#not a well written game

[furiouskettle]

I just KNOW you've got a fandom you're waiting for someone to say. Do that one.

UHHHHHH FALLOUT. not because i strongly care abt fallout but because of this guy:

[giselles-dumping-hat]

So Act 3 is going great,

[aeymii]

🍷✨

[bangthedoldrums]

I'm sure a million people have already written about this and better than I ever could, but there are so many hypocritical moments in the hunger games that stick with me. the way the capital citizens gasp and are furious at the flag being torn down, but not at the dead children directly under it. the way they riot after peeta says "if it weren't for the baby" as if they don't watch children slaughter each other every year. the list could go on.

those moments are something I think of daily, just given the current political climate in america. suzanne collins really took a mirror right to our society and nailed it. makes me insane to think about it too much

[sweetberry-roebuck]

There's something to be said about Mouthwashing's weaponization of the video game medium. The game is very easily comparable to a movie, between its runtime and cinematic framing and focus on narrative, but the fact that it is a video game, that we play as Jimmy for much of it and take on his actions ourselves, is I think really effective in its usage.

You are the one given the all caps RESPONSIBILITY, the disproportionate power of the captain, and you are the one failing miserably to use it well. You have to scan the codes, you have to give Curly his medicine, the first action you're presented with is to turn the ship in the wrong direction. No other option available. The experience it gives you of realizing again and again that you, that Jimmy, is not doing the most sensible thing, that he's being stupid and cruel and spiteful, is really effective in forcing you to contend with the excellently written character study on a personal level.

Waking up in the middle of the night and hearing Curly groaning in pain, and then going to bother Anya about giving Curly his meds only for Jimmy to INSIST on doing it himself, I thought to myself "c'mon man why wouldn't you just give him the meds to begin with," only to realize over the rest of the game exactly why he didn't do that. By putting the player in the role of this character, carrying out his actions step by step without choice in the matter, the irrationality of his decisions is made personally exasperating. You notice the patterns.

[feelingthedisaster]

The King's Men's plot structure is genius.

TKM has been critized a lot for not following the conventional plot structure, because it doesnt end inmediatly at the resolution of the climax, like they taught us in class. But it actually has a reason behind it and it think that is what makes AFTG unique and Nora Sakavic an amazing writer. I'll explain.

So, we all know AFTG has a lot of chess metaphors, however i think it doesnt contain the metaphors, it is the metaphor. Each character represents a piece of the board (Riko king, Kevin queen, Neil pawn, Andrew knight, etc) and exy is the chess, but but but, a chess game not only involves the pieces, the game cannot exist without someone playing, the chess masters (which would be Kengo, Ichiriu, Nathan and all the mafia stuff).

So, AFTG is divided into two plots happening at the same time: what happens on the chess board (exy season) and what happens outside it (the mafia mess).

Of couse, the climax has to be about the outside out, because who cares which one of pieces move in which way if the players are pointing guns at eachother under the board? The guns are more more important. So who cares? The pieces on the board care, the ones that are being played with. And who is the narrator? The character that represents the pawn, the less important figure of the entire room.

Yeah, the 'outside of the board' plot is over half way into the book, but it doesnt matter because that happens outside the board, the chess game has not ended yet. The pawn cannot go back to rest in the box until the game is over, until the king dies. The book cannot be over until the chess game our protagonist is a piece of ends. The books have to end with the king's (Riko) death and that is exactly what happens.

If this isnt excellent writing and one of the best examples of know the rules so you can break them, i dont what is.

[flowersforthemachines]

Useless Veilguard fact of the day: Day 49

If you complete Emmrich's questline and make him a lich before he goes on the camping trip with Harding, you can hear some unique voicelines.

Rook: So going outdoors is still… fun, for a lich? Emmrich: Nature remains cloaked in all its glory. Though the elements pose less of a worry. Harding: Exactly! You're a skeleton under your magic. Why are you even bringing different clothes? Emmrich: My dear Harding, a gentleman should always look presentable. Harding: (Exasperated noise) To who? The squirrels? Emmrich: That should be "to whom." Harding: I am going to stab you with an arrow. Emmrich: I really have looked forward to you showing me more of your home, Harding. Harding: Me, too. Oh! Are you going to be a lich in the woods? Emmrich: If it's not an inconvenience. Can we still have a campfire? Harding: We have to have a campfire. And spooky stories. Emmrich: Wonderful! I'll copy some passages from my diaries.

Check out the tag for more useless facts: #useless davg fact of the day!

My DAVG Extracted Audio Masterlist

[linktoo-doodles]

inevitable 🦋

[rayroseu]

never let meleanor cook again 🔥

she def wont bcs shes on the other side now :(

still makes me ill that briarland used to be a open country like they permitted the humans to live in their land but the humans just abused that decision and now almost all faes have hesitance in getting along with humans bcs of how significantly traumatic her death was 😭💔 also maybe im reaching but maybe the time where Maleanor had to fight Knight of Dawn/Silver Owls was the only time she was alone (since its implied she was always with Levan and Lilia or staying at her castle with the other royal guards 😭✨)

also ik maleanor fought alone bcs she was really out of soldiers and having lilia escape alone while she stops the Silver Owls is beneficial for Briar Valley (bcs remember that silver owls also ravage the land they trespass so if she escapes with Lilia then the damage Briarland couldve suffered would stretch to Maleficia's castle instead of just in Wildrose castle) but STILL i do want to see her being calculating because her position in Briarland military is that she's the commander yk, maybe she knew this was a bad decision (bcs of her scene when she was being sentimental ("im a mother thats why i must conquer) to lilia when he reasoned with her) i just feel like the story couldve portrayed it a bit nuanced and not just come off as "meleanor died bcs she was too prideful" i think thats just too easy/simple for the writer to write as her cause of death lol

anyways excited for book 7 updates 😭✨✨ i know next update is about silvers dream im just too excited for maleanor's screentime akxjkskd

i knowww im so late to the trend 💀💀 my sense of time is literally the same as malleus' sldkflkd

[wrongspacetime]

Kat & Swann | Tape 1 : Bloom LOST RECORDS : BLOOM & RAGE

[lightnersdream-archive]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*

[almondcroissantsandink]

about 100 pgs in and i am in agony!! i've cried twice!!

[turtleblogatlast]

I will never be over Leo’s 4D chess play in “Many Unhappy Returns”. Like, just in general it is a spectacle to see this character who we’ve seen goofing around time and time again, who’s only sometimes decided to take things seriously, only to show him making a maneuver like that.

And here’s what gets me the most about his plan against Big Mama: he comes up with it on the spot. The second he sees that Big Mama has the solution they need, he’s already in game mode.

It is so satisfying watching the episode back when you realize his plan, because he literally sets the stage entirely for a decisive victory. He sees that the champion is a kraken, and comes up with both the solution to defeating it and a reasonable excuse to get that solution into the battle with them on the fly:

“Like your champ aaand those six guys. In fact, we don’t want this over too quickly. You should armor up those rookies. The whole shebang. Especially with these pointy helmets.”

And this is why giving him teleportation powers is perfect, too. He analyzes the battlefield and makes use of all the assets, moving pieces around to guarantee a win. It is honestly so impressive to witness and one of my favorite parts of his character.

[catsharky]

This is for the 5 other people on here who also have Watch Dogs 2 brainworms and are 👀😳 about Wrench.

Got back on a WD2 kick recently and did some art for a fic I've been picking at since march. Mainly just drew it to embed in a chapter but it came out nice enough that I wanted to put it somewhere.

(Side note on something I noticed while drawing this: I'm not fully convinced that all of Wrench's tattoos are real tattoos. A lot of them definitely are, but a bunch of them actually look like they're drawn on with sharpie, especially the ones on his torso. It would be very in character for him to have doodled all over himself before Swelter Skelter so I'm choosing to believe it, lmao)

Also this is cropped to hell so Tumblr doesn't execute me via firing squad but if you wanna see the full version (he's fully clothed, but he's 'going camping' if you catch my drift), you may find it helpful to know that my Ao3 username is also catsharky 😏 (it's at the very end of ch 3 I love you pls don't judge my writing too harshly goodbye)

[mariigoldzz]

I know the love triangle represented Katniss choosing between war and peace but like. I would have loved Gale and Katniss just being besties. Best friends who could tell each other everything.katniss would get home from the victory tour giggling and kicking her feet about Peeta with Gale nodding as he listens to her yap. Gale telling Katniss the tea that happened while she was away. Katniss watching her best friend slowly get radicalized and manipulated by Coin.

Katniss's best friend, who she could tell anything to, being the one who caused Prim's death in the end.

[sunlight-shunlight]

thinking about veilguard and bioware in general, i think we are reaching a point where people need to grapple with the inherent limits of what stories can be told in our Current Society and in AAA gaming companies.

on a labour level: mass layoffs, tons of developers leaving despite previously talking about how passionate and happy they were to be involved, not even paying severance, and crunching employees to the point of burnout. this is unfortunately pretty standard for AAA game companies.

on a cultural level: it is SO white and SO centrist-ly Canadian. i wrote up these asks outlining how. it is a repeated pattern of writing in which they go into tortured racial oppression allegories at best, while constantly peppering in a "but BOTH SIDES were wrong and made mistakes :( :( :(", in between their fictional atrocities that are clearly mirroring irl genocides and enslavement. or at worst, it's "the qunari are radical islamic borg" which has even less nuance. i personally thought, since dai came out in 2014, and a lot has changed since then about the world and in public awareness, that this would have filtered into the narrative and resulted in more satisfying and historically grounded writing. unfortunately not the case. it's shocking if you compare it to how sharp and aware and unflinching something like disco elysium is.

so what does this mean?

under these conditions, it is unavoidable that we get development by people who are rapidly cycled out of the company or demoralized into burnout. we get digestible, easy little soundbites of lore without much substance, because any complexity needs more time and coordination rather than the process of "quick, we have these assets, a lot of people involved in making them just got laid off, we need to make Something by next quarter to show the CEO". we get very little cohesion between games, despite the clear intent from dai to have so many plot points set up to follow through in a sequel, because the team and development are so chaotic that they can't hold onto a vision and complete it.

we also get this inherent caution and "conservatism" from the narrative, because on an ideological level, they're largely white people who want cops to be included in pride. so any major change to even a fictional society is Bad and Scary, and shouldn't be done without making sure that every character finger-wags appropriately at non-state violence. there is clearly not much ideological or even ethnic diversity within the leadership; or at least not enough that anyone there felt comfortable even speaking up on minor issues like the Incredibly Orientalist Isabela Outfit, let alone anything larger.

i don't personally think there's too much value in trying to analyze veilguard's plot or lore at this point. the final product is chaotically developed and does not seem to reflect the goals of the creators as set up in prior games, it's basically a ship of theseus in terms of the people and ideas involved in making it. this is sad for all of us, who were interested in the story, and attached to the characters, and were creatively fulfilled by engaging in the fandom. it's probably worse for the developers who have lost their jobs, burnt out, or feel unhappy with the game that they spent years of their life working on. it's certainly miserable as an indictment of The Industry, as well as the general societal climate of white Canadian centrism.

the solution is to create a society where people can develop games in peace and prosperity and stay on projects for longer, rather than constantly getting turfed out without severance pay. and to get some genuine leftists, poc, and indigenous people on staff who can weigh in and provide significant input, rather than a Council Of Liberal White Edmontonians every time.

in the meantime, at the very least, let's please stop preordering AAA games and supporting companies who notably abuse their employees.