#none of them use guns often

[strawberryona]

so last night my beautiful puppywife helped me find guns for perv quartet <3

notes about how each character uses guns:

roan's pistol is extremely efficient, as silent as possible, and easily concealed. no-nonsense and tactical. his gun is my favorite one of the group's. according to my puppy, it's so quiet that the loudest part of it is the slide moving, and there's a switch to make it not move during firing (with the downside of needing to do it manually to shoot again)

vesper's gun is pretty and physically appealing. she would carry it on a garter. as usual, she's much more focused on looks and style than roan is, but still subtle and deadly.

bryn's gun is the biggest handgun possible. loud and flashy. waves it around bragging and posturing.

seren's rifle gets the job done with no frills. they barely use guns, except maybe to put down an animal that's not fun anymore. every time they shoot, they clutch their weapon way too tight and have a scary thousand-yard stare.

[bootleg-nessie]

Rating band names based on their accuracy:

(I keep updating this list so check back later)

The Beatles: 3/10. None of these people are beetles, they’re just a bunch of fruity guys from Liverpool with matching haircuts

(Edit: changed from 0/10 to 3/10 because John Lennon beat his wife)

Pink Floyd: 4/10. There is not a single person named Floyd in the band, but some of the members do arguably look kinda pink

Nirvana: 10/10. Getting high and listening to Nirvana is roughly what I imagine actual nirvana to be like

Foo Fighters: either 0/10 or 10/10. I have never seen foo in real life so either they’re pretending to fight a problem that doesn’t exist or they’re doing an absolutely fantastic job of fighting it

The Eagles: 0/10. Same as the Beatles, there is not a single eagle in this band. The name is misleading and we have all been lied to

Queen: 6/10. Partial points for Freddie Mercury

Led Zeppelin: 0/10. I don’t think any of these guys have ever even seen a zeppelin, let alone one made of lead. A lead balloon would crash faster than my hopes and dreams

The Rolling Stones: 3/10. There is not a single stone in this band. Some points added because I’m pretty sure they rolled quite a few

U2: 0/10. Despite what the name says, I am not a member of this band

Metallica: 9/10. Naming a metal band “Metallica” is like naming your dog “doggy”

Red Hot Chili Peppers: 2/10. These guys are not chili peppers. They’re not even that hot, let alone red hot

Guns N’ Roses: 0/10. How the fuck could a gun or a flower play music

Backstreet Boys: ?/10. Depends entirely on their current given location

Simon and Garfunkel: 10/10. No notes

The Doors: 1/10. Jim Morrison is kinda shaped like a door tho

Chicago: 4/10. The number of people in this band does not come even remotely close to the population of Chicago. Points added because it originated in Chicago

Earth, wind, and fire: 2/10. This is even more innacurate than Chicago. Points added because wind instruments were often used

Def Leppard: 3/10. There is not a single leopard in this band. Some of the members are probably kinda deaf by now tho

The Beach Boys: ?/10. Accuracy depends entirely on location

The Black Eyed Peas: 6/10. Not sure what the hell an ‘eyed pea’ is but the black part is pretty accurate

Imagine Dragons: ?/10. Depends entirely on whether or not they’re thinking about dragons.

Cage the Elephant: 1/10. Why would you do that. Let the elephant go

Green Day: 0/10. They’re not even green

The Police: 0/10. There is not a single cop in this band

KISS: 5/10. I’m sure they probably kissed sometimes

The Monkees: 0/10. Are you fucking kidding me

We Butter the Bread with Butter: 8/10. I can’t verify this but I have no reason to suspect that they’d lie. Butter seems like the most logical thing to butter bread with

King Gizzard and the Lizard Wizard: 0/10. I got really excited about the concept of a lizard wizard only to be let down. My disappointment is immeasurable

They Might Be Giants: 5/10. I googled everyone in this band’s height, the tallest guy’s only 6’1 so I wouldn’t exactly consider him a giant. Then again, I can’t really argue because the claim was only that they MIGHT be giants

The Presidents of the United States of America: 2/10. None of these people are Joe Biden nor are any of them former presidents. This is incredibly misleading. I’m pretty sure “Lump” was written about my first girlfriend tho so I’ll give them a point or two

Gorillaz: 2/10 Not quite but we’re kinda close genetically so I’ll give them partial credit

The Killers: ?/10. I have no way of verifying if they’ve actually killed before but the fact that they’re not in prison tells me probably not

The Offspring: 10/10. These guys are definitely somebody’s offspring

Arctic Monkeys: 1/10. They are neither monkeys nor are they from the arctic

Thirty Seconds to Mars: 1/10. It takes WAY longer to get to mars than that

Beastie Boys: 8/10. They’re pretty beast on the guitar

Jimmy Eat World: 1/10. Slow the fuck down Jimmy, you’re biting off way more than you can chew

Hole: 9/10. One point deducted because I’m pretty sure they had more than one hole

Rage Against the Machine: 10/10. They did exactly that

Alice In Chains: 0/10. This is illegal. Let Alice go

The Band: 10/10. This could not possibly be more accurate

Nine Inch Nails: 1/10. I can’t find any good pictures of their feet but from what I can tell their fingernails definitely aren’t nine inches long

Bush: ?/10. Not quite sure about this one, felt uncomfortable asking

The Who: 2/10. I’m not dealing with this “Who’s On First” bullshit

Radiohead: 0/10. Not a single person in this band has a radio for a head

Queens of the Stone Age: 0/10. This band should be called “five random dudes from the modern era” but FRDFTMA is a bit of a mouthful

Soundgarden: 2/10. Sound does not grow in the garden

Sonic Youth: 5/10. They’re not exactly youth anymore but the sonic part checks out

Talking heads: 8/10. There’s more to the band than just a bunch of disembodied heads but the heads do tend to talk

The Cranberries: 0/10. Decent music but I only added them so that the Beatles and Freddie Mercury weren’t the only fruits on this list

The Wiggles: 8/10. They do tend to wiggle a lot

Blue Man Group: 10/10. Yep!

Weezer: 5/10. They all look like they definitely have asthma

Limp Bizkit: 3/10. While the visual image of baked goods playing the guitar is hilarious, Fred durst is not a biscuit. Points added because he probably has erectile dysfunction

Stone Temple Pilots: 0/10. None of these people are accredited as being licensed to pilot anything, much less an entire stone temple. Stone temples don’t need pilots anyways

Wasted Youth: 8/10. I guess it really kinda depends on how you frame it but yeah, they probably wasted a lot of it

Them Crooked Vultures: 3/10. These are people and not birds but Dave Grohl’s posture is kinda bad and John Paul Jones is so old that his neck kinda looks like a vulture’s so I added some points

Audioslave: 0/10. Slavery is illegal

Traveling Wilburys: 4/10. Sure, they traveled a lot but not a single one of those lying bastards was named Wilbury

D12: 6/12. There were only 6 people in this band

NWA: 10/10. I’m a little too white to safely comment on this one but I’d say they nailed it

Jet: 1/10. A real jet would be way too loud

Goldfinger: 0/10. Not a single person in this band has a finger made out of gold

No Doubt: ?/10. I can’t really be too sure how Gwen Stefani felt but I think it’s probably a safe assumption that she had some doubts

The White Stripes: 3/10. I bet if you stripped them down naked and made them stand shoulder to shoulder and squinted really hard they’d probably look more like white stripes

Screaming trees: 3/10. They scream occasionally

Garbage: 2/10. I think they’re being a little harsh on themselves, their music isn’t THAT bad

Butthole Surfers: 5/10. Not even gonna touch this one

Megadeth: 3/10. To be fair, some of the former members are dead but only a little amount of death, not mega death

Dead Kennedys: 2/10. Last I checked Kennedy was still dead but neither he nor his clones are members of this band

Cake: 0/10. The cake is a lie

Cracker: 8/10. Most of them are

Tool: 7/10. I don’t know much about their music but they sure look like tools

Counting Crows: ?/10. Is this what emo kids do instead of counting sheep? Accuracy depends on whatever bird they happen to be counting at the moment

Dave Matthews Band: 10/10. It certainly is

Oasis: 1/10. Their music is the opposite of an oasis

Blur: 2/10. They are not that fast

Barenaked Ladies: 0/10. If I wanted to be this disappointed I’d reestablish a connection with my biological father instead

Meat Puppets: 10/10. Technically, aren’t we all?

Live: 8/10. Apparently they still do live shows but I deducted some points because I’ve only ever heard their music on Spotify

ABBA: 9/10. I’m still not giving any points to Guns N’ Roses but that’s mostly out of spite

5 Finger Death Punch: 8/10 I guess it probably depends on how hard you hit them but this seems to be the usual amount of fingers to punch somebody with

All American Rejects: 9/10. They’re all rejects from America so I don’t really see any issue with this

T. Rex: 0/10. Even if any of these people WAS a T. Rex I don’t think their arms would be long enough to play their instruments

Free: 0/10. Unless you steal their music, in which case it becomes a 10/10

The Strokes: 3/10. To my knowledge, none of them have had a stroke but I still added a few points because the name was probably accurate for other reasons

The Smashing Pumpkins ?/10. Another thing I have no way of verifying but this seems like a waste of perfectly good pumpkins

Therapy?: ?/10. The hell are they asking me for? I don’t know their medical history

Twenty One Pilots. 0/10. There’s only two of them and neither is a licensed pilot

Finger Eleven: 0/10. Leave the poor Stranger Things girl out of this

Fall Out Boy: 9/10. I conferred with an expert on this one who confirmed that they are in fact boys who had a falling out

Cream: 8/10. Considering this was the OG supergroup I’m sure a lot of people did in fact cream when their music came out

Edit: humans aren’t fucking monkeys. Stop saying we are

[thespacesay]

ID: tags. #nuance dies on this site so of course people are interpreting this as saying everyone is innocent. #you should never be enthusiastic to punish regardless of the target #because when you run out of targets the need for that enthusiasm persists #and even among your true targets injustice can be perceived as justice in that enthusiasm. / End ID

it is actually very common for people to say “there are no innocents on the side of my enemy.” against such an opponent you can theoretically justify anything

[not-neverland06]

conflicted spaces

Arthur Morgan x fem!reader

a/n: He doesn’t get TB in this. Why? Because this is fanfiction and I’m god and fuck canon (I just finished the game, I’m emotionally distraught and needed this)

Warnings: brief attempted SA

Summary: Your father is a gambling man and you’re always the collateral. He refuses to pay the wrong man and now you’re being dragged across country roads to a man you’ve never met. Arthur Morgan, an outlaw down to the bone, is in charge of making sure you get there in one piece. Except, he doesn’t feel right selling a woman off like she’s property.

You’re done being a doormat and letting the men in your life tell you what you’re worth. You’ve got three days to escape him, but you’re not prepared for the reality of the real world.

“Put your hands where I can see ‘em, cowboy.” Arthur’s shoulders tense and he curses under his breath. His hand darts to the revolver on his hip, but the second his fingers twitch towards it he hears a hammer being pulled back. The cool barrel of a gun digs into his neck and he raises his hand in surrender. 

The man behind him lets out a familiar laugh and tugs him around. Arthur rolls his eyes and glares at Dutch. “The hell are you doing?”

Dutch clears his throat, still laughing slightly. “Relax, Arthur, but if I had been an O’Driscoll you’d be dead right now.” Arthur doesn’t point out that the only thing they have to worry about out here are the Lemonye raiders. He’s more focused on why Dutch is even out here. Rarely does he leave Shady Belle to traverse the streets of St. Denis. 

None of them are particularly fond of the place. If he wanted to step in horse shit every other step he’d go to a stable. At least those smell better. Dutch slings an arm around Arthur’s shoulder, tugging him away from the saloon he was heading towards. 

“You’re gonna have to save the cheating for later, Arthur, I need you for something.”

“You know I don’t cheat,” Arthur jokes and Dutch grins at him and it’s nice. This is familiar to him. This feels right. Dutch has been odd lately, the jobs he’s been taking, the risks he’s been imposing, none of them feels like the man he knows. 

Now, Arthur would follow Dutch straight into hell without being asked. But he can’t abide by how he’s putting their people in harm's way. He’s felt like a stranger more often than not and he’s been doubting the people he shouldn’t. Right now, though, he can see the man he knows in the teasing curl of his lips. 

“What’dya need?”

Dutch pauses in front of a tailor and pats Arthur’s chest. “I need you to look prim and proper for a party we’ve got tonight.”

Arthur’s brows furrow cynically and he scoffs. “Someone invited us to a party?”

Dutch hesitates, a stiff smile on his face. “Well, let’s just say someone is interested in our work.” Arthur wants to question him further, he’s hiding something from him. But Dutch is pushing him towards the door of the shop before he can argue. “And get a haircut, we need to look presentable not like a bunch of mountain men.”

Arthur watches as Dutch leaves, something heavy weighing down on him. Dutch doesn’t usually tell people about his plans beforehand. At least not every step of them. But this is odd, he’s definitely hiding something and Arthur isn’t sure he wants to know what. 

With a resigned huff, he heads into the tailor. He has to mentally prepare himself for being stuffed into a starched collar and a stiff suit for the rest of the night. He hates these damn parties, hates having to pretend like he knows what the hell is being said. 

Most of the people that attend are educated or pretend to be. And when he lets it slip that he’s more likely to shoot a gun than read a book they turn on him like jackals. You can’t let them see that you’re different than them or you’ll never get a word in edgewise. 

The only part he enjoys is the booze and robbing them of their money. It’s not like they earned any of it. Most of it was made by breaking the backs of the people they mock for being too poor to afford a fancy suit. 

Arthur takes a deep breath and looks for the cheapest suit he can find in the overpriced shop. 

“Now,” Mr. Crane’s hand tightens around your bicep and he jerks you closer to him. You keep your face impassive, not letting him see just how much he’s hurting you. But you can feel your skin being stretched to its limits by his clammy fingers. “You’re going to behave tonight. I’ve got a few gentlemen I’d like you to meet.”

He looks at you expectantly but you keep your mouth firmly shut. His eyes narrow and he jerks you around roughly. “Understood,” you force the word out through gritted teeth. You’re trying to breathe as little as possible, not wanting to smell his cigar-laced breath any longer. 

Finally, after a tortuously long moment, he releases you. You take ten steps back, smoothing out nonexistent wrinkles from the silk skirt he’d forced you in. You glance out the window of his office, watching as the workers scramble to set up the tables for tonight. You can hear cooks in the kitchen, shouting out orders for the food for tonight. 

Everything must be perfect. Mr. Crane never fails to deliver on his extravagantly indulgent parties. The man himself is the very embodiment of greed. You glance over with a disgusted sneer as he sinks himself into his leather chair and pulls out a wad of cash. 

He catches your eye and sends you a sickly sweet smile. “This,” he waves the money at you and you track the movement boredly. “Is how much you’re worth, sweetheart.” Your brows raise in amusement and you scoff. More than you thought he would put up for you. 

You wonder who he’s going to have transport you. He’ll need you out of the city soon, your father is starting to catch onto what’s happening. It took him long enough. You’ve been missing a month, you’d think he would have put two and two together faster. Then again, he’d never been very interested in you beyond what you were worth to others. 

“When will I be able to meet these gentlemen?” You ask, taking a step towards him. Your eyes dart towards the letter opener on his desk and for a brief moment you picture yourself strabbing it into his fattened jugular. 

But he flicks his wrist and like magic the door opens, his men coming inside and standing resolutely by your side. “Not anytime soon, my dear.” He looks to the men surrounding you and you take in a sharp breath, wishing you’d just taken the chance when you had it. “My associate is feeling quite tired, take her back to her room, please.”

They grab you by the elbows, even though it's entirely unnecessary. You wouldn’t run, and even if you did you wouldn’t get far with the chains he has hidden under your dress. A punishment for the first time you snuck from his home. You’ve been well behaved since then but he doesn’t trust you. 

You’re whisked away without another word. The trek of the stairs is a slow one. They’re forced to help you navigate by lifting your skirts and not tripping on the chains. It no longer brings you any satisfaction to cause a hindrance in any of their days. 

Before, you would think of being an annoyance as a small victory. But it’s not, it never was. It was just a way for them to keep you complacent by allowing you to think you’d done something for yourself. You believe your father used to do the same thing. 

It’s just another way of keeping you quiet. 

When you make it to your rooms, they shove you inside. Like clockwork, you hear the jingle of the keys and then the lock clicks. You sigh and take a step towards your vanity, working on touching up your hair. 

You think the worst part of this must be how well you’re treated. You have meals made by a private chef. Your quarters are decorated more lavishly than they ever were at your father’s house. Yet, you hear the suffocating tick of the clock as it counts down your doom. 

You’re not entirely sure what their plan is with you. You know your father had made a promise to Mr. Crane involving some land. Or perhaps it had been a wager. But as always, you were collateral when your father refused to pay up. 

You know Mr. Crane wants you out of town so that he has more time to negotiate with your father, to call in the interest he owes him. You also know the only reason your father is interested in finding you is because you’re meant to marry the son of a business partner in two months. The money he’ll get from that will be enough to finally pay off his debts. 

Except, now, Mr. Crane tells you that should your father refuse to pay you’ll be married to one of his associates. And the deal he’ll make from that will be enough to cover what your father has refused to pay. 

No matter what, you’re going to be married off to some man you’ve never met and yet again be a quiet trophy on a shelf. It’s a very convoluted situation, one which makes you think leaping from a window might be a better fate. 

None of the men your father or Mr. Crane is in business with are particularly kind. They’ve got more skeletons in the closet than there are in the graveyard. You doubt you’ll live a very happy life with whoever they pick for you. 

You slump forward onto the vanity, trying to fight off the burning feeling in the back of your eyes. You’ve known this would happen for years. Even before Mr. Crane had you kidnapped, you knew that this would be your destiny. You would never get to be one of the free-spirited women who fought for the right to choose. You would always be forced into this role. 

Yet, being so close to it coming to fruition makes you feel choked and suffocated. You can feel the noose around your neck tightening, the hangman’s fingers twitching as he waits to see you drop. 

You dig your nails into your palm, taking in a deep breath and fighting back the wave of despair. Where there is doom, you also see a sliver of hope. Your next journey will be a long one. He’s hiring someone to have you transported to an area further up the map. 

If you play your cards right you might be able to escape while you’re traveling. If you’re incredibly smart about this, thinking with your head and not your heart, you might have a shot at freedom. 

You take in a deep breath, reapplying your makeup and resolving yourself to another night of mindless entertainment. But you hold onto that fleeting feeling of hope. You have a shot, you just have to take it. 

Arthur’s heard of these parties before. Some Mr. Crane fella that likes to blow all his money on food and booze. He indulges his guests and when they’re weakest, gets their secrets from them. He’s a snake and everyone knows it. Yet, missing his party is social suicide. They have no choice but to go and indulge in him. 

Arthur had never had any interest in meeting him or doing any business with him. But Dutch had informed him that’s exactly what’s happening tonight. They’ll mingle for a little while, maybe scout some other jobs, and then Mr. Crane will invite them up to his office for a private discussion. 

Dutch still hasn’t told him what exactly their business with him is. He brought Hosea along tonight so he has to assume it’s not going to be anything violent. But he can’t think of anything else they could be good for. 

“Alright, gentlemen,” Dutch places his hands on Hosea’s and Arthur’s shoulders, a scheming smile on his face. “Try not to embarrass me.” He slips behind them, heading up the stairs of the home. Hosea and Arthur share a brief look before they split up, blending into the background of the garden. 

Arthur lurks near the bar, he knows he should be talking to these assholes, possibly learning something useful. But he can’t be bothered. He orders a whiskey, gaze surveying the partygoers. They’re all loud with painted faces and fake smiles. Not a goddamn person here seems to be genuinely interested in anything they’re doing. 

“First time?” The soft voice beside him catches him off guard. He glances to the side and is surprised to see that you’ve slipped past him. He hadn’t even noticed you slide up next to him. You laugh at the look on his face and it’s the first thing here that seems real. “Sorry, it’s just that look on your face, I recognize the disappointment. You’ve never been to one of Crane’s parties before?”

“No,” he clears his throat, still recovering from the surprise. “Uh, I can’t say I have.”

You suck on your teeth, narrowing your eyes at the people passing by. “They’re not worth the effort. Everyone who leaves here leaves carrying his debt on their back.”

Arthur chuckles a little, lips twitching up into a small smile. He’s surprised by your frankness, most people like to hide behind passive-aggressive digs. He appreciates the straightforward attitude. “Then why are you here?”

You shrug and Arthur finds himself enchanted. He shouldn’t be, he’s never been one for romance. He finds women pretty and he’s been in love before, but he’s never bought into the idea of love at first sight. Or any of that mushy stuff that Mary Beth devours in those books of hers. 

But you are absolutely gorgeous, dressed in a silk dress that’s so expensive he’s sure he could buy two new horses with it. Your fingers and neck are decorated in dainty jewels that you fidget with as you stare down at your drink. When you set your eyes on him again he thinks he might have been struck by Cupid’s arrow. 

“I don’t have a choice,” you finally answer, sending him a stiff smile. “What about you? Why are you here?”

Arthur suddenly remembers himself, remembers why he’s here and what he’s supposed to be doing. The fog in his head dissipates and he’s disappointed in himself. Pretty women have never done anything except get him in trouble. 

“Business,” he answers vaguely. Your eyes narrow and your brows twitch in discontent. Something like realization dawns on your face and you back away from him. The easy attitude you’d carried yourself with is gone, replaced by a vague look of distrust. 

“Right, should’ve known.” You let out a rough sigh and Arthur can’t help but feel like he’s said the wrong thing. “I suppose I’ll be seeing you again soon.” You slip past him before he can ask you what you mean. He hears the faint sound of metal clinking as you walk back up the stairs. 

Something silver flashes under your skirts but he can’t get a good glimpse of it. He feels unsettled as he turns back to the bar. The whole interaction was odd. From how stricken he was with you to how cold you turned. 

He doesn’t know what you saw in him but it was probably for the best that you left when you did. Neither of you needed the trouble the other would bring. He shakes his head, downing his whiskey and muttering nonsense to himself about not thinking with the wrong head. 

It’s not that much later that Dutch is appearing on the balcony and silently motions him forward. Arthur leaves the bar behind and slips up the same stairs you’d disappeared on. Dutch says nothing as he leads Hosea and Arthur through the house. 

The mansion is a maze more than anything. Arthur loses track of all the turns they take and the winding staircases they descend. Finally, Dutch stops them all in front of two large oak doors. He raps once on the door and then lets himself in. 

A large, balding man with a shiny head is perched on top of a leather chair. He looms behind his desk, fingers steepled as he greets them all with a false smile. “Ah, gentlemen, so nice to finally meet you.”

Dutch grins and motions to Arthur, “This is the man who will be doing the transporting, Arthur.” Arthur’s eyes narrow in confusion but he says nothing as Dutch moves to Hosea, “And this is my associate, Hosea. He’s a lot better with money than I am, Mr. Crane. You understand.”

Mr. Crane lets out a boisterous laugh that makes Arthur’s ears hurt and nods his head, his cheeks jiggling with the movement. “That I do! Well,” he waves them forward when they linger in the doorway too long, “come in, come in.”

Arthur closes the doors behind them as Mr. Crane lifts himself from his desk. There are two couches positioned in front of an unlit fire. He takes one of them and Dutch and Hosea take the other. Arthur perches himself on the armrest of their couch, eyes surveying the office like it might reveal the truth of their visit. 

“I trust Mr. Van der Linde has kept this all quiet?” 

“He has,” Arthur grouses. 

At the same time, Dutch says, “Of course, Mr. Crane. I promised confidentiality and Dutch Van der Linde is nothing if not a man who keeps to his promises.” Crane nods, looking satisfied and  Arthur holds back a laugh at how easily he seems to trust Dutch.

“Good, good.” He dips his hand inside his jacket and Arthur’s palm instinctively drops to where his gun should be. Of course, they’d had to give up their weapons before they came into the party, if he does has a gun Arthur can’t do a damn thing. 

But he doesn’t, instead, he pulls out the thickest stack of cash that Arthur has ever laid his eyes on. A loud thud resounds through the room as he slams the bills on top of the table between them. Arthur’s eyes widen and Hosea’s jaw nearly drops at the sight of it all. 

This would be enough to get them out of St. Denis tonight. Shock sours quickly into suspicion. What the hell has Dutch signed up for? “Now, this is the first half. This is simply for accepting the job and,” he gives them all severe looks, “for your silence.”

Arthur shifts uncomfortably on his perch and waits for Mr. Crane to finish. “The other half will be given once the package has been safely delivered.” There’s a certain lilt to his words when he says package that has Arthur’s hackles raising. Whatever is getting delivered is not going to be good. 

Crane turns towards the bookshelves on the wall and calls out, “Darling, won’t you join us?” Arthur figures the man must have lost his mind, they should just take the money and leave. But there’s a loud creak and something like metal gears grinding together. One of the shelves pops open and the panel swings forward. 

You pop your head out, glancing towards Crane and then taking a step forward. Arthur, without even thinking about it, finds himself sitting up, and brushing some of the dirt off his pants from the ride over. 

At first, he’s so confused by seeing you again that he doesn’t realize why exactly he’s seeing you again. Then you glance towards him, a knowing look on your face and it clicks. You’re the package. You’re what he’s meant to be transporting. 

He glares over at Dutch, when exactly did they get into the business of trading women?

Hosea voices his doubts in a much calmer manner. “If I may, sir, why does she need to be delivered so discreetly?”

Mr. Crane laughs and your face twitches unpleasantly. You grimace, glaring at the back of the man’s head with something like murder in your eyes. He doesn’t know what he’s done to cause such a visceral look of hate and he doesn’t want to think about it. This whole situation is bothering him. You’re not here willingly, which means you’re not going to be transported willingly either. 

None of this makes sense. Dutch would never have taken a job like this before, even when they needed the money. And there’s no way in hell a rich man like this one would want to pay a couple of grungy outlaws so much money. There’s got to be some sort of trick in all of this. 

Cran clears his throat, “She’s a daughter of a, well,” he frowns and struggles for the words. “Let’s just say we’re in a hostile competition for a lot of land. This land, boys, could be very beneficial in expanding my business. He’s not interested in selling and, well, desperate times, desperate measures.”

You scoff, laughing slightly at him and rounding the couch. Dutch ignores you, Hosea looks uncomfortable, and Crane continues prattling on without missing a beat. “Should her father not pay me, she will be married to the associate you’re bringing her to. He’s promised me enough land and money to cover what I lost to her father. And if he does pay, she’ll be returned in time for her wedding here.”

Arthur’s eyes dart towards you and you send him a bitter smile. It makes him shift where he sits, hating the way your eyes bore into him. “I just need someone who's not afraid of getting their hands a little dirty to make sure she behaves while she’s delivered to my friend,” Crane glances over at Arthur. He asses him, the bulge of his arms in the suit and the scars on his face, whatever he finds must be satisfactory because he smiles over at Dutch. 

Arthur stands, ready for Dutch to tell Mr. Crane that they’re not in the business of selling women off. But Dutch doesn’t, he smiles at Mr. Crane and reaches for the money, passing it off to Hosea to count. “Well, I do believe my friend Arthur is just the man for the job.” 

“I think you’re right, Dutch.” He stands up now, pot belly nearly bursting the buttons of his shirt, and reaches for Dutch’s hand. “Pleasure doing business with you.”

Dutch smiles and takes his sweaty palm, “You as well, sir.” Dutch walks towards you and holds his arm out. “This way, my dear.” You glance between him and his elbow before rolling your eyes and reluctantly placing your hand on his arm. You follow him silently and obediently, no fight is left in you. Hosea follows after you both, a concerned look on his face. 

Arthur remains in the office, standing dumbfounded and staring at the doorway you’d disappeared through. He’s struggling to process what just happened. Arthur has helped people get home safely before and provided protection. But he’s never been one to traffic a hostage. 

Crane glances up, finally noticing him still standing there. He walks past him, patting his shoulder as he does and giving him an approving smile. “Don’t be afraid to take care of her should she get out of hand.” He’s nearly out the door but he looks back and adds, “Just don’t bruise her too much.”

Arthur’s fingers twitch for his revolver once more and he’s never wanted to shoot a man more. But he knows Dutch is waiting for him and he’d never make it out of here alive if he started a fight right now. Reluctantly, he makes his way out of the manor and towards where you’re all waiting for him. 

He’s fuming by the time he stops in front of Dutch. He’s trying to help you onto his horse and Arthur finally realizes what the metal sound he heard earlier is. There are chains around your ankles and you can’t maneuver yourself on the saddle. 

His eyes narrow and he glares at Dutch, “What the hell are you doing? We’re selling women now?”

Dutch glowers at the tone of Arthur’s voice. You watch them both passively, fiddling with the rings on your fingers and looking unbothered by the entire situation. “Watch yourself, Arthur,” there’s a clear warning in his tone but Arthur’s too upset to care. 

They’ve done a lot of bad things. They weren’t good men. But this was just going too far. “We need this, Arthur. You want to get out of here, you want to keep our people safe?” Arthur let out a deep exhale, gritting his teeth together and nodding reluctantly. Dutch huffs, “That’s what I thought. We’re not selling anyone, Arthur. It’s a simple delivery.”

His jaw clenches as he watches Dutch struggle to help you again. “It’s not going to work,” you inform Dutch. You lift your skirts, flashing him the chains he hadn’t seemed to notice yet. Neither of you gets a chance to say anything as Arthur pulls out his gun and shoots the lock off. 

He feels a little guilty at how startled you look. Your eyes widen until they look like they might bulge out. Your hands fly up to cover your ears as the sound rocks through you. It breaks violently through the silence of the night. 

Dutch turns and gives him a stern look, “Have you forgotten the meaning of subtlety?” Arthur can tell he’s trying not to shout and drag any more attention towards you all. 

Arthur glares at Dutch, something wicked brewing in his stomach. “The lady wouldn’t be able to ride a horse like that.” He mounts his horse and rides off without a look back. He can’t stand to be near you or Dutch any longer. 

The reality of what they’ve turned into hits him like a bag of rocks and it makes him irate. They’ve never been these people. Never traded a person off like they were an object. He’s sure plenty of people in camp would have a problem with this. But he doubts Dutch will let them know the truth until the job is done. 

And by then, everyone will be too happy with the money to complain. Dutch is nothing if not good at saving his ass. He’s hitching his horse as the rest of you ride into camp. He lingers by Diablo, resting a hand on the thick neck of the shire while Dutch helps you off the saddle. 

His eyes narrow in on the way Dutch’s fingers glide along your waist as you jump down. You take a step back the second your legs are steady sending Dutch a dirty look that almost makes Arthur laugh. 

He starts towards Dutch, ready to try and reason with him again. But he holds his hand up and walks away, not even giving him a chance to speak. Arthur lets out a rough sigh as Hosea comes up behind him. 

He pats his shoulder comfortingly, “You should get some sleep, Arthur. You’ll ride with her to Strawberry tomorrow morning.” He almost walks off but he whispers a quiet, “I’m sorry,” before he goes. 

Arthur glances towards you but you’re looking around the camp, eyes lingering on Javier as he sings by the fire. He swears he almost sees you smile but it's gone as quickly as it came. He takes his hat off, running his hand through his hair and letting out a tired sigh. 

“Alright, come with me,” he starts towards the house. It takes a minute to realize you’re not directly behind him. When he looks over your shoulder he sees you with your skirts lifted, tiptoeing through the mud and trying not to get your pretty skirts dirty. 

He rolls his eyes, storming back towards you. Your eyes widen at the look on his face and you stumble back a few steps. Undeterred, he bends over, throwing you over his shoulder and walking towards the house. 

Your hands claw at his back, desperately grasping onto his shirt so you keep your balance. He storms up the stairs, ignoring the alarmed looks he gets from others in camp. He can already hear them whispering, wondering who you are and why he’s dragging you into his room. 

They can make up whatever the hell they want. Arthur’s too pissed off to give a shit about rumors tonight. He drops you unceremoniously onto his bed and storms back out. He heads downstairs, rooting around in one of the chests for some extra clothes. 

You won’t be able to ride to Strawberry in those ridiculous clothes. You’ll need some pants if you’re going to sit on the horse properly. He tucks the outfit under his arm and makes his way back to you. 

When he opens the door your hand immediately darts away from his shaving kit and shoves itself under your butt. His brows furrow as he catches a flash of silver in your hand. He places the clothes down on the end of the bed, eyes drifting towards his shaving kit. Sure enough, his razor seems to be missing. 

He lets out a sigh and you tense up, hand clenching around your prize. He briefly debates taking it from you. But he figures you should be allowed a modicum of comfort. Even if you did try and use it against him it’s dull, he hasn’t sharpened it in a while and you wouldn’t be able to do much damage anyway. 

He lets you keep it, leaving you on your own without another word. He can hear the exhale of relief you let out when he walks away and it makes him feel just a little better about this. At least you’re not completely terrified. 

You change into the clothes Arthur gave you. They’re a little big, but you appreciate the pants. It’s much better than the ridiculous dresses Crane had you in. You collect your dress and toss it out the window of Arthur’s room, watching it sink into the mud pit below. It brings you some satisfaction to see Crane’s pretty silk getting ruined. 

You take off the jewelry you’d been given and stuff it into your boots. If you did manage to escape while you were traveling with Arthur then you were going to need some cash. You could sell off the jewels and hopefully, it would be enough to keep you comfortable. 

It feels nice, to wear real clothes. Not being dressed up like a doll for once. You envy some of the women here, who can wear what they want. There is an appeal to the outlaw life. As long as you’re on the right side of it, which, currently, you’re not. 

You slip out of the house before anyone has a chance to retrieve you. The whole night you were curled up around a dull razor with your eyes wide open. Spending a night surrounded by outlaws isn’t exactly restful. 

You figure you might as well try and walk around before you’re on the back of a horse for the rest of the day. There are more people up than you’d expected. Luckily, you don’t see Dutch around anywhere. You don’t feel like having to deal with any more of his false charm or empty apologies. 

The same man you’d seen strumming his guitar the night before is asleep next to the dying fire. A blonde woman catches your eye, she’s walking past some other women in dresses. They’re still asleep but she looks like she’s been up for hours. 

There’s a bit of blood on her pants and you briefly wonder what she’d been doing. “Who are you?” She asks, surveying you from head to toe with suspicion in her eyes. 

“A package,” you tell her bluntly, walking past her towards the only lit fire of camp. She follows you, a wry grin on her face as she watches you pour yourself some coffee. 

“You’ve got a real attitude, I like it.” 

You huff out a laugh, taking a sip of the burnt coffee and giving her a brief smile. “I’m sure my future husband won’t.” 

She rolls her eyes and scoffs, waving you off. “Husbands, good for nothing. I loved mine but he was useless as a sack o’ flour. You’re better off without them.”

Your smile turns strained and you look down at your feet, at the boots that aren’t your own. You’ll never get to dress like this again. Or speak like this to a woman who isn’t afraid to voice what's on her mind. 

“Yes, well,” you shrug and meet her eyes again, “I don’t seem to have much of a choice.”

Her eyes narrow and she frowns, “What’s that supposed to-”

“Mrs. Adler!” Dutch’s voice booms from across the camp and forces the others awake. Most of them grumble, but they’re quick to get started on morning chores. “I see you’ve met our guest,” he says your name with a flourish that almost makes you laugh. 

He’s a good actor. He’s especially good at covering up his mistakes. “Yeah, what’s going on, Dutch? Who is she? Why don’t you guys ever let me in on this stuff?” She fires off questions rapidly, you almost don’t catch them all. There are clearly underlying issues here other than your unexpected presence. 

“In due time,” he assures her, laying the charm on thick. But even you can tell he’s full of it. He’s not planning on letting her in on anything unless it benefits him. “And this is our guest, her fiancee has paid us handsomely to provide her safe passage back to him.” 

He walks towards you, laying a hand over your arm and squeezing slightly. You give Sadie a stiff smile and let him lead you away. “I do believe it’s best that you just wait for Arthur, dear.” He gives you a look that lets you know it’s an order, not a suggestion. 

Still, you play along, “I think you might be right, Mr. Van der Linde, thank you for the hospitality.” You run a tired hand over your face, sitting down on the stoop of the house and finishing off the rest of your coffee. Dutch watches you for a while, never straying too far from where you are and intercepting anyone who asks about you. 

He spins quite the romantic tale of your lost love and how he desperately wants you back. You wish it were true, that you were living out some wonderful fairytale and were about to be reunited with the love of your life. Instead, it feels like one long walk to the gallows. 

The wood creaks behind you and you don’t need to turn to see who it is. “Ready?” Arthur asks and you figure he means, ready to leave freedom and happiness and the will to live behind? 

No, “Sure,” you toss the rest of the coffee into the grass and leave the mug on the stairs. You get to your feet and let him lead you towards the horses. He shares a brief look with Dutch as you pass by him but it doesn’t look entirely pleasant. 

He makes his way toward a towering black shire and your eyes widen in horror. “What’s this?”

He works on saddling the horse up, not paying much attention to you. “This is Diablo.” You take a step closer and the horse starts huffing, swinging his neck towards you with his lips pulled back. You jump back a step back, eyeing him warily. 

Arthur glances over and lets out a low chuckle, “He won’t bite. He’s just curious.”

“Mhm,” you give him a disbelieving look. “You’ll have to excuse me for being wary, I’ve not met a lot of horses.”

Arthur looks a bit shocked by your admission. “Really?” He questions, sounding doubtful. 

You give him a brief smile and nod. “Hard to believe, I know, but I’ve lived a very sheltered life, Mr. Morgan. Haven’t had many opportunities for exploring on my own.” 

He opens his mouth, looking like he wants to say something. At the last second, he stops himself, instead taking a step closer to you. You flinch away from him when he reaches for you and he lets out a sigh. “You can’t spend the next three days terrified of him, come on.”

He coaxes you forward and you reluctantly step closer to the beast. He chuckles at the scared look on your face. You don’t appreciate how much amusement he’s gaining from this. “Come on,” he mutters, taking your wrist and leading you closer to Diablo. 

The damn thing is named Devil, how could you not be terrified of it? 

“He won’t bite, I promise.” You don’t trust him but he doesn’t give you much of a choice. He presses your open palm to Diablo’s nose and you wince, bracing for him to lash out at you. 

But he doesn’t, he lets out a soft knicker and it seems like he doesn’t even care that you’re there. You let out a relieved laugh, running your hand tentatively over his muzzle. It’s shockingly soft and oddly squishy. 

He doesn’t seem to mind as you awe over him. You smile and glance over at Arthur but it drops when you see the odd look on his face. He seems perplexed by your reaction and you can’t fathom why. “You really never have ridden a horse before, have you?”

You shake your head, “No. I told you.”

He purses his lips and nods. You don’t know what it is about this that’s bothering him and you don’t care to ask. If he doesn’t believe just how strict your upbringing has been then fine. “Alright, come on, we need to get a move on.” 

He leads you around to the saddle and helps you up on the back of the horse. It’s beyond odd, sitting on something in pants. Getting to spread your legs freely is something you are going to greatly enjoy during this journey. 

Arthur takes off without much warning and you yelp, throwing your arms around his waist to steady yourself. He glances over his shoulder at you but says nothing. You turn your head, watching as the camp gets smaller and smaller. 

The people mill about, greet each other, and break bread together. It hits you suddenly, this will be the last time you get to see people being free. If you don’t get out, if you can’t escape, your life will be filled with starched collars and powdered faces. You’ll never have a genuine conversation with someone again. You’ll be turned into pretty jewelry hanging off the arm of a man you never met. 

The ride to Strawberry is three days at least. You have three days to get your plan together and to escape. You almost feel sorry for Arthur and the repercussions he’ll have to face losing you. But not sorry enough that you’re not gonna try. 

Arthur’s speed evens out and you let your arms relax, easing away from him slightly. Your wrist jolts against the gun on his hip and you eye it curiously. If you had a gun there would be no doubt you could escape. You see Arthur’s fingers twitch on the reigns of the horse and you move your arms higher up his torso. 

You doubt you’ll be a quicker draw than he is. He is an outlaw after all. You don’t think he’d have many qualms about delivering you to your fiancee with a few extra holes in your gut. Your mind drifts to the razor in your pocket and you consider it for a moment. 

You’re sure you’d be quick enough to just whip it out and slit his throat. You sigh and dismiss the thought. You were a lot of things but you were not a murderer. There are lines you can’t bring yourself to cross. Besides, as wicked as what he’s doing to you is, you know he’s a good man. 

It was an instinctual feeling. Mr. Crane and your father were both horrible, evil men. They knew nothing but greed and would never be satisfied by all the riches they reaped. They were the type of men you looked at and knew deep down that there was nothing left to save. 

Arthur has undoubtedly bad things. You don’t become an outlaw without spilling some blood. He was weathered and rough from a hard life, but that didn’t mean there was nothing good left in him. You won’t have his blood on your hands, no matter how much you might want to get away from him. 

As grateful as Arthur is for the silence, it is odd. He’s helped a few ladies find their way back home before and for some reason, they seem to think he’s the best listener in the world. It seems everyone who rides with him wants to tell him their life stories. 

You’re completely silent, though. He has to keep looking back just to make sure you haven’t fallen off the back of the horse. You’re pretty complacent, following along with whatever Dutch said and coming along quietly. You seem beaten down, the fight dragged out of you. 

He wonders what Mr. Crane had done to you. A few times, he’s seen just a glimpse of the spark that used to be there. But it was snuffed out before he got a chance to know it. He almost wishes you would talk. It would distract him from what he was doing right now.

It didn’t feel right, bringing you along to marry a man you’ve never even met. He has to keep reminding himself that it would have happened no matter what. Ladies like you are always sold off into a profitable marriage. The only thing he’s doing is switching up who the fiancee might be. 

None of that makes him feel better, though. He should be helping you, not dragging you away to your worst nightmare. But, his people come first. The amount of money Dutch’ll get from this will be enough to get them all out of here. This could finally be the last score. 

You gasp behind him and he whips his head around, immediately expecting someone to be following along beside you both. Maybe your father’s men or just some raiders. But he doesn’t see anything except a herd of deer running through the trees. 

His brows furrow in confusion and he glances back at you. You’re watching them like they’re something spectacular. Arthur’s always been a fan of the quiet beauty of nature. He appreciates them in ways most folks don’t understand. But you’re looking at ‘em like you just found God. 

“Never seen deer before?” He teases, chuckling a little at your reaction. 

You startle, not realizing he had been watching. You clear your throat and look away from them sheepishly. He almost feels bad for ruining the moment for you. “No. No, I haven’t.” 

He knows it's possible, but it’s astounding to him that someone truly lived their whole life in the city. It just doesn’t seem right. Cities are full of shit, smog, and bad people. Not even having a moment out of that your whole life seems like torture. 

“I’ll just enjoy it while it lasts,” you mutter, eyes darting back to the tree line. But the deer are gone and you don’t look very interested anymore. 

“Right,” he shifts forward, the air between you awkward. He’d only meant it in jest. He didn’t mean to remind you of what was about to happen to you. He doesn’t like the silence, not this time, it feels wrong. It makes him stew in his shame and that’s a nasty feeling. 

Selfishly, he prods you for more. “A few days on the road, you’ll be eager for the city again.”

You laugh but there’s no humor to it. “I very much doubt that Mr. Morgan.”

“Arthur,” he corrects, “just call me Arthur.”

“Right,” your tone remains cold, “well if you don’t mind Arthur, I’d like to ride there in silence.”

He's got no other choice but to comply. If you don’t want to talk he won’t make you. He just wishes he could make this a little easier for you both. 

Camping is something. You don’t have a word for it. It’s nice to be out in nature and embrace it for the first time in your life. But you really would not mind the comfort of your bed right now. 

Rocks digging into your spine and head do not make for a good night’s sleep. You’ve been lying in front of the fire for hours, flipping around uselessly. It doesn’t matter how much you shift, the rock stays digging painfully into you. 

You let out a loud huff, flopping onto your back and glaring up at the starry sky in defeat. At least the view is nice. In the city, you can’t see the stars. The smoke’s too thick and you never get a good look at them.

Out here, they almost feel fake. They’re so bright and beautiful, you thought the paintings in the museum had always been exaggerating just how breathtaking a night sky can be. But you were wrong. And you hate that there’s a potential future where you’ll never get to see this again. 

“Would you quit squirming so damn much?”

You shoot up, resting on your elbows and glaring over at Arthur. He’s got his hat over his eyes, arms crossed, and looking like he’s been asleep for the past few hours. You hadn’t realized you’d been keeping him up. 

“Some of us aren’t used to sleeping outside,” you hiss, throwing yourself back down to the ground. He doesn’t say anything for a while and you figure that’s the end of it. You clench your eyes shut, counting sheep in your mind and trying to force yourself asleep. 

You hear boots crunching across leaves and your eyes fly open. Arthur’s standing over you, hands propped on his hips as he glares down at you. “Can I help you?” You snap when you get tired of the staring. 

He scoffs and shakes his head, kneeling to be eye level with you. You’re startled by the proximity, an odd heat creeping up your neck. “Come on, I’m gonna tire you out. Maybe then you’ll get some sleep.”

You gasp, astonished at the audacity of his suggestion. “Excuse me?” You demand, tone incredulous. 

His brows furrow before he shakes his head and rolls his eyes. “Not like that,” he grouses. “Get up,” he doesn’t give you much of a choice. He places his hand under your back, shoving you onto your feet. You stand with a slight stumble, glaring at him as you brush dirt off your shirt and pants. 

You can’t help the snotty tone of your voice as you ask, “What are we doing?” 

“Huntin,’” He answers gruffly, going over to the horse and taking the bow out of his saddle. 

Your brows furrow as you recall the few stories your father told you of hunting bison. “Aren’t you supposed to use a rifle?”

He shakes his head and nods towards the treeline. You glance back at the fire before reluctantly following him into the dark forest. The moon is full enough that it provides just enough light for you not to be terrified of what’s lurking in the underbrush. 

“Got a friend,” he tells you, kneeling and glancing at some tracks on the ground. “Taught me how to hunt properly. Bows are quieter, less disruptive, and they provide quicker, cleaner kills.” He looks back at you and motions towards the arrows, “Less pain for the animal.”

Your face slacks with something like astonishment. All you’d heard from your father was the thrill of the hunt, the satisfaction of the kill. He never mentioned keeping anything from the animal, using it for meat, or about how long it took for them to die. You’d never thought there was anybody who actually cared for the creature’s comfort as it died. 

You suppose there’s going to be a lot about Arthur that’s different from the men you know. 

“Arthur,” a twig snaps behind you, and your eyes widen. You drop your voice to a whisper, not wanting to draw too much attention towards you both. “I don’t want to kill anything,” you hiss.

“Ha!” He barks out a laugh and you purse your lips in irritation. He stands and looks at you, chuckling again before shaking his head. “I wouldn’t be so confident in your huntin’ skill, kid.”

You click your tongue and glare at him, “Don’t call me that,” you snap. It’s the same patronizing nickname your father loved to use on you and you detest it. He raises his hands in surrender and you roll your eyes at the smirk on his face. “Then what’s the point of this?”

He shrugs and heads further into the trees, you have no choice but to follow along behind him. “Figure you should be taught a few skills before I get rid of ya.”

You want to argue with him that there’s no point. If you are given to Crane’s associate, you’ll never set foot in the woods again. However, if you do manage to escape him, learning a few survival skills wouldn’t be a bad idea. 

So, you keep your mouth shut and let him lead you through the forest. “How do you know where to go?” You ask, trying to figure out what it is he keeps looking at in the mud. He waves you forward, moving you so you’re standing directly in front of him. 

“You see that?” You have to squint, relying solely on the light from the moon, to make out what he’s pointing at. There are some tracks in the mud that look vaguely like hooves. “It’s buck tracks, you can tell by the size.” He kneels and when you don’t follow he tugs you down by the sleeve. “You can’t rely on just the tracks, though. You have to look for other signs of ‘em.”

You glance around, noticing some crushed twigs and grass a few feet ahead. “Like that?” You point towards it and he huffs in amusement. 

“Caught on quicker than I thought.”

You feel vaguely offended by that but don’t bother voicing it, just glare at his back as he gets up. You walk silently through the forest, letting Arthur show you which tracks to follow and which to avoid. You’re not comforted by how many cougar prints you find. You stare up into the branches always expecting something to already be looking down at you. 

Miraculously, no wild cat chooses you for dinner as you track the buck down. You find him near a small stream, antlers dipping into the water as he takes a drink. He’s got to be one of the most gorgeous creatures you’ve ever seen. 

You’ve lived your whole life in St. Denis. The most you’ve seen are overworked carriage horses and mangy dogs. No life slips through the cracks of that place. There’s just smoke and misery. This is nature, real beauty. It’s breathtaking, the way the leaves ripple in the wind and the starlight reflects in the water. 

You can’t imagine seeing this and wanting to tear it down to put up an oily machine that contributes nothing to the earth but death. It just makes you hate your father more. It also makes you more resolved to not be forced back into that life. You can’t do it. You can’t have this one taste of freedom and then let it go without a fight. 

Arthur pulls the bow out and nocks an arrow. You glance between him and the buck and rapidly shake your head. “No,” you hiss, “I don’t wanna kill it.”

He rolls his eyes and moves you in front of him. You don’t have much choice as he places your hands on the string and guides you into the right position. “Relax,” he murmurs in your ear as you fight against his grip. “You ain’t gonna kill it.” 

It doesn’t bring you much comfort, but if you’re going to make it on your own, sometimes you’ll have to do something you don’t like. “Now,” his hand drifts down your bicep and you suck in a sharp breath. “Don’t hold it too long, you’ll get tired.” 

It’s dawning on you just how close you both are. You’re kneeling on the ground with him behind you, essentially cradling your body to him. You’ve never been this familiar with a man before, it’s making your brain short-circuit. You can hardly pay attention to what he’s telling you. 

He lifts your elbow slightly and points you towards the left. “You need to keep your arm steady even after you let go or your aim will be off. Take in a deep breath and release on the exhale.” You give him an apprehensive look, still not wanting to hurt the buck. He just nods and there’s something in his gaze that lets you relax slightly. 

You release the string and the arrow flies over the buck’s head, burying itself into the tree behind it. Its head shoots up and it turns towards you both before dashing off. You let out an astonished laugh, glancing down the bow and then back at Arthur. 

“My god, I’ve never shot anything before.”

“Congratulations, you’ve killed your first tree,” he remarks dryly, but you see the glint of humor in his eye. 

He gets to his feet and offers you a hand up. You smile up at him, undeterred by his attitude. “Thank you for this,” you tell him earnestly. He gives you an odd look but nods anyway. He doesn’t understand just how important this is to you. Knowing how to do something like this is the difference between life and death when you’re on your own. Of course, he doesn’t realize you’ll be making an escape attempt soon. 

He retrieves the arrow from the tree and you run your hand over the curve of the bow. You wonder just how much he’d miss this if you took it from him. 

Arthur’s tearing down the camp and you’re standing by Diablo, feeding him some apples. You stroke absentmindedly over the horse's muzzle, watching Arthur intently. He’s too busy pulling the tent apart to be paying attention to you. 

You got better sleep last night than you did at Crane’s. He was right, hunting had tired you out. You were eager enough to sleep that you didn’t even feel the rough ground underneath you. He seems to be a little more lax about his watch over you. 

Something about last night must have eased him into a sense of comfort that you’re not going to run. That’s his own fault, though. You glance over the curve of the hill, noticing a carriage that will be passing by soon enough. 

You look back at Arthur and ease slightly away from Diablo. Arthur is still collecting the blankets and rolling them up. He turns towards the dying fire and tosses the rest of the coffee out. You take another step back and he keeps his back to you. 

Slowly, you release Diablo’s reigns, giving him one last apple before you turn on your heel and run down the hill. Your foot slips out from under you and you let out a loud yelp as you go flying headfirst down the grass. 

You land on your back with enough impact to make the breath rush out of you. But your descent is still going and you’re flipping over headfirst into the road. You slide forward, the dirt scraping up your chin as you cough and try and catch your breath. 

“Look out!” You roll out of the way just before the carriage rolls over you. Someone shouts your name from the top of the hill and you see Arthur glaring down at you. He starts towards you and you scramble to your feet. 

“Stop!” You scream, waving your arms wildly and chasing after the carriage. The man gives you a bewildered look as you throw yourself at him. “Please, sir, I’ve been kidnapped, you must help me get back to my husband.”

The man looks behind you, sees a very angry Arthur bellowing out your name, and moves to the side. “Hurry up,” he urges, giving you a hand on the bench beside him. You let out a relieved breath, taking his hand and throwing yourself the rest of the way up. 

He whips the horses, hurrying them along all the while Arthur is yelling after you. It’s not hard to believe that he would kidnap you. He looks half-crazed as he follows along behind you. You turn over your shoulder, giving him a brief wave and a smile. “Thanks for the help,” you tell the man beside you. You offer your hand and name. 

He glances down at it but doesn’t take it, instead looking forward and ignoring you entirely. Something uneasy settles in your stomach but you push it aside. You blame the feeling on the adrenaline still pumping through you. 

“Where are you headed?” You ask, glancing into the back of the carriage. You notice some moonshine and a crate full of guns but decide not to question it. 

“Said yer husband’s waitin’ for ya?” He demands, completely ignoring your question. You stare at the side of his face but his expression isn’t giving anything away. He comes to an intersection. You see a sign pointing towards a town and figure he’s going to take it, but instead, he pulls onto a smaller trail leading to the woods. 

“Um,” you clear your throat uncertainly, glancing back at the sign. “Yes,” your voice cracks and you know you sound like you’re full of shit. 

He laughs and the sound sends chills down your spine. You rip your eyes off of him, looking down at the horses and suddenly realizing just what you’d gotten yourself into. “You sure about that, little lady?”

Something cold digs into your side and you gasp quietly, looking down to see a gun pressed against your ribs. “You scream, run, or do anythin’ to piss me off and I’ll put a fourth hole in ya.” When you don’t say anything he digs it harder into you. “Understand?” He growls and you can do nothing but nod your head. 

You want to move, want to shove him off the side of the carriage and make a run for it. But you can’t, you’re frozen solid. You’re so petrified with fear you can’t even blink. You think you’re holding your breath, as if taking in air is going to set the gun off. 

He grins, a blackened curl of lips over rotted teeth, at your obedience and comes to a stop in the trees. “What are you doing?” You whisper, staring at the secluded area with a newfound sense of horror. 

“Shut up,” he snaps, his voice echoing through the quiet of the woods. You hear no birds or animals and you feel so alone it makes you want to cry. He gets off the carriage and turns towards you. “Down,” he demands. Your eyes dart towards the reigns of the horses and he pulls the hammer of the gun back. “Don’t even think about it.”

You lift your hands in the air, slowly slipping down the seat. He doesn’t appreciate you taking your time He grabs the front of your shirt, jerking you further into the trees and tossing you to the ground. 

You let out a rough groan at the impact, blood staining your shirt as your elbow slips across a jagged rock. It’s like something is snapped loose in your mind. He comes stomping towards you, kneeling between your spread legs and it finally clicks. 

You lunge forward with a shout and he rears back in surprise. You wonder how often someone’s actually fought against him or just let it happen. You don’t want to die, you don’t want to get shot by this scum, but there are a lot of things worse than dying. 

You grab the arm holding the gun, jerking it around, and knocking it out of his hand. “You bitch!” He hisses, bringing his open palm down across your cheek. The smack rings through the trees and ricochets through the air. Your head whips to the side so hard you think you might have snapped your neck. 

Blood dribbles out from your lips, your teeth having bitten into the fat of your cheeks. You spot the gun nearby, the silver of the barrel glinting from under the leaves. Just as you reach for it, he’s wrapping his hands around your ankles and dragging you back towards him. 

You feel like screaming as your hands desperately grasp at the dirt underneath you. But there’s not enough air to scream. You dig your nails into the mud, feel them split against the rocks, and kick at his chest hard enough to make him lose his breath. 

His grip on you loosens and you throw yourself at the pile of leaves. Hands groping for something solid. Just as he flips you over you wrap your hand around the handle of the gun. You pull the trigger and the bang is deafening. 

Your ears ring and your hands are trembling from the recoil. His jaw goes slack and he tumbles on top of you. You let out a grunt, breath pushed out of you by his weight. You scramble against his chest, something warm making your hands slip as you struggle to roll him off of you. 

You glance over, waiting for him to spring back up. But there’s something dark pooling around him and sinking into the dirt below. There’s a hole in his chest and his eyes are already flattening. You fall back against the earth, staring up at the trees above you. 

The sounds rush back to you all at once. The birds singing, deers prancing somewhere in the distance. You hear a stream rushing nearby and let out a stunned laugh. There’s a smile on your face but there’s nothing to be happy about. 

You think you might be in shock. Mind still trying to catch up to what just happened. You glance down at the gun in your hand and toss it to the side, not wanting it near you anymore. Only a second later do you reach for it again. 

You struggle onto your hands and knees, checking over yourself for any injuries that you might be numb to right now. The only blood on you is from the dead man on the ground. You keel over, hands on your knees, and suck in a deep gasping breath. 

You stumble back, limping towards the carriage. You dig around in the back of the wagon, tugging out a giant hunting knife and walking towards the horses. You cut them loose, keeping the rope on one of them and tugging yourself onto her back. You tuck the knife in your belt and nudge her side, leading her forward gently. 

You don't even have time to process the fact that you’re riding a horse on your own. Your body is moving on autopilot. You can only think about getting ahead, getting away. What just happened will hit you later. You slump against the neck of the horse, adrenaline leaking out of you and exhaustion catching up. 

He’s going to find you and he’s going to kill you. Leaving while he had his back turned. Getting on some carriage with a man you’ve never met before. How dumb do you have to be? You can’t trust people out here. Not when there are gangs, raiders, hell, he’s encountered a few cannibals. 

For all he knows, you’re already dead and he’ll be delivering a body to the train station. The thought makes him curse and urge Diablo forward. It’s not hard to follow the tracks of the carriage, what concerns him is when they lead into the forest instead of the town. 

“Goddammit,” he mutters, “the hell have you done woman?” He leaps off Diablo, figuring it will be easier to track you on foot. He follows the paths of the wheels, finding the wagon abandoned and the horses cut loose. 

His brows furrow in confusion as he wanders around the side and spots a lump in the leaves. All he can see is the bottom of a boot and blood splattered across the orange of the fallen leaves. 

His stomach plummets and he races towards it. But it’s not you buried under the foliage, it’s the man who offered you a ride. “What the hell?” He kneels, brushing the leaves off his chest and frowning when he sees the blood splattered all along his chest. 

He doesn’t need to look long to figure out what killed him. He’s sure the bullet buried in his heart did the job. Arthur curses and stalks away from the man. There are prints where the horses were but there are too many to tell which one you might have taken. 

He’ll have to rely on instinct to find you. You’re becoming a real pain in the ass for what was supposed to be a simple job. Still, he can’t help but be a little relieved that it was a stranger and not you lying dead on the ground. 

He turns back onto the road, taking the turn into town. Someone on horseback rides past him, they look disgusted by something up ahead and it makes alarms go off in his head. He urges Diablo forward, running the rest of the way into town. 

An unsaddled mare lazily eats some grass as the sound of a rushing river meets his ears. Diablo’s hooves sound off against the wood of the bridge. He finally sees what disturbed the other rider so much. 

You’re sitting on the railing of the bridge, legs dangling dangerously over the edge as you stare down into the crashing waters below you. Arthur gets off his horse, approaching you slowly. He doesn’t want to startle you and have you go tumbling over the edge. 

He calls out your name and you glance briefly over at him. Blood is splattered across your neck and the front of your shirt is soaked with it. He knows it isn’t yours but it still puts him on edge. “What’re you doin’ kid?” 

You don’t answer him, “Did you follow me?” He eases up beside you, straddling the railing so he can catch you if you slip. He nods and you let out a rough sigh. “Is he dead?”

He scoffs, “Sure as shit hope so, don’t know how someone would survive that.”

A manic laugh bursts through your lips and you double over your head falling into your hands. Arthur surges forward, steadying you before you dive headfirst into the river. “Alright, let’s go,” he quietly urges you around. You don’t put up a fight, letting him maneuver you how he likes.

He gets you on your feet and leads you back to Diablo. You latch onto the horse's reigns immediately, stroking your hand over his mane. Your silence is concerning. Arthur doesn’t know what your regular behavior is, the most he’s seen of you, you have been quiet. This is different, though. He’s seen this sort of quiet in women before and it never ends pretty. 

“You’re alright, come on,” he tries to keep his voice low so he doesn’t set you off. He keeps his hands light as they land around your waist, giving you help onto Diablo’s saddle. Your gaze is distant and you move like someone else is controlling your body. 

He collects the mare you’d brought along with you and leads both horses into town. He’ll have to get a saddle for her, she already seems attached to you. And maybe taking a horse with you into the city will let you escape a little. 

The town, at least, is on the way to Strawberry so he doesn’t have to worry about being too far off schedule. Though, that’s the least of his concerns right now. His eyes keep darting up to you. Waiting for you to try and bolt again or finally break down. It doesn’t look like anything is going on in your head, you seem completely distanced from the situation. 

It’s a good thing for him. He can’t handle a distraught woman. He’s not a kind enough man for it. 

He hitches the horses in front of the hotel. You turn in the saddle, staring down at him and waiting for a hand down. You slide easily through his hands, landing in the mud with a dull thud and heading up the stairs of the hotel without prompt. 

He huffs and follows after you. He doesn’t know how to explain the blood on your clothes away and hopes he won’t have to. The man running the place, thankfully, doesn’t have many questions. He looks disturbed but keeps his qualms to himself when Arthur slips him a little extra cash. 

Arthur guides you up the stairs with a light hand on your back, opening the door of the bath for you. “Alright, here’s your room key. I’ll be out for a while so, just,” he sighs, taking in the blank look on your face and shaking his head. “Try not to cause any more trouble.” You nod and close the door behind him. 

There’s no worries that you’re going to make a run for it again. He’s sure whatever happened in those woods was scarring enough to make you want to go back to the city and never see country folk again. He wouldn’t blame you, there are some nasty people out here. Himself included, but he could never imagine hurting a woman like that. It just ain’t right. 

He heads to the shop across the street, buying some new clothes for you that actually fight properly. The horses are brought to the stables and he goes ahead and gets a paper for your mare under your name. Diablo will be faster tomorrow if he doesn’t have to carry the weight of two people. You might make it to your handler in time. 

Arthur still doesn’t feel right about this whole thing. Leaving you with a man you’ve never met feels even worse knowing what happened to you today. He doesn’t think you being so calm about it all is a good thing. Shouldn’t women react?

Dutch likes to tell him women are a more sensitive breed. He’s seen some tough ones in his life, but this seems like the time to be in hysterics if there ever was one. He heads back to the hotel, planning on just leaving the change of clothes in your room. 

He passes by the bath and hears an odd sound seeping through the cracks. Frowning, he presses his ear up against the door. A man passes by him, giving him a disgusted look as he goes into his room. Arthur sighs but he stays where he is. 

It’s clearer now, you’re crying and it’s hard to listen to. It's the type that makes it hard to breathe. That sort of crying makes your ribs ache and bruise. It’s wrong to keep listening to such a vulnerable moment. So, he does what he planned, drops the clothes in your room, and then heads to bed himself. 

Sleep comes easier than he thought it would. It’s not as restful as he’d been hoping but it draws over him faster than it normally does. He’s always been a light sleeper, though. It comes from years of having to be on guard in case some O’Driscoll is gonna try and slit his throat while he’s asleep. 

When he hears the door creak his hand is already on the trigger of his revolver as he shoots up in bed. The glow of the lamps outside illuminates what’s clearly a woman’s form. But he can’t see your face until you take a step further into the room and the moonlight provides some light. 

“Arthur?” You whisper his name, peering into his room. “Are you awake?”

“I am now,” he grumbles. With a sigh, he shoves the gun back under his pillow and runs a rough hand over his face. “What'd ya want?”

You let out a low breath and rock back on your heels. “I’m sorry,” you mutter. “I just, I can’t sleep. I keep thinking he’s gonna creep out of my closet or bust through the door, I-”

You cut yourself off but he can hear the emotion thickening your voice. He clenches his eyes shut in irritation, arguing with himself over what he’s about to say. “You wanna sleep in here?” He mumbles reluctantly. 

You close the door immediately, practically running towards his bed. “You don’t mind?”

You’re not really giving him a choice, but he’s not going to say that to you. “No.” He grabs a pillow and blanket off the bed and rounds the end of the mattress. You frown as you watch him toss everything to the ground. 

“Well, what’re you doing?”

“What’s it look like?” He snaps, angrily gesturing towards the floor. “I’m givin’ you the bed.” 

You bite your lip and he feels horrible instantly because you look like you’re about to cry. He’s not trying to be rude but you woke him up in the dead of night. What’d you expect him to say?

“I was sort of hoping we could share the bed.”

His eyes widen and he glares at you in disbelief. “You mean-”

“No!” You cut him off with an aggrieved sigh. “You fool, that’s not what I mean at all. I just don’t want to be alone, alright?” 

“Look,” he scoffs and shakes his head. “I don’t think I’m the man you want to bunk with for company, alright. I’m not that kind of guy.” You glare at him and snatch his pillow and blanket off the floor. 

“Don’t be so damn stubborn.” You aggressively fluff the pillows, throwing the covers back and gesturing towards them, your brow set in anger. 

“Right,” he huffs, “I’m stubborn.” He reluctantly crawls into bed and you follow behind him. It’s not that he minds sharing a bed with a pretty lady. He’s just not the sort of guy you should be coming to for comfort. 

He doesn’t think he can provide whatever it is you need at this moment. But you seem to think otherwise as you inch towards him slowly. He lays on his back, arms under his head as he watches you out of the side of his eye. You think you’re being subtle, slowly moving into his side until you’re flush against him. 

He doesn’t say anything to object and you don’t bring up the proximity. He doesn’t want to admit it but it is nice having someone else beside him. He’s so used to camping out on his own. He hasn’t had anyone beside him in a long while. He lost interest in women of leisure a long while ago. And ever since Mary, he’s given up on any sort of intimacy. 

He hates to admit it, but he finds himself easing towards the warmth you provide. The second you feel him reciprocating you’re inching a tentative hand around his waist, cuddling closer to him. He recognizes it for what it is. 

He’s always been looked at as someone who can protect, at least by the gang. He’s their muscle. To most others, he incites nothing but fear. It should be the same for you. But after what happened today, you just see someone who can keep the monsters in the dark away. 

He doesn’t mind being used like this. He wraps an arm around your shoulders and waits until he feels you settle to ease into sleep again. 

Arthur figures you should both get breakfast in town while you’re here. He reasons you should enjoy a hot meal before you’re on the road again. You don’t point out that you know he’s just trying to ease you into the day. 

You appreciate it, honestly, but yesterday wasn’t your first run-in with men like that. It’s become incomprehensibly normal in day-to-day life, even for a city girl like yourself. You’d cried everything out in the bath once you’d scrubbed your skin raw. 

You don’t think Arthur will ever understand just how much his presence helped you last night. If you’d been on your own, jumping every time you heard the wood creaking outside, you’d have driven yourself over the edge. He protected you, even if there was nothing to be protected from. 

You don’t think he gives himself enough credit. Ignoring the situation you’re both in and what he’s taking you to do, he’s a good man. While the caliber of the men you’ve met is questionable at best, he’s one of the best ones you’ve ever known. At the end of the day, he disagrees with the whole situation, but he’s doing this for his family. That’s admirable in its own way. 

But, god, does he have poor conversational skills. “So, yesterday.” You glance up from your toast, brows raised in question. He clears his throat, eyes darting between you and his food like he can’t choose what to focus on. “That man, did he…”

He trails off and you feel your hackles rise. “Don’t worry,” you hiss, a bite to your words, “I’m still pure for my husband. Your pay won’t be docked, if that’s what you’re worried about.”

His hand clenches around his fork and his eyes bore into yours, “That’s not what I meant,” he growls. “I wasn’t worried about that,” he snaps, “I was worried ‘bout you, woman.”

You take in a deep breath, actively biting your tongue from saying something spiteful. He wasn’t being rude, that’s just what you’re used to. “I’m sorry,” you concede lowly. “Nothing happened,” you repeat without the attitude. 

“Well,” he huffs and goes back to his breakfast, “good,” he settles on dully. 

“Good,” you agree quietly, pushing the rest of your food around. You find your appetite dulled and you push the plate away. You lean back in the booth and stare out the window. The horses seem to be getting on well enough. “Did you name her?”

Arthur gives you an odd look and you nod towards the mare hitched next to Diablo. He swallows the food he’d been chewing and takes a swig of his coffee. “No, figured you’d want to do it.”

Your brows furrow and your lips quirk in confusion. “Why?”

“She’s yours, ain’t she?” He grouses. 

You shake your head, “Nope,” you tell him, popping the p. “I just took her so I’d have something to get me to town.”

“Yeah, well,” he sounds less sure of himself and he’s looking like he made a mistake. “I thought she’d be nice for you to have with you in the city. A way for you to get around without relyin’ on someone else.”

You can’t help but smile, something in your chest easing away at the kind gesture. “I appreciate it,” he lights up a little at your approval, but you crush it in an instant. “But I can’t keep her, I won’t be allowed to. I’ve tried to have my own horse before, hard to control something that can get away from you,” you tell him blankly. There’s no emotion in your voice because it’s something you’re used to. 

He looks slightly horrified at how blunt you are. He can’t comprehend not having that freedom but he fails to recognize that he’s got a leash of his own. You doubt a man like Dutch would ever let his main asset just run off to wherever he wants to. 

A few people walk into the saloon, the women giving you odd looks when they see the pants on your legs. You smile cheekily at them, reveling in what you know will be a short-lived experience. You’ve never been on the receiving end of a judgmental look like that. 

You’ve always blended in. Been the perfect wallflower for the men in your life. You were never something to gawk at or cause trouble. It’s a relief to stick out for once, to break the mould for the first time in your life. 

Arthur clocks the interaction and chuckles. “Missin’ the skirts yet?”

“Not one damn bit,” you tell him, smiling as you take a sip of your coffee. “I’m going to miss being able to run around without having to lug an extra four pounds of fabric behind me.” 

“Ya know, you could just wear some pants, you’ve got a choice.”

You grin patronizingly at him, propping your head on your chin and watching him finish the rest of his breakfast. “You don’t know city men very well, do you?”

“Glad for it,” he grumbles, distaste clear in his tone.

A laugh breaks through your chest, the first real one in a while. “I’m going to be marrying one, Arthur. I won’t have a choice in much of anything anymore.” You can tell he wants to object, tell you there’s always a choice. 

He’ll never truly understand what’s going to happen to you, though. You’re no longer human once you’re married. You’re cattle and property, meant to be bred and shown off. You accepted your fate a long while ago. And after you’re failed escape attempt, you’ve realized this is what you were always meant to be. There’s no point in fighting fate. 

“Don’t apologize or argue,” you tell him, no spite or bitterness in your tone, just the honest truth. “I don’t mind anymore, really. What place is there for me in this world, anyway? I can’t exactly take care of myself.”

“You did a damn good job yesterday,” he snaps back quickly. He doesn’t seem too keen on the way you’re talking about yourself. But you’re not lying. Yesterday was a wake-up call. If you let yourself get screwed over by a hillbilly that quickly then how were you ever going to make it on your own? In your defense, you were raised to be dependent, you never had a chance. 

“Sure, but that was a one-off incident. I’m not going to run again, Arthur. There’s no point. And there’s no point in fighting against the way things are, they’re never going to change for me.” You take in a deep breath, the easy mood ruined by your sincerity. 

“I’m just gonna wait by the horses.”

You slide out of the booth, leaving Arthur to stare pensively at his plate. You’ve nearly slipped through the door when Arthur calls out, “You should name her.” You pause at the doorway, glancing back at him. He’s settling the bill at the front and you walk back out to the horses. 

The mare picks her head up as you walk towards her, ears perked and tail flicking. “Hey, girl,” you run a hand over her muzzle, admiring the sleek silver of her coat. “I guess I should name you.”

You run a hand over her mane and swing yourself onto the saddle. “How ‘bout Bullet, it’s how I got you, anyway.” A dark joke, but it eases the macabre feeling hanging around you. 

Arthur walks out of the saloon, tucking his money away into his bag. He lifts himself onto Diablo, glancing over at you with a knowing glint. 

“Name her?”

You resent how smug he sounds. “Bullet,” you answer reluctantly. 

“Bullet?” He questions, tone incredulous. 

You grin at him, “It’s how I got her.” There’s a slightly stunned expression on his face before it slacks away into something more amused. 

He shakes his head and nudges Diablo forward, Bullet follows alongside him eagerly. “Clever,” he mutters.

“Not really,” you snort, running a hand over her neck lovingly. “But I think it works for her.”

“Your husband’s gonna have his hands full with you,” you know he means it in jest. The lightness of the conversation turns into something heavier. Realization sinks over both of you and the smiles slowly drop away. “I-”

“How much further to Strawberry, anyway?” You effectively cut off whatever train of thought he was going to follow, distracting you both from the truth. 

“Half a day,” he tells you, frowning when you refuse to meet his eye again. Half a day. That’s all you’ve got to enjoy the last bits of freedom you have. You’re gonna take your damn time getting there, that’s for sure. 

You slow down from the steady trot Arthur had led the horses into, easing Bullet into a slow walk. You’re slowly getting the hang of riding a horse. It’s easy when she’s so intuitive. By god, though, your ass is sore. 

Arthur shoots you a questioning glance at the slow pace and you shrug. “Might as well take the time I’ve got left.”

“You’re actin’ like you’re on death row,” he chuckles. 

“Aren’t I?” He falls silent and you don’t know what’s bothering him but you don’t have the energy to inquire. 

He’s slowing you down on purpose, he knows it and you know it. Neither of you says a damn thing about it but it’s bugging him. He shouldn’t be this bothered by a job. He knows how to separate himself from what he does. He just can’t this time. 

There’s something about you that glows. You’re sitting beside him on the peak of a hill, overlooking the roads below you, and laughing as you make up stories for the people that pass by. It’s a far cry from the beaten-down woman he’d seen at Crane’s house. 

Even after what happened yesterday, you somehow manage to seem happier. There’s nothing about it that makes him happy. This feels like the last goodbye of someone who knows they’re going soon. The last bout of happiness before they just give in. 

You’re not gaining your spark back, you’re just giving in to what you think is inevitable. But it doesn’t have to be inevitable. You could fight back you just refuse to. He’s sure growing up the way you have, you don’t think it's possible to stand up for yourself. 

But you don’t have to give in like this. You don’t have to roll over and let someone else dictate your life. Which is rich, coming from him. He’s practically Dutch’s lap dog now. Even when he disagrees he still follows along behind him. 

He shouldn’t even be thinking like this. He can’t criticize you for not standing up for yourself when he’s the one thing standing between you and freedom. “Not hungry?” You nod towards the uneaten meat on his knife. 

He shakes his head, plucking it off the blade and passing it to you. You give him an odd look before popping it in your mouth. “Ya know,” you mutter around a full mouth. You take a moment to swallow it down before smiling over at him. “I’ve grown up with private chefs my whole life, but there’s is something infinitely more satisfying about this.”

He takes his hat off, running a hand through his hair. He snorts at your comment, “I find that hard to believe.”

“No,” you shake your head, insistent, “I mean it. Being out here, hunting the game myself, I don’t know, it’s nice.” You shrug and lean back on your hands, gazing across the way at the trees and river. 

“You can always get a bow and go hunting.” He speaks to you like it's a cut-and-dry truth that you’re just not accepting. Your face screws up and you give him an annoyed glare. 

“No. I can’t,” you tell him again. Where your words were patient before, he can tell you’re growing irritated at how much he’s pushing this.

“Yes, you can,” he snaps. “You don’t have to keep yourself boxed up in some manor in the city. Get out, woman, do something with your life!” His voice echoes through the air and you flinch back from it, lips pulling down into a sneer. 

“You know, that’s really easy for you to say, Arthur. You have a goddamn choice. Sure, I grew up with a silver spoon in my mouth, little miss rich girl crying about being pampered.”

He lets out a rough sigh, “That’s not what I meant-”

You cut him off, getting to your feet and glaring down at him. “You got to grow up with a choice. What to do with your body, your life, your career. You get to have an education if you want it. Every goddamn door is open to you. You don’t get hated for not wanting to have a family. You get to choose. And as much as you insist I can too, you will never understand the position I am in.”

You kick dirt over the fire and head back towards Bullet. “It’s a double-edged sword, Arthur. Sure, my life might be comfortable, but it’s never really gonna be my life.” He stays there on the ground, too stunned to get up. 

You glare down at him, impatiently waiting for him to get a move on. This isn’t how he wants things to end. He doesn’t want you to go off thinking he’s just some ignorant fool. But he is, much as he denies it, he’s always been a fool. 

He should never have thought he could make a difference in your life. Not when he’s the one backing you into this corner. He could have helped you escape the very first night he saw you. But he was too selfish to let you go, now you’re both paying for it. 

He mounts Diablo and you both head back to the roads silently. You’re moving faster now, leaving him behind if he lingers in one area for too long. You’re too pissed off to enjoy the rest of your day and he hates that he ruined it for you. You, at the very least, deserved a slower journey towards your future. 

You’re in Strawberry before he’s ready, he’s sure you aren’t. “Hey, we could-”

“I think that’s him.” You cut him off before he says something stupid like spend another night in town before you go. He’ll miss you, he thinks. Odd, he’s known you such a short time but it’s been so different having someone beside him as he rides. It was nice, what he wished he and Mary could have had. 

Arthur follows your gaze and lets out a tired sigh. Sure enough, some prim and proper ass is standing in front of the ticket station, foot tapping impatiently. He’s got a large bag beside him, gaze wandering around expectantly. He doesn’t doubt the man who looks like he’s got a five-foot stick up his ass is Mr. Crane’s associate. He’s got the same slimy glint.

You slide off Bullet and Arthur follows suit, taking the reigns of both horses and leading them towards the platform. The man’s eyes narrow in on you before lighting up. He calls out your name and it’s like a mask being dropped over your face. 

The spark is gone once more, a subdued and demure smile resting on your face as you wave at him. “I apologize for my dress,” you tell him as you walk up the steps. “Pants were more conducive to such a long ride.”

He takes your hand, pressing a lingering kiss to your knuckles that makes Arthur roll his eyes. “No apologies necessary, I brought you a change of clothes. I figured you would be less than put together after such a journey. I’m only sorry I couldn’t accompany you.”

You scoff and nod along, “Okay,” you mutter, not believing a word of his bullshit. You take the bag from him and move towards the saloon to find a room to change in. They both watch you leave, though the other man with a much more devious glint in his eye. 

Arthur’s hands tighten on the reigns of the horses, anything to keep him from reaching for his revolver. He’s already getting a bad feeling about this. There’s nothing trustworthy about the man in front of him. 

“Mr. Finch,” he holds out his hand and Arthur gives it a distrusting look before reluctantly shaking. Finch attempts to squeeze the life out of his hand but Arthur can barely feel it. He tightens his own grip and revels in the way Finch’s face blanches. 

“Arthur Morgan.”

Mr. Finch looks him up and down in the same way Crane had. He sees a commodity, not a person. “I trust,” he drawls, “nothing unsavory happened.”

Arthur feels rage bubbling in his gut. The only damn thing he cares about is whether or not you’re “pure.” Not if you were okay or injured during the journey. If he told him that he’d punched you out for talking back Finch would just ask if you were bruised. 

“She’s fine,” Arthur grits out. 

“Oh, good, good. Glad everything went smoothly.” Finch has a way of talking he’s found most self-important men do. He draws everything he says out, and forces you to listen to him speak. Makes you pay attention so he can pretend he has power for a moment. 

His gaze darts behind Arthur and he turns just in time to see you slipping out of the saloon. The dress Finch has provided you is ridiculously large. It poofs out at the waist in a way that makes Arthur wonder how you’re going to fit into your seat. 

You look beyond uncomfortable. Grimacing as you join them again. You try and plaster a smile on but it’s a struggle. You look to Arthur, a finality on your face that makes him want to throw you over his shoulder and run. He’s doing this for the others, he reminds himself. They’ll be on a boat to Tahiti in a week. 

“Thank you, Mr. Morgan, for everything.” The smile you leave him with is real, if just barely. Something lurks under your words that Mr. Finch will never understand and Arthur knows it will drive him crazy. 

“Let’s go,” Finch grabs your hand, looping it through his arm and tugging you towards the doors of the station. 

“Wait!” Arthur calls out, feeling foolish when you both look back at him with perplexed expressions. “You’ll be wanting Bullet, won’t you?”

Mr. Finch answers for you with a condescending tone, “She won’t be needing a horse, thank you.” You give him a knowing smile, turning away and slipping through the doors of the station and onto the train. 

Arthur stays rooted where he is, something crawling up in his chest and rooting around restlessly. The whistle blows and the wheels start cranking slowly forward. Arthur just barely catches a glimpse of you through a window as the train chugs past. 

“Shit!” He hisses. He tugs himself up onto Diablo’s saddle and urges him after the train. He was born a fool, he’s always going to be a damn fool. But he’d have to be a complete moron to just let you go. 

Mr. Finch keeps a painfully tight grip on your elbow, jerking you through the passenger cars and practically throwing you into your seat. You land with a thud, your arm bouncing against the window painfully. You keep a stoic expression, trying not to let him break you so soon. 

He takes a seat beside you, straightening out his jacket and tugging on his tie. Something white flashes in his jacket pocket and you lean forward, perplexed when you realize what it is. “What is that?” You question, not quite believing your eyes. Finch glances down at the thick wad of cash in his jacket and grins. 

“Oh, this? Mr. Morgan must have forgotten to collect the rest of his payment.” He sends you a condescending smile and you flinch away in disgust. “He was too enamored with my fiancee to pay much attention, I’m afraid.”

“That’s his money,” you snap, the volume of your voice catching the attention of a few other passengers. Finch sends them apologetic smiles, making you seem like a mad woman. “He earned that!” You object, eyeing the money warily. 

His hand snakes out, gripping you tightly around the arm and dragging you towards him until your noses are nearly touching. You nearly gag at the smell of his cigar-infused breath. It’s not like when Arthur would smoke one, you didn’t mind that. But this was making you sick to your stomach. 

“Let's get a few things clear, I will not be dealing with an obstinate wife. You can either get yourself in order or I’ll do it for you.”

Your lips pull back in disgust and you jerk yourself out of his grip. He’s not as strong as he pretends to be and you’re not going to be scared into submission again. “I’m not your wife yet. My father still has time to pay.”

He laughs at you, spittle flying from your lips and sprinkling across your cheeks. “He has time to pay, but that doesn’t mean he’ll be getting you back, sweetheart.” Your eyes widen with the realization and you want to throw yourself off the side of the train. 

You never had any chance to get out of this situation. Mr. Crane was always in control of it all. To even think of having a hope of getting back home was foolish. To believe for a second that you were going to escape this had been utter idiocy. 

He sees the crestfallen expression and sinks into his seat with a satisfactory look on his face. He thinks you to be subdued. But now you’re nothing more than a cornered animal with no other choice of escape. You’ve got nothing left for you, nothing to hold onto. 

As much as you’d thought you’d bonded with Arthur, you were still nothing more than a job to him. You were nothing more than a commodity to be traded between men. You would never have a say over your life. 

You have nothing, you doubt you ever actually had anything left for you. You glance over at the man beside you and feel a cool dread blanket itself over you. Nothing left to lose. 

There’s a solid weight tucked into the bodice of your dress. Its cool metal has been warmed by your skin. Its handle curves around your ribs and it only has one bullet left. You reach down the front of your dress, fingers curling around the revolver you’d stolen from a dead man. 

Finch glowers at your inappropriate behavior “What are-” You pull the gun out, turning it on him. He jumps back in shock and throws his hands in the air on instinct. “Please-” you revel in his pathetic pleading only for a moment. Pulling the trigger a second time is surprisingly easy. The screams that ring out through the train car are less enjoyable. “Shit!” He cusses, hands coming up to try and staunch the flow of blood pouring from his stomach. 

You slip your hand into his blazer, stealing the money before he can object. You run out of the passenger car, leaping to the flat car with all the cargo. It will take a few minutes for them to catch onto what happened and figure out where you went. 

You don’t know what you’re going to do now. You’re stuck on a moving train, there’s nowhere for you to hide. You hadn’t thought when you’d shot him, you just wanted that smug look on his face to disappear. 

“Where is she?” You hear the guards shouting out your name, flipping over crates to find you. They’re still at the front of the train, but you don’t have long until they start moving back here. 

God, what have you done?

You just know, if you made it to that train station, you were never going to make it out. His men would be waiting there to transport you. You’d be watched every second of your life, you can’t do it again. You can’t be locked in a gilded cage, that’s not a life worth living. 

There’s no escape for you. Nowhere left to run, nowhere to hide. You glance over the left side of the train. There’s a slight dip into a deep ravine. The crashing water looks almost peaceful from up here. 

You don’t know if it would be a quick death but you know it would be merciful compared to what’s waiting for you at your last stop. You keep your eyes on the water, see yourself taking control of your life for the first time, and take a step up on the rail. 

Someone shouts your name from the right side of the train and you gasp, arms circling wildly as you almost go toppling over the edge. They shout your name again, panic laced in the tone. This doesn’t sound like Finch or any of the other guards. You whip around and find Arthur riding his horse beside the train. 

“What the hell are you doing, woman?” 

Your brows furrow in confusion and your eyes dart between him and the ravine. “Jumping! What the hell are you doing?”

His gaze narrows and he shouts to be heard over the rumble of the train tracks. “Stopping you from being a goddamn fool. Get over here!” You hear the guards getting closer as they storm down the rest of the train. 

You don’t have long to make a decision, you can already see his horse struggling to keep up with the speed of the train. There’s a bridge coming up in a moment, he won’t be able to go any further and they won’t be able to come after you. 

It’s a split-second decision, one that has you pushing off the railing of the car and rushing towards him. You don’t have time to doubt yourself or plan this out further, you take a running leap off the train, towards his outstretched arms. 

He barely catches you in time, jerking on the reigns of the horse and bringing him to a sudden stop before all three of you go tumbling into the water. Shots fire off on the train, but they’re gone before they can do any real damage. 

Your chest heaves as you dangle from his arms, fingers digging into his shirt desperately. Your heart is pounding so hard against your chest that you almost can’t hear what he’s saying, but you get the gist of it. 

“The hell were you thinking? Trying to jump off the damn train! You’re a fool, woman.” He tugs you onto the saddle the rest of the way. As much as he tries to sound angry you can feel his relief in the way he squeezes you close to him. 

“Thank you,” you whisper, head sinking into his neck and breathing in the familiar scent. 

He sighs, struggling between yelling at you more and just enjoying the fact that he got to you before you did something neither of you could recover from. “You’re welcome, just,” he pauses, holding you a little closer, “don’t be so damn stupid again.”

You laugh and it’s a little wet as tears start to pool in your eyes. “I’m not planning on it.” You sit up, easing away from him and glancing over your shoulder. You watch as the train grows smaller until you can only see a plume of smoke and nothing more. “What the hell are we going to do?”

He sighs and turns the horse around. You maneuver yourself around, facing forward and pushing back against him.  “I don’t know. Dutch ain’t gonna be happy about you comin’ back with me.” 

You bite your lip, a hundred different possibilities swirling through your head. You’ve never been able to make a choice before, faced with it, you’re overwhelmed with options. You can’t pick one so you blurt out the first coherent thought you have. 

“What if we don’t go back?”

Arthur stills behind you, “What?” His tone is low and filled with something you know means he’s ready to say no. 

“Just for a little while,” you rush the words out quickly, trying to fight for a chance to get him to listen. “We can send this to the camp,” you tug out the wad of cash you’d stolen from Finch and Arthur barks out a laugh. You feel his chest tremble behind you and it makes you grin. 

“Did you steal his money?”

“Your money, technically,” you correct, grinning over your shoulder at him. “Besides, he doesn’t need it anymore.” He gives you a concerned look but you just wave him off. “We can send the camp some money and go off on our own for a while.”

“I don’t know, kid.”

“Don’t call me that,” you interrupt, glaring at him. “It’ll only be for a little while, Arthur. Come on, I’m free for the first time in my life, enjoy it with me.”

He looks uncertain and you know it’s an odd notion to him, putting himself first instead of the camp or Dutch. You’re sure he’s never done it before. Breaking away from them instead of going about like the loyal soldier he is. 

“Just a little while?”

You nod, turning just enough to tuck the money in his pocket. “Just a little while,” you swear.

“John Marston!” You frown, turning away from the oven and glancing out the window. Arthur’s grinning by the gates of the horse pen, leaping over the wood, and walking out to greet someone. You abandon the stew, heading towards the door of your home. 

Outside are two horses, one with a woman and her son, and an abandoned one. The owner is currently bringing Arthur into a brief embrace, John, you presume. Arthur’s told you about him a bit. They weren’t always close but it was getting better before Arthur went away. 

Sometimes you feel bad, having dragged him away from everything he was familiar with. You meant it when you said you only wanted to be gone for a little while. You knew if you went back immediately there would be hell to pay with Dutch and you’d both be put to work. 

You’d be going from one owner to another. All you’d wanted was a few weeks on the road on your own. But a few weeks turned into six months and then a year, and it was Arthur telling you he couldn’t go back. He couldn’t stand what the gang was turning into. What Dutch was turning into. All you’d given him was an excuse to finally get out before it all blew up.

You walk down the steps of the home Arthur built, wiping your hands off on your apron. You give a brief wave to the woman you assume is Abigail. She waves back, slipping off the horse and helping Jack down. 

Arthur pulls away from John, turning towards you and motioning you forward. John gives you an apprehensive look. “Do I know you?”

Arthur gives him your name, throwing an arm over your shoulder and pulling you in closer. “That job Dutch got from Crane.” John’s face lights up with recognition and he smirks. 

“I see,” he shakes his head and gives Arthur a knowing look. “It’s always a woman with you, isn’t it?” You snort at how aggrieved Arthur looks. “Well,” John turns towards you and smiles, “nice to finally meet the woman that got him under control.”

“Nice to meet you too,” you smile lightly at him, pulling away from Arthur. “Are you going to be joining us for dinner?”

“No, he’s not,” Arthur answers at the same time John says, “I would love to.”

Arthur and John share a look you can’t understand. You glance past John and wave Abigail forward, “Come in, please. I’d enjoy the company.”

“Forgive my obstinate husband, he tends to linger where he ain’t wanted.” She brushes past him and you lead her inside your home. Leaving Arthur and John to bicker outside. Jack stays outside, smiling up at Arthur. You know he’s missed the boy, you’re sure he’s okay entertaining them for one night. 

Abigail helps you set the table while Arthur and John catch up over a bottle of whiskey. Arthur tried to pull out a cigar but you’d shut that down quick. He’d had a cough a little while ago and the doctor advised cutting down on tobacco if he wanted it to go away. You know it’s hard but you’re cracking down on how much he smokes. 

“We got the money you sent,” John’s telling Arthur as they come over to join you all at the table. Jack eagerly hops into the seat beside Arthur before you can snag it and you grin. “Dutch blew it all and wouldn’t tell us on what. He kept saying we still needed another score.”

John shakes his head and the distant look in his eyes makes your stomach churn. “You’re a lucky bastard you got out when you did, Arthur, truly.”

“Hosea?” Arthur questions and you grimace at the look on John’s face. You can see Arthur deflate as John shakes his head. 

“There was a bank robbery, Molly told the Pinkertons we were going to be there, he didn’t make it.”

Arthur’s hand clenches around the fork and you wish you could say something that would make him realize it’s not his fault. “I should have been there,” he mutters. 

“Wouldn’t have done anything, man. Hosea had given up in the end. We all had. It was so damn divided, the family was gone.”

“Still.” Arthur insists, glaring down at his plate like it had offended him. 

“No,” to your surprise it’s Abigail that snaps. “Dutch was gone and that bastard Micah just kept pushing him over the edge. The only thing you would have done is get yourself killed. You’re damn lucky Arthur Morgan.”

You’re sure he’ll still blame himself later. Reason a hundred times over that had he been there something would have been different. Even if it was him on the other end of the gun he’d be happier knowing someone else hadn’t died when it could have been him. You couldn’t stand that these self-sacrificing ideals Dutch had drilled into him were still present. 

But you know Abigail and John help ease the guilt slightly. It’s on Arthur to let it go entirely, though you doubt that will happen anytime soon. John picks up on the change in mood, he’s reluctant to let the night sour so soon. 

He turns towards you with a look that makes you feel like you need to prepare for trouble. “So you did all that to escape getting married. And then you marry this moron?” He motions towards Arthur and you can’t help but laugh. 

“John!” Abigail snaps but he only smiles at her. You can see the way she fights the twitch of her lips and it makes you smile in turn. 

You correct him, “We’re not technically married-”

“Might as well be,” Arthur argues, glaring at John. You reach across the table, taking his hand in yours and gently squeezing. You can’t help but laugh at him. 

“Yeah, we might as well be,” you agree. “But it was never about not wanting to be a wife. I just wanted to have a damn choice. That’s what I got out here. I can hunt or cook. Sew or go out and make some money. And it’s a lot nicer being a wife out in the country than it is in the city, I’ll tell you that much.”

“Here’s hoping,” Abigail mutters. She glances towards Arthur, “That’s why we’re out here. We got word from a few people that you might be lurking around here. John’s thinking of getting a house, really settling down.”

Arthur sighs, leaning back in his chair and glaring at John. “That’s why you’re here? You want a handout,” he accuses. 

“No!” John snaps. “Dammit, Arthur, why you always gotta assume the worst of me?”

“Because it’s usually true,” Arthur mutters. “If that’s not what you want then what is it?”

John purses his lips and lets out a spluttering breath. “A loan,” he lands on, struggling to find the right word. 

Arthur barks out a laugh, slapping his hand on the table and poking a knowing finger into John’s chest. “I knew it!”

John swats his hand away and glares. “Look, Morgan, I only need a little. Just to buy some animals, get started on the house.”

“What’d ya want Marston, my whole damn house?”

Abigail lands a gentle hand on your arm and nods to the porch. “They’ll be at it for a while.” You nod and leave the table, following her to the swing out back. She settles down on it with a sigh, gazing out at the trees that line your home. 

“You’ve got a nice life out here.”

You smile fondly, “I like to think so. We’re thinking about getting a few cows, maybe starting a proper ranch.”

Her face lights up at the idea and she laughs. “That’s what John wants. It’s unbelievable how similar they are, they’re too thick-headed to see it.”

You can still vaguely hear them bickering inside the house. You peer inside and see Jack sitting at the table, watching them both with an entranced expression. You can’t help but grin at the look on Arthur’s face. He’s laying into John but he looks happier than you’ve seen him in a while. 

You know he’s missing everybody, has been for a long time. Maybe if Abigail and John are close by he’ll have that sense of familiarity again. “The others,” you start, turning back to Abigail. “Charles and Sadie, what happened to everyone else?”

“A few of them are living good lives, some of them aren’t. Most of them are drifting, not ready to give up the outlaw life just yet.”

“It’s hard to watch the world change while you’re still stuck in the same spot.” You brush some hair out of your eyes and smile at Abigail. “Me and Arthur are gonna help you and John. But I’d like it if you were both close by. It would be nice to have someone familiar near us, we’re pretty lonely up here.”

She gives you a brief smile back, “I think that would be nice.”

John’s voice picks up from inside and you jump, “Oh that’s a load of bull-”

Abigail’s smile drops and she leans over your shoulder to shout, “Watch it!” at John. You laugh when you see the perturbed look on his face. She motions towards his son and Arthur gives John a smug look. 

“You gonna help him?” You ask Arthur as you settle into bed later. He opens his arms, pulling you into his embrace once you’re settled under the covers. 

“John?” You nod, brushing a strand of hair out of his eyes. “Yeah, ‘course I’m gonna help him. But there’s nothing wrong with jerking him around a little bit first.”

You roll your eyes and shake your head, tucking yourself under his chin. You almost think he’s asleep but then he’s speaking up again. “We should really do it.”

You pull back, brows furrowed in confusion. “Do what?”

There’s a certain look in his eyes that causes something to swirl in your stomach. It’s not an unpleasant feeling, just an excited one, “Get married.”

You give him a bewildered look, shaking your head in disbelief. Nearly five years you’ve both been living out here and he’s never once mentioned getting married. You never thought you two actually needed it. You always knew what you were to each other, how much you meant to one another. 

You were each other’s salvation. There’s no telling what graves you would be laying in were it not for Dutch bringing you both together. You hadn’t thought he wanted to be married, he always told you he’d given those dreams up. “You really mean that?”

He shrugs like it’s the easiest decision in the world. “Might as well, right?” 

You shake your head, but there’s no fighting the way your lips curl up. “You’re a fool, Arthur Morgan.”

He nods, dipping his head down to press a gentle kiss on your temple. He treats you so gently, it makes you want to cry. But then he goes and says something ridiculous like, “Yeah, a fool for you,” and he makes you laugh. 

You tug him down, lips nearly touching his. “Yes,” you whisper, “I’ll marry you.” You were always scared of living a life like this. Being tied to one man for the rest of your time on earth. But he’s not some city man looking to make you into a pet. He lets you live, breathe, and be free. He’s a partner not a warden and that’s all you’ve ever wanted. 

end. — I do not own the characters or the game Red Dead Redemption 1/2, but this writing is my own all rights reserved © not-neverland06 2024. do not copy, repost, translate & recommend elsewhere.

[dragonfly0808]

So my Batfamily brain rot is back (not that it ever really left) and I just had a thought like…

If you’re a henchman/criminal in Gotham, seeing your life flash past your eyes is gonna be a somewhat regular occurance but… what if like… the thing that truly made a henchman’s heart fall to his ass was when they hit Robin just a little too hard and this 10 year old kid just starts crying and goes ‘Daaaaaadddd!’

That’s the moment when they truly think they’re going to die because said dad, the kid is calling for is a 6’6 demon from hell who’s all muscle and shadows and vengance and a lot of Gotham still thinks he’s a cryptid

The henchmen all drop their guns and try to calm the kid down but it’s over in 5 seconds flat. Batman breaks several bones before speaking to Robin in the softest voice they’ve ever heard him use and the criminal world, who was already a bit hesitant to fight a kid have even more reason to take it just a little easy on Robin.

And like, I can picture different reactions with every Robin.

Like, for Dick, he’s ten and we all know he was the most violent Robin second only to Damian so maybe when he’s ten or eleven and has calmed down a little, a henchback who still remembers what a little shit he used to be decides to get back at Robin, slips on a pair of brass knuckles and BAM

And then, little Dick just stares for a moment in shock, cheek already starting to bruise, the criminals he’d been fighting all stay still because it was a nasty punch and then…

“Daaaaad!!!” He cries out in a whiny voice that reminds them that Robin really is just a kid and it all clicks into place.

Even Bruce wasn’t expecting that, Dick has just started calling him dad and he still isn’t used to being called that so to hear his kid calling for him in the moment where he is startled and hurt and a little scared… the henchmen don’t even have time to react and they wake up in the hospital with concussions and maybe a few broken bones.

It doesn’t take Dick long to calm down, it was mostly that the hit from a random henchmen really startled him and got him right in the cheekbone. But Bruce still finishes patrol early and Dick still hides under Bruce’s cape all the way to the Batmobile.

Then comes Jason and Jason was such a sweet kid, I headcannon he was the one that called Bruce dad the most often while being Robin. So one night during patrol maybe he finds himself fighting Penguin or Two-Face and it’s been a long night and he has an exam the following day and Bruce is fighting another villain at the other side of the warehouse

The point is, the henchmen and Two-Face start landing hits on eleven year old Jason in his gut and at some point he loses sight of Batman fighting on the other side of the room. Jason gets scared because he’s never really fought without Batman and while he knows that Bruce is still in the warehouse, he can’t see him and the handle of a gun hits the back of his ankle and he falls and he sees Two-Face or Penguin or one of the henchmen getting ready to grab the front of his uniform and beat him up and…

“Daaaaddd!”

The criminals freeze for a moment. They’ve heard the stories of what happened the last time a Robin called scared for dad.

They’re fucked.

They all drop their guns and try to get Jason to calm down, but he’s crying just a little bit and calls again, his voice breaking and despite having been at the other side of the warehouse just a second ago, Bruce somehow drops from the ceiling and it’s over before the criminals can keep pleading with Robin to calm down.

Jason tries to apologize for ‘acting like a baby’ but Bruce is having none of it and carries him back to the Batmobile and Jason is happy to just hide his face in Bruce’s cape because he knows his dad will always be there to save him.

Then comes Tim.

And Tim gets found out while doing reconnisance and somehow he finds himself face to face with Bane who manages to wrench away his bo staff and Tim is just eleven and he is scared because Bane doesn’t look like he’s going to hold back

All Tim knows is that the crack he hears must surely be his ribs either cracking or breaking and he can’t breath and he can only muster enough air for a single word… and he calls for his dad through tears and fear

And at this point… at this point Batman has already lost a Robin, Tim may not be his legally but he is his son just as much as Jason was

Bane spends a month in the ICU

Tim is embarrased that he reacted like that. He thinks it makes him less of a Robin to called scared for Batman… for dad.

So Bruce tells him of the other two times it happened. It’s one of the first times he’s spoken about Jason to Tim so bluntly.

Then comes Stephanie.

Stephanie never calls Bruce dad when she’s Robin. She’s not his daughter and he’s not her dad. They’re not sure what exactly they are to one another.

As far as Bruce knows, Stephanie’s version of Robin never called out to him when she was scared.

What he doesn’t know is that it did happen. Just once

It was the last time she was Robin. When Black Mask had her and she thought she was going to die

At some point while bleeding and feeling nauseous and so scared she could barely hear anything that wasn’t her own heart beating wildly against her chest… she called for dad. Not for Arthur Brown, but for Bruce

Black Mask laughed at her

Stephanie never tells Bruce

And finally… Damian

Now, we know Damian would probably never be startled enough to call for Bruce out of instinct, so I can see 2 scenarios in which this could happen.

First, he sees another kid do it. He sees a kid close to his own age laughing and playing, then tripping and staying quiet for a split second before crying out for mom and dad and he just… assumes that’s something kids do when scared and hurt and startled and does it mostly in an attempt to be a little more ‘normal’

Or, my favorite scenario… he hears of the other times it has happened. He overhears maybe Dick remind Jason of what Bruce did when Jason called out to dad as Robin. Tim maybe jokes that a Robin calling for dad is still the villains’ greatest fear

So Damian stores that knowledge away as a battle strategy just in case he ever needs it… and maybe a small part of him wants to put it to the test, to see if his father would protect him as brutally as he’s protected the Robins before him

So some random night during patrol, he’s up against several henchmen, a few of them grab him from behind, trying to hold him down. Damian is fighting against them when one of them swings a cylinder of metal that Damian thinks might’ve been meant for the plumbing and…

The henchman breaks Damian’s nose, there’s blood dripping down his chin and staining his uniform

Now… it is most certainly not the first time he’s broken something, he’s more than used to the pain, in fact, he barely feels it. However, it gives him a chance to put his little theory to the test

And so Damian allows himself to sound like the ten year old that he is and in a whiny, teary voice, goes… “Babaaaaa!” (Bonus points if it’s the first or second time he’s called Bruce baba instead of father)

What Damian didn’t take into account though, is that Batman and Robin aren’t the only ones on patrol that night. They made a big bust. The biggest part of the operation was over but they were still fighting a few stragglers. The whole fucking family is here.

And they all hear his cry.

Damian doesn’t think he’s ever seen a fight end so quickly. The henchmen only have a split-second of surprise before vanishing, being tackled or shot or having knives buried on their shoulders by his siblings.

The one that actually broke Damian’s nose is being beaten up by Nightwing, Damian doesn’t think he’s ever seen Grayson so angry.

A shadow kneels in front of him, father. Baba. He’s checking Damian and Todd is right at his side, both speaking in hushed tones, checking his injuries and wiping the tears that usually came with a broken nose.

And now… Damian is used to his father and Grayson treating him like a child, trying to be as soft as they can with him. Even Cain does it to some extent.

But… having Drake wrap an arm around him, calling him baby when knocking out one of the criminals that had hurt him ‘that’s my fucking baby brother!’ and continue to hold him later into the night on the couch, having Brown willingly give up all the snacks she keeps in her utility belt and promise to take him to Batburger the following day for milkshakes because he was ‘a champ’. And Thomas wraps his favorite blanket around Damian while they’re fixing him up.

Todd decides to stay the night at the manor. Which he never does. They all decide to spend the night at the manor when Damian still sniffles on the Batmobile and they have breakfast all of them together. Which Damian isn’t sure has ever happened before and Cain gets Alfred to make pancakes with chocolate chips instead of blueberries.

They call him baby in hushed whispers but for once, it doesn’t bother him even though it really should

But most of all, Bruce refuses to let him go for a good five minutes after he first cries for him. Smoothing down his hair and whispering that it’ll be okay and just being soft in a way Damian has never seen before.

He sleeps between his Baba and Grayson and he knows that Todd and Drake and Cain check in on them at least twice in the night for some reason.

And he realizes it’s… it’s nice. Maybe this really could be an effective battle strategy to be employed again someday.

[sandraharissa]

s2 intro was so fire. and I thought like s1 it showed/hinted at the things that would happen during this season. but most stuff didn't happen or it didn't live up to the imagery used in the intro

Vi smudging the VI tattoo. it implies that she would struggle with her identity and the name connected with it and the legacy connected with it, like Jinx did in s1. maybe this could even be her going so far as to reject the name itself, like denying that she's The Vi to keep a low profile. like how Jinx would insist that she's not Powder in s1. but none of that ever happened. Vi never struggles with 'being Vi' or what it means to her or with being Vander's prodigy even tho he's brought back from the dead.

this shot implying that this was gonna be a story about the sisters, but also that Jinx is Vi's burden or her shadow or a demon on her shoulder. but to explore Vi's feelings on her sister and what she's become they'd have to try to explore Vi at all

this shot which implies to me 'Jinx being Jinx' cos it's a callback to when she does the finger gun in s1, but even more so to when she does it as a kid in the Enemy MV. in the scene she, when she still went by Powder, aims a finger gun at enforcers and as she pretend fires at them it flashes to Jinx standing there. so a 'Jinx was always Jinx' message. but it also alludes to her having a target like the firelight in s1 or the enforcers in the MV, who she always hated.

the two times we see Ekko he reverses time, which ig he technically does but the meat of his story is him going to a parallel universe, not going back in time. idk ig I thought that time travel would be more relevant to Ekko's story than parallel universe travel. in the end time travel is only meaningfully used for the timebomb angst scene even tho it's not really necessary there. ig I thought the powers would be more relevant to Ekko's whole character and arc. in an Ekko lol short he reverses time to defeat the bad guy and when he finally succeeds it's at the cost of the destruction of the mural for dead kids, and so he goes back in time again. that's more meaningful than anything they did with firelights in s2 (and arguably more meaningful than the timebomb scene). why did they drop the sick tree plotline? the firelights? his past with Jinx? his involvement in the revolution? the past vs present and saving the things we love? I swear they were teasing me with an epic time travel episode but delivered a parallel universe (derogatory) episode.

this type of shots made me think that Cait would actually struggle internally to an extreme degree with her actions and how the power corrupts her etc. that she'd become horrified of what she's become. and how she'd hate and struggle with maintaining her appearances to the public.

the first shot made it seem like, just like Cait, Jayce would struggle with public attention and maybe scrutiny, considering he was the head of the council in s1. but then the first thing he does this season is resign and that's that for him being a public persona and struggling with his reputation even tho s1 and his lol lore focus on that. like that stuff's so juicy don't get rid of that.

the second shot hints to me at him discovering smth grand/important connected to the arcane, which ig kinda happened but what it ended up being is that Jayce got transported to a bad universe and learned that arcane bad. meanwhile this shot evokes to me smth more awe-inspiring, idk like smth mystical and magical, arcane, you could say. with white bright light often being used in media to communicate divinity. wild runes mumbo jumbo and Jayce being transported to a bad arcane universe seem so pedestrian compared to like, heavenly lights ig.

both concepts for Jayce's story that were introduced in the intro and the eps delivered on neither.

I don't remember the french revolution ending with the ppl teaming up with the royalty. I also don't get the impression that there are any french revolution stories out there with the hero thinking the revolution is an irritating nuisance. this parallel is so extremely unwarranted and borderline offensive.

Viktor did turn out to be evil and he did get a cult as this shot implied but the mask obvs references his lol mech suit that he never gets. there was no reason for him to be designed the way he was, as an arcane deity with specifically a mask, outside of for the purpose of having the faintest similarity to his lol design. the mask, the cult, all that third arm imagery in s1? it all references his lol lore, for nothing, cos they took his character in a drastically different direction. talk about blue balls. and same thing with the light as with Jayce, the light coming from the mask implies Revelations connected to the mask but also loss of identity/being consumed by it. maybe a glorious evolution? idk it again just feels like someone knew what the fans wanted but it wasn't the writers. but someone still put all this in the intro. teasing a better story that we'll never get to see.

there's also all the Black Rose imagery that seemed important even tho they weren't in the end. it being connected to Mel (politician) and Ambessa (politician/warrior) made me think that they would focus on the Black Rose being a political organization that wants smth connected to Piltover and the PnZ conflict, with all the imagery of holding the rose/squishing the rose/being the rose/picking up the rose alluding to the political scheming between Ambessa/Mel/the Black Rose. but they went the route of out of nowhere making Mel magic. imagine if in a random ep of s1 they made Silco magic.

why? why why why why why?

the intro did more for all the character arcs than the episodes themselves

[teapartyprincess4two]

Y/n and Matt get closer when it's just them 2 in the house, and i was thinking Fluff and Smut like a lot of Smut. Maybe Matt is a virgin but Y/n aint so she teaches him???

End of the World- M. Sturniolo

pairing: fem!reader x Matt

classification: Zombie Apocalypse AU, smut, fluff, angst/sad (kinda? Idk it’s a mix of everything)

inspiration: request^^

warnings: 18+, MDNI, set in modern day, use of y/n, literal sex, slight cursing, zombies & general apocalypse stuff (death, lnives, guns, killing, blood, hunger, dehydration, etc.), kinda long

summary: No one deserves to die a virgin, not even at the end of the world.

—

If anyone would’ve told you two years ago that you’d be huddled around the hood of a car, staring down at a worn out map, covered in blood, you would’ve called them crazy.

Two years ago your life was convenient. Now? Now life was simple, all you had to do was survive. All the things you wished would disappear; homework, bills, work, none of them mattered anymore. But they were easily replaced with an even greater burden, a zombie apocalypse and the end of the world.

Two years ago you wouldn’t have had even a spec of dirt under your fingernails, yet here you stand covered in blood that isn’t yours, weeks worth of dirt and grime, and sweat dripping down your forehead. Your hair is pulled back into a ponytail, exposing your shoulders to the harsh Texas heat and further working towards dehydrating you.

Two years ago you wouldn’t so much as hurt a fly. Now you wouldn’t think twice before pulling the trigger if it meant you had a chance at survival.

Two years ago you didn’t have to worry about where your next meal was coming from or if your bedroom was secure enough to sleep in. But the world has changed and so have you.

It’s been months since anyone in your group has had a good nights rest or a warm meal. All you’ve done is run from anything that threatens to harm you. Although you’ve all managed to set up a temporary moderately safe camp within the woods, it’s been difficult to stretch resources that are already scarce.

Food, water, clothing. These are all things that you wish you didn’t need. Why? Because leaving camp to retrieve them is dangerous. But, it’s been 2 days since your last run, and canned goods can only last so long, especially when there’s mouths to feed.

Chris uses his knife to point to an unmarked location on the map, “Nick and I will head south. I saw an old water tower in that direction when we passed through, maybe there’s a town nearby.” He uses the back of his arm to wipe the sweat from his forehead before returning it back to the map, tracing the blade up a road.

“Matt and Y/n, you two try looking in this area. We haven’t checked there yet and if we’re lucky it hasn’t been completely ransacked. You might find something…” Chris pauses, taking a look at the group of people not far behind. They’re chatting, all of them wearing exhausted expression and filthy clothes. “…something to get the group through the next couple of days. We can’t stay here anymore, place is crawling with infected.”

Chris became the leader of your group easily. He had a great way of talking to people, of showing them that even though the world was ending, the glass was still half full.

“You want us to split up?” Nick whisper shouts, a clear alarm evident in his tone. “Remember what happened last time? We lost a third of the group!” Nick flails his arms in desperation, almost like he’s willing Chris to realize the stupidity of his actions.

Nick was reasonable and smart, but too kind for his own good. If he wanted to, he could’ve become the leader of your group and done just as good of a job as Chris, but Nick was too empathic to take on that responsibility. He felt the needs of the group and often was led more by emotion than by reason or logic.

“You think I don’t know that?!” Chris bites back.

You stand next to Matt, watching the argument unfold. This was typical for Nick and Chris, but it stressed you out every time.

“If we had more people, we wouldn’t have to split up. But we’re low on supplies and can’t wait around for food to magically appear,” Chris says.

“If we hadn’t split up the first time, we’d have more people,” Nick snarks, storming away. Chris groans, running his hand through his hair. This was much more responsibility than he could handle, but as the youngest, strongest members of your group it was up to you all to pull the heaviest weight.

“We’ll be fine. Y/n and I are always careful,” Matt finally chimes in, placing a firm hand on Chris’s shoulder to ease any tension. “Besides, that part of town is pretty deep into the woods. I doubt any infected will be lurking and if they are, Y/n’s good with a gun and I’m fast.”

“I’m fast too,” you chuckle, knowing that Matt is trying to make light of a dark situation.

“True. I just gotta be faster,” he replies, sending you a cheeky wink. You laugh, earning a small round of laughter from Chris and Matt in return.

Chris visibly relaxes, grateful that at least one of his brothers isn’t giving him a hard time. But truth be told, Matt didn’t agree with Chris’s plan, he was just smart enough to keep it to himself. He knew that doubt created fear, and once fear infected you, you were as good as dead.

That’s what Matt was good at, being quiet. It came in handy on runs like this, especially because he was so quick on his feet. It’s your favorite characteristic of his, he’s a good listener, he’s observant, and you know that you’ll be safe as long as Matt is with you.

“Alright. Let’s head out, we’re gonna lose the light,” Chris instructs, jogging in the opposite direction of the camp to begin loading up a few trucks with guns and ammo.

“You two can take the car.”

Matt mulls the idea over. A car would be faster, but definitely much louder. Noise attracts anything looking for its next meal, especially the infected, and with only you to cover him he’s not sure he’s willing to take that risk.

“Nah. We’re walking. The town’s not too far, we’ll make it back by tomorrow morning the latest,” Matt replies, tossing a rifle in your direction. You’re quick to catch it and just as quick to respond, “Are you sure? A car would get us there and back before dinner.”

He understands your concern, but he can’t risk losing you, not after all the losses he’s already suffered. “Just trust me,” he murmurs, the look in his eyes being enough to calm your nerves.

“Whatever you have to do, Matt. Just come back,” Chris says, slamming the trunk shut.

—

Leaves and dry grass crunch under your feet with every step. It’s late summer and the Texas heat has managed to kill everything left alive that wasn’t infected.

You’ve been walking for two hours, only running into a few infected on the way, managing to take them out with nothing but your blade. Matt hates using guns, in fact you’ve only seen him use them on very rare and necessary occasions. You never understood his apprehension, I mean it’s the end of the world for Christ’s sake, but you’ve never questioned him.

“Heads up,” Matt whispers, nodding his head in the direction of a gas station.

You follow his gaze. It seemed like an easy place to loot. Apart from the few rotted corpses that roamed the exterior, only parked cars litter the parking lot, most of them still connected to the gas pumps.

“We’ll go in through the back. There’s got to be dry storage there,” Matt says, crouching and leading you towards the back of the building. You hum in response, readying yourself with your weapon and following closely behind.

Your scent must carry because as soon as you’re within 10 feet of the infected, their attention is drawn to you. Their arms are limp at their sides and their walk is more of a stagger, but it always manages to get your blood pumping.

“Hurry!” Matt whisper shouts, reaching behind him for your hand. Soon he’s pulling you into the building, shutting it securely behind you and bringing his pointer finger up to his lips to instruct you to keep quiet.

“I’ll go left. You go right,” you mouth, beginning to walk the aisles of the store while ensuring to keep your back to the wall. Matt nods, perusing the aisles as best he can while his life is in immediate danger.

Infected bite and claw at the glass windows, snarling as they watch you and Matt like prey. Sometimes you wondered what their life was like before they were bit, but the second one is close enough to harm you, all sympathy leaves and you don’t think twice before unloading the clip.

When you’re sure the building is secure you put your knife away and grab a shopping basket, securing it in the pit of your elbow as you load it with as many supplies as you can. Chips, jerky, candy, canned food, oil, rags, water, any and everything you two can carry is being thrown into these baskets.

“How are gonna get all of this back?” You ask Matt, noticing the even greater pile he’s accumulated. He scratches his head, taking a look around for something that’ll help lighten the load.

From the corner of his eye he spots a few duffel bags. Matt grabs a few and motions for you to begin packing them with as much as possible. “If they get too heavy I’ll carry them.”

“Bet you wish we had a car now,” you chuckle, neatly organizing the duffel bags.

“Not when those things are staring back at me,” Matt says, shuddering as he looks behind his shoulder to see the group of infected that have pooled at the entrance of the building.

—

You’re carrying two duffel bags full of supplies, one weighing on either one of your shoulders. Matt’s holding three, two rest on his shoulders and he’s carrying the other in his hand. He holds the straps so tight that his knuckles have managed to turn white.

The both of you are exhausted from the strength you’re using to carry this supplies back to your camp, from the long trek up-hill, and the energy you exerted to take out at least a dozen infected.

You stumble on a rock, the weight on your shoulders making it difficult for you to fix your footing. “Hey, you okay?” Matt asks, examining you with his eyes.

“I’m fine. Just tired,” you wheeze, hunching over and supporting yourself with your hands on your knees.

Matt’s tired too, of course he is, but it’s not like you two can set up camp in the middle of nowhere while surrounded by infected. He remembers seeing a few houses further up the road, it’s not a long walk and if you can make it, you’ll be able to rest there until morning.

“C’mon I think I saw a neighborhood, just push through a little longer. We’ll rest there for tonight and pick back up in the morning, okay?”

He waits for you to catch your breath, rubbing your back and comforting you, but never once letting his guard down in case something gets a jump on him.

You take a deep breath, straightening up and adjusting the duffel bag’s straps on your shoulders.

“Okay.”

—

The walk to the neighborhood was much longer than you thought, and you were starting to wonder if you were lost.

“Are you sure this is the right way?”

Matt looks at you from behind his shoulder, subtly rolling his eyes before averting his gaze forward again. “You wanna lead the way, princess?”

The nickname makes you chuckle, mostly because you knew Matt used it when his mood was starting to sour and that only ever happened when he was hungry or tired. By the looks of it, he was starting to become both.

A small town comes into view just as you’re about to reply. It looks like you’ve stumbled across the Main Street, and as packed as it is with abandoned businesses and stores, a residential home is nowhere to be seen. “Didn’t I tell you I saw a town,” Matt snarks, a hint of sass laced in his tone.

You hum. “No. You said you saw a neighborhood. There isn’t a house anywhere to be seen. We might as well season ourselves for the damn infected to eat.”

A twig snaps in the distance. Your voices, although relatively quiet, have already worked towards alerting the undead of your presence.

“Shut up,” Matt grits, pulling you close to his body. You know better than to argue, instead pressing your back against his and unsheathing your knife.

Snarling and growling echoes through the town, bouncing off the buildings and making it difficult for you to pinpoint exactly what direction they’re coming from. That doesn’t stop Matt though, instead he uses the hand that isn’t holding a knife to grab your arm.

“Stay close,” he mouths, so inaudible that you almost don’t catch it. You nod your head, taking a fleeting look at your surroundings before following Matt through a back alley between a cafe and a gym (or what used to be a cafe and a gym).

The alley is a dead end, fenced off at the end with nothing but hungry zombies reaching through the metal rods in attempt to grab you. The old you would’ve screamed and cried for help, but you’ve learned to suppress your fear in order to survive.

You take a firm hold of your knife, stabbing it into the head of as many infected as you can. Quiet grunts emit from you and Matt as you clear the path, watching undead body after body hit the ground. For a second you feel sad, but only for a second. You don’t have time for trivial things such as emotions anymore, especially not when a trail of flesh eating monsters follows closely behind.

“Through here. C’mon,” Matt ushers, opening a door that leads into a gym. Although it’s safer than being stranded outside, the brick walls can only protect you for so long. You do a quick sweep of the room, looking for anything useful while also ensuring there aren’t any hidden surprises.

Once you’re sure it’s safe, you motion for Matt to follow you with a head tilt. He locks the door behind him, barricading it with an old elliptical before following you into the next room.

You enter a changing room, lined with showers and lockers that were sure to have at least one fresh pair of clothes. You set the heavy bags you’ve been carrying down, sighing with relief as you stretch your shoulders. Matt does the same, joining you in rummaging through the lockers for a new, clean shirt.

A lot of the clothes is tucked away in backpacks, most of it being unflattering male clothing, but you weren’t big on fashion nowadays. “Here. Found this for you,” Matt says, tossing a white tank top your way. You hold it up in the light, “Cute. Thanks.”

You’re about to change your shirt, without any real warning for Matt, so he quickly looks away and fixes his gaze on the shower heads and tiled walls. His hands fiddled with an unopened bar of soap he found in one of the lockers. Matt doesn’t know why he grabbed it, it’s not like he had access to running water, but a man could dream.

“I wonder if the showers work,” he thinks out loud.

You stand behind him, wearing only your bra and underwear as you wonder the same thing. God knows you could both use a shower right now. “Hmm,” you hum, tilting your head in wonder.

“Only one way to find out,” you shrug, pushing past Matt and sauntering over to the knob. You twist it quickly, patiently waiting for even a single drop of water.

Nothing, just groaning pipes and a slap in the face for naivety.

“Guess they don’t,” you say, standing under the shower head and looking at Matt with a sad smile. He chuckles, and just as he’s about to give up too, hot water spurts out abruptly, hitting the back of your head and running down your spine.

“Holy shit that’s hot!” You gasp. In all the excitement, Matt forgets how inappropriate it would be to join you in the shower under regular circumstances, and throws his clothes off. You’ve somehow already managed to remove your remaining clothing and have started scrubbing at your skin with your bare hands, letting the water run down your face.

“Matt! Hurry before it runs out!” You say, waving your hand behind you blindly. He doesn’t skip a beat, joining you under the shower head and letting it relax his sore, aching muscles. The water draws an audible groan from his lips, bringing you back to reality. You were naked and taking a shower with Matt, someone who was a stranger to you before the end of the world.

Suddenly, he remembers the bar of soap still in his hands and he accidentally takes in your naked figure as he opens it. His dick immediately rises, a clear indicator that he’s enjoying the view.

“Turn around,” he instructs, running the soap under the water and lathering his hands up. You do as your told, immediately feeling his fingers tangle themselves in your hair as he massages your scalp. It wasn’t necessarily an in depth hair wash routine, but it would suffice for now.

Soon, you’re turning around and rinsing the soap from your hair before reaching for the bar and instructing Matt to do the same.

“Here lemme get you now.” You shuffle behind him, tip toeing to reach better. Although it was odd and unexpected, you were glad to be sharing this moment with Matt.

The rest of the shower is silent as you and Matt bask in the warm water that runs down your bruised and battered bodies. You try keeping your limbs to yourselves, save for the brief moments Matt’s erect member brushes against your thigh or butt, but it’s hard when there’s only one shower head. You want to say something, mostly because you’ve had a crush on Matt from the moment you met him and his group, but you don’t. This isn’t about pleasure, not in this world at least. It’s about survival and the second you forget that, you get hurt.

“Haven’t felt that clean in years,” Matt chuckles, shoving a shirt over his head. The shower seems to have brought his spirits up, providing both of you with a new surge of energy. Little things like running water meant so much more now, especially when you’re trudging through highly forested areas and fighting for you life on the daily.

As you’re about to reply, a loud bang echoes through the locker room, followed by the sound of shuffling in your direction. You’re putting your pants on, buckling them quickly as you try to keep quiet. Your eyes are wide in fear and anticipation, watching Matt for a signal on what to do next.

He doesn’t say anything, instead grabbing the duffel bags from before and darting his eyes towards the exit. Your gun, which you hadn’t used at all today, rests in your hand. Matt holds his as well. He’s on guard, raising the weapon close to his face as he inspects the area.

You follow behind him trying to keep as quiet as possible, fully expecting him to shoot whatever lurks behind the wall. But, as you near the exit, you see it.

Tense shoulders relax, lowering your weapon and sheathing it back into your belt. A squirrel sits on the cement floor, grooming itself and chittering away. You want to approach it, maybe even pet it, but Matt stops you with a hand to your chest.

Unlike you, he’d inspected the entirety of the situation and didn’t let himself become distracted by the first cute animal that crossed his path. After recognizing that it was a squirrel, he wondered what could’ve lead it into the building in the first place, causing him to check the window it entered through. A reanimated corpse stood right outside the window, dragging its feet as it paced back and forth in search of the fluffy animal.

“Let’s go. We’re done here,” Matt ordered, pulling you back towards the exit. And just like that, you were off to find somewhere to sleep, leaving the fluffy animal to fend for itself.

“Bye little guy.”

—

“Forgot how quiet and boring the world is,” you huff, slumping down onto the worn out mattress. Whatever energy the shower provided you was now long gone. You and Matt walked for another hour before finding the initial neighborhood you were searching for. And, after that, you spent another hour finding the perfect house and clearing all its rooms.

“Quiet’s nice,” Matt replies with a soft groan, joining you on the mattress. It sinks with his weight, the coils creaking as he becomes comfortable.

“You’re just saying that cause you want me to shut up so you can fall asleep.” You kick your shoes off and unbuckle your belt, letting it fall to floor with a soft thud. A smile tugs at Matt’s lips. “Right now yes. But in general, quiet’s good. Means we’re safe,” he replies, toeing his own shoes off.

Matt shuts his eyes, fluffing the pillow under his head and willing himself to finally get a full nights rest. This house is safe. He secured all the rooms, barricaded the doors, and his weapon is on standby. He can finally rest and relax. But, of course, your mind begins to wander and when your mind wanders, your words follow. “Guess you’re right… But quiet also means you’re not learning anything about the people you care about.”

A deep breath causes Matt’s chest to rise and fall. He doesn’t understand why you’re trying to be all philosophical at the end of the world. Nonetheless, he responds, “I know you, Y/n. I know you’re strong, I know you’re a kind person, and I know you have my back. I also know you’re annoying, but I trust you and I learned all that from watching. Sometimes you just have to watch people. In quiet. Can we sleep now?” He turns onto his side facing away from you in hopes that you’ll drop the topic and fall asleep.

You stare at his back. “Those are all things you learned about me now. I was nothing like this back then.”

Matt takes another deep breath. It’s obvious you’re in the mood to talk, maybe because you finally feel safe enough to keep your voice anything above a whisper, so he decides just to give in and turn your monologue into actual dialogue.

“Back then?” He asks. Matt shuffles on the mattress, now staring at the ceiling as your eyes remain on him. “Yeah, before everything went to shit. Before the end of the stupid fucking world when the little things used to matter. You know, like first kisses and picking the perfect outfit for a date with a cute guy.”

Matt picks at his fingernails, listening to every word that escapes your lips. When you put it that way, he really didn’t know anything about you. “Okay, so tell me about yourself then. Pretend like we’re not in a strangers house, in a strangers room, on a strangers bed, and tell me all about Y/n… Before the ‘end of the stupid fucking world.’”

You chuckle, preparing yourself for the vulnerability you’re about to put on full display, but now that he’s put you on the spot it’s much harder than you thought.

“Okay so… you already know my name. Hmm. My favorite color is pink?”

Matt scoffs. “That’s the real you? C’mon, you can’t go on this whole tangent about how you were different before and then say THAT.”

“Fine fine.” You think for a second. “I was a waitress at a hotel bar. Mixing drinks was easy, the customers were nice, my coworkers made the job tolerable. Mostly only worked weekends because I was at school during the week… I went to UCLA. Go Bruins!,” you let out a breathy laugh, “My siblings were going to visit me that weekend, the weekend it all happened. They had planned the trip for a long time and finally were gonna make the drive.”

Your mind goes to a dark place, the only thing anchoring you being the hand that Matt places on yours. You clear your throat before continuing, “I had a small off campus apartment. Cleared the living room out and everything for them. Even deep cleaned.” Matt squeezes your hand.

“College was fun while it lasted. My parents worked really hard to send me off. They threw me a going away party and everything, even dressed up my dog as the school mascot,” a small pause as you recollect your thoughts, “I had a puppy named Pig. Well he wasn’t a puppy, more like an old fart, but the name suited him. Named him after my favorite animal and because he had the pinkest nose when he first adopted him.”

You feel yourself becoming increasingly sad as you reminisce on what once was. “You know what? Maybe quiet is nice,” you laugh solemnly, wiping the tears that are rolling down your face.

Matt offers you a warm smile, thinking of something, anything, to get you to smile again. But he can’t help it, he’s curious, and since you’re already on the topic he wants to pry further into your personal life. “What were you going to school for?”

“Engineering. I’m shit with numbers, but I was pretty undecided so my parents just chose for me. Brandon would help me a lot. He was really smart… really sweet… But enough about me, tell me about you. Who was Matt before all this?”

Matt ignores your question, instead posing one of his own. “Who’s Brandon? Was he your boyfriend?” He cringes slightly, both at his boldness and at his lack of awareness of your vulernable, emotional state, but his curiosity keeps getting the best of him.

You snort. “Brandon? God no. He was my best friend, sure, but I was definitely not his type. Plus, I never had time for anything serious. I made time for the fun stuff, but never the commitment.” Matt couldn’t hide the relief on his face even he tried. A relationship status meant nothing during a zombie apocalypse, yet he found himself relieved to know that your heart didn’t belong to another.

“I’m sure you had girls swarming you,” you continue jokingly, poking Matt’s sides with a teasing edge. He makes a noise, something between a groan and chuckle as he runs his hands down his face.

“I take that as a yes?”

He hums, remembering the short lived internet fame he shared with his triplet brothers before shit hit the fan. “Some would say that. If you consider subscribers and followers as swarming girls.”

You visibly cringe, “Oh God. Were you one of those thirst trappers? Bet you went to influencer parties and vlogged your morning routine.” Matt laughs loudly, a genuine laugh, one of the few you’ve heard from him since you met.

“Rent was due, okay?” He replies between laughter. Soon you’re both laughing, bodies clumsily bumping as you clutch your stomach and wipe away tears. Your bodies are impossibly close, closer than they should be on a queen sized mattress, and you only notice it once your laughter dies down.

Your eyes have locked with his and your noses even manage to graze. Neither of you make an effort to look away or even to apologize for invading the other’s space. Instead, you do the unthinkable, the one thing you didn’t allow yourself to even think about doing even when he was naked in front of you earlier. You kiss him. You lean forward and close the gap, moulding your lips onto his.

Matt doesn’t hesitate to reciprocate the kiss. His hands find a comfortable resting place on your upper thigh and lower back, using the little energy left in his body to pull you closer. One of your hands lays on his chest while the other gently weaves its way through his hair.

The kiss is sweet and innocent, and it could’ve been over by now, but because you’re both so touch starved you separate for air and dive right back in. You moan against his lips, caressing the side of his face your thumb before moving so you’re cradling his waist. Subconsciously, as if on instinct, you grind down onto him, wanting to feel and explore him further.

Matt wants to go further, and he knows you know it too, especially with the display he put on earlier in the shower, but he’s a virgin who’s afraid to disappoint. So, he pulls away from the kiss and holds your hips in place with strong hands.

“I— Give me a second,” he murmurs, squeezing his eyes shut and gulping so hard his adam’s apple bobs up and down. Matt’s mind is racing, every possible outcome for this situation playing through his mind.

You sense his apprehension, plus it’s written all over his face. You never want to push his boundaries or make him uncomfortable. So, you do the only thing you can think to do. Quickly, you shuffle off of him and off the bed. “Sorry, I shouldn’t have done that. I just thought— today in the shower— I’ll sleep downstairs on the couch.”

You begin to gather your things, leaving Matt dumbstruck as he stares between you and his raging erection. If he didn’t speak up now, you were going to get the wrong idea and he’d miss his chance at a shot with you. Your face is red hot with embarrassment.

“Wait.” He reaches out and grabs your hand, gently pulling you back down onto the mattress.

Matt prepares himself for the vulnerability he’s about to display. He’s nervous, embarrassed, scared, and to top it off you’re the hottest girl he’s ever seen. And it’s not just because you’re the only one left either.

“I’m a virgin.”

Your eyes blow open in shock. “But earlier you said about the? I just thought?” He laughs at your inability to form a coherent sentence, but he gets the gist.

“It was hard to trust people when I was famous, especially girls. I never knew if they truly liked me or just wanted to have my name associated with them for the clout. But it’s different now, I know I can trust you. We took a shower together without making it weird after scavenging through old worn out clothes to find something slightly newer than what we had. You’re covered in the blood of monsters we killed to keep each other safe. You’re here with me when I have nothing permanent or safe to offer.” Matt pulls you back onto his lap, sitting up against the bed frame so your torsos are parallel.

“I should’ve said this a long time ago, but it’s hard to find the time when you’re fighting for your life on the daily… I care about you, Y/n. A lot. I’m not sure what to call it yet, but I care about you and I trust you. I trust you enough to do this.” You’re touched by his words, feeling their effect on your heartstrings and your throbbing core.

“I trust you too, Matt. So much more than you’ll ever know.” In that moment those words felt more real than an ‘i love you’ ever could. Matt leans forwards and kisses you, holding you by the neck. This kiss is different than the one from before, it’s needier and laced with lust.

His hands travel towards your tank top, tugging until he successfully untucks the fabric. You pull away from the kiss and lift your arms, allowing Matt to remove your shirt in one swift motion. The smile on his face as you slowly begin roaming your hands all over his body is genuine, filled with admiration, love and lust.

Your fingers beginning slipping his flannel over his shoulders, your mouth falling down to his broad shoulders to pepper kisses on the skin there. Soon, you’re both removing the rest of your clothes and Matt’s excitement has him flipping you over on the old, worn mattress. He gawks at the sight beneath him. You lay there completely exposed with only the soft moonlight that trickles in through the blinds to illuminate your body. Matt takes it all in, relishing in your beauty like it’s the last time, because in this world it very well might be.

A gentle hand trails from his stomach down to his penis, tracing the outside of his cock and watching intently at the way Matt’s eyes screw shut in concentration. It’s been so long since he’s touched himself and the sight of you alone is enough for him to combust, but he pulls himself together. You trace your thumb over the slit, coating his member with the natural lubrication that’s already spilling out before dragging his cock along your folds. Matt’s breath hitches at the new sensation, you already feel so warm and soft, he doesn’t know how he’s meant to last even one second once he’s actually inside you.

“We can stop if you want to.” Matt gulps, shaking his head feverishly. He doesn’t want this to stop, he’d never want this to stop, even if it hasn’t even really started yet. “No,” his voice is choked, “don’t stop.”

Your lip is caught between your teeth as you continue to guide the tip to your entrance, finally unwrapping your fingers from around him and instead wrapping your legs around his waist. Finally, Matt moves, sinking his cock into you slowly until he’s completely bottomed out. The initial feeling is euphoric, so euphoric in fact that his arms wobble as he tried to keep himself from collapsing on you. You love seeing him like this. A strong man who’d do anything to protect you, so weak and vulnerable from your touch.

His head finds the place where your neck and shoulder meet, forehead resting in the divot there as he slowly begins thrusting. Soft grunts and groans brush against your skin, sending shivers up your spine. Praises fall from your own lips as his tip continues to kiss your cervix, egging him further in helping you reach your climax. But tonight was about him, as long as the man on top of you convulsed with pleasure you’d be happy.

Matt’s hips snap against yours, picking up the pace as he chases his orgasm. It’s so close, right on the edge, and from the way he sounds and feels you’re close too. “Keep going, Matt. Don’t stop,” you moan, pulling him in closer with your legs around his waist. Matt whimpers your name, sucking and biting on the skin of your neck harder with each passing thrust.

“I’m gonna cum,” he grunts, words choppy and interrupted by pants and moans. All you can do is whimper in return, snaking a hand between your bodies to rub your clit. As soon as your fingers touch the sensitive bundle of nerves, your body goes into overdrive. Your legs are shaking, pussy fluttering around his cock as you grip his shoulders and moan his name. The feeling of your walls pushing and pulling around him, mixed with the way you chant his name, pushes Matt over the edge. His hips tremble slightly as he spills his load inside of you, his inexperience making it to where he’s unable to pull out before the wave of pleasure washed over his body.

Your bodies remain intertwined for a while, both of you trying to catch your breath. Matt reluctantly pulls out of you, relishing in the way your body chases after him. The mattress dips as he slumps into the spot next to you.

“Thank you.”

You turn to face Matt, a confused look on your face. You’re not sure where this will lead your relationship, but you never expected a thank you after sex, nor had you ever received one.

“Thank you?” You chuckle, curious to where the conversation was heading.

He hums. “Yeah, for not letting me die a virgin.” You can’t help the snort that follows.

“Well in that case, I guess you’re welcome. No one deserves to die a virgin, not even at the end of the world.”

Matt smiles again, a sight you’ll never grow tired of. He leans in for a kiss, pulling you close and keeping you there. The kiss is sloppy, mostly because you’re both exhausted from the days events, but neither of you dare pull away. You don’t know what tomorrow will bring or if there will even be a tomorrow, all you know is that this moment right here is real and you’d like to enjoy it for as long as possible.

“Get some rest, we have a long trip tomorrow.”

—

MASTERLIST

A/n:

Thank you so much for this request my sweet anon. I’m currently rewatching (binging) TWD and needed to get some zombie apocalypse type story out of my system, so I hope you don’t mind that I used that idea on your request. Also, I know you requested for the reader to teach Matt and I didn’t include really any of that here. I focused on the whole Virgin!Matt aspect of it all. Hope you all enjoy, sorry for not writing a lot recently :P I’m deep in the trenches of Daryl Dixon fanfiction right now so if u need me, that’s where you’ll find me (if u can’t already tell by my reblogs lolol)

ps, I didn’t go to UCLA so if that’s not the mascot don’t kill me. A quick google search told me that much

luv u all xxx

- L.A.M.B 💗👼🏻

—

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[jewelsli]

The Batkids all think that Bruce follows his no-kill-code extremely closely while Jason and like… most of them have broken it. Oh how wrong they are.

Especially before Dick was adopted the Bat regularly killed, he hades being judge jury and executioner but he sees the need to on many occasions. When Dick came along all bright and happy (and very very angry) he made up some baloney about not killing anyone so the kid wouldn’t off half of the Gotham rogues should he get the chance.

While none of the Batkids really know about this most of Gotham does, they just think that the civilians are mixing unsolved murderers(that are all a result of Bruce) and the Bats scariness and general antisocial tendencies up.

But Gotham is right, the Bat will kill those that he seems unredeemable, and while he doesn’t try to do it often, the numbers have gotten terrifying for the criminal world over time. When no colorful sidekicks are around the Bat hits harder and faster, and no matter what ANYONE says yes he CAN and WILL use a gun on you. People who traffick metas, children, and people in general find their leaders gone with not even a speck of blood on the scene(he doesn’t usually kill the workers unless they continue).

As for why he doesn’t kill the rogues? He’s TRIED many times to kill the worst of them, but somehow the joker just keeps coming back??? Besides he knows some of them aren’t all bad(Harley, ivy, and dent). The biggest factor though is that then his kids would know, and he wants to try and keep what little respect for him so they don’t go on a murder spree (again, yea Jason we are talking about you).

Bonus:

Bruce, on truth serum and not happy about it:

Jason, who want to mess with him: So B, tell me why I should be following your no-kill rule (they had already asked many more questions and he had never been given a straight answer to this before)

Bruce: I honestly don’t care if you do

Dick: Wait wha-

Bruce, continuing: You’ve proven that when you aren’t on a rampage you only kill when absolutely necessary, and I don’t see a problem with that.

Jason:… I guess that makes sense-

Bruce: Besides I’ve killed for less

Batfam:

Batfam:

Tim: Bruce what the fu-

[fixyourwritinghabits]

No Such Thing As Filler

Okay, so yes, this is another post based on something I saw that irritated me, but it seems like this idea keeps coming up, so I need y'all to internalize this. There is no such thing as filler in good writing. None. Do not approach your work thinking you have to fill space in a story, I will beat you with this wiffle bat. Don't ask me where I got the wiffle bat. Don't even worry about it.

The idea of filler comes from a very particular place - when an anime or TV show has to fit in a certain number of episodes, but doesn't have enough content (hasn't caught up with the manga, the source material isn't long enough, etc) to cover those episodes. An episode has to be written, but the characters can't really progress, and so are given something else to do. Many a trope has come from these episodes, and they're sometimes necessary. Filler in this context is something that makes sense.

The dark side of filler is the idea that you need some space between Big Event 1 and Big Event 2 in your story, therefore you need throw anything in there to take up space and make your word count. This is a mistake I've made and I've seen plenty of other writers do it too, but it's a huge waste of your time. You do need something between those big action scenes, but you should always be writing to accomplish something.

Instead of thinking of that writing as filler, try to approach it with three things in mind:

Move Forward With Character Development and Backstory - Your characters barely survived a huge gunfight, and they won't encounter the big bad again for another few chapters. How do your characters decompress from that gunfight, and what does that say about them? Did a cocky character go in guns blazing, only to be deeply shaken by how a real fight works? Did that fight spark a moment of deep trauma for the main character that they have to reflect on afterwards?

Filling this space with meaningless scenes is a huge waste of opportunity. Think about how to dive deeper into your characters.

Move Forward With Plot and Subplot Development - The bad guy beat the heroes to the stolen gem, but they left behind a clue to why they want it. However that clue could reveal some painful truths about the protagonist's beloved great aunt... Carmen Sandiego???

A major goal following a big action scene is having the characters figure out what to do with what they've learned and what to do next. It's where romance subplots or secret relative subplots make progress, when truths are revealed and next steps are taken. You can absolutely do this in any setting - a flirty conversation while at the battling cages, a tense moment of feelings while hunting down a wayward chicken - but your main goal is making progress for both the characters and plot.

Move Forward With Worldbuilding - Worldbuilding has it challenges, believe me. You don't want to write a chapter on how an airship works only to have to cut it later. But you should still try to flesh out your world, and you should do so with the perspective of how to use that worldbuilding to your benefit. Maybe a critical scene hinges on the main characters knowing how that airship works, or that lake your main character often stares at is the setting of the big Act 3 Boat Battle. The weather can play into both perspective and emotions. Knowing what the main character's house and car looks like can reflect a lot on their personal character or backstory.

When you're struggling with a scene or a chapter, rather than writing filler, take a few steps back and think. What can you establish with your worldbuilding? What can you reveal about your characters through their dialogue and actions? What subplot could you explore or add in these between moments?

Filler from a fandom perspective - Now let me make this clear - if you're writing a fanfic just to have a cute moment between the characters you like, or you really want to force everyone to do that weird Twilight baseball scene, that's fine. You don't need a grand goal to achieve for every story, there's no need to justify your fanwork in any way other than you wanted to do it.

But I'd also argue fanwork doesn't fall under the filler label either - something you create, be it a character snapshot or a 'what if the gang meets Slenderman' parody, isn't taking up meaningless space. It's something fun you did that you and others enjoy, and there's nothing wasteful or pointless about that.

[aceoflove]

Love Letters from Lemoore (Husband! Bob)

Word count: 732

Warnings: None

Pronouns used: She/her

I was bored and wrote this during a road trip :)

Everybody could see the smitten look on the shy WSO’s face as he reads a letter, about three pages long. As he leans against his hand against his cheek, he turns to the next page. Her writing was so familiar and even though they call last night, he always treasured her letters, the words making his heart flutter a little more.

He had to leave is darling wife and daughter behind 5 months ago, as he was called back to ‘Top Gun’ and his heart ached to see them again. But he must be strong, and do his job, as much as it hurts his heart. They try to call as often as they can, so he isn’t absent from their lives, but he always looked forward to her letters, sometimes they declare her love, and other times there is a drawing from his daughter.

Across the hanger, the others watched him, intrigued by the letter in his hand.

“He’s got heart eyes.” Hangman turns to his friend Javy with a chuckle.

“I know. Maybe it’s from his girlfriend?”

His co-pilot suggests as he sees the WSO chuckle. Hangman can’t help but tilt his head, grinning at ‘Baby on Board’, always looking for a new thing to tease him about.

“She must be like 100 years old if she’s still writing letters.”

A round of chuckles is heard in the group as Bob folds up the letter, putting it in the pocket over his heart as Mav enters, calling them to attention.

“How is Grandpa doing?”

He rolls his eyes. Ever since they saw him reading the letter from his wife, Hangman insists on calling him Grandpa, since clearly it must be an old lady writing to him. Phoenix promised him they would drop it after a week or two, but after a month of teasing, he was getting sick of it.

“Fine thanks.”

Hangman’s strong hand pats him on the back as he takes another swig from his beer, taking a seat next to him. It’s a typical Friday night at the ‘Hard Deck’, all the Navy pilots and WSOs alongside other people in the town all gathering around as the juke box plays old tunes, people dancing and drinking and having fun.

He really was trying to enjoy himself, but with his little girl’s 3rd birthday in a few days, and his leave being rejected, he can’t help but feel down. He had already called his wife, apologising about 1000 times as she kept insisting it was okay. But he heard her disappointment, the way she was saying it was okay.

It had been 6 months since he had been able to see them in person, and it would take a few more months until he got approval for them to move here with him.

A low whistle escapes the man next to him.

“Babe at 10 o’clock.” He points out to all the guys and to no surprise they looked.

“I bet I could get her number in 10 minutes.” “Yeah right Bagman!”

He rolls his eyes. As much as he enjoys seeing Hangman bomb with women at the bar, today he couldn’t even look in the direction of this woman, too distracted by his own.

“You sure Hangman? She has a kid with her.”

Phoenix walks behind them, leaning against the back of Jake’s chair. As he looks up at Hangman’s face, he could see the confidence slipping, but he tries to hide it with a smirk.

“I’m sure.”

“Good cause she’s coming over here.”

Bob finally turns his head to take a quick glance at Hangman’s next victim, but he stops, almost dropping his apple cider.

With out a thought he stands up, a stupid, dopey grin growing on his face as the little girl sees him first.

“Daddy!”

She points towards Bob and the woman holding her looks up, and the family wore matching grins.

“Huh. Bob?”

He starts pushing through his coworkers and getting to his girls.

“Hi Bobby.”

His wife’s coy grin told him all he needed before he leans in and presses a soft kiss against her forehead, then taking his daughter in his arms. The world around them was drowned out as they held each other, a smitten grin on Bobs face told Hangman all he needed. But that didn’t stop Phoenix and her sass.

“For 100, she is gorgeous.”

also happy birthday to sunny the bob floyd lover

[brucewaynehater101]

Just a warning, this au strays a bit close to NSFW territory in that it does talk about Sex Workers, but it does not mention or describe anything specific, mostly just discussing how they operate and some dangers they may face working in Gothem.

So, we all know that Tim would do a lot for the mission right? More than most people would. I mean, just look at Brucequest or the fact he came back after his 16th birthday or his first few months as Robin when he was basically Bruce's nanny. He also has many false life's he can slip into at the drop of a hat such as Alvin Draper or Caroline Hill. So why not add one more to those personas? A woman named Jane Doe, a sex worker who works just outside Crime Alley who everyone knows and knows everyone, but no one truly knows her nor have they ever seen her face, if she even is a woman as she uses all pronouns to get just a little more mystery added to them. Their outfit is constantly changing but also very specific, a short and highly attractive dress that doesn't look cheap and a full face mask in the style of Venetian Carnival Masks, Volto design specifically so that it covers his full face but shows striking blue eyes. Those he has colored contacts that he switches around constantly.

The reason that Tim does this is simple. Information. While Jason may be able to ask the sex workers under his protection questions, they wouldn't be as open with him as they would another sex worker. Tim can get information from them, the clients, the shop owners of the area, the homeless, anyone and everyone who is often on the street or connected to it that none of the other Bats would ever be able to get. And through his... services he gets a lot of information about up coming things thanks to a special discount everyone knows about. If you tell Jane a secret they don't already know, you get 10% off his services. Tell him 2 and you get 20%. So on and so forth, but it has to be things that Tim didn't already know and he's more than happy to hear about which rouges are hiring at the moment and when they stop hiring, after all, what easier way to predict when they are gunna do stuff than by when they get new henchmen?

A lot is known about Jane Doe, yet also nothing is known. Jane doesn't keep any of the money he makes, giving it to the other girls and often extra as well. No one knows where she keeps getting 100s of dollars to just *give* them but she does. Jane has three brothers, a sister, and a father but no mother. They don't know their names, simply knowing them as N, H, C, R, and B. Whoever they are, they're a well off family but they aren't good to Jane, bad enough that Jane feels safer on the corners of Gothem than the comfort of her home. They know from "funny" stories he tells about his family or via them asking about scars he forgets misses when he covers himself in makeup (there are so many, what have they done to you child?) And him always telling something close to the truth.

They know that N is his oldest brother and the only one who cared about him for a long time, who helped him and was the first person who ever made him feel truly happy. They also know that N took something very precious from Jane Doe without Jane's permission and shattered their trust in N. Tim never told them what was taken or that it was Robin, but in a profession like the one he shares with them, they all come to the same conclusion about what was taken and why Jane might seek comfort in this line of work.

They know that H is also his older brother and has hurt Jane often. They know that the slight scar on his neck he covers with a choker or makeup was made by H, as was the bullet scar in his leg. He laughed about that one, telling his friends how H had set down one of his guns after cleaning it, R picked it up and accidentally fired it, and it bounced twice before going clean through Tim's leg. He laughs about how mad H was at both of them and how he yelled at them to not tell B or else, using a mocking tone and laughter that only causes the others to glance at eachother in worry over their friend. Tim makes sure to reassure them that he got to the blood before it dried so it wasn't to hard to clean up. Tim may have read it as anger in Jason's voice when he said to not tell, but actually it was panic and worry about Tim's wound and how Bruce would react.

They don't know much about C, only that she managed to escape the hell hole known as Gothem and lives in another country. Sometimes she comes back for visits and Jane is always very excited when she does.

The other Sex Workers don't like R. They know that R has either threatened Jane with sharp objects or actually harmed her with them many times but has never gotten in trouble for it. Any time Tim has some left over injuries from patrol, he plays it off as either R or H getting agressive with him again and tries to calm them by saying, "oh come on. Both of them have only tried to *actually* kill me twice! It's fine guys, they won't seriously injure me." While having 5 stitches in his arm.

Jane doesn't talk about their Dad much, always getting quiet and looking away when he's brought up. They ask if B has ever hit him and Jane says, "he doesn't hit me anymore." And all of them want to kill him. They want to kill all of them (except maybe C) and bury their bodies where they'll never be found.

Of course, none of the Bats know about Tim's other nightly activities and where he gets his info from, simply shrugging and moving along. Tim is terrified of any of them accidentally finding out. But unfortunately that day could be coming soon as one of the workers goes to The Red Hood and grabs him by the jacket saying, "you're supposed to protect us right? That's what you promised us, isn't it? Saftey? Well one of the others, Jane, is in deep trouble. Their family is gunna *kill* them. Do whatever you need to do to keep Jane safe from those monsters, we'll tell you what we know, but stop them before she's just another dead body in Gothem Harbor. Do we need to pay you? We'll pay you however much it takes for you to make them pay."

This does remind me of a few fics that go over Tim's "Caroline" identity combined with the idea that Bruce was worse to Tim during his Robin years. Some fics do go into Tim having to go so far as actually having sex with people while some don't.

There are also a few fics of Tim going undercover in Crime Alley as a stripper, cocktail server, sex worker, or other when Red Hood finds out and loses his shit.

The idea of Tim using a fake identity to vent about his family issues is a really cool concept! It would allow him to see how the actions done against him were shit and not okay. He may have the mindset that his trauma is fine because it happened to him, but the separation of identities may help start that realization process. I'm also all here for the identity shenanigans of someone trying to save Jane from her family and accidentally going to one of the people who's hurt them. Lovely amounts of mixed emotions there.

This fic/AU would need to be careful to address both the trauma of Tim selling himself at such a young age as well as still treat sex workers with respect, individuality, and care. It would also be cool to see how the inner workings of the sex industry may be affected by Gotham (such as rogues, toxins, corruption, wealth disparity/poverty, etc).

But yeah! Lots to explore in this AU. I wonder if Tim, in this one, cares about pronouns or gender identity. Does he enjoy crossdressing, does he experiment with his gender identity, and does he make distinctions? I think it would be cool to indicate he's closer agender but is fine with whatever. I like to imagine, in this AU, that he simply doesn't care what gender identity he's perceived as unless that identity needs a specific gender.

Anyways, I am curious about how Red Hood reacts to his characterization by Jane. I wonder if she seems to be wary or distant from him before he finds out that's Tim. Hopefully, Jason tries not to take Jane's hesitance personally. Just because Red Hood is established as a protector doesn't mean that Jane would trust him. They may have their own reasons/experiences not to that has nothing to do with the anti-hero.

[absurdthirst]

Kinktober 2024: October 8th

Day 8: Flogging // Swallowing // Cock Warming

Javier Peña x F!Reader

Rating: Explicit

Word Count: 1k

Warnings: Need, aggressive kissing, undressing, vaginal penetration, cock warming, comfort, angst, solace

|| Kinktober List || MasterList ||

Click Keep Reading only if you have read the Rating and Warnings and understand the warnings may not be complete to avoid listing spoilers. As AO3 says 'creator chooses not to use warnings'. You also agree that you're the right age to be consuming anything here.

It’s not often that Javi doesn’t want to fuck away his frustrations or worries. To lose himself in the pure physicality of hammering into your body and pulling a satisfying orgasm from you before he cums. 

Sweaty and breathless, riding a high of endorphins and coming down from it while lazily blowing smoke up to the ceiling while smoking that post coitus cigarette. Pretending that none of the troubles from work can get to him here. 

This is saved for those days when he feels like he’s losing his soul. When he feels like his heart is about to crack open and bleed out. When he craves the closeness but he needs to just surround himself with you. 

You can always tell when he needs you. Javi comes through the door with either passion or need in his body as he finds you. Most of the time it’s a combination of both. Desperation in his kiss and his hands are almost shaking as he starts to pull your t-shirt out of your jeans. 

It’s late. He had called and said he didn’t know when he would be home, so you hadn’t really been expecting him. Not until he hit the door and you could barely see the horrors in his eyes before he swallowed you in a needy kiss. 

Javi talks with his body, it can sometimes be subtle, but often he is very straightforward with his needs. Now, he is dragging his jacket off, almost shuddering as he unclips the badge on his hip and tosses it down on the coffee table. The gun comes next, thumped down a little more delicately but then his hands are back on you again. Stripping your shirt off and swooping in for another kiss. 

He’s in too much of a hurry to even drag you into the bedroom, the sofa is as far as he can make it. Cursing as he peels your jeans down and dragging your panties down with them. His impatience makes you giggle slightly but you bite your lip, feeling the tension in his arms as you move to unbutton his shirt. 

It doesn’t take you long to get both of you stripped down and Javi is dragging you onto his lap, his fingers stroking your clit and you can hear the groan of approval when he finds you soaking wet. 

He’s adjusting your hips, pressing against your entrance and pulling you down on his length. Using his leverage to break you open on the thick, hot steel of his cock. Every quarter of an inch pulling a soft groan from you, kisses pressed to his lips. 

You let him move you like he needs, your arms wrapping around his shoulder and running up the back of his neck. That light touch is enough to make him shudder and close his eyes, leaning in and resting his head against your throat. 

This is when you know that it’s been an unusually hard day for Javi. That there’s been something that he’s seen or dealt with that is hard for him to process. He’s not taking it out on your body, railing into you until your entire body is aching and craving more. 

Instead, he’s just holding you close, breathing you in while your cunt is wrapped around his cock. Just holding him and pulsing when he twitches slightly. 

You don’t talk, you know that the words won’t help. Javier feels things deeply, holds them and buries them until they threaten to overwhelm him. Often to his own detriment when his judgment is clouded. So you don’t offer platitudes that will be brushed aside. 

The comfort of your body is what he needs. The slow, soft breathing as the two of you sit together. He feels like he is relaxed when he is buried to the hilt inside your body, cock protected by the walls of your sex and contact of skin to skin touch is soothing. 

Running your fingers through his hair, you let him hold you just as close as he needs to. There are times his arms tighten, feeling like he’s going to crush you. As if he is afraid that you will slip away if he lets you go. 

Javi sighs, unable or unwilling to do more than just sit right now. Closing his eyes and blocking out everything but the way he can feel your heart beating, the slow and steady pulse of it around his cock. Your body squeezing him tight ever so often, and the way you hold your hips, trying not to move. 

This is his solace, his peace. Everything that he has had happen to him is slowly starting to edge out of his mind. It won’t be forgotten, but it’s not a beat that is screaming in his head. It’s muted, as if had happened to someone else. His hands can’t shake when they are gripping your skin. Using you as an anchor so he doesn’t lose his mind. 

Despite there being no movement, Javi doesn’t get soft. He’s still hard and throbbing inside you. The subtle clenches of your cunt nearly have him panting and you aren’t doing anything more than just holding him. 

He feels like he can finally catch his breath, every inhale of air filled with you. Your sweet scent surrounding him and making him forget about the blood, the death. You replace that. The warmth of your body, the heat of your core wrapped around him pushes away the clammy cold hand of death. 

Minutes go by, but time is suspended right now. You don’t push him, kissing along his shoulder and your fingers move from his hair until you are caressing his back. You can feel the stress, the way his muscles are bunched up - slowly starting to unknot. 

Relaxing into your body and sighing again. His eyes are still closed, thankful that you aren’t demanding that he move. You never push him when he needs you like this. You let him bleed himself into you. You do more for him than you could ever imagine, simply by just sitting on his cock. 

[rakhalofthestars]

Trust Fall

Synopsis: Boothill loves eagles and wishes to mimic their courting ritual with you <3

Tags: Boothill x gn reader, Boothill's backstory mentioned, Pre-IPC boothill, Fluff, Humor, Light angst, Established relationship, courting rituals, Boothill is native american and latino a/n: This fic also has a bit more heavy usage of cowboy slang than all my other fics

Warnings: None !!

wc: 1 496

The people of Aeragan-Espharshel had many different beliefs, each one spread through word of mouth from parent to child. From the burning hot sun that gave life to the organisms on the planet to the tiny, hard-working ants. There were stories and legends behind each and every single thing, each having their own little tidbit of wisdom to learn from. Nothing was too small or too big for the people believed that we play our own part in the cycle of life, no matter our size or role. These beliefs reflected the tribe that inhabited the planet and the respect and love they held for the land.

Naturally, it’s no surprise that there would be stories and beliefs surrounding the eagle, which was seen as the mightiest of all birds. Its feathers symbolized that which is highest, bravest, strongest and holiest. Eagles were the symbol for a warrior.

It must be why you could find the bird all across Boothill’s person. The eagle feathers in his cowboy hat, which he had once fondly told you to have found one day with his siblings whilst running through the grassy fields. The small eagle on his left shoulder, attached to the burnt red sarape that he had managed to salvage from that fateful night. The small eagle insignia on his favorite 9mm gun, one that he had commissioned to be made from brass. The eagle on the back of his leather jacket which he had carefully painted using bleach, having even added a little cowboy hat to the bird to match him. You can easily remember how eager he had been to show you his more artistic skills, at least when it came to drawing eagles.

Boothill had always admired eagles. It was one of the few aspects of him that remained from who he was before the bombing. Before everything had quite literally turned into ashes.

Him and his fellow gunslinging friends of the past would often sit by a fire at night and yarn the hours away. Boothill would be lying on the soft grass, chewing on a piece of straw, his expression thoughtful for once as he’d stare up at the vast universe up above.

“Bee in yer bonnet, [REDACTED]?” One of them would always ask, having noticed the absence of his voice amongst the crude songs they’d have started singing by then.

“Jus’ thinkin’...”, would be his short reply, followed by one or two or the whole bunch prodding at him to spill the beans.

“Share yer wisdom, why dont’cha, O’ Great [REDACTED]”, they’d all tease and the young cowboy would laugh along good-naturedly.

“Was jus’ thinkin’ that I’d like to be one a’ them eagles up in the sky. Be as brave and courageous as them.”

“See, this is why I tell y’all to keep an eye on him. He’s an odd stick, ain’tcha [REDACTED]?”

But no matter how much his friends would tease him, Boothill’s admiration for eagles would never fade. He’d look to the great birds of the sky whenever he felt at sea. An age old habit that would stick until he fulfilled his role in the cycle of life. It’s what he did when the IPC had first arrived on his planet in their foreign and menacing spaceships, spouting off what he and countless others had thought to be taradiddles. It’s what he had done when trying his damndest to keep the corporation away from disrespecting the soil he had grown up on. It’s what Boothill does now when the weight of carrying out revenge gets too heavy for his shoulders, no matter whether they were flesh and bone or cold, hard metal.

Unsurprisingly, the man knew countless facts about these mighty birds. He had made sure to infodump about them when he took you bird-watching on planets that were similar to his home, thus housing the same or similar species of birds and the like. You were always curious and wishing to know more about your partner and his roots and who was he to deny you?

“See that one right there? That’s a bald eagle”, Boothill murmured softly one time against the shell of your ear once, pointing to the sky.

“How can you tell all the way from down here?” You asked, squinting into the binoculars that you were holding in your hands.

“Well, sugar, it’s because of that white noggin of theirs. No other eagle got that same appearance.”

“Did ya know that the eagle sound you hear in Penacony’s films ain’t actually the sound they make?”, Boothill would continue, ready to tell you the same little factoids and stories that his parents had told him.

You listened while watching the eagle. Well…you weren’t really focused on following the bird’s movements anymore. You were too focused on how the cowboy’s voice had softened its usual gruffness and laced with the aching feeling of nostalgia and homesickness.

During such moments, you usually rarely interrupted the man. It was clear as day to anyone with functioning eyes how much this meant for him.

However, your eyes caught a change in the eagle’s movements and you let out a surprised gasp when you see another bald eagle locking its talons with the one you had been following. To your horror, the birds had begun hurdling down towards the hard ground below, spinning in some form of cartwheel.

“Oh no! Are they fighting?”

Boothill looked questioningly at the sky, looking for what had caught your attention and chuckled fondly.

“Naw, don’t worry darlin’. That right there is what we call a death spiral. It’s like a courting ritual. Think of it as a type of trust fall.”

“What’s the point? Won’t they get hurt?”

*I just said it’s a trust fall, didn’t I?” An exasperated tone which quickly backtracked upon receiving a fierce glare from you.

“As I was sayin’... it’s a trust fall. That pair trusts each other to let go at the last second unless they wanna bite the dust….See?”

You had sighed with relief to see the bald eagles separating just before hitting the ground, quickly flying back up to the sky.

“Thank goodness… You still haven’t explained why they do it though?”

“It’s for courting each other. Eagles are one helluva adrenaline junkie. S’pose they want a partner who can give ‘em that rush.”

The two eagles interlocked their talons once more, spinning once more in the air as they fell. You watched in awe while Boothill watched you carefully, an idea taking root in his mind.

“Say…I reckon we should give it a shot too, sugar”, the man suggested and flashed you a toothy grin.

“Absolutely not. We’re not eagles, Boothill”, you refused almost immediately.

“Oh c’mon sugar, have some faith in yer man!”

The two of you went back and forth on the matter before eventually forgetting about it. At least, that was the case on your part. Boothill on the other hand…

–

“Your bounty is complete. How would you like to land?”

“...Good question.”

In truth, Boothill wasn’t too worried about the landing since he already could see you zooming towards him on an air-hover, ready to catch the cyborg. Oh, you were mad as a march hare alright.

“I’ve told you time and time again to have a better plan for these things!” You nag at him, your pretty face contorted with exasperation.

“Don’t get yer britches in a stir, sugar. I know what I’m doin’ “, Boothill drawls, looking too carefree for someone who was free falling through the air.

“You sure? ‘Cause it sure as hell doesn’t look like it!” You roll your eyes, following him down towards the ground on your hovercraft.

“I do, thank ya kindly. I got trust in you and mahself.”

“Take my hand then, you bag of bolts!”

“Not yet.”

It takes all your strength to not just up and leave the cowboy to fend for himself in such a situation but the thought of him potentially becoming a metal pancake stops you. You decide to trust his judgment, against your own better judgment. This wasn’t your first rodeo after all.

The two of you speed towards the ground, Boothill simply leisurely holding onto his hat while you were locked in completely, waiting for his signal.

Just a few seconds before you two would’ve crashed into the rock-hard ground below, Boothill whistles and with all your strength, you pull him onto your air-hover and promptly speed the vehicle back up into the sky once more.

“This is the last time we’re doing this”, you sigh, wiping the sweat off your brow.

“Come now, lovely. Ya gots to admit that it’s fun!” Boothill grins as he wraps his strong arms around your waist and nuzzles his face against your neck. You grumble at his actions but leave him be, opting to savor his closeness instead.

“Haven’t gotten your fill yet, lil’ eagle?”

“How can I, when I trust ya’ll catch me each time?”

[fic-dumpster]

Deer in headlights | Short stories: Public disturbance

1k+ words || Bonten x Reader

fluff mostly, typical shenanigans, no beta and not edited, commas placed everywhere, tried to write it as gender-neutral as possible, let me know if I missed anything.

The thing about going shopping with Bonten is not the unnecessary stuff they buy nor the amount of attention they get; it's the bathroom. Every time you have to go to a public place, they don't let you go alone.

How many times have you heard women shriek in terror because you didn't notice Sanzu or Rindou following you inside the ladies’ washroom? The worst part was that they were surprised and asked what was wrong like it was the most normal thing to do, and they weren’t doing something inappropriate.

That's why you’re pulling Kokonoi with you. He's not going to intimidate the women occupying the bathroom, at least not like the other four waiting at the nearest bench. Takeomi, Sanzu, Kakucho, and Rindou remained with all the shopping bags there. Kokonoi could pass unnoticeable.

After buying some things and drinking three iced teas, of course, your bladder would be full, and you’ll have no other choice but to go with someone. Mikey and his orders about your safety. It’s not like the rest didn't agree with him.

Two doors and a lock later, you are in a stall with Kokonoi. The latter refused to turn around.

“Koko, just turn; I can't pee like this,” you grumbled.

“No, It’s weird to stare at the door,” Kokonoi replied.

“Then close your eyes!” But you didn't mean it like that because he did close his eyes, but the idiot didn't turn around.

You peed, staring at Kokonoi, who was trying to hold back his smile.

“See, it wasn't that bad,” Kokonoi said as he dried your hands together with his under one of those automatic air dryers, “you always make such a fuss.”

“Why do I feel you enjoy this,” you murmured, ignoring the previous statement.

And you were right. A wicked side smile adorned his face. Kokonoi basked in the privilege of being able to be alone with you, handpicked by you, only you, while the rest drowned in jealousy. Except for Sanzu. He was drowning in a strawberry and banana frappe, angrily slurping the chunks of frozen fruit that weren't properly triturated.

“Where are they? Kokonoi is taking too long with Y/N,” spat the Sanzu, suspecting the worst, “I bet my left sack that he’s having se-”

“A line in the bathroom? That happens often,” intruded Takeomi as he remembers a time when he had to take Senju to the bathroom. Why do women take so long? Internally wondered the scarred man.

Rindou and Kakucho groaned from carrying the most bags out of them and they also followed Sanzu’s line of thoughts. Three out of four men sighed in unison.

All laments were put to a halt by Takeomi’s phone ring. The screen showed Kokonoi’s name, and an unpleasant feeling stuck in the older man’s gut. It only worsened as soon as he picked up and heard your screams of desperation.

“Help!!! Takeomi!!!!!! I need your help!! It’s an emergency!!” you didn't give Takeomi time to ask any questions. You blurted out your location and ended the call after screaming for him to hurry.

Takeomi didn't notice the other three men present had leaned over to hear the conversation, and not a second later, Sanzu, Rindou, and Kakucho dashed towards the place you mentioned over the phone, leaving Takeomi with all the shopping bags, alone.

“Hurry up, Y/N needs-” Turning around, Takeomi realized he was talking to none but shopping bags. “Bastards.”

“I can't believe you snatched my phone for that,” Kokonoi massaged his temples, already expecting the dumbasses to show up guns blazing in the middle of a shopping mall after your call for help.

“But I am out of battery, and it's an emergency!!” you said.

“I don't think this qualifies as an emergency,” sighed Kokonoi as he eyed the crowd around him and the stage with colorful lights. “Besides, how are the rest supposed to find us?”

On cue, Sanzu’s obviously loud call of your name could be heard above the tumult of people. Kokonoi had to give them credit; that was pretty fast. He could recognize the pink mane not too far from where he stood and Rindou’s purple head too.

“Koko, do you see them?!” you grabbed his sleeves with urgency. “I can’t see! Let me—” You used him as a ladder, climbing until your eyes could see above the crowd.

Rolling his eyes, Kokonoi let you do as you pleased. What else was he supposed to do? Once your head popped up from above the crowd, you enthusiastically waved at the trio, beckoning them over. As soon as they were close enough to touch you, Sanzu, Rindou, and Kakucho surrounded Kokonoi, who was attempting to hold you in his arms, and began inspecting every inch of skin they could reach.

“You seem fine,” said Sanzu, holding your face in between his palms, pressing your cheeks until your lips puckered like a fish.

“Becaushh I am,” you mumbled with your fish lips, “pleash let my cheekshh go.”

Sanzu couldn't help but coo at you, and without any warnings, he planted little pecks on your lips, making Kokonoi frown, he sat first row for the PDA show.

“Enough! That's enough!” Shouted Rindou, prying Sanzu’s hands away from your face as Kokonoi moved with you still in his arms, separating you both. Kakucho stood there, watching Sanzu and Rindou fight while Kokonoi scolded Sanzu from afar.

“Have you no self-control?!” screamed Kokonoi.

“Like any of you have any when it comes to Y/N!” Sanzu defended himself.

“That’s true,” acknowledged Kakucho.

Everyone talking loudly on top of each other.

As the scene transpired, none noticed the circle of people who observed the whole thing. Some murmured about a lovers’ quarrel, while others about a kidnapping, and debated whether they should call security.

You, on the other hand, remembered why you called them in the first place.

Ah, right. You needed a charger. But none was paying attention to you, hanging like a chihuahua in Koko’s arms.

Not a minute later, security appeared and escorted everyone out for causing a public disturbance.

Takeomi watched the minutes pass by on a TV screen near the bench you all left him. With all the bags and now his own phone without battery, He wondered when would you all come back to pick up all the shopping bags.

[libraryraccoon]

I was wondering how a Dazai!Reader from BSD (preferably 15 year old Dazai) would interact with the HH crew

Btw, I love your stuff sm, have a lovely day if you see this!

Gender : GN

Pronouns : None

Info : I haven't watched BSD for a long time, so it's probably wrong/inaccurate, sorry. Reader have 15 years old.

Message fom Raccoon : What ? Dad!Lucifer ? Dad!Alastor ? Okay, take that Dad!Husk !

TW : Suicide (mentionned); SH (mentionned)

General Headcanon

Finally.

After all this years of trying, after all this attempts, you were finally dead !

And what do we do when we have achieved such a feat ? We drink until the morning !

As you drank, you recounted your feat of finally dying to the bartender, some sort of cat-bird demon.

He gave you a judgmental look when you told him you were 15 and died of suicide.

But you were used to it, people often judge you while you were alive and was trying every second to die.

After a few hours, you were drunk and followed the bartender back to his place, a small apartment in a quiet corner of Hell.

You shouldn't follow someone to their home, you know that, but for your defense, you were drunk and he was a cat. And you have a weakness for cats.

Two things making it impossible to refuse his invitation.

And, if anything ever went wrong, you always had your gun with you, which had appeared at the same time as you in Hell.

The bartender's name was Husk and he kind of adopted you ? You weren't even sure if one sinner could adopt another sinner.

Life was calm with Husk, and you somehow helped him with his work.

By that I mean you were stopping the powers of other demons with your power, so you used it to kick out all the assholes who attacked him from the bar.

You and Husk had this dynamic of "Father who will kill for his child & Child who will sacrifice themselves for their father."

And then, one day you had to move to the Hazbin Hotel because Husk find a work there.

Alastor was surprised to see that Husk now had a kid–he didn't think it was possible for an alcoholic like him to have a child.

And he learned that Husk had cut down on his drinking, so he could be a better father.

*very kindly and not at all suspiciously notes this fact in the back of his mind.*

The hotel was quite shocked to know that you were a child from a fucking mafia and that you had died of suicide at 15 years old. If Husk hadn't informed them about that, they never would have suspected it.

Your humor worries them more than anything else.

Charlie is worry every time you make jokes about suicide while your dad rolls his eyes at it.

Husk was used to your jokes after a few months of living together.

The hotel wasn't.

Charlie is like your older sister, optimistic and a little naive at times.

She always tries to make you see the bright side of things and to make you forget this idea of double death.

Spoiler : it doesn't work.

Lucifer sees you like one of his children.

He spoils you like he spoiled Charlie when she was just a child.

Husk often makes side eyes at him, accusing him of trying to steal his child.

And that was true.

Lucifer, Charlie, Husk and Angel Dust are the ones who are the most concerned about your mental health.

Alastor wanted to make you sign a contract "I become powerful and Alastor releases my father from his contract in exchange of stopping trying to kill myself."

You didn't sign it.

Alastor tried to use you to spy on Vox and the Vees because he was bored and wanted some entertainment.

It worked.

Alastor do radio shows with you sometimes, you two are called "The RadioDuo".

His audience LOVES you.

You gained Alastor some listeners btw.

You help Niffty with her work at the Hotel.

Even if Charlie said you didn't have to do it, you do it anyway.

Vaggie take all your guns because you apparently “didn’t need” them.

You managed to recover them with a little manipulation.

Angel Dust could see himself in you.

You reminded him of his little human self, Anthony, broken by the world and wanting to end it. A family running the Mafia and forcing him to join it.

You're a bit like him, but compared to him, who fought to survive, had a reason to survive, you had nothing, no reason to fight, and you gave up.

When Angel Dust isn't working, he usually stays with you and Husk.

He doesn't want to abandon you, leave you alone in such a rotten world. He wants you to be protected and to be the child you never could be.

He will never let anyone touch you, never.

Husk and Angel Dust are usually the ones who bandage you after SH, Angel Dust doesn't say anything as he does it, because he understands. Husk doesn't speak as well, but you can see that by doing so he's blaming himself, making you instantly regret it.

Don't try to kill yourself in front of them, please. They're already worried enough, don't add more.

Hotel Hazbin was, in a way, your family.

And you would kill everyone in this room before killing yourself before anything happened to them.

[generic-sonic-fan]

Sonic + Friends Youtuber headcanon post??

Tails is just canonically a youtuber. Sorry not sorry, look up TailsTube.

Sonic, when he's not guest-starring on Tails' channel, would have a tiny little channel of his own with approximately three youtube videos and all three of them are about how not to get lost in the jungle. He doesn't appear on camera once. Shitty MS paint overlays, Arial font crudely edited over the footage, but really, really solid advice.

Amy does youtube/tiktok shorts doing tarot readings! And sometimes talking about her own adventures, but mostly as sidenotes to the reading of the week. She will, however, use her platform to boost fundraisers and talk about political causes she believes in.

Knuckles doesn't have a youtube account, but Tails did do an hour-long feature where he followed Knuckles around his usual route on Angel Island and interviewed him. They covered a good variety of topics, like how Knuckles occupies his time, grows his own food, searches and records lost Echidna artifacts, etc. It was very casual, sort of like a podcast.

Rouge doesn't have a youtube but she does run a successful anonymous instagram shitpost account comprised entirely of blurry pictures of Sonic and Shadow from people's doorbell and dash cams.

Shadow? Motorcycle repair and gun-cleaning tutorials. He films using an old digital camera Rouge got for him. It took him a bit of experimenting to figure out how to use it, but now he's got the hang of it. His videos aren't the best quality, since he tends to set the camera down and forget about it, but his explanations are thorough. Some people find his voice soothing.

Omega doesn't do youtube- he does twitch. He streams through his own optics as the camera, giving a first-person view of the carnage as he destroys Eggman bases. However, this isn't what got him viral. After each rampage, he'll stand over the remains of his robotic enemies and do a Q&A with the audience. The internet has decided that his responses are the most hysterical thing. Part of him is pleased he has so many watchers, but the other part of him is pissed that none of them want to stick around for the actual destruction.

Vanilla doesn't want Cream to be on the internet at such a young age! Good call, honestly. Sometimes Vanilla worries about Tails in this regard.

Vector flopped on Youtube, but he was HUGE on vine when he was back in high school. And he will never, ever, ever let anyone know about it. Sometimes Sonic will quote one of his vines and it gives him a heart attack.

Espio makes cute little origami tutorials! His channel isn't very popular, but he is one of the top results when searching how to make some very specific origami patterns.

Charmy has expressed interest in being a minecraft streamer, but Vector does everything in his power to prevent this.

Blaze has wayyyyy too much stage fright to consider a private youtube channel, but she appears on the news often enough in her home dimension.

Silver showed up in one of Tails' videos once and has gained a cult following ever since. They keep asking Tails to bring him back.

Metal Sonic is a Minecraft youtuber who focuses on pretty little creative builds. He tried to do multiplayer PVP for a little but he quickly broke his controller. Sometimes he gets roped into a video with-

Sage is also a Minecraft youtuber who focuses exclusively on redstone builds with more computing power than the fucking apollo program. Other than her voice, her videos are entirely anonymous. She's gotten comments calling her the "Tails" of Minecraft, and she couldn't be more flattered.

Eggman runs a propaganda channel for his empire that quickly got banned, and he moved to one of those sketchy youtube knockoffs. And a certain. . . more explicit website. The one with "hub" in the name. Every video is your typical propaganda fair, all hail Eggman, death to the blue rat, etc etc etc.