#nocolors

[m0n373r]

y҉̘̥̳̾̽̂͗o҉͔̰͔̲̓̒ͅu̵͎͖̦͎͈͆̀r҈̳̫͍̋͊e҈̥̯̅̈̽̀̍ n҉̱̆̔̂̅ͅő̷̲̜̣̥̀͆̚t̸͍̥̋̅̋ ṯ̵̤͕̘͆̓h҉͕̲̓̇e̶̳̬͋̋̑͛̓ ŕ̸̝̯̔̄̽e҉̝͙̝̣̀̇a̸͕͎̐̏̐̓l̶̙̯̝͕̭̆̍ y̵̦̳͓͍̮͐̌͛o҈̝̙͙̇̾u̷̯͚̗͙̐̏

new art new artstyle!!! X3

[silentdude01]

XLR8 (3/3)

My other networks: https://linktr.ee/silentdude01

Support me : https://www.buymeacoffee.com/silentdude01

[thingsdavidlikes]

One of these little dragons by you feel me

[infiniteoreos]

this probably means Nothing but i love overthinking so uhhh

kel y auby afraid sprites have . color

hero afraid no have color

[haarlemupdates]

Het gebruik van kleur vormt de rode draad in deze tentoonstelling. We zien wandobjecten, drukkunst, installatie, sculptuur, licht en film. Wat doet kleur en wat gebeurt er in een kunstwerk waar kleur bewust wordt weggelaten? Maken de deelnemende kunstenaars hierin principiële afwegingen? Is het gebaseerd op spontane actie of vanzelfsprekend binnen het oeuvre? Welke persoonlijke spelregels passen zij toe in het maakproces? Tijdens de Renaissance ontstond er een hooglopend meningsverschil tussen kunstenaars uit Venetië en Florence; zij die kleur (colore) het belangrijkste vonden of zij die vanuit de tekening (disegno) te werk gingen. Een scherp debat over deze kwestie is vandaag de dag ondenkbaar, maar we zien in Color / No Color dat deze verschillende uitgangspunten nog steeds bestaan en motiveren. Curatoren: Wilma Vissers en Monique Kwist Charlotte Caspers is restaurator en beeldend kunstenaar. Zij onderzocht kleur in de kunst en presenteerde het televisieprogramma ‘De kleuren van Caspers’. Kunstenaars: Federico Murgia, gekleurd licht en digitale multimedia Mirjam Berloth, restmaterialen installaties over kleur kiezen Wilma Vissers, felgekleurde wandobjecten vanuit grafiek en schilderkunst Marcel Prins, witte ruimtelijke sculpturen met verzameld hout van diverse oorsprong Oscar Lourens, verzamelingen van grijs gemaakte objecten vanuit meten en ordenen Monique Kwist, reliëfdruk en ontwerpen zonder kleur vanuit ruimte, licht en schaduw Info De Vishal, Grote Markt 20, 2011RD Haarlem 11 januari t/m 16 februari 2025 Opening: vrijdag 10 januari om 17.00 uur door Charlotte Caspers In de kleine zaal Participation Mystique (2024) is een nieuwe sculptuur van Laura Grimm speciaal voor de Kleine Zaal. Het beeld is gemaakt van schapenwol gekleurd met verfbaden van planten (blauwe indigo, paars blauwhout, gele wouw en oranje meekrap), wilgentenen en beton.                  

[circleloli-official]

First OC: It's a bit rough as I haven't drawn anything besides test sketches and the cheek and eye are a bit unrealistic in terms of proportion but it makes for a good comeback drawing. I didn't draw her full outfit as it'd probably be too cluttered. I made her hug a plushie of her first concept design though

Also sorry it's pixel-y, I choose the wrong sizes

[elposhodraw]

Un dibujito X inventado es un chico demonio tirado a ser jeff the killer xD ( el ojo demoniaco me apareció en una pesadilla asi que aqui lo plasme quedo shido 👍)

[crownedbydestiny]

Is that DEVRAN ERDEM? I heard the THIRTY-SIX year old is the LEADER of the KURTLAR. I’d stay away from them if I were you. I heard they were EGOTISTICAL, but they are also COURAGEOUS, so proceed at your own risk.

wc (wip). pinterest.

Basics.

full name: Devran Fadel Sahin nickname(s): Dev age: Thirty-Six birthdate: July 26th star sign: Leo gender: Cismale pronouns: He/Him sexuality: Bisexual Birthplace: Ankara, Turkey current residence: Los Angeles, California languages: Turkish, English, Spanish, and some French.

Reflection.

face claim: berk cankat hair color: chestnut brown eye color: light brown height: 6’0” build: lean, athletic build tattoos: a large compass on his right shoulder scars: too many to keep track of

Personality.

characteristics: ambitious, fearless, confident, arrogant, stubborn, creative, sweet talker, pretentious, self-absorbed, selfish, energetic, persistent, supportive, demanding, socially active, egoistic, responsible, the perfectionist, ready to take challenges, possessive fears: failure and decaf coffee passions/hobbies: painting, drawing, baseball, lock picking, origami, collecting and restoring vintage cars, kickboxing, feeding the birds in the park, golf, tennis, and target practice character inspo: tony stark (iron man), bruce wayne (the dark knight), jordan belfort (wolf of wall street), logan huntzberger (gilmore girls), lando calrissian (star wars) drugs/ alcohol/ smoking: yes / yes / nocolors: a combination of classic neutrals, black, navy, charcoal, and rich jewel tones: emerald green, royal blue, and a deep burgundy. 

Backstory.

Devran Erdem was born to lead. From the day he first opened his eyes in Ankara, the weight of his legacy was thrust upon him. His father, Mikail Erdem, was the undisputed heads of the Kurtlar, one of Turkey’s most powerful and feared gangs. The Kurtlar had long established their dominance over Turkey's criminal underworld, a force that controlled everything from illicit trade routes to smuggling operations, but Mikail’s vision was even grander. He had set his eyes on the world beyond Turkey’s borders, a vision that would eventually become Devran’s responsibility. Mikail wasn’t a man who dabbled in emotions or sentiments. He loved Devran, but he loved him with an expectation that was as unyielding as the Turkish mountains. There was no room for softness, for deviation, or for anything less than total commitment to the Kurtlar cause. From an early age, Devran was taught that his life had no choices—his destiny had already been decided. There was no question that he would inherit the leadership of the gang. Mikail pushed his son relentlessly, grooming him to be the perfect heir to a criminal empire that operated with brutal precision.

Devran, while never subjected to the same physical violence that many of the gang’s lower-ranked members faced, was disciplined in a different way. Mikail's way of teaching was rooted in the harshest forms of responsibility. He didn’t coddle Devran. There were no distractions—no allowances for childhood whims or dreams outside the scope of the gang’s interests. The message was clear: Devran's life would revolve around taking over the Kurtlar, no matter the cost. If someone or something interfered with his role, they were to be removed. Even if it meant sending away someone Devran loved, or making a sacrifice, it was always justified as being for the “greater good”—the preservation of the Kurtlar and their empire.

Leila, Devran’s mother, was his only reprieve from this relentless structure. While Mikail’s world was one of control, power, and secrecy, Leila operated in a different realm. A shrewd businesswoman, deeply intelligent and cunning, she ran multiple high-profile cultural institutions, including museums that housed priceless works of art. Unlike Mikail, Leila never forced Devran to fit into the rigid mold of a criminal heir. She saw beyond the harsh demands of the gang life and nurtured Devran’s intellectual and creative side. Leila saw in him a mind capable of much more than just ruling a criminal empire—she saw a young man who could build something larger than the street-level violence Mikail demanded. Leila’s influence on Devran was profound. She introduced him to the arts, encouraging him to explore the world of history, culture, and beauty. The hours they spent together at her museums—surrounded by works from ancient civilizations and modern masterpieces—shaped Devran into someone who would grow to appreciate the power that came with knowledge and refinement. She also taught him the importance of business acumen, of navigating the world of high society, and how wealth and influence could be wielded without always resorting to violence. But while Leila’s vision for her son was based on a world of sophistication, Mikail’s vision was rooted in power. Devran’s upbringing was thus defined by an inner conflict—torn between his father’s world of ruthless ambition and his mother’s desire for him to embrace his intellectual and creative potential. This constant tug-of-war created a person who, on one hand, was capable of cold, calculated decision-making, but on the other, had a deep affection for the finer things in life.

When Devran turned 32, Mikail’s influence was stronger than ever, and it was clear that his father’s death would only occur when Mikail decided it was time for Devran to take the reins. But Devran had always known that the true shift would come when he was ready to make his own moves. Mikail’s power was deep, his control unshakeable, but Devran was already thinking beyond Turkey’s borders. He understood that the Kurtlar’s dominance could not remain confined to Ankara and the surrounding regions—it needed to be global. This drive led him to the United States.

For the past three years, Devran has been leading the Kurtlar’s expansion into America. He was methodical, meticulous, and ruthless in his approach, knowing that the United States presented new opportunities, but also new dangers. Devran understood that it wasn’t just about brute force; in America, power was just as much about influence and finesse as it was about violence. The Kurtlar had already been making inroads into smuggling, art trafficking, black market jewelry and diamonds, and forgery. Devran, with his blend of street-savvy cunning and refined business acumen, saw the opportunity to carve out a significant new territory. It's how he found himself in Los Angeles, running the Kurtlar division. Devran found himself in an inner struggle—he was torn between the empire his father had built and the world his mother had dreamed for him. But in the end, he knew that his fate was sealed. He would lead the Kurtlar, and he would make sure they became an unstoppable force in the U.S. and beyond. The only question was whether he could find any peace in the space between his two identities—the ruthless gang leader and the man who could have been something entirely different. And in the heart of his empire, amidst the luxury and violence, Devran Erdem would forever battle the question: Could he ever truly be both?

[ayumikizina]

Drawing mishka until I die!!!! Guess my cat's gender lolll

#kittycats #cats #art #nocolor #sketch

[blissfullvibe]

Check out this listing I just added to my Poshmark closet: Zadiq & Voltaire | Portland Amour Outline Sweatshirt in NoColor | L.

[letras2wi]

Timal - 760 ( Lyrics)

Timal – 760 ( Lyrics) Letra Timal Lyrics Timal – 760 ( Lyrics) Timal – 760 ( Lyrics) En streaming : https://760.lnk.to/timal Instagram ➡ https://www.instagram.com/timalofficial TikTok ➡ https://www.tiktok.com/@timal.tropchaud Twitter ➡ https://twitter.com/timaltropchaud Facebook ➡ https://www.facebook.com/Timal Lyrics/ Composé par @HRNN Lyricsction & Serk Réalisation : Cherif Nocolor Lyrics:…

[manoval]

Brenda's chilling at home. 🛋️🐶💤 . . . . . . #chilling #relax #dogsleeping #dogsofa #canisuldivano #blackandwhite #fotobiancoenero #igblackandwhite #instagrambnw #blackandwhitecreators #blackandwhiteart #bnwphotographer #blackandwhitecamera #instablackandwhite #bnw #instabnw #bnwofinstagram #photographicfilm #bnwinstagram #bnwprofile #blackandwhiteimage #digitalphotography #blackandwhiteshot #blackandwhiteprocess #bnwrecord #blackandwhitecolour #nocolor #scatto_bnw #manoval1988 (presso Italy) https://www.instagram.com/p/Cqx5O7fo-vC/?igshid=NGJjMDIxMWI=

[houseoptimizer]

Cello Novelty Compact Plastic 2 Door Cupboard with Shelf(Brown)

Price: (as of – Details) Primary Material: Plastic. Locking Facility : NoColor: Brown, Style: ContemporaryAssembly Required: The product requires basic assembly and comes with assembly instructionsWarranty: 1 year against manufacturing defectsGreat finish, amazing designElegant, versatile and durable Plastic Molded storage cabinet

[funanami]

Just finished some art stuff. I drew my og character for dnd her name is, Nefeli Vonkarma Bon Alexandrea Manjushage. i forgot to drew her glasses.

It isnt that nice, and i need to get better with shading and start using color in my drawings to get better.

[chu-bi-bi]

I tried making her edgy.....

[zwsichenraum]

sad life live