#no one understands john like i do
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Why is homestuck
silly comic with things in it that make me giggle and cry . i QUADRANT homosuck
#hs#ask#john egbert my beloved#no way to explain the emotions i feel about some of those thirteen year olds#no one understands john like i do#or karkat#theyre both so real to me#real dykes and faggots in there too#me when the rose and kanaya kiss on screen#me when dirk strider#really has something for everyone in there#i laurve it#transgender media asf
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You'll understand when you're older and you're older now
[Hosea's campfire story // timestamp 5:40]
ID below cut
Image Descriptions
Panel 1: John Marston sitting cross-legged behind a campfire, head tilted down so that his hat is hiding his eyes. Text in image reads, "Been staring at that fire now for a long while now, Marston."
Panel 2: The night sky. The moon is shining to the right. The text reads, "... I had a father who used to say..."
Panel 3: Close up on the campfire. Text in image reads, "that if you stare into a fire long enough, you can see the whole world passing by."
Panel 4: Closeup on John's eye. His expression is contemplative.
Panel 5: Just a black background with text. Text reads, "Think I'm finally starting to get what he meant."
End ID.
#rdr1#red dead redemption#rdr#john marston#rdr2#red dead redemption 2#hosea matthews#no one in particular is meant to be talking to him slap anyone you'd like in there#john and hosea man.#john and hosea#i do have thoughts about them#did this piece in a rush might redo and repost if I get the time#you'll understand when you're older and you're older now but now your father ain't around#hosea's father -> hosea -> john -> jack
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codtwt is going off on brainwashed!soap bc of his new warzone skin and it’s making me think of ghost deliberately getting himself captured by makarov bc he knows he’ll be given to his dog to try and break him; knows he won’t be able to resist the irony, the cruelty of being tortured by the teammate he lost
he doesn’t fight; welcomes the chains around his wrists and ankles, welcomes the hands stripping him of his weapons and gear until he's defenceless
he wouldn't use them anyway
when he stalks into the room, the muzzle, the scars, not even the blank hatred or lack of recognition could make him mistake his eyes
that's his johnny
he doesn't flinch as he digs knives into his skin; would never shy away from his kiss even if it's tinged with rusted steel. doesn't swallow his screams; not when he always loved hearing him, when he spent so long coaxing his voice from the grave
frustration joins the anger in johnny's eyes the longer he goes without giving up information
just jokes; dark and puns alike
just advice when he can't get the jumper cables to spark right
ghost's not trying to escape; not trying to barter his return to the 141
he's right where he wants to be
#ghost letting him be tortured indefinitely if it means being with johnny i am going to eat glass#he doesnt even care if he never gets him back. if the brainwashing is permanent#he still treats him the same. gives him openings to meet a punchline or rib him for something#no matter how long he goes without responding. without giving him any hope of becoming the man he knew#if pain is all he’ll ever get from johnny again he’ll welcome it gratefully with open arms#he got his share of kindness. more than he ever thought he deserved. if pain has to balance it out then so be it#so long as johnny is the one giving it to him#meanwhile soap gets more and more frustrated that he cant break this soldier#that when he becomes more inventive he just meets him with a story about people he doest know but acts like he should#that every day when his master calls him away he leaves with a soft - /loving/ - see you tomorrow johnny echoing in his ears#he doesnt understand#and it just makes him more vicious#but the soldier doesnt care#he still smiles in the face of pain#still calls him johnny#coming out of my cage and ive been doing just fine.txt#we’re a team. ghost team#soapghost#ghostsoap#ghoap#ghost cod#simon ghost riley#soap cod#john soap mactavish#ghost x soap#save post
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potentially hot take but this is a pet peeve of mine
#listen. anyone can write whatever they want and idc I don’t have to engage with it. all power to them!!!!#it’s not even an automatic click-off for me or anything#i just… why. I don’t get it#like… that’s literally one of THE most iconic traits of the entire character. of the entire concept of the SHOW even#and you’re just gonna??? get rid of it??? hello????? the entire basis that John and Arthur’s relationship is made from????????#really????????? possibly the most tender part of their relationship???????#you don’t wanna write fluff about John reading him books and describing things and guiding him????? really?????????#it’s just so boring to me. I don’t understand the appeal#like yeah obviously Arthur as himself would definitely prefer to get his sight back#but as a concept like….#something ab the whole ‘happy ending = the disabled character gets ‘fixed’’ thing just leaves a bad taste in my mouth#why do u have to fix them. why cant they just be disabled. do you think people can’t be happy and be disabled???#idk maybe it’s not that deep. and still I don’t really care that much#it’s just the vibes. I don’t vibe with it.#and I’m sure there’s some actual annoying as hell discourse in the fandom ab it which I have zero interest in engaging in#but I had to have my little petty bitch moment#bc blind Arthur is everything to me. ESPECIALLY in a jarthur context.#anyways thank u for coming to my Ted talk#malevolent#arthur lester#if anyone wants me to tag this as smth Iemme know
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And remember kids, the next time someone tells you, "George R. R. Martin wouldn't make Jon Snow the typical fantasy hero because that's cliche".....
Oh yes he would!
One viewer wants to know what character would you play (on the show)? GRRM: If I could magically clap my hands and become a different person, it would be cool to play Jon Snow who's much more of the classic hero. Everybody wants to be the classic hero! ABC Interview, 2014
GRRM: And the character I’d want to be? Well who wouldn’t want to be Jon Snow — the brooding, Byronic, romantic hero whom all the girls love. Meduza Interview, 2017
In fact he already has ☺️
#asoiaf#jon snow#yes grrm has criticized neo-tolkein fantasy - a lot!#but like....dpmo#I need so many people in this godforsaken fandom to familiarize themselves with grrm's engagement with the genre#he isn't trying to say “chosen one boy protagonist bad” where tf did people get that???#he's directly trying to challenge the more unsatisfactory elements of lesser copies of tolkien's legendarium#the ones that lift lotr wholesale without actually understanding what makes tolkien's writing snap#at the same time he has admitted himself that he has borrowed from lotr albeit with his own twists#but people in this fandom need to know that ye old man LOVES sword-and-sorcery fantasy#he LOVES a good epic#he LOVES pulp fantasy and sci fi#and those inspirations are directly reflected in asoiaf#the way he's named arthuriana/lotr/MST and many pulp stories with brooding dark heroes as key inspirations#almost all of which have mcs who fall into the typical fantasy hero role#and they inspire elements that are reflected back onto jon more than anyone else in asoiaf#like seoman snowlock = jon (+bran)#frodo - who btw is the mc in lotr not aragorn!! = jon (and bran)#FUCKING KING ARTHUR IS JON SO MUCH SO THAT RLJ IS LITERALLY A 1:1 COPY OF ARTHUR'S BIRTH STORY LIKE??!!!!#anyone who's even a little bit familiar with le morte d'arthur will be like oh yeah jon is literally king arthur like 😭😭#same with anyone who's ready the once and future king - which grrm has directly identified as his fav take on arthurian lit#ntm that jon is based on some of the most prolific characters in arthuriana - percival/galahad/lancelot etc#did you know that there's an iconic sci-fi series whose main character is called Eric JOHN STARK?#well grrm has directly quoted that series and the mc as a foundational book in his life#funny that huh? 🙂#do people even know what tf they're talking about when they say stuff like this???? ajdhhjshsbvshja#grrm engages very heavily with traditional fantasy tropes but he of course provides his own spin on them#never has he said that he's trying to avoid stories with hidden princes or chosen ones as boy protagonists#like someone find me a direct quote of him saying that - but I bet you can't smh
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RRRRAAAAAAAAAAAA I LOVE HIM SO......!!!!!!!!
#art#rdr2#rdr2 fanart#rdr1#john marston#barghestland#i just realised that his relationships with jack are basically.. me and my dad LMAO#my dad is a bit late being a real dad tho im 27 :/#but it's nice it kinda feels like i actually have one! wow!#jack. my poor guy. i understand.#oooooh it hurts actually#but i love john anyway. listen he's doing a good job ok#im proud of him#ok im sad now just look at pretty (i guess) art alr<3#artists on tumblr
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okay so @monstermoviedean is watching s14 rn and her takes are god tier!!! and you should all go read her blog please!
but it just makes me want to talk about lebanon/14.13 so much! like it really is one of my favorite episodes of spn. which is crazy i know because i truly hate john with every fiber of my being but i think this episode reveals so much about him & dean's relationship with him with delicious subtly!
and i've yapped at random on twitter about this but i want to gather all my thoughts in one place.
dean's relationship with john is The most important relationship in spn that i'm interested in unpacking. (i am normal and fine and this has nothing to do with my own issues)
i think for some people who understand john as abusive, it is frustrating and jarring to see him come back after so many years and just be kinda nice. especially given that dean has just finally started to talk to his family about some of the bad things john did.
i maintain that dean has been pretty clear with cas and like random strangers that his dad was shitty. but in 14.11, he tells mary the winchester surprise story. while he doesn't frame the story as truly a critique of john, it is a contrast to his quiet silence and pained expression after newly-resurrected mary says john was a good father in 12.02. in 14.12, dean opens up to sam about how when john was pissed off at dean, he would send him away. this is a stark new light on dean's comments from 7.14 where he apologizes to sam for sometimes "ditching him" when they were kids. sam quickly shuts down dean's apology in 14.12 and subsequent discussion about dean's regrets and feelings about john. but since sam's shift in his opinion about john in 2.02, dean pretty consistently keeps his criticism to himself in front of sam so this is a marked change. and the very next episode script draft includes the infamous "probably pulled the wide-eye hitchhiker routine. dad made me do it all the time on hunts. as bait." so, given the episodes and revelations that bookend 14.13, it's understandable how hard it is to see john and dean interact at all.
but i think it's perfect! because it so clearly shows every truth of their relationship.
firstly, we can look at who john apologizes to. in 1.16, 1.20, and 14.13 john is reunited with sam & dean after time apart. and in all three episodes, he apologizes and/or works to make amends with sam for their fractured relationship. in fact, in 14.13, it's a mention of the winchester surprise that triggers john's apology to sam.
in contrast, the only time john apologizes to dean for his childhood is 2.01 when he says sorry for making dean always have to look after him and sam. and then promptly asks him to kill sam if he has to.
it's crushing to me that at no point does john see the way he treated dean as anything to make amends for. instead, in 1.21 and 14.13, he frames dean not "having a home" or "having a family," "a normal life" as circumstances outside his control or as somehow dean's choice. and yet, john is entirely responsible. he is the one moving dean from school to school, getting him into credit card fraud, taking him on hunts. in 12.09 it's established that dean has as long arrest/warrant record which includes things we never see him getting arrested for in canonical spn. he is the one who always said hunting was temporary (6.02) and yet never allowed for a way out. so even though john's affect is kinder, we know he isn't meaningfully taking accountability for a huge amount of his actions.
it's the reason for the kinder affect we can look at next. because what is one of the most common indicators of abusive dynamics? treating people differently in public vs private. and critically for almost all of 14.13, mary is observing john. and we know that despite their marital problems (5.16), she considered him a good father. he doesn't know that the life he forced sam and dean into is the very worst thing she could have imagined for her children (4.03), but we can tell from his apologies to sam that john is at least aware of things he did which he regrets.
before mary arrives, he is giving sam and dean orders, "You boys better tell me what the hell is going on right now." i recognize he's very disoriented but this affect disappears entirely after mary shows up. i cannot overstate how much i love how not stern and harsh john is here because it shows that he could have always chosen to be like that. but there weren't negative consequences (a wife who might be angry with him) to face.
i've said before that i think one of the reasons that john kept sam & dean away from hunter gatherings and meeting other hunters (2.03, 12.06) is because hunters they met might have acted exactly how dean acts to krissy's dad in 7.11 and told him to quit. the hunters/community john did maintain relationships with were sometimes kinda shitty people - Deacon (2.19), Travis (4.04), Martin (8.09). not that Bobby, Caleb, Pastor Jim, Bill Harvell, Daniel Elkin were necessarily like that but I do think its worth looking at who John's friends who he didn't have a falling-out with were. Like Fred Jones who gave Sam & Dean their first beers when they weren't even 10 (8.08).
some other details about that first reunion kitchen conversation that always stick out to me are john finishing the drink dean pours for him while dean & sam barely touch theirs. it's also significant to me that dean tells mary in 12.01 that john died to save him. but here, he tells john that he died taking out yellow-eyes (which is literally not what happened. like specifically he died by making a deal with azazel). dean, always working to deescalate and maintain the peace, instantly clocks which thing they will each find more soothing to hear.
one thing that i see people often critique is the idea that john coming back is somehow the thing dean wished for the most. but what dean actually says is that this is something he's wanted since he was four years old. so it's really not about john back at all. john died when dean was 27. but mary died when dean was four. and that cause nearly every hard, traumatic, awful thing in dean's life. to some extent, i think it was about wanting john to have mary back. throughout dean's entire life, john used the loss of mary as an excuse for how he acted and what he made dean & sam do. so of course what dean wants most is... for that not to have happened.
and this brings my to my second favorite part of the episode. but you'll only catch if you're paying attention. dean says he's thrilled to have john back and yet at every chance he gets, he leaves the room john's in. he leaves the kitchen when john reunites with mary. dean gets the grocery list from mary while john has a tearful apology with sam. dean talks to john again only because he has to tell him about the pearl but then leaves to help cook. after dinner, he goes to do the dishes. dean really is not actually trying to spend time with john - even when they get a deadline for when their time with him is over, dean is not trying to make the most of it. and god i love him for that.
i sympathize with people who are frustrated to see dean fall back into the role of caretaker for john's emotions and wellbeing. and i agree but i appreciate that it is very clear that's what's happening. he's performing the role he's always been forced to perform. he may be more aware of it as a performance this time. he may be taking more steps to remove himself from having to interact with john. but i would almost feel worse if he wasn't getting john a drink, doing what he said, going on little errands, cooking, cleaning up. john says "You want to give your mom a hand?" and of course he goes.
i think dean always has held both deep hurt from and empathy for john and this episode is full of both of them. and while i think it's always hard to hear dean slip back into those moments of empathy (8.12 is always rough for me), it's so real that's where he would be sometimes. so much of being a child who's made responsible for your parent's emotions means that there is such a deep part of you that wants to protect them from harm.
i personally think the song "til it shines" by bob seger is an insane choice to play over their dinner scene. because, though that's not the part of the song that plays, the lines "Take the chip off of my shoulder. Smooth out all the lines. Take me out among the rustling pines, till it shines, ah, till it shines" always strike me as trying to see something through rose-tinted glasses in a way. or maybe acknowledging the performative, white-washing that's being done?
anyway, i understand why people want dean to have a cathartic yelling session with john. but honestly im not sure that would ever sit right with me. i think honestly 14.13 is kind of perfect. john comes back and it proves everything. john could always be kind (he took you to a freaking baseball game (4.19)). he could always apologize. he always did say he wanted the boys to get out of hunting but never even tried to make it happen.
and that brings me to my favorite part of the episode. my darling. my baby. my treasure. dean says, "i have a family." and what that means to him is his own. he gets to keep it. he gets to mean it without john's scrutiny. without him tearing it apart. the conversation sam & dean have over dishes is another deeply meaningful part. dean specifically rejects the idea of telling john the truth about any of it - even if it would change things. because he's good with who he is. "Cause our lives – they’re ours."
this matters so much to me because i don't think dean's healing can ever be contingent on john - not on his reaction, not on finally telling him the truth, not on john getting comeuppance for all the shit he did, not even on changing the past so john has more information because the critical thing that 14.13 and 4.19 show is that john literally did not do the best he could. so what could change that?
in the kitchen, dean tells sam that he blamed john for "the longest time". do you understand how much it means to me to hear him say that?! because i think of course blaming john is the first step! dean was hurt and he was angry about that and he should be!
but dean's healing can't just stop there. while i know there will be moments as he heals where he's angry with john again, the beautiful core of dean's healing i see in 14.13 is him being clear on where the boundary of him and his wants, goals, needs, and priorities are vs john's. i think a lot of dean's young relationship with john was him being forced to keep parts of himself (the parts that didn't like to hunt for example) secret out of shame and necessity. but here, i don't think dean is carrying that shame anymore. he is very clear on how what he wants from his life differs from what john would want but dean sticks to his own values. he has a family. he's good with who he is. it's just none of john's goddamn business.
anyway, as always mitski says it best....
plus we get two of THE MOST shots of dean's face of all time for me!!! like my god stabbing me would hurt less!!!
plus! PLUS!! CHERRY ON TOP!!! LOOK AT THESE NOOOOOODLES
in conclusion. your honor, i love her.
#14.13 lebanon#14.13#damn i should have been posting on tumblr alllll along#twitter is so short compared to this#and boy do i love to yap#dean & john#spn meta#i understand i am doing a bit of a restorative reading of this#on purpose#and there are other readings which are totally possible#and make me sadder#but i like this one#dean studies
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GO LISTEN TO MALEVOLENT NOW!!!! GO DO IT DO IT NOW HURRY!!! (Untextured version + closeups under text)
#malevolent has taken over my entire brain and life its all i can think about all the time always#no one understands them like i do#art#malevolent fanart#malevolent#malevolent podcast#rusty quill#audio drama#arthur lester#john doe#john malevolent#harlan guthrie#soupp art
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people hating a character because they very clearly misunderstand them is forever going to make me so mad
#like you can dislike characters ofc#nothing wrong with that#theres plenty of character i hate#but like#sometimes theres characters that are there for a REASON and people just. do not seem to understand them?#like misunderstanding a character and hating them without trying to look too deep into them is so sad to me#best examples: jayce.#the way ive seen some people hate jayce in s2 for- what exactly????#like to me it just seemed like people were going “oh no jayce hurt my fav he must be evil” like?#it looks like some people didnt even TRY to see it from jayces perspective??????????????#thats honestly INSANE to me#i love both jayce and viktor and the scene where jayce tries to kill him is INCREDIBLE#i fucking love it#when you see both of their perspectives you understand why theyre doing what theyre doing and its SO GOOD#i cannot imagine hating jayce#another example (that im gonna get stoned to death over): john walker.#sorry not sorry but john walker is one of the BEST characters in the falcon and the winter soldier.#and i am so not kidding#that dude is an ASSHOLE and i fucking love him#people hating him for being a captain america replacement and hating him because bucky and sam hate him is wild to me#guys. guys. do we not try to see it from both perspectives#im not saying you HAVE to like him#but his character is very well done and his WHOLE THING is about him being A captain america- not THE captain america.#his whole character is about how he cannot live up to steve#hes a very contradictory character in some ways and hes really fucking interesting#my favorite shot in the series actually is the scene where john kills that flag smasher- and then we see the shot with him standing there w#with the bloody shield#THAT is such a good shot#the blood on the shield is perfect#dude just killed someone in front of a shit ton of people with the shield. hes holding the shield thats covered in blood.
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i love og soap too much. my stomach hurts. i don't feel good.
#artists on tumblr#call of duty#modern warfare#cod modern warfare#john soap mactavish#09 modern warfare#i am a soap and ghost girlie first and a human second. wahoo.#no thoughts only kevin mckidd's performance in cliffhanger uggghhh. “took the scenic route eh?" shut your MOUTH you beautiful man#“break's over roach. let's go.” what if i suffered cardiac arrest and died right now#you have the GALL to save me while i'm slipping off the iceberg. you have the GALL to grab my hand and throw me to the top so i won't fall#how dare you actually?? do you know what that did to me at age thirteen?? i bout flipped my lid and my dad looked at me like i was crazy#i need me a rugged scotsman and i need one now. i am no longer asking#sorry for exposing myself like this but you would understand if you played the dadgum game#lea shut up about fictional people challenge go#i hope i did him justice :(#i know he doesn't have the face paint for more than like two missions in mw2 but it's so iconic i can't leave it out#the oil rig + gulag getup remains one of his best i don't make the rules#that and the sierra leone one with the sleeves rolled up. real ones know#next time he will be awarded a shirt ^^)b need more anatomy practice for now though
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Revenant Side Stories
Story VI: Farah
[Konchar] [Graves] [Gaz] [Price] [Novikov] [AO3]
This was originally going to be a retelling of the entirety of Farah's story in MW 2019, but I underestimated how long that would be, so these are more of snapshots of her life, up until 2019.
Farah is going to be a central character in part two because it will revolve around Urzikstan, so I was very excited to get into her character in depth. This was probably the hardest side story to write because I think the original story was already good (it's easier to write for something that had a lot of flaws in it rather than something good... maybe that's why I like cod after all these months lmao)
Anyway, I also decided I'm actually not done with the side stories, and the last actual one will be of... Roba, of all people. I know I made the comic for Ghost's origin story, but I never got to show what he did to Roba.
Alright That's enough rambling let's get to Farah's story
She doesn’t remember the first time she has heard of revenants. Humans who are saved from death, only to come back with abilities from worlds beyond their own. Of how they are revered, looked up to. And yet, misunderstood.
They don’t look up to revenants in Urzikstan.
The once-dead are not heroes among her people. They’re something to be pitied; people who chose to stay on earth and suffer, instead of move on to a better, calmer existence in the place after death. Take on the burden of the Reapers, dust off the dirt of their graves, and continue the endless fight for freedom.
In Urzikstan, revenants are called “those who sacrifice”.
Her baba taught her and her brother the different names of Reapers, told them tales of those who sacrifice as bedtime stories. She always found them fascinating, as opposed to her brother. They were often grim, their ending tragic and unsatisfying, but they felt more real like that. Felt more like her day-to-day life than any other fairy tale could.
She wouldn’t know how much her story would be like those, before it was too late.
The day she died is muddy, in her memory. Yet another thing she sacrificed, in order to stay in this world. A deafening whistle, followed by walls collapsing around her. Streaks of ash on the bloodless face of her mama. Pain, unlike anything she could imagine. The voices of her baba and brother and uncle, searching. The sickening shifting of concrete above her, whispers praying for mercy, the walls closing in on her-
And she dies.
At seven, before she knew how to write the alphabet, buried beneath the earth with only the pale face of her mother as comfort, Farah Ahmed Karim died. Yet, she did not move on.
The memory of the first time she saw her Reaper was clear. She may have forgotten her mother’s lullabies, or her father’s laughter. She has not been given the privilege to forget her Reaping.
The first thing she noticed was the clean air, an odd odor to it but blessedly lacking the dust she has been inhaling for what felt like hours. The lack of pain was the second - her legs no longer crushed under thick concrete walls.
The monster, was the third. A being made of sharp shapes, glistening metal melting and hardening, flowing through cracks in the stone face of the Reaper.
As the stone face moved, grinding against itself, Farah got up to her feet. Her legs screamed at her to run, but the memory of her baba’s stories calmed her.
“The ones who take do not mean harm to the ones who sacrifice, Farah.” he told her, whispering as to not wake her brother, “they need each other. They need our sacrifice.”
“What for, baba? Why would the ones who take need to give humans their powers?”
Baba sighs, a small smile on his lips as he tucks a stray hair behind her ear, “we don’t know for sure, but we must have something they don’t. Some say we humans were chosen by chance.”
“What do you think?” she asks, her endless craving to know more yet satiated.
“I think we and the ones who take are connected, somehow. I think we are the only ones that can sacrifice.”
Instead of running, instead of listening to all of her senses, Farah stepped forward, and with a small voice asked, “w-who are you?”
The stone face turns to stare at her.
“I AM MIGHT. THE STONE, THE BLADE, THE BULLET.”
The Reaper tilts its head, metal rivers splashing into an endless void.
“DO YOU KNOW WHO YOU ARE?”
Farah blinks away the tears that have gathered in her eyes, tries to speak louder, “I’m… I’m Farah? I’m a human, I’m-”
“YOU ARE NOT HUMAN, FARAH. YOU ARE DEAD, BURIED, CRUSHED.”
Her lips turn downwards, and she can’t stop the tears any longer, “w-why are you asking if you know?”
The rocks grind in an almost rhythmic way, and somehow Farah knows it is laughing. It makes her avert her eyes.
“Can… can you save my mama?” she asks, and the sound stops.
“I CANNOT SAVE YOUR MOTHER, FARAH.”
“S-she… I think she also died, can you-”
“I CANNOT SAVE YOUR MOTHER, FARAH.”
She grasps at the torn edges of her dress, sniffing her runny nose, “it’s not… it’s not fair…” her face scrunches as she sobs.
The Reaper leans forward, the light surrounding it reflecting with dazzling colors off of its body. Farah closes her eyes, not because she is afraid of it, but because she is afraid for her mama.
“I CANNOT SAVE HER, BUT I CAN SAVE YOU.”
Farah opens her eyes. Baba said he thinks only humans can sacrifice, but maybe not all humans can. Maybe mama wasn’t able to sacrifice, but…
She lifts her hands to wipe roughly at her face, tears and snot smearing on her skin. Her eyes trail up the falling liquid metal, beating heart deafening her ears.
Her voice is steady when she says, “I want to see baba and Hadir. I don’t want to leave them!”
The stones grind once more, a sort of excitement shaking the very ground.
“YOU WANT TO LIVE, FARAH.”
She nods and repeats, “I-I want to live!”
The Reaper tilts closer, its face level with hers.
“I WILL GIVE YOU THE MIGHT, THE STRENGTH, THE POWER TO LIVE, FARAH. AND I WILL TAKE YOUR SOUL.”
The metal drips near her feet, heat emanating from them. It reminds her of home.
“I choose to sacrifice. For you, for baba, for Hadir. For… for mama.” Farah whispers.
The stones shift, circling her. Her breath picks up at the thoughts of crushing walls, but it is not dark here. No one is shouting. She doesn’t smell death.
Metal singes her clothes, and she wants to jump back, but the stones stop her. It burns. It hurts.
It is not dark, but the bright colors blind her all the same.
“I ACCEPT YOUR SACRIFICE, FARAH.”
“MY MIGHT IS YOURS.”
When she wakes again, Farah doesn’t feel pain. She’s still under ruin, somewhere different from where she was before. All she sees of her mama is a hand, and she holds it. She notices the skin of her own hand glistening in the meager light filtering through dust and ash, like colorful metal. Like her Reaper.
It felt like hours pass before baba found her. She feels hunger and thirst, but the weight of the building doesn’t pain her anymore. Baba is crying when he finds her, pulls her out of the wreckage carefully, asking if she’s hurt.
She tells him nothing hurts. He pulls back from their embrace, his brows scrunched in confusion until he notices.
“I chose sacrifice, baba.”
Baba closes his eyes and hugs her harder, and she knows it would’ve hurt if she could feel it. He tells her everything will be alright. She wanted to believe it. She couldn’t.
They find mama. Hadir tries to wake her up, but Farah pulls his hands away. She tells him mama is in another place now, somewhere better than here. Hadir’s hands shake in hers, but he nods and pulls away.
Uncle and baba rush them home. Farah wants to cover her ears, the sirens don’t stop sounding, the noise pitching up and down along with her heart. Loud explosions make her flinch, so Hadir grabs her hand. It makes her feel safer, for a moment.
They run through the market. There’s a truck stopping in their way.
The Russians.
Baba lifts her in his arms, Uncle taking Hadir. They tell them to cover their mouth, when the Russians throw weird gas at them. It smells like the liquid mama used to clean their house, and it made her eyes itch and burn.
They enter their home, but baba doesn’t stop moving. He gives Hadir a gas mask. He will have to share his with Farah. Uncle leaves, telling baba he’ll meet them later.
“W-where are we going?” Hadir asks, clutching the mask.
Baba grabs a backpack, hidden behind the kitchen cabinets, “we’re going to the bridge, then to the mountains. There will be no sirens there.”
Farah hurries to follow him, wiping blood on her dress. Her skin isn’t bruised, but it feels weird.
“I don’t want to go…” Hadir says with a frown. Baba turns to look at him. He crouches and pets his shoulder.
“I know, dearest. I know. We will return, I promise.” his tone changed, stern like when he taught her not to touch the hot pan, “you need to be strong for your sister now, alright?”
Baba points to Hadir’s heart, “you keep mama here,” his hand moves to his head, “and you keep this clear. That’s how we survive, you understand?”
“Yes, baba.”
Baba shoulders the backpack, and begins walking towards the door, “when we get outside, you stay with me, okay?”
As he goes to open it, the handle moves, and the whole frame shakes. Someone is trying to get in.
“Stay behind me!”
The door slams open, a large man with a gas mask walking in. Farah takes a step back. The man meets her eyes and closes the door, and she stares at his gun.
Baba pleads with the man. He does not listen.
Baba throws his backpack at him, the man shooting a couple of bullets into the floor. They miss Farah’s feet by a few centimeters, and she freezes, breath held in her lungs. Hadir throws himself against the man, but gets shoved back.
The man pulls out a knife, baba manages to take it, stab the man. But it doesn’t change a thing.
It doesn’t save him, when the man pushes him to the floor, and shoots one, two, three, four bullets.
Only then do her feet unstick, and she mutters to herself, “hide!”
She runs back to her and Hadir’s room, crawling under the bed. The man shouts angrily and she hears something break.
Hadir. She needs to help Hadir!
As the man talks to someone on his phone, Farah crawls towards the kitchen, finding a knife. Mama always warned her not to play with them, but if the man catches Hadir…
In her heart, she asks for forgiveness from mama.
When she finds the man, he’s leaning against a wall, his hand clutching his side. Before she can think it over, Farah lowers and slashes at his legs. The man screams in pain, shooting a few bullets at the ground, and turns around to slap her.
It doesn’t hurt, but she drops the knife, so she runs away again.
One of baba’s tools is on the ground, must’ve fallen from his backpack. She grabs it and continues running, the man on her tail now.
The man says mean words to her, in Arabic, but her ears are pounding, her own heavy breaths the only thing she can hear. Her grip on the tool tightens.
“I’m going to kill you!”
Farah watches the man stumble in the hallway, searching.
“You’re going to see father soon, you piece of shit child!”
He trips on the rug. She sneaks closer.
“You’re dead, you hear me?! YOU'RE FUCKING DEAD!”
Farah runs forward, aiming for his other leg, but he turns around and grabs her hand before she can stab him.
“There you are!” he grabs her by the neck, slamming her to the floor, “got you!”
She can feel his hand wrap around her, crushing her windpipe, but it doesn’t hurt. The man grunts, before he freezes.
“You’re- you’re one of them?!”
Hadir jumps on the man’s shoulders, screaming, “get off her!!!”. He uses the knife she dropped to stab him in the neck, “get him, Farah, now!”
Farah grabs the tool, and uses all her strength to stab it into the man’s chest. He screams as flesh gives under the metal.
“It’s working! Again, sister!”
She pulls it out, and repeats.
“Good, Farah!”
And again.
Four times, until the man stops moving and making any sound. Farah takes his mask, the gun too heavy and tool buried in his gut.
Farah and Hadir return to baba. Hadir tries to help him up, but baba stops him.
“I can’t… I can’t go with you.”
Tears well in her eyes. Baba is leaving as well.
Hadir wraps his hands around baba’s, “what do we do?”
“You survive. Whatever it takes.” he turns to look at Farah, “even… even your sacrifice. Never give…up…”
Baba’s head drops. He’s gone.
Hadir stares at him for a moment longer. He gets up, “let’s go.”
They weave through the town, a murky green tinting the air. People are gasping and coughing around them, until a gunshot silences them. Hadir says it’s not fair. Farah knows.
It’s not fair, that they pass by people who get shot, and don’t get back up. It’s not fair, that she has to kill twice more, just for them to get a chance at freedom.
It’s not fair, when a man drags both of them away from it, a cruel smile on his lips as he inspects her.
It’s not fair, that she knows to recognize the malice in his eyes.
The soldiers take them to a prison. They find out she is one of those who sacrificed.
It’s not fair, she tells to the Reaper in her heart, that her sacrifice was not enough to save anyone.
She learns very quickly to hate Barkov. He learns, quicker, that his usual torture methods don’t work on her. He finds her weakness not in her own flesh, but in the flesh of the others. Hadir, in most cases. They keep the men and women separated, only allowing her to see him once every few weeks, and every time she gives them trouble, he takes the punishment. He tries to hide it, but he can’t hide his limp, or his bloodshot eyes, or the scars that keep multiplying upon his skin.
Contrasted with her flawless arms, glistening oddly in the light.
She gets into fights with her Reaper, in the earlier days. Demanding answers, for the simple question of “why?”.
Why her? Why this power, that only protects her? Why taunt her, tell her she’s under the Reaper of Might, yet show her every day how weak she is?
There are whispers among the guards, of a person by the name of “Karim”. A Commander, aiding the prisoners, attempting to contact foreign forces by transmitting messages from the inside. Barkov spends hours torturing her and the others, trying to find them. After a while, Farah notices a glint of playfulness in the wretched man’s eyes.
He knows who Karim is. He just wants to break them, annihilate the sense of fragile hope Karim gives the prisoners.
Barkov wants their spirit broken. Farah knows he will fail, because as long as any of them stand, they will not give up. For those who can't fight any longer, for those who are still with them in this hell, for Urzikstan.
They think one can uproot it from them. What they don’t know, will never understand, is that you can’t kill an idea. You can’t torture the memory of freedom out of them.
The soldiers seem on edge, mumbling in Russian about rumors of enemy forces invading Urzikstan. One of them slaps the back of her head when she stares too long.
The cycle continues - Barkov interrogates her, always keeping another prisoner in the room to torture in her place. Today it is Azadeh, younger than her by two years. Azadeh doesn’t flinch at the glint of a knife, but she screams as Barkov buries it in her thigh.
Farah’s guts burn at her wailing, at Barkov’s cocksure grin, his hand easily yanking the knife out of spasming muscles.
She breaks. Tells him she is Karim. It feels like an end.
Barkov freezes, before he pounces. Knocking her out of the chair, he covers her mouth, pinches her nose, deprives her of air.
Not many things can hurt her, but Farah still needs oxygen to live. Her wrists twitch roughly against the bindings tying her to the chair, Azadeh calls for her. Barkov snarls.
“I will not let terrorists like you ruin my country.”
My country… My country?
Urzikstan will never kneel to the likes of you.
As the edges of her vision darken, a soldier bursts into the room, his movements rushed as he informs Barkov the prison is under attack.
Barkov, always needing to have the last laugh, tells her she hasn’t saved anyone, that Karim’s role was only to doom her people, and orders his soldiers to the warehouse, to kill everyone.
Air fills her lungs as she inhales for the first time in over a minute. Barkov tells the man to take Azadeh to the warehouse, and her to solitary confinement. She gives Azadeh an encouraging nod, before they’re separated.
Karim hasn’t failed yet. As long as they’re still alive, she hasn’t failed.
Solitary is part of the older section of the building. Farah has been here enough times to know the rebar in the far corner of the cell is loose, and she herself have made sure, should the need arise, it will be easy to extract from the cracked concrete floor.
The moment the soldiers leave, she gets to work, pulling the metal with a grunt. With a few well-placed hits, Farah breaks the lock, and opens the door.
It is silent outside, in the way a graveyard is. Something sick spreads on her tongue, as she sneaks out of solitary. A few soldiers are making their way to the main cell block, to take the remaining prisoners to the warehouse, Farah assumes. The rebar feels lighter in her hands.
The first soldier she hits over the head screams as he goes down. The rest instinctively start shooting her. It doesn’t do much to stop her from caving their skulls in, besides ripping a few new holes into her clothes.
Searching the bodies yields her a key and an extra mag for one of the rifles. All of them were either empty or jammed, the frantic soldiers not recognizing her.
For them, all Urzik are the same.
Her sisters are relieved to see her approach. The gunshots scared them, fearing it was anyone but her. She opens the cell, freeing them. She uses the key to open a gun locker, and orders them to take up arms. No hesitation is visible on their faces. They all know this is an end.
Of the soldiers or theirs, it is yet to be seen.
“Our brothers have been taken to the warehouse to be executed. We are not going to let that happen.” Farah snarls, fingers aching as she grips the rifle, “are we?”
“No, Commander!” her sisters yell in unison.
Farah feels pride bubble up within her. They haven’t broken their spirit.
A series of far away explosions makes their little group flinch. Ayah asks, “who is attacking us, Commander? Are they on our side?”
“I don’t know. And as long as they distract Barkov and his dogs, it doesn’t matter. We need to move before it’s too late.”
They slam open the doors, Russian soldiers already ready at the other side. Her sisters’ aim is wobbly, the recoil more than they’ve experienced, but they have one thing the Russians don’t.
They don’t fear death anymore.
Nadia was injured in the firefight against a sniper. Ghalia has been limping since an explosion knocked her down. Darine and Azadeh are tired, they’ve been in solitary for days with little to no food or water.
They manage to hole up in the warehouse, but there’s no one there. Farah shouts for Hadir, her echo the only answer.
“Commander!” Azadeh calls, “there’s a way through here, this is must be where they are!”
Farah kicks the door open, turning right to clear the hallway, when a body slams into her from the left. She falls to the ground heavily, teeth bared as a barrel lines with her forehead. The other two soldiers aim at her sisters, Azadeh screaming in horror, “please don’t shoot!”
For a moment, Farah loses hope. Her mind supplies her with Barkov’s words.
“You haven’t saved anyone.”
In the next, the skylights shatter. Precise bullets take out the three soldiers, not a single wasted shot. Ropes are thrown through the broken windows, and men wearing gas masks repel down. One of them looks at her, “Whose Commander Karim?”
Farah huffs as she pushes a dead body off of her, “I’m Karim.”
The soldier swings his weapon to the side, “we got your message” he lifts the mask up, revealing a pale face, “Lieutenant John Price. Where are the others?”
The Lieutenant offers her a hand, and Farah grunts as he lifts her, “in there. Straight ahead.”
Price looks at the dark hallway, before turning back and lowering his mask, “stay close!”
Azadeh’s expression is uncertain when Farah stops her from following them. Wordlessly, she nods and returns to her wounded sisters’ side. They both know the path ahead is meant only for trained soldiers.
Trained soldiers, and those who cannot die to a bullet.
Farah keeps her rifle up as the soldiers and her scan the hall. Tanks with warning signs plastered on their exterior line the narrow passage way, and she doesn’t need to know Russian to know what’s inside.
“Got two!” Price warns, and takes out one of the guards. The other doesn’t waste time watching his partner go down, and before one of Price’s soldiers puts a bullet in his head, he aims and shoots Farah.
Straight shot to her heart. These guards are more skilled than the ones she fought through to get here.
Two hands clamp onto her shoulders, and Price’s wide eyes stare at her through the gas mask, “you’re not wearing armor- Karim, sit the fuck down, I saw the bullet hit you-!”
Farah frowns, following his line of sight to the hole in her shirt.
“Lieutenant-”
He holds her as if she’s about to collapse, muttering, “why are you not bleeding…”
Farah grabs his hands, and the Lieutenant’s brows shoot up.
“You’re a revenant.” his hands loosen, and drop to his side.
Farah nods, “no bullet or blade can hurt me.”
Something odd passes by Price’s eyes, but he doesn’t say anything to indicate what.
“Lieutenant, the prisoners are here! We need the breacher for the door!”
They run towards the back, and Farah slides to a stop at the scene.
In a room with large bullet-proof windows, where fire wars with the Russian’s sickly green gas, her brothers pound on the glass, their screams muffled.
They were going to watch them suffocate and burn.
She shakes out of her stupor when she notices Hadir. Slumped in the corner by a door, unmoving.
“You haven’t saved anyone.”
Farah runs to the other side of the door, where Price and his men are attempting to pry open it. They don’t have time for this.
“Stand back!” she grunts, and Price barely pulls the other soldier away before she shoots 4 bullets into the lock.
She barely manages to catch Hadir when the door slams open, her brothers running out towards fresh air. She should feel happiness, that they were fast enough to save them.
But in her arms is the still body of her brother, the one who has been through this hell with her from the beginning. The one with their mama’s eyes, and their baba’s kindness. Farah feels tears run down her face as she presses two fingers to his pulse. Nothing.
There are voices around her, speaking to her. She doesn’t hear a thing. No sound is worth hearing when her brother’s heart does not beat.
Price crouches in front of her, his mask off despite the gas filtering in from the room. His voice is gentle when he speaks, “Karim… we need to move.”
She shakes her head. It reminds her of how Hadir didn’t want to leave their house, when baba knew they had no choice. She has no choice but to leave him.
Oh, how could she leave him like this?
As the Lieutenant urges her again, as her brothers and sisters start to realize what happened, as Farah’s fingers stay on a paling wrist, she feels it.
A heartbeat.
Hadir gasps, his hands shoot up to claw at his neck frantically, and he jumps away from Farah. Everyone is watching him carefully as he catches his breath, silent and knowing.
Farah clenches her fists, failing to quell the shaking, “...why…?”
Why did you choose this over seeing mama and baba again?
Hadir turns to face her, but his eyes don’t meet hers. They’re not the blue-gray they were before, she notices. Green, like the gas that killed him.
“You survive, whatever it takes. Never give up.” Hadir repeats their baba’s last words. “Not even death will come between us, sister. Not anymore.”
“May your soul find rest.” she says, and her brothers and sisters murmur it with her. Hadir then lifts his gaze, and he gives her a sad smile.
Price and his soldiers stand back, looking properly shaken by seeing a dead man return. For them it is an anomaly.
In Urzikstan, they all know what a sacrifice looks like.
Farah gives herself a moment more to mourn Hadir, mourn the peace he refused to receive in death.
She gets up, grips her rifle, and orders her people, “collect survivors and supplies. We’re leaving.”
“Sister.”
She stops cleaning her knife for a moment, acknowledging Hadir’s presence with a nod, before continuing, “any sign of Barkov?”
Hadir drags a chair to sit in front of her, “no, we’re secure here. The Lieutenant cleared the area well.” he watches her hands work on the sharpening metal, “I… I wanted to tell you about my powers.”
Her hand freezes. “Immunity to the gas. I know.”
“No.”
Farah opens her mouth to question him, but when she looks up at Hadir…
Mist flows from his eyes and nose, pouring down his features. Green, toxic, smells of chemicals and death.
When he speaks, more gas flows from his mouth, “I’m not only immune, sister. I can create it.” fear paints his words.
“Enough.” she orders, though to her ears it sounds more like begging. Hadir stops using his power all the same, and it is with shame that he looks at the thin level of gas coating the floor of the run-down room.
Farah puts the knife and whetstone away, and hugs Hadir. He presses closer, and she feels his body tremble with silent sobs.
“You will not use this power. We do not need weapons of the enemy to win this war.” Her brother may be doomed, cursed forever to bear the gas within him, but it does not mean he needs to continue Barkov’s legacy.
Hadir doesn’t respond for a while, but when he pulls back, he nods. “Yes, Commander Karim.” he says, pride in the title. “What are your orders to our brothers and sisters?”
Farah sheaths the knife, her voice strong and clear, “Barkov must’ve had more prisons. It’s time we find more hands to help our cause.”
Alex Keller is… odd.
He had a surface level knowledge of the situation in Urzikstan when he arrived. Not from a tactical standpoint - CIA doesn’t let details like those escape them, of course. But from a human’s, and perhaps a revenant’s, it was clear Alex was not used to seeing such disgusting levels of violence unhidden for all to see. Barkov doesn’t need to hide it. America already knows.
The world already knows.
Keller’s abilities as a revenant proved advantageous from the very first mission they had. Infiltrating has never been easier, with a man able to become invisible to the naked eye. Later on he has told her of his weaknesses, that his form is still corporal even when see-through, and that electronic optics are able to catch traces of him. His honesty doesn’t go unnoticed, and Farah appreciates the trust he puts in her.
Hadir didn’t trust him at first. Despite his relation to Captain Price, he was wary of the American. It didn’t matter much to Farah, as long as they were amicable enough to work together, but seeing Hadir slowly let his guard down over the weeks was a moment of happiness in her days.
It helps most in days when Hadir seems distant, when a fog she can only call a thirst for revenge clouds his eyes. It feels like the times she has to fight against his violent suggestions double every new mission.
Something is brewing in his mind, she can tell. Hadir doesn’t want to share it with her.
At least Alex doesn’t push back against her orders with no good reason…
They’re on ground now, Alex using Hadir’s Sniper to scope the Highway of Death, and Farah spotting for him. They’re waiting for forces of Al-Mudahiyn, The Sacrificers, to pass through.
Al-Mudahiyn and the ULF used to be one and the same, until they weren’t. They share the goal of liberation, but where the ULF chooses to prioritize the safety of the people of Urzikstan, The Sacrificers choose the retribution on the Russians to be theirs.
Liberation will not be achieved peacefully, Farah knows that. But revenge won’t bring it either, and as much as she would hate it if it were to happen, if she had the choice to free her country but let her oppressors walk away unharmed, she would. She is sick of seeing her brothers and sisters die, and sacrifice, and bow their heads to men who see them as lesser.
In that, Al-Mudahiyn and her disagree. The militia focuses its powers on creating chaos among the Russian’s ranks, within Russia itself, and anywhere where its sympathizers live. And while they both deal in violence, Farah cannot agree to it being the objective.
It is a tool. One she will wield only as long as her enemy does.
The SAS and CIA have begun to retaliate against Al-Mudahiyn, as has Barkov, their actions too flashy to ignore. Stealing several containers of Russian experimental gas was the last nail in the coffin.
The ULF along with Captain Price’s team decided to work together to stop them.
“One vehicle approaching from the east!”
On her mark, Alex takes down the two snipers that attempted to set up on the roof. Killing them is a calculated risk; it could alert their target and cause them to change course, but leaving them alive could’ve risked Hadir and his team, who are nearer to the road.
Two fighters from Hadir’s team take the truck and park it in the middle of the highway as a makeshift blockade. She watches as they rig it up with explosives, and orders them to wait for her signal.
Their target, as do many in The Sacrificers’ ranks, is a revenant. According to Alex’s sources in the CIA, they’re just a Revenant of Flesh. Their healing powers could save them from some injuries, but an explosion should kill them.
And if the explosion doesn’t do them in, bullets will.
They were ready for an ambush. Armored trucks, snipers, mortar teams.
“We need help! Where is Captain Price?!” Farah shouts as she fires on a few fighters making their way through the ruined house they’ve taken cover in. Alex pops up to shoot as well, but she pushes him behind her when a few bullets hit too close for comfort.
Her clothes are riddled with holes.
Hadir shouts from the rooftop beside theirs, “we cannot wait! I’ve got more firepower in the truck!” an explosion shakes the foundations of the house, “Alex! Follow me!”
Alex looks back at her, and she nods. Hadir’s intuition never failed them, his habit of preparing for the worst saved operations more than once. He’s not her second-in-command just because of their blood relation, she trusts him more than anyone else.
That is why, when green, toxic gas started covering the abandoned village rapidly, Farah didn’t dare think it was him. Hadir wouldn’t do that, he promised her.
She hears him shout to Alex that there are gas masks in the bunker. It should’ve tipped her off. It didn’t.
Coughing horribly, she ran towards the bunker, her steps unsteady as the gas coats her lungs. She has never forgotten the way it claws down her throat, burning, seizing her muscles.
Alex comes into view just as Farah’s vision begins to fade, and the last words she hears singe worse than any chemical could.
“H-Hadir… You’re… a revenant?”
When she comes to, it’s to the smell of dust. Her throat still burns, but as she coughs, she feels clean air filter through her nose. Farah blinks her eyes open, to see Hadir equip a gas mask on Alex’s face. He notices her eyes following his movements.
“Sister…” Hadir leaves Alex to approach her, his arms open. Before, she would’ve taken comfort to see he is not injured.
Now, all she sees is anger. Green, sickly, violent anger.
Farah pushes him away, but she is weakened, so his arms don’t leave hers, “how could you do this?!”
He tries to placate her. It makes her shake with exertion to get away. “I had no choice, Farah! I-”
“No. Not like this.” her eyes roll back, and before she loses consciousness again, she mumbles, “you promised…”
“-Farah!… Alex!”
She grunts. Her arms feel weighted when she pushes the dusty gas mask up and off her face. Alex does the same, trying to get up on his feet and failing.
Price’s voice invades her mind, and she winces. It is an unfamiliar feeling, still. “You’re alright, Farah. You’re alright.”
Still unused to the powers, she chooses to speak, “where is he…? Where is he?!”
Price finally reaches them, helping Farah get up, only for her to push off to rush out the crooked door, “he’s gone, Farah…”
She snarls. How dare he run, how could he leave- “no… Hadir… HADIR!!!”
“Farah!” Price follows her, catching her when she stumbles on the steps outdoors, “Farah, stop! Stop, he’s gone!”
Her fists clench on dry earth and she screams. Coward, liar, monster. No curse is bad enough to describe that fucking dog.
She feels Price wrap an arm around her, not to support, but to comfort. It reminds her why they’re here in the first place.
“There is no thief.” she tilts her head up, staring at Price’s blue-gray eyes. His brows knit in confusion, and she continues, “he created the gas. I’m sorry, Captain, I didn’t know, I didn’t know…”
She feels Price pull images from her memories. She lets him.
The Captain looks through her interactions with Hadir for the past few weeks. At first, Farah thinks he doesn’t believe her word, but Price relays to her that he’s not doing it for himself.
He’s proving her she’s not at fault.
“There’s no way you could’ve known, Farah.” he says out loud.
Alex joins him behind them, leaning on another soldier, “it’s okay, Farah. We’ll get him.”
She wants to bristle at those almost meaningless comforting gestures, but the look in Alex’s eyes is pleading her to let it go, for now.
Price helps her up again, shouting to Alex, “we need to un-ass this target- NOW!”
As they board the helicopter, Farah looks down.
Corpses line the desolate streets, no bird dares to sing at the sight. Both Al-Mudahiyn and ULF fighters lay still, eyes bulging and throat scratched raw. She grits her teeth, but her eyes don’t stray from the sight, even as the aircraft rises to the air.
Alex places a hand on her shoulder after a while, a questioning hum following.
She shakes her head, and with it his hand.
A voice that has haunted her for the last two decades drifts closer to her, whispering into her ears a sentence she hates to acknowledge has never been wrong.
“You haven’t saved anyone.”
At twenty-seven, Farah Ahmed Karim has lost the last remaining blood relative she had. There was no one left to mourn, except her.
In a dusty helicopter, with the smell of noxious gas still in her every breath, Farah promised to find him, the walking corpse of her brother, and stop him before he drags more of them down.
And unlike the man who once was her brother, Farah keeps her promises.
#call of duty modern warfare 2#cod mw2#cod farah#cod alex#cod price#farah karim#hadir karim#alex keller#john price#revenant au#call of duty fic#call of duty fanfic#call of duty modern warfare#cod fic#cod fanfic#farah.... <3333#her story makes me so fucking sad every time#i cant see the cutscenes from mw2019 without tearing up#shes my fave character from base game bc shes just so complex#doomed to be in an american military propaganda game...#i decided to change AQ since they havent been mentioned in part 1#and i dont really like how theyre handled in canon#like... russia is the one occupying urzikstan but AQ operates in europe and decided to do what they did in piccadilly circus#but the brits supposedly arent aiding barkov/makarov and are actually against them??#but they cant show americans/brits conquering and violently occupying countries bc cmon guys america doesnt do that its only russia \s#also AQ literally translates to 'the killers' and im sorry but thats... not it#you cant really have nuance with a group called 'the killers'#sorry i just hate when the american military propaganda game propagandas#i hope i managed to make Al-Mudahiyn more... sypmathetic? maybe?#like you could understand more why ppl from the ULF would choose to be part of Al-Mudahiyn... rather than fuckin AQ
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i love him and his soft neck
#just like me fr#john marston#rdr2#my art#I started this as body practice and wound up spending most of my time on his face#I’ll work more on bodies one day#I just like faces srry#also been subconsciously making all my johns do the u don’t even care or understand face lately which is amusing to me
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idk why it wouldn’t let me answer this @kissmesharman but i absolutely love this, ghost not knowing how to process his omegan traits, to allow himself to be the one who is vulnerable and be protected instead of protecting is so ‼️ being soft, being open and accepting always came with consequences; it was always met with pain and betrayal and you only have to learn a lesson so many times before it sticks
the insidious ways roba and his ilk tried to force him into complacency, using their pheromones and rumbling and scruffing to trick his instincts into submitting- all they did was make ghost bury his omega so deep inside, he almost laughed at the irony of his own burial. even after he’s exhumed, he doesn’t hear it for years; naturally doesn’t heat even without suppressants, doesn’t purr, doesn’t feel that innate safety an alpha’s presence is supposed to bring
just being near other designations calms you down, whether they’re family, pack or even strangers thrown together in too-cramped barracks. it levels out your hormones, gives you people to act your instincts out on, and it’s never a surprise to walk into the cherries’ barracks and find them all tucked inside the resident omega’s nest; discordant purrs and chuffs layering over each other, too-big feet tangled together, still young enough for the milky smell of pup to cling to the edges of their scent especially clumped together like this. a lot of them won’t make it through selection, won’t find pack in each other but it’d be cruel to strip them of this simple comfort
ghost hasn’t stepped inside a nest in almost a decade
hasn’t felt the desire to build up softness and safety, to spread that feeling of home to the 141 even after he admits to himself that they’re pack. even after months of rejection - growling at soap’s happy chuffs whenever he saw him, pumping off bitterly aggressive pheromones to drown out gaz’s pack?home?safe?good? scent until he knew the beta felt sick with the sour poison, avoiding price whenever he was in pre-rut despite it being the most tempting and warm time of year for an omega to be near an alpha, those days before the terrible need when alphas are all affection, rut drunk with the happiness and safety of pack - they still welcomed him with open arms and bared necks as if he were a second pack alpha and not an omega
he’ll posture and loom over any unfamiliar presence, anyone that could potentially be a threat to his pack; his growls a thunderous undercurrent that shakes the very ground and makes anyone who hears it submit on instinct. soap and gaz happily submit to him; almost vibrating in place when he scents them, enduring their appeasing nibbles and licks at his hidden mouth, falling to heel whenever he decides to take over a situation. price shows it in other ways; nose blind after too many breaks and too many cigars, he lets ghost gentle him when his stress reaches its peak, hangs his head and just breathes as ghost threads his fingers together and cups them around his neck, squeezing his scent glands with his palms. ghost bumps their temples together and they’ll just stand there until the burnt scent of tension leaks out of the air
they’re not shy with their submission until most people just assume ghost’s an alpha based purely on the actions of his pack
they’ll never point it out, but the 141 has never suffered for lack of a pack nest. bc ghost unknowingly makes individual nests wherever they go
he’ll push soap into the comfiest sofa cushion after scoping out a safe house, tug gaz’s jacket straight when he uses it as a pillow and eye mask in one, pace in front of the bedroom price claimed to ensure his pack alpha is safe inside his den. he divies out rations, always opens them and switches the desserts so gaz and soap don’t argue over who got the better one; takes the instinctual first bite of anything scavenged or hunted to know it’s safe just to wait until everyone’s done eating and full before taking his own portion. they all present themselves for ghost’s inspection after missions; lets him run his hands and nose over them to check for injuries and it’s ghost who more often than not ends up taking care of them instead of sending them down to medical
they’ll never tell him, never make him face his own behaviour before he’s ready to come to terms with it himself. as much as ghost’s convinced himself otherwise, his omega is alive and well and his pack will welcome his shy return whenever he feels ready to step back into the light
#have i mentioned how much i love omegaverse#any one who still acts like its just a gross fuckfest has clearly never actually read it#behaviour and instincts and bucking societal expectations and norms my beloved#ghost not just acting like an alpha but fully developing the instincts of one#just for his omega traits to peak under the surface when he joins the 141 is beautiful#those alpha instincts dont go away; not when theyve kept him safe for so long#but every now and then he lets himself be soft with his pack#in his own way#anywhere else his little gestures would be firmly rejected; not good enough for an omega. still too alphan#but the 141 basks in them bc they understand what it means#coming out of my cage and ive been doing just fine.txt#mailbox#we’re a team. ghost team#ghoap#ghostsoap#soapghost#simon ghost riley#ghost cod#soap cod#john soap mactavish#john price#captain john price#price cod#gaz cod#kyle gaz garrick#task force 141#omegaverse#cod fic#poly 141#save post
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Jack Marsh (2005), Friendship Otherwise - Toward a Levinasian Description of Personal Friendship
#saw carnation lily lily rose by john singer seargent irl today. it was basically at my doorstep all along idk why i never went to see it#it was placed at a corner in the gallery. me and my friend sat down and sketched the paintings of beautiful naked people quite badly. paper#provided by tate britain. she told me about how she couldnt look her boyfriend in the face after a harrowing film about war. when i say the#interview was informal i mean the person who was supposed to be my boss told me let me get you a cider and then he said after#50 years of life he knows people are inherently good and it only takes a little bit of kindness to save this world. he said he tricked#his wife into keeping the baby and then he said he quit his job at a US bank to help people find meaning and in it#he would have liked to find meaning. instead he started climbing with his friends. he said he chews his cigarettes because its a habit from#when he had to hide things from people. the entire time i felt uncomfortable and incredibly enlightened. this is my friends mentor. she has#his pattern of pauses and expletive and penchant for ends-justify-means attitude. i do think im not very clever#but maybe one day i will love you enough to make up for it. i wrote code i dont understand staring at the final error i thought about how#we both thought of how when we're too old to remember the voices of our friends we would like to stand in the pathway of the LHC beam pipe#cut it open and eat light in the freezing cold vacuum (kills you long before radiation will) the invisible puncture wound unfolding dna#back to the start larger than you ever were. you go to heaven once youve been to hell. my friend is in my bed#practicing calculations of eigenvectors by hand and she is uninterested in a visual proof you are uninterested in incompetence#we catch a train this is your kind of burden you tragic hero wincing at that word you only do this because you have to. im the only one#who can. i am a coward in this for the fucking poetry. the visual proofs. the pretty numbers. an architect who was horrible at maths wanted#to be a philosopher and accidentally ended up neck in deep in 70th Error On Visual Studio Code i want to kiss your eyes before we say#goodbye we both know there is no love in the way there should be. I still have your dress in my wardrobe. i hope you make art.#you think im alright head-wise i think you fucking hate me i think ill never be so clever you want me to tell you my idea?#if you wanted more of this world i would have liked to kiss you harder. we cant both be like this. im sorry i cant be with you the whole wa#the love is gone if you have to ask it. his breath catches his eyes feel stiff it is -1.9 kelvin he is near the beam pipe i miss holding#his hand i miss her singing voice i miss his hair and i found the antonym of pain thank you for carrying me home.
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Do y’all understand the connection between ghostsoap and “velvet ring” by Big Thief and “anything” by Adrianne Lenker like I do or am I gonna have to write a whole fic about it again
#please say no I wanna write about it inspired by these songs#they’re so… 💔💔💔💔💔#I can’t I feel like I’m the only one who understands this#Do y’all understand viveral connection and understanding like I do#please say yes 💔#call of duty#robs ramblings#john soap mactavish#simon ghost riley#ghoap#ghostsoap
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The biggest hill I will die on is that Pauline would NOT be motherly and that Flanny did a massive disservice to her character by doing that
#If we REALLY want to assign a familial role to her#she'd be that aunt you never realized how fun she was 'til you were in your mid teens#because she had a really big and important job#and took every family gather as the one and only chance she had to get drunk on some good wine#that she had and would literally keep a tally mark on how many fights people got into#and lecture 16 year olds about their bad boyfriends#but is otherwise very put together and proper every other time you see her#also OH MY GOD CAN I HAVE JUST ONE FEMININE WOMAN NOT BE TURNED INTO A MOTHER PLEASEEE#I have a whole rant about how harmful that is locked and loaded#someone ask me about why we need more traditionally fem women to be intentionally childless#trust me I will have an answer#rambles#rangers apprentice#ranger's apprentice#pauline dulacy#john flanagan#and btw if you like mom Pauline because you think her and Will's relationship is sweet I do understand that#I just think that the way Johnny Flangoo handled it took away so much from her
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