#nor is it a crime

[somnoir]

Gotham's newest Crime Lord - Part 1

Prompt: Dan kills the joker and unintentionally becomes a crime lord

Dan didn't mean to become a Crime Lord. It wasn't his fault that the Joker was fragile and easily killable with one punch to the head. He didn't know that the seemingly immortal clown was easily killed once the impact practically snapped his neck. So yes, Dan didn't mean for this shit to happen. Not when all he wanted to do was go to college, make sure Danny and Elle weren't attracting trouble back in Gotham academy.

It wasn't his fault that the crazy bastard thought it was a good idea to nab his siblings and try to use them for ransom. It's not his fault that his first instinct was to introduce his first to that pennywise knock-off. It'd not his fault that this city was haunted by vengeful ghosts that wanted to tear that motherfucker to shreds.

They were supposed to lay low after the mess with their parents and their name changes.

But nooooo!

They had to have an absolute hatred for clowns and now he's somehow made himself a crime lord. Why the fuck were the Joker's goons so fucking stupid?! They either tried to kill Dan for killing their boss or they tried to fall under him and make him their new leader. It was like a fucking cult in his eyes. Seriously, what the absolute fuck was going on with this shitty city?

It's not like he could call Jazz and say "Hi sis! I killed a crazy clown and I'm now the boss of his weird goons. I also might end up on the local vigilante's hitlist."

Yeah, no. He's not doing that.

But this might not be so bad... Not really. Being their boss could be treated as a source of income if he utilized the Joker's shit properly. I mean, he couldn't always rely on the fruitloops money, not when Vlad could turn traitor and use the money against them. He needed to find a way to support his siblings, one way or another.

And Clockwork did say to get a hobby. If not mass genocide then he could resort to carefully planned crime. Yes. This could work. He'll make it fucking work for the sake of his siblings.

Besides, if he was a crime lord—in motherfucking Gotham—he doubts that the GIW will even try to fuck around in a city where a ghost controlled some part of the criminal underworld.

Oh... Oh, he was gonna fucking do this.

(Clockwork watched as his most troublesome child shifts from world ender to crime lord. At least it was an upgrade from mass genocide.)

Nightwing didn't particularly know what to make of this mess. There were rumors of a new crime lord, of a new rogue.

One day, Joker's body was dropped into the harbor and found by the workers, all confused and scared as to why the Clown Prince of crime was dead in the water. It was humiliating in the Joker's standards, to be discarded like trash into the sea rather than have his body displayed for everyone to gawk at. The clown would have adored being glorified but whoever the hell killed him knew this and fucked the guy up bad.

His head snapped and his corpse tossed out like leftovers.

Jason had laughed, outright celebrated and Crime Alley was as festive as it ever was with the Red Hood blasting music through the streets and partying like there was no tomorrow. All of Gotham was celebrating, parading through the streets with pinatas that looked like the Joker. Harley would drop down from whatever roof she was on and swing her bat at the pinata, spilling red candy as everyone cheered and laughed. It was morbidly glorious.

But the festivities didn't erase the fact that someone had killed the Joker and knew what to do to disrespect him in the worst ways possible. It wasn't long until Joker's old lackeys were rallying to someone—a new boss. It wasn't odd for goons without bosses to move on to find different jobs, but for all of Joker's old minions to work for the same person? This was definitely the guy who killed the Joker.

No name, no appearance, nothing. Just quiet activity with organising his new goons to do strange errands. Stuff that didn't point them in the direction of criminal activity.

"You got anything?" Dick murmurs as Tim slouches over the batcomputer, watching as his younger brother sneered at the screen.

"Nothing. Absolutely nothing." He snaps, "All footage of this new rogue is immediately corrupted."

Babs hums, "And it's not like it's altered after it's been taken. The distortion happens live. They either have some tech on them or they're a meta who can avoid cameras." She adds, taking a leisure sip of the tea Alfred kindly offered them. "Whoever this is doesn't leave a trace aside from this shitty footage."

Tim groans, "I officially hate this guy!" He almost tosses his mug out of anger, shaking his head.

"Does Jason have any info on this one?"

And like the fucking menace he was, Jason pops up without another word. "He goes by Wraith." No one was startled, just sparing him a glance before nodding.

"That's it?"

"The goonions adore him." Jason shrugs, "Guy's been quick. Dealing with shit like Black Mask and other trafficking operations. Some of the kids he's saved wear clothes that have this specific symbol on them. It's a good tactic mind you. Tells people to fuck off and don't come anywhere near the kid or else he'll sic whatever bullshit he has in someone."

Dick narrowed his eyes, "Is it effective?"

"Hell yeah! One of the kids got kidnapped just last week. I went to save the poor thing but he walked out of that warehouse while the kidnappers were bleeding and sobbing." Jason once again grins, "Little Tommy threatened me if I try to arrest Wraith."

"So more anti-heri than villain. Good enough, at least." Dick sighed, shaking his head as he narrowed his eyes on the screen. More distorted footage.

"Thanks for the info, little wing."

"Just updatin' you guys. Heard some rumors that Harley's on the hunt for Wraith to thank him."

Great...

It's been a solid two months since the death of the Joker. Batman and the rest of his birds were increasingly wary of the Wraith and his two new associates that went by Phantom and Specter. No footage on the three could ever be recovered, making them all assume this was the work of a meta.

Most of them weren't sure if this guy was a threat or not. Red Hood, on the other hand, had a fairly positive opinion on the guy who's been hanging traffickers by their legs and immediately staking their claim on the kid to keep them safe.

The new crime lord was slowly dismantling the criminal underworld and building it back up to their design.

"FUCKING HELL!" Dick glared at the screen again, "That's Wraith's doing, isn't it? No way did the Riddler blow up that building."

"Wraith's only been dealing with traffickers so far. Why would he do this?" Steph murmurs, staring at the recording of a building that had suddenly went off. Numerous were dead, some barely survived.

"That's the motherfucker's symbol." Dick pointed to the glowing green symbol that looked liked a fire with some obscure letter they couldn't really make out. (Was it a D or a P?)

"Okay... Why would Wraith blow up a building and kill everyone?" Jason immediately asked, seeming to be defensive of the man. "He doesn't just kill people, Dick."

"Even so..." Bruce grunts, clearly displeased with the bloodshed. All that death...

"We're going after him." Bruce announced, "I'm not putting of the Wraith investigation anymore."

Dan stared at the pictures of the bodies, pudding out smoke without a cigarette in sight. His new minions—they preferred the term goons—were clearly apprehensive and continued to observe their new boss's expressions. This explosion had been his first act of pure and utter violence, a massacre of sorts.

He glances at Danny who melted out of the shadows, startling his goons.

"Can't say I'm not upset but I get why you did that shit." He begrudgingly admits, sitting across Dan. Phantom was a reluctant associate to his new organization of crime—ish.

"They weren't just trafficking kids, squirt. Pimping them, killing them and selling their organs, hosting matches and making meta kids fight to the fucking death." Dan clicked his tongue, "No redemption in that, Phantom."

"I get it, alright!" Danny snapped, "But the you've gotten the direct attention of the Bats now. They're gonna come for us, Wraith."

"Boss?" One of the goons—Dan remembers him as Jeremy Nelson. One guy just trying to support himself and his kid, trying to keep his sweet little daughter in school with as much money as he could get. Dan remembers giving the man a raise and a jacket with their family's symbol stitched into it—one for little Marigold.

"I'll deal with it. For now, you guys spread the word on that shit. I don't want anyone thinking I killed a bunch of kids." Dan growled, "My reputation can burn for all care, but like hell am I letting people think I hurt kids."

With Jeremy leading the other goons, he nodded and hurried out of the office to spread a word. The former Joker goons had taken a liking to their new boss, preferring his ways rather than their dead one.

"Jazz won't like this, y'know." Danny sighs, "I'm not gonna tell her. Never. But she'll find out, one way or another."

Dan frowns, "You think I don't know? It's Jazz, Danny."

"Yeah, yeah. I just didn't expect you to be like this. Crime Lord and everything."

Dan snorts, "I was the world ender, brat. This is mild compared to what I've done."

"Yeah, sure."

He shook his head, "You've got your own problems, brat. The Observants are still fussin' about you being king, your majesty."

An identical scowl looks back at Dan, and he's reminded that this kid is him. An alternate version of himself and yet they were brothers now. "I know. You killing the Joker fucked some stuff up. Apparently, the motherfucker was cursed to hell."

"Meaning?"

"He's got a lifetime of people in his shadow. Vengefu souls that want him dead." Danny huffs, "Had to deal with the paperwork cause everyone's wantin' a taste of him. I'm workin' on letting Walker release him so his victims can execute his soul."

"Cruel, little king."

"I'll give you his file. Bastard deserves to have his soul destroyed." Danny viciously grins. And once again, best reminded that this twerp is him. They were one and the same, different as well.

"Alright, alright. Fuck off now. We've still got some bats and birds to deal with." Dan immediately showed him away, noting Danny's eye roll.

"Better prepare a birdcage then."

Part 2 | Masterlist

[klaipeda-witness]

when you're in an impractical cup contest but your opponent is the mugs they use on ds9

[edwinisms]

it’s actually so wild to me that this fairly quirky YA type show gave both of its main characters deaths that can, in one way or another, solidly be considered hate crimes. they were both flat out murdered as a result of being A) gay and effeminate or B) brown (south asian, specifically) and you could argue whether or not those kids thought of it that way in the moment or whatever but the bottom line is that they would not have been in the situations that killed them if they weren’t of their respective minorities. like legitimately that is a ballsy choice for this kind of netflix show, let alone for the two Main Characters, and i respect it big time

[eliounora]

my pet peeve is those "historians thought they were very good friends" jokes, like obviously for sure there are homophobic historians, but the study of same-sex desire and relationships of the past is also quite complex and you can't often go and simply label people's relationships or identities of time gone by, and sometimes it's more complicated and elusive than "they were a couple" or even "they were in love"

[javussyannihilator]

anyway. javert is a good person with pretty average morals for his time period, who tried his best and worked his ass off despite the odds stacked against him from literal birth, all while never receiving a shred of affection or compassion and struggling to be the one halfway decent person surrounded by the flip and corrupt. and he cared so little for his own life that his idea of punishing himself for his mistakes was to end it, in a death so tragic hugo took it from his own daughter’s demise. there is nothing evil or amoral about javert; he’s honestly just a guy doing his best in a system designed to make everyone fail, and he doesn’t even realize it until it’s far too late.

[nelkcats]

Wrong Ticket

Danny bought a plane ticket to travel to Goshen, Indiana to visit his father's family. Apparently his aunt was very excited to meet him, and Jazz was excited to send him away from the lab after his accident.

She was worried that she would have to spend a few days scouting colleges, and Danny would be left home unguarded (she wouldn't make that mistake twice, her parents didn't count as good guards and Danny would be too bored since he was on school holidays), so the invitation from their uncles was like a miracle fallen from heaven.

Unfortunately for Danny, his family didn't check the ticket after purchasing it, and therefore they didn't notice the error where "Goshen, Indiana" was changed to "Gotham, New Jersey," so when the airline called his flight, Danny didn't notice his destination. He practically fell asleep a few seconds after entering the plane.

Danny wished he had been paying attention when a few hours later he found himself stranded on the streets of Gotham with nothing but his luggage and a little money. Though that last seemed more of a risk than a benefit if he took into account the way they watched him as he passed.

As if that wasn't enough, it seemed that something strange was starting to happen to him, there were moments where his backpack would slip from his grip, almost as if he was walking through it, and others where he felt invisible. This did not go unnoticed by the denizens of Gotham, who were assessing him with clear interest.

Red Hood, who had noticed the guy (possibly meta) stumbling into his territory, sighed and offered him a temporary place to stay. Danny, who just met the strange guy in the red helmet, was relieved to have temporary lodging, though he would probably look for another place the next day. Just in case.

[chaoticly-shy-dragon]

Whoever wrote that percy jackson au of the dead boy detectives, you live under my skin and I love you. So much so that my brain tried to think of a way to make it even more canon-accurate without making them dead. or reborn Hazel Levesque style.

What I have so far is playing on the whole West civilization bit and how it moved to the.. well west - but also that World War 2 was a big three kid conflict? So. I have sort of a time-table and I'm throwing it out of the window.

Edwin is a child of Athena - that much stays the same - who is very bookish and very studious but not in the way the rest of his siblings are. They are handy and crafty, strategic and interested in architecture or design. He.. is not. (I need a reason why his siblings didn't come to help him when the "death scene" happens.)

The whole boarding school is one of many spread across the London countryside - Chiron moves a lot. They teach both ancient and modern warfare because magic or not you can't escape the bloodshed forever - you either get drafted or you run and get blacklisted somewhere or another.

(St Hilarion was actually a son of Apollo that got really popular during the Crusades - Zeus didn't smite the school when it was established because times are different and Hera would be angry if there was another big fire with no explanation that put their soldiers'- eh-hem- kids' lives at risk.)

They still teach Latin alongside Greek because it was what all normal boarding schools did and that's what they were. Maths, English, and Sciences - were all taught to the boys. The girls went to another school - where they were taught the bare minimum to survive. Because sexism was rampant and if the Romans were on the wrong side of the civil war, that means no matter how progressive the gods could have been in certain areas, they aren't now/then–

Artemis really, really hated that time period. Zoë or this version of Zoë got a kick out of shooting so many assholes in the face. Or in their dicks. They also got way more recruits than in later years. Silver lining.

Anyways: Simon - son of Hecate - and the bunch of boys, one of which was a son of Hades, do the whole let's sacrifice Edwin. Only the book is a Christian book on witchcraft that Simon truly didn't think would work. He and the rest - Hades boy included - did the whole preparation of the sacrifice as it was absolutely terrifying for Edwin to experience on top of everything else. They didn't know it was a real thing - but is the only reason why Edwin stays alive.

It's essentially a stasis charm that lets the ritual run for as long as needed without the poor victim dying beforehand. It requires bloodletting and "runes" and such. The thing is scary, traumatizing stuff so it seemed like a fun thing for Simon and his buddies to do. So they did it.

They skimmed the reading. Blood with power is spilled, ritual that is very real gets haphazardly done and so monsters get involved.

Fun fact, that I'm really hoping is actually true - sometimes monsters with names similar to other religions' occult beings pick up the summoning calls. If the ritual is shoddy enough for them to hear, the participants all die either way, it's only important who gets there first.

So. The bullies get killed and a fury-type thing drags Edwin's whole being to the fields of punishment so it can feast on its offering. He gets dusted Sally Jackson style.

We enter his hell era. ( Part 2, Part 3, TBC )

[lottieshauna]

MARI WEEKEND DAY 1: Mari: a summary (insp)

[alicentflorent]

People are shading Rhaenyra over being angry about constantly being harassed about bringing daemon back but let’s not forget that he groomed her, emotionally manipulated her and since the usurping had started to become physically abusive to her. Daemon is important to their war efforts because he has caraxes and is the only one willing to willing to get his hands dirty by directly committing war crimes but Rhaenyra is still struggling with questioning every aspect of the relationship she thought that they had and if he can still be trusted to be loyal if she chooses to end the relationship

[jacob-blogs]

So the shooter gets killed and we're just supposed to be okay with that??

Like any other assassination attempt is like, oh we got the guy we're taking him into custody. But no this guy is dead and we're supposed to be okay with the message that "you shoot at a president, you die" as if trial by judge and jury isn't supposed to be the standard for heinous crimes??

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[apfelkvchen]

The plot of Punisher (2022)

[jay-wasreblogging]

At first I was like 'LMFAO HE FUNNY ASF WHY HE DOING ANGELS VOICE!!' cause bruh ain't no way he devious like that 😂

Then I got confused because ??? Wait is he fucking around or being serious right now? Huh?? Like I genuinely did not process that it was anything mentally/psychologically related until Watson started pleading. 😐

[wiisagi-maiingan]

OBLIGATORY DISCLAIMER THAT THIS IS A JOKE but I don't get why people watch true crime videos on youtube where people's suffering and deaths are turned into entertainment when videos about tiktok and influencer drama can give you the exact same feeling of horrified fascination.

[hapless-raining]

My crazy theory is that my worsening mental health and current illness is just one of the stages of my transformation into Rodion Romanovich Raskolnikov

[awesomecooperlove]

JUST A REMINDER TO THOSE WHO STILL BELIEVE BIG PHARMA’S GOAL IS TO HEAL PEOPLE…

🙏🏻🙏🏻🙏🏻