#no really i barely go on here

[puppppppppy]

this place is so fruity

[vaguely-concerned]

the strength it must have taken for illario to not immediately go full 'lmao since when have you even had a kiss hello lucanis' sibling violence mode during the café talk. inspirational. rook and lucanis really were doing all that right in front of his salad huh

[starry-bi-sky]

mmm throwaway conversation between Dan and Danny that popped into my head that I had to write out:

"You spent ten years being a one-man mass extinction event, then went back in time and fought me, and lost." Danny snarls, arms crossed and throat tight. His mouth pulls back to bare dagger-sharp teeth, and his eyes burn with the familiar thrum of ectoplasm heating up behind his eyes. "If I didn't believe you were half of Vlad before, I do now."

His other self -- and really, can he even call him that? He's half of Vlad too. Two halves severed from each other and welded together to make a new whole, -- snaps his head over to him. Wild-eyed and furious, he looks unlike the man Danny fought before, the one unruffled and untouched, unbothered by the world around him. It's familiar, but not like the way a reflection is.

"What's that supposed to mean." The Other hisses, matching Danny's scowl one-for-one with fangs much bigger and sharper than his.

But there's a reason lions fear hyenas. Danny matches the rumble in The Other's chest with one of his own, and shoves his face close to his. "I don't lose."

[bacchuschucklefuck]

doing chibi is a good design exercise bc it forces u to think on shapes n essential details, essentially thumbnailing ur designs. its also a terrible design exercise bc it ends up looking cute no matter what

[blackkatdraws2]

This little NPC is lost. The Narrator [Black] has come to guide her back to where she needs to be. [Blank Scripts AU]

I imagine Black would be a lot more tolerant toward his NPCs since they're basically just the Dungeons spawns, and by extension, his own creations.

[If you're familiar with manhwas / manhuas that features the dungeon / system genre, you'd be able to understand this AU a lot easier. The majority of my inspiration for worldbuilding came from those specific genres.]

[NOTE: 'Dungeon' is just another term for the Parable. Technically, Black owns a Dungeon and the Parable is just a small part of it. The Dungeon itself is much, much larger.]

For context, the comic below references this post about the Dungeon's children/guard dogs.

[They're more like the immune system since all they do is make sure the (body) is safe.]

[The reason the Narrator [Black] considers them his children is that the Dungeon is feeding off his energy and in turn shares the 'nutrients' to the monsters it produces, which transforms them into an image that resembles his power.]

And the old man below is Joseph!

Joseph is NOT AN NPC! He is a person who exists outside of the Dungeon!

[There are two separate 'worlds' for this AU. Inside the Dungeon (where most of the game-like stuff is happening) and the world outside (pretty much their normal world.)]

[There is a secret third world, and that's our world. Our reality.]

These characters are not actually important or anything, I just made them to make the AU feel more lively. To make a world that exists, you know?

When the Narrator [Black] first established himself in their world, he found a growing problem with homelessness. Not understanding human norms or why this has become a problem in the first place, he offers (tricks) them into working for him as janitors for the Dungeon and they accept for the money.

Most of them left after they got paid, but Joseph was one of the people who stayed. He doesn't have anywhere else to go and has no ambitions in life. He just wishes to live a peaceful life with food and a roof over his head.

Joseph defaults to referring to the Narrator [Black] with feminine terms due to his appearance despite his voice. The Narrator [Black] is not the type to care for such terms anyway so he doesn't care how other people refer to him as long as there's respect.

--------------

This post focuses more on the worldbuilding and background aspects of the AU! There are a lot more in store for the Blank Scripts AU, and I want to explore more on how the characters might interact with their surroundings and how this would work to make a world that makes sense.

It would be so cool if people made self-inserts or OCs for my AU actually. I'd love to see how you guys would work with my stuff. Play around with it like a barbie world for your little barbie dolls. Be canon compliant, be canon divergent, who cares, have fun.

[horreurscopes]

my guy pretty like a girl & he got fight stories to tell; i see both sides like chanel

[dromaeo-sauridae]

a dear visitor

heavily based off the max kurzweil painting of the same name :) i like to imagine arthur bullied kieran into bringing his horse over while he was covering from the o'driscolls incident. while grimshaw wasnt looking, of course

(reblogs>likes!)

[artuurle]

So what happened to Gru's eye anyways?

This will be very very tied into my personal headcanons about both Grujaja and a little about the drain so be warned:

info under the readmore for sanity reasons hope u understand<3

My interpretation of the drain is a very bad place to raise someone. The whole place is essentially the slums of a city- though the most dangerous part of the place isn't because of anything living, but because the place is actually crumbling from poor infrastructure. Gruja was from a very low income family that lived in that area; just trying to live like anyone else.

The infrastructure expectedly ended up failing and in the collapse he got cut really badly by some of the resulting shrapnel across his face and left arm. He was one of the "lucky" ones. If you could even call it that.

He sure didn't.

[mars-ipan]

HAPPY BIRTHDAY TO ONE VERY SPECIAL HAJIME HINATA !!!!!! new year's kisses for the birthday boy :)

[zhouxiangs]

SASA'S TOP 5 QLS OF 2024

Love for Love's Sake 연애 지상주의 구역 / My Stand-In ตัวนาย ตัวแทน / The Time of Fever 내 손끝에 너의 온도가 닿을 때 / Century of Love ปาฏิหาริย์รักร้อยปี / Spare Me Your Mercy การุณยฆาต

[mamawasatesttube]

it's like, i really do enjoy most of the bats as characters and i really do like a lot of their comics. but also i am sooooo tired of them being hailed as better than literally everyone else. both in fanon but also in comics (modern ones are esp egregious imo, like WHAT was that shit about batman and the joker being the most dangerous men on the planet. hi. have you heard of lanterns? speedsters? supers? actually if i keep listing groups who could kick batman's ass we'd be here all day). they're like kudzu. that shit needs to stay in its native environment (funky little neo-noir detective stories) and stop being an invasive species (putting down everyone else to make them seem cooler). put bruce wayne back into a murder mystery setting that isn't about saving the world but is about saving one person or one family that no one else would've saved right now or so help me god. the whole invasive species cross contamination thing is unhealthy for both him And the other ecosystems he keeps getting transplanted into. please. it's so dark in here

[nightmarearian]

Done (heavy quotation marks) with monster Ody @evergreen292 ;)

tbh I couldn’t for the life of me pick a color palette I liked And Render it so I gave up on color. Enjoy the half assery.

Tbh I’ve just been call it Ithacan Naga, but it’s objectively it’s a mix of snake, owl/bird, and human. So 🤷.

Tbh the wings are supposed to be white/gray-brown, cause owls & Hermes, while his scales are supposed to be an oscillating scale from sea green-blue to purple-tinted gray. Uhm. Evidently that sorta didn’t happen but also did. So.

The purple/grayer scales are gonna be more around with the feathers and wings.

Those fin colors are. Too blue and too bright but I love the colors themselves so they’re staying for now.

Uhm. That’s it for now, ig. I’m sorta on a timer rn and I’m tired so <3

The writing bit with this is still in the works (😭)

[twigsyy]

students

[artist-rat]

one of the assest years ever in general but art-wise surprisingly good 🌿

[malenjoyer]

Hello! I hope this doesn’t sound weird, but I just wanted to tell you about how your style has inspired me so much!! Probably an ask you’ve gotten a lot, but I just have to know; how do you go at line work? It looks so good when you do it. Like, you’ve perfected where to leave gaps, what should be thick and thin, what should be subtle shading, etc. I’m so jealous! Do you have any suggestions on how to improve in this area? I’d love some insight!!

Thank you! That's very unexpected to hear but also kind of nice! :D That's the first time anyone has said that to me.

For line weight, Mark Morales covers it very well here

Aside from using line weight to show light source, you can also use it to emphasize stuff, which is what I like doing. I think it's essentially the same logic though- I just bend the rules often to make it work the way I want it to. Lots of trial and error and fixing stuff.

As for the gaps, I don't really know how to explain it without sounding a little weird. I think it's just something I developed as a habit where areas where you're supposed to connect with thin lines, I just don't finish it. Most of the time I don't finish my lines, because I don't need to. I live and embrace the karma of not connected line art when I color it.

I think my style boils down to How do I draw good with the least amount of work which sounds questionable, but the less I focus on whether each individual line connects or looks good, the more stamina I have for the rest of the drawing.

If you've got this hamster, you're like 60% of the way there.

Real answer: probably try doing gesture drawings with the least amount of lines possible with 2 minute timer to simulate what happens in my brain when I do line art. you can try to apply the line weight stuff and think okay where would I apply thickness to show shadow or emphasize curves

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.