#no one ask me what this is about because that will end well for nobody

[littlereddream]

Of Whiskey and Venom

A/n: cowboy Jason Todd x Reader, f!reader, there will be multiple parts to this because I can’t help myself.

Owing debts to outlaws means playing dangerous games. You know that, well and true. When Carmine Falcone finds out that you don’t have the money to pay him back, he offers you one final method of payment. Your debt would be forgiven in its entirety, so long as you walk yourself to the notorious Red Hood’s camp and surrender yourself with the claim that you’re part of the Falcone’s.

In Gotham, big of a town as it is, word gets around to people fast. Whether it was through gossip or the newspaper boys hard at work, most things never stayed secret.

Usually, it was annoying. Last year, some nosy neighbor had discovered that you’d managed to get your hands on some quality eggs, courtesy of a friend of yours down South. Within the week, almost half of your neighbors had collected at your door at some point or another to ask for some. Would be a shame not to share, they’d said.

Usually, the knowledge of any of your personal business getting out would set you on edge. It’s never been any good to you, only ever causing trouble.

Today, you find cause to be grateful for the quickly spread word. If not for Gotham’s tendency to whisper in each other’s ears, your neighbor would never have come to knock on your front door that morning, all out of breath with urgency all over her.

“You’ve gotta get out of here,” she’d panted. “Run. Run and don’t come back!”

You’d quickly invited her inside, checking outside left and right before shutting the door.

“Mary, the hell’s gotten into you?”

But all she’d done is deliver a soft smack across your shoulder.

“Take this seriously! Darlin, it’s Falcone.” You still remember the ice that had trailed its way down your spine. “My husband, Rupert, told me that he’d overheard some of his boys talking about it. He’s lookin for you.”

You forced yourself to shake your head, pushing back the instinct to freeze up entirely.

“Mary, it just ain’t possible. Falcone and I, we- all of my business with him has been settled.”

“Yes, well, he doesn’t seem to agree. Now, go on! Pack your things. I’ve taken a horse from the stable for you. She’s a fast girl, just old. Won’t nobody come looking for either of you.”

In the end, you’d had enough sense to listen to her, but there was no packing your bags fast enough to escape Falcone. Midway through packing food for your trip, long after Mary had left, you’d heard a different kind of knock at your door. Demanding. Angry.

That whole interaction felt like ages ago to you now, including the conversation you’d had with the man. He’d explained it to you simply, tone so light you’d hardly believe the weight of the words he cracked into your skin, like a cane to a horse.

Apparently, all that time ago when you’d paid back your debt to the man who’d come to collect it from you, there had been a breach in loyalty within Falcone’s gang. Your debt collector had taken the liberty of deciding his own pay, stealing nearly half of the money you’d paid for himself rather than handing over the full amount.

Despite it being an error within his own system, Falcone refused to hear your bargaining. You’d even gone so far as to promise him that money again, all you’d need was a month.

He’d shut you down quicker than you could finish making the offer.

Instead, Falcone offered you a counter proposal.

It’s that counter proposal that has you currently making the solo hike to the Red Hood camp, handcuffs digging uncomfortably into your wrists set in front of you.

What Falcone offered to you went as such: After one of Falcone’s newer men went out and shot a man from the Red Hoods, Hood demanded to be delivered one of Falcone’s own as a leveling of justice and show of goodwill. A gesture to calm the waters between them, since the last thing anybody in town wanted was for the two most dangerous gangs to have it out for each other.

Your job is to be that token of goodwill, to march your way into that camp and declare yourself as a surrender member of the Falcone’s to fulfill their demands.

Do so, and he’d make the kind decision not to take the life of the neighbors that tried to aid in your attempted escape.

The camp is far into the woods, well outside Gotham itself, causing your dress to catch in every grown out bush and twig. Your feet ache from walking so long in the wrong shoes, while your hands haven’t stopped shaking since you were forced to leave home.

There is no getting out of this, you know that. If you run away now, if Falcone finds out that you didn’t settle this debt for him, there would be no corner of the earth far enough for you to hide. It’s either he kills you, or you take your chances with a gang so successfully underground, not even law enforcement knows the real name of its leader. Doesn’t mean they’re any less brutal, though.

You’re going to die, all because Falcone’s men can’t do their jobs, whether that be collecting debts or not shooting the wrong damn people.

There’s a point where the path you walk narrows out, becomes thin and difficult to follow. At some point, you can hardly tell which direction you’re supposed to head, saved only by the spots of recent horseshoe markings in the dirt.

It feels like any second, you’ll be surrounded by people with rifles pointed right at your head. With each step, your breathing further shallows into something unintentionally quieter. A bush rustles to your right, and you feel like an idiot for flinching back when a rabbit runs right out and past you.

After so long walking, you’re starting to think that Falcone could’ve been wrong about the location of the camp. After all, this part of the woods look completely wild, utterly untouched if not for the occasional broken twig or trail marking.

“Who’s there?” A voice shouts out.

Then there’s a gun being pointed to the side of your head. Well, at least you know that if there’s ever an award for jinxing yourself, you’d win it. Or maybe not, considering you’re very likely to be killed within the next few minutes.

“Carmine Falcone’s debt,” you say simply, proud that you’d managed to keep the waiver out of your voice.

There’s a pause in the air, before you can see the man’s mouth pull into a grimace out of the corner of your eye. “That so?” He mutters. “Right. Well, you’re going the wrong way. Come on.”

The redhead, whoever he is, takes great care not to spook you. His rifle, attached to a belt over his shoulder, is exchanged for a single handgun, one just within reach tucked into a holster. The hold he has on your forearm is surprisingly careful, less there to keep you from running and more to guide you through the confusing twists and turns of the woods.

“Watch your step,” he warns. “Hood is gonna be pissed.”

“Why?” You risk asking.

So long as the debt is settled, it seems to you that Hood would be getting everything he specified in his deal. You’re the one being screwed over here.

“Cause, it looks to me like Falcone sent over somebody he doesn’t mind losing instead of an honorable trade.”

You raise a brow. “Who says I ain’t a high value exchange?”

The redhead snorts. “Are you kiddin? You don’t got a single gun-wielding callus on you. We lost one of our best that day, and Falcone sent us you.”

A pause.

“No offense.”

“None taken,” you grumble, bitter for reasons you don’t even know yourself. Maybe it’s because you’re being completely screwed over here, but who’s to say?

It’s not long before the overgrown woods level out into a large clearing, the man weaving you past hitched horses to reveal a large camp. It’s nothing like what you’d expected, hearing what you have about the Red Hoods. Vile, vicious, and mean.

Come to find out their camp looks like an isolated meadow, sun shining down on their colorful tents. From where you’re standing, you can see a young child playing with an even younger puppy. Just past that, there’s a table of people gathered around two women who look to be playing five finger fillet.

The redhead calls out to an older woman to your left who you hadn’t even noticed, sitting quietly as she polished a hunting knife on her pants. What you’d do to be wearing pants instead of a dress right now.

“Ma Gunn,” he greets. “Got a moment?”

“Depends, Roy. More of your trouble?” She says pointedly, but Roy only laughs.

“Not this time. Just got some business to discuss with Hood. Mind keeping the young lady here some company?”

Ma Gunn waves Roy off with a free hand, sheathing the knife and standing.

“Go.”

And then you’re alone with her. Ma Gunn’s eyes are fixed on the metal binding your hands together.

“In some trouble with the law, dear?” She raises a brow. You’re not quite sure what to say to deny it, but some part of your face must look panicked because she breaks out into a quiet laugh. “Relax. We’re hardly the kind of people to judge you for having lawmen after you, not that we’d have any right to.”

Right. Outlaws.

“Besides, you don’t seem like the gunslinging type.”

“Roy said the same,” you tell her.

She snorts. “Course he did. How’d you end up here anyway? Tell me you’re not thinking of joining in. I’m telling you, it might seem nice at first, but it’s nothin worth putting up with Bizarro’s cooking.”

“No, not joining in. I’ve got a debt to settle between Mr. Falcone and Hood.”

It’s within an instant that the woman’s face changes, much more grim than just a moment ago. She looks at you like you’ve already been damned, no shot at survival left to you.

Roy’s back already, tipping his hat in thanks towards Ma Gunn, whose eyes still haven’t left your cuffed wrists.

“Hood wants to see you. Come on, I’ll take you over.” Roy doesn’t touch you this time, just hovers his hand over his lower back like he can force you to move telepathically. You do.

Together, you’re approaching one of the biggest tents in the camp, far in the back. Entirely red, though what else did you expect?

You stop in front of the fabric curtains.

“I think it’s best if you head in alone. Good luck.”

Right. With a final deep breath, you duck into the tent. It feels like stepping into your own casket.

You find that the inside looks bigger than the outside, complete with a large cot, a table surrounded by chairs, and a small bookshelf. At the table sits a man you can only assume is Hood himself, feet resting on the wood as he leans back in his seat. He’s got his arms crossed over his chest, gambler hat set on the edge of the table just by his boots.

He’s surprisingly handsome, sharply contrasting all the stories people tend to spread about him. When he’s not wearing a bandana, he’s said to be grotesquely scarred, some even say to the point of deformity. The man is front of you is very much not that, all sharp features with the only visible scars on his face being one over his lower lip and the other down across his brow.

You step forward into the tent, and the wood beneath your feet creaks. Quick as gunfire, narrowed green eyes level with yours. There’s a hint of disbelief in them, like he can’t quite believe his eyes.

“By Gotham, that fool was telling the truth.” You hear him say, gruff and mumbled.

It takes more effort than you’d ever admit to speak without breaking down right there. You’re practically speaking to your executioner right now.

“Hood, right? Carmine Falcone sent me to-“

“Yeah, yeah, I know why he sent you.” Hood drags a hand down his face. “Well, isn’t this just a mess.”

With a tired sigh, Hood calls you forward with a beck of his fingers. Once you’re at the other end of the table, he motions for you to take a seat. You do, albeit on unstable legs. It’s a miracle your knees don’t just buckle when you move to sit.

“So, tell me. This Carmine’s idea of a joke?”

“No, I-“

“He think it’s funny to send me a girl he picked up from who knows where? Send her to her death just to get off clean?”

“If you’d just-“

“Come on, doll. I wanna know. Why the hell is Falcone sending me you instead of what I asked for?”

Hood’s eyes are cold as steel, but you’ve got the strange feeling that his anger isn’t entirely directed at you. Still, better not to assume.

“I am what you asked for. You weren’t cheated.”

Hood snorts, entirely humorless. “You? Now, forgive me for my doubts, but I’m having a hard time-“

This time, you’re cutting him off. “I am,” you insist.

Hood pauses to look at you. Really look at you. There’s an amusement settling in his posture that you don’t like, one that promises nothing good for you.

“Right. Well, who am I to tell you what you are or aren’t? Far be it from me.”

He’s reaching for his hip, unholstering the revolver strapped there and setting it down on the table. You watch the motion as he does it, staring down the weapon between the two of you like it could shoot you without its handler ever touching it.

“This gun here? This is one of my most prized possessions. If this whole tent were to catch fire right now, everything I hold dear tucked inside, this gun would be the only thing I’d bother savin.”

He’s watching your reactions carefully, so you're just as careful to keep your expression back. You’re not sure what he’s looking for, so better he not find anything at all.

“Now, I personally believe actions speak much louder than words. I won’t sit here and call you a liar for telling me you’re a gunslinging outlaw straight from Falcone’s best, but I will tell you to prove it to me.”

Hood nudges the gun closer to where you’re sitting. “So go on and prove it. Take my own gun and shoot me. Eliminate any threat I pose to you within seconds, selfish and brutal.”

You can do nothing but sit there in stunned silence, hands tightly gripping the fabric over your lap. “Hood, I don’t-“

“I insist.”

Your hands shake when you bring them up with a sheepish grin. “Can’t exactly do that with cuffed hands, mister.”

Hood waves you off. “I’ve done worse things than shoot a man with my hands cuffed. Come on, Miss, prove it to me. Unless you can’t.” He tilts his head at the end.

To kill a man, to take a life. You can’t just do that. As is sensing your inner turmoil, Hood offers you a sarcastic pout.

“Weighing on your conscience, is it? Well, if it helps you any, it wouldn’t be a good man you’re killing. I’ve committed too many crimes to be clean of anything. All you’ve gotta do is put a bullet between the eyes of a man who might just kill you unless you do. Not so much of a choice, is there. I sure know what I’d do, if I was you.”

Hood is egging you on, pushing you to prove him wrong. He wants you to do this, wants you to pick up that gun and send a bullet straight through him. He wants you to because he knows you won’t.

The worst part is that he’s right.

You turn your head away from the gun, away from him. It’s answer enough.

You see Hood nod slowly out of the corner of your eye, reaching for his gun to holster it with a rustle and a click. He sets his feet back down to the ground, crossing his arms over the table to lean forward.

“Alright. So tell me again now. Why did Falcone send you?”

The change in tone has you thrown for a loop. Within seconds, the pressing intimidation from before is gone, now much softer in comparison.

So you tell him everything. From your neighbor at your door, from your debt to Falcone, the threats he’d made, all the way to the present moment. This time, Hood doesn’t interrupt you once. He listens carefully, nodding at all of the right places to each relevant point. When you finish, he simply asks you if there’s anything else worth mentioning. At the shake of your head, Hood stands.

“I’ll have someone let Falcone know that his exchange has been well received. So long as he thinks you’re with us now, no one you know will be bothered. As for you, you’ll be free to do whatever you want with your days, just as long as you’re here during the nights. How’s that work for you?”

For a moment, all you can do is stare. Then, ever so cautiously, you dare to ask, “you’re not gonna kill me?”

Hood shrugs. “I have no reason to. This way, you’ll be safe and I won't be bothered by Falcone trying to buy back my truce.”

“But what about your whole…you know.”

Hood raises a brow at you, urging you to continue.

“You know. The whole ‘eye for an eye, tooth for a tooth’ thing.”

Hood grins, toothy and predatory. “Trust me, doll, I’ll still be getting something back from Falcone. I tend not to forgive easy. Hands out for me.”

Quicker than you can process his intentions past putting out your hands, Jason is drawing out his revolver and shooting the chain between your cuffs quicker than you can flinch. He ignores your stunned expression, clipping his weapon back to himself.

“I’ll ask the girls to get you some decent clothes and set you up a tent. Pleasure meeting you.”

Without another word, he’s exiting the tent and leaving you to stare at the chain that used to link your wrists, now scattered into tiny pieces of metal across wood.

[cl-0v3r]

Mel is alive, but at what cost

Mel was nearly killed TWICE, her mother began being a struggle, she'd been thrown aside and trying her best to stop her, her boyfriend is not doing well, neither is anyone else (can't blame them) and the fact that she hadn't cried or spoke much about this situation to anyone a single time?? She IS upset about every single thing, yet she stays strong and enduring every bit of torture. The most she did was tell Jayce that Ambessa put her palm on the table, and let him know that she is going to push for hextech. That's it, nothing remotely related to her feelings.

The fact that she was constantly looking at Caitlyn, being able to understand her grief and knew she was in pain?? Mel knows this feeling. She'd went through it.

And in the end SHE has to pay the price of her mothers incompetence.

The intro is very much foreshadowing, we know the hands represent black rose/LeBlanc.

This is what happens in act one, she gets kidnapped by them. The lyrics do correspond to the characters as well (not just Mel, everyone.)

"Tell you you're the greatest" plays as a petal of the black rose floats down the screen, I think it adds significance to the power this organization holds, possibly the Medardas greatest foe.

"But once you turn, they hate us" both Ambessa and Mel were present in this line, I think its foreshadowing for when Ambessa switches up for whatever reason and goes against both Piltover AND Zaun. And Mel WILL go through change as well, a change that could hurt her relationship with others, and receive interest from others too.

"They hate us" could be read individually too, I feel like its a sort of "realization" ?? Perhaps Ambessa WASN'T the one that switched up, maybe Piltover switched up on them, and maybe Mel JUST got out of wherever she's taken to, and saw the mess Ambessa had done to her city??

I think this represents ACT TWO.

The hands pull away and it sort of looks like Mel is fighting back, a "get away from me" type of scream. you know what this reminds me of??

Don't mind me just pushing my Jinx/powder-Mel parallel agenda

Here is when i think Mel truly learns about LeBlanc/BR, she curiously and slowly goes to grab the rose, she learns about the history between her Mother and them, Kinos death, and most of all, learns about HERSELF. The lyrics speak otherwise.

"Pray away, I swear

I'll never be a saint, no way"

This feels like a parallel to caitlyn of sorts if that makes sense. Caitlyn had done everything to try and stop the council from attacking the Undercity, she kept her mouth shut when Jayce asked about Jinxs grenade, she was willing to protect Vi and the undercity, but how many times has she been tossed around? She'd been burned, exploded, kidnapped (god knows what happened during that time) and hit in the face by the same person, her MOTHER died because of the same person. She has every right to go insane. And she is hunting ONE person, which is Jinx. Although she is harming the people around her along the way.

What if Mel goes through a similar situation? Her mother pushed for war in her city, she dragged the enemy along with her even if she didn't mean to, she manipulated everyone around her INCLUDING Jayce, she LITERALLY got Mel hurt from the chembarons attack and killed so many people during a MEMORIAL to get her hextech weapons, Elora is most likely DEAD, not to mention whatever happened in the past between them. And the thing is, this will NEVER end throughout the entire season.

And what if she learns what she is? That she's 'blessed' by Kindred? The fact that the wolf is quite literally in her blood?

I feel like the "ill never be a saint, no way" also sort of indicates Mel will realize she'll never be able to push for peace and mercy like she always hoped for no matter what, and she comes to accept that as much as it hurts. But not like how ambessa accepted the wolf, but she sort of realizes she needs to push a little violence, towards nobody but the one and only, Ambessa "fine, if you want me to be like you, I guess I'll be like you towards YOU." Type of acceptance.

I think its also related to Mels new outfit too, she's dressed like her mother, in red and all of that. I will still stand by the idea that she has plans to decieve, but she will do something she doesn't want to do.

Mel was left with no choice, that lyric sounds like realization, acceptance, but also like a plea at the same time, an "I'll never be who I wanted to be" because in the end, she's still a Medarda, she's still her mothers daughter, she still has violence in her veins, she will never not suffer from the weight her name holds, and she will never escape it either, its like a shadow.

The Characters won't be themselves at their core this season. And those vital parts of their characters that represent them are no longer there in the intro, they all have given up what makes them, THEM design wise. (e.g.) Vi without her tattoo, Viktor hiding his identity with the mask. And the thing is, they did that to themselves because they do self-harm, they're changing themselves because THEY want to, they're forcing themselves to do that, they think they're undeserving and they're erasing their past selves.

But Mel? Mel doesn't have her gold accessories, Jewelry, or her Armor, she'd been stripped bare and hidden away because of the brutality of her name. She pays the price her mother brought to HER city. She's forced to change herself against her will, because nobody is giving her a chance to push for her ideals.

This entire theory never ends, and with all of this? I kinda do see Mel actually committing Matricide, it lifts the "Ambessa will die" theory further.

[twig-tea]

East Palace, West Palace in ep5 of Blue Canvas of Youthful Days

I have been punched in the solar plexus by Blue Canvas of Youthful Days episode 5. So much happens in that episode that is overwhelming, from Qi Lu setting up a Netflix-and-chill date with the clear intention of making a move, to his putting on the famous film East Palace, West Palace (1996), to Qi Lu hiding Qin Xiao in the closet, to Qi Lu's panic at his father realizing he's been lied to, to the devastatingly practiced way Teacher Liu steps to Qi Lu being abused and handles his father, to the way Qi Lu shuts down, to the way QIn Xiao keeps sending mixed signals and Qi Lu calls him on it directly. And nobody else in this episode let me rest either; Tan Fan trying to ask Teacher Liu to wait for him and Liu brushing him off AGAIN, and Turtle trying to call out

@lurkingshan was already more coherent than I can be right now about what happened in the episode in her post.

So instead I want to focus on some queer cinema history that this episode evoked by using East Palace, West Palace as the film that Qi Lu shows to QIn Xiao.

For those who don't know, EPWP is considered to be the first realistic depiction of a gay man in film by a mainland Chinese production. It is to my knowledge the first time a gay man says "I love you" to another man on screen. It was made before being gay was decriminalized in China (1997), and it was filmed by an independent production company and smuggled out of China to France in order to be finished and distributed. It ended up at the Cannes festival in 1997, but the director's passport was seized and he was placed under house arrest to prevent him from attending. Despite pressure to pull the film, it still aired that year. In 1998, the Film Law was passed to prevent anyone from making films outside of the studio system (and therefore censorship review), effectively preventing anything like EPWP from being made in the future.

The film is about a gay man who cruises in the notorious bathrooms in the parks on either side of Tiananmen Square getting harassed by police officers (a situation extremely familiar to the historical queer experience in Canada [where I'm from] as well) and playing what I'd describe as a psychological game with one of them; A Lan kisses the cop, runs, and then gets caught a second time, and uses the second police confession as an excuse to tell his life's story in the public record, all while pushing the police officer a little further into deviance. As far as I'm aware, this film has been banned in China since being made and never shown (please correct me if I'm wrong about that!).

This is hitting me hard because of the much more recent history of Blue Canvas of Youthful Days itself. As most of you know, but I'll capture here for posterity, episodes 1-4 of this show aired on iQIYI (a China-based app) on August 6, and within 24 hours they were pulled from the app with no information about the future episodes being shown. When I watched episode 5 today, after waiting for it for 3 months, I was immediately hit with a wave of anger that this gorgeous, emotionally moving and powerful episode had been held back from public consumption for months, for the same reasons that the film being shown within the episode had been withheld from viewing in its own country.

Censorship is such an ugly thing, it's hard to articulate but the emotions around it are so strong because we know, when they pull or refuse to show media that depicts our lives, it's because they don't want our lives to be real; they don't want us to exist. It's a very real threat. And to have this episode--which is all about an abused boy who is in very real danger but so bravely insisting that he shoot his shot and take his best chance at love and happiness anyway, using the iconic confession scene from one of the most famous banned films in Chinese queer cinema history to do it--to have this episode be the one that was prevented from airing......I am overwhelmed.

In the scenes they watch in episode 5, A Lan tries to prevent the officer from uncuffing him, and then the officer lets him go, but A Lan doesn't go far and comes back. He declares his love to the officer's face, and demands that his love be acknowledged and not dismissed. And the officer does not know what to do with it and reacts with violence, which is partially what A Lan has been angling at all along. The show really played with this by having all three of the couples in the show stymied by having their overtures dismissed this episode, but we almost didn't get to see it.

I'm so grateful this got distribution now, and on multiple platforms. Blue Canvas of Youthful Days is airing Saturdays and Sundays on GagaOOLala and Youtube (note, as per @thisonelikesaliens's excellent language posts, the subs on Gaga are much better), and on Mondays on Viki. I know there is an avalanche of content right now, but this show is so good and worked so hard to make it to us, please give it some love!

[crimsonwolf715]

It's Not Your Fault

Jason’s been sitting in the therapist’s office for a while now, mostly silent as she asks him questions he gives one or two word answers to. 

“Why don’t you tell me about what happened?” the therapist asks, clearly trying to get Jason to interact with her. 

“Why should I?” Jason asks, keeping his eyes on his hands. 

“Because maybe if you talk about it, it will help you process through your grief. If you’re unable to talk about it we can start with something else.” 

Jason sighs. “It started out as a mission, barely a mission. The police needed assistance clearing out a building, so Red and I went. They were clearing out the building because due to some explosion that had happened next door a little earlier in the day, they found that it wasn’t likely the foundation of the building would hold. A bunch of debris fell on Red. He didn’t make it home.” 

“And how does that make you feel?” 

“Angry,” Jason answers. 

“Anything else?” she presses.

Jason shakes his head. “Nope.” 

“It’s natural to feel angry, but do you think there’s something stopping you from feeling anything else?” 

“Yeah, the anger.” Jason looks at his watch. “But would you look at that? Time’s up, so I’m gonna head home.” 

“We’re not done talking about this.” 

“I am. I’ve got other things to do today.” 

Jason gets up and grabs his bag, then heads out of the therapist’s office without another word. 

Jason heads up to the top floor to search for anybody else. When he doesn’t find anybody, he heads down to find Tim. Jason hears a crack, then the floor starts fracturing. 

“What floor are you on?” Jason asks. 

“I don’t know, eighth floor?” Tim answers. 

Dread fills Jason knowing that’s the floor right below him. 

“Get to the stairs, now. The floor above you is going to cave in.” 

“On my way.” 

Jason races down the stairs and he hears the floor give out on his way down. He gets to the next floor and doesn’t see Tim at the stairs. He runs onto the floor and Tim’s buried under debris. 

“Tim,” he breathes, then runs over. 

Jason removes debris and Tim’s not moving. Once enough debris is moved, Jason pulls Tim over to the stable side of the building. Tim’s eyes are half-open and he coughs up blood onto himself and Jason. 

“Hey, it’s gonna be fine.” 

He gently picks Tim up and gets him out of the building. Once they’re out of the building, Jason gently puts Tim down to check for injuries. Tim’s wheezing. 

“Medical’s on their way,” Jason says. “Just a little longer.” 

“I can’t,” Tim says. 

The words feel like a bucket of ice water being dumped on Jason’s head. 

“That’s okay, it’s not your fault.” 

“I’m sorry,” Tim says, his voice breaking. 

“It’s okay, don’t be sorry. You’ve done such a good job. You can rest now.” 

Tim gives Jason a small smile, then closes his eyes. Jason holds his brother close until he stops breathing. 

Jason gets home and heads straight for his room. 

“Jason!” 

It’s Dick, and Jason can hear footsteps behind him meaning that Dick’s following him. 

“Can you leave me alone?” Jason asks. 

“That’s all I’ve been doing for a month. I’ve tried being accommodating but you keep pushing me away.” 

“Maybe that’s because I don’t want anyone’s attention.” 

Jason slams his door shut behind him and he can almost hear Dick’s thoughts of knocking on Jason’s door. He doesn’t end up doing it and Jason can hear him head towards Damian’s room down the hall. Jason spends the rest of the day locked in his room reading the books Tim wrote in his little amount of free time before taking over WE or laying on his bed, occasionally throwing darts. 

It’s well after ten o’clock when he takes stock of the time and decides he should probably get something to drink. Jason walks downstairs and finds nobody. He sighs and heads to the kitchen. Not that he exactly wanted to run into anybody, but he was hoping that maybe he’d wanna talk if he did. He contemplates breaking into the liquor cabinet, but decides to just drown his sorrows in orange juice instead. He walks into the living room and Bruce is standing there. He must have just come up from the Batcave. 

Jason turns to leave when Bruce’s voice stops him. “Jason.” 

“Dickie tattle on me?” 

“No, what happened with you and Dick?” 

Jason turns back towards Bruce. “Nothing.” 

“Can we talk for a minute?” Bruce asks. 

“Why not? I don’t have anything better to do,” Jason answers. 

Jason stands behind the couch while Bruce stays standing over by the bookshelf. 

“Everyone’s worried,” Bruce says. 

“Of course everyone’s worried,” Jason replies, cutting Bruce off. “Nobody knows how to mind their own business in this family aside from Damian.” 

“Everyone’s worried because this isn’t healthy,” Bruce continues, clearly ignoring Jason’s jab at him. “Nobody wants you to keep living like this.” 

“How am I supposed to live with the fact that he’s dead?” Jason shouts. “All I feel is rage! The sadness was gone within a day and all I can feel is this rage that makes me want to go out and start killing every psychotic or psychopathic person in this city!” 

“I understand that,” Bruce starts, but Jason cuts him off. 

“How could you? You didn’t kill anyone!” Jason shouts, throwing the book that was on the table at Bruce. 

Bruce moves just enough that he doesn’t get hit by the book, but he keeps his eyes on Jason. Jason’s breathing heavily, trying not to cry, his temper starting to evaporate. Bruce walks over and wraps his arms around Jason. 

“I’m sorry you had to go through this,” Bruce says quietly. “It’s okay to be upset and angry, but it isn’t your fault that this happened. And I promise I’ll be here for you.” 

Jason starts crying and buries his head in Bruce’s shoulder, sadness replacing the anger in an instant. Bruce rubs his back while he cries, the two of them staying in that position until Jason runs out of tears. 

“Come on, let’s get you some water and then head to bed. It’s late and you obviously haven’t slept much lately. If you can’t sleep, we can talk.” 

Jason nods. “I’m sorry I threw that book at you, Dad.” 

“There’s no need to be sorry. I know you didn’t mean it.” 

They head upstairs and Jason asks, “Can you come sit with me for a bit?” 

Bruce nods, so they go sit on Jason’s bed. Jason talks about Tim for a bit, trying not to cry again, then falls asleep leaning against Bruce.

[cilil]

Hi, do you have any advices for budding writers on AO3 or here?

Hey! :)

I've given this some thought and compiled what I hope might be some helpful pointers, but if there's anything else or anything specific you want to hear more about, feel free to ask again. Also I'm assuming this is about the amazing craft of fanfic and not, uh, building a platform or whatever (I wouldn't be very helpful with that, I'm a nobody x)).

Share what you feel comfortable sharing.

So since you're asking about budding writers on AO3 and Tumblr, I take it you're at a point where you feel comfortable sharing your writing online, which is amazing. Nevertheless, I feel the need to once again mention (just for anyone who may be in the same or a similar situation) that it's completely alright not to be comfortable with it (yet) or not to share everything you write. I share almost everything simply because I'm annoying and it makes me feel accomplished and since I've grown pretty comfortable with it, I might as well; but not everyone feels that way and feelings also change. It's completely alright to write just for yourself or a small circle of friends.

Don't worry too much about "being good".

I will be the first to admit that I deeply relate to struggling with perfectionism when it comes to writing (and other creative pursuits). However, as someone who's been reading fic for many years, tends to be into quite niche and obscure things sometimes and is rarely spoiled by big fandoms' abundance of food, I want all writers, especially new ones, to know that you don't have to write the most amazing, perfect, publishing-ready pieces. What matters is your passion and creativity, which will show in your writing regardless of skill level. Not to mention that fic is free and in fact a tool for many to experiment.

That's not to say you can't strive to improve or be good - by all means, I find it admirable if you want to hone your craft and make progress as you continue to write. Just don't let perfectionism ruin your fun and stifle your creativity.

How to get better without trying overly hard.

Aside from just writing, writing and writing (that is the most important part though), how do you improve without making it a point to do so? Well, if it works for you to read/watch guides or you enjoy specific writing exercises, that's great, but one thing that I find gets overlooked a lot in writing spaces is simply: Reading. Just reading for fun.

I find that I often discover little things in other people's writing that I really like and then I think to myself "wow, that's really neat how they did that, maybe I could take a page out of their book" (pun intended) and make it a point to pay attention to these things when I write. Essentially, it's like creating a nice patchwork blanket which is your style, made up of your own voice and preferences as a writer and cool stuff you picked up on the road.

Let me just name some examples, which, yes, are also an excuse to shamelessly blow some writer friends of mine a well-deserved kiss of appreciation. @sauron-kraut writes incredibly polished short stories with beautiful wording and atmosphere that have a lot of little hidden things to discover and dissect, and I want to steal her ability to set the stage and hide those easter eggs. @a-world-of-whimsy-5 is an absolute legend when it comes to writing medieval and medieval-adjacent stuff, and I learned so much from her fics. @i-did-not-mean-to has a way of writing with such esprit and wit that I always end up in a good mood after, a style of narrative voice I've adored for over a decade, and I've greatly improved my humorous writing in particular thanks to her. @crackinthecup has the marvelous ability to craft extremely emotionally evocative scenes, which have encouraged me to be more courageous and experimental in my sentence melody and structure. @tragedybunny has a way of writing that reminds me of coming home to a warm and comfy place, and I will find out how she did it and how I can do it as well.

So as you can see, it can be super helpful to compare notes with your fellow writers. Never be discouraged by someone else's ability; instead learn and expand your own.

Feedback, criticism and community.

Let me just get one thing out of the way: You don't have to take criticism from everyone. Or at all. As far as I understand, the fanfic community has come to to agree that we're doing this for fun and don't give criticism unprompted/when we aren't sure it's wanted or welcome. As a general rule: Take criticism from those you would also seek advice from. Ask for feedback if you feel comfortable, and if not, that's a valid boundary to have and I will gently smack anyone who presumes to pick apart writing that was made for fun and generously shared with the community for free.

The community aspect, however, should be taken into account on other fronts. While I won't tell anyone they have to interact and believe that, in an ideal world, everyone's writing would just speak for itself, it is helpful to engage with the community. Things you can do (both on Tumblr and AO3 if also applicable/possible) include: Respond to people interacting with your works, interacting with other people's works (for example while you're doing your reading sessions and looking at other writers' styles) and just overall being present, being talkative, going with the flow.

Again, this is not a must. But I will say that pretty much all of us want positive responses and interactions on their work and that just won't work if you expect everyone to show up for you all the time and never show up for anyone else. Engagement, passion and community are our "currency" in the absence of money and reciprocity is an important element of that. A lot of friction and complaints in the fanfic community regarding lack of interaction or entitlement are rooted in misunderstandings of this fundamental principle.

But don't take this in a cynical manner. Seek out what you enjoy, share the joy and passion and you'll make friends just accidentally - which is the part that I find makes fandom on AO3 and Tumblr so much fun! (I don't even want to be a "traditional" author anymore, I want this instead😁)

Find your groove and groove along.

Lastly, make sure your writing is fun for you or else it'll become a chore and eventually get ruined for you as a hobby. This is unfortunately a continuous task as your needs and interests shift - for example you might be in the mood to do an entire drabble challenge one month and during another month you feel so drained that you couldn't do another one. Or you might want to write something different for a change. Or whatever it may be.

Either way, one recent lesson I've learned is that I got too tied up in obligations and it left no space for spontaneous inspiration, so I never got to write what I wanted to write in the moment and it pushed me quite close to burnout. Do yourself a favor and always hold that space for yourself. In practice, this could for example mean that you do one event and on the side write this cool new idea you had, instead of doing three events - which is fun and games until it starts getting too much and you don't have time for your passion projects.

Finding your groove also includes the whole technical aspect, such as which writing programs you use, which device (or none at all), where you write, how to make yourself comfortable, how to get in the right headspace for things. I would also like to encourage all of you to be a bit crazy and whimsical about this: For example I've gone to the perfume store, picked out a scent for a specific character in a specific scene and sniffed it while writing the description several times now. Do what it takes. And say goodbye to your squeaky clean search history - you will research some weird stuff just to get that one line right.

So yeah, these are just my random thoughts on fic writing and what has been helpful in order for me to have lots of fun with this hobby. Happy writing!

[nekohime19]

Macaque study # S5

At last let's talk about the LMK S5 and Macaque portrayal in it! Took me so much time to edit this one but it's here!

So, to summarize what I said in the previous study of Macaque, after season 4 Macaque showcases a lot of redeeming qualities :

He stepped up to help even though he wasn't asked to, thus showcasing his care.

He admitted that the image of Wukong he was fueling, the one of an uncaring person only thriving for power, wasn't real. And showcased traces of yearning towards Wukong.

Both monkeys reached an understanding at the end of the season. Wukong even extended an olive branch in the form of a peach popsicle.

So if after season 3 Macaque's place within the group was still tentative, this time after season 4 he showed that he was willing to help even when nobody asked him to, thus cementing the tentative trust he forged at the end of season 3. Now, saying that he's buddy-buddy with the rest of the group isn't quite true. There is a distance between them that hasn't been addressed yet.

S5 ep 1

Macaque appears in the first half of the episode, narratively his appearance is here to highlight the season's main plot : MK's origins. He's here to introduce troubles. Essentially, he's doing groundwork for the rest of the season, encouraging the viewers to already question MK's origins.

Now story-wise I think his appearance is very interesting because it highlights the current state of his relationship with Wukong. While season 4 ended in a tentative offer of allyship, season 5 begins with an argument between the two monkeys, an argument they tried to avoid.

So, right after MK left, And Wukong fail to broach the subject of his monkey form, Macaque appears through Wukong's shadow :

Macaque : Well, that went well bud.

Wukong : Hugh, are you actually lurking here?

Macaque : Hey, this mountain has been my home just as long as yours.

This first section of the dialogue is relatively tame. Macaque is falling back on his habits which are : teasing/ taunting. Macaque is shown as smiling, relatively laid-back, while he nips at Wukong's unsuccessful attempt at talking (of course, the “that went well bud” is sarcastic, but it's not as bitter as we are used to concerning Macaque taunting). And the moment Wukong questions Macaque's presence on the mountain, Macaque answers with another quip.

It's also interesting to see that Macaque still considers the mountain as his home and lurks here despite having the freedom to go and explore the world. Of course, I do believe the writers are keeping him around for plot purposes BUT I also find it sweet that he cannot bring himself to leave the mountain. Perhaps, in some way he's scared to let go of the familiarity that the mountain offers. Macaque says that the mountain was his home just as long as Wukong's, considering that Wukong was born on the mountain, it's not far-fetched to think Macaque was born here too. If we follow this line of thinking, it means Macaque never truly left the mountain. So, in a way, Macaque's only experiences with the outside world have been : the brotherhood's wars, his death at Wukong's hand, and his time as a slave under LBD….So I can understand if he doesn't want to leave the mountain yet.

Now, after this first relatively tame section, things turn more serious.

Wukong : You found anything?

Macaque : no but with the Jade Emperor gone the celestial realms… Things aren't good. Wukong… the kid.

Wukong : I know.

Macaque : You need to talk to him.

Wukong : I know. But… He’s not ready.

Macaque : You mean you're not ready. You really are the worst mentor.

First, we learn that Macaque has been lurking around the celestial realms and probably shared his findings with Wukong more than once if Wukong is aware of his lurking. That in itself told us that they take their roles seriously, they're preparing themselves for future troubles, as they said they would at the end of season 4. At the same time, I find it interesting how Macaque is trying to push Wukong around.

He begins by highlighting the importance of talking to MK, especially since he just witnessed Wukong's unsuccessful attempt. But Wukong is dismissive. He answers with a succinct “I know” and turns away from Macaque, as if fleeing the conversation. Macaque notices his unwillingness and frowns, he insists again, and he fully turns towards Wukong. Once again, Wukong repeats himself, while still averting Macaque's gaze, giving the impression he's still fleeing, BUT then he meets Macaque gaze heads on at the end of his sentence : “He's not ready.” This shows that Wukong is sure of himself, he's not just fleeing, he has seen how MK avoids the conversation, the kid is truly not ready. Yet Macaque answers with a quip meant to push Wukong out of his comfort zone.

Yes, maybe the kid isn't ready. But maybe you're also not ready either.

Macaque knows how to make Wukong's react, he's trying to push him around. Yet when Macaque sees that Wukong is getting angry (cue Wukong growling) he drops his smile and attitude, because he doesn't want to fight Wukong, they have more important things to worry about.

Macaque : He needs–We need to know everything we can.

Wukong : He's just a kid. Can we just-

Macaque : He's not just a kid! Why him Wukong? Did you know about-when you chose him…

Wukong : No, I didn't know. It just felt…right.

Macaque : And that doesn't bother you!? This kid just happens to have all your powers, that is at the center of all these battles. And you never questioned why? None of us even knew he existed? How?

They're both obviously frustrated by the other, yet contrary to other seasons they try to not let this turn into a fight. When one of them feels like they're on the verge of snapping, they turn away and put some distance between themself and the other. Everytime they feel like exploding, they try to reign it in. In itself this is a huge improvement from their previous fights. They're really trying to not let this develop into a heated argument.

As we can see in those various shots, they always try to keep a distance between themselves, they're really trying to not let this turns into a fight :

At the same time, Macaque is trying to make Wukong realize that they cannot wait anymore. The question of MK's origins was always looming over their heads, but Wukong never looked into it. Macaque believes they cannot brush the matter aside anymore. That MK needs to know, that they need to know to be prepared. Macaque is a highly cautious individual, so character-wise it makes sense for him to have this need of preparation. He cannot let MK's origins remain a mystery, not when so many coincidences lead him to believe someone is pulling the strings.

But on the other hand, on what grounds can Macaque criticize Wukong's mentoring when he hasn’t been around for long? Macaque is right in his worry, but his way of broaching the subject with Wukong is not right, especially since he's very citisizing of the way Wukong handled the situation. Perhaps because his feelings for Wukong are still very much tainted by his previous hatred, he's very harsh with him. At the same time, if he's not harsh with Wukong, who will be?

In the end, despite their best efforts, the conversation turns into a fight.

Before leaving Macaque says :

Macaque : Look, that kid idolizes you, you're his literal hero and you just…

Wukong : I just what?

Macaque : He needs to know it's not all on him. You need to do better.

Macaque is very harsh and critical, and he's NOT the right person to say this, especially since he has no right to criticize Wukong on mentoring. But he's the only one that can currently push Wukong out of his comfort zone.

At the end of the episode, we see Macaque laying on the same tree that symbolized his friendship with Wukong in season 4 surrounded by monkeys.

First, how obsessed do you have to be to be laying on this particular tree? Macaque… really I have no words, how much of a simp are you? Seconds, the monkeys truly missed him 🥹. It's good that he's home, finally.

S5 ep 2

I found this episode particularly interesting for its duality, at the same time it shows Macaque closeness with Wukong yet it also highlights the distance between them (while also highlighting the distance between Macaque and the rest of the team).

Closness :

Macaque recognizes Li Jing’s spell before anyone else, showcasing how he was already familiar with it. Macaque is also the first to rush to Wukong.

In prison, one look is enough for Wukong to convey his plan to Macaque.

Still in prison, Wukong laughs at Macaque's joke concerning “MK lawyer bit".

During the fight against the celestial soldiers, both monkeys fight in harmony, defeating them together.

After leaving the celestial realm, Wukong explicitly says “I trust no one that isn't standing there right now.” Even Macaque is surprised by this affirmation, as he is standing here, meaning he is part of the people Wukong implicitly trusts.

Distance :

In prison, Macaque is standing in one corner while both MK and Wukong are sitting in the middle, thus creating a physical distance between them representative of the symbolical distance that is still present in their relationship. Moreover, as we can see in the shot, a chain is separating the three, furthermore highlighting the divide between the three characters.

Wukong and Macaque argue a lot. Even MK acknowledges the tension between the two. Wukong even says “Classic, I get all the punishment, you get to mop” which can be a reference to how he was constantly the one being punished (the mountain, the journey, the circlet) yet Macaque always acted like the one suffering. In response, Macaque says “Maybe going to jail wasn't on my agenda for tonight.”, which can be a reference to how Macaque is always getting dragged into Wukong's mess.

After landing, Macaque picks a fight with Wukong and both end up arguing once more. More precisely, Macaque calls out Wukong on his lack of substantial plan, doubting how whimsical, possibly not real rocks, could be seen as a great plan. Once again, Macaque is highly cautious.

This episode does a great job at showing us the chemistry/ the potential dynamic of Macaque and Wukong (their closeness) but still acknowledges the distance between them that cannot be totally breached yet.

At the same time, perhaps because Wukong acknowledges that he trusts Macaque, Macaque in turns decides to trust Wukong and MK. He sacrifices himself to Li Jin, thus buying time for the team to escape and go search for those (possibly not real) rocks, a plan he clearly didn't agree with minutes before.

It could also be a call back to Wukong sarcastic comments “Oh sure, cause normally you just rush to my rescue.” in season 4. Here, Macaque IS rushing to Wukong's rescue, both when he rushed to him when Li Jin threw the circlet at him, and now when he's sacrificing himself to buy time.

We can argue that Macaque never truly apologized to MK and the others, and I do think a verbal apology is still needed, but I don't think it's fair to brush aside his actions as “idiotic suicidal tendencies.” He helped save the world twice, and here he's yet again sacrificing himself. You cannot forget those actions, or brush them aside as bad writing, because you don't like their implications. Yes, Macaque never formally apologized, he still needs to, but saying he did nothing to gain the others’ trust is a bit much and quite uncalled for. For all it's worth, the others do trust him, Wukong trusts him, but that doesn't mean he's their best friend either. He's someone the others can depend on, now is he someone they like is still to be debated on (I do think MK likes him, Wukong too even if it's more complicated, but I don't think Pigsy likes him very much).

S5 ep 7

This episode is great because it does show us multiple things concerning Macaque. It further emphasizes this distance we have observed between Macaque and the others but also showcases how differently Macaque and Wukong process what happened between them.

After saving him from the memory eye, Macaque argues with Wukong (“Geez Wukong, kinda wasting my sacrifice here”). Furthermore, we can clearly see a physical distance, even more so a barrier, between them.

There is a pillar between them, a fracture of some sort that further highlights the divide they cannot mend yet. At the same time, we can notice how differently Macaque and Wukong react in this scene. Macaque is turned towards Wukong, his tail high, he's more annoyed than anything, he acts normally by picking a fight. Whereas Wukong is turning away, tail low, we could even spot tears in his eyes minutes before. He's withdrawn.

Clearly, those two processed Macaque's death differently. Macaque had time to come to terms with what happened to him. He lived through his vengeance arc, he processed the fight in more ways than one. But Wukong isn't the same. It's very likely that he repressed those memories, that he erased them from his mind (cue the numerous times he avoided the word death, instead referring to Macaque as “leaving” or “coming back”).

But this episode also showcases Macaque distance with the rest of the team.

When Macaque saves Pigsy, he does so in the background, by that I mean that he doesn't show himself in front of Pigsy. He stays in the back. Not willing to be on the same level. Moreover, when Sandy brings everyone into a hug, Macaque is at first not part of it, Sandy has to bring him into it, and even then Macaque looks greatly surprised and even confused by the gesture.

Clearly, Macaque is shown as withdrawn when it comes to the team. On numerous occasions throughout the season, he put himself in the back. Because he knows that even though they might trust him, it doesn't mean that they like him. Macaque might have redeemed himself, but it doesn't mean that his development is over, he gained the other's trust, but he'll have to go further to gain their affection. He's not suddenly everyone's best friend. As we can see, and we will keep seeing it, there is physical distance between him and others in each of his appearances.

S5 ep 8

There isn't too much to say about this episode, mainly because Macaque doesn't appear much. It does groundwork for the next episodes, with Macaque being able to free his hand of Xianglu power for a bit, informing us that Macaque powers are effective against him.

Also, Mei make one of the greatest joke :

MK : I'm very used to all our used to our enemies being just your recycled old enemies.

Mei : or like your ex best friends.

Also, not Xianglu acting like he was friend with Wukong when in JTTW he only appear on one chapter and Wukong kicks his butt cause he was scaring a village.

S5 ep 9/10

Ah, so much to say about those two episodes, 😌. The season ties up nicely everything we already observed about Macaque, mainly the physical distance we often noticed between him and the team throughout his numerous appearances.

I will adopt a more thematic approach to analyze those two episodes, instead of my usual chronological order, because I believe it is more relevant in this case.

Confrontation with MK

Macaque confrontation with MK is a great callback to the end of season 4, when Macaque encourages MK to walk his own path. Here, Macaque is trying to let MK know that he doesn't have to bear everything alone.

Macaque : this isn't the kind of things I meant when I told you to chose your own destiny!

MK : you don't understand if I don't do this everyone loses, everything get destroyed!

Macaque : You don't always have to be the hero! It doesn't alway need to be you!

MK : this is the only way

Macaque : You don't know that, you can't know that.

Macaque first sentence is a callback to season 4. Clearly, Macaque is trying to dissuade MK. Trying to let him see that he doesn't have to save everyone alone. It is something Macaque already mentionned at the beginning of the season, when he told Wukong to do better, he also told him that MK needed to know “that everything wasn't on him”. Maybe because he saw what happened with Wukong, what happened when someone decides to bear everything alone, he doesn't want the same things to happen to MK.

The “You don't always have to be the hero” is quite powerful in itself. Macaque always had some problems with heroes, but he did acknowledged how wrong his definition of heroes was in season 4. Here, Macaque tries to take MK's burden away, to let him see that he doesn't need to always sacrifice himself, but also he's trying to let MK see that he's not alone. I think it's very clever to let Macaque have this particular line. Especially since in season 3 MK was the one to show Macaque that heroes never abandon their friends, and thus that heroes aren't alone. Here, Macaque is trying to reenact in some ways what MK did in season 3 by trying to convince MK that he doesn't have to do everything alone, that he has people to depend on.

But of course, Macaque get interrupted before he can truly get through MK, 😭.

Closing the distance

Macaque distance with the other characters (and especially Wukong) was an underlying theme throughout the whole season, especially within the shots’ composition. As we already saw, Macaque was always withdrawn, he never truly fit in the frame, always cut off by either an external object (chains, pillars) or pushed to the background. And of course, the end of season 5 offer a tentative resolution of this story-line.

First, we have this very short scene, after Macaque is interrupted by Xianglu, he decides to give his all and free the other and himself at the cost of his strengh. Before doing this, he clearly say while glancing at Wukong :

Macaque : here goes nothing, make it count.

So Macaque is putting everything in Wukong's hands. He explicitly decides to put his trust on Wukong. This is a great improvement, especially when we consider how cautious Macaque usually is. Moreover, once Macaque free everyone he falls to the ground in a way that is very remiscinent of season 3, after the fight with the possessed Wukong. However, contrary to season 3 where Wukong walked over Macaque while not even glancing at him, this time Wukong reaches towards Macaque and asks if he's okay.

Macaque is the one who has to push him to leave. This is a great callback to make us realizes how much those two evolved compared to season 3 and how much things changed between them.

Morever, after MK leaps in the pillar and everything fades to white, each member of the team calls for MK but Macaque is the only one calling for Wukong. Probably because he knows that if MK was able to jump, it meant Wukong failed, and thus meant Wukong is probably crushed by guilt right now.

But truly, the gesture that ciment Macaque place is Wukong reaching towards him.

Once the pillar is on the verge of being destroyed, and everyone stands together to face what is probably their end, once again we can see that Macaque is in the background.

There is still a distance between him and the team. But this time the distance isn't ignored, instead someone reach towards Macaque, inviting him to stand together with the team, on the same level, and that someone is Wukong.

The fact that Wukong is the one who pulls Macaque at the forefront, who close off the distance between them, is a very powerful gesture. It is a sign of their healing, but also, symbolically, can represent how truly Wukong is the one that connect Macaque to the others. It is through Wukong that Macaque met the team, and thus Wukong has to be the one that close this distance we have observed throughout the season.

Unfortunately, as we all know, Xianglu (damn guy) will intefer before Macaque can take Wukong's hand. Symbolically, it can represents how difficult mending a relationship can be, and even if both parties reach out to each other, it doesn't mean that everything will be healed. Yet the attempt was made all the same. Wukong reached out to him, and Macaque reached back, this alone is proof that their relationship, even if rocky, is slowly healing.

It is proof that this distance, while not fully breached yet, is slowly being closed.

Macaque's powers

Those two episodes also gave us something really interesting to think about and that is Macaque's powers. Macaque's powers are admittedly the most mysterious of LMK and that is because his powers don’t come from JTTW. Indeed, it is never mentioned, in JTTW, that the Six-eared Macaque possess shadow powers. As such, Macaque's powers are an unknown factor to us that had never been truly explained.

Here, we finally have some lead on his powers, especially when they directly confront Xianglu's powers. Indeed, Macaque is the only one able to free himself from Xianglu's hold. Moreover, his shadows are very similar to what Xianglu's uses, the only exception being their colors.

Xianglu : Oh that was quite a trick. That power, who gave that to you? Who did you make a deal with?

Macaque : a deal?

Xianglu : ah, it doens't matter.

So that's very interesting. First if Xianglu is to be believed, his powers are not something he's born with but rather something he borrowed. However, Macaque doesn't seem to be aware of any deals whatsover, so either Macaque unknowingly made a deal or he doesn't need to make a deal. I'm more inclined to believe the second option.

First, Xianglu powers are linked to the chaos. And the end of the season confirm that Macaque's powers also stem from the same source with this particular shot :

What lead me to believe that Macaque didn't need to make any deal is because he has been tightly linked to Yin symbolism throughout the whole show.

Indeed, the Yin is linked with darkness, passivity (which was one of Macaque trait in the past, as in he prefered to avoid confrontations), the moon… But the Yin can also be tied to chaos. As such, perhaps Macaque doesn't need to make a deal because chaos is a part of who he is, it is in his nature, and thus he's born with it.

The idea of Macaque being linked to chaos could also explain a personal theory of mine. During the brief flashbacks of Wukong and Macaque fight, that we saw previously in this season, we could clearly hear Macaque laughing manically while Wukong was pleading for him to stop. Macaque sounded unhinged, precisely chaotic, perhaps because his powers, naturally linked to chaos, took over him in that moment.

So this ends Macaque study in season 5. As we saw, this season follows through what have been established in season 4 : Macaque gained the team’s trust but it doesn't mean there is no distance between them. In fact, it is only at the end of season 5 that an attempt at breaching this distance was made.

Macaque and Wukong relationship also greatly evolved from the first seasons. They still fight, but now they try to make a conscious effort of not letting it get messy. Moreover, Wukong actively reach towards Macaque at the end of the season.

As always, this is my interpretation of Macaque character and you are free to disagree, no hate. I do love Macaque so even if I try to be unbiased, I know my appreciation of the show will shine through no matter what I do.

Maybe if season 6 comes out and I am still into LMK, I will do another study of Macaque.

S1 / Previous

[bisnes-socks]

kun olin pieni, äiti tiesi; musta tulee herkkusieni. people's champion.

i'm not sure i have a lot to say about this one, because it feels quite straight forward to me but i have a couple of notes about the language and some overall thoughts.

starting with overall thoughts: like i said, i feel like this one is pretty straight forward, i doubt i have anything to say that people haven't already thought of. this song is just the whirlwind of rhe CCC and ESC era condensed into a few minutes, and it's him also finally accepting the title of people's champion and finding a way to be proud of his achievement, even though he clearly wasn't for a bit after it happened.

but i'm very happy that he has accepted it and owned it. he IS the people's champion. and he's allowed to have a complicated relationship to that title, but i'm glad he is owning it.

the song is musically quite punk-esque. the verses having that bass/drop tuned & effect guitar is super interesting and not that typical for his music. the guitar without any distortion at the beginning also something different from him, it's an interesting sound.

it's a nice song to end the album on, a lil thank you song to everyone.

now language stuff.

first of all, is everyone aware of why the theme is mushrooms? champignon being a type of mushroom? i scrolled through wikipedia and it seems quite a few european languages use a version of the word champignon for this specific type of mushroom, so i'm assuming quite a few people would have gotten the connection. in finnish champignon is herkkusieni though. which is a funny word because herkku means delicious and sieni means mushroom. so in finnish they're just called delicious mushrooms. we like to be literal.

(so why use champignon if that word is not used in finnish you ask? well it's printed in big letters on every box of said mushrooms in the shops, so everyone does know the word)

i like the reference to his older songs with "kevät 23 taksit tuli pihaan" meaning (literal translation) spring 23 taxis came to the yard. he uses the line about taxis coming to the yard in a few older songs, usually in connection with partying, so normally in a käärijä song taxis coming is like either taking him and his friends to party or back home. but in this instance, they're there to take him to something completely new, a new adventure, so this time round the line about taxis brings a little bit of nerves with it. it's just clever, to be able to use the same line to create a new kind of tension!

"siit tuli haloo ku tulin taloo" is such a succinct yet accurate way of putting what happened! haloo is literally a finnish translation of the english word hello, but to say something (a situation) is a "haloo" it means it's a bit of a commotion. so "siit tuli haloo ku tulin taloo" means that his arrival to "the house" meaning ESC, turned into full commotion.

in the second verse he says "se oli kaikkee muuta ku divaritasoo" which here refers to divisions in sports like hockey and, as far as i understand, football too. so in finnish hockey terms, the best teams play "liiga" and then there are multiple levels under that level, and the lowest levels are divisions 2-5. division -> divari. so he's saying ESC was anything but division level, meaning of course, that the level there is the highest of high.

now, you might have heard the word divari in the song yhtä vailla as well. "massit palo pipariks, meikäläisen talous uppos niinku titanic. ei oo varaa käydä edes divaris mut tuun silti back niinku Arska ja pistän sikariks." well, in this context divari means a secondhand store, which he cannot afford to visit because all his money is gone. divari is usually a second hand book store or record store, to be specific. in this case divari is short for diverssikauppa, which is a loan word from swedish (diversehandel). note: nobody uses the word diverssikauppa. it's divari, or antikvariaatti.

overall this song feels like he's trying to keep the lyrics super simple too, essentially just explaining what happened. and i feel like it fits this song: anyone who hears it, or even runs it through a translator, can figure out what it's about. and because it's a message to the people, i find it fitting that it's kept quite simple.

it's a pretty cute ending for the album.

[wiitzend]

REALLY wish someone else would cook dinner tonight.

[lesboylycan]

man i'm just pathetic aren't i lol

[rayveneyed]

nanami kento is the kind of man that makes people swoon without even realising it.

he's the kind of man to walk into a luxury store after work, suit jacket folded over one arm and a bouquet of flowers in the other -- his blonde hair still mostly perfect from the high-end pomade he uses. he scours the shelves, frowning to himself, while the attendants whisper and giggle amongst themselves near the tills -- an argument over who will be the one to talk to him, because he's intimidatingly pretty.

("just look at him," one whispers. "he's definitely buying something for a girlfriend."

"a wife," another disagrees. "c'mon. he's giving husband vibes."

someone hums. "but i can't see a wedding band."

"his mother, maybe?" says one other. "oh, i love when guys come in shopping for their mother."

"nobody's mother is getting a bouquet of a hundred red roses--")

eventually, one of them is volunteered as a sacrifice -- smiling and sweet as all attendants should be, she clears her throat. the others, crowded around the till, watch the exchange closely. "excuse me, sir. is there anything we could help you with today?"

her mouth is dry and her hands are clammy -- and when he fixes her with those narrow, burning eyes, her throat bobs.

"ah, yes." and his voice is deep and gravelly and drawling, and her stomach turns. she can only imagine what her coworkers are thinking -- hell, she can only imagine what she's thinking. her mind has stopped short. "my girlfriend likes this brand quite a bit. i thought i'd pick her up something..."

disappointment brews in her stomach -- and it's stupid, she knows it's stupid, because obviously a guy like that is taken. and -- she glances down at the roses -- obviously he treats her super fucking well. of course he does, because why wouldn't he? "oh, perfect! do you have anything in mind?"

"well, actually..."

he ends up buying one of the priciest gift boxes available -- fancy body care and perfume laid out in their signature boxes, decorated with ribbon and dried lavender -- no argument, no fight. he doesn't look for something cheaper, doesn't try to haggle or remove something to decrease the price. he adds, and adds, and adds -- and when she mentions a special offer at the till, a little add on for an extra 2000 yen, he accepts it readily. he inserts a black card into the card machine (of course, a black card), takes the beautifully wrapped bag, and thanks the girls for their services -- and just as he's leaving, his phone rings.

of course he answers the phone with hello, darling. of course he begins to ask his girlfriend about her day, the girls think with some amount of annoyance -- of course. maybe the curse of retail isn't entitled assholes expecting you to wait on hand and foot for them -- maybe it's the handsome men coming in to splurge on their girlfriends while you're painfully single and working for pennies.

[batmanisagatewaydrug]

I think a lot of what's currently informing my fellow white people curdling like milk and shitting their pants when asked to interrogate their relationship with rap is the way many people (especially well-meaning white people) still can't help but think of racism as something that you get accused of rather than something that influences the entire world in pernicious ways.

like, I think a lot of people currently posting the most cringe takes about rap right now would very much agree that Racism Is Bad and probably even acknowledge that rap has been and is still widely maligned and devalues for racist reasons.

but that last step, acknowledging that your personal tastes and interests are also influenced by systemic racism, is where a LOT of people stumble. it's very easy to assume that because you consider yourself against racism, then your tastes and interests cannot possibly be at all informed by racist. if you're a white American, that's simply extremely unlikely to be true.

speaking from personal experience, I had to Work to decenter whiteness in my media tastes. when I was like 19 I listened to a podcast where a white Jewish man talked about keeping a spreadsheet of the books he read to make sure he was reading a roughly equal number of men and women, and I started doing the same thing to track how many authors of color I was reading. at the time I took pride in my belief that I was reading diversely, but when the year ended I was shocked to discover that people of color had written barely a quarter of the books I'd read. I had been giving myself way too much credit while still unintentionally prioritizing white authors, because white authors were the ones I knew best. so I started making an extremely conscious effort to seek out books by authors of color, both fiction and nonfiction, that sounded like my kind of shit.

music was extremely similar. I grew up a little white girl in a very white city in a very white state; nobody was offering me an education in rap or r&b or soul or hip hop. as an young adult there were definitely some Black artists I liked, like Janelle Monáe, but I had to take the initiative of seeking out more artists to find out who I fuck with. you're not going to like everybody, which is fine, but are you even giving anyone a chance? are you even looking?

racism has roots everywhere, bro. it's not enough to just acknowledge it, you have to actively get digging.

[inkskinned]

it's been said before and i'm sure said better than i can phrase it. but really, really - if you like making "i'm going to kill myself" jokes, please try switching to being ironically conceited instead.

anytime something goes wrong, say things like "ah well at least i'm beautiful and charming and everyone loves me." when you forget something, try "my big huge brain is so smart and thinking about too many other very big wizardly thoughts you wouldn't even understand." when you're frustrated by one of your symptoms, start talking like you're in My Immortal. "Life has come for me but my eyes are beautiful pools of gorgeous fire and my hair is amazing. I stuck my middle finger up at life and told it to fuck off and it did."

just... try it for a month or two. try saying the most absurdly self-congratulatory shit you can think of.

i know it's tempting to make suicide or self-harm jokes. and for me at least, a decade ago (!) when someone suggested i stop making those kinds of jokes, i was kind of at a loss for what to replace them with. i wanted to make light of these moments, but genuinely (at the time) my first thought really was suicidal ideation. there was a part of me that even felt like ... i was kind of "making light" of that voice. that if i could say i want to die lol, it would help take the sting out of that genuine (albeit passive) desire. like i could turn my illness into a joke.

when i started complimenting myself instead, it felt awkward and stupid. it felt really, really ironic. what i was actually saying was nobody would ever think this stuff about me, that's what makes it so fucking funny.

but. the effect was immediate. first thing i noticed was the people around me. when i dropped a glass and said ah my skin is too beautiful and sleek the glass has swooned and broken for me, other people were suddenly overjoyed to jump in with the joke. rather than making an awkward moment, we'd both start cracking up. ah princess sleek hands, i've heard of you.

i was 19. i hadn't noticed i'd been making others tense when i said i want it all to end. i know now that it's incredibly hard to know how to walk that moment - do you talk to them about your concern? do you potentially make them uncomfortable by asking if they're okay? do you ignore the situation? do you help them pick up the glass, or do they need to do it by themselves? are they genuinely made suicidal over this small moment? and most importantly, how do you - without professional training or supplies - actually help?

most people want to help you pick up the glass in your life, they just have no fucking idea how to do it. they don't want to make anything worse. they don't want to make assumptions about you. they love you, they're scared for you - and being scared makes people kind of freeze up. it's not because they don't love you. it's because they do.

now when something bad happens, my first thought is how can i make a stupid joke about this. it isn't my brain saying you're a dumb fucking bitch. i spend more time laughing. i spend more time being gentle with myself. i spend more time feeling good.

and the thing is - what's kind of funny - is that you'd be surprised by how many people agree with you. the first time i said i'm too pretty to understand that, someone else said to be fair you're the prettiest person in this room. i promise - you really don't know how kindly your friends see you. but they love you for a reason. they sort of reverse-velveteen-rabbit you. your weird and ugly spots fade away and you just become... the love they want to give you.

go love yourself ironically. the worst thing that happens is that you end up tricking your reflection into actually loving you.

[cashmoneyyysstuff]

from the start !

so. . what are we ??

you’ve been katsuki’s for as long as you can remember.

sure, he had never outwardly called you his girlfriend, but when you were both seven years old, he came up to you. chest heaving slightly from running up and down the hill where he had gotten you a freshly plucked out bouquet of flowers. the roots were still clinging to them and he got dirt all over your hands from forcibly grabbing them and shoving the bouquet in them before you could even form a sentence.

“since you accepted the flowers, you’re mine now.” he mumbled, his little hands tightened into fists at his sides and chubby cheeks a cute shade of pink, staring at you as confidently as he could.

a grin grows on his face when you respond with a simple “okay !” and a bright smile. the grin on his face never disappears even as his mom scolds him for getting you both all dirty.

you were katsuki’s in middle school too, when the boys in class decided to play kiss, marry, kill and he had somehow gotten dragged into it. the girls in your class tried their best to seem uninterested, claiming the boys were being childish, but you noticed how hard some of them were straining their ears trying to hear what the guys were talking about in their own little corner of the room. you’d be lying if you said you weren’t a little curious as well.

katsuki was as ruthless as you’d known him to be, choosing to kill any girl that wasn’t to his liking, which ended up being all of them. much to the other boys’ chagrin, claiming he had no taste.

then your name was brought up.

at that, his eyes widened and he turned in his seat to see if you were watching. you had never turned your head away so fast in your life and you were pretty sure you heard something go “crack”.

he clicked his tongue. mumbling something about how stupid the game was before muttering out a “kiss yn, marry yn and kill that other bitch.” before getting up and stomping away, claiming he had to go to the bathroom followed closely by the whoops and hollers of his two friends behind him.

you both made eye contact when he walked out and you think you’ll never forget how red his cheeks were.

you were katsuki’s when he was the one to walk you to and from school everyday, claiming you would somehow get lost without him. you were katsuki’s when he had begrudgingly shoved homemade valentines day chocolates into your arms, mumbling something about how you had been upset nobody had gotten you anything last year, conveniently leaving out the fact he had scared off all the other guys trying to offer you anything.

you were katsuki’s when he grabbed your hand during the winter because he said you’d “end up dying of hypothermia with the way you’re chittering over there.” and you were his when you were the only person he laughed around. loud, genuine laughter that you and only you could squeeze out of him. you were katsuki’s when he randomly kissed you goodnight at your door one night and he’s been doing it ever since, and gets all pouty when you turn away from his kisses to tease him.

“are we dating ?” you had asked him. you’re both in high school now and you’re in his dorm room. your legs are on his lap and he’s got a comfortable grip on your leg, which tightens after he registers your questions “hah?” he looks utterly confused and a little insulted as he looks back at you, his entire face scrunched up in confusion. you pinch his nose and he swats at your hand.

“are we dating ? like—am i your girlfriend.” you say again and katsuki’s face scrunches up even harder. he huffs and looks back at his phone, landing a little smack on your leg still placed in his lap. “ ‘course yer my fuckin’ girlfriend.” he spits out, obviously irritated. then he looks back at you “I haven’t made it obvious ?” he says sarcastically. one of his eyebrows lifted as he pokes at your leg still very much in his lap.

you simply shrug “s’not that. it’s just because you’ve never actually asked me out before, so i was a little confused on where we stood.” you mumble. he stares at you while you speak and he stares a little longer before sighing. then he leans towards you and flicks your forehead.

“ow !”

“dumbass.” he murmurs. there’s a slight pout on his face and his cheeks are light shade of pink when he looks you in the eyes again. he grabs both your cheeks with one hand and smushes them together to push your lips out and presses multiple wet kisses onto them that have you squealing and squirming. his wet lips are pulled into a smirk when he pulls back and you try your best to at least look a little angry, you really do. but it’s useless when he looks at you like that.

“of course you’re my girlfriend” he reiterates. his smirk’s been replaced for something softer, something more sincere as he gazes at you with so much unadulterated affection it makes your head spin a little. “you’ve always been mine.” he says it in a teasing tone and his hand is still smushing your cheeks out and it hurts a little but his eyes are still the same. they’re warm and soft and so, so enamored with you and only you.

when he finally let’s go of your face and pulls you fully into his lap, you realize katsuki’s been yours for as long as you’ve been his.

you smile brightly at him but turn your nose up when he leans in to kiss you again. “i still haven’t heard what i wanna hear though, mr. bakugou.”

he rolls his eyes and pinches at your thigh as he mumbles out a “don’t call me that.” sighing, he looks at you intensely and you suddenly feel very shy.

“will you be my girlfriend, ya shitty girl ?” and he says it as a joke, you both know it is cus his lips are already forming into a smirk the second he finishes his sentence. and you’re pulling at his nose the moment you register it, but you’re both smiling hard. he laughs and you’re sure you’ll never get tired of the sound. “what’s your answer, pretty ?” he asks playfully and you pretend to really think it over just to mess with him, and giggling out a “yes!” when he suddenly pounces on you. flipping you both over and tickling you mercilessly, calling it revenge for you “taking too damn long to answer.”

you’d been katsuki’s for as long as you can remember, and you hope you can be forever.

[puari-vol]

Peer Pressure

CW: Hypnosis

I stood quietly and unobtrusively off in a corner of the ‘slumber party’ trying my best not to bother anyone. Occasionally I glanced over at my friend Kelsey who was talking animatedly with some girls and wondered why she had insisted I come along. Of course I had agreed at the time, it seemed like a good way to make friends. But now that I was here…I couldn’t bring myself to try talking to anyone. I fixed my eyes on the cup of water in my hand. This was all… fine, I was just being Kelsey's designated driver. I was being helpful, like a good friend should be. It didn’t matter if I had fun or not. 

I zoned out enough that when Kelsey tapped me on the shoulder I jumped

“Did you really just stand in the corner this whole time? Geez come on you goof its time for the movie!” 

She took my arm and dragged me toward the TV. Both couches were full so I ended up sitting cross legged on the ground in front of them. Kelsey was about to sit next to me before she was suddenly pulled away to sit with some other girls, so now I was just sitting next to two strangers. They didn't seem to mind me, but they didn't introduce themselves either.

The lights go off and the movie starts, the chatter dies down as everybody watches. It seemed like there was something wrong with the audio, there was an odd droning sound playing under the movie. But it wasn’t loud enough to be annoying and nobody else seemed to notice so I kept quiet. The movie was honestly kinda boring, I glanced around and accidentally made eye contact with someone doing the same thing. I felt myself blush and turned back to pay attention. The movie kept going and after a while I started to space out. I was so out of it that when something changed it took me a while to notice. The movie wasn’t playing anymore, or maybe…this was part of the movie? The screen just showed a pink and purple spiral spinning around and around. The droning had gotten louder. How long had the spiral been on the screen? I couldn’t remember. I looked to the girl on my right, about to ask if something was wrong with the movie. But she was just staring at the screen, focused. I noticed everyone else was doing much the same. I quickly turned back to the screen, not wanting to embarrass myself. As I watched I tried to remember what had been happening in the movie for this to make sense, the spiral and been going for at least a few minutes now, but the more I tried the more the details of the movie seemed fuzzy and distant. I stared intently at the screen, trying to find out what everyone else was looking at…

I blinked when there was suddenly someone sitting in front of me. I only noticed because she waved her hand in front of my face after she sat down. She was backlit by the spiral on the screen and she smiled at me. 

“Hey there” she said softly “First time here?”

I just nodded feeling strangely dizzy.

“Kelsy said she was bringing someone knew, is that you?”

I nodded again, she was gazing intently at me and I started to feel self conscious, I averted my eyes and saw that everyone else was still just staring at the spiral

“Well Kelsy has good taste, you’ll be lovely”

I blush, not expecting the compliment

“Um thanks” I mumble no longer able to meet her eyes. She was grinning at me now

“Are you ready?”

“Uh…for what?”

“To learn about the button that turns off your brain” 

I blinked as I tried to sort through the nonsense statement

“The what?”

She giggled and pointed off to my left 

“Just watch, you’ll get the idea”

I looked and saw she was pointing at the girls sitting on one of the couches, all of their eyes were glued to the spiral. As I watched, another girl came up behind them. Starting with the girl on the far left, she leaned down and whispered something into her ear. Then reached over and tapped her on the forehead. At once, she went limp. Head lolling forward, eyes closed. She slumped into the girl sitting next to her, who jolted as if suddenly startled awake, eyes blinking rapidly. But the girl behind the couch simply reached over and tapped her on the forehead as well. And suddenly both girls seemed to be fast asleep leaning into each other. The girl behind the couch smiled and gave them both a pat on the head before moving on to the rest of the couch

“You see? All good girls like you have a button that turns off their brain” 

I was staring open mouthed at the girls now asleep on the couch

“But…but I’m not-”

“Shhhhh”

I felt a hand on my cheek, and my head was turned to face the girl in front of me again. I was blushing like crazy now and I stammered something incoherent. The girl just smiled kindly

“Don’t worry, you won't be bothered by that kind of stuff soon”

Hand still on my cheek, she turned my head to the right, where I watched the girl sitting right next to me get tapped on the forehead. Her eyes fluttered shut, and she slumped back, mouth open and drooling.

“Isn’t she pretty?” 

She put her hand below my chin and made me nod, I hardly noticed I was just staring at the girl

“Doesn’t she look beautiful, all sleepy like that?”

She made me nod again

“Don’t you want to look like that?”

I nodded, I wasn’t sure if she made me or not

She turned my head to face her again. Her other hand was held up in front of me, her index finger pointed at me. My eyes focused on the tip of her finger

“W-wait”

“Nighty night”

She tapped me on the forehead

[marvelwitchergilmore]

Nobody Important

Summary: Logan x Fe!Reader -> When you first meet Logan you tell him you’re nobody important. But it soon becomes clear you are a lot more important than you say. 

Disclaimer: Contains descriptions of nightmares, couple of swear words, being drugged (nothing bad, just some chamomile tea). Mostly fluff moments with a hint of angst. I watched X-Men and wanted to write something for him. Reader has powers though they're not specified fully. Not Proof Read.

When Charles told Logan someone was going to pick him up from the airport, the last person he expected was, well, you. 

Compared to the pristine and fancy cars that were held at the school garage, you pulled up in a beat up old station wagon that looked like it had seen more than a couple of scratches in its time. And you weren’t dressed…like the rest of them. 

Rather than in some kind of pant-suit combo, you were wearing a long sleeve t-shirt, jeans, boots and a heavy brown leather overcoat. 

“Hey, sorry I’m late. Hope I didn’t keep you waiting too long.” You began immediately as you stepped out onto the curb and rushed towards him. “I was at the back of the forest collecting some berries and lost track of time. Shall we get going?”

Logan looked you over. You seemed a lot more…energetic than he was. 

“Who are you?”

“Professor X sent me. To collect you. You are Logan, aren’t you?”

“That depends. Who are you?”

“Your ride to the school, unless you plan on walking for two hours in the freezing cold.”

Logan grunted and threw his bag into the backseat. You still hadn’t answered his question but the licence plate of your car matched that of the one Charles had told him to look out for. 

However, fifteen minutes into the drive, Logan asked once more. “Who are you?”

You smiled and looked at him for a moment before moving your gaze back to the road ahead. “Nobody important.”

“Okay, fine. What are you?”

You smiled again. “Nothing you need to be concerned about.”

“Alright, listen bub-”

“Logan, whatever information about me you think you’re gonna have me tell you; it’s not gonna happen. I work with Charles and that’s all you need to know.”

Logan furrowed his brows. “So you’re a telepath? Like him?”

“You don’t need to concern yourself with what or even who I am. But,” you reached down and pulled a file from the driver's side door before turning it over on the steering wheel and handed it over to him. “You should concern yourself about this.”

Logan took it, a little confused, and opened it up. 

“He wants you to know what you’re walking into when we get back.”

After that, the rest of the drive was silent save for one question from Logan, only to have you reply with; 

“All the answers you’re looking for are either in there or are with the Professor.”

He didn’t bother asking you another question after that. Not that you would have answered it anyway. 

Once you finally did pull up to the school, it seemed you were beside him one minute and went the next into some unknown corner of the school because he didn’t see you after that. 

But he still had questions. 

Unanswered questions. 

Like who the hell were you? 

A week later, he still didn’t have his answers. But he did run into you again. 

In the kitchens. 

The entire place was a lot messier than the communal kitchen. It looked like some mix between a witches cottage and a mess hall in a school cafeteria. But it didn't smell as bad. 

Instead it smelt of cinnamon, oranges, rosemary and cookies. 

And somehow

It was relaxing to him. 

“Penny for your thoughts?”

Logan looked up to find you standing at the other end of the kitchen, a bowl under one arm and a spoon in the other. Flour was dusted across your face and your hands were splotched with food colouring stains. Which matched the batch of rainbow coloured cookies behind you. 

“Err, no. I was just-”

“Here, sit. I’ll make you some tea.”

“I don’t really drink..tea.” 

Logan was still taking in the room. Every time he looked back to a spot, he found a new detail to it. Extra herbs, or ingredients, or even flowers. 

You smiled, placing down the bowl and spoon before moving across the kitchen to the simmering pot on the stove. 

“Here, try this.”

“Oh, I, uh-”

“Just drink it.” You sighed a little, with a light smile. Nobody would have to meet Logan to know he wasn’t a tea drinker. But he was also polite enough to accept a drink. 

And he did. 

“Is this where you work?”

You nodded, going back to the fresh batch of cookies you needed to start scooping out. 

“Do you usually work this late past midnight?”

You chuckled a little to yourself. “Sometimes. Mostly it’s because I think of a new recipe and want to try it out when no-one's gonna disturb me.”

“Am I disturbing you?”

“No. Plus, I heard you coming down the stairs. Figured it wouldn’t be long before you found another night owl.”

Logan grunted with a soft chuckle. “I don’t think it’s intentional being a night owl.”

You shrugged. “We all have our reasons.”

Logan nodded and took another gulp of his tea. If he thought he felt relaxed when he walked into the kitchen, he didn’t have a word for what he was feeling after the tea. 

“Hey, what’s in this tea?”

“Not much. Chamomile mostly.”

Logan nodded. But then something shifted. He was getting drowsy. Not relaxed. Not sleepy. Drowsy. 

“Hey, what did you put in this?”

Logan went to stand and repeat his question, but he was out like a light before he could finish. 

Logan, for the first time…ever, woke up slowly. From the light that came flooding in through his window, to slowly turning over and feeling the bones in his body crack just right to allow his joints to feel at ease, to not thinking a thing as his brain slowly turned back into gear. 

Then he jerked up. 

With a grunt, he looked around him. 

He was in his room. 

The last thing he could remember was your tea and the kitchen. 

Flinging the covers from him, he tore his way out of his room and down the hallways until he finally reached his destination. 

The Professor’s office. 

Walking inside, he found the situation entirely too calm. 

“Ah, good morning Logan. Glad to see you’re finally awake.”

“What the hell happened?” 

“You fell asleep. Y/n helped put you to bed before you collapsed on her kitchen floor.”

Logan turned at that moment to find you sat on the sofa by the window inside the office. 

“You.” Logan practically snarled. “You did something. What did you do?”

Logan approached you but where anyone else would have flinched, you didn’t. In fact, all you did was sit back further and smile up at him. 

“She didn’t do anything, Logan. You needed to sleep.”

Logan turned and looked at the Professor. “Don’t mean I have to be drugged.”

Then you stood. “It was just a little tea, Logan. The more exhausted you are, the faster and harder it works. But now you look more rested. Your skin looks less like you’ve been thrown into a washing machine for a couple spins.”

“Are you always this blunt?”

You smiled. “It’s part of my charm.”

“Ain’t nothing charming about this conversation, doll.”

“Really? Because I’m finding this thrilling.”

Professor X smiled. “Okay, that’s enough, you two.”

“She started it!”

You just smiled again. “You’re welcome. If you ever need more tea, you know where to find me.”

With a pat to his arm, you walked past him and said your goodbyes to the professor before heading for the door. 

“Don’t worry about it, you can keep your tea.”

“Have to admit, though. I did help.”

Internally, reluctantly, he did have to. Because despite everything, it was one of the best nights of sleep he’d ever had. 

Another week rolled by and despite Logan doing everything he could to avoid the woman that he still considered had drugged him to sleep, he seemed to see more of you. 

Turns out, you taught cooking and baking classes to the students so they could at least make themselves a decent meal every once in a while instead of quick ramen noodles. And you also taught outdoor survival skills which Xavier had Logan help sub in with. 

But this also meant, much to his chagrin, Logan was actually starting to like you. 

Rather than wanting to storm off in the other direction, he wasn’t annoyed by your presence in the room anymore and you definitely had a way with teaching a group of rowdy teenagers who would rather do anything other than learn normal “camp” things. 

It was actually entertaining watching you teach your students. And even he learnt a thing or two.

Another week passed and Logan found himself back in your kitchen, sitting at the kitchen island, watching you as you lent one palm on the counter top, a pencil between your teeth and two pens behind one of your ears. 

“Want some tea?” You asked him after a few minutes of content silence. 

“Are you going to drug me again?”

You rolled your eyes. “It’s store bought, Logan. I just added a couple extra things.”

“Really, like what?”

Sighing, with a slight smirk, you turned around and pulled the box of tea from the cabinet before throwing it at Logan from over your shoulder. “Read it. It tells you what to add.”

“They actually sell this stuff?”

You turned back to your messy notebook with a smile. “It helps when your grandmother worked in the tea business for forty years. All the tricks of the trade, passed down through generations.”

Logan watched you work- no, dance around the kitchen. You didn’t even have to look at what you were doing and before he knew it, there was another tea in front of him, in a glass mug with hand-painted roasting logs on it. 

Logan looked at it for a moment and then you spoke up, without looking in his direction. “Being a night owl means different hobbies can be created. Glass painting was one of them.”

Logan shrugged with a nod before drinking his tea. The effects weren’t as quick or as “violent” as the first time. Instead, it was calming, then relaxing, then just plain and simple tiredness. 

“Go to bed, Logan. Before you crash into my floor again.”

“How did you get me to bed the last time? I’m not exactly all flesh and blood.”

You shrugged. “I’m stronger than I might look to you. But, go to bed, Logan.”

“Will you?”

“Will I do what?”

“Go to bed, too?”

You turned and faced him. “Soon. I want to finish this up first.”

“What are you even doing?”

“New recipe. I shouldn’t be long. Look, I promise. Twenty minutes, I’ll be in my bed, fast asleep.”

Logan raised his brow for a moment but then stood. If he waited any longer, he might actually crash onto the floor again. 

“Okay, fine.”

And you stuck to your word. Logan heard your footsteps coming up the stairs less than ten minutes later and after that…he didn’t remember much other than just complete calmness and sleep. 

The next couple of nights followed the same pattern. And even if he still wasn’t a tea drinker, Logan was growing a (small) taste for it. 

Until one night he walked in and found you stood in the corner, changing your t-shirt. 

You already wore a cami top underneath most of your t-shirts anyway – especially in the kitchen, but your first one had gotten too messy. So you were safe when changing. Except, you hadn’t expected Logan to walk in when he did. 

He paused for a minute by the door, a little apprehensive to make himself known but also trying to do so, so it wouldn’t seem like he was just watching you change your top t-shirt. But at the same time, he didn’t want you to know he was standing there because he could finally look at you. 

More so, when he saw your shoulder. 

From your left shoulder spread and faded over the top and to your right, a mark similar to a burn. The skin was scarred, yet healed over. A forgotten memory. The strap of your top cut through the larger scar that ran directly across the middle of the scarred skin, almost in a wave. Parts were redder than others but you didn’t seem to be in pain as you pulled the t-shirt over the top of your head and down your body, covering it back up. 

Logan coughed as he entered and you turned around, greeting him as you did every night. 

“New recipe?”

You nodded, looking at the messy t-shirt in your hand. “Yeah, it didn't go over too well with the mixer.”

“Better luck next time.”

And then you both just…talked. 

You were slowly telling him a little more about yourself each night, even if you didn’t know it yet. 

“I just remember being thrown into the wall and waking up like an hour later, completely covered in green brownie batter.”

You both laughed as you told him the story, but then he asked. 

“Is that where the scar is from? On your back?”

It was almost as if you had forgotten about it, having to take a moment to realise what he was talking about.

“Oh, that. No, that…that’s nothing important.”

Logan knew to drop his line of questioning. If you said it was nothing important, then there was no way of getting you to talk about it. 

Until the day he found you napping on the sofa. 

Everyone was outside for the day considering it was winter break and fresh snow had finally fallen on the ground. Except, you had opted to stay inside, and fell asleep on one of the central sofas in one of the quieter communal areas. 

The large windows let a lot of natural light flood in, and the fire that was crackling away in the fireplace was enough to heat the room, especially when the door was closed. 

And it wasn’t long before the quiet hum of the fire and odd crackle of the wood, mixed with the heat and your lack of sleep, overtook you and you fell asleep. You didn’t even wake when your book dropped from your hand and onto the floor. 

“Hey, Y/n, they’re all-”

Logan stopped in his tracks when he saw you. 

Fast asleep. 

He was careful to remain quiet as he walked over to you, cutting between you and the coffee table to pick up your fallen book and place it safely onto the table, where he sat on the edge and took a minute to just…memorise you. 

Since he met you, you had done nothing but be moving. All the time. From the crack of dawn to nightfall, you were constantly going and running and teaching and baking and doing and…hell, for all he knew, you could be something other than mutant or human – even those two needed sleep at some point. 

Hell, even he needed sleep. 

But you were just constantly forever going. 

Lay on your left side, your elbow tucked under your head, you were lightly snoring. Logan brushed the stray hairs that had fallen in front of your face, away, his hand rested on your cheek for a moment, his thumb brushing across your cheekbone for a second. 

You were fast asleep. 

Your worn Beatles band-tee was twisted slightly around your middle, whilst the waist of your jeans had twisted in the opposite direction a little, leaving a small gap that showed Logan the redness from the indent marks of where you had been lay, probably, on your other hip for a while. 

Logan thought about covering you up, and leaving you where you were, for a moment. But he also knew you could be like him when it came to sleep. And it was best to get it when you could. So, rather than chance the kids coming back in and waking you up, he made a decision. 

You flinched a little in your sleep as he spoke to you and lifted you from the sofa. It wasn’t long before he found your room and laid you into bed before covering you up. 

Once more, he brushed the hair from your eyes as you turned onto your side again. 

He looked around for a moment before finding what he was looking for. 

A heavy blanket. 

He lay it over the top of your bedcovers and you, before moving across the room to light the fireplace. 

Only, as he did so and placed the fireguard in front, you whimpered. 

He turned around but you were still. 

Then you whimpered again. 

“No,” you whispered. 

Logan moved over to you quickly and quietly as he could. You fell silent again. 

He let out a small breath and covered you up a little more before leaning down. He didn’t know why, but he pressed a small kiss to your temple before walking away. 

Except you reached out for his hand. 

Logan looked down at his hand that was connected with yours, then to you. You were still asleep. 

But it didn’t look like it was a good dream. 

You were shaking. Your entire body seemed to be paralysed with fear, all the while you were mumbling words Logan just couldn’t quite make out. 

Then the glass of water by your bed started shaking. Then the table it was on. Then your bed. Then the floor. Whatever was happening to you was spreading throughout your room. 

A picture that had been hanging on the wall outside, fell to the floor. 

Quickly turning back to you, Logan took hold of your shoulder. He kept calling your name but it was like you couldn’t hear him. 

“Please…please don’t hurt them. Please.” You screamed and then grunted in pain. Whatever was happening in your nightmare, you were being hurt. Badly. 

“Hey, Y/N! Hey, you’re okay! You’re safe! You’re in New York. You’re at school! It’s not real, Y/N. None of it is real.”

Your head shifted. You were searching. 

“I’m right here. None of it is real. You need to wake up.”

“L…Logan?” 

The violent shaking in your room slowed for a moment.

He was shocked. Maybe…

“Just follow my voice. It’s just a nightmare. I can’t get into your head and bring you out. Just…follow my voice.”

The shaking around your room gradually slowed, but you still were. Then your eyes opened. 

And glowed. 

They were still your eyes just…brighter. 

“Logan?!”

He had stopped speaking. You were panicking. 

“It’s okay. You’re safe. I’m right here.” Logan took hold of your hand and held it tighter. “You’re safe.”

The shaking slowed and your eyes closed again. 

Then everything stopped. 

Everything went silent. 

Logan looked at the glass of water beside your bed. It was like it had never moved. 

Then you gasped and shot up from your bed. You kicked your legs and brought your hands behind you to push yourself up and the covers from you. 

“Whoa, whoa, whoa, hey, hey, Y/n. Hey,” 

You were gasping for breath, dizzy from your nightmare. 

“Hey, it’s me. Whoa. Hey, look at me. It’s Logan.”

He took you by your shoulders then your face. 

“It’s Logan.”

You finally calmed a little, and he watched your eyes search his entire face until you finally recognised him. 

“Logan,” you breathed. 

“Yeah…”

Your shoulders relaxed and you leaned closer to him, wrapping your arms around him. His hand held the back of your head and his other round your back, pressing you further into him. He could still feel your body trembling. 

“What happened?”

“You had a nightmare.” Logan told you. “The room started shaking and I tried waking you up.”

You took a couple of breaths before moving back and pushed the hair from your face and curled your legs up closer to your chest. 

Logan, sat beside them, placed one of his hands on your knee and the other in your right hand. 

“What happened?”

You shook your head. “Nothing-”

“The entire room started shaking and your eyes glowed. That’s not ‘nothing important’, Y/n.”

You swallowed and nodded your head before dropping your gaze and shifting until you were sat up, crossed-legged. 

Logan remained where he was, sat on the edge of your bed. 

“Before I worked as a teacher and cook here, I was one of them.” The last four words came out slowly, almost like you had to convince yourself you were saying them out loud. “I was an X-Man. I was a part of the team.”

“So what happened?”

“The usual. A mission gone wrong.”

“And that’s what the nightmares…”

You nodded. “It was the mission that made me retire. They needed me to do a job, and I couldn’t do it. There were kids, mutants, being held captive. Some rich dick thought he could duplicate mutants. As the team went it, I was meant to be holding ground outside, helping them find their way through. Only, I didn’t shut off my power. We knew they had someone who could detect me if I didn’t. I got so focused on trying to find the kids, trying to make sure the team got to them that the team almost…”

You paused for a minute. You hadn’t told anyone this story. Ever. 

Logan took your hand. “It’s okay. It’s just me.”

You let Logan’s touch soak into your skin. A memory you’d never forget yet never truly remember why you never would forget. 

“They almost died, Logan.” You looked at him and he could see the tears behind your eyes, threatening to come forward and fall again. “Everyone almost died, because I didn’t shut it down. You asked about the scar, the one on my back?”

Logan nodded. He didn’t like where this was going. 

“It’s from that day. One of their scientists had set off some kind of power..thing. Sent me flying blocks away from where I was supposed to be. I crash landed into some old wooden panelling which knocked me down. But once I got up…their Superhuman had found me.”

“Was he the one that-”

You nodded, remembering it as if it was yesterday. “I was thrown, this time on my front. I tried to get up but then all I felt was pure fire. He was burning me. Giving me a reminder of why ‘someone like me, born with the powers of gods’ shouldn’t have them when I was clearly so ‘weak’. By the time he stopped, I realised where he was going. And by the time I got up, everything just…blew up.”

“Y/n, everyone’s safe. You’re all here. Don’t you teach some of those kids?”

You nodded. “Doesn’t mean I don’t forget that feeling. One of the kids had been watching the guards, tracking their materials to find a way out. If they hadn't done that…they wouldn’t have gotten out, Logan. And they almost didn’t. All because I couldn’t fight. I can’t be the reason why I lose my family and the people I love.”

The tears came forward now, streaming down your face at an unstoppable speed. 

“I just can’t.”

Logan shook his head, pushing himself closer to you to hold you. And you let him. Leaning into him, you felt his arms grow tighter around your body. There was a small security in his arms, one that you hadn’t felt in a long time. 

“None of that was your fault.” Logan told you. “I know you and I know this team. You would never intentionally hurt people. And forgetting to turn your powers off? We’ve all made mistakes in moments like that. Sometimes you get so focused on one person, you tend to lose all sense of self. But none of that was your fault. They got out. They’re all here. They’re all alive. And rich dick is spending his life as dust in the fucking wind.”

“Believe me, I’ll be the first to tell you changing your feelings on something won’t stop the nightmares.” Logan continued. “But you need to find a way to let it go. Don’t let them control you. Not when you won. Not when you’re here, with everyone, able to drug me with some store bought tea.”

You laughed a little at that, wiping your tears away before Logan did the same thing, brushing his thumb underneath your eye and across your cheek. Logan smiled a little. Others might have called it a muscle flex, but knowing Logan; it was a small, brief smile. 

“Don’t let them win.”

You nodded, your head still in his hands. 

“Logan? Will you…Can you stay?”

It seemed to take Logan a second to find his answer. What you couldn’t see was that most of that time, he was trying to figure out why his answer came as fast as it did for him. 

“You don’t-”

“I can stay.”

You looked up at him and nodded with a slight smile. 

Moments later, Logan had kicked his shoes off and was lying beside you in bed. 

“Logan?”

“Yeah?”

You took his hand that lay between you both and turned your head to look at him. 

“Thank you for staying.”

It was his turn to turn his head and when he did, he felt something. The same feeling he’d been getting since the day you gave him his first cup of tea. 

Logan just nodded before lifting his arm. “Come here.”

You moved closer to him as he lifted the covers a little so you could do so. Then he dropped his arm around your back, his palm flush against its centre before it slid a little lower to hold you by your waist. 

As your head settled close to his chest, he dropped his head a little, leaning his jaw against the top of your head and as he felt you relax and close your eyes, he did the same thing. 

The moment your breathing became even, and he knew you were asleep, Logan settled back down and held you just a little tighter against him as he closed his eyes and joined you in a dreamless sleep. 

Hours passed and Charles hadn’t seen either you or Logan in hours. But when he spotted a picture frame that had fallen onto the floor, just outside of your room, he sped as quickly as he could down the hall, but paused when he saw the door open and a sight he didn’t think he’d get to witness for at least a few more months. 

From the hallway, Charles peered in to find the snow falling heavily outside of your window. The children and other teachers were still outside playing. The fire had died down a little, but even he could feel the heat from the room. 

And in the middle of the left hand wall through the door, was your bed. 

Where yourself and Logan slept soundly, almost as one. With your face and hand on his chest, and his arm around your waist, whilst his other hand held onto your arm in a soft grip, keeping your hand on him. 

Xavier could practically feel the serenity oozing from the pair of you. He knew Logan was troubled and that you yourself hadn’t felt safe or content in a long time. 

And he would never have to tell Logan of the change you brought to him, or the one he brought to you. The change that helped you feel safe again, content again. Happy again. Without the added feeling that something was about to go off kilter. 

Because Logan already knew. 

And so did you. 

And for Logan, no matter how many times you would tell him you were “nobody important”, you would always be important to him. 

[gomtotemeal]

And so a month after they built the fifth Wal-Mart in our county, a little coffee shop opened just a few yards away.  

My coworker Rick said it looked like a giant amoeba just waiting to absorb any surrounding properties.

“The coffee shop?” I asked.

“No, Wal-Mart is the amoeba.”

“Oh.”

When I got back to my desk, I typed ‘amoeba’ into Google and realized that I had incorrectly pictured a centipede.

“To hell with Rick,” I thought. “I don’t need any more friends, anyway. I’m on friend overload.”

At dinner that night, the Wal-Mart came up again when my wife Diane mentioned how ugly it was to see another gigantic shopping center taking up space in our town.

“It looks like a giant amoeba just waiting to absorb that little coffee shop,” I said. “And then the coffee shop is like a centipede.”

“I don’t think amoebas eat centipedes. And besides, that’s the point.”

Diane went on to explain that the coffee shop, though legitimate and functioning by all measures, was really an art piece constructed by a group of private donors in response to the new Wal-Mart.

“The idea is that we’re intentionally not supposed to go to the coffee shop. That way, Wal-Mart customers will be forced to observe the gradual decay of a local business every time they enter the store.”

“Well, I’ve been going there all week,” I said. “I think the coffee is top-notch stuff. Plus, it’s on my way to work.”

“The coffee is supposed to be mediocre,” said Diane. “Keeping within the budget of most struggling businesses. It’s supposed to be virtually undrinkable.”

“Hmm…well I really like it.”

“Well, you can’t keep going or else you’ll ruin the project.”

“This is America,” I said. “And if I want a cup of mediocre, overpriced coffee, by god I will have it!”

Over the next several months, I kept drinking the coffee. Some days I even went twice. The quality of the coffee, I was told, gradually worsened as a result of my unwavering interest, but I never noticed and so I had no choice but to doubt the rumors.

My doubt remained intact even after overhearing a private conversation between the coffee shop’s manager and the cashier. I was standing by a tree and watching a teenager back his car into another car and I guess they didn’t see me.

“I know,” said the cashier. “I’ve tried that, but it’s like he doesn’t have taste buds.”

“Well, he’s single-handedly fucking up this entire thing.”

“So what then, poison? Would he even drink poison?”

“Now, that’s an interesting idea.”

“Stupid teenage drivers,” I thought.

In the end, they poisoned the coffee. I made it a month after that, but my failing eyesight and ravaged kidneys eventually left me bed-ridden.

“Well, they just opened another location,” said Diane. “Business is booming. I hope you’re happy.”

And I wasn’t happy, but I was somehow content and I thought about everything then: Wal-Mart, art projects, even little amoebas crawling through the forest, one-hundred legs working beautifully in tandem.

“Nobody ever wins in these kinds of things,” said Diane.

“But if you had to pick a winner, you’d probably pick me because the coffee shop was on my way to work.”

Diane sighed and left the room. I dozed off and in my dream, they did pick a winner. They picked me and I was led over to a small stage to choose my prize: A brand new recliner or two new kidneys!

“The recliner,” I inquired. “How far back are we talking?”