#not a person in any sense of the word

[toxictrannyfreak]

I hate being the school tranny

[homunculus-argument]

The whole "no gendered pronouns" thing is probably the most commonly known/brought up fun fact of the finnish language, but there's more to it. There's a pronoun distinction of human/nonhuman, and while many dialects don't bother with the hän-pronoun at all, and simply refer to both humans, animals, and inanimate objects as "se", wherever the human pronoun is used, it also encompasses any and all creatures that the speaker considers sufficiently sapient or sentient to be considered "a person". This covers gods and goddesses, humanoid supernatural creatures (with a distinct That Is Not A Person exception for zombies), aliens, and occasionally pets. Everyone knows someone who refers to their dog as "hän".

But the plural "they" also has a distinction of hän/se, with the same logic as he/him - who/whom, making a distinction between "they" who are people, and "they" that are either animals or objects. The dialects that don't use the human pronoun don't make this distinction either, but if someone is clearly speaking in formal finnish that refers to people as hän, but uses "ne" instead of "he" when referring to people, it's a very understated but nonetheless clear way of implying that those people are not people.

So finnish has:

They (singular, person pronoun) They (plural, of people) They (plural, inanimate/non-sentient/degoratory)

[meamiki]

silly comic based on a time i struggled to read live on stream :thumbsup:

context clip compilation below ASDASDFASA

(cw for brief mention of hospitals/strokes)

[starry-bi-sky]

watch me end up making a superdad au coz of WTNS

because!!! because i was thinking about how funny it is that Bruce's first two kids (Dick and Danny) would be superman fans, and how funny it would be if that influenced his opinion on Superman when they first met. And then I got to picking that apart, and how Danny's opinion and feelings on Superman would have the bigger impact on Bruce than Dick, since Dick's admiration for Superman (presumably) comes from the standard little kid "he's an alien and he can FLY" (and flying graysons) stuff. Which, while very very cute, is easy to ignore and disallow swaying feelings on.

But DANNY? It's not the same. While part of Danny's admiration comes from the same "holy shit he's an alien and can fly thats so COOL" vein, it also comes from a place of feeling deeply relatable to him. Both he and Superman were/are perceived as incredibly powerful, deeply dangerous creatures that are nigh impossible to stop, they have a handful of powers that are similar to one another, and they are (one of) the only ones of their kind. Superman is (one of) the last Kryptonian, Danny is (one of) the only Liminal in existence, and they might not be the same species but the principle remains the same and they're in the same boat.

As a result, Danny would just, god, he'd find so much relation in that. And yeah they're not the same but Superman would make him feel just a little less alone, a little more seen, and he'd find so much comfort in that.

And Bruce, by the time he meets Superman, would know by then about Danny's powers and his experiences and his time as Phantom and as a Liminal. And it's easy to ignore your kid's admiration for another Superhero when it stems from a place of plain hero worship or simple appreciation. It's harder to ignore it when your kid admires a Superhero because they make them feel seen and relate to them on a level you can't reach them on.

When that's the reason, how could he not think differently about Superman? When, by then, he's seen the scars left on Danny's body from all of his fights; when he's seen him cry and break down over never being able to fly again thanks to the blood blossom poison; when he's heard all about the struggles he faced with his powers, the fear he had about being found out, the fear he had when he was first developing them; and how he was ostracized by his city for his efforts just because he wasn't human, despite how much he was just trying to help.

How could he not look at Superman when they first meet, mask-to-mask, and have a little voice in the back of his mind go: 'my kid is a lot like you'

its making me emotional. if these feeligns persist im going to end up making a superdad au

[hanafubukki]

Thinking about how it was love over magic that hatched Malleus in the end and how that was the only thing that truly did matter to eggleus.

Malleus could have gotten all the magic he needed from Maleficia, but for an egg you need both love and magic.

Egg Malleus who rejected magic because the one he wanted the most wasn’t with him. Because he didn’t have that love that he wanted. I’m a firm believer that Malleus imprinted on Lilia as an egg.

He wanted Lilia. No one else.

He started accepting a little bit of magic again but that was just to hold on longer because Lilia told him to not go to any sparkling stars.

But in the end? It was Lilia’s love and magic that hatched him.

Malleus accepted the needed magic, the majority of the magic needed to hatch him was from Lilia in the end because it was Lilia who gave it to him.

In the end, it was truly love over magic. Because Malleus loved Lilia and Lilia returned that love. Love was the most important part of all.

Knowing this…I can see Lilia look at Malleus with pride because Malleus is strong and powerful. (We see this in Lilia’s PE card)

And Lilia is part of the reason why.

Because it’s Lilia’s magic that also flows through Malleus for him to be the way he is. It was Lilia’s love that made him so strong.

Malleus is that constant reminder of his happiness and love.

The catalyst that allowed him to become who he is today.

[gen4grl]

a nap in the sun

[ketchup-chup]

What if I made a post about how Reborn is actually super observant and a really great communicator? What if I made a post about how Reborn's closed off nature and attitude is a deliberate choice on his part and not because he's emotionally stunted or unable to communicate his feelings? What if I said he's incredible at reading people, and providing guidance to his students and to the others outside of his "spartan training" or being a strict tutor? What if I said he's very capable of being a comforting and kind person (look at how he treats Yuni at anytime or the girls, especially during the future arc), and if he doesn't act this way it's for a reason (either because he doesn't want to comfort them (lambo) or it wouldn't be beneficial to their growth to coddle them (Tsuna)) What if I made a post about how Reborn isn't as simpleminded or one note as people write him?

[wackywatchdotcom]

before i go do smth else like smth i think abt often but was thinking abt a few hrs ago in particular is how the circus easily tricks the audience into thinking the circus would be Better Than Real Life. when i think from literally almost any angle you examine it its just as bad (if not worse, depending on your own problems)

i think theres like so many problems its hard to even list them all. some of it is personal taste things. cus i think a lot of people think itd be fun because they enjoy specific aesthetic choices in the circus, or bc of other interest related things. but like. what about people who HATE bright colors. what about people who dont like the idea of not being human. what about people who dont enjoy things like roleplaying. some aspects of the circus are only even appealing to specific tastes in things, making one of the few 'draws' of it not really even being a universal thing

and thats the superficial stuff. because more importantly, if you dont like the real world (for whatever reason), the circus may provide a temporary solution to that, because its so far removed from reality. but i think the circus is way smaller than people realize. theres definitely always going to be things to see since caine can always make things, but its just as limited if not more than the real world, because while the world grows and changes, genuinely new things are created and discovered and stuff. caine will never really get to see that, let alone recreate it for the players- and even then, it still isnt actually that thing. that doesnt even factor in that caine is already operating on limited knowledge of the real world. its not clear how detailed he can get on things, since the accuracy can vary (spudsys being so accurate to the real world, vs the dinner in ep 1 being so flat and lacking almost any detail), but theres a good chance that anything he makes is going to be limited to, at the most, a CONCEPT from the real world, if theres nothing in the real world you like, thats still all youll get, just in a different way.and if you DO like things from the real world, youll never get to truly reexperience it (even if caine remakes it, youll know its not the real thing, and it wont be 100% how you remember it, either)

then theres the safety/pain/horror aspect to what caine makes. i think because there hasnt been gore or anything its easy to assume the circus is still tame, and that anything bad that happens cant be TOO bad. but this is NOT true at all. the teaser of the show establishes that even when caine is not going for horror, he still hurts the players. theres things thatd be physically horrifying to a person like getting possessed, theres physical pain (i see it debated but i think its clear that even if they were to experience less pain, they still DO experience pain, but thats a different topic) or extreme discomfort, theres psychological torment (the exit doors are genuinely very cruel even if that wasnt caines goal, what ep 4 did to jax and gangle. kinger getting taunted in ep 3, etc). its all survivable but even if you like them caine isnt trustworthy enough in this way to never do smth horrific to a person, or cause it through his actions

then theres the complete lack of autonomy, which imo is one of the most frightening things about the circus. bc unless your tastes are always aligning with the exciting, completely family friendly existence of the circus, and you never deviate even a little, you are going to be barred from any semblance of it. its best illustrated in how pomni HATES being touched but caines always prodding her and moving her places and stuff, and in how zooble is denied the option to opt out of adventures even when they state they want to directly by episode 4 implying the choice to even have time to yourself is deeply conditional (plus, the whole lack of an exit entirely meaning that even if you liked the circus, the lack of option to leave would still affect a person. youre getting locked in a big room for the rest of time and youll never get to leave). and also this post

and THEN you factor in the social aspect. because regardless of how you prefer socializing if at all, the circus is a nightmare. if you dont like people, thats great! you dont NEED to be anyones friend! except that you are going to be forced to interact with them eventually, and when you do its going to be repeated. its not gonna be once. and once caine notices hes going to bother you about it. forever

alternatively, if you DO like social interactions in any way, no matter what, if its not you, youre going to see others abstract. you are going to inevitably watch those you care abt struggle and eventually get stuck in a state that Seems Extremely Horrifying To Experience forever. its long and drawn out and itd suck and it wouldnt happen once

then is the easy to forget fact that if you have psychological problems they can and WILL follow you to the circus. gangle and zooble are the biggest examples of this. the circus didnt get rid of their problems, they just gave it a new, horrifying inevitable consequence. i sometimes fall victim to looking at the circus and assuming that ohhh i wouldnt have this problem! because i wont have to deal w it getting set off! but like... yeah i would. i wouldnt stop having this or that in the circus id just have to deal w it while ALSO going on adventures

theres many things. you cant truly eat you cant die you dont get to decide anything when you do die it seems terrifying to experience and youll be stuck in some level of that forever and anything you enjoy is not with you and anything you dont enjoy will follow you too to some degree and the list goes on and on

all this said i dont think any of this is an indicator that the characters lives are meaningless or smth just because it sucks. theres a reason gooseworx has said that the takeaway from the show should be that theres meaning to be found in a stagnant life. theres still meaning in their existence and i dont think its as hopeless as it may seem- but i think its still BAD. and tbh the idea that its worse only HELPS that theme of the show!!! i dont think itd hit as hard as a theme if the circus DIDNT suck

[vaguely-concerned]

having seen at least the rough outlines of all the romances now I have to say that I think emmrich's is probably objectively the best in terms of coherence and completeness of story arc (with the understanding that ultimately the 'best' romance is whichever one makes YOUR heart sing anyway so objectivity is a silly thing to claim that way, it just felt like it's the arc with the most well-paced focused content and the least dangling threads)... but lucanis' is my favourite haha. just. the whole kneeling before your beloved full of reverence but without any of the distance that usually implies??? his complete undramatic certainty and calm in every scene with rook after this, having spent the whole game caught between fear and longing???? mr. lives in a pantry but it says nothing about my psyche don't worry about it it's purely for tactical reasons that I keep myself contained in a small dark room not entirely unlike a cell, love among the parsnips -- finally coming to rook in their room and it's so comfortable and comforting???? after all the times rook supports and comforts him through the game he's finally able to return the same to them when they need it while being so calm and steady and it's so fucking sweet and feels so effortless and with no price attached?????? he basically assigns himself the role of your bodyguard and he WILL stab a god over it??????????????? the turn to protector (which was in his heart all along longing to get out and find a place) of it all????? he sounds like he's found himself unexpectedly stumbling into such a soul-lightening state of revelatory existential relief, full on 'you only have to let the soft animal of your body love what it loves' mary oliver style, and he goes and he shares that with rook and protectively envelops them in it when they're hurting??????????????????????????? hello for the maker's sake hello can anyone hear me?????

[iwritenarrativesandstuff]

Genuine question: what is the actual evidence that Lu Guang has dived back in time more than once? Because I’m rewatching Yingdu right now and I’m wondering if it’s possible he’s only dived once

[ulteri0rm0tives]

You know. My headcanon for trans Kerry doesn't even change his character, events, or how he is in canon, etc. It's literally just him but if he happened to be trans. It's literally him, but if he was pulling up putting people at gunpoint, burning down yachts, singing, shredding, talking to V, kissing, dating.. but if he happened to be trans while doing it.

Him being trans isn't this big thing to me, it's just something he happens to be. Like. We need more characters where being trans isn't their whole characterization, but just a passive piece of info that doesn't impact the events in canon or canon revolves around, info that people can go "Oh! Cool! Alright :)!!' and move on. Where they're just another person, not something to be tokenized. Like. Hopefully that's makes sense, y'know?

Like I don't change anything about canon to mold to him being trans. He's just some guy who happens to be. That's it. That's all. The MOST I make him being trans have a bigger impact on his story is LITERALLY only during his young adulthood transitioning with Johnny around. And that's still me just playing around with headcanons 😭 There's no in game events that show us what pre 2013 Kerry was like, or how 2008 samurai was like. Like yes, there's the few scraps from ttrpg books I've seen and even concept books, but those just showcase his characterization more than solidify huge events for him in canon.

Like. I don't have this big, grand, idea on why he's trans, he's just is, and low-key it's just me projecting half the time 😭 (t4t EuroV <3). Like. I guess if I HAD to come up with more poetic reasons or point to subtle/unintentional coding, it'd be something like. Kerry's storyline in game having themes of transformation and change.

Rising from the ashes of an old life you weren't sure was ever yours, or was what you really wanted, labels constantly micromanaging who you should be, having preconceptions instilled in you about the face and identity you should project out into the world, that constant demand of *who* you should be rather than who you want to be, an unhappiness in that life that led you to a rock bottom, ashes that transform into a life you're more comfortable in, something you found you wanted, found drive for life and found worth in again. That made you happier for it, motivated, passionate about life even.

And there's also obviously his cyberware, and how his gold seams coincidentally, suspiciously, run along JUST under his pec line to the sides right under his arms. Like.. ykno... top surgery scars.

Kerry's just some trans dude, just adds a little more depth to his character for me, but it's not all he is to me. That it plays an important part of him, but at the end of the day. He's still just some dude. I want him to be just some dude. I want others to see him as some dude even if he's trans, not the one piece of information others see of his character for my headcanons and decide that's the sole reason they don't like the headcanon, don't like my interpretation of him.

Something that's reflected in society too often, people finding someone to be trans and using that as the sole purpose they don't like them, nothing at all to do with their character, just that they happen to be trans.

[longagoitwastuesday]

This is about Hindley:

«After a short suspense it was opened by a tall, gaunt man, without neckerchief, and otherwise extremely slovenly; his features were lost in masses of shaggy hair that hung on his shoulders; and his eyes, too, were like a ghostly Catherine’s, with all their beauty annihilated».

And this is about Heathcliff:

«a tall man dressed in dark clothes, with dark face and hair. He leant against the side, and held his fingers on the latch, as if intending to open for himself. “Who can it be?” I thought. “Mr. Earnshaw?”»

Heathcliff is the character most often described as tall (and altogether big), with Hindley also being described as tall, as well as Linton, Heathcliff’s son, being said he was tall for his age (which is fitting).

I find so juicy that Heathcliff and Hindley look somewhat alike, at least structure-wise, enough to make Nelly think for one moment Heathcliff could have been him, and scratch the idea because no, that's not Hindley's voice. You resemble the man who destroyed you. It goes both ways. His child looks like his sister. One could think it was her child instead. A stranger will think the boy your son. You'll smile at the irony.

[mishy-mashy]

Shinomori is actually the weird one

Horikoshi said he had detailed backstories for all the OFA users. He just wanted to hint and imply at what he already had, in a way you could breeze over it, and draw the connections yourself.

Examples include little hints like how Bruce mentions being with Kudo from the very start of their opposition. Or how Kudo hints at heartless decisions they made, or how many lives they took in a straight goal, where survival became victory. (Another parallel with Bakugo, where Bakugo wanted to be someone who always wins—and on Kudo's side, that means survival, but THIS ISN'T ABOUT KUDO)

Or the small corner of a panel where Banjo's arm breaking like Midoriya's, showing that Shinomori made OFA too strong. Or how Garaki saved AFO from never being able to find Yoichi again, on Shinomori's turn. Shinomori's turn should've been the end of AFO's chase, if not near it, since AFO was starting to grow old until Garaki appeared.

Little hints to whole backstories.

Shinomori only has one scene in the whole animal where we actually see him talk more than a line or a glance. And that's his self-introduction.

I want to talk about his line, [Mine was a terrible era. Everyone was a weirdo, except me.]

During his introduction, Shinomori says that One For All can't be passed on to a normal person anymore.

Since we, as the viewer, are watching from a time where Quirks are the norm, what Shinomori said doesn't stand out at all. Even Midoriya doesn't get confused.

The normal person to Midoriya is a Quirked person. That's what the viewer thinks too; Quirks are normal.

But consider that Shinomori is talking about - and from - the past as he explains who he is and what he did. Put your perspective in that time period.

Quirks were not normal. Metas were not normal. The norm was to have no Meta, even if more and more Meta Humans are popping up.

Shinomori actually thinks that Meta Humans were normal, and that non-Meta Humans were weirdos. This was during a time where everyone thought the opposite, and that Meta Humans were monsters.

"One For All cannot be wielded by a normal person." meaning normal, Quirked people. He thought Quirked people were normal from the start

"I was the only normal one. Everyone else were weirdos." and it's because everyone else was weird, and in a terrible time, that Shinomori went into hiding

Shinomori is actually self-centered in a way; he views himself as normal, and can't understand the perspective of other weirdos (non-Metas)

By self-centered, I mean like kids do developmentally-wise.

Kids first learn about the world only from their own perspective. They don't comprehend that others can have their own feelings, opinions, or feel pain.

Kids are self-centered because they only know their own perspective, and can't understand anyone else's. It doesn't occur to them to view the world any other way.

Shinomori is like that. Metapowers are normal to him. To him, the others who view Meta Humans as wrong, and the people who aren't Meta, they're the weirdos.

He can't understand them.

Shinomori blatantly referring to Quirked people as "normal" even catches Midoriya off-guard. Because for a minute, Midoriya doesn't know what concept of "normal" that Shinomori is using.

Japan was imploding on itself and in a Depression, and Shinomori's only takeaway during his era is who's weird and who's not.

"Mine was a terrible era. Everyone was a weirdo except me."

This is his only takeaway. Or, the only thing he focused on during this time.

And at first glance, that's shallow. Until you realize that Shinomori's main takeaway was that he couldn't conform.

But to him, it's that the others couldn't conform to Metapowers. He couldn't understand the people around him, and saw them as strange for that.

Since he's his own idea of the norm, he doesn't view himself - an Ability wielder - as an outlier.

His only solution to the society that was at ends, even with AFO's presence reigning, was to seclude himself.

That way, he'd be the only person in his own world—a world of only Meta Humans.

Shinomori was a hermit, not because of AFO, but because he didn't like society

To bring back this panel,

And bring up this, too,

Shinomori doesn't say he went into hiding for OFA. He agrees with Banjo's statement that he just didn't like society, and went to live off-radar. He cites the reason he did that: people were strange to him.

A time where people protested Meta Humans, at that. Non-Metas were scared of Metas, and those Metas didn't even want to be Metas. Those were the people back then.

He only says he evaded AFO, which would be easier to do with Danger Sense. And AFO didn't need many sensory Abilities back then, because he wasn't blind

So Shinomori didn't like society, and left it. Then he had OFA, and while still a hermit, starts building up that power while avoiding people even more.

Since Banjo managed to find Shinomori when these were the conditions, that means Banjo had no ill intent, and posed no danger or threat. That allowed Banjo to find Shinomori, without either intending to meet.

Must've been a jumpscare, actually. I like thinking Banjo's face just erupted from foliage, and Shinomori let out a bitch-on-falsetto shriek.

The fact Shinomori was already a hermit before OFA, also confirms that Bruce found him in the forest.

My theory is that Bruce and Shinomori knew each other beforehand. That's why Bruce could find him. Bruce, who spent time in cities, managed to find a single man who hides in forests.

(These posts (1) (2) speculate about Bruce and Shinomori's relationship, and Bruce choosing his successor)

Shinomori thought the world couldn't keep up with Metahumans (his normal), and still thinks that way in death. When he explains OFA, he refers to "normal people", that Midoriya has to piece together he means Quirked people.

Midoriya, who grew up where Quirks are normal, easily adopts the way Shinomori thinks of it, but on the surface level of only knowing what Shinomori was saying about the now.

Summary: Shinomori is the weird one, for viewing Metas as normal when everyone else believed differently. His belief of Abilities being normal endures from the Advent of the Paranormal, up to his afterlife as a vestige.

When Metas were abnormal, he saw it differently: Metas are normal, and those who can't accept Metas, or aren't Metas themselves, are outliers.

"They were the weirdos. Not me."

-

Side note, about the above panel

Notably, when talking about what a "normal person" is, we're looking at Nana, Yoichi, and All Might.

Nana, who looked at the strange, funny teenager Toshinori, and decided to give the Quirkless boy a Quirk; "normal", as a Quirked person in her time. She made All Might "normal" (though fitting in wasn't her intent, because they both knew All Might always intended to stand at the top), because he was a strange boy, and she liked that.

Yoichi, who grew up believing he was Meta-less, and had stockpiling forced by AFO to conform to his beliefs. An original Meta-less person, who was "normal" in his time.

And All Might, who was Quirkless, but with OFA, became "normal".

[kravchikfreak]

i guess arcane s2 does hurt after all. just not in the way i was hoping it would

i couldn't even imagine the highest heart rate i would get is going to be from scrolling tumblr and seeing occasional maddie hate

people cheering for her death and slaughtering her for being an actual demon or something. why? i really don't get it

i mean, i do get it. it's cause she slept with cait and then the show said oh btw she's either a spy or a traitor and also she appreciated cait's warm of cold and distant attitude and grins when trying to kill her. i get that. i just don't get where all this shit comes from and why people are so eager to eat it up without any elaboration?

"she grins she's so evil". hurts like hell ffs

and here i was hoping arcane would destroy me with its story not its fanbase

[wackywatchdotcom]

something i genuinely adore about tadc is how painfully flawed everyone in the circus is. and not in a small way

everyone does SOMETHING that negatively impacts the others. but it makes the fact that you are supposed to sympathize with and really connect with them all the more potent. because its easy to want to put a bunch of characters in a bad situation together and to just have them all be nice to each other and everyone and never make mistakes because theres no reason to hurt each other, and most of them dont TRY to, but the way they cope is so, so realistic for each of their personalities, and it doesnt always mesh with the others, and sometimes it exceeds self destructive and Just Hurts Others, Too

they still generally care about each other and the mistakes they make and the ways they end up hurting each other dont lose their weight but like. it doesnt take away from their humanity and the fact that they are all trying so hard to manage in an awful situation

and the characters seem to have sooome sort of understanding of this too. not fully, because the characters dont tend to be 100% communicative, but when they hurt each other, it often makes EVERYONE uncomfortable. because these are the only people they have. these are their friends. and theyre all coping. but it doesnt change how much it affects them (best illustrated by ragathas lines at the start of ep 2 or gangles 'i love her, but after a while it gets kinda hard to tell how genuine shes actually being'). its not all like this, theres a good amnt of variety, but characters knowing this but not really knowing what to do about it is very painful in an effective way

(i think a subtle example of this is how zooble handles gangles situation in ep 4- they were so genuinely trying to help her because they care. but could tell as the day went on that oh, this is not working at all and its making things worse, and they leave gangle alone- something that very genuinely couldve been the moment she abstracted, because of the mask zooble gave her- and we dont get to have a super blatant explanation of zoobles thoughts on it, but they reach a fairly healthy conclusion about it that helps both of them, and i like that a lot, because on paper zooble could be placed at fault but the narrative doesnt dwell on it excessively, because thats not the point. i dont know if that tangent makes sense but i think about it sometimes. i think zooble wasnt 'to blame' but it was still a mistake, which is a hard balance to strike, and having them help at the end feels extremely effective at rounding it off!!!)

but like. in general its complicated balancing making characters in a bad situation act flawed because it can run the risk of seeming like the story is scolding them or blaming them for the situation theyre in, or like youre expected to not sympathize with them despite it (though the inverse also has complications- if characters in a bad situation never mess up, it feels unrealistic and hard to relate to, and can imply that their innocence is why whats happening to them is bad at all), but the show handles it so well

even the characters who are genuinely trying all try in different ways- some of them have similar outlooks or attitudes towards these thing but theres vital differences for ALL of them- sometimes it works and sometimes it doesnt. in fact some of the more painful mistakes characters have made in the show have come from them so genuinely trying (like the thing i mentioned w zooble, or basically Everything Ragatha Does, or pomnis first attempt at helping gangle, etc), which hits harder than if every mistake characters made had wholly selfish and cruel goals.

i mean, there is a selfishness to many of the characters' actions but imo not in a way thats not warranted. because all of them are in a horrible setting. its uncomfortable to watch characters be selfish. but it is a natural instinct to survive. its not the foundation of most of their actions, but when it is, its uncomfortable but hard to completely disparage them for in a way that makes you feel kinda conflicted

and like. it hurts to be doing your best and for that to make things worse, but its what happens often in the show. because no one in a bad situation is gonna handle it well. by the very nature of trying to survive something is gonna give, but it makes the themes of the show so much more powerful. that making sure the people around you dont feel unloved, cherishing them and finding meaning with others is no less important just because everyone is fucking up. it complicates things, for sure, but it doesnt make those characters exempt fromt this. theres a reason pomni tells gummigoo that she doesnt want "anyone" to feel like theyre nothing, and that kinger doesnt add ANY quallifiers to making sure people feel wanted and loved (not that i think either of them were thinking SUPER super hard, but it conveys smth from the perspective of the narrative

it gets complicated when you add in jax for sure, since i think on the surface he IS the exception to this concept- none of the characters like him, including pomni or kinger. but i think this is something thats gonna be examined further down the line, bc hes the main complicating factor in this reading of the show, but i feel like thats on purpose. hes universally disliked (and so is caine, in a different way) and his actions arent mistakes. they are him coping. the show has made it clear that he can be a complex person AND also a piece of shit. his actions dont detract from the fact that hes a person and the show reminds us of this. so it makes things so messy, but im genuinely super excited to see how the show examines that. where his character goes is, imo, going to be a massive piece of how this show fleshes out this concept

[coquelicoq]

too bad this book three people recommended to me was just. not good. hate it when that happens.