#no plot makes sense anymore

[buscandoelparaiso]

how many helicopter incidents will happen in grey's anatomy every season before the show ends

[squidling2005]

last night i had a dream about mouthwashing and it started out with the scene where swansea has the axe raised above daisukes head, and swansea says "close your eyes, daisuke." and so he closes his eyes and the axe comes down, and then he opens his eyes and shoots up into a sitting position and finds himself alone in the room, and he's like "...was that a dream...?" and anya appears out of nowhere and sits next to him and is like "you're ok now, daisuke." and daisuke is all freaked out and crying "i was so scared"

and anya hugs him and says "i know, daisuke." and they hold each other for a while, and then daisuke is like "where is everyone else..?" and anya smiles sadly and stands up, holding her hand out, and daisuke takes her hand and follows her out of the room and into the med-bay and he finds swansea crouched in front of something leaning against the wall, and curly is in the bed and jimmy is there too ig.

daisuke looks relieved and says "swansea! you're ok!!" and swansea turns and looks at daisuke and he has this heartbroken look on his face and daisuke is like "..whats.. going on..?" and jimmy isn't reacting to anything they're doing, but when daisuke looks over swanseas shoulder he sees himself, leaned up against the wall with his head caved in from the axe. next to him is anya, her face bloody, and swansea, with bullet holes in his head. and daisuke stares, not quite grasping what he's looking at, and the anya that walked in with him puts her hand on daisukes shoulder comfortingly, and swansea looks away, looking guilty, and daisuke is on the verge of a panic, not understanding, and he's like "n-no, i. i woke up, right? it was just a dream, right??"

and then i woke up. and it was just a dream.

[apostaterevolutionary]

I am so sorry, apparently it’s 2024 and I’m arguing about dragon age again lmao. How did I get here! Why is this happening!! Time is a flat circle!!!

Anyway. People can feel how they want about the past games not mattering in this game. If you’re cool with it, I’m happy for you. But there’s one particular argument in defence of this choice that is really, really bothering me and I have to rant

The thing I keep seeing is “well all this other stuff has nothing to do with the main plot or Rook, so it should be cut” and that’s. Not a good way to tell stories in my opinion. Because here’s the thing: it’s not about the Big Overall Plot. It’s about the characters that live in this world, big and small

I’m going to use the example of Varric and Hawke cause I think it’s the easiest to explain quickly. Varric is a storyteller. That’s the defining trait of his character. He tells stories, and sometimes they’re true and sometimes they’re not and sometimes it’s something in between. In DA2 he tells you about his brother. In inquisition, he talks about hawke and there’s banter about several of the companions. Most of these are just little one liners that don’t “serve the overall plot” but they serve Varric’s character

And that matters

So if we take this character known for telling stories about people that have been in his life, well, he largely can’t do that now. How can he talk about Hawke, someone who can be a very close friend of his, without even their gender being a choice you can select? Or whether Varric should be saying ‘is’ or ‘was’ about them? How can he talk about the companions in DA2 or inquisition when a lot of them don’t have to be recruited or can die? Will he limit himself to only characters that are guaranteed to be a part of it and alive? Or is it that he and Rook will have such a shallow relationship that Varric, of all characters, never talks about his life and past exploits?

Or has Varric as a character changed so much that he doesn’t even want to tell stories anymore? That Hawke living or dying means nothing to him? That the friendships he built with people in 2 games mean nothing to him? That he’s become literally unrecognizable?

This is where the problem is. Sure, Rook maybe doesn’t care about these people they’ve never met. But do they care about Varric? What about if a companion mentions an old friend of theirs, talks about an experience they had that made them who they are - is that only okay if that experience isn’t from a previous game? Or are all the characters so flat that we never learn anything about their connections to others outside of Rook? Is this story SO focused on this player character and this plot that NOTHING else matters, even within the world, and there’s no depth to be found in any of the characters that feature in it?

Writing characters so that they only ever talk about things that “directly serve the plot” is how you get flat, unremarkable, boring, forgettable characters. And that’s not something I would have accused bioware of doing even if some instalments are stronger in this area than others. But it sounds like that’s what they’re doing here, at least with the past characters. Cause sure, maybe Morrigan is so closed off she’ll never mention her son and partner. That’s believable, even if iffy given that they’ve said she’s going to be more involved than we think. But Varric? VARRIC??? Never mentioning ANY of the people he used to spend time with and care about except Solas and maybe some of the inquisition characters that can’t die or not be recruited but also carefully skirting around what happened to them in the game? That’s literally not the same character

And I would expand this to like. A letter mentioning this or a codex mentioning that, or ambient dialogue about so and so - that makes the world feel deep and those random, unimportant NPCs feel richer by connecting them to the larger world. It’s not about “serving the plot”, it’s about making your world and characters deep enough that they feel real, lived in, and like something we can actually care about

[tapestryundone]

constantly thinking abt the long quiet and the shifting mound and their relationship w humanity. because the two are very much not mortal and even in the what happens next ending its very ambiguous if they ever WILL be or Can be. but even still they have both felt what its like to be mortal

i feel like its vague if the entity the two used to be even percieved its own existence. the way the narrator talks about it makes it seem like the two only existed conceptually and as a result lacked a complete sense of identity, and didnt need to, and wouldnt want to. but in the same way a thought cannot be unthought, the narrator gave them a glimpse into what it felt like to be mortal and the two can never un-know it, even if it wasnt exactly the same

the long quiet in particular seems especially tied to humanity and in some aspects seems to want to BE human (which feels so potent given how decidedly Not human he is). the game tends to imply that every option you get is a thought he DOES have, and in the spaces between, the choices dont seem as influenced by a given voice, which highlights even more how much he feels conflicted on his own nature that he gets Multiple options to express discomfort with himself being a god

it just gets to me how one of the options during the fight is literally "appeal to your shared humanity". because even if the two are gods, their separation and reshaping has given them humanity that they can never un-feel. for how much the shifting mound grieves what she once was, she cannot will her humanity away. shes mourning what the two of them once was and is desperate to have it back at any cost, even though they can never be together how they once were.

even if the long quiet goes with her, theyre still apart and lack balance, because the two once just Were and werent two parts. they werent both halves, they werent two concepts, they were just one concept that happened to, by human eyes, consist of two halves. and the narrators insertion of humanity into the mix in order to separate them, separating them into concepts that humans understood, manually put into existence a struggle for equilibrium where that balance had simply Existed

but theyve already perceived what felt like reality and can never un-see it. they were separated and Need the other to feel whole and for reality to BE whole but the moment that either of them realized their own free will, the moment the two fully came to feel like people, they could never be together the same way once again

im struggling to come up with a metaphor that isnt silly but its like if you took a piece of fabric and cut it in two and made them both into shirts. youve added a piece of humanity into them and doing so cost its original form. to take them apart and try to put them back together would never get you the original, whole piece of fabric back, because theyve been completely changed by their own unique destruction and reconstruction

they were separated in a way that gave them humanity that they have such conflicting feelings on. both seem to have a deep love of humanity but vastly different ideas on what humanity needs to thrive, because its in their natures

in order to get one to kill the other the narrator let the long quiet interpret the both of them as mortal. and for a being of perception and an god thats being lied to, this became part of their limited view of the world, on top of all the other reasons that the two gained humanity. the long quiet couldnt be told what to do if he didnt have the ability to potentially act on the narrators desires, and the shifting mound could never die if the long quiet didnt believe her to be capable of death

the narrator gave the two humanity and the shifting mound is very reasonably distressed by this. because the two of them never asked for this but they cant undo it. it is her OWN subtle desire for things to be the same as they used to be, her own piece of that stagnation that also led to her experiencing humanity, that makes her so adamant during the fight. she misses the long quiet and wants to undo a change that cannot be undone in search of a constant state of being that was taken from her

and the long quiet felt so closely tied to mortality, both its existence and absence, that no matter what, he wants to aid humanity. but hes been lied to and denied autonomy to the point where he doesnt know what that entails. but he wants to be a part of it. he was given fake mortality and cant seem to figure out how he feels

the shifting mound is set in how she feels it best to aid in the existence of life. she is stagnant in her feelings because its all that feels right to her. the long quiet is ever-shifting in how he feels it best to aid in the existence of life. he is changing in his feelings because its all that feels right to him

getting to the heart of the shifting mound allows them a moment to discuss it as the closest they can get to mortals. the two care about their impact on life and what it means to be alive and what better way for the two of them to truly decide what they want to do about it, outside of the conflict thats been forced between them, than as the mortals they never were?

[cent-scratchnsniff]

something bad did indeed happen to that man. spent abt 25 minutes trying to find a better picture of that one (1) offical piece with his eyes open that wasnt compressed or tiny

[tavina-writes]

I'm not exactly sure how I want to phrase this yet, but I think a lot of the utterly weird takes I see sometimes float by me on our cursed blue hellsite (esp when it comes to mdzscql fandom) is coming from a refusal to meet the genre where it's at.

Like, why are we trying to interrogate classism in MDZS society, MDZS is a romance, the societal worldbuilding is just enough to support some general big ideas and the provide context for the romance. We can't get ANY kind of read on general classim/sexism/anything else from. this source material. if you think you can get granular when your sample size of characters from various social and gender strata are so small and we don't know how the vast majority of people in here live you are making stuff up.

Like, meet the story where it's at: it's a romance novel.

[watery-melon-baller]

theres people who only have one ship and people who don't have any ships and multishippers well im inventing a new kind of shipper and it's "all of these people are gay and a little in love with each other but the romance is up to interpretation"

[jajanvm-imbi]

Hey remember when I said that this was the most frustrating thing about being a Helluva Boss enjoyer?

Yeah I was wrong.

The most frustrating thing about being a Helluva Boss enjoyer is explicitly stating multiple times that I like show and then get called an anti and homophobic and media illiterate when I complain about the direction it has taken.

I LIKE the comedy

I LIKE the animation and artstyle

I LIKE the more serious plotlines like the government agents plot and the Cherubs plot

I LIKE the themes of friendship and found family

I even like most of the songs!

And ofc the voice cast slays every time

But just because your show has angst and tears and drama and sad music doesn't automatically make it "good".

Just because your characters are queer doesn't automatically make them good or well written characters

This fandom is so frustrating to deal with when you want to express your more nuanced takes of it

This is probably gonna be the last post I make about this subject and about Helluva Boss in general, this shit is too stupid to deal with

[mochindayo]

Oh, So much cat fur || L/A/DS Z/ayne x MC

I made an ao3 a bit ago. I've been a lurker on there since...idk...years, but. I'm going to uhh...i think post fics there too haha. may or may not see some crossposting. i'm being wild and it's also going to have regular fics (haha, that is if i decide i'm writing in the first place xD) there's one snz fic and one vanilla fic right now lol. Am i nervous? sure, but like- also i've lost it, idk. here we are. anyways. I'm so into LADS rn. here we are. i want to write more, but i always say that, write one thing, and disappear for another 5 months. maybe i'll change, who knows. I’m taking advantage of my motivation while I’ve got it rn

the portal, to...a fic in my ao3 lol. but i'll also put the fic here under the cut...because..why not?

Zayne, sneezing, because little kitty Zayne is choking on his own fur!!?? HUH!? OK SIR!?

======================

Zayne was always a neat and orderly person. It irked him that he was the cause of the copious amount of cat hair that was beginning to collect–on him and his furniture. 

Ever since the bizarre event that had left him with cat ears and a long, fluffy tail, he had been doing his best to maintain his cleanliness. This was lasting longer than he had wistfully hoped. 

He was shedding everywhere. 

The elegant strands of his midnight fur that adorned his cat features had begun piling up, turning his couch and sheets a grayish hue. He practically ate cat hair with every meal now. If anyone had a pet that shed, they would understand. 

Zayne had decided in order to lessen the amount of shed fur, he would brush his ears and tail three times a day. It was just about time to start his midday grooming session. He figured there should be enough time before you came over for lunch. 

Oftentimes, if you spent the evening with him–whether it was in his office or in his apartment–he would let you brush him. It was soothing. He would just melt into your touch. 

He got to work, grabbing his brush and finding a comfy space on the wood floors. 

How long has it been since he’s vacuumed? He admitted to himself, he had begun to slack on the cleaning. It had gotten exhausting keeping up with the amounts of sweeping he had to do everyday and becoming a cat has made him more prone to naps these days. Therefore, his floors were gaining quite the collection of cat fur. 

Zayne sighed slightly as he settled onto the floor in a cross legged position. However, no matter how gentle he sat down, it  hadn’t stopped him from stirring up the stray strands of fur into the air. He started on his 

With the precise motions of a surgeon, he ran the brush over his ears first. An attempt to ensure that each motion was controlled as to not let too much cat fur fly. The feeling was pleasant, he almost purred. 

Strands of his soft black fur detached from the brush, regardless of his attempts, drifting lazily through the air. 

He watched them float.

A small sigh left his lips. No matter how careful he was, the fur would go wherever it felt. The sun’s rays illuminated the fur flying through the air, accentuating how they floated gently before landing on his clothes, his floor–his face.

He gave a frustrated exhale from his nose, blowing the cat furs away from his nostrils. Then, he moved on to brushing his tail. He wasn’t a big fan of brushing his tail. It was a human scaled version of a maine coone’s tail, those of which were already long and fluffy. He swiftly moved the brush through his tail. Unlike his ears, this took more effort and these strands were more prone to flying wherever they felt like. 

More and more fur lifted into the air, curling in invisible trails around him. It was like a mini cloud of cat fur always hung around him. 

That’s when he felt it. 

A faint, miniscule tickle on the tip of his nose. It was hardly worth acknowledging at first. Just a light sensation that teased the edges of his sinuses. His nostrils gave a tiny twitch, and then nothing.

Zayne continued brushing, doing his best not to acknowledge any sensations on his face. This of course, scattered more fur into the air around him. Not that it could be helped. Still, he refused to give into the growing irritation, or acknowledge the way his breath had begun to catch. He was still in control. He could do this. 

He finally made it to the ends of his tail. The fullest, most luxurious part. It was beautiful, yet he cursed it. Although, you personally loved when he let you run your hands through it. He gave a few generous strokes, running the bristles through the fur with precision. 

More and more fur detached, swirled through the air, landing everywhere. 

His breath hitched. The tickle was beginning to settle in the back of his nose as he continued. He gave a particularly harsh tug on his next stroke as a knot had nestled itself deep in his fur. Big mistake on his end. A small plume of fur flew up into the air, curling directly into his face. He could feel each ticklish strand land on, around, and in his nose. The teased and tickled as he shakily inhaled. 

“No, no, n-nhh…I d-don’t– don’t need to snihHh–sneeze–” 

His nostrils flared, protesting the cat fur that tickled his nose. His breath hitched and stuttered, chest heaving. Fighting a losing battle, he finally raised his hand up to his nose. He wasn’t allergic to cat hairs, but his nose was quite sensitive to the touch. 

At last, his breath caught.

“Hhh–hh’Tscht!” He pinched the first sneeze off behind his fingers. It was refined and quiet, yet it did not relieve him from the tickle that plagued his nose. Before he had time to think, his nose protested once again, and suddenly once became six times.

“Heh-’Tcht! –eH’Tcht! N–tchtt! ‘Tch! ‘Tch! ‘tchhh!” Zayne wasn’t going to stop anytime soon if he didn’t release his nose to expel the cat fur, but habits kept him from doing so. “ahH–...s-so tickly..s-stuhHh’tcht!! ehH’Tcht! S-stupid cat f-fur’TCHT! ehH–’Tcht!” 

Each sneeze–albeit quite–harshly jerked his body and shook more cat fur into the air.

“Sh-hiH-iHt’Tgxt’ch! ah–Tchtt! hihH–heh’Tchht!” 

His body repeatedly betrayed him as his nose gave in to the itch–even as he fought to suppress them. Somewhere in the midst, he heard his door unlock. ‘Oh no, they’re here already. How long hahH– has it b-been?’ With all the commotion from his nose he had forgotten you were coming over. 

Soon, he heard the sound of your feet headed in his direction.

“Zayne? Are you… wh-what happened to you?” You tried to cover up your amusement by coughing to hide your laughter. Zayne tried his best to glare at you through his bleary eyes.

“T-too muhh’Tchh! hehH’TChh! Toomuchcatfur ahH–’TChh!!!” He stuttered out through the sneezes. “Hehh…I-I can’t s-stohH–p…”.

“Do you maybe think, you should, perhaps, take your hand off your nose? Stop stifling mayhaps? Or would you rather forever trap those tickly–”

“hehH–eH’DTZsh’iiihh!!” Even the mere word tickly made his nose burst. At least he finally let himself release the sneezes freely, “ahEhH’DZSH–iihhh!! eHEH’DSZHIew! heh’DZSH–IIHH–…hhh..”.

You clicked your tongue in feigned disappointment, “Kitty Zayne choking on his own fur?”

His ears flattened as he sniffled the mess back, rosy cheeks gave away his embarrassment. You gave him a cheeky smile as you pulled some tissues out of your back pocket. You held them out, nudging them towards his face as he still glared (lovingly) at you.

“This is n-not amuHh…amusing…hh…hH’iHhh–’Tschhh!” He sneezed again and hastily grabbed for the tissues. He blew his nose harshly in an attempt to evict any stray cat fur left in his nose. 

“Well, I found it quite amusing,” You giggled as you plopped down on the floor right in front of him, “though you had me worried for a moment there when you wouldn’t open your door or respond to your phone.”

He looked back at you above the tissues as he examined the expression on your face. A look of both amusement and relief. 

“I did…not mean to worry you. Apologies, my dear,” He sighed, his lips twitched into a small smile. 

“It’s no worries! The scene I walked into made up for it. Imagine, me walking in, worried, just to find you sitting on the floor, sneezing your head off, surrounded by a cloud of your own fur–”

“OhH–no wh–y–heH’TSCHHH! eH’Tschh! eH’Tch! ‘tch–’tch–’tch…heh…haHh–e’Tschhhh! Why did you have to mention it again?” He once again blew his nose into the tissues. Though they were quite wet by now. You threw your head back, cackling.

“I’m sorry, Zayne!! I didn’t realize you were so suggestible!” Regardless of his embarrassment, your laughter was still music to his ears. 

“Mhm…what will I ever do with you, hm?” He let out an amused sigh. 

“Why don’t we settle onto the couch instead of going out today? Now seems like a perfect time for an afternoon nap, yeah?” You beamed as you reached to scratch his ears. Miraculously, your hand made it to his ears before he could stop you. He let out a small pur, which in turn caused his cheeks to turn a deeper shade of red.

“S-sounds good to me,” he finally replied after he let you scritch behind his ears. You knew he enjoyed that spot. You hummed happily and helped him up from the floor. Zayne followed without protest, unable to stop the small purrs that escaped his throat.

Moments later, the two of you were nestled together on his plush sofa. Zayne’s breaths were slow and steady, though a faint sniffle escaped him now and then. The sneezing had finally eased, leaving his little cat-self drowsy. His tail curled lazily over your legs and with each soft exhale, his ears would give a tiny flick. He was the first to doze off, with you not too far behind.

[kibibarel]

hi i'm watching a good response to a bad YouTube video but the guy doing it isn't defending my blorbo valiantly enough. saying that Lusamine's motivation is "just vanity" is kind of like saying Moby Dick is about a whale. it's like......you're not wrong. but also i'm pretty sure there's other stuff in there also

[angelpuns]

sir????? Wdym me aren't even at the climax of Kid Leo yet???? How far ahead did you plan???? Hats off to you man, I could not.

Oh I've planned it to the end, plus a bit more, and then I ended up rewriting the ending just recently :D

I don't like fully committing to an au or a fic or anything without a full plot/idea cause then I won't finish it :3 I actually did go into Kid Leo without that originally but then it got big enough I wanted to be able to finish it one day! So an actual plot happened!

Also yeah we're still about halfway through, even with all the cuts I've made, but not quite to the climax yet!

[bpdpenguin]

I had to go back to this scene in case I was remembering wrong and he actually said "I love you"—he doesn't! what he says is much more interesting.

ed is still convinced at this point that oswald is fully selfish. he figures that if he's going to be used anyway, there's comfort in knowing with certainty HOW and WHY. he's operating from "love is weakness": his love for penguin makes him weak. it's clear what lee is using him for and he can work from that. he can actually become stronger, he's repeating his past mistakes from season 3 and betraying penguin made him stronger. there's the potential here—maybe even inevitability—that if he does the same thing, get someone he looks up to to approve of him and then flip that on its head, he can prove himself again.

it's interesting that he's "the riddler" here, especially with the broader context of penguin giving up his revenge for ed and giving his trust to him. riddler is thinking logically: penguin is a master manipulator. giving up his revenge MUST be a tactic, but how? what does he want from him? what will he take? therefor riddler MUST betray before he's betrayed. he's blind to emotional truths and so can't wrap his head around the real reason, that's why what eventually gets oswald's devotion through to him is something physical, something tangible. REAL PROOF. something much more like ed's own willingness to be tortured without giving him up, even to die for that. it's why he questions oswald whenever he spares his life or does something out of character for the sake of ed: ed's trying to figure him out from a logical point of view—like a puzzle—there must be something he's missing, it must be a trap. the love he's offering can't possibly be real.

that was PENGUIN'S revenge, that was the clear-cut motivation he had before he gave it all up for ed!

another thing about ed's repression is that he over complicates and over compensates! he is always compelled to leave hidden messages that implicate himself, like when he left kristen the "nygma" clue. a lot of it is his ego: who but him could ever figure it out? who could match his intellect? but he's also LOOKING for that someone! but it's more than that, it's PARANOIA. when jim knew nothing of his crimes, nygma overthought everything and that's what led to his downfall.

i think the clue here is that he's focusing on penguin's initial revenge. and the overthinking is leading him into a self-destructive relationship with lee.

he loves "it": the change in her that resembles penguin.

from what we've seen before with how oswald dodges ed's leading questions of why he keeps ed safe—and with how he brings up "friends" and "brothers"—he's def not comfortable enough to say "i love you" first anymore. ed would have to be the vulnerable one, and at the end of the series he's faced all truths about himself: he's the riddler, he's a villain, he loves oswald. he's moved past the traumatizing night where he said "i love you" to someone for the first time, when he was actively killing her. he understands now that killing her was JUST AS MUCH HIM as mourning her, and it's the same as what he experienced with oswald. the two personalities—if they were not one and the same the whole time as ed manifesting his own battle between repression and truth—are at least fully integrated with each other at the end of the series.

[xolbor-art-creator-again]

I'm tempting myself into writing a fic by drawing art for it now

[quietwingsinthesky]

the last unicorn post from earlier has me thinking about the master. that yana is still in there, you know? is still someone he was, if even for a brief flash across the life of a time lord. there’s no way to unlive that life. there are ways to twist it later, sure, to make utopia into hell on earth. but the life was lived. in much the same way that the doctor can remember, can feel, the love he held onto as john smith even as that life is ripped out of his hands. the doctor choose denial and then grief and then to shutter it all away. and so john smith died, and so professor yana died, and the doctor and the master live on. the doctor has done this before, and he lives in orbit around humanity, trying to keep the best parts of them and hold them deep enough to take root (which he can pretend he gets to choose, as a time lord. as a human, it all floods in and can’t be dug back out.) but what about the master, right?

to borrow a turn of phrase: i think there are two time lords left in the universe, and they both learned how to regret.

[spoopy-nevermore-dump]

Hey pssst hey. Have you ever considered: Montada?

I hate it, and it nearly killed my hyperfixation

But I understand my opinion on this may affect others, and many may be hurting from this episode soooooooooo

Art requests open

[the-way-astray]

what the feeling was supposed to lead keefe to

what it actually led him to