#no one I know has even read either of these series ;_;

[harleiquina]

Hey! I'm late for the party (because being overworked and underpaid sucks and always ends up in burnout -not fully recovered as of now, just with spare time because its Christmas, I'm working and nobody is calling so I can delve in Tumblr as much as my heart desires-).

First of all... I wrote my original reply around 2 or 3 am because my dog woke me up and I couldn't fall asleep again. So probably I had a point and eventually lead to something else because... sleepy brain goes brr.

About the writing

It is true that between saying it or just leave it out the text, leaving it out of the text is the safer option. There is also the posibility that it was planting an idea that never truly came to be so it is just dangling there with no other purpose... it happened to me a few times that I plant a seed of something in a story and then completely forget about it and sometimes I remember and remove it. I don't know how the time frame and due dates are in the process of creating a comic (if it was written arch per arch or if NG had all planned out and later came up with the different issues) but I guess that is they were going issue per issue -writing, drawing, coloring, formating and eventually printing it- there weren't many options to go back and fix something that didn't worked.

And yes... these were the '90s so... there isn't much to do about it.

In the end of the day, Sandman isn't Hob's story. Maybe there was a chance that if audiences liked him enough there could've been a limited run series of him through time and it didn't happened maybe there was a plan to do so but audiences preffered Death over him (can't blame them). Then the audience could've see him after his meeting with Morpheus and maybe growing a backbone eventually to stop his bussiness with the Slave Trade. We will never know.

Shipping and willingfully-ignorant fans

I'm not into shipping either (I'm not going to deny that in any fandom some edits or fanarts are cute) and in this particular case, even if I understand from where it comes from... I'm so done with it. Maybe if instead of casting the son they would've gone with the father things wouldn't have gone that far 🤣

Mischaracterization is a common phenomena in any fandom, sometimes it could be the main shtick to the plot of one pice of fanfic but when the bee-hive fandom accepts it as official headcanon there is no turning back and you just have to ignore it.

Had fandom had a more accurate-looking Hob they might've reacted differently. I haven't read the comics but I've seen a few panels... and he kind of grosses me out. There is no question there that he was on any easy-way to do money (thief, soldier, slave trader) with little to no remorse. But shippers only see what they want to see and leave any kind of nuance flies out the window.

There are (possibly) many fanfic writers that took Hob's dark past (in general) and did created well grounded stories where he gets to reflect on what he's done and how to atone for it. But fluff is fluff and it gets more views. And I think that's the root of it all... some people just want a cozy coffe-shop AU because they are only in there for the romance, others want to read something that will make them question either the character or themselves, analize how certain events played out or could happen. Pretty much as with movies you have the blockbusters, the historic dramas, the romance and an audience for each one of them.

It might feel like some of them are glossing over a very serious subject that should be treated with respect however there is a different place to tackle those subjects on... hopless romantic fanfics are not the right place.

However there is also those who go full "he did nothing wrong" and this could stem from both options: people who are racist themselves, or people that has no idea of what it being a part of the Slave Trade really means. Given that History is so far back, is easy to "forget" or even imagine the living conditions back then. Of course, those who have grandparents or greatgrandparents that have experienced it in the flesh will not let it fly.

In the end of the day it all depends on whoever is reading. They can be affected by it, shocked, outraged or not... that's how Art works and none of us has the right moral compass to tell others if they should be ashamed or not.

We can tell them to knock it off or at least tag properly, but thats an entirely different can of worms 🤣

Hob Gadling’s Involvement in the Transatlantic Slave Trade between the 16th and 19th Century

The Fallacy of (clumsily written) Racial Reconciliation or: Is show/Hob really different from comics!Hob

I originally wrote this a while back as a reply to someone else’s post, but since we’ve been discussing “Men of Good Fortune” (comics) and “The Sound of Her Wings” (Netflix) in our community over the past weeks, I’ve expanded on a few points of my original thoughts.

This post discusses difficult topics, systemic racism, questions of social (in)justice and problematic angles in writing. If that’s not your thing, this is the exit sign…

A question that comes up quite frequently is the following:

Is show!Hob different from comics!Hob?

Hob’s conversation with Dream in 1789 (and not just 1789) in the show has been significantly altered (compared to the comics), and it makes it tempting to believe this somehow makes him different regarding the more problematic side of his character.

In the comics, we have a bit of dialogue in 1789 that shows how deeply involved in the slave trade Hob was: “I sort of started it,” said with a hint of, dare I say, pride? And then brushing off Dream’s concerns by saying, “It’s a living.” Twice.

(They changed this to, “It’s just how it’s done”, and a shrug in the show.)

And it’s true: If this had been integrated into the show, it would have painted him in an even worse light. However, I personally think it was the wrong move to leave it out (Ferdinand Kingsley carefully voiced something along those lines as well btw). Because now the show pushed Hob’s whole involvement in the slave trade much more into the direction of, “Oopsie.”

Can we truly take leaving out the above dialogue as a hint that Hob might be a better person in the show? I’d like to really reflect on that--leaving out those comments can’t make him a better person. Even if we change his arc slightly and he “wasn’t that involved.” You’re involved, or you aren’t. There is no, “I tried a bit of slave trading and decided it wasn’t for me.” One could even argue it makes the angle of the show more problematic because it makes the slave trade a “little blip” in his timeline. Things like that can’t be a blip. I personally think the writers made a mistake here, but that’s obviously just my opinion.

If there wasn’t enough space in the show to expand on it (which I get for a side character), I feel they should have left out the slavery arc completely instead of keeping, but then minimising it (that might sound contradictory, but it only does if you don’t look at it too closely). It already didn't sit right with me 30 years ago to use slavery as a side note for showing a white person’s character development without properly examining the damage caused, and it still doesn't sit right with me now. It makes the plight of PoC a plot vehicle to centre white people’s guilt, and I always thought that’s a blind spot only white people have (and I’m white myself, to get that out of the road straightaway).

I’m not saying it couldn’t or shouldn’t have been used narratively. Or that you can’t show remorse and atonement/redemption for the most heinous acts (that’s not the same as forgiveness—I’ll get to that). Or that characters who have committed said acts are irredeemable. But it would have needed to be fleshed out instead of making it a comment in passing. Many books and movies do exactly that. But the point is that it’s never been fleshed out.

“But they had to shorten and streamline it…”—just no. Because to me (and ofc people are free to disagree), that exactly proves the point—centring the white guy while sidelining the people who suffer. I am a bit doubtful we’ll get anything remotely appropriate in the show after what we’ve already seen. Only time will tell, so I’m withholding final judgment at this point. Fact is: It is uncomfortable to watch for people with any sensitivity on the matter.

And yet, there is a lot of focus on leaving out Hob voicing his regret in 1889, since that (again) “would have painted him in a better light.”

While simultaneously regularly failing to mention that he proudly proclaimed he “invented” the triangle trade. Can we really pick and choose his traits like that? Hob is a materialistic opportunist who also has some regrets. That doesn’t mean he can’t exist as a character, or that we’re not allowed to like him (morally grey characters are often the most compelling ones). We don’t need to sanitise him though, or try to erase his problematic traits from canon. The same goes for other characters (yes, I’m looking at you, Dream, and I’m sure we’ll get to that very soon—in fact, we’re possibly starting tomorrow 🫣). If we are talking about Hob’s remorse, we are probably mostly thinking about Sunday Mourning, so I need to bring in issue #73 at this point (this is your spoiler warning if you don’t want to read ahead).

The Fallacy of Racial Reconciliation

Very plainly:

A black woman is used as a vehicle to forgive Hob. And said black woman has been written by a white male author for that sole purpose without giving her anything else to do. I personally think NG got that wrong. It was clumsy and insensitive to POC, and I really hope they change this for the show. It’s a fact that he really wasn’t good with writing black female characters in the whole run—they all get fridged in one way or another, and he even admits it in the Sandman Companion. And then turns around and basically implies that it's all okay now because “nothing bad” happens to Gwen once Morpheus is dead. She is allowed to be a vehicle for the character development of a white guy though. It’s just really insensitive, and I sincerely hope they don't put it in the show this way. And I’m glad that we're seeing hints it might not happen--at least the casting in the show hints at it (from Lucienne, Death and Rose to very likely turning Carla into a white man—we already met Carl, and that’s who he is IMHO).

There is also the not so small fact that Hob is, even in his guilt and shame (shame is always about yourself, and that’s actually very in keeping with his character), not honest with Gwen. The thing about him basically inventing the triangle trade, which he so proudly proclaimed in 1789?

The English who were so good at it? The “Jack” Hawkins he talked about in 1789? That’s actually this dude:

And Hob funded him 200 years before 1789, and enabled Hawkins. Hob was involved in what became the transatlantic slave trade well before 1789–he already funded it when he had money in the 1500s.

He carried that mindset around with him for literal hundreds of years and saw nothing wrong with it until at least (! more about that in a sec) 1789. Dream had to rub his nose in it, otherwise it wouldn’t even have occurred to him (or did it, and he just chose to ignore it--see below).

Hob has been written as a stand-in for humanity, British Imperialism and England over the centuries—with all that entails.

So how honest is he with Gwen? And how long, even after 1789, was he still involved, even after abolition in England (Somerset vs. Stewart declared slavery unlawful in England in 1772, but that wasn't true for the rest of the British Empire. Buying and selling slaves was only made illegal in 1807, while owning slaves only became unlawful with the Abolition Act of 1833, and it took another year to buy out slave owners to actually make it happen)? Because there’s still this:

“It got worse when they did [outlaw the slave trade]. You only needed one voyage in three to make a profit. You could afford to dump your cargo if… you spotted a British Man o’ War.” How does he know? Why does he have these nightmares? We can take a guess…

That’s not someone who tried it for a couple of weeks and then thought, “Sorry, my bad.” That’s someone who has been opportunistically involved from the 1500s and potentially until after slavery was unlawful in England, which it already was when he talked to Dream in 1789. So does his feigned ignorance of, "It's a living/It's how it's done?" really hold? Especially if he potentially kept going, even after that convo with Dream? When I wrote "between the 16th and 19th Century" in the header, that's exactly what I meant...

Guilt and Shame

Yes, what we see above and in all the other panels is guilt and shame. And it reminded me of this:

And I’d encourage everyone to really listen to what Jasper has to say, and sit with the feelings it brings up. Because I can still remember watching this in the George Floyd aftermath for the first time, and how deeply uncomfortable it made me—because he’s right.

Black people/PoC do not need to forgive and absolve white people from their guilt. They can if they wish to, but that’s their choice, not ours. It’s not for white people to absolve other white people from their guilt around the oppression of PoC. And that’s why it could be argued it’s not for white people to write a black character to do that in their stead either (they can of course, but then they need to live with the fact that people will call them tone-deaf). It could also be argued it is something that cannot be forgiven retrospectively, and white people need to be okay with that. It can only be worked on in the present with a view to the future. And as Jasper also so rightly points out:

The guilt is not even helpful (at least Gwen has the right sentiment there, but it’s still falls incredibly flat over all), and shame only centres ourselves.

Forgiveness vs Redemption

Hob Gadling's regrets don't make everything he did forgivable. I think it actually does the story a disservice if that’s our main takeaway, because this is truly one of the bits of The Sandman that’s written in an extremely tone-deaf manner. NG isn’t the first author who did this, but we can take something good and helpful from this, and that’s engaging with these questions instead of brushing them under the carpet—because that’s what literary analysis is about.

It should be clear that I do see Hob Gadling as narratively important because I see him as a stand-in for humanity, and more specifically, English history. And there is really so much to learn from that.

Writers can get things narratively right but still be emotionally tone-deaf due to their own blind-spots. We don’t need to assume malice, but we also don’t need to leave it entirely unchallenged.

And because of that, we can certainly see Hob as someone who has to live with his conscience, and the consequences of his actions, for the rest of his life and struggles with that (as he should). And maybe we can see him as someone who is now, finally, trying to do the work. Because that is what atonement and redemption actually mean:

Taking action to rectify past wrongs. Actively working against the harm once caused, and preventing it from ever happening again. And I hope that’s what he does, and the signs are there (but there are also still signs that he values covering up his immortality higher than e.g. telling Gwen the truth. And we can find a million excuses for why that is, but ultimately, none of them truly matter).

However, it is not the same as forgiveness from the people we have wronged. Forgiveness is not a prerequisite to redemption, although it can be a part of it if the person who has been wronged chooses to extend it. But the people Hob wronged are dead, while their descendants still need to live with the pain people like Hob caused to this very day. So while I don’t see him as irredeemable, I don’t think he needs to, or even can, be forgiven—especially not by black people (unless they choose to. But it is also fine if they don’t, and again, we need to be okay with that). And we could say, “But Gwen chose to.” To that, I say:

I wonder what Gwen would have said if he had been truly honest with her (which he wasn’t, see below panels). That wouldn’t have been an embrace is my guess…

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[ratatatastic]

do you write fic on ao3?

unfortunately for everyone involved i do!

[deliriousraven]

am being eaten alive by my lockwood and co necromancy au rn (think locked tomb). I've always wished Stroud had gotten more into the actual theory of how death works and all ways Marissa has manipulated it (It's basically implied that Sir Rupert has Sight as an adult and no one ever talks about it?), and I think there's just so much potential to explore there. I think necromancy would just make the whole Problem so much spicier, specifically through the lens of spirit magic.

consider the river and the other place as different layers of the same metaphysical realm (think planes in bartimaeus). Marissa is almost a wannabe jod with all her fiddling with death, but consider the consequences of that on a smaller scale: a localized blockage in the river, rather than totally cutting it off. consider the sexy tlt-esque possession mechanics that we barely got with Marissa. consider the parallels between thanergy and psychic energy, and how sudden and violent death, unfinished purposes, etc allow the dead to stay tethered (just like tlt revenants!). what are type threes? what are the conditions for necromancers to be born (after all, they can only be born on the planets jod killed in tlt), and what level of necromancy is possible in this less fucked up universe? I imagine aptitude and talent are distinct, and not mutually inclusive. Spirit magic is obviously more directly related to everything ghost-related, but how do other forms of necromancy affect Visitors and the other side?

[iamafictionfreak]

Hello, hello!!!

So… it’s been a while. I know I promised/offered/hoped for more of this. And... even though it’s been months, I've finally managed to write the next part.

Not to be deceiving, but part 2 is literally episode 2 only. I'm going the way of Loaded march and posting oneshot's with a rough length of about 20, 000 words? Give or take 5000.

Ever read Footloose’s Loaded March? The Merthur fic to end all Merthur fics?

For those here who aren’t Merthur veterans – we hold weekend group therapy sessions, and depression Thursdays – Loaded March is a series of stories (16 in all) amounting to 1,261,720 words, which is mind boggling to me, and each story is never more than either a oneshot or a handful of chapters until you reach the end.

So, I’m doing that here. Highest form of flattery there is.

So, yep. Part 2 is written and it's around 20000 words - Once it's edited I'll upload, very hopeful for a release by New year. Each episode will be the equivalent of a mini arc but it'll likely be a while before part 3 etc.

As with the above post, I’m aiming, if I actually manage to get there, to cover the rest of season 1 and leave it in a good place. It’s basically a retelling of the show, except with Arthur knowing Merlin’s secret, which changes everything. The juicy part is how this is investigated, developed and how it may or may not alter events as these two idiots progress.

Forewarning: don’t expect a light and fluffy time. Yes, I’m hoping it will be humorous. It’ll likely be dark at times, angsty. Painful. But the light is the key, and the relationship between Arthur and Merlin, the core. It’s, hopefully (pleasepleaseplease) full of adventure and truth and fun!

Unfortunately, Arthur, as you’ve seen, won’t immediately be buddy buddy with the personification of ‘evil’ that his father has raised him to want to destroy. We have a trained killer with a nobility made of steel and a heart as fragile as a bird’s. We have a soft and squishy peasant boy beholding the world's heart of gold, a primal gaze who is an unforeseen powerhouse with unlimited potential to grow into the most formidable man on the planet.

In the show, we see Merlin change over time, moving from servant to devotee of Arthur but kept very much isolated and shadowed. It leads to a very bittersweet end and a deeply fearful Merlin who should never have had to be. With said man knowing the truth, how does that change this growth. I’m not a fan of unearned progression so please don’t expect these two to become the best of friends in the space of 2 chapters.

In the show they fit all the definitions yet fit exactly none of them. They’re friends, except they’re not because their social status gets in the way. They’re devoted comrades, except they’re not because how can they be when such huge secrets stand between them. They’re each other’s protector, except neither really knew it nor understood what it meant. Arthur became Merlin’s purpose, and no one ever knew that heartbreakingly beautiful truth, so he couldn’t serve said purpose to his fullest potential. Arthur was never able to know what it was like to have someone like that by his side because even when he married Gwen, there was a piece if himself that he kept concealed. Watch season 5 and you’ll see what I mean and it’s because of that, that Gwen feels so alone at times.

The show held such potential. And luckily fan works aren’t limited by money or stereotypes or backwards thinking or, oddly enough, a yearning to thrown in a boatload of realism in the last half hour of a supremely unrealistic show.

This fic will not be halted or forced or rushed into romance of any kind. I have an issue with unearned progression. Natural chemistry leads to places yes, but people don't usually just fall in love and go with the flow.

The possibilities are delicious, won’t lie. If Arthur and Merlin had been allowed to ‘touch that’ in the show, the depth of it - the many layers it would have added - would have taken it in a very different direction, one that didn’t fit BBC goals at the time. Imagine all the S1/2 episodes with a bi Arthur. How that alone changes everything about it. Likewise, rewatch the episodes and imagine that it circles certain forbidden feelings and suddenly it’s so much more. I also won’t destroy existing love angles for the sake of something that I want more. No, it needs to feel natural. We’ll see what happens.

If you have questions, throw them at me, whether I answer them is another thing entirely.

I hope you’re all okay at the very least. It’s been a tough few years.

P.S I was going to wait until the third part was written as well, but the year has been hard; I've been sick, I've gotten a new far more stressful job and I've begun it question whether we really do exist within a 'matrix', so it feels right to post a sequel at christmas when merlin did everything to kill us once upon a time.

*not my gif*

In a Land of Christmas, and a Time of Fanfiction, There was an Irritated Woman in Dire Need of a Re-Write:

(gifs not mine - they're from @genyakosstyk)

So… I did it! I did exactly what I said I’d do here. I wrote the start of what could become a long-winded piece of diatribe focusing on how much Merlin the tv series could have healed us instead of hurt us.

I can’t tell if I’m overly ambitious, a little desperate (about anything and everything honestly) or just so done with 2023 and the crap-tastic news it generates. That and, I have this on repeat in my mental-space, which is more of a shed than a palace:

(gif from @punqueen13 )

So that's fun.

It’s forgivable to escape horror or fear or fatigue or guilt and grief by diving into fantasy. And is there anything more fantastical than merlin? Merlin and all the promise it brings. Is there any wonder why fics are still being churned out for a series that ended 11 years ago?

So here it is.

Part 1 of one. I’ve written a short, five chapter thing. It isn’t a prologue, it’s an intermission between episode 1 and 2 of season 1. The chapters are short for a reason, but I wanted to give a mix of both Arthur and Merlin povs so do let me know if they’re extremely out of character – I can handle a little ooc, especially given the nature of fanfic but if I can’t hear their voices in my head or see them as I read, I feel like I’ve failed.

I think I did ok?

The premise is simple:

Arthur sees Merlin, a peasant he had a brief altercation with, use magic to save his life. He should tell his father about. He should arrest Merlin.

He doesn’t. His honour being at risk, he allows Merlin to work for him on the proviso that he doesn’t use magic. Ever.

Except Arthur has questions he’s never been given the answers to. And Merlin is – odd. He’s nothing like what Arthur’s been told a sorcerer is and he makes it all too easy for Arthur to drop his guard around him.

Which- well, it must be magic, right?

His father, his attendants and tutors, have taught him about the manipulations of witchcraft and sorcery and how they can twist a man into feeling empathy for the wicked.

The problem is that Merlin isn’t exactly what he’d call wicked. Arthur trusts his own instincts and they’re telling him very different things to what the king decreed. He vows to watch over his new manservant. The moment he commits treason, he’ll run a sword through him.

And in the meantime, maybe – just maybe – he’ll find out for himself if a man who turns to evil, can’t turn back.

I’LL POST EACH CHAPTER WITHIN THE NEXT TWO WEEK SEASONAL PERIOD.

But.

There will then be a wait for part 2 – if anyone truly wants it, that is. And if not, hey. I had fun writing this.

Other bits and bobs and odds and sods:

Will there be romance?

Eventually! But I do wonder with who you mean? And this is first and foremost an experiment about how Merlin and Arthur could have been if what when how and why. If Arthur had Merlin's full trust and if Merlin was allowed past the walls Arthur had erected to keep even Gwen out, what could they have become?

Is it funny?

I HAVE NO IDEA. I truly hope so though, at east a little. There's some seriousness ahead to get through first though, Arthur isn't just going to jump into trust.

Will there be a lot of differences from season 1?

I aiming for exactly that.

How much trouble is Merlin in? More than season 1?

Ahem, have you seen the below man?

Merlin's in ALL the trouble. He just doesn't know yet that trouble is his home-spice.

[eddiemunsonsmum]

Just saw this comment on a story posted a month ago.

*cries in Eddie Munson Solo Series no one wanted to read, interact with or request for*

No shade to the person that commented this on their own fic if you recognize it. It's not their fault. I'm not mad at them. More crying in the tags.

[im-still-watching-anime]

one piece is crazy fr like what do you mean you’re following up Everyone’s Dead™️ with Objectifying Women: The Arc™️

[humanmorph]

I read chapters 1-7 of Magic's Pawn yesterday & was really struck by how much certain parts reminded me of popular fanfiction... Of course I think a lot of that is just as prevalent in the romance genre & YA space, but I guess both of those are less front of mind for me (even if I don't read a lot of fanfiction anymore and generally not the type this reminds me of either, I'm at least closer to those spaces).

It's like. The waking up from a nightmare hurt/comfort is such a classic in fanfics, the immediate love confession, the honestly rather young sounding voice of an adult/mentor character (this started bothering me. I guess I'm not actually sure of Savil's age, but I know she's not a peer to 17 year old Tylendel despite sounding like it sometimes!), and everyone being really emotionally mature & talking about their feelings clearly (even Vanyel very quickly knows just what to say & what he feels once he breaks down). Again, a lot of that probably is very YA-like too, and depending on fandom there's probably an overlap in demographics.

I'm enjoying it ok so far but I'm very glad there's finally some conflict getting introduced. Vanyel and Tylendel are a bit too saccharine for me as is (though it's obvious they're going somewhere with Savil being worried Vanyel is too co-dependent, Tylendel briefly going "wait is she right?" & then "no, actually I'm just as dependent on him, this is fine"). Michael at the end of the last SbG episode said something like "could a fantasy boy be more depressed" & I'm gonna be real? I'm ready for that boy to be miserable again. Maybe even both of the boys.

EDIT: I am learning she had her start as a fanfiction writer. This makes sense to me & kind of makes me wonder on fanfiction tropes then vs now... certain ones have clearly stood the test of time

---

*I actually wish I remembered some of the more romance focused YA I read as a teen better because I bet it'd be interesting to compare this (published 1989) to 2010s YA. Then again I don't think I did read a single YA novel with a gay protagonist back then, so maybe it wouldn't give a very good comparison...

[bidokja]

"han yoohyun sucks as a younger brother" i have not said this phrase in years, like literally years, but how about you meet me in the fucking pit

[daisybell-on-a-carousel]

Oh man it's been like. 4 months of Jason Todd for me huh

[afterthelambs]

.

[why-animals-do-the-thing]

average United States contains 1000s of pet tigers in backyards" factoid actualy [sic] just statistical error. average person has 0 tigers on property. Activist Georg, who lives the U.S. Capitol & makes up over 10,000 each day, has purposefully been spreading disinformation adn [sic] should not have been counted

I have a big mad today, folks. It's a really frustrating one, because years worth of work has been validated... but the reason for that fucking sucks.

For almost a decade, I've been trying to fact-check the claim that there "are 10,000 to 20,000 pet tigers/big cats in backyards in the United States." I talked to zoo, sanctuary, and private cat people; I looked at legislation, regulation, attack/death/escape incident rates; I read everything I could get my hands on. None of it made sense. None of it lined up. I couldn't find data supporting anything like the population of pet cats being alleged to exist. Some of you might remember the series I published on those findings from 2018 or so under the hashtag #CrouchingTigerHiddenData. I've continued to work on it in the six years since, including publishing a peer reviewed study that counted all the non-pet big cats in the US (because even though they're regulated, apparently nobody bothered to keep track of those either).

I spent years of my life obsessing over that statistic because it was being used to push for new federal legislation that, while well intentioned, contained language that would, and has, created real problems for ethical facilities that have big cats. I wrote a comprehensive - 35 page! - analysis of the issues with the then-current version of the Big Cat Public Safety Act in 2020. When the bill was first introduced to Congress in 2013, a lot of groups promoted it by fear mongering: there's so many pet tigers! they could be hidden around every corner! they could escape and attack you! they could come out of nowhere and eat your children!! Tiger King exposed the masses to the idea of "thousands of abused backyard big cats": as a result the messaging around the bill shifted to being welfare-focused, and the law passed in 2022.

The Big Cat Public Safety Act created a registry, and anyone who owned a private cat and wanted to keep it had to join. If they did, they could keep the animal until it passed, as long as they followed certain strictures (no getting more, no public contact, etc). Don’t register and get caught? Cat is seized and major punishment for you. Registering is therefore highly incentivized. That registry closed in June of 2023, and you can now get that registration data via a Freedom of Information Act request.

Guess how many pet big cats were registered in the whole country?

97.

Not tens of thousands. Not thousands. Not even triple digits. 97.

And that isn't even the right number! Ten USDA licensed facilities registered erroneously. That accounts for 55 of 97 animals. Which leaves us with 42 pet big cats, of all species, in the entire country.

Now, I know that not everyone may have registered. There's probably someone living deep in the woods somewhere with their illegal pet cougar, and there's been at least one random person in Texas arrested for trying to sell a cub since the law passed. But - and here's the big thing - even if there are ten times as many hidden cats than people who registered them - that's nowhere near ten thousand animals. Obviously, I had some questions.

Guess what? Turns out, this is because it was never real. That huge number never had data behind it, wasn't likely to be accurate, and the advocacy groups using that statistic to fearmonger and drive their agenda knew it... and didn't see a problem with that.

Allow me to introduce you to an article published last week.

This article is good. (Full disclose, I'm quoted in it). It's comprehensive and fairly written, and they did their due diligence reporting and fact-checking the piece. They talked to a lot of people on all sides of the story.

But thing that really gets me?

Multiple representatives from major advocacy organizations who worked on the Big Cat Publix Safety Act told the reporter that they knew the statistics they were quoting weren't real. And that they don't care. The end justifies the means, the good guys won over the bad guys, that's just how lobbying works after all. They're so blase about it, it makes my stomach hurt. Let me pull some excerpts from the quotes.

"Whatever the true number, nearly everyone in the debate acknowledges a disparity between the actual census and the figures cited by lawmakers. “The 20,000 number is not real,” said Bill Nimmo, founder of Tigers in America. (...) For his part, Nimmo at Tigers in America sees the exaggerated figure as part of the political process. Prior to the passage of the bill, he said, businesses that exhibited and bred big cats juiced the numbers, too. (...) “I’m not justifying the hyperbolic 20,000,” Nimmo said. “In the world of comparing hyperbole, the good guys won this one.”

"Michelle Sinnott, director and counsel for captive animal law enforcement at the PETA Foundation, emphasized that the law accomplished what it was set out to do. (...) Specific numbers are not what really matter, she said: “Whether there’s one big cat in a private home or whether there’s 10,000 big cats in a private home, the underlying problem of industry is still there.”"

I have no problem with a law ending the private ownership of big cats, and with ending cub petting practices. What I do have a problem with is that these organizations purposefully spread disinformation for years in order to push for it. By their own admission, they repeatedly and intentionally promoted false statistics within Congress. For a decade.

No wonder it never made sense. No wonder no matter where I looked, I couldn't figure out how any of these groups got those numbers, why there was never any data to back any of the claims up, why everything I learned seemed to actively contradict it. It was never real. These people decided the truth didn't matter. They knew they had no proof, couldn't verify their shocking numbers... and they decided that was fine, if it achieved the end they wanted.

So members of the public - probably like you, reading this - and legislators who care about big cats and want to see legislation exist to protect them? They got played, got fed false information through a TV show designed to tug at heartstrings, and it got a law through Congress that's causing real problems for ethical captive big cat management. The 20,000 pet cat number was too sexy - too much of a crisis - for anyone to want to look past it and check that the language of the law wouldn't mess things up up for good zoos and sanctuaries. Whoops! At least the "bad guys" lost, right? (The problems are covered somewhat in the article linked, and I'll go into more details in a future post. You can also read my analysis from 2020, linked up top.)

Now, I know. Something something something facts don't matter this much in our post-truth era, stop caring so much, that's just how politics work, etc. I’m sorry, but no. Absolutely not.

Laws that will impact the welfare of living animals must be crafted carefully, thoughtfully, and precisely in order to ensure they achieve their goals without accidental negative impacts. We have a duty of care to ensure that. And in this case, the law also impacts reservoir populations for critically endangered species! We can't get those back if we mess them up. So maybe, just maybe, if legislators hadn't been so focused on all those alleged pet cats, the bill could have been written narrowly and precisely.

But the minutiae of regulatory impacts aren't sexy, and tiger abuse and TV shows about terrible people are. We all got misled, and now we're here, and the animals in good facilities are already paying for it.

I don't have a conclusion. I'm just mad. The public deserves to know the truth about animal legislation they're voting for, and I hope we all call on our legislators in the future to be far more critical of the data they get fed.

[cy-cyborg]

Free Manual Wheelchair Reference Models

ID: A banner with grey 3D models of 5 kinds of manual wheelchairs in a line in front of the disability pride flag and text that reads "Manual Wheelchair References" /End ID

For disability pride month, I decided to release a pack of 3D manual wheelchair models.

The pack includes 5 wheelchairs:

2 Active urban-style chairs (one of which includes a smart drive)

1 off-road active chair

1 children's wheelchair

and 1 standard "hospital" wheelchair).

All the wheelchairs are based off either wheelchairs I or friends of mine have used

Downloadable here!

or on the Clip Studio Paint Asset Store (ID 2097442) (there's been an issue with the CSP version, but the models in the download folder can be imported into clip studio paint until I can fix it)

More info about the download contents below:

The first download link includes the original .Blend file with all 5 chairs, as well as individual .obj or .fbx files the chairs (All but 1 have an .obj file, as they're only meshes. The chair with the smart drive is rigged, which is why it has an .Fbx file instead so it will retain that information) as well as a "read me" file that explains in more depth what kind of disability/character/lifestyle each chair is made for (These are just what I had in mind when I designed them, they are usable by other characters who don't fit the suggestions for the most part!) I wanted to include the Read Me contents in the CSP Asset Store listing, but CS said it was too long lol.

Also, as the title says, these files are free to use! While it's not mandatory, I would appreciate credit if you use them (or even just a tag so I can see the cool art you make with them!!)

I actually made these ages ago, the original plan was to use them in a series of posts then release the pack, but I never got around to making the series and so they've just been sitting here. I took a day off from art fight attacks to clean them all up and get them ready to post. If you experience any issues, let me know and I'll try to fix it up.

I had a couple more that were supposed to be in the pack including a sports (basketball/Tennis) wheelchair and some different styles of wheelchair, but I think the files corrupted so once I fix (or remake) them, I'll probably make a second pack.

If you have any issues, please let me know!

[pipermca]

New AO3 Tag Wrangling Policy and the Transformers Fandom

Edit in the event people come back to the original post: Please do not email AO3 about this issue. See their response about this issue!

(This is a long one, folks, but I think it's important.)

A new tag-wrangling policy on AO3 has the potential to create some massive confusion and chaos in the Transformers fanfic community, with regards to fandom tags. There is a Reddit post about it here with a focus on anime fandoms, but I want to give some concrete examples for the Transformers fandom on why we DO NOT WANT this, and why I think it's a horrible idea.

The Problem

Basically, AO3 is looking to get rid of the "All Media Types" fandom tag across the board, either by dismantling them or just not maintaining them. The Transformers - All Media Types tag has been an all-purpose tag that you could select when your story doesn't fall into any one specific continuity. Additionally, all most (see below) TF continuities on AO3 are considered a subtag of the Transformers - All Media Types tag. For example, if you look at the link above for all works in the All Media Types tag, you will see fics that are also tagged ONLY with Transformers: Animated, because it falls under the All Media Types tag.

One exception: With the upcoming Transformers: One movie coming out imminently, there will likely be a big influx of stories tagged with Transformers: One. In fact, there are several already. However, it hasn't been linked to the larger Transformers - All Media Types tag yet. I wasn't worrying about it though, because I know these things can take time.

With information about this new tagging policy, however, I'm now wondering whether it'll EVER get linked to the All Media Types tag. If that happens, and when more continuities are developed in the coming years (since you know Hasbro loves creating new universes) this has the potential to cause massive confusion when looking for stories to read.

Searching for Stories with the New Tagging System

So let's say the All Media Types fandom tag isn't accurate anymore, because it no longer includes ALL of the continuities (such as TF:One). You will need to include ALL the Transformers continuities when browsing for TF fics.

How many tags is that? Well, here are all of the tags currently listed under the Transformers - All Media Types tag:

Note that this doesn't include Transformers: One since it hasn't been categorized yet.

You will potentially have to have 40 or more different fandom tags in your search, just in case the author tagged their story with something you weren't expecting.

This massively decreases the findability of a story.

Tagging with the New System

The email response from the Tag Wrangling group (see the linked Reddit post above) seems to be a bit flip in the response to the user's concern. "...encourages creators to tag with the media they intend."

While I appreciate what they are attempting to do, this policy change feels like a solution in search of a problem, especially in larger fandoms with multiple continuities, versions, and media types that are all cross-pollinated in both canon and fanon. While I'm focusing on Transformers fandom, imagine a creator in the DC comic universe writing a story that incorporates bits and pieces from a dozen different reboots.

For example, let's say that I am writing a fic about Ratchet. I am using the setting of the original G1 episodes, but I also am using the characterization of him as a bit of an old man grump. That characterization originated in the Animated continuity, but I want to incorporate bits of pieces of his other characterizations as well (old friend of Optimus from TFP, Ratchet ran a faction-free clinic like he did in the War for Cybertron series, he's got a Decepticon boyfriend like in IDW1 - or maybe even Cyberverse, etc.)

With this new tagging structure, I might potentially have to tag the story with ALL of those continuities. So instead of just slapping down the "All Media Types" tag (and maybe one other fandom tag that matches the characters as best I can), I'll have to analyze my story and try to figure out how best to tag for the characters I used.

And what if you're doing a completely AU version of the story? For example, a humanformers story, or merformers? Using the All Media Types tag along with a Alternate Universe - Human or Alternate Universe - Mermaid tag worked perfectly, since you weren't writing the story to fit into one specific continuity. But now, that might not be an option.

What To Do??

The first thing I would suggest is to contact AO3 (using the Feedback and Support page) and let them know (nicely) that you think this is a horrible idea. Give them some examples on how you use the All Media Types tag to find stories to read, or to help you tag a story. People outside of the Transformers fandom don't always appreciate how absolutely tangled the continuities can be with each other, and providing examples might help them see why this would be a really messy change.

Readers: Be aware that when you are looking in the All Media Types tag, it will no longer show newer continuities. And if AO3 starts dismantling that tag like they suggested they are doing, be aware that some stories won't show up in that tag like they used to. You can also create and then bookmark a custom search page that includes all 40+ continuities. REALLY annoying, but it's a workaround.

Writers: Until they start dismantling the All Media Types tag, ALWAYS ALWAYS tag your stories using Transformers - All Media Types... Especially for newer continuities. This will be especially important if you are writing a Transformers: One story. Right now, anyone who is only browsing the All Media Types tag will not see a story tagged only with Transformers: One. Make sure you're aware of how tags work and how they can affect the visibility and findability of your story.

Epilogue

Ugh. That's a lot of words for a long-weekend Saturday. And maybe I'm overreacting a tiny bit. But my work involves information architecture, and this change just absolutely baffles me. It's almost as though they want to make it harder to find stories. Considering that AO3 won a Hugo partially because of its fantastic tagging system, this change seems like AO3 is doing its best to shoot itself in the foot.

When you have a square hole, a round hole, and a rectangular hole… Yeah, you DO want each peg to go in the "right" hole. But if all of the pegs fit in the square hole, who cares? You got the job done.

I love you @ao3org, but please reconsider this change... Especially for IPs that are as old and are as varied as Transformers.

[spectorgram]

FAN BEHAVIOR

characters: dick grayson, jason todd, tim drake summary: batboys with a celebrity! reader content/warnings: fem! reader, fluff

DICK GRAYSON

You’re an actress who has had a meteoric rise, moving from doing small, one-off parts in TV shows to becoming a breakout star on a particularly popular series to being cast in major movie productions

Your stardom is still a little surreal to you and when you’re invited to a wayne enterprise charity gala, you contemplate not going — what business do you have being somewhere with people far more famous than you? But when you tell your agent this, she gives you a look that says you’re insane for even considering declining

You’ll forever be grateful that she urged you to do so because that’s where you meet Dick

He’s standing with Bruce Wayne, chatting with some frequent donors, dressed in a perfectly-tailored navy blue suit when he sees you out of the corner of his eye and he lights up. He approaches you first with that megawatt smile and introduces himself with an extended hand and says, “I’m a huge fan! I’ve been watching your stuff since you were in Legends of the Kingdom!” And the rest is history

Dick goes to every red carpet event you invite him to and he makes it a point to attend every private premiere screening and public opening night

He definitely shushes anyone who talks during your movies or TV shows and does not care if people think he’s obnoxious.

You’re definitely the ‘it couple’ and your faces are plastered constantly on magazine covers and two-page spreads

There are people who try to sow discord in your relationship and their go-to is either pointing out how different you are to Dick’s former girlfriends; that you’re not his type, that this isn’t going to last, etc., or that you’re not talented enough for the fame you have or to be dating Dick Grayson

It definitely gets to you and does nothing to whatever lingering imposter syndrome you harbor but Dick is such a grounding force, reminding you that it’s all just noise and that he loves you completely and unconditionally

At home, he likes to rewind your scenes in shows and movies, and it flatters you as much as it flusters you

He also likes to read through scripts with you when he can and his voices for the various other characters bring you to tears from laughter 

So many intentional and unintentional thirst trap couples pics. Like, a selfie you post one morning — Dick is shirtless and you’re in one of his old t-shirts and its sliding down your shoulder and showing your collarbone and you’re both laying on your stomachs in your shared bed, hair sleep (and sex) tousled with the morning sun making both of you look like you’re golden and glowing 

JASON TODD

You meet Jason as Red Hood first when you’re running from the paparazzi but you don’t know it’s him

They chase you down a couple of blocks before someone tugs you into an alleyway and you’re about to scream for help when you see who it is. Red Hood shields you as the paparazzi pass and when you ask him why he helped you, he simply says, “I hate the paps and you looked like you needed a hand.”

Once he’s sure the coast is clear, he walks you back to your hotel using the back alleys of Gotham. You make several attempts to strike a conversation up with him in the first few minutes of your walk but what seems to catch his interest is when you start rambling on about just finishing Dostoevsky’s Crime and Punishment. 

You’re disappointed when you arrive at your hotel and you’re rush inside to find a pad to scribble your number on but he’s gone when you return, disappearing into the night

It’s by chance that you meet him again (unbeknownst to you), this time in his civilian identity as Jason Todd. You’re in disguise at a bookstore in Gotham when you bump into him and spill his iced coffee all over both of you, apologizing profusely and offering to buy him another drink, which he accepts. (His voice is oddly familiar to you but you can’t put your finger on why) 

You two keep in touch and start dating privately. The long-distance is difficult at times given your very different and busy schedules and Jason is pretty cagey about what he does but you both make time for each other as much as possible

He tells you that he listens to your music during his workouts and in the background while he’s doing stuff around his apartment. He hums along too.

He recommends your songs to anyone who listens, which raises suspicions in the Batfam, and it obviously doesn’t take long for them to figure out that he’s dating you but he makes them promise to keep it to themselves. 

Whenever you have a concert in Gotham, which you make a point to do frequently, Jason is in the VIP box, bobbing his head and mouthing along to your songs. When it ends, he’s right there backstage with flowers and a thermos of tea for your throat

Your relationship goes public when fans capture of video of you two leaving one of your concerts together, Jason’s leather jacket draped over your shoulders

You eventually move to Gotham to be closer to him and the two of you spend every free moment either of you have together, making up for lost time. 

You still try to keep your relationship as private as possible but fans eat up any crumbs they get, including the occasional selfie of you both 

He is your biggest inspiration for songs and also your biggest help. You love bouncing ideas off of him and he likes sitting with you when you pick at your guitar strings and mumble a half-formed melody

(You eventually do find out that he’s Red Hood when he tumbles through the window of your bedroom, bleeding profusely, and you have to take his helmet off to assess the damage)

TIM DRAKE

You’ve known Tim since you were kids given that your parents ran in the same social circles

You started out as a child model in department store clothing catalogs. Tim did some shoots with you too but while his parents eventually stopped auditioning him for such jobs, you continued until the present day, and you’re now a well-known supermodel 

You two have been friends forever and the internet laps up your interactions together. There are compilations of videos and photos of the two of you at banquets and red carpet events and memes with text like “when will someone look at me like that?”

Before you two even started dating, there were articles about a supposed romance and sexual tension between you two. In interviews, you would vehemently deny anything asked about it and reiterate that you two are just good friends

At some point, however, you start seeing your childhood friend in a different light. He’s kind, brilliant, funny, attentive, and very handsome. It’s not that you didn’t know that before but it’s different now. You find yourself shying away his casual touches and suddenly conscious of your actions around him — did you laugh too loud? Is your hair in your face? Does he know how you feel? Can he tell?

You don’t want to ruin your friendship, as cliche as it sounds, so you did your best to keep your feelings under wraps, which resulted in you distancing yourself. When Tim would text to congratulate you on your latest Vogue cover or runway show, you would simply shoot a simple ‘thanks!’ text back instead of the usual ‘THANK U’ followed by five heart emojis. 

He confronts you about it one day and you’ve never really been a good liar in front of him so you tell him, bracing for a gentle rejection but instead receiving a kiss. 

You made a hard launch post with him on Instagram and received hundreds of DMs of people saying they were vindicated in believing that “friends don’t look at each other like that”

Tim is in the front row at every single runway show you have, dressed impeccably in an expensive suit. He takes pictures of you and visits you backstage with your favorite sweet treat.

After fashion shows and other events, you return to his apartment to let your hair down and put your feet up. You do your skincare routines together, sheet face mask and all, and snuggle on the couch for some TV or just to hang out and talk endlessly

You’re very active on social media with him and you two have a lot of couples posts together. When you both have time, you do Instagram lives where people watch you two make dinner together or answer some questions from viewers. A fan favorite is when you choose outfits for each other.

During a runway, you blow a kiss at Tim in the audience and the camera zooms in on his face, where he just watches you with a lovestruck expression and bright red ears — it’s in almost every video compilation that’s titled something like ‘15 minutes of Tim Drake being a simp’

[saetoru]

✩ ‧₊˚ ✩ speak of the devil

synopsis. satoru and his father don’t quite get along—you don’t think it would help that case if his father walked in on you fucking on his desk right now, but satoru doesn’t seem to care at all

FIVE PLACES RB! GOJO SHOULDN’T FUCK YOU SERIES

length. 3.4k words (why did it take all day sobs)

contents. fem! reader, minors do not interact, college au, rich boy! gojo, as always it’s shameless satoru, you sit on satoru’s lap, brief fingering, dry humping, desk sex <3, clothed sex, unprotected sex, creampie, pet names (baby, sweetheart, princess, perfect girl)

notes. to everyone who kept asking when i was gonna update this series: here it is. now don’t ask again <3

the one time you decide to surprise satoru with a visit is the one time he’s nowhere to be found—it takes you ten minutes and the help of two maids to finally find satoru in his house. as it turns out, he’s in his father’s office—the only room you’ve never been in yet.

“hey,” you murmur, “been looking for you everywhere. way to ruin my surprise.”

“baby!” he grins, perking up from his spot at the chair, setting the pen in his hand down. “you came all the way here to surprise me? you must love me so much. and think i’m hot too, right? and funny? and smart? and—”

“i’m leaving,” you tease, rolling your eyes. and then you notice the papers in front of him, peeking over his shoulder as you read over them. you understand nothing. “what’s this?”

“paperwork,” he grumbles, “old man says i have to start being more responsible for stuff if i’m gonna take over someday. what a geezer.”

you snort—satoru never runs out of insults for his father. normally, you wouldn’t encourage his comments, but….well, his father deserves them. quite a bit, in fact.

“my poor businessman,” you say sympathetically, smoothing back hair from his forehead as you cup his face. he pouts, leaning into your touch as you rub over the swell of his cheek with your thumb. “you deserve a break.”

“i know,” he whines, “i’ve been doing these for like an hour. i could’ve been playing video games with suguru. or fucking you.”

“satoru!” you gasp, pressing a hand over his lips as you eye the door and listen for any signs of anyone nearby. you turn to him and hiss, “you have too many people wandering your house for you to say that so loud.”

“not like they’ve never heard us before,” he shrugs.

well, that’s satoru for you—as shameless as ever. not only has he probably traumatized the poor maids with his insatiable horniness, but he’s not even got the tact to at least seem embarrassed. not even slightly ashamed. you scoff, shaking your head as he grins up at you cheekily.

“you’re a real case, you know that?” you say in disbelief, “i think the only surface you haven’t fucked me on is your parent’s bed. and that’s only because you love your mom enough not to do that.”

“if it was just the old man’s, i’d have fucked you on that too,” he snickers. and then he hums thoughtfully, “actually, i think i have fucked you everywhere. it’s like a bucket list.”

“satoru, you’re sick in the head.”

“the showers, the guest rooms, the kitchen, the living room, the movie room, my room, of course—oh, the game room too. and we can’t forget the backyard and the pool either. i think we got it all—wait.”

he sounds serious. you look at him with furrowed brows as you tilt your head. “what?”

“we didn’t get this room.”

oh god. he’s absolutely ridiculous—and not only that but a complete idiot, too. not only do satoru and his father not get along, but his father couldn’t disapprove of you any more than he already does. the last thing you both need is for him to walk in on his son fucking the girl he probably wants to hire a hitman to assassinate.

“oh my god,” you say exasperatedly, “toru, have you not one ounce of shame? you can’t possibly think—”

“why didn’t i think of this sooner?” he wonders out loud—and oh no. satoru has that look in his eyes, the one that’s locked in on something he wants. the spoiled side of him isn’t going to let this go. the weak part of you is probably going to have a hard time fighting him.

the unwise part of both of you will probably get you both into a whole lot of trouble.

“because it’s a bad idea. you’re a smart guy, toru,” you try to butter him up—it doesn’t seem to do much, though. “the smartest. so, so genius and intelligent, so you know this is a terrible idea, so let’s just drop it—”

“i should’ve done this way sooner,” he chuckles, looking at you in awe, “bend you right over this desk and fuck you over that fossil’s papers.”

his words are so shameless and so, so wrong. but for some odd reason, your clit aches a little at that.

“no, absolutely not—”

“can you imagine? he’s signing papers right where i had you drooling for me? he’d be so mad if he knew,” satoru cackles.

god—this should not be as appealing as it sounds. you try to throw on your best stern look, but satoru is as smart as he is sly. he can see the way you shift on your feet as he smirks up at you, and he’s already got that determined look in his eye that you know well enough.

it’s the same look he has when he decides he’s hungry—for you, that is. the same look that paints his face as he eyes you like you’re his next meal. the same look that tells you he wants you—and he’ll stop at nothing to have you.

and….well, you’ve never been good at saying no to satoru. it’s your fatal flaw.

“satoru, we should definitely not be doing any of that in here, and we definitely should not be risking making your dad—who hates that we’re dating, by the way—any more angry with us than he already is—”

“sweetheart,” he chuckles, pulling you by the wrist to fall onto his lap, “you worry too much, y’know that? i should fix that. fuck you dumb over this desk so you don’t overthink in that pretty little head you have.”

you glare at him, but he’s already got you straddling his hips, arms looped around your waist as he kisses your jaw with a hum. he’s already hard from what you can feel—the bulge pressing against your heat is hard to miss. 

“satoru—”

“save the part where you say my name for later. i haven’t even done anything yet,” he winks—and then he’s kissing you. he’s clever, you think, because kissing you is the fastest way to get you to melt against him, arms wrapping around his neck as he pulls you closer. 

so close, in fact, that you can feel his cock practically twitch in his pants as you shift on top of him, dragging your clothed cunt over his aching bulge.

“this is such a bad idea, toru,” you whisper in between kisses—but not one part of you fights his touch or even attempts to pull away. he hums, pressing wet kisses along your jaw as his hands dig into your hips, moving you to grind along his hardened length. 

“yeah? you sure? let’s check, shall we?” he raises a brow, hand slipping past the waistband of your pants and brushing past your folds—wet. dripping and messy and needy, just how your pussy always seems to be when you’re with him. he grins in satisfaction and throws you that knowing look as he mumbles, “sorry, baby. this pretty little pussy of yours disagrees.”

“toru,” you gasp as he toys with your clit, rubbing slow enough circles that you whine and roll your hips, trying to get more. but satoru is a brat—always has been, right from the day he was born. he pulls his fingers away and looks at you smugly as he kisses your curled lips while you frown at him.

“want more, don’t ya?” he asks—he’s too cocky for his own good sometimes. too ridiculous and annoying and troublesome, but you’re aching to feel something, anything. preferably him, so you nod. 

“just hurry up,” you huff. your hips push against him, dragging your cunt over his cock—it’s throbbing in his pants, confined under the fabric and needy for the tightness of your walls. you gasp when he rubs against your clit, and he groans, guiding your movements with a tight grip on your hips. 

“fuck, sweetheart,” he rasps, “c-could cum jus’ like this. see what you do to me?”

“‘s not me,” you tilt your head as he nips at your neck, hand trailing to cup the back of his head and keep him in place as he nibbles at the skin and pecks along the marks he leaves, “this is all your fault.”

“all my fault, huh?” he chuckles, “you make it sound like this is a bad thing.”

his hips buck up, rolling against yours and building the friction up until your both panting messes, his lips against yours as you drink in each other’s moans—your clit rubs along his length with every stutter of your hips, and his tip leaks with more pre cum every time you press harder against his cock. it’s desperate—the way he chokes on your name and the way you cling around his neck. it feels good, and the way this is all so wrong only makes it feel better. 

“‘m close, toru,” you mewl, whining as his hand slides under your shirt to massage your tit, his eyes trained on you as he hums.

“good,” he grins, eyes dark and glinting with a sick satisfaction you don’t think you’ve ever seen on him before, “cum for me, sweetheart. right here—right on this chair,” he says lowly. 

so you do—head falling back with a sharp gasp and your nails digging into his shoulder as you come undone with a loud whine. the gojo estate is big—very big. you’re sure your voice isn’t carrying through even a fraction of the place, but still, you can’t help but clamp a hand over your mouth in case anyone is nearby. 

satoru doesn’t like that, though—his hand rips yours off as he ruts his hips upwards faster, harder, pressing against you closer. “no, baby,” he chuckles, cutting himself off with a breathy moan when you press harder against his cock, “make sure you let me hear how good you feel. feels good, huh?”

“yes,” you whimper, “yes, feels so good—need more, toru. please,” you pout, looking up at him with lust-blown eyes. 

“here?” he mocks, raising a brow, “you want me to fuck you right here? in my father’s office? where he does his work? right on his desk?”

“yes, here,” you sob, “right here—please. want you so bad. need it.”

“see?” he laughs, “now you’re getting it—not so much of a bad idea, is it?”

that’s the thing about satoru—he’s too used to hearing what he wants. being told what he likes to hear. getting what he asks for. you say no, and he’s determined to change it to a yes. but yes is never enough—it’s more. always more, more, more. it’s like all rich people, you suppose. 

they just always want more.

there’s a small, reasonable voice in your head that tells you this is a bad idea. a disrespectful one, even. sure, satoru’s father has never been kind to you, let alone polite. he looks at you like you’re an eyesore, and he’s certainly said less than appropriate things about your upbringing. but that doesn’t mean you have to stoop to his level of low and do something equally as spiteful, if not more…but you’re only human. and satoru always just fucks you so well, and cumming around nothing just isn’t enough, and…well, you think it’s just karma. 

the way the world works. 

the way you and satoru work. 

so you grin, huff out a little snort before pulling him into a kiss and reaching to free his hard, leaky cock from its confinements. he whines a little into your mouth as you smear the arousal coating his tip along his length, stroking down and squeezing at the base. 

“okay,” you whisper against his lips, “fuck me toru. right here—right on his desk.”

that, evidently, is all it takes—one second you’re comfortably sitting on his legs, pants soaked with his bulge pressed against your core, and the next second you hear his hand swipe papers off the surface to fall to the floor as your back is pressed against the cool wood. he doesn’t even bother with your clothes, just tugs both of your pants down your thighs that it’s enough. satoru has always been impatient too—doesn’t like to wait for anything when he can take it when he wants. 

you can feel him close, hovering over you. he’s warm—where his cock presses against your thigh, where his breath fans over your lips, where his hands grab your wrists and pin them over your head. he’s warm, and your head spins, and you need him filling you to the brim right now.

“anything you want, you get, sweetheart,” he murmurs, grinning sickeningly sweet, “can’t say no to my baby. what kind of boyfriend would i be?” you feel him bump his tip against your clit, making you gasp before he drags the head of his cock along your folds—they’re wet and slick from your arousal, coating his tip before he’s slowly pushing in. you gasp, wrapping your arms around his neck as he groans lowly. “can never get used to this,” he breathes, “never get used to this pussy. just takes me so well. fit in like i was made just to fuck you.”

“toru, t-toru—oh,” you squeal when he slides the rest of his length to fill you, buried to the hilt as your walls flutter around him. it’s nothing new, but it’s never something you’re prepared for all the same. how thick he is, how perfectly he hits that spot in the back of your walls, how full he makes you feel. it makes your legs wrap around his waist and pull him forward, closer, deeper. “more, toru—move, please.”

“nuh uh,” he drawls, kissing your cheeks, “first you gotta tell me how much you love me.”

“satoru,” you hiss in disbelief, “are you kidding—”

“c’mon, say it,” he giggles, “love you, toru. love how you fuck me so good everywhere in your house and make me feel like a princess. you’re the best boyfriend ever and i’ll die without your cock—”

“i love you toru,” you smile sweetly, “you know what i love more, though? when you’re too busy making pretty sounds for me instead of talking so much.”

that makes him shudder—makes him curse under his breath as your walls flutter impatiently around him. he’s aching—hot and swollen in your dripping cunt, balls heavy with cum that he needs to empty into your pussy because it was made to take him. every inch of him.

“you’re gonna be the death of me,” he breathes out shakily, “know that? gonna kill me one of these days.”

“good,” you hum before rolling your hips and making his breath hitch, “now move, baby. wanna feel you.” 

he does—pulls his hips back so that he’s just almost pulled out completely before he slams back into you, pressing against your sweet spot with his tip in the way only satoru knows how. only he knows you this well, only he knows your body so well. he knows where to kiss and hold and touch to make your eyes flutter shut, and your mouth fall open, wanton moans falling past your lips without a care in the world who can hear. 

“so tight, baby,” he whines, “god you’re so perfect—my perfect girl.”

“so full,” you gasp, clawing at his shoulders, pulling at his hair, pulling him closer and closer and closer until not even air can fill the space between you. “feel so good, toru—fuck.”

“look at you,” he coos, pressing a kiss to your collarbone, “‘s a shame you can’t see what i see. then you’d know why i can’t keep my hands off’a you—’s impossible.”

you can’t speak—all you can offer him as he’s bullying his thick girth into you is a pathetic whine as his veins drag along your walls, as his navel bumps along your clit and has your head thrown back against the table. there’s slick smeared along your inner thigh, the wet sound of his cock fucking into you ringing in your ears along with his deep groans as he pants harshly against your ear. you can feel his breath against your skin, can feel the goosebumps and the flutter of your walls every time he makes a pretty little sound for you as you squeeze around him. 

“love you, toru,” you mewl—you can’t help but say it, can’t help but remind him when he pushes into you like he was always meant to fit right there, like he was always meant to feel you as you feel him too. and if his rotten, greedy, stuck-up father with a receding hairline can’t see that you love satoru, maybe you’ll just have to fuck him right where he can find you just to drill the image into his mind. 

“love you too,” he says between moans, face digging into your neck as your hand cradles the back of his head, keeping him right there, keeping him close against you like he should never be anywhere else, “love my perfect, perfect girl. feel me? feel what you do to me?”

you nod between sharp gasps and soft cries of his name—he looks down at you in wonder, at the way your lips look when they murmur that sweet little cry of toru!, at the way your pussy sucks him in and hugs too tightly around him, at the way you look so good with the slight sheen of sweat on your face. 

his hips roll, a little sloppy in rhythm now, but still just as hard and deep as before. he can sense it—the way you’re just about to fall apart on his cock, just like you always do. so he presses a thumb to your clit, rubbing harsh circles that make you cling to him tighter as you cry out another sweet string of toru, toru—more!

“you close, sweetheart? gonna cum for me? ‘m close—gonna fill you up. want that, don’t you?”

“yeah,” you breathe, kissing him with hot, open-mouthed kisses that he returns, “yeah i wan’ you to fill me up, toru—gonna cum. ‘m so close—f-fuck, so close, baby.”

you know he is too, the way his cock twitches and the way his hips are desperate in the way they roll into you tells you he’s just as close to falling apart as you are. you push your hips up to meet his thrusts, pushing him impossibly deeper into your cunt before you feel the coil snap as you cum—hard. your walls flutter around him, spasming and squeezing around him that his bottom lip is tugged between his teeth as he inhales sharply.

“f-fuck, baby—’m gonna…” he doesn’t get to finish before you feel his cock twitch and the first drop of cum fills you. it’s hot and thick, every rope he fucks into you, leaking past his tip and painting your walls white. you can feel the mess he makes—can feel the drops leak and smear along your inner thighs as he slams into you with choked whines of your name. “g-good—’s so good, you feel so good,” he says breathlessly, face digging deeper into the crook of your neck as his arms tremble over you.

the wood is hard against you, makes your back ache slightly—but it’s not nearly as bad as satoru is good. you can’t think of anything else but the way he fucks you both through your highs until your legs are begging to press shut from the oversensitivity. 

it’s silent for a bit once you’ve finished—save for the harsh, labored panting as you both calm down and catch your breaths. satoru is still buried with his nose pressed against your neck, your hand rubbing over his back slowly.

“your maids must hate us,” you mumble, “and if your mother hears? we can never show her our faces again.”

“she’s probably dead to the world and watching her reality shows,” he snorts, “we’ll be fine.”

“well, we should clean up and leave before your dad—”

“oh look, speak of the devil. he’s just in time,” satoru snickers as he cuts you off, looking over at the window as an expensive car drives up to the house, “think we can get these papers organized before he comes up here? maybe we should just leave ‘em to make him mad.”

“you’re crazy,” you say in disbelief. and then— “i think we should leave them there. make them his problem.”

you think you’ve just watched satoru fall in love with you all over again at that.

i hate this fic but hopefully i come back one week later and reread it and think wow i ate w this. sometimes i do that. but if i don’t: if all of you donate one dollar to my family they can afford my funeral for when i drink bleach