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mikami · 5 years ago

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Death Note Audio Drama 02

Disk 2: Collateral Damage - a summary / partial translation

Disk 1 and an attempted explanation of What This Is are here.

This episode also isn’t particularly wild as far as plot diversion goes, but it changes a key element of how Death Note manipulation works and.... introduces a whole lot of Matsuda trivia, somehow. We also say hi and bye to Naomi.

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We begin with Naomi tracking down the bus driver of the busjacking. The driver is really annoyed that people keep tracking him down to ask him about it. Naomi asks about Raye. (Her vacation pic is from Honolulu in this version). Naomi presses the driver to tell her as much as he remembers about the other passengers.

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TITLE MUSIC PLAYS

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We’re back in time. Light is trying to think about how to get Raye Penber’s name. His dad’s computer has no notes about it. Light deduces that his dad doesn’t even know about the tailing. Ryuk brings up the eye deal.

RYUK: I can offer you the eyes of a shinigami.

LIGHT: U-uh, you mean a real pair of eyes? That’s disgusting!!

RYUK (amused): No, I just mean the power of those eyes.

The lifespan halving gets brought up and Light just goes “uhm... no thanks”, literally.

LIGHT: Are there any more surprises? Some kind of bonus point system? Fine print?

RYUK: Uuuuuhm, can’t think of anything much right now.

LIGHT: You could have written it into the Death Note, alongside the other rules. I don’t like to be led by the nose, I’m not your goddamn----

RYUK: ... what?

LIGHT: I am not your puppet.... But I can get one for myself.

RYUK: I don’t get it.

LIGHT: I know now, how to get my pursuer’s name. And that’s without making any kind of contract with you.

_______

A TV transmission. An attorney has issued a lawsuit against prisons for the way prisoners die. His client died of heart attack after writing a pentagram in his own blood. He was close to being pardoned. The lawyer says that the government has a duty to ensure safety of the prisoners, no matter what they are in for.

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L and Soichiro discuss the murder and other abnormal murders like it. They have Soichiro be the one to discover the “L did you know” message, oddly. But they don’t really detail how it is coded, so it might have just literally been written down word by word in this version. L tells Soichiro to not tell anyone about this, not even his team. Soichiro immediately says he’ll only keep it in her personal data files.......

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RYUK: Are you really sure you should snoop around your dad’s office like this?

LIGHT: If you want a useful way to keep your eyes busy, why don’t you keep watch?

RYUK: I am not your partner. Oh, an apple. [eats]

LIGHT: Luckily, I can do just fine without your help. A-ha! Interpol listed them all!

RYUK: All your extremely dramatic deaths?

LIGHT: More or less. Seems like not all I wrote into the notebook actually happened.

They go over the stipulations of manipulation needing to be physically doable for the victim.

LIGHT: And now I just need... a catalyst.

_______

News transmission. A news entry about the killer of the Amane parents having died. Channel switch. A Christmas-themed advertisement for Space Land. Channel Switch. A news feature about Kiichiro Osoreda and his failed bank robbing.

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Light meets Yuri and Yuri’s dialogue is kept pretty accurate to the manga, which is something that I found really disappointing actually. Light’s and Ryuk’s dialogue here is also very close to the original.

Raye Penber complains that he’d like to do real policework at some point again, otherwise he acts the same as in the manga here.

The whole busjacking is just really manga-close. But when Raye says he’s police undercover...

LIGHT: Oh, really? And how do I know you’re not in cahoots with this madman?

PENBER: And who are you? A detective?

YURI: His dad is a detective, that’s why he’s so smart.

LIGHT: Do you have ID? Otherwise I’ll have to deal with you first.

PENBER: Of course! Here.

LIGHT: Raye Penber... FBI? What is the FBI doing on a bus to Space Land?

PENBER: This isn’t really the time for that, boy.

LIGHT: Alright, cowboy, then toss your lasso already.

I cannot overstate that he literally says this. Word by word. After that, the scene returns to its canon version. The bizarre thing is that Ryuk explains the plan out loud, including telling Light’s name to Otoharada. Of course, Otoharada is brainwashed and acting according to script, but still weird.

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News transmission. The busjacking gets described. Light turns the news off and shows the Death Note entry to Ryuk, who reads it out loud.

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We hear a New Year’s countdown.

WATARI: What in Hercules’ name was that?

INTERPOL REP (still clinking champagne glasses): It’s the time difference, Mr. Watari! It’s midnight, here in the USA.

WATARI: Oh... I am so very sorry. I must have lost my overview.

INTERPOL REP: Forget about it. Just a moment.

She leaves the party room. She informs Watari of the deceased FBI agents. It happened three days ago, but she only got the report now, thanks to the holiday crunch. She now refuses to involve the FBI further.

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Soichiro calls L. He’s pissed about L involving the FBI, now that he’s heard.

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Back with Watari and the Interpol Rep (her name is Paula Virilio and she’ll be referred to as Virilio in the future) are still talking about the matter. She tells Watari that on Dec 28th all the agents asked about names and photos of their coworkers, so she gave the first four the file and asked them to pass it further.

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Soichiro is really mad about Virilio’s miss-step too. L and Soichiro work out that they need to know who sent the first email about the files. The phone call ends.

The Task Force is really mad about L still not taking the same risks as them. They actually seriously consider L being Kira for a moment.

______

The Task Force enter the hotel L is staying in. Pardon me for sometimes just saying ‘someone’ as the speaker, I find the Task Force really hard to tell about and without context cues I am often lost.

MATSUDA: A whole hotel suite? How do you earn the money for this stuff?

L: By being smarter than everyone else, Detective Matsuda.

MATSUDA: You are... [He corrects himself from the formal ‘you’ used to address adults to informal ‘you’ here] You are L....?

L: The one. Please sit down, gentlemen.

MATSUDA: He’s still a child...

L (laughs): I am old enough to vote, Mr. Matsuda. Old enough to carry a weapon, to marry, to fall in love... and to catch a murderer. And you are Chief Inspector Yagami. I also know you from TV.

SOICHIRO: Yes, here’s my ID, for protocol. This is Matsuda, as you know. Detectives Aizawa, Ukita, Mogi...

L: A group of dead men.

SOICHIRO: Excuse me, what?

L: If I really was Kira, you’d all be dead now.

MATSUDA: How can we know that, boy?

L: Because you are not dead, detective.

MATSUDA: We call that kind of thing circular logic.

L: I call someone like you an idiot.

MATSUDA: I don’t need to listen to this from a civilian, you little shitty---

SOICHIRO (softly): Matsuda.

L: You name is Touta Matsuda. Graduated from Kumamoto University. Passion for sports cars and every Thursday, you go to the cinema. Big drama. Not in a relationship right now, but in pining hope for something complicated with Noriko Takai. Hm. A very concerning sympathy for both [???? I DONT KNOW THE WORD] as well as country music. Loves Korean cuisine, but....

SOMEONE: He’s got your number, Matsuda.

MATSUDA: So what? You all can easily figure out the same from social media.

L: Yeah, that’s what I can do. Everything. About you, and your sister, and your stupid aunt who doesn’t know how to properly set the privacy settings of her account. I know where you live, you tool--

SOICHIRO: I think we got it, L.

L: Really? Kira plays this game to win. I agreed to meet you, because you were all getting nervous about working with an anonymous specialist, so I am here. To get my hands as dirty as yours. But really, is this necessary...?

SOICHIRO: What do you want, L?

L: I want you to take this seriously.

SOMEONE: In the face of 12 dead agents, matters are serious enough, I think.

L: Correct, so you take care to not become number 13. All of you have to disappear. Get off social media, get new email accounts. If you address the public or the press, you will introduce yourself with these names. You are not going to tell anyone your real names. That’s exactly why I am still alive.

And this is how we get the fake IDs.

_____

Naomi at the NPA. The receptionist refuses to let her speak to anybody from the Task Force. Light steps in, to hand in the spare clothes for his dad. His dialogue with Naomi is similar to the manga, but audio drama Light’s insistence and volunteering of excessively much info he shouldn’t have.... it makes me laugh.

LIGHT: And you are looking for my father?

NAOMI: Uh, yeah, I--

LIGHT: I can tell you’re up to speed, miss. You’re definitely correct to not just tell your matter to the next best person. Especially after those FBI murders. We’re all suspects, am I right?

NAOMI: U-uh, I didn’t say that---

LIGHT: If you’d like, I’d gladly get you in contact with my father. I’ll get through to him, even if he usually rejects calls.

RYUK: Take the bait, missy, take it...

NAOMI: Would that be alright, u-uh, Light?

RYUK: Aaand, bullseye!

LIGHT: Why don’t we take this conversation somewhere else?

RYUK: There’s just too many video cams here.

LIGHT: As long as we don’t know how Kira kills his victims, I’d suggest a less public place.

_______

LIGHT: Okay, where were we? My name is Yagami. Light Yagami.

NAOMI: Shouko Maki.

RYUK: And my name is Ryuk, but you’re not actually able to see or hear me.

LIGHT: I think Kira is capable of more than simply killing people. It seems as if he could influence their actions before their deaths.

NAOMI: I think the same. And here I thought I was alone with it. Yes, he can control people before he kills them. But that’s not all. He can also kill them through other means than heart attacks.

RYUK: Who is this little snooper?

LIGHT: Should that be the case, we might be facing even more murders than thought. There are cases that haven’t been considered in connection to Kira yet.

NAOMI: Exactly. Those might be cases Kira hoped would stay secret. I am fairly sure that someone... someone I know... has met Kira.

LIGHT: Hah. It might be hard to get someone to believe this statement.

NAOMI: That’s why I came in person to explain the circumstances of the case.

LIGHT: Wouldn’t it be even more convincing if your friend told his own story?

NAOMI: He can’t. He was one of the murdered agents.

RYUK: Oh, now it’s getting interesting.

NAOMI: He was my fiancé. He told me that he got involved in this busjacking. By now, I assume that Kira was on that bus as well.

RYUK: She’s talking about Raye Penber, wow.

NAOMI: Something wrong?

LIGHT: Why are you assuming that Kira was on the bus?

NAOMI: Name and face of the culprit were on the media day by day. He was on the run after a totally miscalculated bank robbing. And then, 8 days later, shortly after Christmas... My fiancé dies. Together with his 11 colleagues.

LIGHT: The connection seems vague to me.

RYUK: What he wants to say is.... perfect match.

NAOMI: Something must have happened there. I think that my fiancé and the culprit were used by Kira to get to the other 11 agents.

LIGHT: The culprit was hit by a car, it wasn’t a heart attack. This is how you got to the conclusion that Kira can control actions?

NAOMI: Yes.

LIGHT: That seems pretty far fetched.

RYUK: It really isn’t, lady.

NAOMI: Even the first time I heard of the busjacking, the circumstances seemed strange to me. I kept asking my fiancé questions, I basically interrogated him to tell me the story again and again.

LIGHT: And... what was his story?

______

We flash back to Naomi and Raye talking. Both of their voices are tense.

RAYE: Yes, I showed my ID to one of the passengers, okay?! Are you happy now?

NAOMI: You shouldn’t have done that!

RAYE: I know that! It was complicated. The guy wouldn’t have cooperated without me proving that I’m a cop.

NAOMI: You were undercover, Raye!

RAYE: Stop that! You weren’t there.

NAOMI: You had explicit order to not blow your cover.

RAYE: And you are the only person who knows I have done that. If you don’t tell anybody, nobody will ever know.

NAOMI: But I am not the only one. Isn’t that right? We still don’t know how Kira finds and executes his victims. You can’t afford even a single misstep.

RAYE: You’d probably prefer he’d shot all the passengers then.

NAOMI: Ugh, Raye, that’s not the point---

RAYE (hitting the table): Of course that is exactly the point!!

______

LIGHT: This whole situation isn’t free of emotions.

NAOMI: So?

LIGHT: I just want to make sure your feelings aren’t influencing your analysis skills.

RYUK: Which are working quite excellently.

NAOMI: Hey, you. I was a special agent with several decorations before I gave up my career to marry Raye. I’m not just some random brat.

LIGHT: I agree with you, the suspicion warrants a closer inspection.

They keep talking, Light himself brings out the deduction that the person Raye identified himself to was Kira.

______

We’re with Ukita on phone duty. Someone who thinks they are Kira is calling. Ukita is already pretty annoyed, even before the guy talks of other hallucinations. He hangs up quickly.

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SOICHIRO: is it important?

MATSUDA: No, boss. Ukita is just whining again. He doesn’t want to be on phone duty anymore. He texted: “When do I get a hotel suite with 24/7 room service?”

SOMEONE: Does he think we’re just chilling here?

SOMEONE: Probably. Uhm, do you want the final shrimp?

SOMEONE: Take it.

They then move on to talk about surveillance footage of the FBI agent deaths. They have footage from 3 deaths, one of them is Raye Penber. They have the most material on him. They realize he’s done more than a full round on the Yamanote line. They also notice him having an envelope that disappears. They conclude Kira was on the train, receiving it.

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Light makes his first attempt to kill Naomi, same cause of death as in the manga. Naomi wants to go back to the NPA building now. Light comes with her, as he notices she isn’t dying.

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Ukita on the phone again. Akiko Misora is calling about her daughter Naomi being misses. Ukita is pretty annoyed (”Oh really? Was she kidnapped by aliens or something?”). Akiko explains that Naomi came to Japan with her fiancé, but he died and shortly after Naomi also fell out of contact. Akiko complains about how much paperwork getting the ashes to the US was, and says how charming Raye was and how good his Japanese was...... Ukita wants to get rid of her, until Akiko tells him Raye’s name.

____

The Task Force discusses Naomi’s existence and disappearance. She left her hotel at Dec. 29th and has been missing since. They all suspect that Naomi, being an ex-agent, has started her own investigation. But they also worry someone found her.

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Light explains to Naomi that the Kira team doesn’t meet with people on principle, because of the risk. He calls them ‘us’ and Naomi picks up on it, leading Light to explain he is a member of the task force. (Ryuk: “And if you believed that one, you might as well buy a fake Rolex of him now.”) Light invites Naomi to the team, like in the manga. Naomi does a lot of nervous laughing in this scene, but she does give him her real ID.

______

The task force think about Naomi, and her existence in connection to Raye being the first one to send an email to Virilio. They decide to place cameras and bugs in the houses of those who were investigated by Raye. It’s the families of Kitamura and Yagami.

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Light writes Naomi’s name down again, this time her real one. They walk together some more. Light points out that Naomi doesn’t just want to investigate but also to hear the full story about Raye’s death.

NAOMI: I already knew on the day of that something was wrong. Raye was acting really strangely. He got up and left, without a word. He even forgot his cellphone.

LIGHT: Oh, is that unusual?

NAOMI: I followed him downstairs. He was at the reception and made them print something for him. I gave his phone to him, but he said nothing at all. He was so.. empty.

LIGHT: Distracted?

NAOMI: ... empty. Not a smile, not a kiss. He took the phone and left. At the time I still thought ‘well, maybe an order’. Next thing you know, the police arrives at the hotel. Asked me to come with them... identify the body. I have no idea what happened in the final hours of his life.

LIGHT: I do. I know the details of Raye Penber’s death down to the very last second.

NAOMI: I haven’t even told you his full name yet...

LIGHT: He entered the station via the west entrance. Past the street musician who always plays there. He passed the ticket entrance at 11 past 3. He went down to the Yamanote line, in the direction of Kanda.

NAOMI: I don’t understand... That’s only too stations if you directly take the Chuo line. Why this giant detour?

LIGHT: Because someone was waiting for him. The Yamanote line is the perfect place for a meeting. It has stops everywhere and nowhere.

_____

We launch into a flashback to the Yamanote line. Light walks up to Raye and greets him, but Raye does not answer him. Light introduces himself at more depth, even using his full name and calling himself Kira right after. Raye continues to not answer. Ryuk realizes that Raye cannot answer because that is how Light has written it down. Light keeps chatting, explaining his plan to Raye. On the train, he makes Raye watch as he writes the names of all his colleagues. He also touches Raye with the notebook, to let him see Ryuk. Raye can’t do anything.

____

LIGHT: Well, Naomi, I’m afraid Raye was just sitting there. His eyes widened a little. Panicked, you know?

RYUK: Yes, panic just about cuts it. Just like the face you are making right now, darling.

LIGHT: But he couldn’t move. Just like you right now. I was quite precise with my orders, you see?

Light continues to explain that he needed the names of the other agents and that he can do anything to people whose names he has.

_____

The task force discusses the family surveillance further. Light says the chance of Kira being among those people is 5%, but this is their only lead. Soichiro tells L to be thorough with his surveillance, like in the manga.

_____

LIGHT: All Raye could do was sit there until the time was ripe. And then get up...

RYUK: Without a word, Naomi. Silent like a fish.

LIGHT: And he left the train at Kanda station.

RYUK: And then he died.

LIGHT: Right on the platform, so to say.

RYUK: He extended his hand like in a bad movie. As if he wanted to say ‘I am cursing you’ or something.

LIGHT: And thus, Raye Penber died. I find it regrettable.

RYUK: Because he wasn’t a murderer. Which you also aren’t, Naomi. Just wrong place, wrong time... Collateral damage.

LIGHT: But I think you understand, Naomi, that I can’t leave you alive, if I want to keep working. I know you want to move, to hit me. I know that you wish above all else to take the gun out of your pocket. But none of that will happen, because I already put your final moments into motion. And that means I’m the one who’s in power here.

Ryuk asks what she’ll do. Light explains that he wrote the same conditions as on the first try, about her suicide.

LIGHT: So Naomi, I think you know what to do. Now go.

RYUK: And there she went. A woman with a mission.

LIGHT: Hey, Naomi! Want me to call my dad? Still want to talk to him, tell him everything you learned today? Hm? .... and she just keeps walking.

RYUK: She didn’t even say goodbye. I hope it was worth it. This new direction you’ve taken, it’s going to change everything.

LIGHT: What new direction?

RYUK: Now you’re no longer simply a criminal. You’re a police killer.

#death note #light yagami #l lawliet #naomi misora #touta matsuda #audio drama translations

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