#norman godfrey
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mariocki · 1 year ago
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The Saint: The Best Laid Schemes (6.1, ITC, 1968)
"You know, it's, uh, pretty obvious that somebody who knows your aunt's past medical history is trying to drive her mad. I must admit they're doing a pretty good job of it, too. But now suppose the end object of the exercise is not to have her committed but to get her to the state where she would take her own life. Be neat, wouldn't it?"
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puppychase · 11 months ago
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and the other girl also dies horrifically… not one single survivor of the misogyny drive by
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godfrcy · 5 months ago
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#𝐆𝐎𝐃𝐅𝐑𝐂𝐘 ⸻ HIGHLY TRIGGERING CONTENT MAY BE PRESENT ! minors and personals DNI. proceed with caution. rp account crafted for fakevz but not limited to. eng.
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31 year old current sitting ceo of Godfrey Industries, 𝐑𝐎𝐌𝐀𝐍 𝐆𝐎𝐃𝐅𝐑𝐄𝐘 is the boy king of one of the world’s leading bioengineering empires, a medical and pharmaceutical powerhouse stationed in the heart of scenic Hemlock Grove, Pennsylvania. The only biological child born to Olivia and Norman Godfrey, an illicit affair between a wife and her brother in law, Roman was quite literally born with a silver spoon in his mouth and a crown awaiting his head. No one bearing the Godfrey name has ever wanted for anything in life, and Roman is no exception. And still, the young man was always hungry for something else, aching for the elusive something. Finding no notable solace in drugs, sex, alcohol, or self harm as a teen, Roman attempted and succeeded at suicide at the age of nineteen. He did in fact die, but did not stay dead ⸺ instead, he awoke as something else. UPIR as his mother had said, though most would simply say vampire. Something, he would come to find out, made him just like Olivia herself.
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A STUDY IN [ . . . ] nepotism , blood , wealth , power , killing with no mercy , “ when is a monster not a monster ? ” , the void that cannot be filled , and what it’s like to have violence in the roots of your family tree .
FOR MORE INFO CLICK THE HASHTAG ©
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mythicalcowboyatheart · 4 months ago
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Slashers - who would say "I love you" first
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Warnings: none that ik
Characters:
Billy Loomis, Stu macher, Ethan Landry, Norman Bates, Tiffany Valentine, Art the clown, Herbert West, Brahms Heelshire
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🎃Billy Loomis:
• You would say it first
• he has abandonment issues from his mom leaving so I feel like he would wait for you to say it first
• you'd be lying on your bed your head on his chest your falling asleep and before you fall in to slumber you mumble a "I love you Billy"
🎃Stu macher:
• He would say it first
• I don't know why it's just a gut feeling that he would
• like your at his house watching a movie and he's not even paying attention the the TV his eyes are on you and he has big puppy dog eyes and .just says it barely louder than a whisper "I love you"
🎃Ethan Landry:
• him definitely
• probably during a make out session in between kisses he probably says it without realizing it
🎃Norman Bates:
• this is a hard one
• if you say it first I think mother would probably get involved so watch out
• if he said it first I think it would end less deadly possibly?
• helping him at the motel and it just slipped out he'd be a blushing mess either way
🎃Tiffany Valentine:
• she'd say it first
• shes clingy (but like so am I so....)
• your washing dishes and she comes up behind you hugs you from behind and kisses the top of your head and says "I love you Sweet face"
🎃Art the clown:
• I think he would but uhhhhhh.......he didn't talk but! When i write for Art if there's talking he uses ASL
• it's like Valentine's Day and he gets you a human heart in a candy box and id just standing there like "🤟🤡" (🤟= ILY in sign)
🎃Herbert West:
• you have to say it first
• probably would be the rare occasion you mange to get him out of the basement for the night you guys are in bed and you kiss him goodnight "I love you" you say before rolling over and falling asleep
🎃Brahms Heelshire:
• he probably does
• after his bedtime story you give him his mandatory goodnight kiss and before you leave the room you hear him yawn "I love you goodnight"
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An:
hope y'all enjoyed! I will probably do more of these and add more slashers.
I was thinking about putting Ash Williams on here but he's not like bad guy and I was thinking about adding Roman Godfrey to this so what do y'all think about that?
Also I will be adding Spencer Charnas, Patrick Bateman, and probably Jennifer Check to this prompt series.
Also might do something similar with the DC boys I write for
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auroraborealis22 · 8 months ago
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Godfrey Penington Kingdon, Norman Road, Winchester - The View From The Artist's Window In January, 1965 
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midwestbramble · 2 months ago
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Book Reviews and Recommendations
This will be a running list of books I’ve reviewed and which ones I recommend according to topic. This way when people ask I have an easy place to point them.
Right now I’m posting one review a week of a book that’s already on my shelf. Eventually all the books I’ve recommended will have a review linked as well; for now if you have questions about one feel free to ask. This post will continue to be updated.
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Content:
Book Reviews
Book Recommendations
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Book Reviews
America Bewitched
American Brujeria
Aradia
Astral Dynamics
Backwoods Witchcraft
Besom, Stang, and Sword
Betwixt and Between
Black Dog Folklore
The Black Toad
The Book of Celtic Magic (coming soon)
Mastering Witchcraft
Thirteen Pathways of Occult Herbalism
Under the Witching Tree
✩₊˚.⋆☾⋆⁺₊✧
Book Recommendations
For Beginners:
Natural Magic by Doreen Valiente
Psychic Witch by Mat Auryn
Weave the Liminal by Laura Tempest Zakroff
The Witch’s Path by Thorn Mooney
Ancestor Work:
Honoring Your Ancestors by Mallorie Vaudoise
Animal Spirits:
Black Dog Folklore by Mark Norman
Fang and Fur, Blood and Bone by Lupa
Skin Spirits by Lupa
Astrology:
The Essential Guide to Practical Astrology by April Elliott Kent
Crafts:
The Green Witch’s Grimoire by Arin Murphy-Hiscock
Potions, Elixirs, and Brews by Anaïs Alexandre
Cultural Literacy in Modern Witchcraft:
Aradia by Charles Godfrey Leland
Doreen Valiente: Witch by Philip Heselton
Power of the Witch by Laurie Cabot
The Rebirth of Witchcraft by Doreen Valiente
Spiral Dance by Starhawk
Transcendental Magic by Éliphas Lévi
Death Work:
Morbid Magic by Tomás Prower
Druidry:
The Book of Celtic Magic by Kristoffer Hughes
Elements:
The Four Elements of the Wise by Ivo Dominguez Jr.
The Little Work by Durgadas Allon Duriel
Faeries:
Fairies: A Guide to the Celtic Fair Folk by Morgan Daimler
Feri (not to be confused with faeries):
Betwixt and Between by Storm Faerywolf
Forbidden Mysteries of Faery Witchcraft by Storm Faerywolf
Folklore:
Black Dog Folklore by Mark Norman
The Devils Plantation by Nigel Pearson
Folk Magic:
American Brujeria by J. Allen Cross
Backwoods Witchcraft by Jake Richards
Doctoring the Devil by Jake Richards
Ozark Folk Magic by Brandon Weston
Ozark Mountain Spell Book by Brandon Weston
The Powwow Grimoire by Robert Phoenix
Trolldom by Johannes Björn Gårdbäck
Working Conjure by Hoodoo Sen Moise
Green Witchcraft:
The Green Witch’s Garden by Arin Murphy-Hiscock
Plants of the Devil by Corrine Boyer
The Poison Path Herbal by Coby Michael
Under the Bramble Arch by Corrine Boyer
Under the Witching Tree by Corrine Boyer
Wild Witchcraft by Rebecca Beyer
Wortcunning by Nigel Pearson
Hearth Witchcraft:
The Hearth Witch’s Compendium by Anna Franklin
The House Witch by Arin Murphy-Hiscock
Hedge Riding/Spirit Flight:
Astral Dynamics by Robert Bruce
A Broom at Midnight by Roger J. Horne
History:
America Bewitched by Owen Davies
Demons and Spirits of the Land by Claude Lecouteux
Harry Potter and History by Nancy Reagin <- unaffiliated with JK Rowling
A History of Magic and Witchcraft by Frances Timbers
The Return of the Dead by Claude Lecouteux
The Tradition of Household Spirits by Claude Lecouteux
The Triumph of the Moon by Ronald Hutton
The Witch by Ronald Hutton
Witches, Werewolves, and Fairies by Claude Lecouteux
Holidays:
The Hearth Witch’s Year by Anna Franklin
Samhain by Diana Rajchel
Yule by Susan Pesznecker
Protection:
By Rust of Nail and Prick of Thorn by Althaea Sebastiani
Hex Twisting by Diana Rajchel
The Reclaiming Tradition:
The Spiral Dance by Starhawk
Scientific Studies on Magic:
Real Magic by Dean Radin, PhD
Spirit Work:
Honoring Your Ancestors by Mallorie Vaudoise
A Witch’s Guide to the Paranormal by J. Allen Cross
Traditional Witchcraft:
Besom, Stang, and Sword by Christopher Orapello and Tara-Love Maguire
The Black Toad by Gemma Gary
A Broom at Midnight by Roger J. Horne
The Crooked Path by Kelden <- great for beginners
The Devils Dozen by Gemma Gary
Folkloric American Witchcraft and the Multicultural Experience by Via Hedera
New World Witchery by Corey Hutcheson
Plants of the Devil by Corrine Boyer
The Poison Path Herbal by Coby Michael
Southern Cunning by Aaron Oberon
Traditional Witchcraft by Gemma Gary
Treading the Mill by Nigel G Pearson
Tubelos Green Fire by Shani Oates
Under the Bramble Arch by Corrine Boyer
Under the Witching Tree by Corrine Boyer
Wild Witchcraft by Rebecca Beyer
The Witch Compass by Ian Chambers
The Witches’ Devil by Roger J Horne
The Witches’ Sabbath by Kelden
Wortcunning by Nigel Pearson
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kemetic-dreams · 1 year ago
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Carol Diann Johnson was born in the Bronx, New York City, on July 17, 1935, to John Johnson, a subway conductor, and Mabel (Faulk), a nurse. While Carroll was still an infant, the family moved to Harlem, where she grew up except for a brief period in which her parents had left her with an aunt in North Carolina. She attended Music and Art High School, and was a classmate of Billy Dee Williams. In many interviews about her childhood, Carroll recalls her parents' support, and their enrolling her in dance, singing, and modeling classes. By the time Carroll was 15, she was modeling for Ebony. "She also began entering television contests, including Arthur Godfrey's Talent Scouts, under the name Diahann Carroll." After graduating from high school, she attended New York University, where she majored in sociology, "but she left before graduating to pursue a show-business career, promising her family that if the career did not materialize after two years, she would return to college.
Carroll's big break came at the age of 18, when she appeared as a contestant on the DuMont Television Network program, Chance of a Lifetime, hosted by Dennis James. On the show, which aired January 8, 1954, she took the $1,000 top prize for a rendition of the Jerome Kern/Oscar Hammerstein song, "Why Was I Born?" She went on to win the following four weeks. Engagements at Manhattan's Café Society and Latin Quarter, nightclubs soon followed.
Carroll's film debut was a supporting role in Carmen Jones (1954), as a friend to the sultry lead character played by Dorothy Dandridge. That same year, she was nominated for a Tony Award for Best Featured Actress in a Musical for her role in the Broadway musical, House of Flowers. A few years later, she played Clara in the film version of George Gershwin's Porgy and Bess (1959), but her character's singing parts were dubbed by opera singer Loulie Jean Norman. The following year, Carroll made a guest appearance in the series Peter Gunn, in the episode "Sing a Song of Murder" (1960). In the next two years, she starred with Sidney Poitier, Paul Newman, and Joanne Woodward in the film Paris Blues (1961) and won the 1962 Tony Award for Best Actress in a Musical (the first time for a Black woman) for portraying Barbara Woodruff in the Samuel A. Taylor and Richard Rodgers musical No Strings. Twelve years later, she was nominated for an Academy Award for Best Actress for her starring role alongside James Earl Jones in the film Claudine (1974), which part had been written specifically for actress Diana Sands (who had made guest appearances on Julia as Carroll's cousin Sara), but shortly before filming was to begin, Sands learned she was terminally ill with cancer. Sands attempted to carry on with the role, but as filming began, she became too ill to continue and recommended her friend Carroll take over the role. Sands died in September 1973, before the film's release in April 1974.
Carroll is known for her titular role in the television series Julia (1968-71), which made her the first African-American actress to star in her own television series who did not play a domestic worker. That role won her the Golden Globe Award for Best TV Star – Female for its first year, and a nomination for an Primetime Emmy Award in 1969. Some of Carroll's earlier work also included appearances on shows hosted by Johnny Carson, Judy Garland, Merv Griffin, Jack Paar, and Ed Sullivan, and on The Hollywood Palace variety show. In 1984, Carroll joined the nighttime soap opera Dynasty at the end of its fourth season as the mixed-race jet set diva Dominique Deveraux, Blake Carrington's half-sister. Her high-profile role on Dynasty also reunited her with her schoolmate Billy Dee Williams, who briefly played her onscreen husband Brady Lloyd. Carroll remained on the show and made several appearances on its short-lived spin-off, The Colbys until she departed at the end of the seventh season in 1987. In 1989, she began the recurring role of Marion Gilbert in A Different World, for which she received her third Emmy nomination that same year.
In 1991, Carroll portrayed Eleanor Potter, the doting, concerned, and protective wife of Jimmy Potter (portrayed by Chuck Patterson), in the musical drama film The Five Heartbeats (1991), also featuring actor and musician Robert Townsend and Michael Wright. She reunited with Billy Dee Williams again in 1995, portraying his character's wife Mrs. Greyson in Lonesome Dove: The Series. The following year, Carroll starred as the self-loving and deluded silent movie star Norma Desmond in the Canadian production of Andrew Lloyd Webber's musical version of the film Sunset Boulevard. In 2001, Carroll made her animation debut in The Legend of Tarzan, in which she voiced Queen La, ruler of the ancient city of Opar.
In 2006, Carroll appeared in several episodes the television medical drama Grey's Anatomy as Jane Burke, the demanding mother of Dr. Preston Burke. From 2008 to 2014, she appeared on USA Network's series White Collar in the recurring role of June, the savvy widow who rents out her guest room to Neal Caffrey. In 2010, Carroll was featured in UniGlobe Entertainment's breast cancer docudrama titled 1 a Minute and appeared as Nana in two Lifetime movie adaptations of Patricia Cornwell’s novels: At Risk and The Front.
In 2013, Carroll was present on stage at the 65th Primetime Emmy Awards to briefly speak about being the first African-American nominated for a Primetime Emmy Award. She was quoted as saying about Kerry Washington, nominated for Scandal, "She better get this award."
Carroll was a founding member of the Celebrity Action Council, a volunteer group of celebrity women who served the women's outreach of the Los Angeles Mission, working with women in rehabilitation from problems with alcohol, drugs, or prostitution. She helped to form the group along with other female television personalities including Mary Frann, Linda Gray, Donna Mills, and Joan Van Ark.
Carroll was diagnosed with breast cancer in 1997. She said the diagnosis "stunned" her, because there was no family history of breast cancer, and she had always led a healthy lifestyle. She underwent nine weeks of radiation therapy and had been clear for years after the diagnosis. She frequently spoke of the need for early detection and prevention of the disease. She died from cancer at her home in West Hollywood, California, on October 4, 2019, at the age of 84. Carroll also had dementia at the time of her death, though actor Marc Copage, who played her character's son on Julia, said that she did not appear to show serious signs of cognitive decline as late as 2017. A memorial service was held in November 24, 2019, at the Helen Hayes Theater in New York City.
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mamomare · 2 years ago
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Ultimate Decades Challenge 1340-1350
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This has been a brutal decade. I went from having several side families back to only two at the start of the 1350s. Thanks 100 Year War and the Black Plague! I’ve also had consistent bad rolls and so many babies and potential parents have died! I hope I can bring the family back in the 1350s, keep your fingers crossed for me... Births 1344 - Norman Brooker 1346 - Ivett Brooker 1346 - Andrew Smith
Marriages 1341 - Adam and Isolda Brooker 1343 - Ellis and Magge Brooker 1344 - Christopher and Avice Smith 1347 - Herbert and Estrid Payne
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Deaths (Not including babies) 1341 - Eva Brooker, Eleanor Clifford 1344 - Isolda Brooker 1346 - Ida Brooker, Osbert Baker 1347 - Ellis Brooker 1348 - Edith Baker, Godfrey Clifford, Joan Clifford, Adelard Clifford, Mabel Clifford, Lucia Clifford, Margary Baker, Alviva Hurst, Nicholas Hurst, Robert Hurst, Herbert Payne, Christopher Smith 1349 - Avice Payne, Magge Brooker
Current Family Tree * Note: I remove “dead” branches of the family tree to keep it manageable. 
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Current Family Lot
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dannyreviews · 29 days ago
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Veteran British born/based film/TV actors born before and including 1936 still alive:
With the recent death of Dame Maggie Smith, I thought I'd detail the legendary actors of UK cinema and television that are still living as of the date of this post:
Eileen Bennett (b. 1919)
Arnold Yarrow (b. 1920)
Beulah Garrick (b. 1921)
Elizabeth Kelly (b. 1921)
Elisabeth Kirkby (b. 1921)
Sara Luzita (b. 1922)
Annabel Maule (b. 1922)
Paul Harding (b. 1923)
Vincent Ball (b. 1923)
David Lawton (b. 1923)
Anne Vernon (b. 1924)
Donald Pelmear (b. 1924)
Thelma Ruby (b. 1925)
Pete Murray (b. 1925)
Michael Beint (b. 1925)
Shelia Mitchell (b. 1925)
Kerima (b. 1925)
David Attenborough (b. 1926)
Elizabeth Benson (b. 1926)
Margaret Barton (b. 1926)
Terry Kilburn (b. 1926)
Stanley Baxter (b. 1926)
David Frankham (b. 1926)
William Glover (b. 1926)
Josephine Stuart (b. 1926)
Patricia Davidson (b. 1926)
Barbara Clegg (b. 1926)
Glen Michael (b. 1926)
Araby Lockhart (b. 1926)
Eileen Page (b. 1926)
Rosemary Harris (b. 1927)
Cleo Laine (b. 1927)
Lee Montague (b. 1927)
Genevieve Page (b. 1927)
Neville Phillips (b. 1927)
Jean Lodge (b. 1927)
Barbara Ashcroft (b. 1927)
Jill Freud (b. 1927)
Jean Southern (b. 1927)
Antonia Pemberton (b. 1927)
Peter Cellier (b. 1928)
Jeanette Landis (b. 1928)
Sheila Ballantine (b. 1928)
Dorothea Phillips (b. 1928)
Jeannie Carson (b. 1928)
Hazel Ascot (b. 1928)
Brenda Hogan (b. 1928)
Philip Guard (b. 1928)
Raymond Llewelyn (b. 1928)
Pauline Brailsford (b. 1928)
Leonard Weir (b. 1928)
Kevin Scott (b. 1928)
Tony Hughes (b. 1928)
Joan Plowright (b. 1929)
Patricia Routledge (b. 1929)
Colin Jeavons (b. 1929)
Michael Craig (b. 1929)
Thelma Barlow (b. 1929)
Peter Myers (b. 1929)
Paul Williamson (b. 1929)
Kevin Miles (b. 1929)
John Gale (b. 1929)
Phillip Ross (b. 1929)
Jimmy Fagg (b. 1929)
Hazel Phillips (b. 1929)
Mignon Elkins (b. 1929)
Margaret Stallard (b. 1929)
Maya Koumani (b. 1929)
Clive Revill (b. 1930)
Charles Kay (b. 1930)
Roy Evans (b. 1930)
Una McLean (b. 1930)
Roddy Maude-Roxby (b. 1930)
Ruth Trouncer (b. 1930)
Cyril Appleton (b. 1930)
Vera Frances (b. 1930)
Gary Watson (b. 1930)
Keith Alexander (b. 1930)
Libby Morris (b. 1930)
Pauline Jefferson (b. 1930)
Claire Bloom (b. 1931)
Leslie Caron (b. 1931)
Carroll Baker (b. 1931)
Virginia McKenna (b. 1931)
Vivian Pickles (b. 1931)
Stanley Meadows (b. 1931)
Gerald Harper (b. 1931)
Patricia Greene (b. 1931)
Ellen McIntosh (b. 1931)
Elvi Hale (b. 1931)
Maureen Connell (b. 1931)
June Laverick (b. 1931)
James Martin (b. 1931)
Denyse Alexander (b. 1931)
Arthur Nightingale (b. 1931)
Eileen Derbyshire (b. 1931)
Carl Held (b. 1931)
Shelia Bernette (b. 1931)
George Eugeniou (b. 1931)
Corinne Skinner-Carter (b. 1931)
Tusse Silberg (b. 1931)
Petula Clark (b. 1932)
Prunella Scales (b. 1932)
Phyllida Law (b. 1932)
Ray Cooney (b. 1932)
Brian Murphy (b. 1932)
Edward De Souza (b. 1932)
Alan Dobie (b. 1932)
John Turner (b. 1932)
Roland Curram (b. 1932)
Gabriel Woolf (b. 1932)
Johnnie Wade (b. 1932)
Eileen Moore (b. 1932)
Laurie Leigh (b. 1932)
William Roache (b. 1932)
Athol Fugard (b. 1932)
Carmen Munroe (b. 1932)
Norman Bowler (b. 1932)
Marcia Ashton (b. 1932)
Thelma Holt (b. 1932)
Antony Carrick (b. 1932)
Sally Bazely (b. 1932)
Michael Caine (b. 1933)
Joan Collins (b. 1933)
Sian Phillips (b. 1933)
Sheila Hancock (b. 1933)
Elizabeth Seal (b. 1933)
Shani Willis (b. 1933)
Patrick Godfrey (b. 1933)
Caroline Blakiston (b. 1933)
Donald Douglas (b. 1933)
Ann Firbank (b. 1933)
Vera Day (b. 1933)
Tsai Chin (b. 1933)
Geoffrey Frederick (b. 1933)
Marla Landi (b. 1933)
Monte Landis (b. 1933)
Mary Germaine (b. 1933)
Ruth Posner (b. 1933)
Barbara Archer (b. 1933)
W.B. Brydon (b. 1933)
Robert Gillespie (b. 1933)
Brian Patton (b. 1933)
Arthur White (b. 1933)
Barbara Archer (b. 1933)
Sally Bazley (b. 1933)
Madhur Jaffrey (b. 1933)
Jeanette Sterke (b. 1933)
Ann Rogers (b. 1933)
Barbara Knox (b. 1933)
John Boorman (b. 1933)
Derek Martin (b. 1933)
Michael Aspel (b. 1933)
Bill Edwards (b. 1933)
Judi Dench (b. 1934)
Eileen Atkins (b. 1934)
Tom Baker (b. 1934)
Alan Bennett (b. 1934)
Timothy West (b. 1934)
Jean Marsh (b. 1934)
Annette Crosbie (b. 1934)
Wendy Craig (b. 1934)
Richard Chamberlain (b. 1934)
Millicent Martin (b. 1934)
John Standing (b. 1934)
Vernon Dobtcheff (b. 1934)
Nanette Newman (b. 1934)
David Burke (b. 1934)
Christopher Benjamin (b. 1934)
Mary Peach (b. 1934)
Geraldine Newman (b. 1934)
Renny Lister (b. 1934)
Priscilla Morgan (b. 1934)
Audrey Dalton (b. 1934)
Leila Hoffman (b. 1934)
Simone Lovell (b. 1934)
Magda Miller (b. 1934)
Robert Aldous (b. 1934)
Ram John Holder (b. 1934)
Jamila Massey (b. 1934)
Margaretta D’Arcy (b. 1934)
Leslie Saeward (b. 1934)
Maurice Podbrey (b. 1934)
Steve Emerson (b. 1934)
Peter Bland (b. 1934)
Michael Darlow (b. 1934)
Barbara Archer (b. 1934)
Joy Webster (b. 1934)
Jacqueline Ellis (b. 1934)
Jacqueline Jones (b. 1934)
Julie Andrews (b. 1935)
Julian Glover (b. 1935)
Jim Dale (b. 1935)
Anne Reid (b. 1935)
James Bolam (b. 1935)
Christina Pickles (b. 1935) 
Judy Parfitt (b. 1935)
Wanda Ventham (b. 1935)
Amanda Barrie (b. 1935)
Derren Nesbitt (b. 1935)
Nadim Swalha (b. 1935)
Gary Raymond (b. 1935)
Janet Henfrey (b. 1935)
Melvyn Hayes (b. 1935)
Susan Engel (b. 1935)
Amanda Walker (b. 1935)
Delena Kidd (b. 1935)
Derek Partridge (b. 1935)
Allister Bain (b. 1935)
Derry Power (b. 1935)
Phyllis MacMahon (b. 1935)
Rowena Cooper (b. 1935)
Derek Partridge (b. 1935)
Jill Dixon (b. 1935)
Des Keough (b. 1935)
Barbara Angell (b. 1935)
Lucille Soong (b. 1935)
Anita West (b. 1935)
June Watson (b. 1935)
David Daker (b. 1935)
Shirley Cain (b. 1935)
Bobby Pattinson (b. 1935)
George Roubicek (b. 1935)
Brian Blessed (b. 1936)
Richard Wilson (b. 1936)
Tommy Steele (b. 1936)
Edward Petherbridge (b. 1936) 
Ursula Andress (b. 1936)
John Leyton (b. 1936)
Jess Conrad (b. 1936)
Elizabeth Shepherd (b. 1936)
Sandra Voe (b. 1936)
Doug Sheldon (b. 1936)
John Golightly (b. 1936)
Peter Ellis (b. 1936)
Andria Lawrence (b. 1936)
Jon Laurimore (b. 1936)
Tony Scoggo (b. 1936)
Barry MacGregor (b. 1936)
Frank Barrie (b. 1936)
Kenneth Farrington (b. 1936)
Eileen McCallum (b. 1936)
Frederick Pyne (b. 1936)
Philip Lowrie (b. 1936)
Marian Diamond (b. 1936)
Anthony Higginson (b. 1936)
Elsie Kelly (b. 1936)
Ann Taylor (b. 1936)
Heidi Erich (b. 1936)
Keith Faulkner (b. 1936)
Ruth Meyers (b. 1936)
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nitewrighter · 6 months ago
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A little while back, you answered a question on what you'd do for a "Spider-Man in DC Comics" type of fic and honestly, I'm enamored with the idea of him being the New Gods/Forever People's de facto Earth buddy and designated minder. Like Spidey and his Amazing Friends, but instead of Firestar and Ice Man, it's Mister Miracle, Big Barda, and Orion sometimes.
That being said I feel like, for better or worse, a lot of folks would be more focused on how Spidey would interact with the more recognizable names in DC Comics, as well as their close family, friends, and associates.
So... what would Peter Parker's dynamic with the New Gods and Forever people end up looking like? What does the Justice League overall, and its individual members think of him? How many would buy into the narrative of him being a Wall-Crawling Menace that the Daily Bugle keeps pushing? How many would call J. Jonah Jameson on his baloney?
Do you think a young Peter Parker would have been scouted to join the Teen Titans back in the day? Would he have accepted, or continued flying solo well into adulthood?
Well going back to the Kirby roots of the Fourth World, I feel like Spider-Man's bonds with the New Gods/Forever People would start out very similar to the initial Fourth World introductions---disorienting and overwhelming!!!! Like, this stuff started back, not with the Superman title, but with the Superman's Pal Jimmy Olsen title, and the thing with the introduction of the Hairies and Cadmus and the DNAliens, was that Kirby kind of flipped things on their head by having a hapless Superman being dragged along in Jimmy's adventures, though Superman took on a more established and authoritative role as Cadmus got more developed. So I feel like having Spider-Man be the Designated Fourth World Minder would basically put him a role that's kind of a combination of both Superman and Jimmy Olsen in those initial issues. At first you have Spidey starting out as kind of a youth advocate--some weirdoes start showing up in New York and Spider-Man sees, despite some culture clashes and these people talking about crazy large-scale stuff that he has no idea about, that ultimately these new visitors mean well and actually have an incredibly strong appreciation and even awe for earth. I love the Forever People so much because they are honestly THE CUTEST about how much they think earth is cool. They came to our planet from a planet that basically touts itself as SPACE OLYMPUS/HEAVEN and instantly fell in love with us. I like the idea that they would come to earth at a time when Spider-Man's feeling particularly lonely about the weirdness of his own situation and suddenly finds himself surrounded by Space Hippies who kind of give him a fresh perspective on being the Friendly Neighborhood Spider-Man, and right when he thinks, "Yeah you know, this is a lot easier with friends :)" WHUH-BAM WE HIT HIM WITH THE NEW GODS AND PARADEMONS AND GLORIOUS GODFREY AND ALSO HE PROBABLY HAS TO GET BEAMED TO NEW GENESIS AT SOME POINT.
Honestly I haven't read enough Marvel comics where Spidey is teamed up with the Avengers to really feel confident in describing how Spidey would mesh with the League. The thing is, I'm very much in the Spider-Man as "Scrappy Local Hero" camp--that's the core of his appeal for me, so like, even though Spider-Verse is so devastatingly popular right now, when I see Spider-Man, like... in Space™ with The Avengers™, I'm kind of like "What's he doing there. It's a school night." Most of my comics experience with Peter Parker's Spider-Man is grounded in the 2000-2011 Ultimate Spider-Man run because that's the comic my library had growing up, and I didn't really make it that far past Norman Osborn so like, I've also seen enough of the MCU to know that Spidey's adventures get way way way way WAY scaled up, but Spider-Man's core for me is "Some kid in NYC."
It's interesting that you ask about Spider-Man interacting with bigger names, because I recently read an arc in Superman that featured a guy with HARDCORE Spidey vibes and an appearance that definitely had some Spider-Man/Impulse inspiration.
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Outburst had magnetic powers and was part of a group, "The Young Supermen of America" who were a very youthful, scrappy Superhero team that formed in Metropolis following Superman's death from Doomsday, and--okay this will eventually lead into a "Superman went fascist but it wasn't his fault because he was being manipulated by the Reality-Manipulating Entity Dominus don't worry it got fixed with THE POWER OF LOVE" arc--but Outburst ended up filling this role that felt a lot like the kind of role Spider-Man might fulfill in the DC universe, a kid who idolizes other superheroes but also holds them accountable through their admiration. It's a role very similar to the one Spidey came to inhabit in the MCU (despite being gentrified by Tony Stark...). So Spider-Man in the greater-scale DC universe, I feel, would inhabit a role that is midway between Shazam and Green Arrow.
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(Look at Outburst down there on the side of that building. That's a fucking Spider-Man pose. "It's magnetic adhesion." IT'S FUCKING WALL-CRAWLING AND YOU KNOW IT, DC.)
So just looking at Outburst, I feel like that kind of answers a lot of questions about what kind of position Spider-Man would hold in DC. Still youthful, very "Local Kid" angle, desperately doesn't want to make an idiot of himself in front of the BIG TIMERS.
And similarly, there would be a lot of sort of... sympathy and protectiveness from the League towards Spider-Man both for his youthful optimism and because Spider-Man maintains a very strong connection with the civilian community he serves. They wouldn't be helicopter parenting, but there definitely would be a handful of situations where a League member swoops in like "Okay yeah no, you are 16 and WAY OUT OF YOUR DEPTH and while I respect you as a hero, I, as an adult, am not going to stand here while you get your ass handed to you"--probably to Spidey's frustration because he feels that kind of overreach undermines the trust his community has in him. So basically a much more light, optimistic, and trusting version of, "Other superheroes don't interfere with Batman's rogues" and also played with a bit more flexibility. The League is also no stranger to bad press themselves, so I think they'd take J. Jonah Jameson's takes with a grain of salt.
I honestly don't see Spidey joining a team like the Titans or Young Justice--I feel like that takes too much away from how big of a role Peter Parker's civilian life plays in his character. I feel like he would be scouted as a sort of, "Hey do you need a support system" sort of thing, but he backs away because he wants to be there for Aunt May and Mary Jane.
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sloshed-cinema · 2 months ago
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Robin Hood (2010)
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What an exquisitely awful origin story. In using both familiar elements of Robin Hood’s mythos and changing up the norm, Ridley Scott sets up his audience for failure. These are the gritty 2010s, so Robin can of course no longer be slavishly devoted to a war-mongering Christian Nationalist King Richard. No, he has to call out the Lionheart for his zealotry. But it doesn’t even go so far as that. The alliances of England and the power brokers on that sceptr’d isle are confusing and muddy at best, as imagined here. But where things cut to the core are the essential thesis thrust of this film: fuck the French. “Godfrey… and his marauders… ARE FREEEENCH!!!” Ridley Scott harnesses the Robin Hood folk hero to… craft his epic anti-Fr*nch manifesto? All of the usual Saxon/Norman soft-coding typically used is absolutely discarded here. Particularly hilarious notes include the normally skilled Léa Seydoux turning in an absolutely atrocious performance with an exceptionally escargot-chomping accent, Mark Strong sinisterly whistling “Frère Jacques” to summon the unholy hordes, a sort of reverse D-Day in the final assault on Anglo shores, and all of the unsubtitled French to signal this was a nonsense language spoken by the unclean. Fucking wild. Qu'est-ce que c'est que ça?
THE RULES
SIP
Someone speaks Fr*nch.
A noble title is named.
Drinking songs are sung.
King John's mother looks disapproving.
BIG DRINK
Parchment paper with illegible text on it appears onscreen.
Bee talk.
Awkward slo-mo.
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mariocki · 1 year ago
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The Saint: The Double Take (6.6, ITC, 1968)
"Now, Templar, please... You are very angry, yes?"
"That is an understatement."
"It will all be made good. You are here, now listen to me and sit down. I need something done, done urgently."
"Mr. Patroclos, let's get one thing straight. I very rarely do favours for the overprivileged - and never under pressure."
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puppychase · 11 months ago
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He leaves his wife, his daughter not even cold in the ground…
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godfrcy · 3 months ago
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#𝐆𝐎𝐃𝐅𝐑𝐂𝐘 ⸻ HIGHLY TRIGGERING CONTENT MAY BE PRESENT ! minors and personals DNI. proceed with caution. rp account crafted for fakevz but not limited to. eng. headcanon heavy & influenced by both novel and series.
31 year old current sitting ceo of Godfrey Industries, 𝐑𝐎𝐌𝐀𝐍 𝐆𝐎𝐃𝐅𝐑𝐄𝐘 is the boy king of one of the world’s leading bioengineering empires, a medical and pharmaceutical powerhouse stationed in the heart of scenic Hemlock Grove, Pennsylvania. The only biological child born to Olivia and Norman Godfrey, an illicit affair between a wife and her brother in law, Roman was quite literally born with a silver spoon in his mouth and a crown awaiting his head. No one bearing the Godfrey name has ever wanted for anything in life, and Roman is no exception. And still, the young man was always hungry for something else, aching for the elusive something. Finding no notable solace in drugs, sex, alcohol, or self harm as a teen, Roman attempted and succeeded at suicide at the age of nineteen. He did in fact die, but did not stay dead ⸺ instead, he awoke as something else. 𝐔𝐏𝐈𝐑 as his mother had said, though most would simply say vampire. In the few years since his death and rebirth, Roman has managed to expand Godfrey Industries by over sixty-five percent, and has settled in amicably to his role as a corporate mogul and undead thing. He sustains primarily on synthetic blood created in the Godfrey labs or bagged human blood, but still struggles deeply with the urge to drink from someone, occasionally indulging his craving with the help of willing donors.
𝐀 𝐒𝐓𝐔𝐃𝐘 𝐈𝐍 [ . . . ] nepotism , blood , wealth , power , killing with no mercy , “ when is a monster not a monster ? ” , the void that cannot be filled , and what it’s like to have violence in the roots of your family tree .
FOR MORE INFO CLICK THE HASHTAG. devoted to @eistcnz
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mythicalcowboyatheart · 4 months ago
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Who I write for
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Horror:
• Billy Loomis (Scream)
• Stu macher (Scream)
• Ethan Landry (Scream)
• Norman Bates (Psycho)
• Tiffany Valentine (Chucky)
• Art the clown (Terrifier)
• Herbert West (Re-animator)
• Jennifer check (Jennifer's body)
• Colin Grey (Jennifer's body)
• Brahms Heelshire (The boy)
• Patrick Bateman (American psycho)
• Ash Williams (Evil dead)
• Mike Schmidt (Five nights at Freddy's)
• Roman Godfrey (Hemlock Grove)
• Peter Rumancek (Hemlock Grove)
• Vincent Sinclair (House of wax)
• Bo Sinclair (House of wax)
• Corey Cunningham (Halloween ends)
DC:
• Adrian Chase (Peacemaker)
• Jerome Valeska (Gotham)
• Jeremiah Veleska (Gotham)
• Edward nygma (Gotham)
• Johnathan Crane (Batman begins)
Marvel:
• Peter Parker (The amazing Spider-Man)
• Peter Maximoff (X-Men)
Bands:
• Spencer Charnas (Ice Nine Kills)
• Andy Black (Black Veil Brides)
• Gerard Way (My Chemical Romance)
• Frank Iero (My Chemical Romance)
Others:
• Ian Gallagher (Shameless U.S.)
• Mickey (Shameless U.S.)
• Johnny Knoxville (Jackass)
• Patricia "kitten" Braden (breakfast on Pluto)
• Neil Lewis (watching the detectives)
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Request rules
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Do's:
• put what kinda thing you want (smut, fluff,ect.)
• type of reader (GN, ftm, fem, NB {is what I usually write for})
• and any other specific things that you want
• please be patient with me I write for fun and I will get to your requests as soon as I can
Don'ts:
• don't request anything I have said I'm not comfortable writing for (listed below)
• don't be rude to me or anyone on my blog I want to keep a positive space were everyone is welcome!
I'm not comfortable writing:
• Pedophilia
• incest
• Piss or scat kink
• Any thing that puts down things such as race, sexuality, or gender identity, ect.
• (I think that's it)
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ogodfrey · 2 months ago
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HER BREATH WAS SWEET AS MAY AND LIGHT DANCED IN HER EYES.
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an independent & selective portrayal of olivia godfrey, from brian mcgreevy's the wise wolf. somewhat canon-divergent. canon critical. temp rules and info below. also @riverspat
don't be a freak. don't steal from others. don't bring weirdness or drama into my space. my blog is mutually exclusive.
don't be rude. read people's info. ask clarifying questions.
general tw for violence, murder, body horror, and toxic family dynamics. with the exception of shelley, marie, and letha, the godfreys are not good people. please follow at your own discretion. ↪ an important note : while olivia earnestly believes that everything she does is out of pure love for her children, her treatment of her daughter, shelley, can frequently be ableist and her very permissive love for roman, frequently (and violently when it comes to it) cleaning up his messes, is frankly negligent.
i will not be writing with whitewashed rumanceks.
i am choosing to ignore roman's role in the baby subplot because it adds literally nothing to the story, nor olivia's dynamic with roman beyond the already established theme of her cleaning up after him, but shock value. that being said, i will not be toning olivia down. she is quite literally a monster.
for ease of writing, i use upir and vampires pretty interchangeably, but olivia does have additional abilities that aren't part of the typical vampire (i.e. life imbuement, daywalking, and the ability to passively sense the emotional states of others)
temp summary (tw for mentions of suicide)
olivia godfrey is an upir, a vampiric being. she is the mother of roman, another upir, and shelley, a resurrected half upir, godfrey.
both she and her son have the ability to, through eye contact and audible command, influence the actions and even memory of others.
known as "the most beautiful and despised woman in the town’s history", not much is known of olivia's past before her arrival to hemlock grove on the arm of the late j.r. godfrey.
their marriage rapidly deteriorated after the wedding, eventually ending in first j.r.'s attempted murder of olivia and later his suicide.
after j.r.'s death, olivia assumed control of his shares on behalf of her son, roman. while she showed no interest in understanding her late husband's business before his death, she took a more active role after and frequents the financial section of the hemlock grove library with her daughter, shelley.
for decades now, olivia has had an on and off affair with norman godfrey, j.r.'s brother. he is roman's biological father.
wielding the fortune and influence of the godfrey name, olivia makes frequent use of the local police to protect and manage her son.
she frequently dons sunglasses to avoid becoming transfixed by bright light and sunlight. when/if caught in her sights, anything from a flickering lamppost to the glint of sunlight off of a surface can cause disruptions in focus, dizzying spells, and complete loss of consciousness.
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