ghost fucking soap so hard and so good he passes out but he utterly panics about it
he thinks he must’ve ignored soap asking to stop; was it pain that made him pass out? how bad could it have been to make him pass out when he’s been shot and kept going? should he bring him to medical? he’ll never touch him again, he’ll never so much as look at him again; he’ll ask for a transfer- fuck that, a dishonourable discharge. there’s no coming back from this
he spirals, guilt chasing hatred chasing despair chasing fear, until soap finally wakes back up
soap's still floating, loose-limbed and buzzing; fucked so thoroughly out of his head that it takes him a while to notice ghost isn't in bed with him anymore. he frowns, lifting a heavy head off the pillow and freezes. ghost's on the other side of the room, curled up tight in the corner as far away from soap as he could get without leaving him alone
(he would've left, would've made sure soap never had to see his face again and be reminded of what he did to him, of the monster he’d let into his bed- but he couldn't just leave him unconscious; what if he didn't wake up, he had to make sure he was safe first even if he'll rightfully hate him forever when he does wake up)
soap's voice when he calls out to him makes him flinch, his head burying deeper in his knees. cold worry chases the bliss from his blood and soap pushes himself up but his shaking arms can't hold his weight
the sound of him collapsing back onto the bed makes ghost rear up, his panic growing and soap's heart breaks at his red rimmed eyes
it takes a long time for soap to coax him back to the bed, countless loops of, "sweetheart, please, come here, what happened? it's okay, everything’s going to be okay.”
(and how ghost’s self-hatred grows hearing soap comforting him; hearing the concern and love in his voice when he doesn’t deserve a drop of it)
it takes even longer for ghost to believe soap when he says that he passed out because he felt so good; that he never asked ghost to stop, never wanted him to stop. that he trusts him more than anything and knows he'd rather die than ever hurt him, especially like that
“you’re not a monster, love,” he promises, soft with conviction and it’s as much a surrender as a relief when he collapses into his lap and lets him hold him close
ghost believes johnny but he still can't bring himself to be intimate with him for a while; that fear still haunting him, but soap doesn't hold it against him, doesn't complain about ghost's perceived "step back" in their relationship
hell, ghost seems to hate it more than he does; he misses being with soap, misses the connection, the closeness they shared, the safety and quiet he found in his embrace, but he's always trusted soap more than he trusts himself
soap doesn't let him be consumed by his fear or worse, sabotage them and turn it into a punishment; doesn't let him even get through the suggestion of switching because he knows how much he hates it and he won’t let him twist something as good and pure as their physical love into something self-harming
instead, he brings them back to the basics, working through the steps to get ghost comfortable with intimacy again, to get him to trust himself again; spends happy months just grinding and exchanging handjobs like when their relationship first started
and it's a happy day for them both when soap finally falls apart on his cock once again, anxiety the farthest thing from ghost's mind when his arms are wrapped so tightly around him, kissing a smile against his lips
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oh boy anon, you’ve activated my trap card. GET READY FOR A SEBASTIAN CHARACTER ANALYSIS ESSAY BELOW LMAO
ok so first off I know im obvs biased, but I don’t actually think my seb is that ooc, AND PUT DOWN YOUR PITCHFORKS IMMA EXPLAIN WHY. but im also gonna explain why I don’t think the other more friendly and lighthearted renditions of seb are ooc either. bc theres so many aspects of seb we get in the game that can be interpreted in so many diff ways, and so this is how i see it/landed on MY rendition of seb:
PROTECTIVENESS/POSSESSIVENESS: this is one of the main aspects of him, imo. his entire questline is about wanting to cure anne, and how he’s not giving up, and how he believes that HE is the only one that can do it, because “she’s MY sister!” seb is super tunnel visioned and has a one-track mind when it comes to this, and I headcanon that he’s this way because of their parents deaths. he’s the brother, the boy, he’s gotta be strong for his sister, and ofc when their parents died, he tries to comfort her and be there for her/be the rock, and it happens again when she’s sick. shes his sister, his responsibility, and he’ll die before he gives up on her and her safety.
SO, I just transfer all those aspects over to a romantic relationship instead. you just replace “shes my sister” with simply, “she’s mine/my gf/my wife/etc.” and in the same way I think seb tries to be strong and reliable and protect anne because he’s the brother, I think seb would be the same way in a relationship, because he’s a boy and she’s a girl and its 1890 and he’s chivalrous and he just sees it as his responsibility. I think the death of his parents and his dynamic with anne has baked this sort of mindset into him, and its even MORE intense in a romantic aspect, because then hormones and puberty and sexual tension and attraction is involved (plus the fact that seb in my fic is 17, so he’s older and has even stronger raging hormones and testosterone LOL.
JEALOUSY: who can forget the lines “between the two of you, I’m starting to feel left out” and “ominis simply needs a moment with you and he’ll change his mind. is that it?” the first one is more playful but I feel like the second one really showcases sebs brand of jealousy, and how biting and uncharitable it can be.
AGGRESSION/VIOLENCE: yet another iconic line with: “fine. but ominis knows, I won’t step back from a fight.” LIKE... the fact that apparently ominis knows this means its come up more than once…and im not saying seb is some unruly aggressor who flies off the handle at anything, but he defs has a capacity and is willing to get violent if HE believes the situation calls for it—basically the same way he feels about the dark arts. he felt justified using imperio to protect anne, and taking the relic to save anne, and so he would have fought ominis to get out of the catacomb. and with MY seb, while he doesn’t go picking fights with any boy who looks or gets close to clora, he’ll definitely be willing to beat up or lay hands on a creep who bothers clora/who is in the process of bothering her LOL.
SO YEAH, that’s pretty much it, and I’ll be the first to admit I definitely ramp up these traits further because he’s older in my fic and i think these traits would only get more intensified with age + being in love and also bc IM A TWILIGHT GIRLIE!!! what can I say. there are so many moments in my fic where you can just replace seb with edward and it wouldn’t seem out of place tbh LMAOO so blame twilight, it was a formative experience for me BAHAHA
BUT like I ALSO said, I don’t think peoples more lighthearted interpretations of seb are ooc either. because even all my earlier above examples, you can just focus on diff aspects of them. like his tunnel vision and obsession to cure anne? instead of seeing it as over the top protective and possessive, you can just view it in a more wholesome determined selfless sort of way. like I said we got so many nice little bits and ingredients of his personality that we can turn into anything we want, really👌just pick which flavour of seb u like best and use what we got in game to create it HAHA
AW TYY QUEEN BAHAHA💖 and aw im always so honoured when ppl tell me they consider my stuff canon that’s like the best compliment I can get, tysm 😭 and im glad you like my fic and art so much (enough for your friends and family to unfortunately know💀 LMAOO)
im adding your ask to this because it kinda ties into my seb essay. LETS GET INTO WHY A SWEET BABY ANGEL WOULD LIKE SOMEONE LIKE SEB. the answer ISSS: the same reason WE’RE also all into him I guess?? BAHHA
ok but to start off im gonna defend my seb, not only cause of what you said anon (i dont want you to feel like this is targeted to you!) but also bc I got an ask recently asking me to summarize seb and clora’s relationship since all they see from my art is that “they fuck and seb is possessive” LMAO, and I feel like ppl who JUST see my art and don’t read my fic have a warped image of my seb.
this may be shocking but I don’t consider my seb a red flag LMAO. I joke about how hes more of a pink flag tbh, but even THAT i dont even really believe, and don’t even consider him overly possessive. like yes he keeps an eye on her when shes hanging around other boys, but I feel like that’s normal (esp for 1890) and all of his most possessive moments have been when theres been a threat to cloras life/coming from a place of love and protection (especially since clora is so self-sacrificial, she’d have killed herself by now if not for seb LOL) so to me id actually put Sebastian as being PROTECTIVE as his first and foremost trait, followed by the possessiveness.
and yeah he gets jealous, but unless a dude is actively trying to get with her/hitting on her/harassing her, he’ll otherwise just kinda be unhappy about it/let it play out/ watch on unhappily LOL.
and even when lawley was blackmailing clora and getting in between her and sebs relationship and lying about how close he and clora were, seb demanded answers from CLORA on what was happening between the two of them, but he didn’t touch lawley or tell him to stay away. bc seb thought that was what clora wanted, so he let her drift away. if he was TRULY a red flag, in this instance he would have just beat up lawley for taking what was "his"/not allow clora to leave him/immediately go to lawley instead of clora, and tell him to stay away despite what clora might want. (and clora even WISHED seb had interfered and done this. she was like 'why is he letting me drift away and go off with lawley i WANT him to fight for me...but she couldn't actually say anything thanks to the blackmail)
clora doesn’t just 'put up' with sebs more possessive and protective behaviour though, she actually likes it HAHA. just bc shes a precious baby angel, we all like a bad boy, even back then. just look at jane eyre, and how popular the dark and brooding and assholey mr. rochester was.
she tells seb at one point that she likes those things about him, even his immature competitive side, and his darker sides, and that he shouldn’t try to hide them or change himself because she accepts them. and even putting aside all of the stuff they’ve been through together that has bonded them (like the main canon quests + annes curse and then CLORA being cursed, and then clora being kidnapped and seb saving her) clora thought seb was roguish and charming and witty and intelligent and good looking from day 1. add to the fact that he’s just so devoted to her in everything he does, that even if he CAN get a bit overbearing at times, how could you NOT fall for someone like that😩 someone whose possessive behavior just stems from wanting to protect you and love you and want to keep you safe and cherish you like DAMN…. GET ME A SEB, TOO. WHERES MINE!!!😭😭
clora also realizes in ch 32 WHY seb is so protective of her (the trauma with his parents and wanting to be there for anne) and that she accepts it, and enjoys it, and that she might even MISS it if seb were to ever get less protective of her/might get lonely LOL, and then sebs like "i’ve "spoiled you, have i?"
so YEAH I don’t think sebs protectiveness and possessiveness goes into any toxic territory or red flag territory PERSONALLY (and the time that it DID get toxic was because of the relic, and clora DID put her foot down)
but my normal seb? whose dream in life is to whisk clora away into a tower and lock her up to keep her safe and keep her all to himself, but that he’d never ACTUALLY do because he knows its insane and unreasonable but jokes about wanting to do it anyway bc he would if clora agreed? clora finds that endearing and cute and is touched by how much he loves her and wants to keep her safe.
IN CLOSING: I LOVE THEM YOUR HONOUR AND THEY LOVE EACH OTHER👩❤️💋👨👩❤️💋👨👩❤️💋👨
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hey remember that caramel-carmel Fake Script i was writing? yeah it's technically not done but i'm tired of tinkering with it so here it is! we'll just say it's a uhhhh uncovered partial script or somethin
this is not in any way official! it's a 100% unaffiliated fanwork & i am Just Fucking Around for Funsies
~
BARNABY: oh, I love carmul!
FRANK: [long, disgusted pause] …what?
BARNABY: Carmul! You know, those tasty little treats you’re holdin’!
FRANK: You mean caramel?
BARNABY: That’s what I said.
FRANK: [scoffs] No, you didn’t. You said carmul.
BARNABY: We’re sayin’ the same thing here.
FRANK: We absolutely are not!
JULIE: [giggles] You really aren’t.
BARNABY: Carmul, caramel, tomato, tomahto! What does it matter!
FRANK: [flustered, stammering] It - it matters! Julie, you agree with me, don’t you?
JULIE: Well… I don’t know, Frank! I think both are fun!
FRANK: You’re both wrong, then! Wally, you agree with me, don’t you?
WALLY: [hesitant] …I say carmul.
FRANK: No! Not you too! How could you poison him like this, Barnaby?
BARNABY: Don’t look at me! I’m innocent, honest!
FRANK: Ha! So you admit that carmul is the wrong pronunciation!
BARNABY: [groans] ah, geez… throw a dog a bone!
FRANK: I’d be delighted to if you’d just-
[distant yelp as Eddie trips off-screen]
FRANK: Eddie! Thank goodness, finally someone who can put an end to this debate!
EDDIE: [nervous laugh] Oh no, what did I stumble into this time?
BARNABY: Hold on a tic, Frank. Hey Ed, take this. What do you call that tasty treat?
EDDIE: [with a tinge of fear] A… caramel?
FRANK: [triumphant] a-HA!
SALLY: [approaching] Did someone mention carmul?
FRANK: AGH!
BARNABY: [delighted] Perfect timing, Sally!
SALLY: What, for a delicious morsel? Hand it over, thank you!
FRANK: You’re all wrong, and I’ll prove it! We’re going to go around the neighborhood and - wait. [under his breath] One two three four - [returns to normal volume] we’re taking this to Poppy’s!
BARNABY: Then Home, then Howdy, yeah yeah - might as well ask the daisies, too.
JULIE: Oooh, and the butterflies!
SALLY: While we’re at it, we should phone everyone in the book, just to get the widest audience input.
FRANK: [unamused] You all think you’re so funny.
EDDIE: Well, you gotta admit it’s… it’s…
[brief, tense pause. Eddie clears his throat]
EDDIE: It’s perfectly sensible!
[Frank makes an affronted noise]
FRANK: Poppy will see sense.
-
POPPY: I’d be delighted to have a cah-mehl, but I’m afraid it-
FRANK: [aghast, truly astonished] You’re joking. You have to be joking. CAH-MEHL? Does no one in this town have sense?! Besides Eddie, of course. And Julie - on a technicality.
EDDIE: [oddly pleased] Why thank you.
POPPY: My goodness, did- did I say it wrong?
BARNABY: [gleeful] Not in the least, Pops!
SALLY: As far as I’m concerned, you added an extra layer of… pizazz to the word. In fact, I may adjust my own pronunciation accordingly!
POPPY: [flustered] Oh, well, I didn’t - don’t change on my account -
SALLY: Take the compliment, Poppy.
POPPY: [meekly] Thank you.
[Sally wanders from the group, practicing the slightly adjusted pronunciation]
WALLY: I’m not sure I understand. What’s wrong with carmul or… care… mul… carmel…
POPPY: Don’t strain yourself dear, you’ll get a migraine.
FRANK: What’s wrong is that it’s ENTIRELY incorrect! It! Is! Pronounced! Caramel!
JULIE: Aww, Frank, I’m sure Home and Howdy will agree with us! Team Caramel, WOOO!
BARNABY: [barely restrained disbelief] Boy, won’t they!
POPPY: I’m not sure what the fuss is about… there isn’t much of a difference, is there?
[Frank makes a high pitched, frustrated noise and stomps off. He can be heard calling Home’s name in the background]
JULIE: Oop, there he goes!
POPPY: Oh - oh dear. I didn’t mean to rile him up.
BARNABY: Don’t twist your beak about it - Frank’s just bein’ Frank. Now if you’ll excuse us, I wanna see how it goes with Home.
WALLY: [quietly, thoughtful] But Home doesn’t talk like us…
POPPY: If you’re sure… Do let me know how it goes.
SALLY: [swaying back to the group] I’ll phone you post-haste! Or even better, I can come by for one of your delicious muffins and regale you with the whole escapade, in detail.
POPPY: [audibly pleased] That sounds - well that sounds like a wonderful idea! I have some fresh from this morning-
BARNABY: Sounds great! See you around, Poppy.
-
FRANK: Home, I have an important question to ask you. Is the correct pronunciation for this candy ‘carmul’, or ‘caramel’? One creak for caramel, two for the incorrect carmul.
BARNABY: Talk about a bias…
[Home stays silent. Sally yawns.]
FRANK: One creak for caramel, two-
[Home slowly shuts their curtains]
FRANK: Hmph! The nerve… well, I suppose a house that can’t speak shouldn’t have a say, anyway.
WALLY: Home can speak. He just does it differently.
BARNABY: And I’m pretty sure they just agreed with me, Walls, an’ Sally.
JULIE: They did not!
BARNABY: Looked like it to me!
SALLY: I have to agree with Julie. Home just declared itself a neutral party, and so the vote can’t be counted either way. On to Howardson!
JULIE: Yes! Howdy! Our last hope!
FRANK: He may have terrible taste in company, but he’s a sensible businessman. Poppy and Home have let me-
JULIE: Us!
FRANK: -us down, but surely Howdy will back us up.
BARNABY: [faux-serious tone, knows something they don’t] Absolutely. Without a doubt.
-
[store bell chimes]
HOWDY: Howdy-do - [brief pause, a tinge of surprise] everyone! My my, what brings the entire neighborhood to my bountiful bodega? Finally decided to clean me out for good?
BARNABY: [snorts] With how fast you restock? I think I’d break my funnybone!
FRANK: We have important business.
HOWDY: [mildly curious] Do we? That’s news to me! But I’m letting you know now that I don’t deal in bugs, Frankly. It’d be hypocritical.
FRANK: Believe me, I wish I were here to talk insects. Unfortunately, I need to settle a score. Mr. Dear, if you would?
EDDIE: If I would what?
SALLY: [stage-whisper] Barnabello gave you the, ah, parcel earlier?
EDDIE: The…? Oh! Oh, right - I have it right here, just… give me a second… which pocket…? There we go.
[sound of a small, hard candy placed on the countertop]
HOWDY: A carmul all for me? You shouldn’t have! No, really, you shouldn’t have. I’m on the clock.
BARNABY: [loud bark of laughter] I knew I could count on you, pal! So what’s the tally, Frankie?
[Frank mutters something inaudible]
BARNABY: What was that? I couldn’t hear you over the sound of me bein’ right!
FRANK: [explosive] You’re all wrong! The correct pronunciation is caramel, CARAMEL! You’re all - you’re all just - heathens! Heathens, I say! I’m taking my company elsewhere!
EDDIE: Mr. Frankly…
JULIE: [overlapping, following] Aw, c’mon Frank!
[the door jingles. Julie and Frank’s hushed arguing in the doorway underlies the dialogue]
HOWDY: It sounds like I missed quite the context! Mind filling me in?
BARNABY: That was pretty much it; a real potato potahto argument.
HOWDY: If you say so, Barn. Speaking of potahtos-
[the background argument abruptly cuts off, the door jingles again as it's closed]
FRANK: [rapidly rejoining the group] Hold it! You don’t really say potahto, do you?
BARNABY: [under breath] Here we go again…
SALLY: [deeply amused] Where on Earth did you pick up such a butchered pronunciation? I must have missed the sign on my tour down from the heavens.
EDDIE: [baffled, underlying the dialogue] I’ve never heard anyone say it that way.
JULIE: Oh! Is it a joke? Like, Barnaby says potato-potahto, and then you jokingly say potahto to make us laugh?
HOWDY: It’s not a joke. That’s how it’s said.
FRANK: [genuinely disturbed] No - no one says that. It’s potato.
HOWDY: Well I say potahto, thank you very much! And if you ever want one from my store again, you’d do well to accept that.
[Various grumbles of reluctant acceptance]
HOWDY: Good. Now, can I get any of you a refreshing drink after such a squall? You must be parched!
WALLY: I wouldn’t mind a glass of mulk.
[Horrified silence. A pin drop would be deafening]
[Sudden uproarious and overlapping argument]
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punk!soap metalhead!ghost brain blast!!!
ghost trying so hard to get soap out of the bad parts of the scene bc he's starting to get pulled in by the shadows, a group of wannabe anarchists that stand for nothing except themselves, but soap loses his shit; laying into ghost for daring to try and "save" him
no one's ever been there for him when he needed them; no one ever offered him support or a soft place to land, why the hell would he want ghost's help when he's perfectly fine on his own? (when he’s always had to be?)
"you think i can't make my own decisions? well fuck you, ghost, who needs a washed up piece o’ shite like you!"
he doesn’t talk to ghost for days, doesn’t let himself acknowledge the hole he’s left behind until he's getting pissed with the shadows one night in an abandoned house and graves starts waving around the gun he snuck through customs and it accidentally goes off, grazing soap's temple
he's never heard anything so loud, even at all the shows he’s attended and there’s so much blood; it's getting in his eyes, running down his neck and soaking into his clothes and he’s frozen. graves and all his shadows bolt after hearing the gunshot, worried about cops finding them and they leave him there; staring at the growing puddle at his feet
soap's panicking; half-blind, blistering pain lighting up his head and he can't think about anything beyond how much he wants ghost
ghost's been sulking at his flat since soap blew him off; pissed at soap for going off on him when he just wants to help but still worried about the punk. he doesn’t want him going down the same road as him; doesn’t want him to repeat his mistakes when he could save himself so much suffering and he almost doesn't answer his phone when it buzzes on the couch
he lets out a ragged sigh as he picks it up; raking a hand over his shaved head when he sees the bubble emoji and contemplates letting it ring out. contemplates answering with a growl; something a younger, crueler version of him would spit. in the end, he decides on silence and puts the phone to his ear just before it can stop ringing
he almost breaks it when he hears soap choke out, "i've been shot."
he's out the door in a heartbeat, running down the stairs because the lift is too slow; trying to get more information out of him but he can't get anything out beyond a repeated, "i've been shot."
he breaks every law there is as he speeds to soap's location; visions of his cold, bloodless corpse staining his mind's eye. the only thing keeping him calm are the strangled breaths from the other end of the line; he's not dead, he can work with not dead, this isn't tommy, soap won't end up like tommy-
ghost screeches to a halt outside a random alley and throws himself from the car when he sees soap collapsed against a garbage bin. he's covered in blood, soaked, just like that night, it's everywhere and he's not moving, he's not moving-
“johnny!”
he skids to his knees and fits his hand under his chin to check his pulse… but his heart beats strong under his fingertips and soap's eyes flutter open; flooded with blood but conscious and alive
the second he registers ghost in front of him, he’s reaching out for him; babbling apologies over and over, "you were right, i'm sorry ghost, i should've listened; i'm sorry, i'm so sorry."
ghost just gently hushes him, cupping his face heedless of the blood. "that doesn't matter now, johnny. we're gonna get you all fixed up, yeah?"
soap’s hands fist in his shirt, clinging to him. "i got shot, ghost," he says again; lost and smaller than he's ever heard from his punk and it's been years since he's felt this kind of rage but he doesn't let a drop of it touch his voice
“i know, lad. i know. gonna let me take a look at it? make it right?"
soap finally nods, his stuttering apologies coming to a halt and ghost runs back to his car to get a towel. he presses it to soap's skin, trying to soak up as much as he can so he can get a proper look; cooing assurances as soap absently hisses in pain the closer he gets to it
it's only a graze and something in his chest unravels; old fears and grief settling as the shallow wound continues to gush into the towel
ghost slumps, pressing his forehead into the top of soap's head and takes a second to just breathe. “‘s’alright, johnny; it’s not even that bad, not even that bad,” he promises, low; spoken more to himself than soap
his hand starts to grow damp and he forces himself to his feet, gathering up soap and getting him into his car. he puts the towel in his hand and presses it against the wound, trying to coax him through his shock to put pressure on it so he can drive
soap curls up in the passenger seat; eyes distant, seeing nothing and ghost has to tighten his grip on the steering wheel so he doesn't turn around
soap is the priority
he has to get him home; has to get him cleaned up and safe
then he can go hunting for the gutless shadow that hurt his punk
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