
(Side note at this point: With all of this in mind, read Dream Hunters [again], and look at all THREE main characters—that includes the onmyōji, not just the monk and the fox.)
And it would be so easy to say, “Well, love killed him then, what’s the fucking point?” Not just the love for his son, but also the love of a maiden who called in her boon (Nuala), the love of a mother for her child (Lyta), the love of a crone for no one but herself (Thessaly).
But we all know that “change or die” was never an “either or”, because it’s an “and both”. And it’s ultimately love, in all its shapes and forms, four times over, that changed him (while it was also part of the death knell, but that’s a complicated one. In any case, it also led to change: To be(come) a new, better, kinder Dream).
Yes, call me romantic or hopeless (although I think that’s the wrong word in this context, because I feel it’s the opposite), I don’t care.
Because that story is about catharsis. And that means Dream is a vessel for our feelings. And the feelings won’t be the same if we change any of this, for better, for worse. Because truthfully: That story is about me. And you. And you.
About allowing love, of whatever kind (this is very clearly not just about romantic love), to change us. And that ultimately means letting go (of control). Just like he did.
Bleurgh, I’m crying. Catharsis 🤣
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prismaticpichu · 19 days ago
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The fact that Zack was only ~17 when he was forced to kill Angeal (☍﹏⁰)。
So, like, yes: I unabashedly love to explore and accentuate Zack’s puppyish nature for my own catharsis, but…… goddamn. Local 17yo speaking here, and I just wanna say: WE ARE STILL VERY FRAGILE BEINGS, SURPRISE. We are not very mature; we are still developing; we are just little silly guys, y’know? And the fact that Zack, at this still tender age, was forced to essentially carry out a death wish for his best friend is fucking brutal, as is the fact that his job (and role as being the smiling, sunny SOLDIER) never allowed him to ever, well… seek the proper solace that he needed ;-; Like, this just-old-enough-to-drive-alone teenager is oceans away from his parents, and the only person who prolly was any sort of father figure to him, well… he just extinguished the life from ;-; ;-; ;-; And while he does go to Aerith for some comfort, I personally don’t think that’s proportional to the kind of comfort a parent or guardian can provide—which Zack is never given in any shape or form. He genuinely has no rock to lean on… because he IS that rock to so many others around him. And that’s all before he’s even legally an adult.
So, sure: Zack is energetic and spirited and may have boat loads of childlike energy—but what about the other things that still make him young? What about the natural way we younglings crave some kind of rock in our lives? What if Zack had endless nightmares about Modeoheim, replaying the moment Angeal stopped breathing over and over and over again, night after night after night? Who is supposed to comfort him…? Because it really doesn’t matter how fast you’re forced to grow up, bc (at least from my experience), you can’t just suction up the way your brain would naturally function at that time. If anything, it’s in a very similar vein (albeit less extreme and circumstantial and Hojo-manipulated) to Miniroth wanting to carry around a locket of his mother.
Case in point: Zack was damn YOUNG when Modeoheim went down—even younger when Angeal first deserted—and I find it genuinely tragic how he was never able to really properly grieve and act his age, despite how outwardly juvenile he may appear to be. (The same can also all be applied to Cloud, who faced even BIGGER trauma at an even younger age. I’m just kinda more into dissecting Crisis Core tbh shdhdhdhshh.)
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Also this is why Sephiroth is his mentor/best friend in my la la la land lmao
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