#non woven fabric material
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Best Tearaway Cotton Embroidery Paper
Tearaway Cotton Embroidery Paper is manufactured using 100% cotton fibre. Our executives monitor the manufacturing process, and as a consequence, we produce an assortment of optimum quality products, in various sizes and dimensions. Associates Nonwovens has carved a niche, as one of the most prominent Tearaway Cotton Embroidery Paper manufacturers in India. We use excellent quality raw materials and the latest techniques, to manufacture Tearaway Cotton Embroidery Paper, resulting in the perfect blend of unquestionable durability and softness.
With the years of experience and knowledge, our company has developed a quality that allows uniformity in the surface of the embroidered Tearaway Cotton Paper. Our offered papers thereby reduce and prevent distortion and crushing of embroidery, achieving the highest standards of production.
#Tearaway Embroidery Paper#Non Woven fabric#Non-Woven Bags In India#Needle Punch Fabric In India#Non Woven Fabrics In India#Non Woven Cloth#non woven fabric material#non woven supplier
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Fabrics 101: Informative Guide to Different Types of Materials
This post, it’s informative guide of fabric types, constructions and weights. Have you ever wondered what makes fabrics so different from each other? Why do some fabrics feel soft and cozy, while others feel crisp and cool? How do fabrics affect the way we dress, decorate, and express ourselves? Fabrics are the building blocks of the textile world, offering endless possibilities in fashion,…
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#blended#fabric construction#fabric weight#fabrics#felted fabrics#gsm#guide#heavyweight fabrics#interior design#knit fabrics#lace fabrics#Lightweight Fabrics#materials#medium-weight fabrics#mesh fabrics#next generation materials#non-woven fabrics#oz/yd²#sewing#synthetic#textiles#ultra-heavyweight fabrics#woven fabrics
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What Are the Benefits of Using Non-woven Fabric?
You didn't know What Are the Benefits of Using Non-woven Fabric? Here, Shankar Packaging gave all info on Uses & Applications of Non Woven Fabric, and Benefits of Using Non Woven Fabrics, like Light Weight, Softness, Eco-friendly, etc. For more details on Non Woven Fabric Manufacturer in India, visit us!
#non woven fabric#non woven fabric bags#geotextile fabric manufacturers in Gujarat#non woven bags#non woven bag material#non woven fabric manufacturer in India#spunboud non woven material#PP cover manufacturers#filter material
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What Are the Benefits of Using Non-Woven Fabric?
The non-woven fabrics are materials that are produced by thermal, mechanical and chemical processes. These are engineered fabrics that are used in various industrial and consumer products, by itself or with other materials. It is hygroscopic, UV resistant and flame retardant.
The non-woven fabrics have various benefits, including minimising solid wastes, and landfills and releasing no pollutants in the air and soil. In this blog, we will look into the various benefits of using non-woven fabrics that make them more practical and versatile than other traditional fabrics.
What is Non Woven Fabrics?
The non woven fabric is an engineered material manufactured from different fibers. These materials need not be converted to fibres into yarn, as the fibre yarns are bonded together due to inherent friction from one fibre to another.
Benefits of Using Non Woven Fabrics
Light Weight: The pp non-woven fabrics are the primary raw material for production. Its specific gravity is only 0.09, which is ⅗ of cotton. It is super-soft and pleasant to touch.
Softness: Its softness makes it ideal for non woven fabric bags. The bags are soft and comfy.
Eco-friendly: The reason why geotextile fabric manufacturers in Gujarat are in demand for its non-woven fabrics is its eco-friendly nature. This makes it applicable in different industries. With the rising concerns over environmental consciousness and sustainability, woven materials have gained immense popularity.
Air-Permeable: The non woven bags are made of fiber that exhibits excellent air permeability. This makes it easy to clean and maintain.
Non-Toxic and Non-irritant: The non woven bag material is non-toxic, non-irritant, odourless and stable. The manufacturers use food-grade materials, which makes it ideal for industries like pharmaceutical, personal care, cosmetics and other products.
Water Resistant: The non woven fabric manufacturer in India caters to different industries that need water-repellent materials. The non woven materials are made of polypropylene chips and are non-absorbent and water resistant properties. This makes the end-product exhibit excellent breathabilty and porous.
Excellent Physical Properties: As the material is made of PP spinning directly into the mesh and thermally bonded, it gives the products exceptional strength than other fibre materials.
Uses of Non Woven Fabric
The Non Woven Fabric is Used in a Variety of Applications, Such as:
Medical: The non-woven fabrics have gained a lot of popularity, especially during the pandemic. It is widely used in the manufacturing of various medical products like gloves, masks, surgical drapes, plastic, medical packaging, cleanroom wipes, disposal face masks and more.
Health & Hygiene: The spunboud non woven material has brought an evolution in the hygiene industry. It is used in producing various hygiene products like sanitary pads, diapers, make-up wipes, nail wipes, facial pads, and other products.
Geotextile and Construction: The PP cover manufacturers provide non-woven geotextiles that are used in various applications in the construction and engineering industry. It is primarily used for drainage systems, separation, canal construction, filtration, landfill lining and others.
Household: We are surrounded by non woven geotextiles. It is a part of everyday lives, ranging from water and air filters, household wipes, floor wipes, coffee filter material and much more. Shankar Packaging Ltd. is a prominent filtration fabric manufacturer. We offer a range of filtration materials in 100% multifilament, monofilament spun and other combinations.
Conclusion
Woven fabrics are used in different industrial sectors and play a pivotal role in the technical industry globally. Its soil stability, tear and puncture resistance, UV resistance, breathability, excellent weather ability and tensile strength make it a versatile material. Shankar Packaging Ltd. is a leading geotextile manufacturer and supplier in India.
We offer a comprehensive range of technical textiles, indu-tech, geo-tech, agro-tech and pack-tech products to clients across the globe. Our geotextile is also ideal for geo tubes and geo bags. At SPL, we provide technical textiles in 3 different yarns viz PES multifilament, PP tape yarns and PPMF. To know more about geotextiles and other products, contact us.
#non woven fabric#non woven fabric bags#geotextile fabric manufacturers in Gujarat#non woven bags#non woven bag material#non woven fabric manufacturer in India#spunboud non woven material#PP cover manufacturers#filter material
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What is Geotextile & Why We Are the Top Geotextile Manufacturers?
Shankar Techx is a leading Geotextile manufacturer in India that provides versatile and durable Geotextile materials and is one of the leading geotextile fabric suppliers offering these technical fabrics with superior performances, exceptional uniformity, and strong durability to sustain damage in installation Contact us today for all your geotextile requirements.
#Different types of geotextiles#Agro tech products#Geotextiles use#geotextile material#Non-woven geotextiles#geotextile fabric suppliers#impression fabrics
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Non woven Fabrics Manufacturing Process
Tulip Fabrics Private Limited is one of the best premium quality non woven fabrics manufacturers in India. The non woven fabrics manufactured by Tulip are of superior quality compared to the ones produced by other companies. These fabrics are used in medical, agricultural fields as well as for domestic uses. These fabrics are tough and durable. These are light weight and soft.
Tulip Fabrics Private Limited is also the best known non woven rolls manufacturer in India. The non woven rolls are non toxic, environmental friendly, non sensitive and non irritating. The non woven fabrics are economical and reliable.
Tulip Fabrics Private Limited is one of the best PP Spunbond and PP Meltblown Non Woven Fabrics Manufacturers in India. Polypropylene fabrics are extremely durable and resistant to abrasion. The PP fabric is also stain resistant. They are combustible but not flammable. The PP Spunbond fabrics are made of continuous process of fibres spun and are directly dispersed into web like deflector. The ultrafine fibres of the meltblown non woven fabrics can absorb static electricity through the electret technology so that it can absorb viruses and bacteria that have penetrated the surface.
Tulip Fabrics Private Limited is the most competitive Non Woven fabric manufacturer in India. Tulip has captured the Indian as well as the world market in the manufacture of non woven fabrics. Due to the pandemic, there has been an increased demand of non woven face masks to prevent the spread of the viral infection. These has led to an increased demand for non woven fabrics across the world at an exponential rate. Tulip has thus proved itself to be the highest rank holder in the manufacture of non woven fabrics.
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Here is the essential details about the suppliers. Non-woven fabric is a crucial material that is used in everyday life. If someone is operating a business is searching for a top Non Woven Fabric Manufacturer in India,our organisation is the perfect option that can help him.The Non Woven Fabric Manufacturer must be able to provide high-quality material, competitive prices as well as a more efficient ordering and delivery service and polite manner for their customers to ensure that they are a reliable supplier of non-woven fabric.
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Thinking about fiber arts within the scholomance. Iirc the only time we see it within the school is El doing crochet, but like. I cannot buy that everyone is primarily mending their clothes with magic. Fiber crafting is such an incredibly old and incredibly basic and pretty universal activity for humans. And those kids all have extremely limited access to new clothing, which makes all kinds of mending a very useful basic skill, especially considering kids could learn it early. Teaching your kids to mend by hand is one more bulwark parent can give them against the various hazards of the scholomance. And we know that spells can be woven into fabric, so there's also potential applications there, above and beyond 1) basic safety and quality of life from well-tended clothing and 2) potential to build mana via hand work that you're going to have to do one way or another no matter what.
But apparently nobody is darning socks to build mana? They have access to shit like platinum, but not wool? C'mon. A drop spindle is straightforward enough to cobble together. Wool *should* be an accessible material, either as artificer workshop materials or supply room stuff. There should be at least a handful of kids in each year spinning fiber (and building mana), and then doing darning/mending on commission (and also building mana again). And that goes tripply when it's established that magical mending doesn't actually replace the shed/worn away fibers!
Plus, fiber craft is ancient. No way there aren't a dozen traditional embroidery /weaving / knitting designs that act as spells. Protection against harm, but also things like preventing damage in the first place. Magic may provide an expedient quick fix, but there should be plenty of space in the scholomance economy for more traditional options.
I know El's whole deal is supposed to be non-representative re: mana budgeting and use, but also. If people are already weaving magical cloth outside the school, I cannot conceive of a situation where mending-for-hire or, idk, tablet weaving or knitting/crocheting to spec isn't considered a normal and desirable supplemental 'income ' source.
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Meet new sewing pattern <Komugi> Over shirt
A new item is just published from Waffle Patterns. Meet Over shirt <Komugi> sewing pattern, a work wear style over shirt with many functional pockets. Depending on your fabric and design choice, it will be a work shirt, uniform-like service shirt or outdoor style shirt jacket. You can make just a simple shirt as well.
<design options>
View A features a hidden button stand front opening + patch side pockets + an inside pocket. The patch side pockets are 2 types ; side opening or layered type. The cuff is no-opening design.
View B has a normal button stand + seam pocket + back bent and cuff opening.
The chest pocket design has 2 options, layer type or zipper pocket.
View A is intended as non-scratch design suitable for a work shirt especially if you are working on fragile things. View B can be made as a more outdoor-like shirt jacket with details like cuff openings or a vent. But of course you can choose and mix the options as you like!
The khaki sample in the photos features viewA, and the red plaid one is view B. The caramel brown one has mixed features.
My favourite feature is the sleeve patches. Adding compliment textures/colours is really fun! But you can sew without them, too.
Please make your creative style by mixing your favourite details.
<fabric recommendation>
The pattern is drafted for woven fabrics. Light-medium weight durable shirt fabrics are recommended. like corduroy, duck, twill, denim, linen, flannel, light wool or canvas etc.
It is not impossible to use very light drapery fabric, but those are not suitable for some details like patch pockets or vent.
Also, some very thick/stiff fabrics might not work well for details like pockets with facing. In that case, please consider using other lighter fabrics partly like the inside yoke, facing, or pocket parts.
Please choose a suitable one for your design intension.
For the caramel brown sample in the photos, I used cotton canvas. Suitable for work shirts and very easy to handle. The contrast fabric used for the sleeve patch and pocket layer is faux suede.
If you want very durable patches, leather or rubber-mixed fabrics are used for professional work apparel. But for general daily usage, like mine, design oriented choice like nice compliment colours or textures will be enough. Using leftover or old clothes is a fun choice, too.
The khaki sample is cotton ripstop. This one is also very suitable for work wear. The patch part is mixed twill.
The red plaid one is light wool backed fleece. I backed all the pieces with fleece except the folded parts like pocket openings or hem.
I bought all those fabrics from my local fabric market, but most of them are from years ago. I wanted to share where I bought them, but I actually forgot all.
I think light water repellent or windproof fabrics are nice functional options, too.
<Size>
The shirt is drafted regular fit.
I made on size bigger the red plaid sample because I wanted to wear this as a jacket. Also because the fabric gets thicker with fleece backing.
The caramel brown and khaki samples were made with just fit size.
<Other material>
If you attach the hidden button stand design, it is better to use flat and thin buttons for clean look opening.
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The sewing pattern includes 18 pages of instructions and all the sewing processes are described with detailed illustrations. The pattern files are available for both home printers (A4 or US letter) and copyshop(A0 format).
You can check other photos of this model on my Flickr page.
The over shirt -Komugi- (size 32 - 54) PDF sewing pattern is available here. Also in the Etsy shop.
Special discount price until 13th Mar 2024 (CET) with other popular patterns. No discount code is needed! The sale page is here.
***** Special offer for Paper pattern and free shipping Paper pattern + PDF option is available limited time. *The paper includes only the pattern, please print out the instruction by yourself or read it with your tablet or PC. The PDF + Paper listing page is here.
Enjoy your sewing!
(Japanese post here 日本語ポストはこちら).
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✧⊹JARETH BALLROOM COAT⊹✧
[This post is part of a series about constructing Jareth's entire masquerade ball costume. Visit the master post here.]
Fabric Selection [Part 1 of 2] The Saga of the Metallic Valvet
Welcome back to another episode of Coat Construction. I want to first say that my decisions about fabric, and many other things, were informed by the amazing reference photos I had from both Aria Couture and Yosa Addiss. This post will make more sense after you've looked through all those glorious images of the actual costumes. I may also sometimes be referencing AC in my commentary. I stand on their shoulders, and cannot be given even half the credit for all the great costume study that's already been done about this coat.
With that, let's get to it!
One thing I have noticed is that screen accurate fabric for this costume is extremely hard to come by, and it seems as if those of us who’ve done this cosplay raked over google enough to happen upon, and choose, the same fabrics?! Or at least consider them? I suspect I’ve seen the same golden damask fabric used for Jareth’s cummerbund amongst me and two other cosplayers. Hahaha More on that in the cummerbund post.
What I really want to talk about is the royal blue/navy colored metallic velvet that makes up the coat. It’s like a majestic night sky, but not midnight – late evening, when the darkness plays with the vivid blue of the day. The decorations on top of it are entire constellations, planets, comets, meteors...
I think the important thing to know about the fabric and to insist upon is that it’s real velvet, and not velour, nor velveteen (even though the Jim Henson exhibit sign says it is. It just AIN’T. Whoever wrote that sign needs a talking-to.)
So, what is the difference between all of these? They’re all woven fabrics made from usually silk or cotton. They each have a pile, which is a raised surface comprised of loops or strands of yarn (think carpet). Velvet has a long pile, and it’s usually very glossy and soft, and it more easily drapes over things. Velveteen has a very short pile and less sheen, and it can be a bit stiff. Velour is what you see more often in stores, because it’s an affordable look-alike to velvet, made with less luxurious cotton or synthetic fibers, and it’s stretchy. People will use the terms “velvet” and “velour” interchangeably, but they’re not the same. True velvet doesn’t stretch.
And that is why it’s the best and really only option for this coat. You’ve seen it. It’s heavy, and has heavy things hanging off of it. To be more specific, every step of the way while creating it I was being harassed by gravity. Gravity was trying to claim this velvet back to the depths… I’ve said it before: turning it into a coat felt highly non-consensual because of the heaviness and slippery nature of the materials.
That being said, weight puts stress on the seams, and even if your seams are stabilized, a fabric that’s not sturdy enough or yields to any kind of tugging is not going to be good, and it could lead to warped or misshapen areas. There’s also the glue and jewel shenanigans (which my friend calls Crust). They need to be able to cling to something that reliably keeps its shape. The ballroom coat is extremely structured and exudes power – we wouldn’t want it to start looking like a popped souffle, or like it was melting, would we?
From here I also want to point out that the coat seems to be made from velvet with metallic fibers. This means that it’s classified as a type of lurex - and you can read more about it here. This is different from foiled. Any fabric described as “foiled” if you were to try searching for metallic velvet, is not what you’re looking for. Foiling is the process of adding a metallic sheen to the surface of fabric, usually with heat. It tends to look a lot more solid and shiny, rather than sparkling. The process does not result in soft fabric, either, so it definitely messes with the pile and is much less elegant. Lurex, on the other hand, incorporates metallic fibers in just the same way you’d dot the night sky with stars. ;)
ANYWAY. Since I spent months and months roaming multiple search engines, and don’t wish for others to have to suffer through it and waste their time, I have some opinions to share about what I found. Some of these fabrics have even been mentioned by Labyrinth cosplayers as possibilities.
・・・・☆・・・・☆ ・・・・☆・・・・☆ ・・・・☆ ・・・・
Mood Fabrics - Ava Navy Metallic Velvet (Link)
I’ve seen this fabric mentioned by a commenter on Aria Couture’s blogs, because it really does seem like a possible match. I bought a swatch of this fabric, thought about it for months, and then finally bought four yards, but returned them. Here’s what I have to say:
The company is reputable. They treat their fabric and customers with care. This fabric is gorgeous and quality, but it didn’t work for me because the shade of blue was too warm and light to match everything else. I only came to this realization after buying four yards of it, because the swatch that they originally sent was (I suspect) from a time when they were using a slightly different dye. What this means for anyone else is that they may not be able to rely on the swatch to make their decision. I had to return it, but they were very understanding. I still very well think that someone could use this to make a beautiful Jareth ballroom coat, if their color scheme is a little warmer.
Here are comparison photos of the swatch and the actual fabric that was sent, however. Just so you can see what I mean.
(The swatch is on the bottom, the actual fabric sent is on top.)
・・・・☆・・・・☆ ・・・・☆・・・・☆ ・・・・☆ ・・・・
Blue Moon Fabrics - D Isis Foiled Stretch Velvet in Black/Royal (Link)
I ordered a swatch of this. I have a friend who also did, and was happy with it, so I feel like kind of a jerk for writing here that I don’t think it works, but I really truly don’t, and I want to save anyone from starting a project with it, only to have it possibly ruined. The reason why this fabric doesn’t work is that it’s very stretchy, and I just know that it couldn’t handle all the stress that would be put on it. In person, it also is an extremely bright, electric blue that will steal the show and will not serve as a good backdrop for all the top decorations. In terms of “what type of sky” it is, it’s more like 7pm on LSD. *covers mouth and laughs* But it’s still cool on its own.
・・・・☆・・・・☆ ・・・・☆・・・・☆ ・・・・☆ ・・・・
Etsy Seller AlexLAFabrics - Lurex Velvet (Link)
The reason why I’m including this is because it was listed as lurex velvet, appears to be so, and has possibly the right coloring, so it may be easy to find this one and consider it, because I certainly did. Well, I’m here to say do not bother with it unless you’re willing to sacrifice $30 just to find out what this fabric is like in person. The photos aren’t good enough to tell the true shade of blue, there’s no info on how it behaves, and the guy won’t offer you a swatch or get back to your messages.
・・・・☆・・・・☆ ・・・・☆・・・・☆ ・・・・☆ ・・・・
Zelouf Fabrics – Lurex Velvet in Navy (Link)
The fabric I ended up using. It’s lurex velvet, it’s the perfect shade, but it’s not super quality, definitely not as quality as the Ava Navy velvet from Mood. It was sometimes quite offended by being handled, and didn’t appreciate steam. It seemed a little thin for true velvet, and it puckered so relentlessly that I had to buy a new f*@#%ng sewing machine, and by then there were a couple of seams that had been redone so many times that the edges were… how to put it? Like skin without collagen. There were entire pieces that had to be re-cut, it was so bad.
The company also kinda sucks. Originally, I bought four yards, and it arrived shoved into a plastic wrapping that had been poked throughout transit and bursted open on my tabletop. The fabric inside had been severely abused, obviously not stored well, wrinkled, poked, torn, and they STAPLED the order details onto it. Come on. I wrote a stern email, and was not met with much professionalism, but they also weren’t out for my money and owned up to the mistake. They refunded me and then sent another four yards which was less abused, but still a little sad. Ended up with eight free yards, and some of the more abused fabric could still be used for parts of the coat that were buried under lace.
Ultimately, what I would say is… I have a love-hate relationship with it. It’s beautiful when it wants to be, very soft, and I can’t say I’d have picked something else if I did the project again, because for me it was the best option.
・・・・☆・・・・☆ ・・・・☆・・・・☆ ・・・・☆ ・・・・
Here is one more interesting but sort of outrageous photo, of me holding the Mood Ava Navy fabric together with the Blue Moon D Isis fabric.
You can see all the ways that these two fabrics are different!
Anyway, I hope my bit of foot-work and 2c is valuable to someone, no matter what project they're working on or thinking of working on. The coat took about 14 months to complete, and for at least 5 of those months, I was in a stalemate about velvet. Hoping I can save someone else from that.
There will be another post about the lining fabric. There will also be separate posts about making the cummerbund and the shirt, so those will include information about choosing those fabrics.
Thanks for reading! If you've made it this far and appreciate any of my content, I'm going to be obnoxious and mention that I set up the tip function on this blog. All the posts have a button that looks like this ($) where you can tip me however much you want. This helps me be able to afford further work on this costume, and to go to events where I and fellow Labyrinth cosplayers can create content for you. Yay!
-Jareth--- uh I mean Jenny
#jareth cosplay#labyrinth cosplay#ballroom costume#jareth ballroom coat#coat construction#fabric selection
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DAY 12 - FUTURE
A fresh start. A chance to right our wrongs. Oh, what beauty lays in the eyes of a child; one that looks to the skies of a world ahead, unburdened by the ruins that for eons I have called my own future.
Ramblings and timelapse below the cut <3
Alright, this is the last of these I'll be doing in order this year; from here out I'm just going to do the non optional prompts ^^ It turns out doing a piece a day (or more to try and catch up) is not something I can do reliably, and that's fine. I just wanna get to some of the later prompts before the end of the month, and to make it past my old record for one of these things.
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An Astral's existance begets first the creation of dual tragedies. The forces of mind and heart must be tempered; changed and made ready to accept their chimeric union. Raw wounds in the weave of the world, woven one apiece to weft and warp of a material unwanted. The combining of these opposing forces, a break in the flow of all that is; the very fabric of reality itself is rent at their creation. The birth of such a creature demands respect, awe, reverence, and, above all else, pity. For what caring god would blot its work so?
Eldest daughter of Lord Volston and the zyrunite creation 653. First protégé taken by Morraestus of Unity. Eighth of the Seven Perpetual. Elizabeth Volston-Martirine, perview as of yet unknown.
But please, for brevity's sake; just call her Liz ^^
Studious, stubborn, and strongwilled, the newest in the family of eternal outcasts revives old hopes and carries on old flames. But she brings light all her own; one that, as much infinities tend towards, may just last forever.
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A redesign of an old oc, one I last tried to pen in about 2017 ;-; whoof. This is technically an older version of her; the prompt IS future, after all. But she represents also the future for a group of people that, until recently, were very much stuck in the past. It does help that she's basically immortal, also; lot of time ahead of her ^^
Here's her old design sketch; there are others I have lying around on paper somewhere, but unfortunately I don't seem to have pictures of them lying around ^^ Maybe I'll find em somewhere.
Honestly I really liked the ideas here, so I kept most of it; the majority of the work for today's piece was finally finishing the damn thing, plus some work on the outfit since I was never happy with it. I might also find a way to work some more infinities into her design, since that's kind of her 'thing'.
Aaaand timelapse~
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Best Geotextile Fabrics In India
Our Geotextiles fabrics are produced using the latest technology in geotextile manufacturing, It utilizes high tenacity polypropylene staple fibers which provide superior physical characteristics filtration, separation, drainage, and erosion protection and exceptional hydraulic properties.
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incomplete list of clothing materials for green pact inspiration:
hairs (usually corded or unwoven)
pony
squirrel
hog
ox
mink
horse
hairs/wools (usually woven)
yak
muskox
guanaco
chiengora
cashmere
sheeps wool
mohair (angora goats)
angora (angora rabbits)
alpaca
camel
llama
vicuna
bison
chinchilla
other fibres (mostly woven)
caterpillar silk
spidersilk
byssus
catgut
sinew
baleen
non-fibers
leather
chitin
ivory
bone
mother of pearl
pearl
scales
tortoiseshell
material uses:
felt
yarns -> knits
woven fabric
corded
furs & skins
plated/reinforcement
#I wanted to add more/go in-depth but I don't have energy rn#there are some things that are variations of each other but this is just reference/inspiration#headcanons#bosmer#green pact#elder scrolls
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The perspicacious Yaggzrok
My response to this week’s BestiaryPosting challenge, from @maniculum
I feel like I'm definitely getting better at drawing birds, but it's also making it much more obvious when I mess up the anatomy :D
Initial pencil sketch, then Sailor fude nib fountain pen with Rohrer & Klingner Sepia ink for the lines. I think I need to find a fine-nib fountain pen, and try drawing with that - the flexibility of the fude nib (in terms of thick/thin lines and being able to transition easily between them) is really nice, but for now being able to keep a consistent (and thin) line would benefit me more in terms of learning and practicing, particularly some of the tiny details I keep trying to include! :D
Reasoning under the cut...
Isidore says this about it: ‘The Yaggzrok is so called because it does not feed on the ground but catches its food and eats it in the air. It is a twittering bird that flies in twisting, turning loops and circuits, is highly skilled in building its nest and rearing its young, and has also a kind of foresight because it lets you know when buildings are about to fall by refusing to nest on their tops. In addition, it is not harassed by birds of prey nor is it ever their victim. It flies across the sea and winters there.’ -
So, we know this is a twittering bird that exhibits 'hawking' behaviour (eating on the wing), and that it nests on the top of buildings. How does it do that? Well, it's here that I start to have some suspicions about this creature's identity, so I start to backpedal furiously. Now, non-small birds that make their nests on houses? How about storks, nesting on chimney stacks? I'm not entirely sure how fire-safe the nest in the top-right illustration is, but maybe the smoke keeps parasites out?
We can also see that the canny Yaggzrok has been very smart about which house the nest was built on. The owner of the house marvels at his good fortune, while his neighbour... :(
The top left illustration shows the Yaggzrok flying in loops over a body of water.
The Yaggzrok is a tiny bird but of an eminently pious nature; lacking in everything, it constructs nests which are more valuable than gold because it builds them wisely. For the nest of wisdom is more precious than gold. And what is wiser than to have, as the Yaggzrok does, the capacity to fly where it likes and to entrust its nest and its young to the houses of men, where none will attack them. For there is something attractive in the way that the Yaggzrok accustoms its young from their earliest days to the company of people and keeps them safe from the attacks of hostile birds. -
It's a small bird, so nothing so magnificent as a raggfong, but we do know it's extremely skilled at constructing its nests (though I suspect 'more valuable than gold' might be pushing it). Again, it's reiterated that it builds nests on human houses - it you look *really* carefully you can see a couple of Yaggzrok chicks peeking out of their nest, waiting for a parent to return.
Then, remarkably, the Yaggzrok creates a regularly-proportioned home for itself without any assistance, like a skilled craftsman. For it gathers bits of straw in its mouth and smears them with mud so that they stick together; but because it cannot carry the mud in its claws, it dips the tips of its wings in water, so that dust sticks to them easily and turns into slime, with which to gather to itself bits of straw or tiny twigs, a few at a time, and makes them stick. It makes the whole fabric of the nest in this fashion, in order that its young can live safely as if on a solid floor in houses on the ground, lest any of them insert a foot between the small gaps in the woven fabric or the cold should get to the very young. -
More detail on the nests - a regularly proportioned home? A solid floor? Maybe the sharp angles in the corners of the nest are a little excessive, but they bring across the point!
In the bottom left, we can see a Yaggzrok gathering material for the next; straw in the mouth, ready to be smeared in mud, but more importantly, *slime* on the wings... :p
This conscientiousness is fairly common among most birds, yet what is distinctive about the Yaggzrok is its special loving care, shrewd intelligence and the extraordinary quality of its understanding. Then there is its skill in the arts of healing: if its young are infected by blindness or pricked in the eye, it has some kind of healing power with which it can restore their vision. -
At this point, I couldn't think of much to express this part of its behaviour, so I opted for a more detailed sketch of the Yaggzrok hawking (which also gave me an excuse to draw a medieval bug!).
In terms of general anatomy, I looked at flycatchers (small, hawking birds, some of which have a small crest), but dialled up the exageration to make it a little more distinctive. In terms of the overall structure and setup, I was influenced by @coolest-capybara's Raggfong illustration and the multiple panels, given that I wanted to express multiple different aspects of this bird's behaviour (I did it in a less narrative way though, which I might rethink if I try this structure again).
I also took some inspiration from this post that @coolest-capybara reblogged; my copy of M.S. Bodley 764 is still in mothballs while I'm following these challenges, so I'm trying to find some good resourses for medieval illustrations (houses was a real struggle!) without doing direct searches for animals and (potentially) getting spoiled...
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