#no my fucking neck

[tiredflowercrown]

I hate it when standing hurts

[nebulousfishgills]

Listen, Otto realizing that he helped put a moron on the Iron Throne and then going through the five stages of grief before dipping is peak comedy, bro really fucked around and then found out.

[sail-not-drift]

Leverage | s05e09 | THE RUNDOWN JOB

Hey, we're thieves, man. And we're good at what we do. But this is way, way out of our league. And you expect us to go catch some psycho with a city killer? A country killer?

[systelon]

「 YOU'VE SLEPT ENOUGH. 」

[ruinix]

He calls his dad before EVERY game?! Excuse me. That is too cute.

This camerawork is unreal. It felt like it's targetting me like what do you want me to do? Grab his hand and bite his neck while he calls his dad???

[blanc-ci]

Part 1/?

Spock has known no peace since his captain decided to get some fangs of his own

mutual (eventually) biting prompt courtesy of @threefandomsinatrenchcoat

I’m struggling through the next part so I figured I’d post what I have so it doesn’t just sit in my drafts forever and ever, but I promise it WILL be mutual

Spock definitely uses his fangs against Jim quite liberally, which led to the captain getting his own gold capped fangs and immediately going on a quest for revenge.

They’re insatiable now, so much goddamn biting. Like two cats (or dogs?) constantly fighting and biting each other’s scruff to prove how they’re the dominant one in the dynamic.

I don’t think Spock used them on Jim during a spar UNTIL the captain got his own and proved (very readily) that he was not afraid to play dirty and tear right into Spock’s flesh. The following visit to medbay had Bones going between yelling “WHAT WERE YOU THINKING” and equally “I DONT WANNA KNOW”. He doesn’t give them any pain killers or numbing agents as he heals them up.

Jim is not afraid to be public about it (why would he be? Hello? He’s the Captain, he’ll damn well bite the XO whenever he wants to) but Spock keeps his biting relatively private- and I feel that’s his possessiveness shining through, in a way. Keeping the marking/claiming just between Jim and himself, like those moments belong solely to him, only for his eyes.🙂‍↕️

[srapsodia]

Maaaaan, that was close...

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[ramblingguy54]

If there was any moment that made me cry most, it would be this one.

[kinerxy]

The Molar Horse, they're similar to IRL horses but alot bigger and with a bulkier neck... beside the obvious frontal tusks used for defense against predators and in intraspecific competition.

Due to their aggressive and fearless nature aswell as gigantic size theyre an excellent war mount, even if their domestication isnt for the weak.

when their lips are relaxed they cover all the teeth, this is to protect their integrity and also to avoid infections, this tissue is hardy but flexible enough to be pulled all the way back to show the hidden upward incisives and the rest of the teeth, baring their teeth can be out of distress or as a threat.

(the silly)

In a previous ask I explained how these animals can eat, in short I didn't want to add some type of trunk nor modify the appearance of the tusks especially the big frontal one so the easiest option to go is to have a large tounge strong enough to help it eat in a similar fashion to a giraffe.

But I was thinking that in my setting the general landescape is very desertic and there aren't many trees around, this opens an issue since the tounge was based on a giraffe tounge which is made to grab tree branches and pull the leaves into their mouths, so maybe these tounges could have spiky cavities similar to a feline tounge but much more exaggerated, this to be able to have a stronger hold on the dry grass and other types of dry food that probably would be on the ground.

TW: (fictional) Animal abuse

In my story there are many important factions and in general they aren't benevolent specially since the war is a common occassion and each one have to do what it needs to success and maintain territory and resources, this faction, the Altan Empire (which hopefully i will show more of them in a future) is one of the few important nations that have managed to domesticate the dangerous Molar Horses, but to conceive this they had to do some evil shit

The lips of a molar horse are a very sensitive part of their body, these have many nerve conections to be able to move them and show different types of expressions, emotions and give indications to other Molar horses.

The removal of these lips greatly vaffects their behavior, making them docier and easier to handle aswell as opening a entrance to put the mouthpiece and colocate the bridle without having problems with the vast tissue, this is called marking.

A marked molar horse is alot less unstable than its wild counterpart, making them an excellent mount to be used in the loud and unpredictable battles between factions, it also improves their intimidation factor

But beside their obvious degradation in appearance, these animals become incapable of communicating normally with other molar horses.

Another problem are the infections, is common to see marked molar horses with infected pimples, scars or without some back teeth that fell off or had to be removed.

on the bright side, in recent times and due to the domestication of the marked molar horses, meaning that newborns are more docile withouth having to mark them aswell as improvements in the design of the bridle, said newborns are commonly left with their intact lips.

[meangreennunseen]

You know how Leman Russ was at the start raised by female Great wolf right? So I was thinking maybe Fenrisian people had always assumed Leman Russ was born from that Great Wolf and after witnessing Emperor come and claim he is Father of Leman Russ...

You just know someone on Fenris had to assume Emperor had fucked that Great Wolf, thus Leman Russ was born. And that assumption had to become a legend.

[uhrimau]

c l a u n e c k

[katabay]

bayek, doing some exploring :)

[obviousanon]

Guys. Guys. Guys you need to see this.

Don't tell me this motherfucker doesn't like pain. Ever. Because you're never gonna win.

Logan and Wade fucked in that Honda Odyssey.

[casualavocados]

#AI DI versus Chen Yi's neck (CHEN YI version)

Chiang Tien as AI DI & Chen Bowen as CHEN YI KISEKI: DEAR TO ME (2023)

[thebrainrotsreal]

EVIL MARK, EVIL MARK, EVIL MARK!!! I want to be coherent about this season but please picture me foaming at the mouth and running on the walls. S2 being what if Mark's just like his Dad? Insanity. I love this show. Anyways, AU where an Evil!Mark tries to make Our!Mark worse, and Our!Mark tries to make the other better. Something something confronting your idea of the worst version of oneself. Plus, tweaked black and yellow costume because I saw it and immediately went murder hornet lookin' ass and knew I had to draw it. Evil ass Mark. Horrible. I think he should be dragged kicking and screaming into redemption.